Joe Dirt Quotes

We've searched our database for all the quotes and captions related to Joe Dirt. Here they are! All 46 of them:

Armour …’ mused Whirrun, licking a finger and scrubbing some speck of dirt from the pommel of his sword, ‘is part of a state of mind … in which you admit the possibility … of being hit.
Joe Abercrombie (The Heroes)
Mrs Joe was a very clean housekeeper, but had an exquisite art of making her clenliness more umcomfortable and unacceptable than dirt itself. Cleanliness is next to godliness, and some people do the same by their religion.
Charles Dickens (Great Expectations)
I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper. “I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.” He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.
Joe Abercrombie (The Blade Itself (The First Law, #1))
It was warm like a summer day. It was candy canes and pinecones, it was epic and awesome, it was dirt and leaves and rain, it was grass and lake water and sunshine. It was a forest so alive, so untouched.
T.J. Klune (Brothersong (Green Creek, #4))
Mrs. Joe was a very clean housekeeper, but had an exquisite art of making her cleanliness more uncomfortable and unacceptable than dirt itself.
Charles Dickens (Great Expectations)
Mrs. Joe was a very clean housekeeper, but had an exquisite art of making her cleanliness more uncomfortable and unacceptable than dirt itself. Cleanliness is next to Godliness, and some people do the same by their religion.
Charles Dickens (Great Expectations)
Tell me what game Steph Landry and I used to play in the big dirt pile they made while they were digging my family’s pool, back when we were both seven, or I’ll know you’re an alien replacement and you’ve got the real Steph up in your mother ship!” I glared at him. “G.I. Joe meets Spelunker Barbie,” I said. “And stop being so ridiculous. We have to go. We’re going to end up at a bad table for lunch.
Meg Cabot (How to Be Popular)
Politicians cover their mistakes with money; cooks cover their mistakes with mayonnaise; doctors cover theirs with dirt.
Joe Haldeman (Marsbound)
I believe in doing a job of work, not talking about it. I don't think a man has to go around shouting and play-acting to prove he is something. And a real man don't go around putting other guys down, trampling their feelings in the dirt, making out they're nothing
Joe Frazier
Glokta felt his hand bunching into a fist on the parapet. ‘We must make the Gurkish pay for every stride of ground.’ We must make them pay for my ruined leg. ‘For every inch of dirt.’ For my missing teeth. ‘For every meagre shack, and crumbling hut, and worthless stretch of dust.’ For my weeping eye, and my twisted back, and my repulsive shadow of a life. He licked at his empty gums. ‘Make them pay.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
The night was aromatic with the smell of autumn and the steely fragrance of freshly dampened blacktop. How she loved the smell of road: asphalt baking and soft in July, dirt roads with their dust-and-pollen perfume in June, country lanes spicy with the odor of crushed leaves in sober October, the sand-and-salt smell of the highway, so like an estuary, in February.
Joe Hill (NOS4A2)
Above the dirt of an unmarked grave and beneath the shadow of the abandoned refinery, the children would play their own made up games: Wild West Accountants! in which they would calculate the loss of a shipment of gold stolen from an imaginary stagecoach, or Recently Divorced Scientists! in which they would build a super-collider out of garbage to try and win back their recently lost loves.
Joe Meno (The Boy Detective Fails)
In the valleys where I was born they say it is God’s sword, dropped from the heavens.’ ‘Don’t you?’ asked Flood. Whirrun rubbed some dirt from the crosspiece with his thumb. ‘I used too.’ ‘Now?’ ‘God makes things, no? God is a farmer. A craftsman. A midwife. God gives things life.’ He tipped his head back and looked up at the sky. ‘What would God want with a sword?
Joe Abercrombie (The Heroes)
Lou reluctantly drew back, still holding Joe, and placed his soft lips on Joe's own. Existence reacted to their reunion. Immediately, it was as if two halves became whole once again. The sky flashed colors overhead as they stood together: day to night, night to day. They stood motionless and kissing for so long a period that they might have been mistaken for part of the landscape, as vines climbed up their legs and grass grew around them; as dirt gathered and buried even more the scattered fragments of the abbey. Only the keepers of time knew that lifetimes did indeed pass, possibly entire eras. And yet it was but a scant moment to Joe and Lou. All of it but a simple, longed-for embrace neither time nor death could contain.
Eric Arvin (Woke Up in a Strange Place)
How she loved the smell of road: asphalt baking and soft in high July, dirt roads with their dust-and-pollen perfume in June, country lanes spicy with the odor of crushed leaves in sober October, the sand-and-salt smell of the highway, so like an estuary, in February.
Joe Hill (NOS4A2)
So I said, “Hey, Joe,” and hoped it was a start. He was startled. He opened and closed his mouth a few times. He made a growling noise deep in his chest, a low rumble that made my skin itch. It was pleased, that sound, like even just me saying his name was enough to make him happy. For all I knew, it was. It cut off as quickly as it started. He looked faintly embarrassed. I scuffed my foot in the dirt, waiting. He said, “Hey, Ox.” He cleared his throat and looked down. “Hi.” It was weird, that disconnect between the boy I’d known and the man before me. His voice was deeper and he was bigger than he’d ever been. He radiated power that had never been there before. It fit him well. I remembered that day that I’d really seen him for the first time, wearing those running shorts and little else. I pushed those thoughts away. I didn’t want him sniffing me out. Not yet. Because attraction wasn’t the problem right now. Especially not right now. I
T.J. Klune (Wolfsong (Green Creek, #1))
No plane. Planes are too fast. You can’t go south on a plane. You need to drive. Or take a train. You need to watch the dirt turn to clay. You need to look at all the junkyards full of rustin’ cars. You need to go over a few bridges. They say that evil spirits can’t follow you over running water, but that’s just humbug. You ever notice rivers in the North aren’t like rivers in the South? Rivers in the South are the color of chocolate, and they smell like marsh and moss. Up here they’re black, and they smell sweet, like pines. Like Christmas.
Joe Hill (Heart-Shaped Box)
Mrs Joe was a very clean housekeeper, but had an exquisite art of making her cleanliness more uncomfortable and unacceptable than dirt itself. Cleanliness is next to Godliness, and some people do the same by their religion.
Charles Dickens (Great Expectations)
Harper’s face was buried in Mr. Truffle’s fur and with each inhalation she smelled the last nine months of his secret cat life: must, dust, grave dirt, basements and tall grass, beach and drainpipe, Dumpster and dandelions. The
Joe Hill (The Fireman)
He remembered buying them for her. The two of them together at the farmers’ market, wandering from stall to stall, buying bread rounds still warm from baking and bags of vegetables still thick with dirt and leaves. The way she managed to look at every display, ferreted out everything interesting, made people smile as she talked to them.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
I must not be a man yet because my eyes burned a bit. Mom was crying at the table and I could hear Elizabeth sniffling outside the window, but there was Joe in front of me. He was the little boy who had found me on the dirt road the day I turned sixteen. The little boy who had become a man and stood before me a few days before I turned twenty-three. He thought I was worth something. I wanted to believe him. So he pressed his forehead against mine and breathed me in and there was that sun, okay? That sun between us, that bond that burned and burned and burned because he’d given it to me. Because he’d chosen me. And I got to choose him back. And I got to choose him back.
T.J. Klune (Wolfsong (Green Creek, #1))
The writer is an infantryman. He knows that progress is measured in yards of dirt extracted from the enemy one day, one hour, one minute at a time and paid for in blood. The artist wears combat boots. He looks in the mirror and sees GI Joe. Remember, the Muse favors working stiffs. She hates prima donnas. To the gods the supreme sin is not rape or murder, but pride.
Steven Pressfield (The War of Art: Winning the Inner Creative Battle)
sandy-haired, friendly, smiling, small-town attorney of Pennington, had been born in 1950 in a roach-infested Newark slum. His father had been a construction worker fully employed through World War II and Korea creating new factories, dockyards and government offices along the Jersey Shore. But with the ending of the Korean War, work had dried up. Cal was five when his mother walked out of the loveless union and left the boy to be raised by his father. The latter was a hard man, quick with his fists, the only law on many blue-collar jobs. But he was not a bad man and tried to live by the straight and narrow, and to raise his toddler son to love Old Glory, the Constitution and Joe DiMaggio. Within two years, Dexter Senior had acquired a trailer home so that he could move where the work was available. And that was how the boy was raised, moving from construction site to site, attending whichever school would take him, and then moving on. It was the age of Elvis Presley, Del Shannon, Roy Orbison and the Beatles, over from a country Cal had never heard of. It was also the age of Kennedy, the Cold War and Vietnam. His formal education was fractured to the point of near nonexistence, but he became wise in other ways: streetwise, fight-wise. Like his departed mother, he did not grow tall, topping out at five feet eight inches. Nor was he heavy and muscular like his father, but his lean frame packed fearsome stamina and his fists a killer punch. By seventeen, it looked as if his life would follow that of his father, shoveling dirt or driving a dump truck on building sites. Unless . . . In January 1968 he turned eighteen, and the Vietcong launched the Têt Offensive. He was watching TV in a bar in Camden. There was a documentary telling him about recruitment. It mentioned that if you shaped up, the Army would give you an education. The next day, he walked into the U.S. Army office in Camden and signed on. The master sergeant was bored. He spent his life listening to youths doing everything in their power to get out of going to Vietnam. “I want to volunteer,” said the youth in front of him. The master sergeant drew a form toward him, keeping eye contact like a ferret that does not want the rabbit to get away. Trying to be kindly, he suggested
Frederick Forsyth (The Cobra)
Joe Lon and Willard slipped out of their shirts. Willard flipped over and walked around in the dirt on his hands. Joe Lon took the bottle of whiskey out of his back pocket, set it carefully on the step of the Winnebago, checking out Susan Gender's red pants again as he did. Then he went into a steady handstand and did six dips, his nose just short of the dirt each time he went down. They both came off their hands and looked at Duffy. "I'm impressed," said Duffy, shortly. "What the hell are you, gymnasts?" "Drunks," said Joe Lon picking up the bottle.
Harry Crews (A Feast of Snakes)
In addition to Linda and me, there's a brother, a strange little guy named Bradley, obsessed with his own cowboy boots. He paces areound and around the house, staring at his feet and humming the G. I. Joe song from the television commmercial. He is the ringleader of a neighborhood gang of tiny boys, four-year olds, who throw dirt and beat each other with sticks all day long. In the evenings he comes to dinner with an imaginnary friend named Charcoal. 'Charcoal really needs a bath', my mother says, spooning Spaghettios onto his plate. His hands are perfectly clean right up to the wrists and the center of his face is cleared so we can see what he looks like. The rest of him is dirt.
Jo Ann Beard
we will ride at nightfall we will ride to the hole i am dead you will die anyone who gets too close will be infected with the death on you us and the grave dirt will fall in on top of us lalala the dead pull the living down if anyone tries to help you i us we will pull them down and step on them and no one climbs out because the hole is too deep and the dirt falls too fast and everyone who hears your voice will know it is true jude is dead and i am dead and you will die you will hear my our voice and we will ride together on the night road to the place the final place where the wind cries for you for us we will walk to the edge of the hole we will fall in holding each other we will fall sing for us sing at our at your grave sing lalala
Joe Hill
we will ride at nightfall we will ride to the hole i am dead you will die anyone who gets too close will be infected with the death on you us and the grave dirt will will fall in on top of us lalala the dead pull the living down if anyone tries to help you i us we will pull them down and step on them and no one climbs out because the hole is too deep and the and the dirt falls too fast and everyone who hears your voice will know it is true jude is dead and i am dead and you will doe you will hear my our voice on and we will ride together on the night road to the place the final place where the wind cries for you for us we will walk to the edge of the hole we will fall in holding each other we will fall sing for us sing at our at your grave sing lalala
Joe Hill (Heart-Shaped Box)
What’s it about?” Danny seemed authentically curious. “The night. It’s got its own set of rules.” “Day’s got rules too.” “Oh, I know,” Joe said, “but I don’t like them.” They stared through the mesh at each other for a long time. “I don’t understand,” Danny said softly. “I know you don’t,” Joe said. “You, you buy into all this stuff about good guys and bad guys in the world. A loan shark breaks a guy’s leg for not paying his debt, a banker throws a guy out of his home for the same reason, and you think there’s a difference, like the banker’s just doing his job but the loan shark’s a criminal. I like the loan shark because he doesn’t pretend to be anything else, and I think the banker should be sitting where I’m sitting right now. I’m not going to live some life where I pay my fucking taxes and fetch the boss a lemonade at the company picnic and buy life insurance. Get older, get fatter, so I can join a men’s club in Back Bay, smoke cigars with a bunch of assholes in a back room somewhere, talk about my squash game and my kid’s grades. Die at my desk, and they’ll already have scraped my name off the office door before the dirt’s hit the coffin.” “But that’s life,” Danny said. “That’s a life. You want to play by their rules? Go ahead. But I say their rules are bullshit. I say there are no rules but the ones a man makes for himself.
Dennis Lehane (Live by Night (Coughlin, #2))
A third army entered the fray. They came from below, from the shallow graves that littered the vast ridge. Rotting skeletal arms burst through the dirt and clawed for the surface. The Earth's spat up a dread legion of the undead. Fucking necromancy. Summoning zombies, the soulless, walkers, politicians, the undead – call them what you will – was a desecration against everything I knew to be true and right.
Joe Ducie (Distant Star (The Reminiscent Exile, #1))
Our history was by then nothing but rocks, some scratches in the dirt, some huts, fuzzy memories passed on carelessly from the old to the young. Bottom line, we were pretty ignorant and there was a flea problem.
Joe R. Lansdale (The Ape Man's Brother)
The focus of that week was “learning how to listen to the voice of God” in what was dubbed “My Quiet Time with God.” You have to admire the camp leaders’ intent, but let’s be honest. Most pre-adolescents are clueless about such deeply spiritual goals, let alone the discipline to follow through on a daily basis. Still, good little camperettes that we were, we trekked across the campground after our counselors told us to find our “special place” to meet with God each day. My special place was beneath a big tree. Like the infamous land-run settlers of Oklahoma’s colorful history, I staked out the perfect location. I busily cleared the dirt beneath my tree and lined it with little rocks, fashioned a cross out of two twigs, stuck it in the ground near the tree, and declared that it was good. I wiped my hands on my madras Bermudas, then plopped down, cross-legged on the dirt, ready to meet God. For an hour. One very long hour. Just me and God. God and me. Every single day of camp. Did I mention these quiet times were supposed to last an entire hour? I tried. Really I did. “Now I lay me down to sleep . . . ” No. Wait. That’s a prayer for babies. I can surely do better than that. Ah! I’ve got it! The Lord’s Prayer! Much more grown-up. So I closed my eyes and recited the familiar words. “Our Father, Who art in heaven . . .” Art? I like art. I hope we get to paint this week. Maybe some watercolor . . . “Hallowed by Thy name.” I’ve never liked my name. Diane. It’s just so plain. Why couldn’t Mom and Dad have named me Veronica? Or Tabitha? Or Maria—like Maria Von Trapp in The Sound of Music. Oh my gosh, I love that movie! “Thy kingdom come, Thy will be done . . . ” Be done, be done, be done . . . will this Quiet Time ever BE DONE? I’m sooooo bored! B-O-R-E-D. BORED! BORED! BORED! “On earth as it is in Heaven.” I wonder if Julie Andrews and I will be friends in heaven. I loved her in Mary Poppins. I really liked that bag of hers. All that stuff just kept coming out. “Give us this day, our daily bread . . . ” I’m so hungry, I could puke. I sure hope they don’t have Sloppy Joes today. Those were gross. Maybe we’ll have hot dogs. I’ll take mine with ketchup, no mustard. I hate mustard. “And forgive us our trespasses, as we forgive those who trespass against us.” What the heck is a trespass anyway? And why should I care if someone tresses past me? “And lead us not into temptation but deliver us from evil . . . ” I am so tempted to short-sheet Sally’s bed. That would serve her right for stealing the top bunk. “For Thine is the kingdom and the power and the glory forever.” This hour feels like forever. FOR-E-VERRRR. Amen. There. I prayed. Now what?
Diane Moody (Confessions of a Prayer Slacker)
The writer is an infantryman. He knows that progress is measured in yards of dirt extracted from the enemy one day, one hour, one minute at a time and paid for in blood. The artist wears combat boots. He looks in the mirror and sees GI Joe. Remember, the Muse favors working stiffs. She hates prima donnas. To the gods the supreme sin is not rape or murder, but pride. To think of yourself as a mercenary, a gun for hire, implants the proper humility. It purges pride and preciousness.
Steven Pressfield (The War of Art)
A few minutes later they reached the east side of Bayport. Frank turned into Springdale Avenue. By the time they passed a small stone house numbered fifty-two, they had entered a section where the sidewalks came to an end and buildings were far apart. The car bumped along an uneven dirt road. “We’re practically out in the country,” said Joe. “I’ll bet we’re beyond the city limits.
Franklin W. Dixon (The Phantom Freighter (Hardy Boys, #26))
You’ve seen a lot of death, then?” Logen winced. In his youth, he would have loved to answer that very question. He could have bragged, and boasted, and listed the actions he’d been in, the Named Men he’d killed. He couldn’t say now when the pride had dried up. It had happened slowly. As the wars became bloodier, as the causes became excuses, as the friends went back to the mud, one by one. Logen rubbed at his ear, felt the big notch that Tul Duru’s sword had made, long ago. He could have stayed silent. But for some reason, he felt the need to be honest. “I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper. “I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.” He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.” And that was all. Logen breathed a deep, ragged sigh and stared out at the lake. He couldn’t bring himself to look at the man beside him, didn’t want to see the expression on his face. Who wants to learn he’s keeping company with the Bloody-Nine? A man who’s wrought more death than the plague, and with less regret. They could never be friends now, not with all those corpses between them. Then he felt Quai’s hand clap him on the shoulder. “Well, there it is,” he said, grinning from ear to ear, “but you saved me, and I’m right grateful for it!” “I’ve saved a man this year, and only killed four. I’m born again.” And they both laughed for a while, and it felt good.
Joe Abercrombie (The Blade Itself (The First Law, #1))
No one lives on Hobe's Hill today. Only a few abandoned shacks remain. The land has greatly changed. When Walker Evans took his pictures, it was a grand, open place, full of cotton. Now forest has reclaimed the land. There is still some field, planted in soybeans, and this provides some sense of how things once were. These soybeans, as well as those down by the main highway, were planted by Joe Bridges and his son Huey. Amid the soybeans, the ground is stony, and the water-starved beans grow with more courage than success. This same dust was breathed by Fred Ricketts as he plowed behind the seat rump of a mule fifty years ago. He and his children stared at this ground as they chopped weeds and, later, hunched over the long rows to pick. They knew this same sun, this silence, the awful loneliness of this red plateau. The heat dulls the senses. Even sulfur butterflies, those neurotic field strutters, are slothful. The whole South seems under a hot Augustan pause--all the highways blurry beneath the burden of hear, be they four-lane marchers, two-lane winders, single-track dirt poems. From this hill, it's hard to imagine life going on in this hear anywhere across the six hundred miles of the South, in any of those terrible little towns...
Dale Maharidge (And Their Children After Them: The Legacy of Let Us Now Praise Famous Men: James Agee, Walker Evans, and the Rise and Fall of Cotton in the South)
poleaxed with exuberance. Keeping to dirt roads,
C.J. Box (Savage Run (Joe Pickett, #2))
Pike pulled the hose from the side of the house, filled the bucket with sudsy water, then rinsed the car. He began at the nose, rubbing the car with his hand to slough away the dirt. The cat came out to watch. The water splashed his fur with liquid shrapnel, but the cat did not move. Pike
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
Thinking about such things soothed the creature as it dug at the base of a tall oak tree, deep into the ground, covering itself with dirt and leaves and moss; hiding, healing, waiting.
Joe DeRouen (Small Things (Small Things #1))
I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper. “I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.” He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.
Joe Abercrombie (The Blade Itself (The First Law, #1))
Home is where you make it.
Joe Dirt
That isn’t the problem,” Abraham replied. “There’s certain words in there that are against her beliefs.” He cited the word adore. There was also a problem with the phrase — roughly translated — “If he doesn’t come back, kill me, sky, eat me, dirt, take me, Jesus.” “She can’t do it. José, you gotta understand.” Hernández removed adore and replaced “take me, Jesus” with the line, “I want to die.” That led to hours of deep discussion with Abraham about God, Jesus, and religion. “Hey, compadre, bring me the Bible,” he shouted out. With the Good Book in hand, Abraham began to talk theology. “He was trying to convince me there was no Holy Spirit, that Jesus is just a teacher,” said Hernández, himself a born-again Christian. “He said, ‘Before you get out of here, I’m gonna convert you.’ He was trying to explain his beliefs and what he thinks about life after death, who he thinks Jesus was. It was really deep. A lot of people see him as a hard business guy, but I know how strong his beliefs are — so strong he tried to convince me.” Hernández left Corpus believing the same things he had when he arrived. But he also realized that both Abraham and Selena shared a deep spirituality he’d rarely seen before. Neither was a member of the Jehovah’s Witnesses. As long as Selena pranced around the stage in clothes that were provocative and revealing, she couldn’t be accepted into the faith. Bustiers and bare midriffs did not qualify as the sort of modest dress required of women of the church. But that didn’t stop them from believing God’s kingdom was an actual government ruling in heaven that would soon return to earth to bring
Joe Nick Patoski (Selena: Como la Flor)
And then Pujols hit the monster, no-doubt home run . . . and all that sound died immediately, suddenly, like someone had hit a mute button on the city of Houston. “It was so quiet,” Sweeney says, “you could practically hear Pujols’s cleats hitting the dirt.” So yes, it’s hard to imagine a louder sound than that silence.
Joe Posnanski (Why We Love Baseball: A History in 50 Moments)
It wasn’t always beneath the tree that he’d lose himself for a time. It could be any number of things that threw him off into a gray state like a hamster tossed from a wheel. A plume of dust on a dirt road, the blinding ray of sun flashing off a lake, the smell of a room long closed off from the rest of a house.
Joe Hart (Something Came Through)
the dirt people. they dirt shuffled. then dirt died.
Joe Christmas (One Dollar in November)
Up behind the icehouse was the little house where Bill lived with his wife and two daughters, who looked as if they had fallen out of an ugly tree, hit every branch on the way down, then smacked the dirt solid. They was always smilin´ at me and such and it made me nervous.
Joe R. Lansdale
No armour.’ Yon was helping Brack into his mail, shaking his head as he frowned over at Whirrun. ‘What kind of a bloody hero don’t wear bloody armour?’ ‘Armour …’ mused Whirrun, licking a finger and scrubbing some speck of dirt from the pommel of his sword, ‘is part of a state of mind … in which you admit the possibility … of being hit.
Joe Abercrombie (The Heroes (First Law World, #5))