Mamaw Quotes

We've searched our database for all the quotes and captions related to Mamaw. Here they are! All 100 of them:

So, to Papaw and Mamaw, not all rich people were bad, but all bad people were rich.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw always had two gods: Jesus Christ and the United States of America. I was no different, and neither was anyone else I knew. I’m
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw and Papaw believed that hard work mattered more. They knew that life was a struggle, and though the odds were a bit longer for people like them, that fact didn’t excuse failure. “Never be like these fucking losers who think the deck is stacked against them,” my grandma often told me. “You can do anything you want to.” Their
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I liked how your teacher said we were 'kindred spirits'. I looked that up on m-w .com and it says that means we are related spirits, like family who is not blood family. I told Mamaw this and she said, 'Sometimes that's the best family of all.
Silas House (Same Sun Here)
It’s the moment that reminds me that I’m lucky. Because in that moment I experienced the love my mamaw sent me on this adventure of a thousand boy-kisses to find. That moment when you know that you are loved so much, that you are the center of somebody’s world so wonderfully, that you lived … even if it was only for a short time.” Keeping
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Psychologists call it “learned helplessness” when a person believes, as I did during my youth, that the choices I made had no effect on the outcomes in my life. From Middletown’s world of small expectations to the constant chaos of our home, life had taught me that I had no control. Mamaw and Papaw had saved me from succumbing entirely to that notion, and the Marine Corps broke new ground. If I had learned helplessness at home, the Marines were teaching learned willfulness. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.
Tillie Cole
We didn’t have cell phones, and we didn’t have nice clothes, but Mamaw made sure that I had one of those graphing calculators. This taught me an important lesson about Mamaw’s values, and it forced me to engage with school in a way I never had before.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw and Papaw ensured that I knew the basic rules of fighting: You never start a fight; you always end the fight if someone else starts it; and even though you never start a fight, it’s maybe okay to start one if a man insults your family. This last rule was unspoken but clear.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The theology she taught was unsophisticated, but it provided a message I needed to hear. To coast through life was to squander my God-given talent, so I had to work hard. I had to take care of my family because Christian duty demanded it. I needed to forgive, not just for my mother’s sake but for my own. I should never despair, for God had a plan. Mamaw
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
We probably watched it together five or six times. Mamaw saw Arnold Schwarzenegger as the embodiment of the American Dream: a strong, capable immigrant coming out on top.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I was nine months old the first time Mamaw saw my mother put Pepsi in my bottle.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I’m going home.” “But you are home,” I countered. “No”—Mamaw shook her head—“this isn’t our true home, girlie. This life … well, it’s just a great big adventure while we have it. An adventure to enjoy and love with all of our heart before we go on to the greatest adventure of all.” My
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
My dear.” Mamaw cupped Daffy’s face in her old hands. “A witch is not a pointy hat or a broom or warts. A witch is merely a woman who is punished for being wiser than a man. That’s why they burned her. They tried to burn away her power because a woman who says more than she’s supposed to say, and does more than she’s supposed to do, is a woman they’ll try to silence and destroy. But there are some things that not even fire can destroy. One of those things is the strength of a woman. Don’t you want to be a woman like that? A woman with power?
Tiffany McDaniel (On the Savage Side)
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
it was my first indication that the policies of Mamaw’s “party of the working man”—the Democrats—weren’t all they were cracked up to be.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
There are lessons to draw here, among them what I’ve noted already: that one consequence of isolation is seeing standard metrics of success as not just unattainable but as the property of people not like us. Mamaw always fought that attitude in me, and for the most part, she was successful. Another
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
There was no Mamaw to comfort me. But there were my two dogs on the floor, and there was the love of my life lying in bed. Tomorrow I would go to work, take the dogs to the park, buy groceries with Usha, and make a nice dinner. It was everything I ever wanted. So I patted Casper's head and went back to sleep
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
That was the essence of Mamaw’s genius. She didn’t just preach and cuss and demand. She showed me what was possible—a peaceful Sunday afternoon with the people I loved—and made sure I knew how to get there.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
When Mamaw picked me up from school, I’d ask her not to get out of the car lest my friends see her—wearing her uniform of baggy jeans and a men’s T-shirt—with a giant menthol cigarette hanging from her lip. When people asked, I lied and told them that I lived with my mom, that she and I took care of my ailing grandmother. Even today, I still regret that far too many high school friends and acquaintances never knew Mamaw was the best thing that ever happened to me. My
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
When I got home, Mama told me that my mamaw had gone to heaven. I ran to my bedroom as quickly as I could. I hurried to fall asleep. Like she promised, Mamaw was there in my dreams. So I told her all about the five boy-kisses from my Rune.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
The secret to happiness is to embrace the humility to accept what comes and the courage to continue on your life's path with an open heart.
Mary Alice Monroe (The Summer's End (Lowcountry Summer, #3))
The fallen world described by the Christian religion matched the world I saw around me: one where a happy car ride could quickly turn to misery, one where individual misconduct rippled across a family’s and a community’s life. When I asked Mamaw if God loved us, I asked her to reassure me that this religion of ours could still make sense of the world we lived in. I needed reassurance of some deeper justice, some cadence or rhythm that lurked beneath the heartache and chaos.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
This time, when I did look around, I saw she was holding a big mason jar filled to the top with lots and lots of pink paper hearts. “Wow! What’s that?” I asked, feeling excited. Mama placed it in my hands, and my mamaw tapped the lid. “It’s a thousand boy-kisses. Or at least, it will be, when you’ve filled them all out.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Mamaw always resented the hillbilly stereotype—the idea that our people were a bunch of slobbering morons. But the fact is that I was remarkably ignorant of how to get ahead. Not
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I guess I just wanted reassurance. “Mamaw, does God love us?” She hung her head, gave me a hug, and began to cry.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw apparently understood what would take me another twenty years to learn: that social class in America isn’t just about money. And
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
but where are you going, Mamaw? I don't understand." "Home, sweetie," my mamaw said. "I'm going home.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Go visit with your mamaw awhile, while you gather the strength to come back to me.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
criticize the faceless rich, whom she saw as far too unwilling to carry their fair share of the social burden. Mamaw saw every ballot failure of
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Despite our efforts to draw bright lines between the working and nonworking poor, Mamaw and I recognized that we shared a lot in common with those whom
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
God helps those who help themselves. This was the wisdom of the Book of Mamaw.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw always had two gods: Jesus Christ and the United States of America. I was no different, and neither was anyone else I knew.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Poppy?” I looked back, and my mamaw was smiling. “Remember, moonbeam hearts and sunshine smiles…” “I’ll always remember,” I said, but I didn’t feel happy. All I felt was sad.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
we're best buddies, mamaw
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
My mamaw always said that heaven looks however you want it to look, you know.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
What makes you happiest?” Mamaw Milkweed asked. “I know.” Daffy raised her hand as if we were in school. “You and yarn and flower bulbs and turtles and dancing cats and Arc.
Tiffany McDaniel (On the Savage Side)
I just wanted reassurance. “Mamaw, does God love us?” She hung her head, gave me a hug, and began to cry.
J.D. Vance (Hillbilly Elegy)
Poppy,” my mamaw said, as I looked up to see her green eyes shining. “This is your adventure. How I want you to remember me while I’m gone.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Mamaw says this is the problem with a lot of politicians. “They want to do right, but they’re too scared to,” she says.
Silas House (Same Sun Here)
In her more compassionate moments, Mamaw asked if it made any sense that our society could afford aircraft carriers but not drug treatment facilities—like Mom’s—for everyone.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
As Mamaw used to say, you can take the boy out of Kentucky, but you can't take Kentucky out of the boy.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
She always said she had moonbeams in her heart and sunshine in her smile. Mamaw told me that meant she was happy.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
The best part about living with Mamaw was that I began to understand what made her tick. Until then, I had resented how rarely we traveled to Kentucky after Mamaw Blanton’s death. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
They thought readin’, writin’, Route 23 would take them to the good life that they had never seen;          They didn’t know that old highway would lead them to a world of misery Mamaw
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Reams of social science attest to the positive effect of a loving and stable home. I could cite a dozen studies suggesting that Mamaw’s home offered me not just a short-term haven but also hope for a better life. Entire volumes are devoted to the phenomenon of “resilient children”—kids who prosper despite an unstable home because they have the social support of a loving adult.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
At around that time, our neighbor—one of Mamaw and Papaw’s oldest friends—registered the house next to ours for Section 8. Section 8 is a government program that offers low-income residents a
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
both of my grandparents had an almost religious faith in hard work and the American Dream. Neither was under any illusions that wealth or privilege didn’t matter in America. On politics, for example, Mamaw had one opinion—“They’re all a bunch of crooks”—but Papaw became a committed Democrat. He had no problem with Armco, but he and everyone like him hated the coal companies in Kentucky thanks to a long history of labor strife. So, to Papaw and Mamaw, not all rich people were bad, but all bad people were rich. Papaw was a Democrat because that party protected the working people.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
were her kids. But the drugs and the late-night fighting revealed troubles that too many hillbilly transplants knew too well. Confronted with such a realization of her own family’s struggle, Mamaw
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.” God helps those who help themselves. This was the wisdom of the Book of Mamaw. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
If it wasn't for Prohibition, we wouldn't have NASCAR, and if it wasn't for NASCAR we wouldn't have Dale Earnhardt, and if we didn't have Dale Earnhardt, then our mamaws wouldn't have any plates on their walls.
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
Poppy’s mamaw said that you were both thrust together for a greater meaning. One we would never know until it presented itself. She said that great loves were always destined to be together for some great reason.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
That was the essence of Mamaw’s genius. She didn’t just preach and cuss and demand. She showed me what was possible—a peaceful Sunday afternoon with the people I loved—and made sure I knew how to get there. Reams
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Other people have all kinds of names for their grandparents: grandpa, nana, pop pop, granny and so on, yet I've never heard anyone say mamaw or papaw outside of our community. These names belong only to Hillbilly grandparents
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
No”—Mamaw shook her head—“this isn’t our true home, girlie. This life … well, it’s just a great big adventure while we have it. An adventure to enjoy and love with all of our heart before we go on to the greatest adventure of all.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Mamaw Bonnie herself was so terrifying that, many decades later, a Marine Corps recruiter would tell me that I’d find boot camp easier than living at home. “Those drill instructors are mean,” he said. “But not like that grandma of yours.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Months. She only had months left, not a lifetime, to fill this jar. She would never write the message on a heart on her wedding day like she wanted. She would never be a mamaw, reading these kisses to her grandchildren. She wouldn’t even live out her teens.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Mamaw's first foray into adulthood ended in tragedy. Today I often wonder: Without the baby, would she ever have left Jackson? Would she have run off with Jim Vance to foreign territory? Mamaw's entire life - and the trajectory of our family - may have changed for a baby who lived only six days.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I could live with my grandparents whenever I wished. Mom would officially retain custody, but from that day forward I lived in her house only when I chose to--and Mamaw told me that if Mom had a problem with the arrangement, she could talk to the barrel of Mamaw's gun. This was hillbilly justice, and it didn't fail me.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
community. As a child, I associated accomplishments in school with femininity. Manliness meant strength, courage, a willingness to fight, and, later, success with girls. Boys who got good grades were “sissies” or “faggots.” I don’t know where I got this feeling. Certainly not from Mamaw, who demanded good grades, nor from Papaw.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw could spew venom like a Marine Corps drill instructor, but what she saw in our community didn’t just piss her off. It broke her heart. Behind the drugs, and the fighting matches, and the financial struggles, these were people with serious problems, and they were hurting. Our neighbors had a kind of desperate sadness in their lives.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
I started to understand that Mamaw saw returning to Jackson as a duty to endure rather than a source of enjoyment. To me, Jackson was about my uncles, and chasing turtles, and finding peace from the instability that plagued my Ohio existence. Jackson gave me a shared home with Mamaw, a three-hour road trip to tell and listen to stories, and a place where everyone knew me as the grandson of the famous Jim and Bonnie Vance. Jackson was something much different to her. It was the place where she sometimes went hungry as a child, from which she ran in the wake of a teenage pregnancy scandal, and where so many of her friends had given their lives in the mines. I wanted to escape to Jackson; she had escaped from it.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
But where are you going, Mamaw? I don’t understand.” “Home, sweetie,” my mamaw said. “I’m going home.” “But you are home,” I countered. “No”—Mamaw shook her head—“this isn’t our true home, girlie. This life … well, it’s just a great big adventure while we have it. An adventure to enjoy and love with all of our heart before we go on to the greatest adventure of all.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Every time the drill instructor screamed at me and I stood proudly; every time I thought I’d fall behind during a run and kept up; every time I learned to do something I thought impossible, like climb the rope, I came a little closer to believing in myself. Psychologists call it “learned helplessness” when a person believes, as I did during my youth, that the choices I made had no effect on the outcomes in my life. From Middletown’s world of small expectations to the constant chaos of our home, life had taught me that I had no control. Mamaw and Papaw had saved me from succumbing entirely to that notion, and the Marine Corps broke new ground. If I had learned helplessness at home, the Marines were teaching learned willfulness. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it comes. She said that it teaches you more in its short life than anything that is forever by your side.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Squished between my grandparents and moving at thirty miles an hour is a small price to pay to get to the vet's office, but today Luke begged to come along, so Papaw is driving even slower than usual. With Luke hunched don behind us in the bed of the truck, obviously without a seat belt, Mamaw keeps her eye on the odometer and yells about "precious cargo" every time the needle nears twenty.
Alecia Whitaker (The Queen of Kentucky)
Dearest J.D.,” Mamaw wrote when she learned of the incident, “I must say I have been waiting for them dick face bastards to start on you—and now they have. Words aren’t invented to describe how they piss me off. . . . You just keep on doing the best you can do and keep thinking about this stupid asshole with an IQ of 2 thinking he is Bobby bad ass but he wears girls underwear. I hate all of them.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw felt disloyalty acutely. She loathed anything that smacked of a lack of complete devotion to family. In her own home, she'd day things like "I'm sorry I'm so damned mean" and "You know I love you, but I'm just a crazy bitch. But if she knew of anyone criticizing so much as her socks to an outsider, she'd fly off the handle. "I don't know those people. You never talk about family to some stranger. Never.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I’m sorry you’re sad,” Rune said and squeezed my hand. His t-shirt was warm from the sun. “I never ever want you to be sad. You’re Poppymin; you always smile. You’re always happy.” I sniffed and leaned my head on his shoulder. “I know. But Mamaw is my best friend, Rune, and I won’t have her anymore.” Rune didn’t say anything at first, then said, “I’m your best friend too. And I’m not going anywhere. I promise. Forever always.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I always read her choice to live alone for so long after Papaw's death as an act of devotion to him, when it seems more more likely she was devoted to someone else: herself. If the institution of marriage really is failing, maybe it's because it is no longer the only -- or even the best -- model for how to make a happy life.... ...If I've learned anything from Mamaw, it's that self-reliance can be as powerful as any institution.
Mandy Len Catron (How to Fall in Love with Anyone: A Memoir in Essays)
Where’s my little buddy?” Mamaw’s voice was quiet and sounded funny, but the smile she gave me made me feel warm. Giggling at my mamaw, I rushed to the side of the bed. “I’m here! I came home early from school to see you!” Mamaw lifted her finger and tapped the end of my nose. “That’s my girl!” I smiled real big in response. “I just wanted you to visit a little while. I always feel better when the light of my life sits beside me and talks to me some.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
In a paper analyzing the data, Chetty and his coauthors noted two important factors that explained the uneven geographic distribution of opportunity: the prevalence of single parents and income segregation. Growing up around a lot of single moms and dads and living in a place where most of your neighbors are poor really narrows the realm of possibilities. It means that unless you have a Mamaw and Papaw to make sure you stay the course, you might never make it out.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
My sister’s friend lived in a small duplex with her mother (a welfare queen if one ever existed). She had seven siblings, most of them from the same father—which was, unfortunately, a rarity. Her mother had never held a job and seemed interested “only in breeding,” as Mamaw put it. Her kids never had a chance. One ended up in an abusive relationship that produced a child before the mom was old enough to purchase cigarettes. The oldest overdosed on drugs and was arrested
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Once Mamaw's eased her body onto the seat, pinning me in so tightly that a seat belt would just be redundant, we head out of the parking lot and onto the open road. Mamaw and Papaw have agreed to take me shopping for Mackenzie's birthday present, and we're heading out to The Square at the breakneck speed of thirty-four miles per hour. "Slow down, Frank," my mamaw commands, patting my knee. "We've got precious cargo." He eases up on the gas and I throw my head back and close my eyes, anxious and frustrated.
Alecia Whitaker (The Queen of Kentucky)
She told me that she’d had a great day because she’d been watching Lindsay’s son Kameron. “He asked me if he could say ‘fuck’ like I do. I told him yes, but only at my house.” Then she chuckled quietly to herself. Regardless of how she felt, whether her emphysema made it difficult to breathe or her hip hurt so badly that she could barely walk, she never turned down an opportunity to “spend time with those babies,” as she put it. Mamaw loved them, and I began to understand why she had always dreamed of becoming a lawyer for abused and neglected children.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Her young son was adorable, and he loved Mamaw. At all times of the day—one time, past midnight—he would wander to her doorstep and ask for a snack. His mother had all the time in the world, but she couldn’t keep a close enough watch on her child to prevent him from straying into the homes of strangers. Sometimes his diaper would need changing. Mamaw once called social services on the woman, hoping they’d somehow rescue the young boy. They did nothing. So Mamaw used my nephew’s diapers and kept a watchful eye on the neighborhood, always looking for signs of her “little buddy.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
For my entire life, I had oscillated between fear at my worst moments and a sense of safety and stability at my best. I was either being chased by the bad terminator or protected by the good one. But I had never felt empowered—never believed that I had the ability and the responsibility to care for those I loved. Mamaw could preach about responsibility and hard work, about making something of myself and not making excuses. No pep talk or speech could show me how it felt to transition from seeking shelter to providing it. I had to learn that for myself, and once I did, there was no going back. Mamaw’s
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I was naturally drawn to those like me. “The person I talk to most,” I wrote to my family in my first letter home, “is from Leslie County, Kentucky. He talks like he’s from Jackson. I was telling him how much bullshit it was that Catholics got all the free time they did. They get it because of the way the church schedule works. He is definitely a country kid, ’cause he said, ‘What’s a Catholic?’ And I told him that it was just another form of Christianity, and he said, ‘I might have to try that out.’” Mamaw understood precisely where he came from. “Down in that part of Kentucky, everybody’s a snake handler,” she wrote back, only partially joking.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
This is just one version of how the world of successful people actually works. But social capital is all around us. Those who tap into it and use it prosper. Those who don’t are running life’s race with a major handicap. This is a serious problem for kids like me. Here’s a non-exhaustive list of things I didn’t know when I got to Yale Law School: That you needed to wear a suit to a job interview. That wearing a suit large enough to fit a silverback gorilla was inappropriate. That a butter knife wasn’t just decorative (after all, anything that requires a butter knife can be done better with a spoon or an index finger). That pleather and leather were different substances. That your shoes and belt should match. That certain cities and states had better job prospects. That going to a nicer college brought benefits outside of bragging rights. That finance was an industry that people worked in. Mamaw always resented the hillbilly stereotype—the idea that our people were a bunch of slobbering morons. But the fact is that I was remarkably ignorant of how to get ahead. Not knowing things that many others do often has serious economic consequences. It cost me a job in college (apparently Marine Corps combat boots and khaki pants aren’t proper interview attire) and could have cost me a lot more in law school if I hadn’t had a few people helping me every step of the way.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
screamed at me and I stood proudly; every time I thought I’d fall behind during a run and kept up; every time I learned to do something I thought impossible, like climb the rope, I came a little closer to believing in myself. Psychologists call it “learned helplessness” when a person believes, as I did during my youth, that the choices I made had no effect on the outcomes in my life. From Middletown’s world of small expectations to the constant chaos of our home, life had taught me that I had no control. Mamaw and Papaw had saved me from succumbing entirely to that notion, and the Marine Corps broke new ground. If I had learned helplessness at home, the Marines were teaching learned willfulness. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Seeing people insult, scream, and sometimes physically fight was just a part of our life. After a while, you didn’t even notice it. I always thought it was how adults spoke to one another. When Lori married Dan, I learned of at least one exception. Mamaw told me that they never screamed at each other because Dan was different. As we got to know Dan’s entire family, I realized that they were just nicer to each other. They didn’t yell at each other in public. I got the distinct impression that they didn’t yell at each other much in private, either. I thought they were frauds. My aunt saw it differently. “I just assumed they were really weird. I knew they were genuine. I just figured they were genuinely odd.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Papaw had kind eyes and a little scratchy stubble on his cheeks that ticked when I gave him a kiss. He also had hair in his ears, and it was my job to help him trim it. He chewed tobacco from a little white bag and always kept a gold spittoon nearby. Papaw loved to sit around in his blue coveralls (the only thing I ever saw him wear) and shoot the bull with the boys. On Mamaw’s deathbed, she made us promise to make sure he always had clean coveralls. I’ll never forget my mamaw’s sewing room, filled with scraps and bolts of cloth, buttons, thread, and trimmings. In that room I felt like a little kid in the most beautiful toy store you could imagine, full of magic and possibilities. Mamaw kept busy making beautiful clothes and quilts, some of which I still have.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Not long after he moved, the mail carrier got embroiled in a battle with the Middletown government over the flock of chickens that he kept in his yard. He treated them just as Mamaw had treated her chickens back in the holler: Every morning he collected all the eggs, and when his chicken population grew too large, he’d take a few of the old ones, wring their necks, and carve them up for meat right in his backyard. You can just imagine a well-bred housewife watching out the window in horror as her Kentucky-born neighbor slaughtered squawking chickens just a few feet away. My sister and I still call the old mail carrier “the chicken man,” and years later even a mention of how the city government ganged up on the chicken man could inspire Mamaw’s trademark vitriol: “Fucking zoning laws. They can kiss my ruby-red asshole.” The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I broached this issue with Mamaw, confessing that I was gay and I was worried that I would burn in hell. She said, “Don’t be a fucking idiot, how would you know that you’re gay?” I explained my thought process. Mamaw chuckled and seemed to consider how she might explain to a boy my age. Finally she asked, “J.D., do you want to suck dicks?” I was flabbergasted. Why would someone want to do that? She repeated herself, and I said, “Of course not!” “Then,” she said, “you’re not gay. And even if you did want to suck dicks, that would be okay. God would still love you.” That settled the matter. Apparently I didn’t have to worry about being gay anymore. Now that I’m older, I recognize the profundity of her sentiment: Gay people, though unfamiliar, threatened nothing about Mamaw’s being. There were more important things for a Christian to worry about.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw’s sentiments occupied wildly different parts of the political spectrum. Depending on her mood, Mamaw was a radical conservative or a European-style social Democrat. Because of this, I initially assumed that Mamaw was an unreformed simpleton and that as soon as she opened her mouth about policy or politics, I might as well close my ears. Yet I quickly realized that in Mamaw’s contradictions lay great wisdom. I had spent so long just surviving my world, but now that I had a little space to observe it, I began to see the world as Mamaw did. I was scared, confused, angry, and heartbroken. I’d blame large businesses for closing up shop and moving overseas, and then I’d wonder if I might have done the same thing. I’d curse our government for not helping enough, and then I’d wonder if, in its attempts to help, it actually made the problem worse.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
People thought of Adam as dim, flawed, “Lights are on, but nobody home,” they said about him. Because he had been told so often, Adam had come to agree with them. None of this made Adam think less of himself. In fact, Adam rarely thought of himself at all. He was different that way. Adam looked out at the world and whatever he saw required his total attention. He engaged his visible universe with an absolute, unreserved surrender. The intensity of his observation would have put an angel to shame. Mamaw’s preacher, a man more enlightened than he was educated, and who had some sense of the Spirit that was in Adam, might have said God looked down on Marshall County through Adam’s eyes, loved their little slice of the Appalachians through Adam’s heart, so that people and places there became real through being truly and completely seen and cherished by a selfless soul.
Henry Mitchell (Dark on the Mountain)
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.” God helps those who help themselves.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
These were quirks, and at first I understood them as little more than strict rules that I could either comply with or get around. Yet I was a curious kid, and the deeper I immersed myself in evangelical theology, the more I felt compelled to mistrust many sectors of society. Evolution and the Big Bang became ideologies to confront, not theories to understand. Many of the sermons I heard spent as much time criticizing other Christians as anything else. Theological battle lines were drawn, and those on the other side weren’t just wrong about biblical interpretation, they were somehow unchristian. I admired my uncle Dan above all other men, but when he spoke of his Catholic acceptance of evolutionary theory, my admiration became tinged with suspicion. My new faith had put me on the lookout for heretics. Good friends who interpreted parts of the Bible differently were bad influences. Even Mamaw fell from favor because her religious views didn’t conflict with her affinity for Bill Clinton.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.” God helps those who help themselves. This was the wisdom of the Book of Mamaw.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance. Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool. What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can. "I'm here, gosh! Stop yelling," I say. "Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you." There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.
Alecia Whitaker (The Queen of Kentucky)
So I should probably just tell you I'm about as green as these pistachios when it comes to macaroons. I've never even eaten one, let alone made---" I begin self-consciously, but Benny cuts me off. "Macarrrons," he says, throwing his hands up emphatically and rolling the r for longer than seems necessary. Not macaroons. Important distinction, Reese's Pieces. Two different cookies." I shake my head on an exhale, trying hard to keep my composure. "Right, well. Painful as it was to admit it the first time, I'll repeat that I've still never had a macaron, so you've gotta, like, tell me what to do." Benny grins at me, then looks directly into the camera. "It would be my honor." He shuffles around more bowls and I mock-whisper to the imaginary audience, "Apologies in advance to, well, feminism as a whole." "Did you say something?" Benny teases, pushing the pistachios toward me with finality. "There are just so many recipes, so much knowledge in my head that sometimes it's hard to hear anything outside it, you know?" "Keep it up, Benjamin," I say in the warning tone that my mamaw would use to tell my papaw that he should very much not keep it up.
Kaitlyn Hill (Love from Scratch)
Consider my life before I moved in with Mamaw. In the middle of third grade, we left Middletown and my grandparents to live in Preble County with Bob; at the end of fourth grade, we left Preble County to live in a Middletown duplex on the 200 block of McKinley Street; at the end of fifth grade, we left the 200 block of McKinley Street to move to the 300 block of McKinley Street, and by that time Chip was a regular in our home, though he never lived with us; at the end of sixth grade, we remained on the 300 block of McKinley Street, but Chip had been replaced by Steve (and there were many discussions about moving in with Steve); at the end of seventh grade, Matt had taken Steve’s place, Mom was preparing to move in with Matt, and Mom hoped that I would join her in Dayton; at the end of eighth grade, she demanded that I move to Dayton, and after a brief detour at my dad’s house, I acquiesced; at the end of ninth grade, I moved in with Ken—a complete stranger—and his three kids. On top of all that were the drugs, the domestic violence case, children’s services prying into our lives, and Papaw dying. Today, even remembering that period long enough to write it down invokes an intense,
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
was my first indication that the policies of Mamaw’s “party of the working man”—the Democrats—weren’t all they were cracked up to be. Political scientists have spent millions of words trying to explain how Appalachia and the South went from staunchly Democratic to staunchly Republican in less than a generation. Some blame race relations and the Democratic Party’s embrace of the civil rights movement. Others cite religious faith and the hold that social conservatism has on evangelicals in that region. A big part of the explanation lies in the fact that many in the white working class saw precisely what I did, working at Dillman’s. As far back as the 1970s, the white working class began to turn to Richard Nixon because of a perception that, as one man put it, government was “payin’ people who are on welfare today doin’ nothin’! They’re laughin’ at our society! And we’re all hardworkin’ people and we’re gettin’ laughed at for workin’ every day!”20 At around that time, our neighbor—one of Mamaw and Papaw’s oldest friends—registered the house next to ours for Section 8. Section 8 is a government program that offers low-income residents a voucher to rent housing. Mamaw’s friend had little luck renting his property, but when he qualified his house for the Section 8 voucher, he virtually assured that would change. Mamaw saw it as a betrayal, ensuring that “bad” people would move into the neighborhood and drive down property values. Despite our efforts to draw bright lines between the working and nonworking poor, Mamaw and I recognized that we shared a lot in common with those whom we thought gave our people a bad name. Those Section 8 recipients looked a lot like us. The matriarch of the first family to move in next door was born in Kentucky but moved north at a young age as her parents sought a better life. She’d gotten involved with a couple of men, each of whom had left her with a child but no support. She was nice, and so were her kids. But the drugs and the late-night fighting revealed troubles that too many hillbilly transplants knew too well. Confronted with such a realization of her own family’s struggle, Mamaw grew frustrated and angry. From that anger sprang Bonnie Vance the social policy expert: “She’s a lazy whore, but she wouldn’t be if she was forced to get a job”; “I hate those fuckers for giving these people the money to move into our neighborhood.” She’d rant against the people we’d see in the grocery store: “I can’t understand why people who’ve worked all their lives scrape by while these deadbeats buy liquor and cell phone coverage with our tax money.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
These associations—Cavafy, my mother polishing the silver, a missionary aunt who fled the familiar turf of Tennessee for the otherness of Korea (presumably with the intent of teaching them something, hopefully with the result of being taught), my Mamaw’s fragrant old bureau with its smell of wax and polish—all of them would be brought to bear upon my painting of peppermints, but none of them would be visible; there’s no reason the viewer would know any of this. I could render only what can be seen—color and form, though the painter’s splendid artifice reveals to us texture, too, and rich associations of scent and flavor, all arriving through the gates of the eyes. And yet there is something more here, and that something is what nags at me to write this book, what tugs at my sleeve and my sleep. Why, if all that is personal has fallen away, should these pictures matter so? Why should they be alight with a feeling of intimacy? Interiority makes itself visible. In my imaginary still life, the “context and commentary” of my experience would be gone, but something would remain, something distilled and vibrant in the quality of attention itself. Is that what soul or spirit is, then, the outward-flying attention, the gaze that binds us to the world? Coorte’s asparagus, his gooseberries and shells, distill this quality down to its quietest, most startling essence: the eye suffuses what it sees with I. Not “I” in the sense of my story, the particulars of my life, the way my father tended his old asparagus beds each spring, the way my beloved loved the forms and colors of shells. But “I” as the quickest, subtlest thing we are: a moment of attention, an intimate engagement. Is that the lesson, then, that ultimately I becomes an eye? What is left of Adriaen Coorte but this? Isn’t that enough? […] That, I think, is the deepest secret of these paintings, finally, although it seems just barely in the realm of the sayable, this feeling that beneath the attachments and appurtenances, the furnishings of selfhood, what we are is attention, a quick physical presence in the world, a bright point of consciousness in a wide field from which we are not really separate. That, in a field of light, we are intensifications of that light.
Mark Doty (Still Life with Oysters and Lemon: On Objects and Intimacy)
If Mamaw's second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to the neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters--about one-third--believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure--which means that a majority of white conservatives aren't certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor--which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up; His accent--clean, perfect, neutral--is foreign; his credentials are so impressive that they're frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right--adversity familiar to many of us--but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we're not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren't. He wears suits to his job while we wear overalls, if we're lucky enough to have a job at all. His wife tells us that we shouldn't be feeding our children certain foods, and we hate her for it--not because we think she's wrong, but because we know she's right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
I’m the kind of patriot whom people on the Acela corridor laugh at. I choke up when I hear Lee Greenwood’s cheesy anthem “Proud to Be an American.” When I was sixteen, I vowed that every time I met a veteran, I would go out of my way to shake his or her hand, even if I had to awkwardly interject to do so. To this day, I refuse to watch Saving Private Ryan around anyone but my closest friends, because I can’t stop from crying during the final scene. Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to their neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters—about one-third—believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure—which means that a majority of white conservatives aren’t certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)