Sleepy Girl Quotes

I’m so sleepy.” “My beautiful girl, dawn nears. And all good vampires are to bed.” She eased up, arching a brow at him. “Then you’ll stay awake.

...ducks and geese are foolish things, and must be looked after, but girls can take care of themselves.

You know that half the girls in school would have been after you." He gave a soft laugh. "If they were into someone who was flunking out...I don't think I'd do too well with having to go to class when a bell rings or caring about homework..." "A bad boy--even better. You'd have done well in Spanish class." "If I ever went to it." We lay in silence for a awhile; Alex's arms felt so warm and safe that I was starting to get sleepy. "Say something in Spanish," I mumbled. He kissed my hair. "Te amo, Willow," he said quietly. I came awake, smiling into the darkness. "What does that mean?" I whispered. I could almost hear his own smile. "What do you think it means?" I hugged him, kissing his collarbone and wondering if it was possible to actually die of happiness. "Te amo, Alex.

When the girl returned, some hours later, she carried a tray, with a cup of fragrant tea steaming on it; and a plate piled up with very hot buttered toast, cut thick, very brown on both sides, with the butter running through the holes in great golden drops, like honey from the honeycomb. The smell of that buttered toast simply talked to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cosy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender, of the purring of contented cats, and the twitter of sleepy canaries.

She walked down the basement steps. She saw an imaginary framed photo seep into the wall - a quiet-smiled secret. No more than a few meters, it was a long walk to the drop sheets and the assortment of paint cans that shielded Max Vandenburg. She removed the sheets closest to the wall until there was a small corridor to look through. The first part of him she saw was his shoulder, and through the slender gap, she slowly, painfully, inched her hand in until it rested there. His clothing was cool. He did not wake. She could feel his breathing and his shoulder moving up and down ever so slightly. For a while, she watched him. Then she sat and leaned back. Sleepy air seemed to have followed her. The scrawled words of practice stood magnificently on the wall by the stairs, jagged and childlike and sweet. They looked on as both the hidden Jew and the girl slept, hand to shoulder. They breathed. German and Jewish lungs.

She stared at me "You have a message," she said. "On you machine." I looked over at my answering machine. Sure enough, the light was blinking. The woman really was a detective. "It's some girl," La Guerta said. "She sounds kind of sleepy and happy. You got a girlfriend, Dexter?" there was a strange hint of a challenge in her voice. "You know how it is," I said. "Women today are so forward, and when you are as handsome as I am they absolutely fling themselves at your head." Perhaps an unfortunate choice of words; as I said it I couldn't help thinking of the woman's head flung at me not so long ago. "Watch out," La Guerta said. "Sooner or later one of them will stick." I had no idea what she thought that meant, but it was a very unsettling image. "I'm sure you're right," I said. "Until then, carpe diem." "What?" "It's Latin," I said. "It means, complain in the daylight.

A chuckle escaped Meredith's lips as Cassie swung from sleepy little girl to sympathetic confidante to vengeful angel all in the course of a single minute.

Dying wasn't so bad, not really. Not when you could go out like this, on a summer's evening with the fireflies winking in the trees. She always thought dying would be a scream into a void, a thrashing, a searing. Not this slow and sleepy drip.

I always wondered what your type was, but I never imagined it would be a hard-core rocker!” Here we go. I had been hoping he'd be too sleepy for this conversation. “He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.” “Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.” I glowered at him, feeling ashamed, and he laughed even harder. “Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?” He raised his eyebrows and I shrugged. “I don't know. What?” “A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.” “That's because he was intense, even though we weren't really talking about anything. He made me nervous.” “You thought he was hot, didn't you?” I stared out my window at the passing trees and houses. We were almost to school. “I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.” “Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.” “He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.” “What's that?” “You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.

Peter never wore underwear, Connie had complained, and the fact grew in my mind, making me nauseous in a not unpleasant way. The sleepy crease of his eyes from his permanent high. Connie paled in comparison: I didn't really believe that friendship could be an end in itself, not just the background fuzz to the dramatics of boys loving you or not loving you.

Dad called this the shadow time. The sun sucks colour from the world, he'd said. He'd taught her to see the softer colours of the dusk, the green and orange bark, the purple shadows. At times like this Flinty felt her edges vanish, leaving her part of the mountains, like the wallaby pulling wonga vine down from a thorn bush, or the sleepy possum peering from a tree.

He held her sleepy hand and tried to pretend she was his girl.

First we talked about girls. Not girls like any of us had ever seen in the flesh, but those girls in magazines with huge tits and puffed-up lips and sleepy eyes, like they'd been fucked hard all night and they were mostly pouting now because the guy finally pulled out. We talked about those girls a lot. And it was all talk.

He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.” My ears burned. Oh great, am I the color of a tomato now? “Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was. “Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject. “I got you Moby-Dick,” I blurted out. He gave me a sly smile. “Mmmm, did you? How... interesting.” “And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner. “Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?” I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.” Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.” “Was?” I squeaked. Then I cleared my throat and tried again. “I mean—” “Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.” His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me. “It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain. I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.” “I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.

There is a certain degree and tone of light which tends to disturb the equilibrium of the senses, and to promote dangerously the tenderer moods; added to movement, it drives the emotions to rankness, the reason becoming sleepy and unperceiving in inverse proportion; and this light fell now upon these two from the disc of the moon. All the dancing girls felt the symptoms, but Eustacia most of all.

What are you saying?” “I want to try.” He wanted clarification on that. “You want to try what?” There it was, that deep flush. “You know.” Yes, he knew, but he wasn’t going to let her off the hook so easily. She was going to be his. For a brief time, she would belong to him and he would have everything he wanted, and he wanted her to start talking dirty. Yes. He wanted to teach her, to train her to accept pleasure so she would expect it. “No, I don’t know. You’ll have to be plain.” Avery blushed a little. “I want to be intimate with you.” So sweet. So polite. So not happening. “That sounds like you want me to get into my pajamas and exchange secrets with you. I’m not your girlfriend, Avery. Tell me what you want. That’s lesson number one. Communication and honesty are the keys to the relationship I want. I need to hear you say plainly what you want.” She hesitated, but only for a moment. He wasn’t surprised. Deep in her heart, she was a brave girl. She’d faced so much and still was open with her heart. Damn, but he didn’t understand that. “I would like for us to sleep together.” “I’m not very sleepy.” He wasn’t going to let her get away with anything. She groaned a little in obvious frustration. “You know that’s not what I’m talking about.” “Yes. I do. So say what you want.” “I want to have sex.” “So clinical. I’ll have to think about that.” “I want to make love.” “Sweet, but not what I’m looking for.” Her face crinkled into the cutest pout. “Damn it, Lee. I want to fuck.” Just like that he was primed and ready. She’d said fuck with such a sweet little heat, her eyebrows forming a V over her face as though the entire incident had offended her polite sensibilities. She would learn there wasn’t room for politeness between them. He growled just a little. “I want to fuck, too, baby. I want to fuck all night long.

And of course, for all we know, I might be a hundred years old already, and she just a sleepy little girl with glasses.

Akua rested her head against a rock, and did not speak until she heard the girls’ soft and sleepy breaths floating about her like tiny butterflies.

I guess I should explain. I'm not exactly your typical sixteen-year-old girl. Oh, I seem normal enough, I guess. I don't do drugs, or drink, or smoke-well, okay, except for that one time Sleepy caught me. I don't have anything pierced, except my ears, and only once on each earlobe. I don't have any tattoos. I've never dyed my hair. Except for my boots and leather jacket, I don't wear an excessive amount of black. I don't even wear dark fingernail polish. All in all, I am a pretty normal, everyday, American teenage girl. Except, of course, for the fact that I can talk to the dead.

Was the demented little ghouly-girl hanging out with a headless Hessian in Sleepy Hollow now? Taking notes from the blood-bathing Countess Elizabeth Báthory of Hungary? Swinging an ax around like Lizzie Borden? Or

For a while she cried silently until she tired herself out and the overwhelming feeling of sleepiness overcame her. The room around her was fairly silent, although she wasn’t the only one crying herself to sleep. It was quite common at places like this to hear cries in the dark. There were so many saddened and lonesome souls around her. It was usually at night when they were reminded of just how sad and lonely they actually were.

And who would my father have then, to make money for, to bring dessert home to? I imagined him opening the door on the empty apartment after a long day at work. How the rooms would be as he'd left them, undisturbed by another person's living. And how there would be a moment, before he flicked on the light, when he might imagine a different life revealed within the darkness, something besides the lonely borders of the couch, the cushions still holding the shape of his own sleepy body.

After watching—with a twinge of satisfaction—the letters burn to ashes in the fireplace, Evie felt sleepy. She went to the master bedroom for a nap. In spite of her weariness, it was difficult to relax while she was worried about Sebastian. Her thoughts chased round and round, until her tired brain put an end to the useless fretting and she dropped off to sleep. When she awakened an hour or so later, Sebastian was sitting on the bed beside her, a lock of her bright hair clasped loosely between a thumb and forefinger. He was watching her closely, his eyes the color of heaven at daybreak. She sat up and smiled self-consciously. Gently Sebastian stroked back her tumbled hair. “You look like a little girl when you sleep,” he murmured. “It makes me want to guard you every minute.” “Did you find Mr. Bullard?” “Yes, and no. First tell me what you did while I was gone.” “I helped Cam to arrange things in the office. And I burned all your letters from lovelorn ladies. The blaze was so large, I’m surprised no one sent for a fire brigade.” His lips curved in a smile, but his gaze probed hers carefully. “Did you read any of them?” Evie lifted a shoulder in a nonchalant half shrug. “A few. There were inquiries as to whether or not you’ve yet tired of your wife.” “No.” Sebastian drew his palm along the line of her thigh. “I’m tired of countless evenings of repetitive gossip and tepid flirtation. I’m tired of meaningless encounters with women who bore me senseless. They’re all the same to me, you know. I’ve never given a damn about anyone but you.” “I don’t blame them for wanting you,” Evie said, looping her arms around his neck. “But I’m not willing to share.” “You won’t have to.” He cupped her face in his hands and pressed a swift kiss to her lips.

One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.

A military chaplain told me the following story: "'A soldier's little girl, whose father was being moved to a distant post, was sitting at the airport among her family's meager belongings. "The girl was sleepy. She leaned against the packs and duffel bags. "A lady came by, stopped, and patted her on the head. "'Poor child,' she said. 'You haven't got a home.' "The child looked up in surprise. "But we do have a home,' she said. 'We just don't have a house to put it in.

Adam, though Jewish, was from the north side of Chicago and considered himself a homie, as was evidenced by his low-slung baggy jeans and the insertion of out-of-context Snoop Dogg lyrics into almost every conversation. (I hate the fucking word “wigger” more than I hate anything else on earth, but if I’m being totally honest, that’s exactly what this dude was even though it grosses me out to say so.) He had large, sleepy brown eyes and a slow smile and was the kind of guy who hit on black girls by demonstrating his encyclopedic knowledge of Luster’s Pink oil hair lotion and BET prime-time programming.

What do you know about 1969, anyway? It was after your time." "I know everything." He gave me that sleepy-eyed smile of his. "Love or money, I'm afraid." "Great," I sighed, unable not to think about Alex and trips to Europe and the Hannandas with their Prada bags. "The two things that show absolutely no hint of ever coming my way. Shoot me now." "I can't, darling girl. No arms. Besides, even if I had the ability, I would never do such a thing. It would be dastardly.And..." "And?" "Ah,Ella.Fond of you as I am, there is no passion in my feelings." "Love or money," I droned. "Love or money," Edward agreed.

How beautiful the old Glen was, in its August ripeness, with its chain of bowery old homesteads, tilled meadows and quiet gardens. The western sky was like a great golden pearl. Far down the harbour was frosted with a dawning moonlight. The air was full of exquisite sounds—sleepy robin whistles, wonderful, mournful, soft murmurs of wind in the twilit trees, rustle of aspen poplars talking in silvery whispers and shaking their dainty, heart-shaped leaves, lilting young laughter from the windows of rooms where the girls were making ready for the dance. The world was steeped in maddening loveliness of sound and colour. He would think only of these things and of the deep, subtle joy they gave him.

Willow gazed up at him, her silly grin still in place. "You know wha'? You're kinda cute when you crook your eyebrows down like tha'." Rider muttered a curse, lifted her off the floor, and tossed her over his shoulder. "Juan, you and Hicks help Mrs. Brigham to her room. I'll take care of this little hellion." Willow lifted her head from where she dangled over Rider's shoulder. "See yuh later, Mrs. B." Miriam smiled and waved. "i think Mrs. B is pickled," Rider's passenger said in a loud whisper as he hauled her out the door. "No thanks to you,hellion," he growled, and smacked her bottom. "Ow!" As he carried Willow into the house, Rider was hard pressed to quell a sudden urge to laugh. In her bedroom, he unceremoniously dumped her on her bed, but when he turned to leave, her pitiful sounding voice halted his exit. "Rider,come here a min-it." "Oh,hell, I suppose you're going to be sick." Grabbing a basin off her dresser, he shoved it under her chin. "It serves you right, you know." He watched nervously as she knocked the bowl aside. "Dun...don't be mad." She held her arms out to him. "Come closer. Gimme a kiss and we'll make up. I like your kisses so-o-o-o much." This time Rider couldn't stall his grin and inadvertently leaned closer. She was on him like a duck on a June bug. With two hearty handfuls of his shirt, she yanked him down on top of her and plastered her mouth against his. Talking against his lips, the tipsy girl had the audacity to complain, "Not like this. Do it like before. You know, with your tongue." Rider squeezed his eyes shut and groaned. This isn't fair, he bemoaned silently. He tried to rise but Willow held tight, squirming her voluptuous little body against his. Sweat broke out on his forehead. If he didn't put a stop to this soon...He lifted his mouth from hers. "If I promise to kiss you with my tongue, will you let go of me and go to sleep?" "Uh-huh." Willow's eyes drooped, but the affect appeared more seductive than drunken. Lifting her shoulders slightly off the bed, he wound his arms around her and covered her mouth with his. His tongue explored hers in a long, liquid kiss, tasting of wine and desire. Rider savored its promise, wishing just this once, he could be less a gentleman. Willow wrapped one of her legs over his and shifted her hips, innocently aligning his swelling heat with hers. He started and bolted off the bed. "Holy hell! You did it again!" "What?" Her voice was sluggish and sleepy now. Disgusted with himself, Rider stomped to the door. "Sleep it off, Freckles." Outside Willow's door, Rider slumped against the wall and shook his head. Willow Vaughn was a constant surprise, and he loved the girl so bad it hurt.

The bus trip from Denver to Frisco was uneventful except that my whole soul leaped to it the nearer we got to Frisco. Cheyenne again, in the afternoon this time, and then west over the range; crossing the Divide at midnight at Creston, arriving at Salt Lake City at dawn—a city of sprinklers, the least likely place for Dean to have been born; then out to Nevada in the hot sun, Reno by nightfall, its twinkling Chinese streets; then up the Sierra Nevada, pines, stars, mountain lodges signifying Frisco romances—a little girl in the back seat, crying to her mother, “Mama when do we get home to Truckee?” And Truckee itself, homey Truckee, and then down the hill to the flats of Sacramento. I suddenly realized I was in California. Warm, palmy air—air you can kiss—and palms. Along the storied Sacramento River on a superhighway; into the hills again; up, down; and suddenly the vast expanse of a bay (it was just before dawn) with the sleepy lights of Frisco festooned across.

The neighborhood’s only cheerful sound I usually sleep through: the morning coos of toddlers. A troop of them, round-faced and multilayered, walk to some daycare hidden even farther in the rat’s nest of streets behind me, each clutching a section of a long piece of rope trailed by a grown-up. They march, penguin-style, past my house every morning, but I have not once seen them return. For all I know, they troddle around the entire world and return in time to pass my window again in the morning. Whatever the story, I am attached to them. There are three girls and a boy, all with a fondness for bright red jackets—and when I don’t seen them, when I oversleep, I actually feel blue. Bluer. That’d be the word my mom would use, not something as dramatic as depressed. I’ve had the blues for twenty-four years. I couldn't get up, even when I heard the kids make their sleepy duckwalk past my house. I pictured them in big rubber rainboots, clomping along, leaving rounded footprints in the March muck, and I still couldn't move.

I saw her when I came back... Her eyes were closed and everything. I had to stop. I just watched her. It was very relaxing. I had to keep proper still. I had to be extra quiet or I'd ruin it. I didn't want it to stop. I could see her lips move but I couldn't hear the words. Sometimes she bent forward until her head was nearly on the ground. She made everything to proper slow. It made me sleepy from just watching it. I wanted to ask her what she was praying for but I swallowed the words back down again. ...you knew it had to be something good. I just watched from behind the wall. There was nobody else around. It was the best kind of quiet... When the head-tie girl finished praying she opened her eyes and stood up. I turned aroun sharp-sharp and went back down the corridor. I tried not to make a sound. I didn't want her to see me. I didn't want her to know I was there for if it ruined it. I waited until she was gone, then I came back to life. I held my breath when I went past the bit she was praying in. I walked around the outside so I didn't tread on it.

The muezzins were calling the faithful to their early morning prayers when Averroes entered his library again. (In the harem, the dark-haired slave girls had tortured a red-haired slave girl, but he would not know it until the afternoon.) Something had revealed to him the meaning of the two obscure words. With firm and careful calligraphy he added these lines to the manuscript : 'Aristu (Aristotle) gives the name of tragedy to panegyrics and that of comedy to satires and anathemas. Admirable tragedies and comedies abound in the pages of the Koran and in the mohalacas of the sanctuary.' He felt sleepy, he felt somewhat cold. Having unwound his turban, he looked at himself in a metal mirror. I do not know what his eyes saw, because no historian has ever described the forms of his face. I do know that he disappeared suddenly, as if fulminated by an invisible fire, and with him disappeared the houses and the unseen fountain and the books and the manuscript and the doves and the many dark-haired slave girls and the tremulous red-haired slave girl and Farach and Abulcasim and the rose bushes and perhaps the Guadalquivir.

She sent a serving girl out to fetch some food. A beef pie, bread and butter and plenty of the sweet stuff that she loved. She devoured a treacle pudding, closing her eyes to savor every sticky crumb. Sugar. How she had craved the stuff. Though her belly was full, still she helped herself from a paper bag of sugarplums, globes of candied fruits that made her cheeks bulge. Was this happiness, she wondered? She was full of food again, and as sleepy as a suckled child. She pictured a well-stocked larder, and the chance to make all the delights in Mother Eve's Secrets. She would help herself to the best, of course, for she who stirs the pot never starves. A comfortable future lay before her, all for the taking. Mrs. Quin bustled back into the room and began to dress her face. Gone were the worst of the bran-specks and flaking red sores. Instead, she had the prettiness of a portrait on an enameled tin; a smudgy confection of pink and cream. "A rosy blush," Mrs. Quin said benignly, "is the fashion nowadays." While Mrs. Quin deposited her half a crown in a locked trunk, Mary slipped a bottle of Pear's Almond Bloom and a tin of White Imperial Powder into her skirts.

Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew

Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.

I told you we should have put her in the second-class carriage with Sutton,” he said to Kathleen. In the week since the episode in the morning room, they had both taken care to avoid each other as much as possible. When they were together, as now, they retreated into mutual and scrupulous politeness. “I thought she would feel safer with us,” Kathleen replied. Glancing over her shoulder, she saw that Clara was sleeping with her head tilted back and her mouth half open. “She seems to be faring better after a nip of brandy.” “Nip?” He gave her a dark glance. “She’s had at least a half pint by now. Pandora’s been dosing her with it for the past half hour.” “What? Why didn’t you say anything?” “Because it kept her quiet.” Kathleen jumped up and hurried to retrieve the decanter from Pandora. “Darling, what are you doing with this?” The girl stared at her owlishly. “I’ve been helping Clara.” “That was very kind, but she’s had enough. Don’t give her any more.” “I don’t know why it’s made her so sleepy. I’ve had almost as much medicine as she’s had, and I’m not a bit tired.” “You drank some of the brandy?” West had asked from the other side of the railway carriage, his brows lifting. Pandora stood and made her way to the opposite window to view a Celtic hill fort and a meadow with grazing cattle. “Yes, when we were crossing the bridge over the water, I felt a bit nervous. But then I dosed myself, and it was quite relaxing.” “Indeed,” West said, glancing at the half-empty bottle in Kathleen’s hand before returning his gaze to Pandora. “Come sit with me, darling. You’ll be as stewed as Clara by the time we reach London.” “Don’t be silly.” Dropping into the empty seat next to him, Pandora argued and giggled profusely, until she dropped her head to his shoulder and began to snore.

And yet, being surveilled with the intention of assault or rape is practically mundane, it happens so often. It’s such an ingrained part of the female experience that it doesn’t register as unusual. The danger of it, then, is in its routine, in how normalized it is for a woman to feel monitored, so much so that she might not know she’s in trouble until that invisible line is crossed from “typical patriarchy” to “you should run.” So now, when I drink, I’m far more cautious. I don’t like ordering draft beers from taps hidden from view. I don’t like pouring bottles into pint glasses. I don’t leave my drink with strangers, I don’t let people I don’t know order drinks for me without watching them do it, and I don’t drink excessively with people I don’t think I can trust with my sleepy body. I don’t turn my back on a cocktail, not just because I like drinking but because I can’t trust what happens to it when I’m not looking. The intersection of rape culture and surveillance culture means that being a guarded drinker is not only my responsibility, it is my sole responsibility. Any lapse in judgment could not only result in clear and present danger, but also set me up for a chorus of “Well, she should’ve known better.” The mistake we make is in thinking rape isn’t premeditated, that it happens by accident somehow, that you’re drunk and you run into a girl who’s also drunk and half-asleep on a bench and you sidle up to her and things get out of hand and before you know it, you’re being accused of something you’d never do. But men who rape are men who watch for the signs of who they believe they can rape. Rape culture isn’t a natural occurrence; it thrives thanks to the dedicated attention given to women in order to take away their security. Rapists exist on a spectrum, and maybe this attentive version is the most dangerous type: women are so used to being watched that we don’t notice when someone’s watching us for the worst reason imaginable. They have a plan long before we even get to the bar to order our first drink.

I tell Jack by accident. We’re talking on the phone about unprotected sex, how it isn’t good for people with our particular temperament, our anxiety like an incorrigible weed. He asks if I’ve had any sex that was “really stressful,” and out the story comes, before I can even consider how to share it. Jack is upset. Angry, though not at me. I’m crying, even though I don’t want to. It’s not cathartic, or helping me prove my point. I still make joke after joke, but my tears are betraying me, making me appear clear about my pain when I’m not. Jack is in Belgium. It’s late there, he’s so tired, and I’d rather not be having this conversation this way. “It isn’t your fault,” he tells me, thinking it’s what I need to hear. “There’s no version of this where it’s your fault.” I feel like there are fifty ways it’s my fault. I fantasized. I took the big pill and the small pill, stuffed myself with substances to make being out in the world with people my own age a little bit easier. To lessen the space between me and everyone else. I was hungry to be seen. But I also know that at no moment did I consent to being handled that way. I never gave him permission to be rough, to stick himself inside me without a barrier between us. I never gave him permission. In my deepest self I know this, and the knowledge of it has kept me from sinking. I curl up against the wall, wishing I hadn’t told him. “I love you so much,” he says. “I’m so sorry that happened.” Then his voice changes, from pity to something sharper. “I have to tell you something, and I hope you’ll understand.” “Yes?” I squeak. “I can’t wait to fuck you. I hope you know why I’m saying that. Because nothing’s changed. I’m planning how I’m going to do it.” “You’re going to do it?” “All different ways.” I cry harder. “You better.” I have to go put on a denim vest for a promotional appearance at Levi’s Haus of Strauss. I tell Jack I have to hang up now, and he moans “No” like I’m a babysitter wrenching him from the arms of his mother who is all dressed up for a party. He’s sleepy now. I can hear it. Emotions are exhausting to have. “I love you so much,” I tell him, tearing up all over again. I hang up and go to the mirror, prepared to see eyeliner dripping down my face, tracks through my blush and foundation. I’m in LA, so bring it on, universe: I can only expect to go down Lohan style. But I’m surprised to find that my face is intact, dewy even. Makeup is all where it ought to be. I look all right. I look like myself.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Chapter 2 The next day at school Rebekah was feeling very sleepy.

She returned to the floor, and a tray appeared beside her with a sandwich, glass of milk, and some cubes of cantaloupe. She didn't know who brought it in, but she picked up a piece of the cantaloupe and examined it. The color matched some of the roses in the lady's garden, exactly what she needed for the flowers she'd drawn behind her butterfly. Yellow, white, and a dab of red- she combined them on the plate until a soft peach colored her palette. Walter thought she should grow up, like the lady wanted Oliver to do, but grown-ups didn't spend their nights dancing in gardens. Or painting. "I will stay a girl forever," she whispered, changing the lyrics from 'Peter Pan.' "And be banished if I don't." She began to paint her butterfly. "I'll never grow up," she chanted as she worked. It wasn't until the first rays of dawn spilled across her paper that she began to feel sleepy. Her floor was covered with pictures and papers, but where others might see a mess, she saw a new world. There were flowers and trees and butterflies she'd brought to life with her hands. And her heart. A lot of people thought she wasn't good at anything, but it wasn't true. She was good at making things.

Zach!" I didn't care that I was yelling. I ran to him. He propped himself up on one elboe and gave me a sleepy smile. "You work me," he said. "You're not supposed to be in thid part of the school," I said. He took my hand, held it against his chest, and said, "Spy.

All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense. "Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?" Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification. That'd be his headline. "Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream." That was exactly what I wanted. But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything. There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?" "Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words. "Say yes," he added, lips tipping up at one corner. "Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too. "Good girl," he said as he turned away. And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane. "Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow. I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef. "Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience. She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for." She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me. "Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet. "Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure. Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.

Isaiah lifted his head. “Somebody’s here.” They stepped behind the door as a sleepy-eyed buck-naked white girl clumped past in the hall, her booty like a backpack that had slipped down too low. “Bug?” she said. They left while she was in the bathroom. Back

Grasping her chin, Hunter dug his fingertips and thumb into her cheeks. When at last her jaws parted, he held the canteen over her yawning mouth and began trickling water down her. To his surprise, she went perfectly still. By breathing carefully through her nose, she was able to let him fill her mouth without swallowing. The excess water sluiced out onto her cheeks and ran into her hair. Hunter couldn’t plug the canteen and lay it down, not without turning her loose. And if he turned her loose, she’d spit out the water. “Warrior!” he yelled. Several fires away, Warrior shot up from his bed. After looking around in befuddlement, he spied Hunter and broke into a run. Within seconds he was standing by the pallet, his sleepy brown eyes riveted on the yellow-hair. “Tah-mah, what are you trying to do, drown her?” “Yes. Squeeze her nose.” “What?” “Do it!” Warrior knelt at her head. “Hunter, are you--” “Do I have to call Swift Antelope?” Warrior pinched the girl’s nose. “If she dies, it is your doing.” “She isn’t going to die. I’m trying to make her drink.” Hunter watched the girl’s face turn red from lack of air. After a few seconds the muscles in her throat became distended. Then, at last, she swallowed part of the water and began to choke. “Turn loose. Warrior, turn loose!” Warrior, who always seemed to be one thought behind everyone else, finally released her nose and sat back on his heels. The girl gasped and sucked water the wrong way. Grimly, Hunter watched while she fought to get her breath. When at last she stopped coughing, he said, “You will drink?” Her eyes glittered up at him, so filled with hatred that a chill ran up his spine. Hunter grasped her chin again. “Her nose, Warrior. And this time, turn loose when she starts to swallow or we will drown her.” “You will drown her. I’m just helping.

It is already dawn and you are not sleepy. The views are already glued; Tears streaming down your face. Thinking is in the man of your heart; on a day that he will call you to ask for your hand. You're an innocent girl who does not see malice. You think that everything is tale and wants it for your life. The signs of brilliance say it is love already. The smile in his eyes has already paralyzed you. Even though it is close the thought is distant; Look at your prince charming of elegant visual. In dreams it will become all real. He will come down from his beautiful sorrel, to ask for your hand. The first kiss is dream. The second is passion.

When the Afang growled, the bushes shook and the oak leaves trembled on the branches, as if a strong wind was blowing. But after its dinner, when it had swallowed down a man, or two calves, or four sheep, or a fat heifer, or three goats, its body swelled up like a balloon. Then it usually rolled over, lay along the ground, or in the soft mud, and felt very stupid and sleepy, for a long while. All around its lair, lay wagon loads of bones of the creatures, girls, women, men, boys, cows, and occasionally a donkey, which it had devoured.

SpottieOttieDopaliscious [Hook] Damn damn damn James [Verse 1: Sleepy Brown] Dickie shorts and Lincoln's clean Leanin', checking out the scene Gangsta boys, blizzes lit Ridin' out, talkin' shit Nigga where you wanna go? You know the club don't close 'til four Let's party 'til we can't no more Watch out here come the folks (Damn - oh lord) [Verse 2: André 3000] As the plot thickens it gives me the dickens Reminiscent of Charles a lil' discotheque Nestled in the ghettos of Niggaville, USA Via Atlanta, Georgia a lil' spot where Young men and young women go to experience They first li'l taste of the night life Me? Well I've never been there; well perhaps once But I was so engulfed in the Olde E I never made it to the door you speak of, hardcore While the DJ sweatin' out all the problems And the troubles of the day While this fine bow-legged girl fine as all outdoors Lulls lukewarm lullabies in your left ear Competing with "Set it Off," in the right But it all blends perfectly let the liquor tell it "Hey hey look baby they playin' our song" And the crowd goes wild as if Holyfield has just won the fight But in actuality it's only about 3 A.M And three niggas just don' got hauled Off in the ambulance (sliced up) Two niggas don' start bustin' (wham wham) And one nigga don' took his shirt off talkin' 'bout "Now who else wanna fuck with Hollywood Courts?" It's just my interpretation of the situation [Hook] [Verse 3: Big Boi] Yes, when I first met my SpottieOttieDopalicious Angel I can remember that damn thing like yesterday The way she moved reminded me of a Brown Stallion Horse with skates on, ya know Smooth like a hot comb on nappy ass hair I walked up on her and was almost paralyzed Her neck was smelling sweeter Than a plate of yams with extra syrup Eyes beaming like four karats apiece just blindin' a nigga Felt like I chiefed a whole O of that Presidential My heart was beating so damn fast Never knowing this moment would bring another Life into this world Funny how shit come together sometimes (ya dig) One moment you frequent the booty clubs and The next four years you & somebody's daughter Raisin' y'all own young'n now that's a beautiful thang That's if you're on top of your game And man enough to handle real life situations (that is) Can't gamble feeding baby on that dope money Might not always be sufficient but the United Parcel Service & the people at the Post Office Didn't call you back because you had cloudy piss So now you back in the trap just that, trapped Go on and marinate on that for a minute

When we lay awake after making love I could hear the sleepy birds settling in their nests in the thatch. We had a little pallet bed, a table and two stools, a fireplace where we warmed up our dinner from the palace, and nothing more. We wanted nothing more.

She said, "Daddy thinks that all the world's magic is almost evolved out." I thought of Roebuck Lake, its swamps and sloughs and loblollies and breaks of cypress and cane, its sunken treetops and stobs and bream beds and sleepy gar rolling over and over and over, its baptizing pools and bridges and mussels and mosquitoes and turkey vultures and, now in the drought, the gray flaking mud-flats and logs crowded with turtles and sometimes a fat snake yawning its tame old cottony mouth like a well-fed dog in a pen. I said, "Is that what the freak show is?" She said, "Dirty miracles.

Your heavenly Father knoweth that ye have need of all these things. —Matthew 6:32 (KJV) How am I going to keep doing this, God?” I shot the prayer up under my breath. The stock market had been frenetic, and the global economy was stoking the fire. As an investment adviser, my job was to manage my clients’ savings as well as their expectations. While I love what I do, sometimes the stress of it all becomes overwhelming. As the closing bell rang, I decided to call it a day. At home, I was eager to spend a little time with our six-month-old baby girl. “Daddy’s got you, Mary Katherine!” I swooped my daughter up in the air and smiled as I looked into her bright hazel eyes. She cooed back at me with a big, toothless grin. I could feel my stress melt away as she giggled and squealed. Before long, her happy cheer turned into a fussy whine. I knew this meant “Daddy, I’m sleepy.” It was nap time. I fed her a bottle and gently patted her back until she burped. Then I rocked her for a bit, and soon she was sound asleep. “There are few things as peaceful as a sleeping baby,” I said to my wife, Corinne, as I walked into the kitchen. “So how was work?” she asked, sensing my weariness. “Stressful.” She smiled and rolled her eyes. “Brock, you just spent an hour taking great care of Mary Katherine. God has been taking care of you for forty years! Do you think He is going to stop now?” Suddenly, my burden felt a bit lighter. Daddy’s got you, Mary Katherine, I thought to myself, and my Father in heaven has me too. Father, sometimes even a grown-up needs a daddy. Thanks for being mine. —Brock Kidd Digging Deeper: Phil 4:19; 1 Jn 3:1

I once again drove to the only home I’d ever truly known. Just after two in the morning, Rosarío opened the door startled, blinking away her sleepy haze. Being woken up by me for the second time that night. She took one look at me and then down to the little girl covered in dried-up blood, who was hiding behind my legs. Her face tucked into her doll and the baby chicks. Rosarío didn’t hesitate, instantly greeting, “Come in.

My SOUTH sign stopped working on an entrance ramp in a sleepy farm town called Kittitas in the state of Washington. A man who introduced himself as Juan Hernandez—a Mexican immigrant with a contracting business in Yakima—saw me and decided to pull over, even though he wasn’t heading in my direction. He took me to a Wendy’s and, despite my objections, bought me a hamburger and fries, which he watched me eat. He spoke in broken, hard-to-understand English, but his passion for his god and his America was palpable. He spoke with no hint of cynicism, of sarcasm, of guile. He only spoke of how happy he was to raise his baby girl, Genesis, here in America and to be able to buy nice clothes for his family. When he dropped me off, I sat down on my pack and covered my eyes with my hands to hide the tears streaming down my cheeks. This was neither the first nor the last time I had difficulty bearing other people’s generosity. Even though I had liked to think I was a solo adventurer, I realized that I was never really alone. I walked a tightwire above a net of compassion, stretched out by the hands of strangers

There’s no shower, no paper towels. Just the sink, cold water, and hand soap. Girl, you look like a poster for that Carrie movie. He has a point. There’s blood on my arms and neck, even in my hair. Nothing to do but start scrubbing, hopefully before someone walks in with sleepy kids in need of a bathroom break. I’d probably give them nightmares for a week.

You are jealous of my niece?” he asked, frowning. “She has a papa, a mama, and an uncle. I have Miss Emmie, who is my friend, but that’s all. I like Lord Amery because he listens and climbs trees, but I only want to borrow him.” “You want to borrow him for what?” the earl pressed, shifting her again but keeping an arm around her as he did. “To be my papa,” Winnie said, trying to keep the exasperation from her voice. “He is not Rose’s real papa, so I thought she might not mind if he wasn’t mine either.” “I see.” The earl’s frown was becoming thoughtful, but Winnie didn’t think he was seeing much at all. The earl was not the quickest fellow to her mind, but he had horses, and he was bringing Miss Emmie to the manor. And he had not ever, ever lied—yet. A large male hand began to make slow circles on her back, and Winnie felt her eyes wanting to close. “I will send your letter, Winnie, but you must help me write mine.” Winnie sighed, leaned against the earl’s chest, and let her lashes flutter down. “I’ll help,” she said. “Lord Amery says Rose likes stories about her real papa. He was Lord Victor. I don’t know any.” “My letter might go something like this,” the earl began, his voice a soothing rumble in the ear Winnie lay against his chest. “Dear Rose, Your papa has come to visit, and we are very glad to see him. By we, I include in my household Miss Bronwyn Farnum, a very pretty and intelligent little girl who is kind to animals and nimble at climbing trees. Your papa told me she reminds him of you, but I saw Winnie first, and he cannot have her. She is mine now, though while your papa is here, Winnie will be all that is polite and friendly to him. I hope Sir George is doing well and not eating too much summer grass, and I hope your brother and mother are thriving. You must look after them until I can visit this fall. Uncle Devlin.” “Devlin?” Winnie murmured through a sleepy smile. “My mama named me Devlin. Like Miss Farnum is Emmaline.” “And I am Bronwyn, at least to Miss Emmie.” Winnie nodded, eyes closing again. “I don’t suck my thumb anymore.” She yawned and felt her seat rising as the earl came to his feet. “Should I get down?” she asked, blinking. “Hush. I’m just moving to a rocking chair, and you are just going to sleep.” ***

My sweet thing. My good girl. My wicked witch.

What does it matter that I still appear to be in the dormitory at this moment, the other girls dead to the world, bodies unmoving on their beds? What does it matter what really is? I am in fact kneeling, naked as an animal, next to my bed, my soul despairing as only the body of a virgin can despair. The bed slowly disappears, the walls of the room recede, tumble down in defeat. And I am in the world as free and slender as a deer on the plain. I get up as soft as a breath of air, raise my sleepy flower head, my feet light, I cross fields beyond the earth, world, time, God. I dive under and then emerge, as if from clouds, from lands still not possible, ah still not possible. From those that I still don’t even know how to imagine, but which will germinate. I walk, glide, on and on . . . Always, unstopping, diverting my weary longing to reach an end.

The girls leaned against each other, feeling happy, sleepy and relaxed

Does earth Drowse with fullness or the pull of sleep? Even girls in the orchard move slowly.

Well, this isn’t awkward at all,” Hailee whispered. And even though it was dark, and I could barely see her, I was aware of everything. The soft sound of every breath she took, the warm current flowing between us. The way my skin tingled, and my pulse raced at her close proximity, despite the fact I hadn’t even touched her. Turning onto my side, I traced the profile of her face. “Get some sleep.” I choked out the words to stop myself from doing something stupid. Like telling her it didn’t feel awkward to me at all. That it felt pretty damn near perfect. “Night, Cameron.” “Night, Sunshine.” A beat of silence passed and then her sleepy voice cut through the quiet. “Cameron?” “Yeah?” “Thank you.” As I felt the pull of sleep, my mind was a jumble of thoughts. Of me and Hailee. Of all the reasons why this was a really bad fucking idea. But one thought stood out above all the others. It was the first time I’d ever fallen to sleep with a girl in my bed. And I liked it. I liked it a whole lot.

People always think that Indonesia’s some third-world country where people live in shacks and bathe in the river. I guess in the rural parts of the country, it’s like that, but Jakarta is a huge city with ten million people. Ibu describes it as a place filled with skyscraper after skyscraper, luxury hotels and shiny nightclubs and trendy hipster cafes all bunched together in a never-ending metropolis. Compared to Jakarta, Draycott is nothing but a sleepy little town.

Lilly, a young girl of seven years old, was sitting on a park bench, reading her favorite book. She was getting sleepy so she laid her sweater on the bench and laid down on top of it.

Now, finally, we have Sleepy Joe Biden, Holy Mary Trump and West and girls by James Bond!

I scooped out the chilly, sleepy ball of puppy and held him to my chest, where he rooted toward the warmth beneath my arm. "Thank you, Samuel," I whispered, which I know now was an utterly insufficient response. But Samuel seemed content. He bowed his head in a chivalrous, Old-World-ish gesture like a knight accepting his lady's favor, mounted his drooling pony, and disappeared across the misted grounds. Now, let us clear the air: I am not a stupid girl. I realized the words I'd written in the ledger book were more than ink and cotton. They'd reached out into the world and twisted the shape it in some invisible and unknowable way that brought Samuel to stand beneath my window. But there was a more rational explanation available to me- that Samuel had seen the longing in my face and decided to hell with that bitter old German woman- and I chose to believe that instead. But still: when I got to my room and settled the brown ball of fur in a nest of pillows, the first thing I did was trawl through my desk drawer for a pen. I found my copy of The Jungle Book, flipped to the blank pages at the back, and wrote: She and her dog were inseparable from that day forward.

....Because like you, this girl is a person who needs a lot of love.' 'Love? I need a lot of love?' 'Of course, you do. And everyone else does too. Funny we never say it. It is okay to scream in public if you are hungry "I'm starving". It is okay to make a fuss if you are tired "I'm so sleepy". But somehow we cannot say "I just need some more love". Why can't we say it, Shyam? It is as basic a need.

XI. Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let's see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, syclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, uprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buried the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew.

You have shut me still with a sleepy will, with nor evil nor good to do,

We always jump, you know. People can’t help it. They yell Geronimo, they kiss the girl on the stoop. They step onstage, into the ring, onto the dance floor, into battle. They chip away stone to find the treasure in the tomb. They risk curses and dark magic and failure and fraud. They risk life, and jump. We just can’t, can’t, help it.

You’re gonna fall asleep on me, sleepy girl.