Red Bottoms Shoes Quotes

Anyone who says, “Here’s my address, write me a poem,” deserves something in reply. So I’ll tell a secret instead: poems hide. In the bottoms of our shoes, they are sleeping. They are the shadows drifting across our ceilings the moment before we wake up. What we have to do is live in a way that lets us find them.

Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps. That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.

The War on Men Through the Degradation of Woman” - "How is man to recognize his full self, his full power through the eye’s of an incomplete woman? The woman who has been stripped of Goddess recognition and diminished to a big ass and full breast for physical comfort only. The woman who has been silenced so she may forget her spiritual essence because her words stir too much thought outside of the pleasure space. The woman who has been diminished to covering all that rots inside of her with weaves and red bottom shoes. I am sure the men, who restructured our societies from cultures that honored woman, had no idea of the outcome. They had no idea that eventually, even men would render themselves empty and longing for meaning, depth and connection. There is a deep sadness when I witness a man that can’t recognize the emptiness he feels when he objectifies himself as a bank and truly believes he can buy love with things and status. It is painful to witness the betrayal when a woman takes him up on that offer. He doesn’t recognize that the [creation] of a half woman has contributed to his repressed anger and frustration of feeling he is not enough. He then may love no woman or keep many half women as his prize. He doesn’t recognize that it’s his submersion in the imbalanced warrior culture, where violence is the means of getting respect and power, as the reason he can break the face of the woman who bore him 4 four children. When woman is lost, so is man. The truth is, woman is the window to a man’s heart and a man’s heart is the gateway to his soul. Power and control will NEVER out weigh love. May we all find our way.

Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.

When I arrived Dad was at home. He was in the laundry room at the bottom of the house. He turned to me, anger in every movement. “I picked you some flowers,” I said. He reached out with his hand, took them, and threw them in the large sink. “Little girls pick flowers,” he said. He was right. And he was probably ashamed of me. Once some of his colleagues had come home and they had seen me on the stairs, with my blond hair quite long, because it was winter, and I was wearing red long johns. “What a nice girl you’ve got,” one of them said. “It’s a boy,” Dad answered. He had smiled, but I knew him well enough to know the comment had not gladdened his heart. There was my interest in clothes, my crying if I didn’t get the shoes I wanted, my crying if it was too cold when we were in the boat on the sea, indeed my crying if he raised his voice in situations when it would have been absolutely normal to raise your voice. Was it so strange he thought: what kind of son have I got here? I was a mama’s boy, he was constantly telling me. I was, too. I longed for her. And no one was happier than I when she moved back for good at the end of the month.

Valentine for Ernest Mann" You can’t order a poem like you order a taco. Walk up to the counter, say, “I’ll take two” and expect it to be handed back to you on a shiny plate. Still, I like your spirit. Anyone who says, “Here’s my address, write me a poem,” deserves something in reply. So I’ll tell a secret instead: poems hide. In the bottoms of our shoes, they are sleeping. They are the shadows drifting across our ceilings the moment before we wake up. What we have to do is live in a way that lets us find them. Once I knew a man who gave his wife two skunks for a valentine. He couldn’t understand why she was crying. “I thought they had such beautiful eyes.” And he was serious. He was a serious man who lived in a serious way. Nothing was ugly just because the world said so. He really liked those skunks. So, he re-invented them as valentines and they became beautiful. At least, to him. And the poems that had been hiding in the eyes of skunks for centuries crawled out and curled up at his feet. Maybe if we re-invent whatever our lives give us we find poems. Check your garage, the off sock in your drawer, the person you almost like, but not quite.

The first day we rode our bikes to Chelsey and parked them. It was a terrible feeling. Most of those kids, at least all the older ones, had their own automobiles, many of them new convertibles, and they weren't black or dark blue like most cars, they were bright yellow, green, orange, and red. The guys sat in them outside of the school and the girls gathered around and went for rides. Everybody was nicely dressed, the guys and the girls, they had pullover sweaters, wrist watches and the latest in shoes. They seemed very adult and poised and superior. And there I was in my homemade shirt, my one ragged pair of pants, my rundown shoes, and I was covered with boils. The guys with the cars didn't worry about acne. They were very handsome, they were tall and clean with bright teeth and they didn't wash their hair with hand soap. They seemed to know something I didn't know. I was at the bottom again. Since all the guys had cars Baldy and I were ashamed of our bicycles. We left them home and walked to school and back, two-and-one-half miles each way. We carried brown bag lunches. But mot of the other students didn't even eat in the school cafeteria. They drove to malt shops with the girls, played the juke boxes and laughed. They were on their way to U.S.C.

Grandma used to put an all-out assault and gangster-style ass whipping on us with anything she could get her hands on: a belt, switches, shoes, clothes hangers, extension cords. And a back hand slap that caught

tall man in his thirties wearing jeans with rolled bottoms, a tiny-collared white shirt, and a red paisley tie appeared. Longish dark hair was combed to look careless. Black-rimmed glasses and red-brown saddle shoes added up to hipster, not corporate lawyer.

It seems to make little sense how a person's self-worth or self-confidence should be wrapped up in how much their jacket is worth or what shoe they are wearing. Does a person's round or pointy-tip shoe really say anything of value about who a person is? It seems that true luxury lies in a freedom from needing that red-bottom shoe, that handbag with all the tiny initials and big price tag, or the latest trend to know that a person truly matters. True luxury seems to lie in the separation of confidence and materialism. Authentic luxury flourishes from the untying of self-worth from popular opinion.

The back door was hanging limply open on one hinge, with half a sign still visible on it. The faded red letters spelled out GENCY EX quite clearly. I paused at the side of the doorway, pistol ready. I didn’t really think anyone would be hiding inside among the old mirrors. It was too much of a cliché, and surely even cannibals have some pride. And in any case, the mirrors had not really fooled anyone when they were in good condition. After so many years of neglect they were almost certainly no more reflective than the bottom of my shoe. But I took no chances; I moved past the door in a crouch with my pistol ready and aimed at the inside of the funhouse. Nothing lurked, nothing moved. I went on by to the next puddle of shadow. At

Why do bad things happen?” I ask Bubby. “Do they come from Hashem?” “No, not Hashem. Only Satan,” Bubby answers, drying the dishes with a red-checkered tea towel while I load them into the cabinets. “All bad things are because of him.” Did Satan make my father slow, with a mind like that of a petulant child, unable to care for himself or for me? Did Satan dump me, an unloved foundling of fate, into the hands of my grandparents, already exhausted from raising their own children? I don’t understand. Isn’t Hashem the one in control? How can Satan operate so freely under his jurisdiction? Surely Hashem created Satan, if he created everything. Why would he make something so terrible? Why won’t he stop it? “Hitler had chicken feet, you know,” Bubby remarks. “That’s why he never took off his shoes. So they wouldn’t see he was a sheid, a ghost.” She scrubs at the burned remains of chicken fricassee on the bottom of a cast-iron skillet, her calloused fingers marked by years of housework. I don’t think this world is such a simple place, in which bad people have deformities that mark them as evil. That’s not how it works. Evil people look just like us. You can’t take off their shoes and know the truth.

Don’t worry if you can’t afford organic produce. If a child can lick the bottom of her own shoe and survive, chances are a regular apple isn’t going to hurt her. Remember: We were raised on cans of “fruit cocktail,” the kind with two bright red maraschino cherries per can. Delish!

If you see a woman with bright red lipstick that matches the bottoms of her shoes and looks like she stepped out of a Vogue magazine, that would be her. ... She’s arrogant and confident. The sea kind of parts when she walks into a room.

overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.

When they finished dressing, Jimena wore racy red hot pants, a silky blouse with a star-burst pattern, and crazy ankle boots with thin chains draped around her ankles. "Too cool." Serena admired Jimena's outfit, then she twirled to show off her own shoulder-baring top that exposed her midriff. She had pasted a crystal in her belly button. Kendra's bell-bottoms had been too long, but when she stepped into a pair of gold 70's platform shoes the length became just right. Catty wore a backless halter top and a pair of lacy bell-bottoms. She held up some stencils. "Kendra is going to start selling these at the shop. Anyone want to try one?" She had two dragons in one hand and a lacy snowflake pattern in the other. Jimena and Serena started to examine them, when Vanessa walked into the room. She was wearing a pinstripe shirt unbuttoned over a black leather bra top. Kendra's mini-skirt was too big and the waist fell around Vanessa's hips. Her skin looked golden bronze and she had applied one of the snowflake stencils on her stomach. "Wow," Serena said. "Talk about going for the jugular," Jimena teased. "You like it?" she asked and took off the shirt. "It's too hot to wear.

If the shoes aren’t red on the bottom, then I don’t want to see them on your feet.

The stress and suffering were unimaginable, and in the back of her mind, she recognized that however much she had assumed she’d sympathized with her patients’ families before, had known what they were going through, could put herself in their shoes…all that had been bullshit. Until you walked this path and tried to measure the sliding scale of Hell, you had no clue what it was like. The brain compulsively read into every small piece of data, the tipping between hope and loss constantly bottoming out on one side or another. And just when you thought you couldn’t do it for one more night? For one more hour? For a single second? You got up and you ate something you couldn’t taste and rubbed your gritty red eyes…and plugged right back into it. On

Shoes that tied were the first thing to go. Lucy needed shoes she could put on without using her hands, with a writhing, screaming, occasionally biting child in her arms, shoes she could tip up with her toes and slide her feet into without so much as bending a knee. Flip-flops when at all possible, clogs or Merrells the rest of the time. Then it was earrings. Earrings were so long gone, the holes in her ears had closed up. Next it was eyeliner, then mascara, then returning phone calls, then going to the dentist, then looking in a full-length mirror before she left the house, then lip gloss, unless she found some in the bottom of her purse while she was stopped at a red light. There was more, of course. Pedicures, thank-you notes, RSVPs, Christmas cards, flossing, stretching, remembering birthdays, exfoliation. Basically, Lucy was down to nothing but deodorant, toothpaste, and a ponytail five days out of seven. She