Under The Volcano Quotes

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How, unless you drink as I do, could you hope to understand the beauty of an old Indian woman playing dominoes with a chicken?
Malcolm Lowry (Under the Volcano)
Be a man!... What good is religion if it collapses under calamity? Think of what earthquakes and floods, wars and volcanoes, have done before to men! Did you think that God had exempted [us]? He is not an insurance agent.
H.G. Wells (The War of the Worlds)
No se puede vivir sin amar
Malcolm Lowry (Under the Volcano)
I have no house only a shadow. But whenever you are in need of a shadow, my shadow is yours.
Malcolm Lowry (Under the Volcano)
Besides, tourists go out there all the time. The volcano can't be that dangerous." "I'm guessing the tourists aren't trying to steal a forbidden object out from under the noses of evil witches." "Not unless they've paid for the deluxe package".
Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
Michael Crichton (Jurassic Park / Congo)
A little self-knowledge is a dangerous thing.
Malcolm Lowry (Under the Volcano)
Try persuading the world not to cut its throat for half a decade or more...and it'll begin to dawn on you that even your behavior's part of its plan.
Malcolm Lowry (Under the Volcano)
Adiós," she added in Spanish, "I have no house only a shadow. But whenever you are in need of a shadow, my shadow is yours." "Thank you." "Sank you." "Not sank you, Señora Gregorio, thank you." "Sank you.
Malcolm Lowry (Under the Volcano)
Somebody threw a dead dog after him down the ravine.
Malcolm Lowry (Under the Volcano)
To say nothing of what you lose, lose, lose, are losing, man. You fool, you stupid fool ... You've even been insulated from the responsibility of genuine suffering ... Even the suffering you do endure is largely unnecessary. Actually spurious. It lacks the very basis you require of it for its tragic nature. You deceive yourself.
Malcolm Lowry (Under the Volcano)
He was safe here; this was the place he loved - sanctuary, the paradise of his despair.
Malcolm Lowry (Under the Volcano)
¿LE GUSTA ESTE JARDIN QUE ES SUYO? ¡EVITE QUE SUS HIJOS LO DESTRUYAN!
Malcolm Lowry (Under the Volcano)
But who could agree with someone who was so certain you were going to be sober the day after tomorrow?
Malcolm Lowry (Under the Volcano)
Now you see what kind of creatures we are, Hugh. Eating things alive. That's what we do. How can you have much respect for mankind, or any belief in the social struggle?
Malcolm Lowry (Under the Volcano)
The Consul felt a pang. Ah, to have a horse, and gallop away, singing, to someone you loved perhaps, into the heart of all the simplicity and peace in the world; was that not like the opportunity afforded man by life itself? Of course not. Still, just for a moment, it had seemed that it was.
Malcolm Lowry (Under the Volcano)
Hugh put one foot up on the parapet and regarded his cigarette that seemed bent, like humanity, on consuming itself as quickly as possible.
Malcolm Lowry (Under the Volcano)
The movements of some more little red birds in the garden, like animated rosebuds, appeared unbearably jittery and thievish. It was as though the creatures were attached by sensitive wires to his nerves.
Malcolm Lowry (Under the Volcano)
I have resisted temptation for two and a half minutes at least: my redemption is sure.
Malcolm Lowry (Under the Volcano)
Can't you see there's a determinism about the fate of nations? They all seem to get what they deserve in the long run.
Malcolm Lowry (Under the Volcano)
It's amazing when you come to think of it how the human spirit seems to blossom in the shadow of the abattoir!
Malcolm Lowry (UNDER THE VOLCANO (Timeless Literature Collection Book 1121))
Far above him a few white clouds were racing windily after a pale gibbous moon. Drink all morning, they said to him, drink all day. This is life!
Malcolm Lowry (Under the Volcano)
Interchangeable ever were the terms of abuse with which the aggressor discredits those about to be ravaged!
Malcolm Lowry (Under the Volcano)
Journalism equals intellectual male prostitution of speech and writing,
Malcolm Lowry (Under the Volcano)
The will of man is unconquerable. Even God cannot conquer it.
Malcolm Lowry (Under the Volcano)
My lover. Oh come to me again as once in May.
Malcolm Lowry (Under the Volcano)
Good God, if our civilization were to sober up for a couple of days, it'd die of remorse on the third—
Malcolm Lowry (Under the Volcano)
Under the volcano! It was not for nothing the ancients had placed Tartarus under Mt. Aetna, nor within it, the monster Typhoeus, with his hundred heads and—relatively—fearful eyes and voices.
Malcolm Lowry (Under the Volcano)
Under the Volcano” embraces everything from Dante to Freud to the cabala. Here it shambles like Cervantes, there it rages like Ahab, and every page of it pulsates on Out of Body Auto-Reply, that style of pure Lowry that points at once backward, to all European literature, and forward, to the mother of all nervous breakdowns.
Malcolm Lowry (Under the Volcano)
What use were his talons and fangs to the dying tiger? In the clutches, say, to make matters worse, of a boa-constrictor? But apparently this improbable tiger had no intention of dying just yet. On the contrary, he intended taking a little walk, taking the boa-constrictor with him, even to pretend, for a while, it wasn't there.
Malcolm Lowry (Under the Volcano)
I bet we meet someone great today,” said Annie.
Mary Pope Osborne (Vacation Under the Volcano)
Love is the only thing which gives meaning to our poor ways on earth
Malcolm Lowry (Under the Volcano)
The sidewalks were haunted by dust ghosts all night as the furnace wind summoned them up, swung them about, and gentled them down in a warm spice on the lawns. Trees, shaken by the footsteps of late-night strol- lers, sifted avalanches of dust. From midnight on, it seemed a volcano beyond the town was showering red-hot ashes every- where, crusting slumberless night watchmen and irritable dogs. Each house was a yellow attic smoldering with spon- taneous combustion at three in the morning. Dawn, then, was a time where things changed element for element. Air ran like hot spring waters nowhere, with no sound. The lake was a quantity of steam very still and deep over valleys of fish and sand held baking under its serene vapors. Tar was poured licorice in the streets, red bricks were brass and gold, roof tops were paved with bronze. The high- tension wires were lightning held forever, blazing, a threat above the unslept houses. The cicadas sang louder and yet louder. The sun did not rise, it overflowed.
Ray Bradbury (Dandelion Wine)
He felt rather like someone lying in a bath after all the water has run out, witless, almost dead.
Malcolm Lowry (UNDER THE VOLCANO (Timeless Literature Collection Book 1121))
Every man must ceaselessly struggle upwards. What was life but a warfare and a stranger's sojourn?
Malcolm Lowry (Under the Volcano)
In the war to come correspondents would assume unheard of importance, plunging through flame to feed the public its little gobbets of dehydrated excrement.
Malcolm Lowry (Under the Volcano)
Things break all the time. Glass, and dishes, and fingernails. Cars and contracts and potato chips. You can break a record, a horse, a dollar. You can break the ice. There are coffee breaks and lunch breaks and prison breaks. Day breaks, waves break, voices break. Chains can be broken. So can silence and fever. Promises break. Hearts break. Fault lines: these are the places where the earth breaks apart, these are the spots where earthquakes originate, where volcanoes are born. Or in other words: the world is crumbling under us; it's the solid ground beneath our feet that's an illusion.
Jodi Picoult (Handle with Care)
Ah, guilt and sorrow had dogged Juan's footsteps too, for he was not a Catholic who could rise refreshed from the cold bath of confession. Yet the banality stood: that the past was irrevocably past. And conscience had been given man to regret it only in so far as that might change the future. For man, every man, Juan seemed to be telling him, even as Mexico, must ceaselessly struggle upward. What was life but a warfare and a stranger's sojourn?
Malcolm Lowry (Under the Volcano)
How shallow is the stage on which this vast drama of human hates and joys and friendships is played! Whence do men draw this passion for eternity, flung by chance as they are upon a scarcely cooled bed of lava, threatened by the beginning by the deserts that are to be, under the constant menace of the snows? Their civilizations are but fragile gildings: a volcano can blot them out, a new sea, a sand-storm.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
All of them, you see, misfits, all good for nothing, cowards, baboons, meek wolves, parasites, every man jack of them, people afraid to face their own responsibilities, fight their own fight, ready to go anywhere, as Tolstoy well perceived—
Malcolm Lowry (Under the Volcano)
Never think that by releasing me you will be free. You would only condemn us to an ultimate hell on earth. You would only free something else to destroy us both.
Malcolm Lowry (Under the Volcano)
Even almost bad poetry is better than life
Malcolm Lowry (Under the Volcano)
The Consul looked at the sun. But he had lost the sun: it was not his sun. Like the truth, it was well-nigh impossible to face; he did not want to go anywhere near it, least of all, sit in its light, facing it.
Malcolm Lowry (Under the Volcano)
and as they stood in silence before her, prayed again. "Nothing is altered and in spite of God's mercy I am still alone. Though my suffering seems senseless I am still in agony. There is no explanation of my life." Indeed there was not, nor was this what he'd meant to convey. "Please let Yvonne have her dream -- dream? -- of a new life with me -- please let me believe that all that is not an abominable self-deception," he tried... "Please let me make her happy, deliver me from this dreadful tyranny of self. I have sunk low. Let me sink lower still, that I may know the truth. Teach me to love again, to love life." That wouldn't do either... "Where is love? Let me truly suffer. Give me back my purity, the knowledge of the Mysteries, that I have betrayed and lost. -- Let me be truly lonely, that I may honestly pray. Let us be happy again somewhere, if it's only together, if it's only out of this terrible world. Destroy the world!" he cried in his heart.
Malcolm Lowry (Under the Volcano)
Hell,” he finished absurdly. “Because—” He produced a twenty-peso note and laid it on the table. “I like it,” he called to them, through the open window, from outside. Cervantes stood behind the bar, with scared eyes, holding the cockerel. “I love hell. I can’t wait to get back there. In fact I’m running, I’m almost back there already.
Malcolm Lowry (Under the Volcano)
Haven’t you got any tenderness or love left for me at all?” Yvonne asked suddenly, almost piteously, turning round on him, and he thought: Yes, I do love you, I have all the love in the world left for you, only that love seems so far away from me and so strange too, for it is as though I could almost hear it, a droning or a weeping, but far, far away, and a sad lost sound, it might be either approaching or receding, I can’t tell which. “Don’t you think of anything except of how many drinks you’re going to have?
Malcolm Lowry (Under the Volcano)
What is man but a little soul holding up a corpse?
Malcolm Lowry (Under the Volcano)
Not that it was not a nightmare. It was, but of a very special kind he was scarcely old enough to appreciate.
Malcolm Lowry (Under the Volcano)
The dead. Do they sleep? Why should they, when we cannot?
Malcolm Lowry (Under the Volcano)
Under the Volcano.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
The slow darkening of the murals as you look from right to left. It seems somehow to symbolise the gradual imposition of the Spaniards’ conquering will upon the Indians. Do you see what I mean?
Malcolm Lowry (Under the Volcano)
Yes, it struck her now that this whole business of the bull was like a life; the important birth, the fair chance, the tentative, then assured, then half-dispairing circulations of the ring, an obstacle negotiated - a feat improperly recognized - boredom, resignation, collapse: then another, more convulsive birth, a new start; the circumspect endeavours to obtain one's bearings in a world now frankly hostile, the apparent but deceptive encouragement of one's judges, half of whom were asleep, the swervings into the beginnings of disaster because of that same negligible obstacle one had surely taken before at a stride, the final enmeshment in the toils of enemies one was never quite certain weren't friends more clumsy than actively ill-disposed, followed by disaster, capitulation, disintegration.
Malcolm Lowry (Under the Volcano)
Bent double, groaning with the weight, an old lame Indian was carrying on his back, by means of a strap looped over his forehead, another poor Indian, yet older and more decrepit than himself. He carried the older man and his crutches, trembling in every limb under this weight of the past, he carried both their burdens.
Malcolm Lowry (Under the Volcano)
Nothing is altered and in spite of God’s mercy I am still alone. Though my suffering seems senseless I am still in agony. There is no explanation of my life.” Indeed there was not, nor was this what he’d meant to convey.
Malcolm Lowry (Under the Volcano)
When I should have been producing obscure volumes of verse entitled the Triumph of Humpty Dumpty or the Nose with the Luminous Dong! Or at best, like Clare, "weaving fearful vision" ... A frustrated poet in every man. Though it is perhaps a good idea under the circumstances to pretend at least to be proceeding with one's great work on "Secret Knowledge," then one can always say when it never comes out that the title explains the deficiency.
Malcolm Lowry (Under the Volcano)
Her mouth was perfect under his, her taste wrapping him up in addiction. He craved her the way others might drugs. The depth of his feelings shook him. The passion and love mixed together inside him, welling up like a volcano, consumed him.
Christine Feehan (Air Bound (Sea Haven/Sisters of the Heart, #3))
Ah, the harbour bells of Cambridge! Whose fountains in moonlight and closed courts and cloisters, whose enduring beauty in its virtuous remote self-assurance, seemed part, less of the loud mosaic of one's stupid life there, though maintained perhaps by the countless deceitful memories of such lives, than the strange dream of some old monk, eight hundred years dead, whose forbidding house, reared upon piles and stakes driven into the marshy ground, had once shone like a beacon out of the mysterious silence, and solitude of the fens. A dream jealously guarded: Keep off the Grass. And yet whose unearthly beauty compelled one to say: God forgive me.
Malcolm Lowry (Under the Volcano)
…“Please let me make her happy, deliver me from this dreadful tyranny of self. I have sunk low. Let me sink lower still, that I may know the truth. Teach me to love again, to love life.” That wouldn’t do either … “Where is love? Let me truly suffer. Give me back my purity, the knowledge of the Mysteries, that I have betrayed and lost.—Let me be truly lonely, that I may honestly pray. Let us be happy again somewhere, if it’s only together, if it’s only out of this terrible world. Destroy the world!” he cried in his heart.
Malcolm Lowry (Under the Volcano)
Why am I here, says the silence, what have I done, echoes the emptiness, why have I ruined myself in this wilful manner, chuckles the money in the till, why have I been brought so low, wheedles the thoroughfare, to which the only answer was—The square gave him no answer.
Malcolm Lowry (Under the Volcano)
This led to a discussion of whether volcanoes were really the fires from Vulcan’s forge or some sort of natural phenomenon, like storms and floods. I was of the latter opinion, because Vulcan is reputed to be the greatest of smiths and I doubt he would let his fires get out of control.
John Maddox Roberts (Under Vesuvius (SPQR, #11))
-Mira, Frijolillo -el Cónsul oía sus propias palabras-, tener en tu contra a Franco o a Hitler es una cosa, pero tener a Actinio, Argón, Berilio, Disprosio, Niobio, Paladio, Praseodimio... -Mira, Geoff... -...Rutenio, Samario, Silicón, Tántalo, Telurio, Terbio, Torio... -Mira... -Tulio, Titanio, Uranio, Vanadio, Virginio, Zenón, Iterbio, Circonio, por no hablar de Europio y Germanio... ¡Hip!... ¡Y Columbio!... Contra ti y contra todos los demás, es otra -el Cónsul acabó su cerveza.
Malcolm Lowry (Under the Volcano)
And the earth itself still turning on its axis and revolving around that sun, the sun revolving around the luminous wheel of this galaxy, the countless unmeasured jewelled wheels of countless unmeasured galaxies, turning, turning, majestically, into infinity, into eternity, through all of which all life ran on—all this, long after she herself was dead, men would still be reading in the night sky, and as the earth turned through those distant seasons, and they watched the constellations still rising, culminating, setting, to rise again—Aries, Taurus, Gemini, the Crab, Leo, Virgo, the Scales and the Scorpion, Capricorn the Sea-goat and Aquarius the Water Bearer, Pisces, and once more, triumphantly, Aries!—would they not, too, still be asking the hopeless eternal question: to what end? What force drives this sublime celestial machinery?
Malcolm Lowry (Under the Volcano)
Their house was dying, only an agony went there now. And leaving the burning dream Yvonne felt herself suddenly gathered upwards and borne towards the stars, through eddies of stars scattering aloft with ever wider circlings like rings on water, among which now appeared, like a flock of diamond birds flying softly and steadily towards Orion, the Pleiades …
Malcolm Lowry (Under the Volcano)
And in the town too were innumerable white cantinhas, where one could drink forever on credit, with the door open and the wind blowing.
Malcolm Lowry (Under the Volcano)
¿Le gusta este jardín, que es suyo? ¡Evite que sus hijos lo destruyan!
Malcolm Lowry (Under the Volcano)
Black Flowers is the name of that song.” Cervantes was about to beckon the man to come in. “It say:—I suffer, because your lips say only lies and they have death in a kiss.
Malcolm Lowry (Under the Volcano)
I hatched on an island of smoke and fire, under a volcano that breathed death all day and hid the stars and the three moons at night.
Tui T. Sutherland (Prisoners (Wings of Fire: Winglets, #1))
If there was a volcano under their feet, a Vesuvius that could erupt and bury this modern-day Pompeii at any moment, the best thing to do was dance on it.
Deborah Davis (Strapless: John Singer Sargent and the Fall of Madame X)
You must not let me out,' it warned him gently, as it saw his eyes rest on the lock. 'If you release me now that I know my nature, I could not help but unmake the enchantment of the mirrors. You see, they are tame now and they show only what people want and need to see in them. The wildness of them is bound up in my form, though I did not know it for a long time. If I were uncaged, I could not help but tear at the enchantment until I was unnamed. Then I would fly into all of the mirrors and windows and into shining footpaths after rain. The mirrors would become wild and they would be absolutely, utterly truthful. Everything would be seen for what it truly was. My laughter would greet every lie and every pretense. It would rumble like a volcano under the smooth surface of everything. You can imagine the chaos it would cause here, for those who dwell in the greylands do so because the mirrors are tamed. If I were free, people would come to be afraid of them. They would cease to believe in their reflections and eventually they would no longer believe in themselves. No, laughter must remain caged here.
Isobelle Carmody (Greylands)
And I'm afraid it really is a jungle too," pursued the Consul, "in fact I expect Rousseau to come riding out of it at any moment on a tiger." "What's that?" Mr Quincey said, frowning in a manner that might have meant: And God never drinks before breakfast either. "On a tiger," the Consul repeated. The other gazed at him a moment with the cold sardonic eye of the material world. "I expect so," he said sourly. "Plenty tigers. Plenty elephants too... Might I ask you if the next time you inspect your jungle you'd mind being sick on your own side of the fence?
Malcolm Lowry (Under the Volcano)
I remember Buenos Aires, people dancing under a volcano, girls with endless legs and older women waiting for the return of their loved ones, the disappeared, a return that will never happen.
Philippe Besson (Lie With Me)
Luther Burbank was born in a brick farmhouse in Lancaster Mass, he walked through the woods one winter crunching through the shinycrusted snow stumbling into a little dell where a warm spring was and found the grass green and weeds sprouting and skunk cabbage pushing up a potent thumb, He went home and sat by the stove and read Darwin Struggle for Existence Origin of Species Natural Selection that wasn't what they taught in church, so Luther Burbank ceased to believe moved to Lunenburg, found a seedball in a potato plant sowed the seed and cashed in on Darwin’s Natural Selection on Spencer and Huxley with the Burbank potato. Young man go west; Luther Burbank went to Santa Rosa full of his dream of green grass in winter ever- blooming flowers ever- bearing berries; Luther Burbank could cash in on Natural Selection Luther Burbank carried his apocalyptic dream of green grass in winter and seedless berries and stoneless plums and thornless roses brambles cactus— winters were bleak in that bleak brick farmhouse in bleak Massachusetts— out to sunny Santa Rosa; and he was a sunny old man where roses bloomed all year everblooming everbearing hybrids. America was hybrid America could cash in on Natural Selection. He was an infidel he believed in Darwin and Natural Selection and the influence of the mighty dead and a good firm shipper’s fruit suitable for canning. He was one of the grand old men until the churches and the congregations got wind that he was an infidel and believed in Darwin. Luther Burbank had never a thought of evil, selected improved hybrids for America those sunny years in Santa Rosa. But he brushed down a wasp’s nest that time; he wouldn’t give up Darwin and Natural Selection and they stung him and he died puzzled. They buried him under a cedartree. His favorite photograph was of a little tot standing beside a bed of hybrid everblooming double Shasta daisies with never a thought of evil And Mount Shasta in the background, used to be a volcano but they don’t have volcanos any more.
John Dos Passos (The 42nd Parallel (U.S.A., #1))
But there was no mistaking, even in the uncertain light, the hand, half crabbed, half generous, and wholly drunken, of the Consul himself, the Greek e's, flying buttresses of d's, the t's like lonely wayside crosses save where they crucified an entire word, the words themselves slanting steeply downhill, though the individual characters seemed as if resisting the descent, braced, climbing the other way.
Malcolm Lowry (Under the Volcano)
To-night, as ages hence, people would say this, or shut their doors on them, turn in bereaved agony from them, or toward them with love saying: “That is our star up there, yours and mine”; steer by them above the clouds or lost at sea, or standing in the spray on the forecastle head, watch them, suddenly, careen; put their faith or lack of it in them; train, in a thousand observatories, feeble telescopes upon them, across whose lenses swam mysterious swarms of stars and clouds of dead dark stars, catastrophes of exploding suns, or giant Antares raging to its end—a smouldering ember yet five hundred times greater than the earth’s sun.
Malcolm Lowry (Under the Volcano)
Once, he'd loved the ocean. Loved seeing it every morning, every night. Seeing all its facets, all its faces. Not many people knew what the sea looked like in all seasons, under all phases of the moon. But he did. Now he knew the ocean was as dangerous as a sleeping volcano. At peace, it was magnificent. But when it wanted to, it could bring down kingdoms. Five years ago, it had brought down the small, strange kingdom of Clock Island.
Meg Shaffer (The Wishing Game)
Night: and once again, the nightly grapple with death, the room shaking with daemonic orchestras, the snatches of fearful sleep, the voices outside the window, my name being continually repeated with scorn by imaginary parties arriving, the dark’s spinets. As if there were not enough real noises in these nights the color of grey hair. Not like the rending tumult of American cities, the noise of the unbandaging of great giants in agony.
Malcolm Lowry (Under the Volcano)
The shades, those sombre hatchers of primitive Christianity, only awaited an opportunity to bring about an explosion under the Caesars and to inundate the human race with light. For in the sacred shadows there lies latent light. Volcanoes are full of a shadow that is capable of flashing forth. Every form begins by being night. The catacombs, in which the first mass was said, were not alone the cellar of Rome, they were the vaults of the world.
Victor Hugo (Les Misérables)
Suddenly he screamed, and it was as though this scream were being tossed from one tree to another, as its echoes returned, then, as though the trees themselves were crowding nearer, huddled together, closing over him, pitying …
Malcolm Lowry (Under the Volcano)
They were galloping...Bare level plain had taken the place of the scrub and they'd been cantering briskly, the foals prancing delightedly ahead, when suddenly the dog was a shoulder-shrugging streaking fleece, and as their mares almost imperceptibly fell into the long untrammelled undulating strides, Hugh felt the sense of change, the keen elemental pleasure one experienced too on board a ship which, leaving the choppy waters of the estuary, gives way to the pitch and swing of the open sea. A faint carillon of bells sounded in the distance, rising and falling, sinking back as if into the very substance of the day. Judas had forgotten; nay, Judas had been, somehow, redeemed.
Malcolm Lowry (Under the Volcano)
The broken pink pillars, in the half-light, might have been waiting to fall down on him: the pool, covered with green scum, its steps torn away and hanging by one rotting clamp, to close over his head. The shattered evil-smelling chapel, overgrown with weeds, the crumbling walls, splashed with urine, on which scorpions lurked - wrecked entablature, sad archivolt, slippery stones covered with excreta - this place, where love had once brooded, seemed part of a nightmare.
Malcolm Lowry (Under the Volcano)
The only one of the early investigators who carried the exploration of hysteria to its logical conclusion was Breuer's patient Anna O. After Breuer abandoned her, she apparently remained ill for several years. And then she recovered. The mute hysteric who had invented the "talking cure" found her voice and her sanity, in the women's liberation movement. Under a pseudonym, Paul Berthold, she translated into German the classic treatise by Mary Wollstonecraft, A Vindication of the Rights of Women, and authored a play, Women's Rights. Under her own name, Bertha Papenheim became a prominent feminist social worker, intellectual, and organizer. In the course of a long and fruitful career she directed an orphanage for girls, founded a feminist organization for Jewish women and traveled throughout Europe and the Middle East to campaign against the sexual exploitation of women and children. Her dedication, energy and commitment were legendary. In the words of a colleague, 'A volcano lived in this woman... Her fight against the abuse of women and children was almost a physically felt pain for her.' At her death, the philosopher Martin Buber commemorated her: 'I not only admired her but loved her, and will love her until the day I die. There are people of spirit and there are people of passion, both less common than one might think. Rarer still are the people of spirit and passion. But rarest of all is a passionate spirit. Bertha Pappenheim was a woman with just such a spirit.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
...not holding hands, but with their hands just meeting, as though not quite sure they weren’t dreaming this, each of them separately on their far bereaved cots, their hands but blown fragments of their memories, half afraid to commingle, yet touching over the howling sea at night.
Malcolm Lowry (Under the Volcano)
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
Tick Lu-Tze patiently adjusted a tiny mirror to redirect sunlight more favourably on one of the bonsai mountains. He hummed tunelessly under his breath. Lobsang, sitting cross-legged on the stones, carefully turned the yellowing pages of the ancient notebook on which was written, in faded ink, 'The Way of Mrs Cosmopilite'. 'Well?' said Lu-Tze. 'The Way has an answer for everything, does it?' 'Yes.' 'Then...' Lobsang nodded at the little volcano, which was gently smoking, 'how does that work? It's on a saucer!' Lu-Tze stared straight ahead, his lips moving. 'Page seventy-six, I think,' he said. Lobsang turned to the page. ' “Because”, he read.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
Hugh concentrated upon different objects in the camión; the driver’s small mirror with the legend running round it—Cooperación de la Cruz Roja, the three picture postcards of the Virgin Mary pinned beside it, the two slim vases of marguerites over the dashboard, the gangrened fire extinguisher, the dungaree jacket and whiskbroom under the seat where the pelado was sitting—he watched him as they hit another bad stretch of road. Swaying from side to side with his eyes shut, the man was trying to tuck in his shirt. Now he was methodically buttoning his coat on the wrong buttons. But it struck Hugh all this was merely preparatory, a sort of grotesque toilet.
Malcolm Lowry (Under the Volcano)
They were the cars at the fair that were whirling around her; no, they were the planets, while the sun stood, burning and spinning and guttering in the centre; here they came again, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto; but they were not planets, for it was not the merry-go-round at all, but the Ferris wheel, they were constellations, in the hub of which, like a great cold eye, burned Polaris, and round and round it here they went: Cassiopeia, Cepheus, the Lynx, Ursa Major, Ursa Minor, and the Dragon; yet they were not constellations, but, somehow, myriads of beautiful butterflies, she was sailing into Acapulco harbour through a hurricane of beautiful butterflies, zigzagging overhead and endlessly vanishing astern over the sea, the sea, rough and pure, the long dawn rollers advancing, rising, and crashing down to glide in colourless ellipses over the sand, sinking, sinking, someone was calling her name far away and she remembered, they were in a dark wood, she heard the wind and the rain rushing through the forest and saw the tremours of lightning shuddering through the heavens and the horse—great God, the horse—and would this scene repeat itself endlessly and forever?—the horse, rearing, poised over her, petrified in midair, a statue, somebody was sitting on the statue, it was Yvonne Griffaton, no, it was the statue of Huerta, the drunkard, the murderer, it was the Consul, or it was a mechanical horse on the merry-go-round, the carrousel, but the carrousel had stopped and she was in a ravine down which a million horses were thundering towards her, and she must escape, through the friendly forest to their house, their little home by the sea.
Malcolm Lowry (Under the Volcano)
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
Closing his eyes again, standing there, glass in hand, he thought for a minute with a freezing detached almost amused calm of the dreadful night inevitably awaiting him whether he drank much more or not, his room shaking with daemonic orchestras, the snatches of fearful tumultuous sleep, interrupted by voices which were really dogs barking, or by his own name being continually repeated by imaginary parties arriving, the vicious shouting, the strumming, the slamming, the pounding, the battling with insolent archfiends, the avalanche breaking down the door, the proddings from under the bed, and always, outside, the cries, the wailing, the terrible music, the dark’s spinets: he returned to the bar.
Malcolm Lowry (Under the Volcano)
Innovations, free thinking is blowing like a storm; those that stand in front of it, ignorant scholars like you, false scientists, perverse conservatives, obstinate goats, resisting mules are being crushed under the weight of these innovations. You are nothing but ants standing in front of the giants; nothing but chicks trying to challenge roaring volcanoes!
Mehmet Murat ildan (Galileo Galilei)
It was this calamity he now, with María, penetrated, the only thing alive in him now this burning boiling crucified evil organ—God is it possible to suffer more than this, out of this suffering something must be born, and what would be born was his own death) for ah, how alike are the groans of love to those of the dying, how alike, those of love, to those of the dying.
Malcolm Lowry (Under the Volcano)
Meantime do you see me as still working on the book, still trying to answer such questions as: Is there any ultimate reality, external, conscious and ever-present etc. etc. that can be realised by any such means that may be acceptable to all creeds and religions and suitable to all climes and countries? Or do you find me between Mercy and Understanding, between Chesed and Binah (but still at Chesed)—my equilibrium, and equilibrium is all, precarious—balancing, teetering over the awful unbridgeable void, the all-but unretraceable path of God’s lightning back to God?...Though it is perhaps a good idea under the circumstances to pretend at least to be proceeding with one's great work on "Secret Knowledge," then one can always say when it never comes out that the title explains this deficiency.
Malcolm Lowry (Under the Volcano)
When a volcano lets fly or an earthquake brings down a mountainside, people look upon the event with surprise and report it to each other as news. People, in their whole history, have seen comparatively few such events; and only in the past couple of hundred years have they begun to sense the patterns the events represent. Human time, regarded in the perspective of geologic time, is much too thin to be discerned—the mark invisible at the end of a ruler. If geologic time could somehow be seen in the perspective of human time, on the other hand, sea level would be rising and falling hundreds of feet, ice would come pouring over continents and as quickly go away. Yucatáns and Floridas would be under the sun one moment and underwater the next, oceans would swing open like doors, mountains would grow like clouds and come down like melting sherbet, continents would crawl like amoebae, rivers would arrive and disappear like rainstreaks down an umbrella, lakes would go away like puddles after rain, and volcanoes would light the earth as if it were a garden full of fireflies. At the end of the program, man shows up—his ticket in his hand. Almost at once, he conceives of private property, dimension stone, and life insurance. When a Mt. St. Helens assaults his sensibilities with an ash cloud eleven miles high, he writes a letter to the New York Times recommending that the mountain be bombed.
John McPhee (In Suspect Terrain (Annals of the Former World Book 2))
In a cage of wire-ribs The size of a man’s head, the macaw bristles in a staring Combustion, suffers the stoking devils of his eyes. In the old lady’s parlour, where an aspidistra succumbs To the musk of faded velvet, he hangs in clear flames, Like a torturer’s iron instrument preparing With dense slow shudderings of greens, yellows, blues, Crimsoning into the barbs: Or like the smouldering head that hung In Killdevil’s brass kitchen, in irons, who had been Volcano swearing to vomit the world away in black ash, And would, one day; or a fugitive aristocrat From some thunderous mythological hierarchy, caught By a little boy with a crust and a bent pin, Or snare of horsehair set for a song-thrush, And put in a cage to sing. The old lady who feeds him seeds Has a grand-daughter. The girl calls him ‘Poor Polly’, pokes fun. ’Jolly Mop.’ But lies under every full moon, The spun glass of her body bared and so gleam-still Her brimming eyes do not tremble or spill The dream where the warrior comes, lightning and iron, Smashing and burning and rending towards her loin: Deep into her pillow her silence pleads. All day he stares at his furnace With eyes red-raw, but when she comes they close. ’Polly. Pretty Poll’, she cajoles, and rocks him gently. She caresses, whispers kisses. The blue lids stay shut. She strikes the cage in a tantrum and swirls out: Instantly beak, wings, talons crash The bars in conflagration and frenzy, And his shriek shakes the house.
Ted Hughes
Ah, in how many rooms, upon how many studio couches, among how many books, had they found their own love, their marriage, their life together, a life which, in spite of its many disasters, its total calamity indeed -- and in spite too of any slight element of falsehood in its inception on her side, her marriage partly into the past, into her Anglo-Scottish ancestry, into the visioned empty ghost-whistling castles in Sutherland, into an emanation of gaunt lowland uncles chumbling shortbread at six o'clock in the morning -- had not been without triumph. (p.210)
Malcolm Lowry (Under the Volcano)
Below, the ​land, the pale dunes, the black mountains shaped like spears, like towers, like fortresses. On the horizon one volcano pouring its crimson plume into the air, fierce, uncompromising, and real. A wild land, a cruel land, a land to catch you out, bury you in sandstorm, broil you under the sun, freeze you under the stars, dehydrate and suffocate you in the heat with its low oxygen count. A land to thrill and humble you in that single unit after the rains, when all the barren sand is bright with green, and ferns spring toward the mountains and cover their flanks like a rolling ancient sea.
Tanith Lee (Biting the Sun (Four-BEE, #1-2))
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
Jack London (The Cruise of the Snark)
And so began the second phase of my life, which our family referred to as Exile, with a capital “E.” For me it was a period of discovery. I’d spend the next nine years in that semi-uninhabited province in the south, which is now a tourist destination, a landscape of vast cold forests, snowy volcanoes, emerald lakes, and raging rivers, where anyone with a hook and line can fill a basket with trout, salmon, and turbot in under an hour. The wide skies were an ever-changing spectacle, a symphony of colors, clouds pulled quickly along by the wind, bands of wild geese, and sometimes the outline of a condor or eagle in majestic flight. Night there fell suddenly, like a black blanket embroidered with millions of lights, which I learned to identify by both their classical and indigenous names.
Isabel Allende (Violeta)
Greenhouse gases, like carbon dioxide, absorb infrared energy and help warm the planet. So they're absolutely crucial. The problem is that their concentration in the atmosphere needs to be regulated as the sun slowly brightens. Otherwise, the Earth would not be able to stabilize its surface temperature, which would be disastrous. Plate tectonics cycles fragments of the Earth's crust -- including limestone, which is made up of calcium, carbon dioxide, and oxygen atoms -- down into the mantle. There, the planet's internal heat releases the carbon dioxide, which is then continually vented to the atmosphere through volcanoes. It's quite an elaborate process, but the end result is a kind of thermostat that keeps the greenhouse gases in balance and our surface temperature under control. --Guillermo Gonzalez, Ph.D. (astronomer & physicist)
Lee Strobel (The Case for a Creator: A Journalist Investigates Scientific Evidence That Points Toward God)
People have, by now, directly transformed more than half the ice-free land on earth- some twenty-seven million square miles- and indirectly half of what remains. We have dammed or diverted most of the world's major rivers. Our fertilizer plants and legume crops fix more nitrogen than all terrestrial ecosystems combined, and our planes, cars, and power stations emit about a hundred times more carbon dioxide than volcanoes do. We now routinely cause earthquakes. In terms of sheer biomass, the numbers are stark-staring: today people outweigh wild mammals by a ratio of more than eight to one. Add in the weight of our domesticated animals- mostly cows and pigs- and that ratio climbs to twenty-two to one... We have become the major driver of extinction and also, probably, of speciation. So pervasive is man's impact, it is said that we live in a new geological epoch- the Anthropocene.
Elizabeth Kolbert (Under a White Sky: The Nature of the Future)
Our life, it probably began inside of the ocean,’ Johnny said quietly. ‘About four thousand million years before now. Probably near hot places, like volcanoes, under the sea.’ I turned to look at him. ‘And for almost all of that long time, all the living things were water things, living inside the sea. Then, a few hundred million years ago, maybe a little more—just a little while, really, in the big history of the Earth—the living things began to be living on the land, as well.’ I was frowning and smiling at the same time, surprised and bewildered. I held my breath, afraid that any sound might interrupt his musing. ‘But in a way you can say that after leaving the sea, after all those millions of years of living inside of the sea, we took the ocean with us. When a woman makes a baby, she gives it water, inside her body, to grow in. That water inside her body is almost exactly the same as the water of the sea. It is salty, by just the same amount. She makes a little ocean, in her body. And not only this. Our blood and our sweating, they are both salty, almost exactly like the water from the sea is salty. We carry oceans inside of us, in our blood and our sweat. And we are crying the oceans, in our tears.
Gregory David Roberts (Shantaram)