Sponge Quotes

Do you remember back at the hotel when you promised that if we lived, you’d get dressed up in a nurse’s outfit and give me a sponge bath?" asked Jace. "It was Simon who promised you the sponge bath." "As soon as I’m back on my feet, handsome," said Simon. "I knew we should have left you a rat.

Try to be a filter, not a sponge.

One more thing." "What." "I think we're dating now." As V barked out a laugh, the cop shrugged. "Come on....I got you naked. You wore a damn corset. And don't get me started about the sponge bath afterward." "Fucker." "To the end.

I mean, who cares about SpongeBob SquarePants? I'm sitting here with Wolverine! -random kid talking to Ari

It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them. I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly – it’s the best advice ever given me. When it comes to dying even. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self conscious persona putting on its celebrated imitation of Christ or Little Nell. And of course, no theology, no metaphysics. Just the fact of dying and the fact of the clear light. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly. Lightly my darling, on tiptoes and no luggage, not even a sponge bag, completely unencumbered.

For the first time in longer than I can remember, I feel peaceful. Not happy. Not sad. Not anxious. Not horny. Just all the higher parts of my brain closing up shop. The cerebral cortex. The cerebellum. That's where my problem is. I'm now simplifying myself. Somewhere balanced in the perfect middle between happiness and sadness. Because sponges never have a bad day.

Eventually I confess to a friend some details about my weeping—its intensity, its frequency. She says (kindly) that she thinks we sometimes weep in front of a mirror not to inflame self-pity, but because we want to feel witnessed in our despair. (Can a reflection be a witness? Can one pass oneself the sponge wet with vinegar from a reed?)

Readers may be divided into four classes: I. Sponges, who absorb all they read, and return it nearly in the same state, only a little dirtied. II. Sand-glasses, who retain nothing, and are content to get through a book for the sake of getting through the time. III. Strain-bags, who retain merely the dregs of what they read. IV. Mogul diamonds, equally rare and valuable, who profit by what they read, and enable others to profit by it also.

Come on, is your heart a sponge or a fist?

Let me know when you're done with this conversation. Peter needs his tongue bath. I mean sponge bath.

How much deeper would the ocean be if sponges didn’t live there?

A squeegee is a sponge on a stick, and if there is a tangible item that’s more romantic, I don’t know what it is. Never go on a first date without one.

See, guys freak out. They hit critical mass and blast nuclear, white-hot anger out over the world like walking flamethrowers. But girls freak in. They absorb the pain and bitterness and keep right on sponging it up until they drown.

I sincerely think that Connor is asexual. Like a sponge. He probably wouldn't even notice if you hit on him.

Pray use both cats as sponges if it pleases you, infatuated infantryman.

I think we're dating now" "Come on...I got you naked. You wore a damn corset. And don't get me started on the sponge bath afterward.

Alec watched them through the half-open door, Jace leaned against the sink as his adoptive sister sponged his wrists and wrapped them in a white gauze. “Okay, now take off your shirt.” (Isabelle) “I knew there was something in this for you.” (Jace) ~pg. 329~

They came to her, naturally, since she was a woman, all day long with this and that; one wanting this, another that; the children were growing up; she often felt she was nothing but a sponge sopped full of human emotions.

Disassemble the cells of a sponge (by passing them through a sieve, for instance), then dump them into a solution, and they will find their way back together and build themselves into a sponge again. You can do this to them over and over, and they will doggedly reassemble because, like you and me and every other living thing, they have one overwhelming impulse: to continue to be.

We can see the Divine in each speck of dust, but that doesn't stop us from wiping it away with a wet sponge. The Divine doesn't disappear; it's transformed into the clean surface.

If John Lennon was right that life is what happens when you're making other plans, parenthood is what happens when everything is flipped over and spilling everywhere and you can't find a towel or a sponge or your "inside" voice.

The church is like a swimming pool. Most of the noise comes from the shallow end.

You can say a lot of bad things about Tiny Cooper. I know, because I have said them. But for a guy who knows absolutely nothing about how to conduct his own relationships, Tiny Cooper is kind of brilliant when it comes to dealing with other people's heartbreak. Tiny is like some gigantic sponge soaking up the pain of lost love everywhere he goes.

Like most sensitive souls, you already know you’re sensitive. You soak up others’ moods and desires like a sponge. You absorb sensation the way a paintbrush grasps each colour it touches on a palette.

You really don't understand the first thing about writing...for one thing, early in the morning is the worst possible time. the brain is like a wet sponge at that hour. And for another, real writing is a question of staring into space and waiting for the right ideas.

I should be used to the way Americans dress when traveling, yet it still manages to amaze me. It’s as if the person next to you had been washing shoe polish off a pig, then suddenly threw down his sponge saying, “Fuck this. I’m going to Los Angeles!

He felt like an old sponge steeped in paraffin and left in the sun to dry.

He writes the worst English that I have ever encountered. It reminds me of a string of wet sponges; it reminds me of tattered washing on the line; it reminds me of stale bean soup, of college yells, of dogs barking idiotically through endless nights. It is so bad that a sort of grandeur creeps into it. It drags itself out of the dark abysm of pish, and crawls insanely up the topmost pinnacle of posh. It is rumble and bumble. It is flap and doodle. It is balder and dash. (writing about US President Warren G. Harding)

I heard you went to Ireland...I haven't seen it in many years. Is it still green then, and beautiful? Wet as a bath sponge and mud to the knees but, aye, it was green enough.

God is not a Christian, God is not a Jew, or a Muslim, or a Hindu, or a Buddhist. All of those are human systems which human beings have created to try to help us walk into the mystery of God. I honor my tradition, I walk through my tradition, but I don't think my tradition defines God, I think it only points me to God.

What, you didn’t pack your lunch?” Ty asked sarcastically as he shifted around in the seat and wedged himself against the door. He kicked a foot up and propped it on the console between the two front seats. “Sure, in my SpongeBob SquarePants lunch box. I have the thermos, too,” Morrison shot right back. Zane kept his mouth shut, eyes moving between the two men, and occasionally back to the driver, who was casually paying attention. Ty stared at the kid and narrowed his eyes further. “Spongewhat?” he asked flatly. Zane didn’t even try to hold back the chuckle when Morrison looked at Ty like he’d lost his mind. “Spongewha … you’re yanking my chain, aren’t you?” Morrison said. “Henny, he’s yanking my chain.” “Yeah, well, that’s what you getting for waving it in his face,” the driver answered reasonably. “What the hell is a SpongeBob?” Ty asked Zane quietly in the backseat.

Hodge says he's on his way and he hopes you can both manage to cling to your flickering sparks of life until he gets here," she told Simon and Jace. "Or something like that." "I wish he'd hurry," Jace said crossly. He was sitting up in bed against a pair of fluffed white pillows, still wearing his filthy clothes. "Why? Does it hurt?" Clary asked. "No. I have a high pain threshold. In fact, it's less of a threshold and more of a large and tastefully decorated foyer. But I do get easily bored." He squinted at her. "Do you remember back at the hotel when you promised that if we lived, you'd get dressed up in a nurse's outfit and give me a sponge bath?" "Actually, I think you misheard," Clary said. "It was Simon who promised you the sponge bath." Jace looked involuntarily over at Simon, who smiled at him widely. "As soon as I'm back on my feet, handsome.

Mrs Forrester ... sat in state, pretending not to know what cakes were sent up, though she knew, and we knew, and she knew that we knew, and we knew that she knew that we knew, she had been busy all the morning making tea-bread and sponge-cakes.

A sparrow lay dead on the backseat. She had found her way through a hole in the windscreen, tempted by some seat-sponge for her nest. She never found her way out. No one noticed her panicked car-window appeals. She died on the backseat, with her legs in the air. Like a joke.

The Brain - is wider than the Sky - For - put them side by side - The one the other will contain With ease - and You - beside - The Brain is deeper than the sea - For- hold them - Blue to Blue - The one the other will absorb - As Sponges - Buckets - do - The Brain is just the weight of God - For - Heft them - Pound for Pound - And they will differ - if they do - As Syllable from Sound.

Did I mention he was wearing a onesie? I’m talking a legit, full-grown man in a SpongeBob onesie.

It’s SpongeBob, Eleanor,” he said, speaking very slowly and clearly as though I were some sort of idiot. “SpongeBob SquarePants?” A semi-human bath sponge with protruding front teeth! On sale as if it were something completely unremarkable! For my entire life, people have said that I’m strange, but really, when I see things like this, I realize that I’m actually relatively normal.

I didn’t have years. But I am a quick learner and was in human-sponge mode. I demonstrated.

What the mind cannot accept, the heart can finally never adore.

Children are sponges—they are going to absorb whatever is around them, so we need to be intentional about what surrounds them.

Tears upon the dry sponge of heart do not prove I am Promethean.

I've never been in love, but I've always imagined it--weirdly--like some sort of OxiClean commercial. The TV host shows a scene from an ordinary day, and then takes a big old sponge soaked in love and swipes away the stains. Suddenly that same scene is missing all the mistakes, all the loneliness. The colors are like jewels, ten times richer than they were before. The music is louder and clearer. "Love," the host will say, "makes life a little brighter.

Maybe Larry was wrong about the word friend, maybe he'd been shoved away from everybody for so long all he was was a sponge for the wrongs other people did.

He could feel the pores of his body open like a million mouths and slurp the water in like a sponge.

Alas, poor men, their destiny. When all goes well a shadow will overthrow it. If it be unkind one stroke of a wet sponge wipes all the picture out; and that is far the most unhappy thing of all. -Cassandra

I will do anything ... ere I'll be married to a sponge.

Children are sponges, soaking up every verbal and nonverbal interaction.

Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.

How then does light return to the world after the eclipse of the sun? Miraculously. Frailly. In thin stripes. It hangs like a glass cage. It is a hoop to be fractured by a tiny jar. There is a spark there. Next moment a flush of dun. Then a vapour as if earth were breathing in and out, once, twice, for the first time. Then under the dullness someone walks with a green light. Then off twists a white wraith. The woods throb blue and green, and gradually the fields drink in red, gold, brown. Suddenly a river snatches a blue light. The earth absorbs colour like a sponge slowly drinking water. It puts on weight; rounds itself; hangs pendent; settles and swings beneath our feet.

Then there are some minor points that strike me as suggestive - for instance, the position of Mrs. Hubbard's sponge bag, the name of Mrs. Armstrong's mother, the detective methods of Mr. Hardman, the suggestion of Mr. MacQueen that Ratchett himself destroyed the charred note we found, Princess Dragomiroff's Christian name, and a grease spot on a Hungarian passport.

What the hell is a SpongeBob?

I love his penis. I want to give it a sponge bath and dress it up like a super hero.

Where has God gone?” [the madman asked] “I shall tell you. We have killed him – you and I. We are his murderers. But how have we done this? How were we able to drink up the seas? Who gave us the sponge to wipe away the entire horizon? What did we do when we unchained the earth from its sun? Whither is it moving now? Whither are we moving now? Away from all suns? Are we not perpetually falling? Backwards, sideward, forward, in all directions? Is there any up or down left? Are we not straying as though through Infinite nothing? Where is God? God is Dead. Go remains dead. And we have killed him. How shall we, murders of all murders, console ourselves?

The planet spins at over a thousand miles an hour all the time. Actually, it's going around the sun at sixty-seven thousand miles an hour, even if it wasn't sponging. So you can move plenty fast without going anywhere.

It's a sponge and I'm a sponge and for a second there all our sponge parts are one and I don't just have square pants, everything about me is squarish because I'm part of a wall.

The impressions we pick up as children, when our minds are still open to influence and as soft as damp sponges, are likely to stay with us the longest.

It was all very strange, Mr. Gray thought, as he wiped the coffee canister clean with a sponge. Very, very mysterious. You were born; you lived a whole life; and at the end, you wound up in a coffee canister. "Ah, well," he said out loud quietly. "That's just the way things are. Life's a funny business." Death, he supposed, was the punch line.

When I get too old to write, give me chocolate covered sponge toffee and a glass Anisovaya vodka. Sit me beside the Atlantic and let me watch the Milky Way rise over the starlit ocean. I won't be any trouble.

Women have this amazing godly power. As an enemy, they can wreak havoc and behead you like Goddess Kali without even flinching or giving it a second thought. But as healers and nurturers, they can absorb all your pain like an infinite sponge, if they want to. All it took was a little touch of femininity, and I felt alive once again.

We walk into the mystery of God; we do not define that mystery.

The human brain is finite—no more than a sponge of tissue inside a cage of bone—but the mind within the brain is infinite. Its storage capacity is colossal, its imaginative reach beyond our ability to comprehend. I think when a man or woman dies, a whole world falls to ruin—the world that person knew and believed in. Think of that, kiddo—billions of people on earth, and each one of those billions with a world inside. The earth their minds have conceived.

It was strange how in that moment of tragedy, it had seemed so unreal, like an old-fashioned movie reel playing on a screen for my eyes only. The pain and broken heart were blocked off for a little while, leaving me numb with disbelief. Shock is what Dad called it. But after a while, the cruel reality started to seep into my tissues, and my body became a sponge, just sucking it all up until, finally, there was so much grief inside, I couldn't help feeling it. That's how it happened for me. First, the numbness right after she died, next the agonising pain and then the place I was at now—the land of perpetual depression.

When you’re older you will know that at some unconscious level not only did you see it coming, but you created it, in your own blind, stumbling way. You will console yourself with the fact that it wouldn’t have mattered, seeing it or not seeing it. You were a sponge for incident.

Children soak up both verbal and nonverbal messages like sponges—indiscriminately. They listen to their parents, they watch their parents, and they imitate their parents’ behavior. Because they have little frame of reference outside the family, the things they learn at home about themselves and others become universal truths engraved deeply in their minds.

...death is ultimately a dimension of life through which we journey into timelessness.

Blot your misdeeds out (if you are particularly conscientious), by a good deed, as soon as you can; just as we did a correct sum at school on the slate, where an incorrect one was only half rubbed out. It was better than wetting our sponge with our tears; both less loss of time where tears had to be waited for, and a better effect at last.

When a human life is open to all that humanity can be, humanity and divinity flow together as one. It was and is a radical insight, and one the consciousness of the mystic is destined to understand.

Work is a kind of vacuum, an emptiness, where I just switch off everything except the scant intelligence necessary to keep me going. God, the people are awful - great carved monstrosities from the sponge-stone of secondratedness. Hideous.

Am I insane?” I ask limply, and all feelings have fled my body. I’m numb. I’m a piece of wood. I’m a sponge, and I have no feelings, and I’ve absorbed all of this insanity for so long that now I’m insane myself. That’s the only possible answer.

I prepare for death by living.

The tide goes out imperceptibly. The boulders show and seem to rise up and the ocean recedes leaving little pools, leaving wet weed and moss and sponge, iridescence and brown and blue and China red. On the bottoms lie the incredible refuse of the sea, shells broken and chipped and bits of skeleton, claws, the whole sea bottom a fantastic cemetery on which the living scamper and scramble.

In fact, gone are the days of having sex at all. I have resorted to jerking off alone in the bathroom after my wife’s asleep. It’s a sad, lonely existence when you have to take your cell phone into the shitter so you don’t wake your wife when you pull up the YouPorn app and crank one out. The worst part is the SpongeBob SquarePants shower curtain in the bathroom. Do you know how difficult it is to keep an erection while SpongeBob is staring at you with his big, googly eyes and you keep hearing the song "Jellyfishin’, Jellyfishin’, Jellyfishin" in your head?

There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame. The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love. The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love. The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.

There are four kinds of readers. The first is like the hourglass; and their reading being as the sand, it runs in and runs out, and leaves not a vestige behind. A second is like the sponge, which imbibes everything, and returns it in nearly the same state, only a little dirtier. A third is like a jelly bag, allowing all that is pure to pass away, and retaining only the refuse and dregs. And the fourth is like the slaves in the diamond mines of Golconda, who, casting aside all that is worthless, retain only pure gems.

I told her that I can't be doing with the Wonder part of these trips, but she said it should be the icing on the cake... I've never liked wedding cake due to the amount of icing, but then imagine a wedding cake without it; just a dark, stodgy, horrible dry sponge. The icing covers up the mess, and that's how I feel about most of the Wonders. They use them to get people to visit a place that you probably wouldn't think about visiting.

Childhood is a time for pretending and trying on maturity to see if it fits or hangs baggy, tastes good or bitter, smells nice or fills your lungs with smoke that makes you cough. It's sharing licks on the same sucker with your best friend before you discover germs. It's not knowing how much a house cost, and caring less. It's going to bed in the summer with dirty feet on clean sheets. It's thinking anyone over fifteen is 'ancient'. It's absorbing ideas, knowledge, and people like a giant sponge. Childhood is where 'competition' is a baseball game and 'responsibility' is a paper route.

Erich Fromm, a German-American psychologist and author, reminds us that “people never think their way into new ways of acting, they always act their way into new ways of thinking.

Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.

Lila had discovered that the hardest part of her charade was pretending that everything was old hat when it was all so new, being forced to feign the kind of nonchalance that only comes from a lifetime of knowing and taking for granted. Lila was a quick study, and she knew how to keep up a front; but behind the mask of disinterest, she took in everything. She was a sponge, soaking up the words and customs, training herself to see something once and be able to pretend she’d seen it a dozen—a hundred—times before.

Tortolita, let me tell you a story,” Estevan said. “This is a South American, wild Indian story about heaven and hell.” Mrs. Parsons made a prudish face, and Estevan went on. “If you go visit hell, you will see a room like this kitchen. There is a pot of delicious stew on the table, with the most delicate aroma you can imagine. All around, people sit, like us. Only they are dying of starvation. They are jibbering and jabbering,” he looked extra hard at Mrs. Parsons, “but they cannot get a bit of this wonderful stew God has made for them. Now, why is that?” “Because they’re choking? For all eternity?” Lou Ann asked. Hell, for Lou Ann, would naturally be a place filled with sharp objects and small round foods. “No,” he said. “Good guess, but no. They are starving because they only have spoons with very long handles. As long as that.” He pointed to the mop, which I had forgotten to put away. “With these ridiculous, terrible spoons, the people in hell can reach into the pot but they cannot put the food in their mouths. Oh, how hungry they are! Oh, how they swear and curse each other!” he said, looking again at Virgie. He was enjoying this. “Now,” he went on, “you can go and visit heaven. What? You see a room just like the first one, the same table, the same pot of stew, the same spoons as long as a sponge mop. But these people are all happy and fat.” “Real fat, or do you mean just well-fed?” Lou Ann asked. “Just well-fed,” he said. “Perfectly, magnificently well-fed, and very happy. Why do you think?” He pinched up a chunk of pineapple in his chopsticks, neat as you please, and reached all the way across the table to offer it to Turtle. She took it like a newborn bird.

The discovery of some toy duck in the soap dish, presumably the property of some former juvenile visitor, contributed not a little to this new and happier frame of mind. What with one thing and another, I hadn't played with toy ducks in my bath for years, and I found the novel experience most invigorating. For the benefit of those interested, I may mention that if you shove the thing under the surface with the sponge and then let it go, it shoots out of the water in a manner calculated to divert the most careworn. Ten minutes of this and I was enabled to return to the bedchamber much more the merry old Bertram.

Sometimes it’s hard to grasp why it is that the answers to the present lie in the past. A simple analogy might be helpful: a leading psychiatrist in the field of sexual abuse once told me she had, in thirty years of extensive work with paedophiles, never met one who hadn’t himself been abused as a child. This doesn’t mean that all abused children go on to become abusers; but it is impossible for someone who was not abused to become an abuser. No one is born evil. As Winnicott put it: ‘A baby cannot hate the mother, without the mother first hating the baby.’ As babies, we are innocent sponges, blank slates – with only the most basic needs present: to eat, shit, love and be loved. But something goes wrong, depending on the circumstances into which we are born, and the house in which we grow up. A tormented, abused child can never take revenge in reality, as she is powerless and defenceless, but she can – and must – harbour vengeful fantasies in her imagination. Rage, like fear, is reactive in nature.

Here at our ministry we refuse to present a picture of “gentle Jesus, meek and mild,” a portrait that tugs at your sentiments or pulls at your heartstrings. That’s because we deal with so many people who suffer, and when you’re hurting hard, you’re neither helped nor inspired by a syrupy picture of the Lord, like those sugary, sentimental images many of us grew up with. You know what I mean? Jesus with His hair parted down the middle, surrounded by cherubic children and bluebirds. Come on. Admit it: When your heart is being wrung out like a sponge, when you feel like Morton’s salt is being poured into your wounded soul, you don’t want a thin, pale, emotional Jesus who relates only to lambs and birds and babies. You want a warrior Jesus. You want a battlefield Jesus. You want his rigorous and robust gospel to command your sensibilities to stand at attention. To be honest, many of the sentimental hymns and gospel songs of our heritage don’t do much to hone that image. One of the favorite words of hymn writers in days gone by was sweet. It’s a term that down’t have the edge on it that it once did. When you’re in a dark place, when lions surround you, when you need strong help to rescue you from impossibility, you don’t want “sweet.” You don’t want faded pastels and honeyed softness. You want mighty. You want the strong arm an unshakable grip of God who will not let you go — no matter what.

The world’s now placid, featureless, and culturally dead: nothing really new has been created since the Overlords came. The reason’s obvious. There’s nothing left to struggle for, and there are too many distractions and entertainments. Do you realize that every day something like five hundred hours of radio and TV pour out over the various channels? If you went without sleep and did nothing else, you could follow less than a twentieth of the entertainment that’s available at the turn of a switch! No wonder that people are becoming passive sponges—absorbing but never creating. Did you know that the average viewing time per person is now three hours a day? Soon people won’t be living their own lives any more. It will be a full-time job keeping up with the various family serials on TV!

Unless biblical literalism is challenged overtly in the Christian church itself, it will, in my opinion, kill the Christian faith. It is not just a benign nuisance that afflicts Christianity at its edges; it is a mentality that renders the Christian faith unbelievable to an increasing number of the citizens of our world. The

You'll have to forgive me. I'm a refugee from the past, and like other refugees I go over the customs and habits of being I've left or been forced to leave behind me, and it all seems just as quaint, from here, and I am just as obsessive about it. Like a White Russian drinking tea in Paris, marooned in the twentieth century, I wander back, try to regain those distant pathways; I become too maudlin, lose myself. Weep. Weeping is what it is, not crying. I sit in this chair and ooze like a sponge.

For instance, if you woke up in the middle of the night and saw a masked woman trying to crawl through your bedroom window, you might call your mother or father to help you push her back out. If you found yourself hopelessly lost in the middle of a strange city, you might ask the police to give you a ride home. And if you were an author locked in an Italian restaurant that was slowly filling up with water, you might call upon your acquaintances in the locksmith, pasta, and sponge business to come and rescue you.

You're in trouble. Do you expect me to just walk away?" "I wouldn't hold it against you if you did." "In know you wouldn't. That's only one of the reasons I'm crazy about you. I've got a million more." "Just a million?" "Okay, a million plus one—your cat." She giggled. "You're bonding with Saladin?" "Somebody has to protect that cat from your cousin Ian. And I feed him. The cat. Not Ian. He's on his own. Anyway, if that doesn't get me Perfect Boyfriend status, I don't know what will." "Emptying the litter box?" "Hey. I have my limits." Amy laughed. She had the phone pressed to her ear so tightly it burned. She closed her eyes, picturing his face... Ian's crisp voice broke in. "All right, lovebirds, let's move on. No offense, but I believe Amy and Dan might need a short course in style and class." "Is this the nonoffensive part?" Dan asked. "I can't wait until you really insult us." "Let's deal with reality, shall we? You don't just walk into an auction house in your jeans and backpacks. You have to blend in. And that's going to be hard." Ian sniffed. "Considering that you're Americans." "What are you talking about, dude?" Dan asked. "This is my best SpongeBob T-shirt.

Or else the cloud hovered, having barely left the lips, dense and slow, and suggested another vision: the exhalations that hang over the roofs of the metropolises, the opaque smoke that is not scattered, the hood of miasmata that weighs over the bituminous streets. Not the labile mists of memory nor the dry transparence, but the charring of burned lives that forms a scab on the city, the sponge swollen with vital matter that no longer flows, the jam of past, present, future that blocks existences calcified in the illusion of movement: this is what you would find at the end of your journey.

I AM ROWING (a hex poem) i have cursed your forehead, your belly, your life i have cursed the streets your steps plod through the things your hands touch i have cursed the inside of your dreams i have placed a puddle in your eye so that you cant see anymore an insect in your ear so that you cant hear anymore a sponge in your brain so that you cant understand anymore i have frozen you in the soul of your body iced you in the depths of your life the air you breathe suffocates you the air you breathe has the air of a cellar is an air that has already been exhaled been puffed out by hyenas the dung of this air is something no one can breathe your skin is damp all over your skin sweats out waters of great fear your armpits reak far and wide of the crypt animals drop dead as you pass dogs howl at night their heads raised toward your house you cant run away you cant muster the strength of an ant to the tip of your feet your fatigue makes a lead stump in your body your fatigue is a long caravan your fatigue stretches out to the country of nan your fatigue is inexpressible your mouth bites you your nails scratch you no longer yours, your wife no longer yours, your brother the sole of his foot bitten by an angry snake someone has slobbered on your descendents someone has drooled in the mouth of your laughing little girl someone has walked by slobbering all over the face of your domain the world moves away from you i am rowing i am rowing i am rowing against your life i am rowing i split into countless rowers to row more strongly against you you fall into blurriness you are out of breath you get tired before the slightest effort i row i row i row you go off drunk tied to the tail of a mule drunkenness like a huge umbrella that darkens the sky and assembles the flies dizzy drunkenness of the semicircular canals unnoticed beginnings of hemiplegia drunkeness no longer leaves you lays you out to the left lays you out to the right lays you out on the stony ground of the path i row i row i am rowing against your days you enter the house of suffering i row i row on a black blinfold your life is unfolding on the great white eye of a one eyed horse your future is unrolling I AM ROWING

We may see a Creature with forty-nine heads Who lives in the desolate snow, And whenever he catches a cold (which he dreads) He has forty-nine noses to blow. 'We may see the venomous Pink-Spotted Scrunch Who can chew up a man with one bite. It likes to eat five of them roasted for lunch And eighteen for its supper at night. 'We may see a Dragon, and nobody knows That we won't see a Unicorn there. We may see a terrible Monster with toes Growing out of the tufts of his hair. 'We may see the sweet little Biddy-Bright Hen So playful, so kind and well-bred; And such beautiful eggs! You just boil them and then They explode and they blow off your head. 'A Gnu and a Gnocerous surely you'll see And that gnormous and gnorrible Gnat Whose sting when it stings you goes in at the knee And comes out through the top of your hat. 'We may even get lost and be frozen by frost. We may die in an earthquake or tremor. Or nastier still, we may even be tossed On the horns of a furious Dilemma. 'But who cares! Let us go from this horrible hill! Let us roll! Let us bowl! Let us plunge! Let's go rolling and bowling and spinning until We're away from old Spiker and Sponge!

Look at life from our perspective, and you eukaryotes will soon cease giving yourselves such airs. You bipedal apes, you stump-tailed tree-shrews, you desiccated lobe-fins, you vertebrated worms, you Hoxed-up sponges, you newcomers on the block, you eukaryotes, you barely distinguishable congregations of a monotonously narrow parish, you are little more than fancy froth on the surface of bacterial life. Why, the very cells that build you are themselves colonies of bacteria, replaying the same old tricks we bacteria discovered a billion years ago. We were here before you arrived, and we shall be here after you are gone.

[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again

That big glorious mountain. For one transitory moment, I think I may have actually seen it”. For one flash, the Mommy had seen the mountain without thinking of logging and ski resorts and avalanches, managed wildlife, plate tectonic geology, microclimates, rain shadow, or yin-yang locations. She’d seen the mountain without the framework of language. Without the cage of associations. She’d seen it without looking through the lens of everything she knew was true about mountains. What she’d seen in that flash wasn’t even a “mountain”. It wasn’t a natural resource. It had no name. “That’s the big goal”, she said. “To find a cure for knowledge”. For education. For living in our heads. Ever since the story of Adam and Eve in the bible, humanity had been a little too smart for its own good, the Mommy said. Ever since eating that apple. Her goal was to find, if not a cure, then at least a treatment that would give people back their innocence. “The cerebral cortex, the cerebellum”, she said, “that’s where your problem is”. If she could just get down to using only her brain stem, she’d be cured. This would be somewhere beyond happiness and sadness. You don’t see fish agonized by wild mood swings. Sponges never have a bad day.

It's dark because you're trying too hard," said Susila. "Dark because you want it to be light. Remember what you used to tell me when I was a little girl. 'Lightly, child, lightly. You've got to learn to do everything lightly. Think lightly, act lightly, feel lightly. Yes, feel lightly, even though you're feeling deeply. Just lightly let things happen and lightly cope with them.' I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly—it was the best advice ever given me. Well, now I'm going to say the same thing to you, Lakshmi . . . Lightly, my darling, lightly. Even when it comes to dying. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self-conscious persona putting on its celebrated imitation of Christ or Goethe or Little Nell. And, of course, no theology, no metaphysics. Just the fact of dying and the fact of the Clear Light. So throw away all your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That's why you must walk so lightly. Lightly, my darling. On tiptoes; and no luggage, not even a sponge bag. Completely unencumbered.

Whatever it was that people experience in Jesus has today come to be identified with medieval doctrines based on premodern assumptions that are no longer believable. That identification means that serious theological discussion seems to accomplish little more than to erect a division between the shouters and the disinterested. Jesus becomes the captive of the hysterically religious, the chronically fearful, the insecure and even the neurotic among us, or he becomes little more than a fading memory, the symbol of an age that is no more and a nostalgic reminder of our believing past. To me neither option is worth pursuing. Yet even understanding these things, I am still attracted to this Jesus and I will pursue him both relentlessly and passionately. I will not surrender the truth I believe I find in him either to those who seek to defend the indefensible or to those who want to be freed finally from premodern ideas that no longer make any sense.

Most of us are pseudo-scholars...for we are a very large and quite a powerful class, eminent in Church and State, we control the education of the Empire, we lend to the Press such distinction as it consents to receive, and we are a welcome asset at dinner-parties. Pseudo-scholarship is, on its good side, the homage paid by ignorance to learning. It also has an economic side, on which we need not be hard. Most of us must get a job before thirty, or sponge on our relatives, and many jobs can only be got by passing an exam. The pseudo-scholar often does well in examination (real scholars are not much good), and even when he fails he appreciates their inner majesty. They are gateways to employment, they have power to ban and bless. A paper on King Lear may lead somewhere, unlike the rather far-fetched play of the same name. It may be a stepping-stone to the Local Government Board. He does not often put it to himself openly and say, "That's the use of knowing things, they help you to get on." The economic pressure he feels is more often subconscious, and he goes to his exam, merely feeling that a paper on King Lear is a very tempestuous and terrible experience but an intensely real one. ...As long as learning is connected with earning, as long as certain jobs can only be reached through exams, so long must we take the examination system seriously. If another ladder to employment were contrived, much so-called education would disappear, and no one be a penny the stupider.

Have you ever heard of the madman who on a bright morning lighted a lantern and ran to the market-place calling out unceasingly: "I seek God! I seek God!"—As there were many people standing about who did not believe in God, he caused a great deal of amusement. Why! is he lost? said one. Has he strayed away like a child? said another. Or does he keep himself hidden? Is he afraid of us? Has he taken a sea-voyage? Has he emigrated?—the people cried out laughingly, all in a hubbub. The insane man jumped into their midst and transfixed them with his glances. "Where is God gone?" he called out. "I mean to tell you! We have killed him,—you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Back-wards, sideways, forewards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—for even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!"—Here the madman was silent and looked again at his hearers; they also were silent and looked at him in surprise. At last he threw his lantern on the ground, so that it broke in pieces and was extinguished. "I come too early," he then said, "I am not yet at the right time. This prodigious event is still on its way, and is travelling,—it has not yet reached men's ears. Lightning and thunder need time, the light of the stars needs time, deeds need time, even after they are done, to be seen and heard. This deed is as yet further from them than the furthest star,—and yet they have done it!"—It is further stated that the madman made his way into different churches on the same day, and there intoned his Requiem æternam deo. When led out and called to account, he always gave the reply: "What are these churches now, if they are not the tombs and monuments of God?

Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.

This point must be heard: the Gospels are first-century narrations based on first-century interpretations. Therefore they are a first-century filtering of the experience of Jesus. They have never been other than that. We must read them today not to discover the literal truth about Jesus, but rather to be led into the Jesus experience they were seeking to convey. That experience always lies behind the distortions, which are inevitable since words are limited. If the Gospels are to be for us revelations of truth, we must enter these texts, go beneath the words, discover the experience that made the words necessary, and in this manner seek the meaning to which the words point. One must never identify the text with the revelation or the messenger with the message. That has been the major error in our two thousand years of Christian history. It is an insight that today is still feared and resisted. But let it be clearly stated, the Gospels are not in any literal sense holy, they are not accurate, and they are not to be confused with reality. They are rather beautiful portraits painted by first-century Jewish artists, designed to point the reader toward that which is in fact holy, accurate, and real. The Gospels represent that stage in the development of the faith story in which ecstatic exclamation begins to be placed into narrative form.