Mole On Cheek Quotes

I wind my fingers in his hair. It's thicker than mine, and curlier, and it shines golden in the firelight. There's a mole on his cheek that I've wanted to kiss since I was 12. I do.

Even if you were green and had a beard and a male appendage between your legs. Even if your eyebrows were orange and you had a mole covering your entire cheek and a nose that poked me in the eye every time I kissed you. Even if you weighed seven hundred pounds and had hair the size of a Doberman under your arms. Even then, I would love you.

A few moments passed by until I heard a door open, a few light footsteps then a whisper,"If she has blonde hair, a mole on her left cheek and huge tits, close the door right fucking now.

Once upon a time, a girl named September grew very tired indeed of her parents’ house, where she washed the same pink-and-yellow teacups and matching gravy boats every day, slept on the same embroidered pillow, and played with the same small and amiable dog. Because she had been born in May, and because she had a mole on her left cheek, and because her feet were very large and ungainly, the Green Wind took pity on her and flew to her window one evening just after her twelfth birthday.

I lean all my weight on the porcelain ledge, I draw my face closer until it touches the mirror. The eyes, nose, and mouth disappear. Nothing is left. Brown wrinkles show on each side of the feverish swelled lips, crevices, mole holes. A silky, white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I recognize the details. But the whole thing gives me an impression of something seen before which stupefies me: I slip quietly off to sleep.

THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.

I lean all my weight on the porcelain ledge, I draw my face closer until it touches the mirror. The eyes, nose and mouth disappear: nothing human is left. Brown wrinkles show on each side of the feverish swelled lips, crevices, mole holes. A silky white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I RECOGNIZE the details. But the whole thing gives me an impression of something seen before which stupefies me: I slip quietly off to sleep.

When Toad found himself immured in a dank and noisome dungeon, and knew that all the grim darkness of a medieval fortress lay between him and the outer world of sunshine and well-metalled high roads where he had lately been so happy, disporting himself as if he had bought up every road in England, he flung himself at full length on the floor, and shed bitter tears, and abandoned himself to dark despair. 'This is the end of everything' (he said), 'at least it is the end of the career of Toad, which is the same thing; the popular and handsome Toad, the rich and hospitable Toad, the Toad so free and careless and debonair! How can I hope to be ever set at large again' (he said), 'who have been imprisoned so justly for stealing so handsome a motor-car in such an audacious manner, and for such lurid and imaginative cheek, bestowed upon such a number of fat, red-faced policemen!' (Here his sobs choked him.) 'Stupid animal that I was' (he said), 'now I must languish in this dungeon, till people who were proud to say they knew me, have forgotten the very name of Toad! O wise old Badger!' (he said), 'O clever, intelligent Rat and sensible Mole! What sound judgments, what a knowledge of men and matters you possess! O unhappy and forsaken Toad!' With lamentations such as these he passed his days and nights for several weeks, refusing his meals or intermediate light refreshments, though the grim and ancient gaoler, knowing that Toad's pockets were well lined, frequently pointed out that many comforts, and indeed luxuries, could by arrangement be sent in—at a price—from outside.

Over mochi ice cream, Grandma tells us about all the places she wants to take us in Korea: the Buddhist temples, the outdoor food markets, the skin clinic where she goes to get her moles lasered off. She points at a tiny mole on Kitty’s cheek and says, “We’ll get that taken care of.” Daddy looks alarmed, and Trina’s quick to ask, “Isn’t she too young?” Grandma waves her hand. “She’ll be fine.” Then Kitty asks, “How old do you have to be to get a nose job in Korea?” and Daddy nearly chokes on his beer. Grandma gives her a threatening look. “You can never, ever change your nose. You have a lucky nose.” Kitty touches it gingerly. “I do?” “Very lucky,” Grandma says. “If you change your nose, you’ll change your luck. So never do it.” I touch my own nose. Grandma’s never said anything about my nose being lucky.

I always thought you were going to kill me," I say. "Me too," he says. "I tried not to think about it." I wind my fingers in his hair. It's thicker than mine, and curlier, and it shines golden in the firelight. There's a mole on his cheek that I've wanted to kiss since I was 12. I do. "For a long time," I say. "Hmmm?" He opens one eye. "I've wanted to do this for a long time. Almost since we met..." Snow closes his eyes again and smiles like he's trying not to. I smile, too, only because he isn't watching. "I thought it was going to kill me.

And now there’s another thing you got to learn,” said the Ape. “I hear some of you are saying I’m an Ape. Well, I’m not. I’m a Man. If I look like an Ape, that’s because I’m so very old: hundreds and hundreds of years old. And it’s because I’m so old that I’m so wise. And it’s because I’m so wise that I’m the only one Aslan is ever going to speak to. He can’t be bothered talking to a lot of stupid animals. He’ll tell me what you’ve got to do, and I’ll tell the rest of you. And take my advice, and see you do it in double quick time, for he doesn’t mean to stand any nonsense.” There was dead silence except for the noise of a very young badger crying and its mother trying to make it keep quiet. “And now here’s another thing,” the Ape went on, fitting a fresh nut into its cheek, “I hear some of the horses are saying, Let’s hurry up and get this job of carting timber over as quickly as we can, and then we’ll be free again. Well, you can get that idea out of your heads at once. And not only the Horses either. Everybody who can work is going to be made to work in future. Aslan has it all settled with the King of Calormen—The Tisroc, as our dark faced friends the Calormenes call him. All you Horses and Bulls and Donkeys are to be sent down into Calormen to work for your living—pulling and carrying the way horses and such-like do in other countries. And all you digging animals like Moles and Rabbits and Dwarfs are going down to work in The Tisroc’s mines. And—” “No, no, no,” howled the Beasts. “It can’t be true. Aslan would never sell us into slavery to the King of Calormen.” “None of that! Hold your noise!” said the Ape with a snarl. “Who said anything about slavery? You won’t be slaves. You’ll be paid—very good wages too. That is to say, your pay will be paid into Aslan’s treasury and he will use it all for everybody’s good.” Then he glanced, and almost winked, at the chief Calormene. The Calormene bowed and replied, in the pompous Calormene way: “Most sapient Mouthpiece of Aslan, The Tisroc (may-he-live-forever) is wholly of one mind with your lordship in this judicious plan.” “There! You see!” said the Ape. “It’s all arranged. And all for your own good. We’ll be able, with the money you earn, to make Narnia a country worth living in. There’ll be oranges and bananas pouring in—and roads and big cities and schools and offices and whips and muzzles and saddles and cages and kennels and prisons—Oh, everything.” “But we don’t want all those things,” said an old Bear. “We want to be free. And we want to hear Aslan speak himself.” “Now don’t you start arguing,” said the Ape, “for it’s a thing I won’t stand. I’m a Man: you’re only a fat, stupid old Bear. What do you know about freedom? You think freedom means doing what you like. Well, you’re wrong. That isn’t true freedom. True freedom means doing what I tell you.” “H-n-n-h,” grunted the Bear and scratched its head; it found this sort of thing hard to understand.

Where do you even start with Cinderella? Let's ignore Cinderella's victim status and total lack of self-determination and head straight for the prince who was, let's face it, a bit of a jerk. Despite being captivated by Cinderella's radiant beauty for half the night, come the cold light of day he has completely forgotten what she looks like and only has her shoe size to go on. Either he was suffering from some sort of early onset Alzheimer's disease or else he was completely off his face during the big ball. the end result is that he goes trawling through the kingdom in some sort of perverted foot-fetish style quest for someone, anyone, who fits the glass slipper. Just how superficial is this guy? What if Cinderella had turned up at the ball looking exactly like she did only with a mole on her face and that had a couple of twelve-centimetre hairs sticking out of it? What if a bearded troll just happened to have the same shoe size as Cinderella? 'Ah, well. Pucker up, bushy cheeks, it's snog time.' And no one ever bothers to question the sheer impracticality of Cinderella's footwear. Glass might be good for many things but it's not exactly malleable in its cooled state. If everyone turned and gaped when Cinderella made her big entrance into the ball, it's only because she'd have come staggering in like a drunken giraffe on rollerblades. Bit of a head turner.

seen another living soul in years except Mom. When your only human experience in life is through the TV, it warps your sense of reality. The people on TV are so flawless that you don’t see the little blemishes on the skin; the little mole below his eye, the freckles that barely showed on his cheek. We pulled into a parking lot and I marveled at the size of the sign out

Lisa is at least five inches taller than Abby, with long black hair that always looks shiny and a tiny little mole at the top of her left cheek. She has a great body, with curves and boobs. Really, the only thing that isn’t perfect about Lisa is her braces.

You’re late,” I said, stepping out from the copse of trees where I’d been waiting, Souris trailing along at my heels. “You needn’t cry about it,” Chris replied, pulling the pair of grey horses to a halt on the road. I tried to glare balefully at him, but I was certain the effect was ruined by the tears that were in fact streaming down my cheeks. The sun was wickedly bright, reflecting off the patches of snow and searing into my eyes. “You’re like a mole that’s lost its hole.” “I don’t know what a mole is,” I said, opening the carriage door and lifting the dog inside. “It’s an animal that lives underground. Doesn’t see too well.” “Then the comparison is apt.

He wanted to bite her nose and she wanted to grip his cheeks. They moved toward the person they liked and did all that was meant to be done. They kissed with unmistakable character. O’Hare had mastered English; mastery in any field defined one’s behavior. When one let something kill them enough, that essence shaped their core and the person became distinctive. It gave rhythm to their kisses. Motivated their periods of intensity and retreat. How they pulled each other’s hair. Andrei pressed his lips over her moles, island by island, star by star, and ate them like chocolate chips.

I bite my lip as I begin reading: She needs some sun! Her eyes are hard to see—they’re too dark; her nose is thin; no cheek bones!; I think her lips are uneven; her chin is really square, and my favorite: is that a mole or a zit? Awesome. Twenty pages of these cryptic remarks sure do make a girl feel good about herself. The last page changes my sour mood completely. On it there is a sketch of my face—no, sketch is the wrong word. It’s too common a word. This is more than a sketch. This is a portrait of my face. The image of the girl staring back at me is so stunning, that I actually gasp. The handwriting on the bottom of the page, which is small and elegant, holds only two words: You’re perfect.

breaths escaped from parted lips. “Why did you decide to come?” Flynn asked. Lilly didn’t answer. He traced a finger from her cheek, down the softness of her neck, and over the mole that settled right at her nape. He could feel her blood moving below his touch. His eyes

The women were passive, sexualized and blank, save for the hint of a Mona Lisa smile on all their faces.  Objects to be observed and enjoyed by some unseen onlooker.  Nothing in the depictions of these women – or girls, really -- suggested they had personalities, goals, family, friends, history, feelings… It bothered me more, however, that all of them were young and White, their translucent, porcelain skin unscathed by tattoos, moles or scars.  Only a sexy set of freckles or sunburnt cheeks marred their otherwise flawless skin. 

I saw his face, too; it was the face of the driver of the hearse, with a mole on the left cheek. Then he spoke to me, jerking his thumb over his shoulder. "'Just room for one inside, sir,' he said.

distracted by your feelings, biases, and other inner trains of thought. Your mind must be open enough to let information come through from the conversation so that you can respond appropriately. And speaking of your mental state… An Open Mind It is often part of human nature to make a mental note of the person’s distinct features and mannerisms when they are talking to you. For instance, if they say something incredulous, your mind immediately makes a mental note along the lines of well, that was a stupid thing to say, followed by an instinctive raising of the eyebrows. Or what if the person has a visible distraction on their face like a mole on their cheek or a piece of lettuce in their teeth? Your eyes would immediately travel there,

He stepped into the foyer, impeccably suited and scarved, with a silk tie knotted at his collar. Each evening he appeared in ensembles of plums, olives, and chocolate browns. He was a compact man, and though his feet were perpetually splayed, and his belly slightly wide, he nevertheless maintained an efficient posture, as if balancing in either hand two suitcases of equal weight. His ears were insulated by tufts of graying hair that seemed to block out the unpleasant traffic of life. He had thickly lashed eyes shaded with a trace of camphor, a generous mustache that turned up playfully at the ends, and a mole shaped like a flattened raisin in the very center of his left cheek. On his head he wore a black fez made from the wool of Persian lambs, secured by bobby pins, without which I was never to see him. Though my father always offered to fetch him in our car, Mr. Pirzada preferred to walk from his dormitory to our neighborhood, a distance of about twenty minutes on foot, studying trees and shrubs on his way, and when he entered our house his knuckles were pink with the effects of crisp autumn air.

I embrace Grignan and kiss him on his right cheek just below his hairy mole.

The air crystallised in the image of a stained glass angel, stark black and white. Stepping from a hidden dimension, this apparition became flesh and blood: an immense, forbidding man with dark hair and waxen skin. The face, too angular to be handsome, radiated the solid conviction of a born leader. There was a mole on his left cheek, a black singularity against the whiteness.