Rem Anime Quotes

Just as Rem stood now by her side, never truly gone, so too would this wreck of a forest reclaim life. God had created it that way--to rebound from any ruin that man could wreak. To grow again. Thrive again. Cover over the scars with new life. That was what God's creation did, plant and animal and man.

including thousands of paintings in his unique, semi-cartoonish style, often densely packed with animals and figures—Elvis, George Washington, angels—and set fancifully in apocalyptic landscapes. In short order, he was appearing on Johnny Carson’s Tonight Show and creating album covers for R.E.M. and Talking Heads. Upon entry to the garden, I was greeted by a giant self-portrait of a smirking Finster in a burgundy suit, affixed to a cinderblock wall. At the bottom are the words “I began painting pictures in Jan-1976—without any training. This is my painting. A person don’t know what he can do unless he tryes. Trying things is the answer to find your talent.

Octopuses and their relatives have what Woods Hole researcher Roger Hanlon calls electric skin. For its color palette, the octopus uses three layers of three different types of cells near the skin’s surface—all controlled in different ways. The deepest layer, containing the white leucophores, passively reflects background light. This process appears to involve no muscles or nerves. The middle layer contains the tiny iridophores, each 100 microns across. These also reflect light, including polarized light (which humans can’t see, but a number of octopuses’ predators, including birds, do). The iridophores create an array of glittering greens, blues, golds, and pinks. Some of these little organs seem to be passive, but other iridophores appear to be controlled by the nervous system. They are associated with the neurotransmitter acetylcholine, the first neurotransmitter to be identified in any animal. Acetylcholine helps with contraction of muscles; in humans, it is also important in memory, learning, and REM sleep. In octopuses, more of it “turns on” the greens and blues; less creates pinks and golds. The topmost layer of the octopus’s skin contains chromatophores, tiny sacks of yellow, red, brown, and black pigment, each in an elastic container that can be opened or closed to reveal more or less color. Camouflaging the eye alone—with a variety of patterns including a bar, a bandit’s mask, and a starburst pattern—can involve as many as 5 million chromatophores. Each chromatophore is regulated via an array of nerves and muscles, all under the octopus’s voluntary control.

Research studies in animals have, however, provided definitive evidence of the deadly nature of total sleep deprivation, free of any comorbid disease. The most dramatic, disturbing, and ethically provoking of these studies was published in 1983 by a research team at the University of Chicago. Their experimental question was simple: Is sleep necessary for life? By preventing rats from sleeping for weeks on end in a gruesome ordeal, they came up with an unequivocal answer: rats will die after fifteen days without sleep, on average. Two additional results quickly followed. First, death ensued as quickly from total sleep deprivation as it did from total food deprivation. Second, rats lost their lives almost as quickly from selective REM-sleep deprivation as they did following total sleep deprivation. A total absence of NREM sleep still proved fatal, it just took longer to inflict the same mortal consequence—forty-five days, on average.

What’s interesting is that REM sleep appeared relatively late in the game of evolution; all animals display NREM sleep, but only birds and nonaquatic mammals experience REM, although recent studies suggest that a REM sleep–like state may exist in nonavian reptiles.

It’s a perspective on story that may also shed light on why you and I and everyone else spend a couple of hours each day concocting tales that we rarely remember and more rarely share. By day I mean night, and the tales are those we produce during REM sleep. Well over a century since Freud’s The Interpretation of Dreams, there is still no consensus on why we dream. I read Freud’s book for a junior-year high school class called Hygiene (yes, that’s really what it was called), a somewhat bizarre requirement taught by the school’s gym teachers and sports coaches that focused on first aid and common standards of cleanliness. Lacking material to fill an entire semester, the class was padded by mandatory student presentations on topics deemed loosely relevant. I chose sleep and dreams and probably took it all too seriously, reading Freud and spending after-school hours combing through research literature. The wow moment for me, and for the class too, was the work of Michel Jouvet, who in the late 1950s explored the dream world of cats.32 By impairing part of the cat brain (the locus coeruleus, if you like that sort of thing), Jouvet removed a neural block that ordinarily prevents dream thoughts from stimulating bodily action, resulting in sleeping cats who crouched and arched and hissed and pawed, presumably reacting to imaginary predators and prey. If you didn’t know the animals were asleep, you might think they were practicing a feline kata. More recently, studies on rats using more refined neurological probes have shown that their brain patterns when dreaming so closely match those recorded when awake and learning a new maze that researchers can track the progress of the dreaming rat mind as it retraces its earlier steps.33 When cats and rats dream it surely seems they’re rehearsing behaviors relevant to survival. Our common ancestor with cats and rodents lived some seventy or eighty million years ago, so extrapolating a speculative conclusion across species separated by tens of thousands of millennia comes with ample warning labels. But one can imagine that our language-infused minds may produce dreams for a similar purpose: to provide cognitive and emotional workouts that enhance knowledge and exercise intuition—nocturnal sessions on the flight simulator of story. Perhaps that is why in a typical life span we each spend a solid seven years with eyes closed, body mostly paralyzed, consuming our self-authored tales.34 Intrinsically, though, storytelling is not a solitary medium. Storytelling is our most powerful means for inhabiting other minds. And as a deeply social species, the ability to momentarily move into the mind of another may have been essential to our survival and our dominance. This offers a related design rationale for coding story into the human behavioral repertoire—for identifying, that is, the adaptive utility of our storytelling instinct.

Furthermore, she poured tea on a regular basis. Madeline didn't care to, while Eleanor found comfort in the scent, the warmth, the routine. But right now, with all of Mr. Knight's attention focused on her, the task became an ordeal. The pot seemed to weigh too much. The cup rattled in the saucer as she picked it up. She tilted the pot, aimed the spout toward the cup- And in that same, smiling, deceptively pleasant voice, Mr. Knight said, "I like having a duchess wait on me." Both of Eleanor's hands shook. The hot liquid splashed on her fingers. She dropped the cup. As she reached for it, it shattered against the table. A shard jabbed into her palm. She yanked her hand back and closed her fingers. In a rush, he came and knelt beside her. "Are you hurt? Did you burn yourself?" "No, no, I'm fine." She wasn't fine. She was embarrassed. She cultivated the graceful moves of a lady for a reason. She hated making a spectacle of herself- and now her nerves had betrayed her. "Please, Mr. Knight, stand up." For all the notice he took of her, she might not have spoken. Turning her hand to the light, he at once detected the slight cut beneath her little finger, oozing a sullen drop of scarlet blood. "You've cut yourself." "Only a little." She tried to tug her hand back. "I was clumsy. I broke your beautiful cup." "To hell with the cup." He pressed his finger lightly on the cut. She winced. "You're lucky. There's nothing in there." Lifting her hand to his mouth, he sucked the small wound. Shocked, she stared at him. His head bent over her hand, his chiseled features were intent, serious. His mouth was warm, wet, and the suction he used made her feel... odd. More animal than human, pain and intimacy mixing... never, ever had a man's mouth touched her on any part, in any way.