Sleepy Hollow Quotes

We've searched our database for all the quotes and captions related to Sleepy Hollow. Here they are! All 100 of them:

I profess not to know how women's hearts are wooed and won. To me they have always been matters of riddle and admiration.
Washington Irving (The Legend of Sleepy Hollow)
Others may write from the head, but he writes from the heart, and the heart will always understand him.
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
There are certain half-dreaming moods of mind in which we naturally steal away from noise and glare, and seek some quiet haunt where we may indulge our reveries and build our air castles undisturbed.
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
...ducks and geese are foolish things, and must be looked after, but girls can take care of themselves.
Washington Irving (The Legend of Sleepy Hollow)
To look upon its grass grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace.
Washington Irving (The Legend of Sleepy Hollow)
And if unhappy in her love, her heart is like some fortress that has been captured, and sacked, and abandoned, and left desolate...
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
Creepy Hollow?” He snorts. “Like Sleepy Hollow?” “No, like Creepy Hollow. It has nothing to do with sleeping.
Rachel Morgan (The Faerie Guardian (Creepy Hollow, #1))
and he would have passed a pleasant life of it, in despite of the Devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was—a woman.
Washington Irving (The Legend of Sleepy Hollow)
All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely pre-ambulations, yet daylight put an end to all these evils; and he would have passed a pleasent life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was - a woman.
Washington Irving (The Legend of Sleepy Hollow)
There is nothing like the silence and loneliness of night to bring dark shadows over the brightest mind.
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
Balt Van Tassel was an easy indulgent soul; he loved his daughter better even than his pipe, and, like a reasonable man and an excellent father, let her have her way in everything.
Washington Irving (The Legend of Sleepy Hollow)
His appetite for the marvelous, and his powers of digesting it, were equally extraordinary
Washington Irving (The Legend of Sleepy Hollow)
I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for man must battle for his fortress at every door and window. He who wins a thousand common hearts is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette is indeed a hero.
Washington Irving (The Legend of Sleepy Hollow)
They are given to all kinds of marvellous beliefs; are subject to trances and visions; and frequently see strange sights, and hear music and voices in the air.
Washington Irving (The Legend of Sleepy Hollow)
Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs, are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air
Washington Irving (The Legend of Sleepy Hollow)
For my part, I love to give myself up to the illusion of poetry. A hero of fiction that never existed is just as valuable to me as a hero of history that existed a thousand years ago.
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
Not far from this village, perhaps about two miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail or tapping of a woodpecker is almost the only sound that ever breaks in upon the uniform tranquillity.
Washington Irving (The Legend of Sleepy Hollow)
If ever I should wish for a retreat whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley.
Washington Irving (The Legend of Sleepy Hollow (Wildside Fantasy Classic))
There is nothing in this world so hard to get at as truth, and there is nothing in this world but truth that I care for.
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock perched upon his spindle neck to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.
Washington Irving (The Legend of Sleepy Hollow)
It is the bane of my existence. One of the banes anyway.
Kris D'Agostino (The Sleepy Hollow Family Almanac)
I have a theory that as human beings get older, chemicals are released into the brain to prepare us for the end. Sort of like how the nurse lubes your ass up before the anus-cam. It makes the whole thing a lot easier to swallow. Easier, not enjoyable.
Kris D'Agostino (The Sleepy Hollow Family Almanac)
Feminism to Baby Boomers is like the Headless Horseman to Sleepy Hollow: everyone's got a story about how it destroyed a friend of a friend, but none of them have ever actually seen it.
Emily Axford (HEY, U UP? (For a Serious Relationship): How to Turn Your Booty Call into Your Emergency Contact)
I am therefore a ready believer in relics, legends, and local anecdotes of goblins and great men, and would advise all travellers who travel for their gratification to be the same. What is it to us whether these stories be true or false, so long as we can persuade ourselves into the belief of them and enjoy all the charm of the reality?
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen, black, and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.
Washington Irving (The Legend of Sleepy Hollow)
Villainy wears many masks, none so dangerous as the mask of virtue
Washington Irving (The Legend of Sleepy Hollow)
Digamos que el pobre maestro hubiera podido disfrutar por mucho tiempo de una existencia plácida y feliz, ... de no haberse cruzado en su camino la criatura que más turbaciones causa en la existencia del hombre, mayores aún que cualesquiera espectros, demonios y brujos juntos: una mujer.
Washington Irving (The Legend of Sleepy Hollow)
I’ve lived on borrowed time. More than any man deserves. I’ve seen wonders beyond my wildest imaginings. Through these centuries, against the impossibility that we’d find each other, we did. And I am most grateful for it.
Sleepy Hollow Press
On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless!--but his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle!
Washington Irving
Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap and turn themselves in their graves, before their surviving friends have travelled away from the neighborhood; so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities.
Washington Irving (The Legend of Sleepy Hollow)
No! no! My engagement is with no bride--the worms! the worms expect me! I am a dead man--I have been slain by robbers--my body lies at Wurtzburg--at midnight I am to be buried--the grave is waiting for me--I must keep my appointment!
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
Such heaped up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty doughnut, the tender oly koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes. And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly teapot sending up its clouds of vapor from the midst-- Heaven bless the mark!
Washington Irving (The Legend of Sleepy Hollow)
We never bury the dead, son. Not really. We take them with us. It's the price of living.
C. Henry Parrish
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple and scarlet.
Washington Irving (Legend of Sleepy Hollow and Rip Van Winkle)
If there is such a thing as no guts no glory, then “The Legend of Sleepy Hollow” is a true story.
Claire Amber (The Boogieman)
..tall, thin, twisted like a tree you'd find in sleepy hollow..
Megan Fox (Pretty Boys Are Poisonous: Poems)
The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder, and, though lank, had the dilating powers of an anaconda; but to help out his maintenance, he was, according to country custom in those parts, boarded and lodged at the houses of the farmers whose children he instructed.
Washington Irving (The Legend of Sleepy Hollow (Dream Classics))
The schoolmaster is generally a man of some importance in the female circle of a rural neighborhood, being considered a kind of idle, gentlemanlike personage, of vastly superior taste and accomplishments to the rough country swains, and, indeed, inferior in learning only to the parson.
Washington Irving (The Legend of Sleepy Hollow)
No importa cuán despierto hayas sido, una vez te adentras en las sombras de esta región ya no puedes permanecer ajeno a su influjo; la ensoñación mágica de su atmósfera se apodera de ti al instante;
Washington Irving (La leyenda de Sleepy Hollow (Spanish Edition))
If ever I should wish for a retreat, whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley.
Washington Irving (The Legend of Sleepy Hollow)
Such was the formidable rival with whom Ichabod Crane had to contend, and, considering all things, a stouter man than he would have shrunk from the competition, and a wiser man would have despaired. He had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supple-jack—yielding, but tough; though he bent, he never broke; and though he bowed beneath the slightest pressure, yet, the moment it was away—jerk!—he was as erect, and carried his head as high as ever.
Washington Irving (The Legend of Sleepy Hollow)
Was the demented little ghouly-girl hanging out with a headless Hessian in Sleepy Hollow now? Taking notes from the blood-bathing Countess Elizabeth Báthory of Hungary? Swinging an ax around like Lizzie Borden? Or
Ann Charles (A Wild Fright in Deadwood (Deadwood, #7))
On moonless nights in haunted hollow The tongues of beasts, men's blood do swallow Shape shifting shadows that soon will fade Leaving lifeless husks in that mountain glade Swift now close thy sleepy eyes Hope that your dreams hold no surprise.
Neil Leckman
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.” My ears burned. Oh great, am I the color of a tomato now? “Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was. “Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject. “I got you Moby-Dick,” I blurted out. He gave me a sly smile. “Mmmm, did you? How... interesting.” “And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner. “Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?” I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.” Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.” “Was?” I squeaked. Then I cleared my throat and tried again. “I mean—” “Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.” His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me. “It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain. I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.” “I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
Jessica Verday (The Haunted (The Hollow, #2))
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
Washington Irving (The Legend of Sleepy Hollow)
Don't you want to preserve old things? But you can't, Anthony. Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they're preserved for a while in the few hearts like mine that react to them. That graveyard at Tarrytown, for instance. The asses who give money to preserve things have spoiled that too. Sleepy Hollow's gone; Washington Irving's dead and his books are rotting in our estimation year by year - then let the graveyard rot too, as it should, as all things should. Trying to preserve a century by keeping its relics up to date is like keeping a dying man alive by stimulants. So you think that just as time goes to pieces its houses ought to go too? Of course! Would you value your Keats letter if the signature was traced over to make it last longer? It's just because I love the past that I want this house to look back on its glamorous moment of youth and beauty, and I want its stars to creak as if to the footsteps of women with hoop-skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty. It hasn't any right to look so prosperous. It might care enough for Lee to drop a brick now and then. How many of these - these animals - get anything from this, for all the histories and guide-books and restorations in existence? How many of them who think that, at best, appreciation is talking in undertones and walking on tiptoes would even come here if it was any trouble? I want it to smell of magnolias instead of peanuts and I want my shoes to crunch on the same gravel that Lee's boots crunched on. There's no beauty without poignancy and there's no poignancy without the feeling that it's going, men, names, books, houses - bound for dust - mortal-
F. Scott Fitzgerald (The Beautiful and Damned)
I also knew, with a deep uneasiness, that any accusations of witchcraft might be taken seriously by the people of the village. Sleepy Hollow believed in spirits and demons, because they lived side by side with those beings. The people of the town believed in magic. And why wouldn’t they? Magic was woven into the fabric of the Hollow. It drifted in the air.
Christina Henry (Horseman: A Tale of Sleepy Hollow)
The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region ; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Yan Tassel's, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major Andre was taken, and which stood in the neighborhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favorite spectre of Sleepy Hollow, the headless horseman, who had been heard several times of late, patrolling the country; and, it was said, tethered his horse nightly among the graves in the churchyard.
Washington Irving (The Legend of Sleepy Hollow)
For many, it is the wellspring of regret.
Kris D'Agostino (The Sleepy Hollow Family Almanac)
An eight-foot-tall man clad all in black, muscles so big that his clothes stretch taut across his body, and nothing but that goddamn pumpkin on his shoulders.
Molly Likovich (Riding The Headless Horseman (Sexy Sleepy Hollow, #1))
There is no situation in life but has its advantages and pleasures—provided we will but take a joke as we find it
Washington Irving (The Legend of Sleepy Hollow)
living is hard, like anything else worth doing well.
Richard Gleaves (Sleepy Hollow: General of the Dead (Jason Crane #3))
She wasn’t just old, not anymore. She’d sailed right past old and into the port called Decrepitude.
Richard Gleaves (Sleepy Hollow: Rise Headless and Ride (Jason Crane, #1))
He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through,
Geoffrey Crayon (The Legend of Sleepy Hollow + Rip Van Winkle + Old Christmas + 31 Other Unabridged & Annotated Stories (The Sketch Book of Geoffrey Crayon, Gent.))
he loved his daughter better even than his pipe,
Geoffrey Crayon (The Legend of Sleepy Hollow + Rip Van Winkle + Old Christmas + 31 Other Unabridged & Annotated Stories (The Sketch Book of Geoffrey Crayon, Gent.))
There are blind corners, and secrets that never bubble up.
Christina Henry (Horseman: A Tale of Sleepy Hollow)
sorrow than in anger,” and it begins to be suspected that he never intended to injure or offend.
Washington Irving (The Legend of Sleepy Hollow and Other Stories (Knickerbocker Classics))
Chi conquista un migliaio dei soliti cuori ha diritto a qualche fama, ma chi sa rimaner assoluto padrone del cuore di una civetta è veramente un eroe.
Washington Irving (The Legend of Sleepy Hollow)
a country coquette, beset with a labyrinth of whims and caprices, which were forever presenting new difficulties and impediments;
Washington Irving (The Legend of Sleepy Hollow)
Because that happened in the Hollow, too. People decided to forget things, and those things were tucked away and never spoken of again.
Christina Henry (Horseman: A Tale of Sleepy Hollow)
You can’t teach your children if you have nothing valuable to teach,” Katrina said. “They learn what they see.
Christina Henry (Horseman: A Tale of Sleepy Hollow)
Balt Van Tassel was an easy, indulgent soul; he loved his daughter better even than his pipe, and, like a reasonable man and an excellent father, let her have her way in every thing.
Washington Irving (The Legend of Sleepy Hollow)
I couldn’t understand why anyone would choose to be stuck inside with a book when there were trees to climb, but Sander always said that he went further inside a book then I ever did on my own feet.
Christina Henry (Horseman: A Tale of Sleepy Hollow)
It’s not a pleasant sensation, to feel that you are hunted. People are accustomed to being the hunters, to feel they have control over the beasts of the wild, that there is nothing superior to a human.
Christina Henry (Horseman: A Tale of Sleepy Hollow)
Who can tell, when he sets forth to wander, whither he may be driven by the unscertain currents of existence, or when he may return, or whether it may ever be his lot to revisit the scenes of his childhood?
Washington Irving (The Legend of Sleepy Hollow and Other Stories)
She understood that for her to excel at Oxford she had to improve her English. Her brain was in need of words to express itself fully, the way a sapling was in need of raindrops to grow to its potential. She purchased stacks of coloured Post-it notes. On them she wrote the words she chanced upon, fell in love with and intended to use at the earliest opportunity -- just as every foreigner did, one way or another: - Autotomy: The casting off of a body part by an animal in danger - Cleft Stick (from Tolkien, The Lord of the Rings): To be in a difficult situation - Rantipole (from the Legend of Sleepy Hollow): Wild, reckless, sometimes quarrelsome person. In her first Political Philosophy essay, she wrote 'In Turkey, where daily politics is rantipole, each time the system is in a cleft stick, democracy is the first thing to be severed and sacrificed in an act of autotomy.
Elif Shafak (Havva'nın Üç Kızı)
To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a corn-field.
Washington Irving (The Legend of Sleepy Hollow)
There are certain half-dreaming moods of mind, in which we naturally steal away from noise and glare, and seek some quiet haunt, where we may indulge our reveries and build our air castles undisturbed. —Washington Irving, “The Mutability of Literature,
Washington Irving (The Legend of Sleepy Hollow and Other Stories (Knickerbocker Classics))
I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways
Washington Irving (The Legend of Sleepy Hollow)
Another of his sources of fearful pleasure was, to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and spluttering along the hearth, and listen to their marvelous tales of ghosts and goblins, and haunted fields, and haunted brooks, and haunted bridges, and haunted houses, and particularly of the headless horseman, or galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars; and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy!
Washington Irving (The Legend of Sleepy Hollow)
He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvelous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spellbound region. No tale was too gross or monstrous for his capacious swallow.
Washington Irving (The Legend of Sleepy Hollow)
He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers’; he carried his whip perpendicularly in his hand, like a sceptre, and as his horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings.
Washington Irving (The Legend of Sleepy Hollow: “Original copy”)
He had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supple-jack—yielding, but tough; though he bent, he never broke; and though he bowed beneath the slightest pressure, yet, the moment it was away—jerk! he was as erect, and carried his head as high as ever.
Washington Irving (The Legend of Sleepy Hollow and Other Stories (Knickerbocker Classics))
Neyse ki, zamanında altına oturup huzurla pipo tüttürdüğü Kral George'un kırmızı suratlı resmini tanımıştı; ancak o bile bir başka görünüyordu. Kırmızı ceketi maviye ve deve tüyü renge dönmüş, elinde tuttuğu kraliyet asası kılıç oluvermiş, kafasına üç köşeli şapka takılmıştı; ve altına büyük harflerle şöyle yazılmıştı: GENERAL WASHINGTON.
Washington Irving (The Legend of Sleepy Hollow and Other Ghostly Tales (Alma Classics))
Besides, there is no encouragement for ghosts in most of our villages, for, they have scarcely had time to finish their first nap, and turn themselves in their graves, before their surviving friends have travelled away from the neighborhood; so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon.
Washington Irving (The Legend of Sleepy Hollow)
I’ve never been disappointed in you,” she said with sudden fierceness. “Never. But it’s hard to give up on dreams. The more you pulled away, the more you ran toward Brom, the harder I tried to pull you back. That was my mistake. You weren’t a horse to be broken. I should have remembered that. I’m sorry that I made you think I didn’t love you just as you were.
Christina Henry (Horseman: A Tale of Sleepy Hollow)
Du kannst deinen Kindern nichts beibringen, was du selbst nicht in dir hast", sagte Katrina. "Sie lernen, was sie sehen." Ich zog die Augenbrauen zusammen. "Also war es in Ordnung, dass Justus so war, weil er es nicht anders konnte?" "Natürlich nicht", antwortete Katrina. "Aber man muss schlauer sein als Justus, um zu begreifen, dass man sich ändern kann, und zu lernen, wie.
Christina Henry (Horseman: A Tale of Sleepy Hollow)
Teddy Roosevelt?" I suggested. Sadie and I had been trying to figure out the second mathlete's costume for a few minutes. He was wearing a 1930's-style suit,had his hair slicked down carefully, and was sporting a fake mustache. "No glasses. And I can't even begin to imagine the connection between Davy Jone's Locker and Teddy Roosevelt." Sadie pulled a long gold hair from her pumpkin-orange punch and sighed. Maybe her mother hadn't topped her Sleepy Hollow triumph, but it wasn't from lack of determination. What Mrs. Winslow hadn't achieved in creativity (she'd gone the mermaid route), she'd made up in the details. The tailed skirt was intricately beaded and embroidered in a dozen shades of blue and green. It was pretty amazing.The problem was the bodice: not a bikini, but not much better as far as Sadie was concerned. It was green, plunging, and edged with itchy-looking scallops. She was managing to stay covered by the wig, but that was an issue in itself. It was massive,made up of hundreds of trailing corkscrew curls in a metallic blonde. To top it all off, the costume included a glittering, three point crown, and a six-foot trident, complete with jewels and trailing silk seaweed. "Sadie," I'd asked quietly when she'd appeared at my house, shivering and tangled in her wig, "why don't you..." Just tell her where she can shove her trident? But that would just have been mean. Sadie gives in and wears the costumes because it's infinitely easier than fighting. "...come next door and we'll see if Sienna has a shawl you can borrow?
Melissa Jensen (The Fine Art of Truth or Dare)
He could not help, too, rolling his large eyes round him as he ate, and chuckling with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendor. Then, he thought, how soon he’d turn his back upon the old school-house; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!
Washington Irving (The Legend of Sleepy Hollow)
But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken-down plow-horse, that had outlived almost everything but its viciousness. He was gaunt and shagged, with a ewe neck, and ahead like a hammer; his rusty mane and tail were tangled and knotted with burs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a favorite steed of his master's, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.
Washington Irving (The Legend of Sleepy Hollow)
The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
But if there was a pleasure in all this while snugly cuddling in the chimney-corner of a chamber that was all of a ruddy glow from the crackling wood-fire, and where, of course, no spectre dared to show its face, it was dearly purchased by the terrors of his subsequent walk homewards. What fearful shapes and shadows beset his path amidst the dim and ghastly glare of a snowy night! With what wistful look did be eye every trembling ray of light streaming across the waste fields from some distant window!
Geoffrey Crayon (The Legend of Sleepy Hollow + Rip Van Winkle + Old Christmas + 31 Other Unabridged & Annotated Stories (The Sketch Book of Geoffrey Crayon, Gent.))
All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet daylight put an end to all these evils; and he would have passed a pleasant life of it, in despite of the Devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was—a woman.
Washington Irving (The Legend of Sleepy Hollow)
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)
What fearful shapes and shadows beset his path amidst the dim and ghastly glare of a snowy night! — With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window! — How often was he appalled by some shrub covered with snow, which, like a sheeted spectre, beset his very path! — How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet ; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him! — and how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the Galloping Hessian on one of his nightly scourings!
Washington Irving (The Legend of Sleepy Hollow)
Then, as he wended his way, by swamp and stream and awful woodland, to the farm-house where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination : the moan of the whip-poor-will from the hill-side; the boding cry of the tree-toad, that har- binger of storm; the dreary hooting of the screech-owl, or the sudden rustling in the thicket of birds frightened from their roost. The fire-flies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch's token.
Washington Irving (The Legend of Sleepy Hollow)
The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind's eye, he pictured to himself every roasting-pig running about with a pudding in his belly, and an apple in his mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cosily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savory sausages; and even bright chanticleer himself lay sprawling on his back, in a side dish, with uplifted claws, as if craving that quarter which his chivalrous spirit disdained to ask while living.
Washington Irving (The Legend of Sleepy Hollow)
Christ was sent not to mend wounded people or wake sleepy people or advise confused people or inspire bored people or spur on lazy people or educate ignorant people, but to raise dead people. ... we can vent our fleshly passions by breaking all the rules, or we can vent our fleshly passions by keeping all the rules, but both ways of venting the flesh still need resurrection. We can be immoral dead people, or we can be moral dead people. Either way, we're dead. The mercy of God reaches down and rinses clean not only obviously bad people but fraudulently good people, both of whom equally stand in need of resurrection. God is rich in mercy. He doesn't withhold mercy from some kinds of sinners while extending it to others. because mercy is who he is - "being rich in mercy" - his heart gushes forth mercy to sinners one and all. His mercy overcomes even the deadness of our souls and the hollowed-out, zombie-like existence that we are all naturally born into. The mercy of Ephesians 2:4 does not seem far off and abstract when we feel the weight of our sin.
Dane C. Ortlund (Doux et humble de cœur: L'amour de Christ pour les pécheurs et les affligés (French Edition))
The Golem If (as affirms the Greek in the Cratylus) the name is archetype of the thing, in the letters of “rose” is the rose, and all the Nile flows through the word. Made of consonants and vowels, there is a terrible Name, that in its essence encodes God’s all, power, guarded in letters, in hidden syllables. Adam and the stars knew it in the Garden. It was corroded by sin (the Cabalists say), time erased it, and generations have forgotten. The artifice and candor of man go on without end. We know that there was a time in which the people of God searched for the Name through the ghetto’s midnight hours. But not in that manner of those others whose vague shades insinuate into vague history, his memory is still green and lives, Judá the Lion the rabbi of Prague. In his thirst to know the knowledge of God Judá permutated the alphabet through complex variations and in the end pronounced the name that is the Key the Door, the Echo, the Guest, and the Palace, over a mannequin shaped with awkward hands, teaching it the arcane knowledge of symbols, of Time and Space. The simulacrum raised its sleepy eyelids, saw forms and colors that it did not understand, and confused by our babble made fearful movements. Gradually it was seen to be (as we are) imprisoned in a reverberating net of Before, Later, Yesterday, While, Now, Right, Left, I, You, Those, Others. The Cabalists who celebrated this mysterium, this vast creature, named it Golem. (Written about by Scholem, in a learned passage of his volume.) The rabbi explained the universe to him, “This is my foot, this yours, and this the rope,” but all that happened, after years, was that the creature swept the synagogue badly. Perhaps there was an error in the word or in the articulation of the Sacred Name; in spite of the highest esoteric arts this apprentice of man did not learn to speak. Its eyes uncanny, less like man than dog and much less than dog but thing following the rabbi through the doubtful shadows of the stones of its confinement. There was something abnormal and coarse in the Golem, at its step the rabbi’s cat fled in fear. (That cat not from Scholem but of the blind seer) It would ape the rabbi’s devotions, raising its hands to the sky, or bend over, stupidly smiling, into hollow Eastern salaams. The rabbi watched it tenderly but with some horror. How (he said) could I engender this laborious son? Better to have done nothing, this is insanity. Why did I give to the infinite series a symbol more? To the coiled skein on which the eternal thing is wound, I gave another cause, another effect, another grief. In this hour of anguish and vague light, on the Golem our eyes have stopped. Who will say the things to us that God felt, at the sight of his rabbi in Prague?
Jorge Luis Borges
Are you interested in medical marijuana but have no idea what it is? In recent years, there is a growing cry for the legalization of cannabis because of its proven health benefits. Read on as we try to look into the basics of the drug, what it really does to the human body, and how it can benefit you. Keep in mind that medical marijuana is not for everyone, so it’s important that you know how you’re going to be using it before you actually use it. What is Marijuana? Most likely, everyone has heard of marijuana and know what it is. However, many people hold misconceptions of marijuana because of inaccurate news and reporting, which has led to the drug being demonized—even when numerous studies have proven the health benefits of medical marijuana when it is used in moderation. (Even though yes, weed is also used as a recreational drug.) First and foremost, medical marijuana is a plant. The drug that we know of is made of its shredded leaves and flowers of the cannabis sativa or indica plant. Whatever its strain or form, all types of cannabis alter the mind and have some degree of psychoactivity. The plant is made of chemicals, with tetrahydrocannabinol (THC) being the most powerful and causing the biggest impact on the brain. How is Medical Marijuana Used? There are several ways medical weed is used, depending on the user’s need, convenience and preference. The most common ways are in joint form, and also using bongs and vaporizers. But with its growing legalization, we’re seeing numerous forms of cannabis consumption methods being introduced (like oils, edibles, drinks and many more). ● Joint – Loose marijuana leaves are rolled into a cigarette. Sometimes, it’s mixed with tobacco to cut the intensity of the cannabis. ● Bong – This is a large water pipe that heats weed into smoke, which the user then inhales. ● Vaporizer – Working like small bongs, this is a small gadget that makes it easier to bring and use weed practically anywhere. What’s Some Common Medical Marijuana Lingo? We hear numerous terms from people when it comes to describing medical marijuana, and this list continually grows. An example of this is the growing number of marijuana nicknames which include pot, grass, reefer, Mary Jane, dope, skunk, ganja, boom, chronic and herb among many others. Below are some common marijuana terms and what they really mean. ● Bong – Water pipe that allows for weed to be inhaled ● Blunt – Hollowed-out cigar with the tobacco replaced with weed ● Hash – Mix of medical weed and tobacco ● Joint – Rolled cigarette-like way to consume medical cannabis How Does It Feel to be High? When consumed in moderation, weed’s common effects include a heightened sense of euphoria and well-being. You’ll most likely talk and laugh more. At its height, the high creates a feeling of pensive dreaminess that wears off and becomes sleepiness. In a group setting, there are commonly feelings of exaggerated physical and emotional sensitivity as well as strong feelings of camaraderie. Medical marijuana also has a direct impact on a person’s speech patterns, which will get slower. There will be an impairment in your ability to carry out conversations. Cannabis also affects short-term memory. The usual high that one gets from cannabis can last for about two hours; when you overindulge, it can last for up to 12 hours. Is Using Medical Marijuana Safe? Medical cannabis is scientifically proven to be safer compared to alcohol or nicotine. Marijuana is slowly being legalized around the world because of its numerous health benefits, particularly among people suffering from mental illness like depression, anxiety and stress. It also has physical benefits, like helping in managing pain and the treatment of glaucoma and cancer.
Kurt
The New Jersey Palisades had cut the throat of the sun. She bled copious color into the water-blue sky, arterial scarlet and venous purple, then fell behind the horizon, into her grave, shrouded by aquamarine clouds. The Earth turned its face away and dressed itself in black, lowering a mournful veil of night, hanging crepe over the mirror of the Hudson. The moon filled with lamentations, the wind howled its grief, and the stars lit votives for the funeral of the day.
Richard Gleaves (Sleepy Hollow: General of the Dead (Jason Crane #3))
The Haunted Mansion is modeled after houses where the Headless Horseman story was set. Houses built in the 18th century in the picturesque Hudson River Valley, now a National Heritage area and home to well-preserved dwellings from several different epochs in American history, provided the thematic inspiration for the general look of the Haunted Mansion. The Hudson River Valley is also the setting for the legend of Sleepy Hollow and the Headless Horseman—a perfect thematic fit for the Haunted Mansion.
Kevin Yee (Walt Disney World Hidden History)
But aren't you being rather unreasonable, expecting the Headless Horseman of Sleepy Hollow to spill all his secrets to you?
Rebecca F. Kenney (The Horseman of Sleepy Hollow)
I think there are different languages of the heart, mystical and inaudible. And maybe we share a common language between us, you and I.
Rebecca F. Kenney (The Horseman of Sleepy Hollow)
His remorseful expression diffused into a grin. "I could kiss you like that for hours. How do people in love get any work done?
Rebecca F. Kenney (The Horseman of Sleepy Hollow)
An eight-foot-tall man clad all in black, muscles so big that his clothes stretch taut across his body, and nothing but that goddamn pumpkin on his shoulders. “Are you going to behave, little mortal?
Molly Likovich (Riding The Headless Horseman (Sexy Sleepy Hollow, #1))
You are an inquisitive one, my Arletta.” “I’m not your Arletta.” “Not yet. But you will be. You will see. Fear can turn to love.
Molly Likovich (Riding The Headless Horseman (Sexy Sleepy Hollow, #1))
What do I call you?” I whisper, growing breathless, my eyes still closed. “Master.
Molly Likovich (Riding The Headless Horseman (Sexy Sleepy Hollow, #1))
I have every intention of fucking you relentlessly tonight.
Molly Likovich (Riding The Headless Horseman (Sexy Sleepy Hollow, #1))
He may not be endowed with a head but he clearly makes up for it in…other departments.
Molly Likovich (Riding The Headless Horseman (Sexy Sleepy Hollow, #1))