Doomed Home Quotes

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When I started writing I was a sick teenaged fuck inside who partly thought I was the new Marquis de Sade, a body doomed to communicate with Satan who was us- ing my sickness as his home away from home, and there’s your proof.
Dennis Cooper
Maybe they were just two killers, cursed to endure each other’s company, two doomed spirits trying to find their way home. Maybe they were monsters who liked the feeling of another monster looking back at them. But enough people had abandoned them both. She wasn’t going to be the next.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
I will go directly to her home, ring the bell, and walk in. Here I am, take me-or stab me to death. Stab the heart, stab the brains, stab the lungs, the kidneys, the viscera, the eyes, the ears. If only one organ be left alive you are doomed-doomed to be mine, forever, in this world and the next and all the worlds to come. I'm a desperado of love, a scalper, a slayer. I'm insatiable. I eat hair, dirty wax, dry blood clots, anything and everything you call yours. Show me your father, with his kites, his race horses, his free passes for the opera: I will eat them all, swallow them alive. Where is the chair you sit in, where is your favorite comb, your toothbrush, your nail file? Trot them out that I may devour them at one gulp. You have a sister more beautiful than yourself, you say. Show her to me-I want to lick the flesh from her bones.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Of course, it is likely enough, my friends,' he said slowly, 'likely enough that we are going to our doom: the last march of the Ents. But if we stayed home and did nothing, doom would find us anyway, sooner or later. That thought has long been growing in our hearts; and that is why we are marching now. It was not a hasty resolve. Now at least the last march of the Ents may be worth a song.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Of course, it is likely enough, my friends," he said slowly, "likely enough that we are going to our dooms: the last march of the Ents. But if we stayed at home and did nothing, doom would find us anyway, sooner or later.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
...I've returned and I look around me and think, I've missed my life. While I was off and alone, it went on here, without me, and I'm forever doomed to be a stranger in my own home.
Robin Hobb (Fool's Errand (Tawny Man, #1))
He was sentenced to one year in a small juvenile detention home in town. Most of the kids were in for drugs. Carmack was in for an Apple II.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
I half expected to hear that stupid cackling laugh again, but there was just the fluttering of new leaves blowing in the cooler breeze. The sunken moon sat on the cosmic ledge like a judge sentencing me to doom. In the bright moonlight, I felt the depth of my ineptitude. To throw off my rage at the world, at myself, I picked up a rock and chucked it across the field, and then I went back home.
Jonathan Epps (No Winter Lasts Forever (The American Wrath Trilogy))
In theory, sure, Gregor could still go home. Pack up his three-year-old sister, Boots, get his mom out of the hospital, where she was recovering from the plague, and have his bat, Ares, fly them back up to the laudry room of their appartment building in New York City. Ares, his bond, who saved his life numerous times and who had had nothing but suffering since he had met Gregor. He tried to imagine the parting. "Well, Ares, it's been great. I'm heading home now. I know by leaving I'm completely dooming to annihilation everbody who's helped me down here, but I'm really not up for this whole war thing anymore. So, fly you high, you know?" Like that would ever happen.
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
If we have not enough in our religion to share it with all the world, it is doomed here at home.
David Livingstone
He glanced over at me. 'Scared? Of Reggie? What, she thinks he might force her to give up caffeine for real or something?' 'No,' I said. 'Of what, then?' he asked. I paused, only just now realizing that the subject was hitting a little close to home. 'You know, getting hurt. Putting herself out there, opening up to someone.' 'Yeah,' he said, adding some cheese straws to the car, but risk is just part of relationships. Sometimes they work, sometimes they don't.' I picked up a box of cheese straws, examinig it. 'Yeah,' I said. 'But it's not all about chance, either.' 'Meaning what?' he asked, taking the box from me and adding the rest. 'Just that, if you know ahead of time that there might an issue that dooms everything- like, say, you're incredibly controlling and independent, like Harriet- maybe it's better to acknowledge that and not waste your time. Or someone else's.
Sarah Dessen (Lock and Key)
The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
There were other thinkers, Bowman also found, who held even more exotic views. They did not believe that really advanced beings would possess organic bodies at all. Sooner or later, as their scientific knowledge progressed, they would get rid of the fragile, disease-and-accident-prone homes that Nature had given them, and which doomed them to inevitable death. They would replace their natural bodies as they wore out—or perhaps even before that—by constructions of metal and plastic, and would thus achieve immortality.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
What place is this,” Drizzt asked the cat quietly, “that I call home? These are my people, by skin and by heritage, but I am no kin to them. They are lost and ever will be. “How many others are like me, I wonder?” Drizzt whispered, taking one final look. “Doomed souls, as was Zaknafein, poor Zak. I do this for him, Guenhwyvar; I leave as he could not, His life has been my lesion, a dark scroll etched by the heavy price exacted by Matron Malice’s evil promises. “Goodbye, Zack!” he cried, his voice rising in final defiance. “My father. Take heart, as do I, that when we meet again, in a life after this, it will surely not be in the hellfire our kin are doomed to endure.
R.A. Salvatore (Homeland (Forgotten Realms: The Dark Elf Trilogy, #1; Legend of Drizzt, #1))
IF I HAD a dime for every time I’ve heard “We’re all going to die” or “I’ll kill you,” I could afford a better apartment. You can only listen to so many threats of destruction, doom, or death before you start tuning them all out. So I followed the wolf out of the building, then went home.
J.C. Nelson (Free Agent (Grimm Agency, #1))
So? If I die, then I die! The loss to the world won’t be great. Yes, and I’m fairly bored with myself already. I am like a man who is yawning at a ball, whose reason for not going home to bed is only that his carriage hasn’t arrived yet. But the carriage is ready . . . farewell! I run through the memory of my past in its entirety and can’t help asking myself: Why have I lived? For what purpose was I born? . . . There probably was one once, and I probably did have a lofty calling, because I feel a boundless strength in my soul . . . But I didn’t divine this calling. I was carried away with the baits of passion, empty and unrewarding. I came out of their crucible as hard and cold as iron, but I had lost forever the ardor for noble aspirations, the best flower of life. Since then, how many times have I played the role of the ax in the hands of fate! Like an instrument of execution, I fell on the head of doomed martyrs, often without malice, always without regret . . . My love never brought anyone happiness, because I never sacrificed anything for those I loved: I loved for myself, for my personal pleasure. I was simply satisfying a strange need of the heart, with greediness, swallowing their feelings, their joys, their suffering—and was never sated. Just as a man, tormented by hunger, goes to sleep in exhaustion and dreams of sumptuous dishes and sparkling wine before him. He devours the airy gifts of his imagination with rapture, and he feels easier. But as soon as he wakes: the dream disappears . . . and all that remains is hunger and despair redoubled! And, maybe, I will die tomorrow! . . . And not one being on this earth will have ever understood me totally. Some thought of me as worse, some as better, than I actually am . . . Some will say “he was a good fellow,” others will say I was a swine. Both one and the other would be wrong. Given this, does it seem worth the effort to live? And yet, you live, out of curiosity, always wanting something new . . . Amusing and vexing!
Mikhail Lermontov (A Hero of Our Time)
O, great wise man,' she said, 'I have been wondering so many things. Is life more than sitting at home doing the same thing over and over? Wise man, is life more than watching one's relatives do unpleasant things, or more than grim tasks one must perform at school and at work? Is life more than being entertained by literature, wise man, or more than traveling from one place to another, suffering from poor emotional health and pondering the people one loves? And what about those who lead a life of mystery? And the mysteries of life? And, wise man, what about the overall feeling of doom that one cannot ever escape no matter what one does, and miscellaneous things that I have neglected to mention in specific?
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
Of course, it is likely enough, my friends,’ he said slowly, ‘likely enough that we are going to our doom: the last march of the Ents. But if we stayed at home and did nothing, doom would find us anyway, sooner or later.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Mary Magdalene With wandering eyes and aimless zeal, She hither, thither, goes; Her speech, her motions, all reveal A mind without repose. She climbs the hills, she haunts the sea, By madness tortured, driven; One hour's forgetfulness would be A gift from very heaven! She slumbers into new distress; The night is worse than day: Exulting in her helplessness; Hell's dogs yet louder bay. The demons blast her to and fro; She has not quiet place, Enough a woman still, to know A haunting dim disgrace. A human touch! a pang of death! And in a low delight Thou liest, waiting for new breath, For morning out of night. Thou risest up: the earth is fair, The wind is cool; thou art free! Is it a dream of hell's despair Dissolves in ecstasy? That man did touch thee! Eyes divine Make sunrise in thy soul; Thou seest love in order shine:- His health hath made thee whole! Thou, sharing in the awful doom, Didst help thy Lord to die; Then, weeping o'er his empty tomb, Didst hear him Mary cry. He stands in haste; he cannot stop; Home to his God he fares: 'Go tell my brothers I go up To my Father, mine and theirs.' Run, Mary! lift thy heavenly voice; Cry, cry, and heed not how; Make all the new-risen world rejoice- Its first apostle thou! What if old tales of thee have lied, Or truth have told, thou art All-safe with Him, whate'er betide Dwell'st with Him in God's heart!
George MacDonald
I thought for once that acting decent ought to be rewarded. That's why I let you go, and that's why I didn't bring you back to the King." "If it's so horrible there,why don't you stay with us?" I asked without thinking. "No." He shook his head and lowered his eyes. "Tempting though the offer may be, your people wouldn't allow it, and my people...well,let's just say they wouldn't react well if I didn't come home. And wether I like or not, it is my home." "I know that feeling all too well." I sighed. Though Forening was starting to feel more like home, I wasn't sure that it ever would completely. "See?I told you,Princess." Loki's smile returned more easily. "You and I aren't all that different." "You say that like it means something." "Doesn't it?" "No,not really. You're leaving today, going home to my enemies." I let out a deep breath, feeling an ache inside my chest. "If I'm lucky,I'll never see you again. Because if I do,that means we're at war,and I'd have to hurt you." "Oh,Wendy,that's perhaps the saddest thing I've ever heard," Loki said, and he looked like he meant it. "But life doesn't have to be all doom and gloom. Don't you ever see the silver lining?" "Not today." I shook my head. I heard garrett summon me from down the hall, which meant that lunch was over and the meetings were about to start up. "I have to get back.I'll see you when we make the exchange with the Vittra Queen." "Good luck." Loki nodded. I turned to walk away, and I hadn't made it very far when I heard Loki calling after me. "Wendy!" Loki leaned out into the hall, so far it made him grimace with pain. "If you're right and the next time we see each other is when our kingdoms are at war, you and I never will be. I'll never fight you.That I can promise you.
Amanda Hocking (Torn (Trylle, #2))
And since creativity is still the most effective way for me to access wonder, I choose it. I choose to block out all the external (and internal) noise and distractions, and to come home again and again to creativity. Because without that source of wonder, I know that I am doomed. Without it, I will forever wander the world in a state of bottomless dissatisfaction—nothing but a howling ghost, trapped in a body made of slowly deteriorating meat
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
The rest of the family tree had a root system soggy with alcohol... One aunt had fallen asleep with her face in the mashed potatoes at Thanksgiving dinner; another's fondness for Coors was so unwavering that I can still remember the musky smell of the beer and the coldness of the cans. Most of the men drank the way all Texas men drank, or so I believed, which meant that they were tough guys who could hold their liquor until they couldn't anymore--a capacity that often led to some cloudy version of doom, be it financial ruin or suicide or the lesser betrayal of simple estrangement. Both social drinkers, my parents had eluded these tragic endings; in the postwar Texas of suburbs and cocktails, their drinking was routine but undramatic.
Gail Caldwell (Let's Take the Long Way Home: A Memoir of Friendship)
Sirs, I am but a nameless man, A rhymester without a home, Yet since I come of the Wessex clay And carry the cross of Rome, I will even answer the mighty earl That asked of Wessex men Why they be meek and monkish folk, And bow to the White Lord's broken yoke; What sign have we save blood and smoke? Here is my answer then. That on you is fallen the shadow, And not upon the Name; That though we scatter and though we fly, And you hang over us like the sky, You are more tired of victory, Than we are tired of shame. That though you hunt the Christian man Like a hare on the hill-side, The hare has still more heart to run Than you have heart to ride. That though all lances split on you, All swords be heaved in vain, We have more lust again to lose Than you to win again. Your lord sits high in the saddle, A broken-hearted king, But our king Alfred, lost from fame, Fallen among foes or bonds of shame, In I know not what mean trade or name, Has still some song to sing. Our monks go robed in rain and snow, But the heart of flame therein, But you go clothed in feasts and flames, When all is ice within; Nor shall all iron dooms make dumb Men wandering ceaselessly, If it be not better to fast for joy Than feast for misery. Nor monkish order only Slides down, as field to fen, All things achieved and chosen pass, As the White Horse fades in the grass, No work of Christian men. Ere the sad gods that made your gods Saw their sad sunrise pass, The White Horse of the White Horse Vale, That you have left to darken and fail, Was cut out of the grass. Therefore your end is on you, Is on you and your kings, Not for a fire in Ely fen, Not that your gods are nine or ten, But because it is only Christian men Guard even heathen things. For our God hath blessed creation, Calling it good. I know What spirit with whom you blindly band Hath blessed destruction with his hand; Yet by God's death the stars shall stand And the small apples grow.
G.K. Chesterton (The Ballad of the White Horse)
My mother once told me that trauma is like Lord of the Rings. You go through this crazy, life-altering thing that almost kills you (like say having to drop the one ring into Mount Doom), and that thing by definition cannot possibly be understood by someone who hasn’t gone through it. They can sympathize sure, but they’ll never really know, and more than likely they’ll expect you to move on from the thing fairly quickly. And they can’t be blamed, people are just like that, but that’s not how it works. Some lucky people are like Sam. They can go straight home, get married, have a whole bunch of curly headed Hobbit babies and pick up their gardening right where they left off, content to forget the whole thing and live out their days in peace. Lots of people however, are like Frodo, and they don’t come home the same person they were when they left, and everything is more horrible and more hard then it ever was before. The old wounds sting and the ghost of the weight of the one ring still weighs heavy on their minds, and they don’t fit in at home anymore, so they get on boats go sailing away to the Undying West to look for the sort of peace that can only come from within. Frodos can’t cope, and most of us are Frodos when we start out. But if we move past the urge to hide or lash out, my mother always told me, we can become Pippin and Merry. They never ignored what had happened to them, but they were malleable and receptive to change. They became civic leaders and great storytellers; they we able to turn all that fear and anger and grief into narratives that others could delight in and learn from, and they used the skills they had learned in battle to protect their homeland. They were fortified by what had happened to them, they wore it like armor and used it to their advantage. It is our trauma that turns us into guardians, my mother told me, it is suffering that strengthens our skin and softens our hearts, and if we learn to live with the ghosts of what had been done to us, we just may be able to save others from the same fate.
S.T. Gibson
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To- morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she may be passing fair. She may say how lovely you are while her fingers are still moist with your blood. Tell me, will this be kindness? It may be your fate to be imprisoned in the hair of one whom you know to be heartless or to be thrust into the buttonhole of one who would not dare to look you in the face were you a man. It may even be your lot to be confined in some narrow vessel with only stagnant water to quench the maddening thirst that warns of ebbing life.
Kakuzō Okakura (The Book of Tea)
home, it’s different. I mean yes, you want money and a job, but there’s a hundred other things you do for getting by, especially older people and farmers with the crops, tomato gardens and such. Hunting and fishing, plus all the woman things, making quilts and clothes. Whether big or small, you’ve always got the place you’re living on. I’ve known people to raise a beef in the yard behind their rented trailer. I was getting the picture now on why June’s doom castle had freaked me out. Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends.
Barbara Kingsolver (Demon Copperhead)
Anything well done has the feeling of death to me, of being finished. I don't want to "master" anything. I want to spy, and sneak, and capture things just as they are . . . record all that comes before and after the song—jokes and fights and private moments. Having an unfillable hole inside is a great catalyst. You're always trying new things to fill it. People with holes look good! Look ready for action. But then sometimes you're home alone, and there's nothing new to try, and the hole's still there. "Hey," it growls, poking you from inside, "I'm hungry." I get tired of it! We are like two living cells inside a just-dead body—doomed, terrified. She argues herself out of anything she's working on, halfway through. As I stand there in the downpour and pull the mailbox open and drop my letter down the hole, I think about how Cindy is more beautiful, intelligent, and intricate than me, but still I have the winning point: whatever I do, even when I'm wrong, I go all the way. It's dark humor, but it's rooted in something real. What you present to the world is light humor. You keep it fun and fast-paced. No one can relate to that long-term. Struggle is what makes life rich—not success.
Lisa Crystal Carver (Drugs are Nice: A Post-Punk Memoir)
FOREST OF DOOM: This is usually the home of mobile and prehensile TREES. There will e giant SPIDERS too, and Dwellers near the centre who will want to SACRIFICE any stranger to their God. It is best to avoid the place if possible. But the Management usually insists on sending you there. An OLD RUINED CITY is sometimes situated in the heart of this Forest. See also WOODS.
Diana Wynne Jones (The Tough Guide to Fantasyland)
The whole world will become a home to all of us, or none of us can hope to live on it, peacefully. But much of the American dream mistakenly supposes that, like a tree, we will grow and flourish, standing in one place where we murmur doomed declarations about our roots, about finding our roots, or putting down roots. In fact, of course, if we remain where we start from we will neither grow nor flourish.
June Jordan (Some of Us Did Not Die: New and Selected Essays)
If there is a danger in the human trajectory it is not so much in the survival of our own species as in the fulfilment of the ultimate irony of organic evolution: that in the instant of achieving self-understanding through the mind of man, life has doomed its most beautiful creations.
Mark Boyle (The Way Home: Tales from a life without technology)
Less than a decade after the Great Exhibition, iron as a structural material was finished—which makes it slightly odd that the most iconic structure of the entire century, about to rise over Paris, was made of that doomed material. I refer of course to the soaring wonder of the age known as the Eiffel Tower. Never in history has a structure been more technologically advanced, materially obsolescent, and gloriously pointless all at the same time.
Bill Bryson (At Home: A Short History of Private Life)
Are all societies doomed to amnesia—or are there communities that have preserved their collective cultural memory? The world, which is the private property of a few, suffers from amnesia. It is not an innocent amnesia. The owners prefer not to remember that the world was born yearning to be a home for everyone.
Eduardo Galeano
Carmack was of the moment. His ruling force was focus. Time existed for him not in some promising future or sentimental past but in the present condition, the intricate web ol problems and solutions, imagination and code. He kept nothing from the past–no pictures, no records, no games, no computer disks. He didn’t even save copies of his first games, Wraith and Shadowforge. There was no yearbook to remind of his time at Shadowforge. There was no yearbook to remind of his time at school, no magazine copies of his early publications. He kept nothing but what he needed at the time. His bedroom consisted of a lamp, a pillow, a blanket, and a stack of books. There was no mattress. All he brought with him from home was a cat named Mitzi (a gift from his stepfamily) with a mean streak and a reckless bladder.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
Not only were we naked, crazed, and starving (and far from our warm little homes); we were without any good books as well.
Karen Elizabeth Gordon (The New Well-Tempered Sentence: A Punctuation Handbook for the Innocent, the Eager, and the Doomed)
This is life. If you take it lightly, you remain a dud; if you take it too seriously, you are doomed.
Samarpan (Tiya: A Parrot's Journey home)
Red Flag: If this feels like your life, you may be with a narcissist. Feeling a dooming gloom when they are about to get home is common.
Tracy A. Malone
We're your guardians until my uncle tracks down your cousin and arrests him." Tammy's face was almost comical in its incredulity. "But it's daylight," she said at last. "Vampires can't go out in the sun, everyone knows that!" Bones chuckled. "Right. And we shrink back from crosses, can't travel over water, can't enter a home unless invited, and always get staked in the end by the righteous slayer. Really, who'd be afraid of a creature like that? All you'd need is a Bible, a tanning bed, and some holy water to send us shivering to our dooms.
Jeaniene Frost (One For the Money (Night Huntress, #4.5))
When I was a kid, my mother didn't read to me. She was always groggy, tired. I work a double and I get home and now you want me to read to you? No one was going to read to me so I learned to read to me. You can do that, you can read the story out loud and if the story is good enough, you transcend the limits of your ego. You split. You become the reader and the listener, the child and the adult. You beat the system. You beat your doom. Reading saved my life when I was a sweaty little kid and it saves my life again today because I always carry a book.
Caroline Kepnes (You Love Me (You, #3))
I did not fully understand the havoc that war wreaks on communities. Yes war kills-I knew that-but that is only part of its destructive path. War makes widows and orphans. War cuts off arms and legs and rips emotional wounds that never fully heal. War drives people from their homes-in this case, hundreds of thousands-and dooms them to lives of poverty and displacement.
Joseph Sebarenzi (God Sleeps in Rwanda: A Journey of Transformation)
Of course, it is likely enough, my friends, that we are going to our doom: the last march of the Ents. But if we stayed at home and did nothing, doom would find us anyway, sooner or later.
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
Indeed the mind of Ilúvatar concerning you is not known to the Valar, and he has not revealed all things that are to come. But this we hold to be true, that your home is not here, neither in the land of Aman nor anywhere within the Circles of the World. And the Doom of Men, that they should depart, was at first a gift of Ilúvatar. It became a grief to them only because coming under the shadow of Morgoth it seemed to them that they were surrounded by a great darkness, of which they grew afraid; and some grew wilful and proud and would not yield, until life was reft from them.
J.R.R. Tolkien (The Silmarillion)
In this way unwittingly the Widow-to-Be is assuring her husband’s death—his doom. Even as she believes she is behaving intelligently—“shrewdly” and “reasonably”—she is taking him to a teeming petri dish of lethal bacteria where within a week he will succumb to a virulent staph infection—a “hospital” infection acquired in the course of his treatment for pneumonia. Even as she is fantasizing that he will be home for dinner she is assuring that he will never return home. How unwitting, all Widows-to-Be who imagine that they are doing the right thing, in innocence and ignorance!
Joyce Carol Oates (A Widow's Story)
What exactly was it about Egypt that encouraged women rulers to set their caps so high? The historian Herodotus proposed that things were just different there: 'The people, in most of their manners and customs, exactly reverse the common practice of mankind. For example women attend the markets and trade, while men sit at home at the loom..., Women urinate standing up, men sitting down....
Kris Waldherr (Doomed Queens: Royal Women Who Met Bad Ends, From Cleopatra to Princess Di by Kris Waldherr (2008-10-28))
Go away," he said, hardly lifting his mouth from hers. "Go home!" "It's too late," she whispered. "Can't you see, it's too late...” She held on to his neck like a mermaid pulling a man to his doom.
Lara Blunte (The Last Earl)
During the periods of stay-at-home orders, more people of color were going to work riding the train and working in places with more and longer exposure to the virus. Yes, this is known as structural racism.
Andy Slavitt (Preventable: The Inside Story of How Leadership Failures, Politics, and Selfishness Doomed the U.S. Coronavirus Response)
Hillary began to home in on one line of inquiry. Do I have to build a big national footprint or can I rely on the Democratic National Committee, state parties, and outside groups to shoulder some of the burden?
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
My Home My home is always there,in the heaven's vault, Where one just hears lyre's sounds, All with a spark of life have here their resort, A bard has, too, a space around. It gets the farthest stars by edges of his roof, And from a wall to one another There is a path whose measure can be proved Not by a look, but by a soul, rather. A sense of basic truth in every soul nests - The seed that's sacred and eternal: In flesh of time it always can embrace Space, endless, and the century's kernel. And mighty God has built for this exclusive sense My home of the light and wonders, And only here I'm doomed to sufferings at length, And only here - to calmness.
Mikhail Lermontov
An intolerable pain pierced him. He was totally lost without her...estranged from his life utterly, and from the world. This was the world into which he'd been born; the only world he would ever know. Yet nowhere in it did he feel the slightest degree at home. She was his home...his one sanctuary upon earth...the only place of safety for him in the whole universe. But he had lost her...and consequently was doomed to absolute loneliness in an alien, frozen vacancy...at the mercy of something huge, insensate and merciless as an eclipse...For a moment his isolation was so agonisingly intense that it seemed impossible to go on living. He longed only to plunge into the black pit of annihilation opening before him.
Anna Kavan (Mercury)
Emma's mid-twenties had brought a second adolescence even more self-absorbed and doom-laden than the first one. 'Why don't you just come home, sweetheart?' her mum had said on the phone last night, using her quavering, concerned voice, as if her daughter had been abducted. 'Your room's still here. There's jobs at Debenhams' - and for the first time she had been tempted. Once, she thought she could conquer London. She had imagined a whirl of literary salons, political engagement, larky parties, bittersweet romances conducted on Thames embankments. She had intended to form a band, make short films, write novels, but two years on slim volume of verse was no fatter, and nothing really good had happened to her since she'd been baton-charged at Poll Tax Riots.
David Nicholls (One Day)
Everything is grey—except the green grass, which seems like emerald amongst it; grey earthy rock; grey clouds, tinged with the sunburst at the far edge, hang over the grey sea, into which the sand-points stretch like grey fingers. The sea is tumbling in over the shallows and the sandy flats with a roar, muffled in the sea-mists drifting inland. The horizon is lost in a grey mist. All is vastness; the clouds are piled up like giant rocks, and there is a “brool” over the sea that sounds like some presage of doom. Dark figures are on the beach here and there, sometimes half shrouded in the mist, and seem “men like trees walking.” The fishing-boats are racing for home, and rise and dip in the ground swell as they sweep into the harbour, bending to the scuppers.
Bram Stoker (Dracula)
There were other thinkers, Bowman also found, who held even more exotic views. They did not believe that really advanced beings would possess organic bodies at all. Sooner or later, as their scientific knowledge progressed, they would get rid of the fragile, disease-and-accident-prone homes that Nature had given them, and which doomed them to inevitable death. They would replace their natural bodies as they wore out—or perhaps even before that—by constructions of metal and plastic, and would thus achieve immortality. The brain might linger for a little while as the last remnant of the organic body, directing its mechanical limbs and observing the universe through its electronic senses—senses far finer and subtler than those that blind evolution could ever develop. Even
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
I have no roots anywhere else. I have no 'at home' but here. And I feel doomed. Like I'm riding to Hell on a fast horse. I'm not afraid of dying, but I don't want to die alone. I don't want some no one finding me finished off and asking a sheriff, 'Who's that ?
Ron Hansen (The Kid)
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
For not forgetful is the high gods' doom Against the sons of carnage: all too long Seems the unjust to prosper and be strong, Till the dark Furies come, And smite with stern reversal all his home, Down into dim obstruction--he is gone, And help and hope, among the lost, is none!
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Everything fell together, confessed, explained, overwhelmed; leaving him most of all stupefied at the blindness he had cherished. The fate he had been marked for he had met with a vengeance—he had emptied the cup to the lees; he had been the man of his time, THE man, to whom nothing on earth was to have happened. That was the rare stroke—that was his visitation. So he saw it, as we say, in pale horror, while the pieces fitted and fitted. So she had seen it while he didn’t, and so she served at this hour to drive the truth home. It was the truth, vivid and monstrous, that all the while he had waited the wait was itself his portion. This the companion of his vigil had at a given moment made out, and she had then offered him the chance to baffle his doom. One’s doom, however, was never baffled, and on the day she told him his own had come down she had seen him but stupidly stare at the escape she offered him. The escape would have been to love her; then, then he would have lived. She had lived—who could say now with what passion?—since she had loved him for himself; whereas he had never thought of her (ah how it hugely glared at him!) but in the chill of his egotism and the light of her use.
Henry James (The Beast in the Jungle)
Before the shift house was pronounced “hoose” (it still is in Scotland), mode was pronounced “mood,” and home rhymed with “gloom,” which is why Domesday Book is pronounced and sometimes called Doomsday. (The word has nothing to do with the modern word doom, incidentally. It is related to the domes- in domestic.)
Bill Bryson (The Mother Tongue: The Fascinating History of the English Language)
Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.
David Nicholls (Us)
You know why I’m raising you kids to be Cubs fans?” Buddy shakes his head. “Any mook can be a fan of a winning team,” Dad says. “It takes character to root for the doomed. You show up, you watch your boys take their swings, and you watch ’em go down in flames—every damn day. You think Jack Brickhouse is an optimist? No-siree. He may sound happy, but he’s dying inside. There’s no seat in Wrigley Field for a God damn Pollyanna. You root-root-root for the home team, and they lose anyway. It teaches you how the world works, kid. Sure, start every spring with your hopes and dreams, but in the universe in which we live, you will be mathematically eliminated by Labor Day. Count on it.
Daryl Gregory (Spoonbenders)
Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!
Matthew Gregory Lewis (The Monk)
With mortality in the balance, one of life’s most delicious activities when you’re young—imagining your future—had become a frightening, despair-inducing exercise. The future had once seemed infinite with possibility. Now it was shrouded in doom, a dark space ahead filled only with the promise of more poisonous treatments and terrifying unknowns. Thinking about the past stirred a nostalgia I preferred not to dwell on, a painful reminder of all I had lost, was losing: my friends; my youth; my fertility; my hair; the “milestone necklace” my parents had given me on my first day of chemo, which had gone missing somewhere in transit between the hospital and home; my mind, as the chemo made me cloudy and slow; my faith that I would ever make it to transplant.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
So I shall make my tribute a plea for Keepers of the Springs, who will be faithful to their tasks. There never has been a time when there was a greater need for Keepers of the Springs, or when there were more polluted springs to be cleansed. If the home fails, the country is doomed. The breakdown of home life and influence will mark the breakdown of the nation. If the Keepers of the Springs desert their posts or are unfaithful to their responsibilities the future outlook of this country is black indeed. This generation needs Keepers of the Springs who will be courageous enough to cleanse the springs that have been polluted. It is not an easy task—nor is it a popular one, but it must be done for the sake of the children, and the young women of today must do it.
Peter Marshall (Mr. Jones, Meet the Master: Sermons And Prayers Of Peter Marshall)
Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, many thousands years of analytical philosophy have failed to explain to our sense of order. One may, indeed, admit the possibility of a retribution lurking in the catastrophe. Doubtless some of Tess D'Urberville's mailed ancestors rollicking home from a fray had dealt the same wrong even more ruthlessly upon peasant girls of their time. But though to visit the sins of the fathers upon the children may be a morality good enough for divinities, it is scorned by average human nature; and it therefore does not mend the matter.
Thomas Hardy (Tess of the D’Urbervilles)
The male frogs called, attracting mates to lay eggs and begin another generation. Their calls seemed to be protests, an act of defiance. Even as the walls of development squeezed the life out of Texas, that life called to its doomed future, reminding anyone who would listen that it was their home, too. I listened. With a heavy heart, I wondered how anyone could call such destruction progress.
Sara Dykman (Bicycling with Butterflies: My 10,201-Mile Journey Following the Monarch Migration)
I liked Chicago. The cold of it. The anonymity of it. I could be anyone. I put on Converse sneakers and walked along the gritty sidewalks, which seemed to contain just a dash of carbonation. I bounced. I felt like I could become the person I wanted to be. Not a cheater, not a depressive, not a recipient of cosmic justice. But a person with a happy home at home. But on nights when Heather was gone, gone with her boyfriend across town, when the city light poured in purple through the window, I'd realize I could not ignore the reality of it all. The emptiness of my life. An emptiness that was only growing wider and colder as I warmed by the light of my hope. And so. I was desperate. Simply put. I was desperate to come up with some way of continuing forward on what looked like a doomed mission.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Treasures have perished that were numbered among the noblest and dearest possessions of mankind; monuments have disappeared which nothing can replace; and the half of a nation, among all nations the most attached to its old simple habits, its humble homes, is at present wandering along the roads of Europe. Thousands of innocent people have been massacred; and of those who remain nearly all are doomed to poverty and hunger.
Maurice Maeterlinck (The Wrack of the Storm)
Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.
Richard Powers (The Overstory)
Dogs that had been his which she had not known. “There’s dear old Punch…” (Punch, he used to tell her, always knew when his ship was due home, and waited at an upstairs window.) Naval officers riding donkeys… playing tennis… running races, all this before the war, and it had made her think, “unconscious of their doom, the little victims play,” because on the next page it became suddenly sad, the ship he had loved blown up, and so many of those laughing young men lost.
Daphne du Maurier (Don't Look Now and Other Stories)
In my practice, I’ve helped to creatively engineer all kinds of physical separations—bringing a cult member home for a holiday, family celebration, or even a funeral. It might seem manipulative, but it is a critical first step to helping a person free themselves from the clutches of a cult—one that has become increasingly difficult with 24/7 access to the internet through smartphones. In the case of Trump, there are also the continual tweets and right-wing and Christian right programming through radio and television. The relentless programming streaming from both ends of the political spectrum is pushing supporters ever deeper into Trump country. This brings me to an important point and a key aspect of my approach. By attacking or belittling Trump’s followers, political opponents and traditional media may be helping Trump to maintain his influence over his base. In my experience, telling a person that they are brainwashed, that they are in a cult, or that they are following a false god, is doomed to fail. It puts them immediately on the defensive, confirms you are a threat, possibly an enemy, and reinforces their indoctrination. It closes their mind to other perspectives. I’ve seen this happen over and over again. It happened to me when I was in the Moon group. It immediately triggers a person’s mind control programming—including thought stopping and us-versus-them thinking, with you being the “them.
Steven Hassan (The Cult of Trump: A Leading Cult Expert Explains How the President Uses Mind Control)
Krishna, I go to swarga with my friends and relatives. But you and your friends will live on earth to suffer,” said the stubborn Duryodhana. “I studied the Vedas. I have given gifts ordained by law and I have reigned supreme over all the sea-girt earth. While I lived, I stood upon the humbled heads of foes. All human joys, such joys as even the Gods cannot despise and kings sigh for in vain, the very pinnacle of power, were mine. Dying now, such death as warriors deem the crown of kshatriya life, I go to meet in heaven my friends and brothers gone before, eager to welcome me. Who is more blest, I, or you who, doomed to linger here, mourning for slaughtered friends in desolate homes, find the long sought triumph but ashes in your mouth?” said Duryodhana and the gods showered flowers down on the dying warrior and the gandharvas played music and the sky was illuminated. Vasudeva and the Pandavas felt small. “There is truth,” said Krishna, “in what Duryodhana said. You could not have defeated him by fair means. This wicked man was invincible in battle.
C. Rajagopalachari (Mahabharata)
Back home, we can't kill them fast enough," he says. "Even Grahamites offer blue bills for their skins. Probably the only thing they've ever done that I agreed with." "Mmm, yes." Emiko's brow wrinkles thoughtfully. "They are too much improved for this world, I think. A natural bird has so little chance, now." She smiles slightly. "Just think if they had made New People first." Is it mischief in her eyes? Or melancholy? "What do you think would have happened?" Anderson asks. Emiko doesn't meet his gaze, looks out instead at the circling cats amongst the diners. "Generippers learned too much from cheshires." She doesn't say anything else, but Anderson can guess what's in her mind. If her kind had come first, before the generippers knew better, she would not have been made sterile. She would not have the signature tick-tock motions that make her so physically obvious. She might have even been designed as well as the military windups now operating in Vietnam—deadly and fearless. Without the lesson of the cheshires, Emiko might have had the opportunity to supplant the human species entirely with her own improved version. Instead, she is a genetic dead end. Doomed to a single life cycle, just like SoyPRO and TotalNutrient Wheat. Another shadow cat bolts across the street, shimmering and shading through darkness. A high-tech homage to Lewis Carroll, a few dirigible and clipper ship rides, and suddenly entire classes of animals are wiped out, unequipped to fight an invisible threat. "We would have realized our mistake," Anderson observes. "Yes. Of course. But perhaps not soon enough.
Paolo Bacigalupi (The Windup Girl)
It may seem marvellous that, with the world before her—kept by no restrictive clause of her condemnation within the limits of the Puritan settlement, so remote and so obscure—free to return to her birth-place, or to any other European land, and there hide her character and identity under a new exterior, as completely as if emerging into another state of being—and having also the passes of the dark, inscrutable forest open to her, where the wildness of her nature might assimilate itself with a people whose customs and life were alien from the law that had condemned her—it may seem marvellous that this woman should still call that place her home, where, and where only, she must needs be the type of shame. But there is a fatality, a feeling so irresistible and inevitable that it has the force of doom, which almost invariably compels human beings to linger around and haunt, ghost-like, the spot where some great and marked event has given the colour to their lifetime; and, still the more irresistibly, the darker the tinge that saddens it. Her sin, her ignominy, were the roots which she had struck into the soil. It
Nathaniel Hawthorne (The Scarlet Letter)
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To-morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she may be passing fair. She may say how lovely you are while her fingers are still moist with your blood. Tell me, will this be kindness?
Kakuzō Okakura (El libro del té (Spanish Edition))
Lost In The World" (feat. Justin Vernon of Bon Iver) [Sample From "Woods": Justin Vernon] I'm up in the woods, I'm down on my mind I'm building a still to slow down the time I'm up in the woods, I'm down on my mind I'm building a still to slow down the time I'm up in the woods, I'm down on my mind I'm building a still to slow down the time [Chorus 2x:] I'm lost in the world, I'm down on my mind I'm new in the city, and I'm down for the night Down for the night Said she's down for the night [Kanye West:] You're my devil, you're my angel You're my heaven, you're my hell You're my now, you're my forever You're my freedom, you're my jail You're my lies, you're my truth You're my war, you're my truce You're my questions, you're my proof You're my stress and you're my masseuse Mama-say mama-say ma-ma-coo-sah Lost in this plastic life, Let's break out of this fake ass party Turn this into a classic night If we die in each other's arms we still get laid in the afterlife If we die in each other's arms we still get laid [Chorus:] (I'm lost in the world) Run from the lights, run from the night, (I'm down on my mind) Run for your life, I'm new in the city, and I'm down for the night Down for the night Down for the night I'm lost in the world, been down for my whole life, I'm new in the city but I'm down for the night Down for the night Down for the night Who will survive in America? Who will survive in America? Who will survive in America? [Chorus:] I'm lost in the world, I'm down on my mind I'm new in the city, and I'm down for the night Down for the night Said she's down for the night I'm lost in the world, I'm down on my mind I'm new in the city and I'm goin' for a ride Goin' for a ride I'm lost in the world, been down for my whole life I'm new in the city but I'm down the for the night Down for a night, down for a good time [Gil-Scott Heron:] Us living as we do upside down. And the new word to have is revolution. People don't even want to hear the preacher spill or spiel because God's whole card has been thoroughly piqued. And America is now blood and tears instead of milk and honey. The youngsters who were programmed to continue fucking up woke up one night digging Paul Revere and Nat Turner as the good guys. America stripped for bed and we had not all yet closed our eyes. The signs of truth were tattooed across our open ended vagina. We learned to our amazement the untold tale of scandal. Two long centuries buried in the musty vault, hosed down daily with a gagging perfume. America was a bastard, the illegitimate daughter of the mother country whose legs were then spread around the world and a rapist known as freedom, free doom. Democracy, liberty, and justice were revolutionary code names that preceded the bubbling bubbling bubbling bubbling bubbling in the mother country's crotch What does Webster say about soul? All I want is a good home and a wife And our children and some food to feed them every night. After all is said and done build a new route to China if they'll have you. Who will survive in America? Who will survive in America? Who will survive in America? Who will survive in America?
Kanye West
To put the matter bluntly, U.S. soldiers on Bataan and Corregidor showed themselves more stalwart than British imperial forces in Malaya and at Singapore, albeit likewise in a doomed cause. Brigadier Dwight Eisenhower, who had served unhappily under MacArthur a few years earlier, wrote in his diary: “Poor Wainwright! He did the fighting … [MacArthur] got such glory as the public could find … MacArthur’s tirades, to which … I so often listened in Manila … would now sound as silly to the public as they then did to us. But he’s a hero! Yah.” At home in the United States, news commentators squeezed every ounce of glory from Bataan, from skirmishes at sea and manifestations of America’s embryo mobilisation.
Max Hastings (Inferno: The World at War, 1939-1945)
Of course, it is likely enough, my friends,’ he said slowly, ‘likely enough that we are going to our doom: the last march of the Ents. But if we stayed at home and did nothing, doom would find us anyway, sooner or later. That thought has long been growing in our hearts; and that is why we are marching now. It was not a hasty resolve. Now at least the last march of the Ents may be worth a song. Aye,’ he sighed, ‘we may help the other peoples before we pass away. Still, I should have liked to see the songs come true about the Entwives. I should dearly have liked to see Fimbrethil again. But there, my friends, songs like trees bear fruit only in their own time and their own way: and sometimes they are withered untimely.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
You didn’t turn away. Even when you didn’t like what you saw in me. You kept looking.” Darlington’s gaze shifted and flickered like firelight. Gold and then amber. Bright and then shadowed. “Maybe I know a fellow monster when I see one.” It felt like a cold hand shoving her away. Like a warning. She wasn’t stupid enough to ignore it. “Maybe,” Alex whispered. She made herself turn, leave the ballroom, walk down that dark hall. She forced herself not to run. Maybe they were just two killers, cursed to endure each other’s company, two doomed spirits trying to find their way home. Maybe they were monsters who liked the feeling of another monster looking back at them. But enough people had abandoned them both. She wasn’t going to be the next.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
This is the great new problem of mankind. We have inherited a large house, a great “world house” in which we have to live together—black and white, Easterner and Westerner, Gentile and Jew, Catholic and Protestant, Muslim and Hindu—a family unduly separated in ideas, culture and interest, who, because we can never again live apart, must learn somehow to live with each other in peace. However deeply American Negroes are caught in the struggle to be at last at home in our homeland of the United States, we cannot ignore the larger world house in which we are also dwellers. Equality with whites will not solve the problems of either whites or Negroes if it means equality in a world society stricken by poverty and in a universe doomed to extinction by war.
Martin Luther King Jr. (Where Do We Go from Here: Chaos or Community?)
At a talk I gave at a church months later, I spoke about Charlie and the plight of incarcerated children. Afterward, an older married couple approached me and insisted that they had to help Charlie. I tried to dissuade these kind people from thinking they could do anything, but I gave them my card and told them they could call me. I didn't expect to hear from them, but within days they called, and they were persistent. We eventually agreed that they would write a letter to Charlie and send it to me to pass on to him. When I received the letter weeks later, I read it. It was remarkable. Mr. and Mrs. Jennings were a white couple in their mid-seventies from a small community northeast of Birmingham. They were kind and generous people who were active in their local United Methodist church. They never missed a Sunday service and were especially drawn to children in crisis. They spoke softly and always seemed to be smiling but never appeared to be anything less than completely genuine and compassionate. They were affectionate with each other in a way that was endearing, frequently holding hands and leaning into each other. They dressed like farmers and owned ten acres of land, where they grew vegetables and lived simply. Their one and only grandchild, whom they had helped raise, had committed suicide when he was a teenager, and they had never stopped grieving for him. Their grandson struggled with mental health problems during his short life, but he was a smart kid and they had been putting money away to send him to college. They explained in their letter that they wanted to use the money they'd saved for their grandson to help Charlie. Eventually, Charlie and this couple began corresponding with one another, building up to the day when the Jenningses met Charlie at the juvenile detention facility. They later told me that they "loved him instantly." Charlie's grandmother had died a few months after she first called me, and his mother was still struggling after the tragedy of the shooting and Charlie's incarceration. Charlie had been apprehensive about meeting with the Jenningses because he thought they wouldn't like him, but he told me after they left how much they seemed to care about him and how comforting that was. The Jenningses became his family. At one point early on, I tried to caution them against expecting too much from Charlie after his release. 'You know, he's been through a lot. I'm not sure he can just carry on as if nothing has ever happened. I want you to understand he may not be able to do everything you'd like him to do.' They never accepted my warnings. Mrs. Jennings was rarely disagreeable or argumentative, but I had learned that she would grunt when someone said something she didn't completely accept. She told me, 'We've all been through a lot, Bryan, all of us. I know that some have been through more than others. But if we don't expect more from each other, hope better for one another, and recover from the hurt we experience, we are surely doomed.' The Jenningses helped Charlie get his general equivalency degree in detention and insisted on financing his college education. They were there, along with his mother, to take him home when he was released.
Bryan Stevenson (Just Mercy)
There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.
Alix E. Harrow (The Once and Future Witches)
No relationship, however deep and intimate, can ever fully take our loneliness from us. And as long as we go through life expecting this, we are doomed to constant disappointment. We also do constant violence to our friendships and love relationships because we will demand from our friends something that they cannot give us, namely, total fulfillment. For example, a goodly number of persons get married precisely because of loneliness. They see their marriage as a panacea for loneliness. After marriage, they discover that they are still lonely, sometimes as lonely as before. Immediately, there is the temptation to think that there is something seriously amiss in the marriage, to foist blame on the marriage partner or on the self, to become disenchanted and seek out new relationships, hoping of course to someday discover the rainbow of total fulfillment.
Ronald Rolheiser (The Restless Heart: Finding Our Spiritual Home in Times of Loneliness)
Or if this did not help, one stormy night I would let the fire approach the buckling wooden walls and let it ravage everything, so that people might no longer be enticed to dwell in this home of misfortune. Then no one would be able to enter this doomed place, only the church steeple's black jackdaws would found a colony in the large chimney, rising, blackened and eerie, over the desolate ground. Yet I would surely be anxious when I saw the flames intertwined over the roof, when thick smoke, reddened by the firelight and interspersed with sparks, poured forth out of the old count's estate. In the crackling and sighing I would think I heard the lament of homeless people; at the blue tips of the flames I would think I saw disturbed phantasms hovering. I would think about how sorrow beautifies, how misfortune adorns, and weep, as if a temple to old gods had been doomed to disintegration.
Selma Lagerlöf (Gösta Berling's Saga)
The schedule took a toll. As residents, we were working as much as one hundred hours a week; though regulations officially capped our hours at eighty-eight, there was always more work to be done. My eyes watered, my head throbbed, I downed energy drinks at two A.M. At work, I could keep it together, but as soon as I walked out of the hospital, the exhaustion would hit me. I staggered through the parking lot, often napping in my car before driving the fifteen minutes home to bed. Not all residents could stand the pressure. One was simply unable to accept blame or responsibility. He was a talented surgeon, but he could not admit when he’d made a mistake. I sat with him one day in the lounge as he begged me to help him save his career. “All you have to do,” I said, “is look me in the eye and say, ‘I’m sorry. What happened was my fault, and I won’t let it happen again.’ ” “But it was the nurse who—” “No. You have to be able to say it and mean it. Try again.” “But—” “No. Say it.” This went on for an hour before I knew he was doomed.
Paul Kalanithi (When Breath Becomes Air)
Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow as yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, the wrong man the woman, the wrong woman the man, many thousand years of analytical philosophy have failed to explain to our sense of order. One may, indeed, admit the possibility of a retribution lurking in the present catastrophe. Doubtless some of Tess d'Urberville's mailed ancestors rollicking home from a fray had dealt the same measure even more ruthlessly towards peasant girls of their time. But though to visit the sins of the fathers upon the children may be a morality good enough for divinities, it is scorned by average human nature; and it therefore does not mend the matter. As Tess's own people down in those retreats are never tired of saying among each other in their fatalistic way: "It was to be." There lay the pity of it. An immeasurable social chasm was to divide our heroine's personality thereafter from that previous self of hers who stepped from her mother's door to try her fortune at Trantridge poultry-farm.
Thomas Hardy (Tess of the D’Urbervilles)
What franticke fit (quoth he) hath thus distraught Thee, foolish man, so rash a doome to give? What justice ever other judgement taught, But he should die, who merites not to live? None else to death this man despayring drive, But his owne guiltie mind deserving death. Is then unjust to each his due to give? Or let him die, that loatheth living breath? Or let him die at ease, that liveth here uneath? Who travels by the wearie wandring way, To come unto his wished home in haste, And meetes a flood, that doth his passage stay, Is not great grace to helpe him over past, Or free his feet, that in the myre sticke fast? Most envious man, that grieves at neighbours good, And fond, that joyest in the woe thou hast, Why wilt not let him passe, that long hath stood Upon the banke, yet wilt thy selfe not passe the flood? He there does now enjoy eternall rest And happie ease, which thou doest want and crave, And further from it daily wanderest: What if some litle paine the passage have, That makes fraile flesh to feare the bitter wave? Is not short paine well borne, that brings long ease, And layes the soule to sleepe in quiet grave? Sleepe after toyle, port after stormie seas, Ease after warre, death after life does greatly please. [...] Is not his deed, what ever thing is donne, In heaven and earth? did not he all create To die againe? all ends that was begonne. Their times in his eternall booke of fate Are written sure, and have their certaine date. Who then can strive with strong necessitie, That holds the world in his still chaunging state, Or shunne the death ordaynd by destinie? When houre of death is come, let none aske whence, nor why. The lenger life, I wote the greater sin, The greater sin, the greater punishment: All those great battels, which thou boasts to win, Through strife, and bloud-shed, and avengement, Now praysd, hereafter deare thou shalt repent: For life must life, and bloud must bloud repay. Is not enough thy evill life forespent? For he, that once hath missed the right way, The further he doth goe, the further he doth stray. Then do no further goe, no further stray, But here lie downe, and to thy rest betake, Th'ill to prevent, that life ensewen may. For what hath life, that may it loved make, And gives not rather cause it to forsake? Feare, sicknesse, age, losse, labour, sorrow, strife, Paine, hunger, cold, that makes the hart to quake; And ever fickle fortune rageth rife, All which, and thousands mo do make a loathsome life. Thou wretched man, of death hast greatest need, If in true ballance thou wilt weigh thy state: For never knight, that dared warlike deede, More lucklesse disaventures did amate: Witnesse the dongeon deepe, wherein of late Thy life shut up, for death so oft did call; And though good lucke prolonged hath thy date, Yet death then, would the like mishaps forestall, Into the which hereafter thou maiest happen fall. Why then doest thou, O man of sin, desire To draw thy dayes forth to their last degree? Is not the measure of thy sinfull hire High heaped up with huge iniquitie, Against the day of wrath, to burden thee? Is not enough, that to this Ladie milde Thou falsed hast thy faith with perjurie, And sold thy selfe to serve Duessa vilde, With whom in all abuse thou hast thy selfe defilde? Is not he just, that all this doth behold From highest heaven, and beares an equall eye? Shall he thy sins up in his knowledge fold, And guiltie be of thine impietie? Is not his law, Let every sinner die: Die shall all flesh? what then must needs be donne, Is it not better to doe willinglie, Then linger, till the glasse be all out ronne? Death is the end of woes: die soone, O faeries sonne.
Edmund Spenser (The Faerie Queene)
CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.
W.B. Yeats
The first time I saw Reverend Shuttlesworth, for example, he came strolling across the parking lot of the motel where I was staying, his hat perched precariously between the back of his skull and the nape of his neck, alone. It was late at night, and Shuttlesworth was a marked man in Birmingham. He came up into my room, and, while we talked, he kept walking back and forth to the window. I finally realized that he was keeping an eye on his car—making sure that no one put a bomb in it, perhaps. As he said nothing about this, however, naturally I could not. But I was worried about his driving home alone, and, as he was leaving, I could not resist saying something to this effect. And he smiled—smiled as though I were a novice, with much to learn, which was true, and as though he would be glad to give me a few pointers, which, indeed, not much later on, he did—and told me he’d be all right and went downstairs and got into his car, switched on the motor and drove off into the soft Alabama night. There was no hint of defiance or bravado in his manner. Only, when I made my halting observation concerning his safety, a shade of sorrow crossed his face, deep, impatient, dark; then it was gone. It was the most impersonal anguish I had ever seen on a man’s face. It was as though he were wrestling with the mighty fact that the danger in which he stood was as nothing compared to the spiritual horror which drove those who were trying to destroy him. They endangered him, but they doomed themselves.
James Baldwin (No Name in the Street)
I didn’t answer right away; I was too busy savoring the moment. The delicious night air, the music of mama cows in a distant pasture, the trillions of stars overhead, the feeling of his fingers entwined in mine. The night couldn’t have gone any more perfectly. I’m not sure anything, even going home with him, could possibly make it any better. I started to open my mouth, but Marlboro Man beat me to it. Standing up and lifting me off the tailgate of his pickup, he carried me, Rhett Butler-style, toward the passenger door. Setting me down and opening my door, he said, “On second thought…I think I’d better take you home.” I smiled, convinced he must have read my mind. Whether he had or not, the fact was that instantly and noticeably the whole vibe between us had changed. Before I’d dumped my Chicago apartment and told him my plans to stay, the passion between us had sometimes felt urgent, rushed, almost as if some imaginary force was compelling us to get it all out right here, right now, because before too long we wouldn’t have the chance. There’d been a quiet desperation in our romance up until that point, feelings of excitement and lust mixed with an uncomfortable hint of doom and dread. But now that my move had all but been eliminated from the equation, the doom and dread had been replaced with a beautiful sense of comfort. In the blink of an eye, Marlboro Man and I, while madly and insanely in love, were no longer in any hurry. “Yeah,” I said, nodding my head. “I agree.” Man, did I ever have a way with words.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Beyoncé and Rihanna were pop stars. Pop stars were musical performers whose celebrity had exploded to the point where they could be identified by single words. You could say BEYONCÉ or RIHANNA to almost anyone anywhere in the industrialized world and it would conjure a vague neurological image of either Beyoncé or Rihanna. Their songs were about the same six subjects of all songs by all pop stars: love, celebrity, fucking, heartbreak, money and buying ugly shit. It was the Twenty-First Century. It was the Internet. Fame was everything. Traditional money had been debased by mass production. Traditional money had ceased to be about an exchange of humiliation for food and shelter. Traditional money had become the equivalent of a fantasy world in which different hunks of vampiric plastic made emphatic arguments about why they should cross the threshold of your home. There was nothing left to buy. Fame was everything because traditional money had failed. Fame was everything because fame was the world’s last valid currency. Beyoncé and Rihanna were part of a popular entertainment industry which deluged people with images of grotesque success. The unspoken ideology of popular entertainment was that its customers could end up as famous as the performers. They only needed to try hard enough and believe in their dreams. Like all pop stars, Beyoncé and Rihanna existed off the illusion that their fame was a shared experience with their fans. Their fans weren’t consumers. Their fans were fellow travelers on a journey through life. In 2013, this connection between the famous and their fans was fostered on Twitter. Beyoncé and Rihanna were tweeting. Their millions of fans were tweeting back. They too could achieve their dreams. Of course, neither Beyoncé nor Rihanna used Twitter. They had assistants and handlers who packaged their tweets for maximum profit and exposure. Fame could purchase the illusion of being an Internet user without the purchaser ever touching a mobile phone or a computer. That was a difference between the rich and the poor. The poor were doomed to the Internet, which was a wonderful resource for watching shitty television, experiencing angst about other people’s salaries, and casting doubt on key tenets of Mormonism and Scientology. If Beyoncé or Rihanna were asked about how to be like them and gave an honest answer, it would have sounded like this: “You can’t. You won’t. You are nothing like me. I am a powerful mixture of untamed ambition, early childhood trauma and genetic mystery. I am a portal in the vacuum of space. The formula for my creation is impossible to replicate. The One True God made me and will never make the like again. You are nothing like me.
Jarett Kobek (I Hate the Internet)
When I pull my hand away, my fingertips are not stained red, but silver. I stare at my nails, trying to make sense of what I see when out of the formless gloom, a monster emerges. I do scream when a pair of blue-white eyes appear, a pinprick of black in their center. Slowly, a shape coalesces into being- a long, elegant face, whorls of inky shadows swirling over moon-pale skin, ram's horns curling around pointed, elfin ears. He is more terrifying and more real than the vision I experienced in the labyrinth. But worst of all are the hands, gnarled and curled and with one too many joints in each finger. With a silver ring around the base of one. A wolf's-head ring, with two gems of blue and green for eyes. My ring. His ring. The symbol of our promise I had returned to the Goblin King back in the Goblin Grove. Mein Herr? For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved. Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride. Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away. I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone. Then who are you? I ask. His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig. No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man. Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name. A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me. Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for? I shall find it, I say fiercely. I shall call him by name and bring him home. Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.
S. Jae-Jones (Shadowsong (Wintersong, #2))
I like men and women who don't fit well in the dominant culture, or, as Alvar de Campos calls them, strangers in this place as in every other, accidental in life as in the woul. I like outsiders, phantoms wandering the cobwebbed halls of the doomed castle where life must be lived. David Grossman may love Israel, but he wanders its cobwebbed halls, just as his namesake Vasily wandered Russia's. To write is to know that you are not home.
Rabih Alameddine (An Unnecessary Woman)
But if we stayed at home and did nothing, doom would find us anyway, sooner or later. That
J.R.R. Tolkien (The Lord of the Rings)
Later, when I started to date, when I would go to girls’ houses and their mothers and fathers would ask, “What do your parents do?” I’d say, “They’re divorced,” as though it were a full-time job. They’d look at me, instantly dismissive, as though I too was doomed to divorce, as though domestic instability was genetically passed down.
A.M. Homes (Things You Should Know: A Collection of Stories)
Mein Herr? For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved. Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride. Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away. I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone. Then who are you? I ask. His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig. No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man. Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name. A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me. Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for? I shall find it, I say fiercely. I shall call him by name and bring him home. Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.
S. Jae-Jones (Shadowsong (Wintersong, #2))
Joan felt that she would always be haunted and would always suffer that pang for Kells. She would never lie down in the peace and quiet of her home, wherever that might be, without picturing Kells, dark and forbidding and burdened, pacing some lonely cabin or riding a lonely trail or lying with his brooding face upturned to the lonely stars. Sooner or later he would meet his doom. It was inevitable. She pictured over that sinister scene of the dangling forms; but no — Kells would never end that way. Terrible as he was, he had not been born to be hanged. He might be murdered in his sleep, by one of that band of traitors who were traitors because in the nature of evil they had to be. But more likely some gambling-hell, with gold and life at stake, would see his last fight. These bandits stole gold and gambled among themselves and fought. And that fight which finished Kells must necessarily be a terrible one. She seemed to see into a lonely cabin where a log fire burned low and lamps flickered and blue smoke floated in veils and men lay prone on the floor — Kells, stark and bloody, and the giant Gulden, dead at last and more terrible in death, and on the rude table bags of gold and dull, shining heaps of gold, and scattered on the floor, like streams of sand and useless as sand, dust of gold — the Destroyer. ZANE GREY. THE BORDER LEGION (Kindle Locations 4367-4376).
Zane Grey (The Border Legion)
In a famous passage of his book The Sciences of the Artificial, AI pioneer and Nobel laureate Herbert Simon asked us to consider an ant laboriously making its way home across a beach. The ant’s path is complex, not because the ant itself is complex but because the environment is full of dunelets to climb and pebbles to get around. If we tried to model the ant by programming in every possible path, we’d be doomed. Similarly, in machine learning the complexity is in the data; all the Master Algorithm has to do is assimilate it, so we shouldn’t be surprised if it turns out to be simple. The human hand is simple—four fingers, one opposable thumb—and yet it can make and use an infinite variety of tools. The Master Algorithm is to algorithms what the hand is to pens, swords, screwdrivers, and forks.
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
Maggie and I were delighted. It was now Jett's turn to go to the dark side. "I've never seen such a bunch of doom cookies," she said, wiping down the tables. "What?" "Doom cookies. You know, people who pretend to be something they're not, like girls in my class who pretend to be bad-ass but go home and read The Little House on the Prairie in their Disney princess bedrooms." "Who were the Pie Night people pretending to be? I don't quite follow." "They're pretending to be bad-ass pie bakers," Jett trilled in a church-lady falsetto, " 'Oh, leaf lard is the best.' 'No, I swear by a mixture of Crisco and butter.' When was the last time they actually baked a pie? If they did, they wouldn't be gorging themselves here on Pie Night. They probably don't even own a rolling pin." Jett sniffed. And then she added, diplomatically, "But your pie was good.
Judith M. Fertig (The Memory of Lemon)
Buried Cities During the Roman Empire, wealthy Romans took vacations in the cities of Pompeii and Herculaneum. The people in these towns did not know that nearby Mount Vesuvius doomed them. On August 24 in the year A.D. 79, the top blew off the mountain. Hot rock and ash buried Pompeii and Herculaneum. An estimated five thousand people died when their houses collapsed or they choked to death on the ash. After the Roman Empire ended, the people in neighboring cities forgot Pompeii and Herculaneum. In the sixteenth century, an architect named Domenico Fontana found evidence that cities were buried under 20 feet (6 m) of earth. It was another two hundred years before anyone began digging. In the 1800s, archaeologists were stunned to discover the perfectly preserved forms of people who had died trying to flee the volcano. They also uncovered graceful courtyards and beautiful homes with elegant tile floors and statues. These discoveries helped scientists learn what the daily life of the ancient Romans might have been like. In 2002, they found that the port area along the Gulf of Naples had houses built on stilts. Still more mysteries wait to be uncovered.
Jean Blashfield Black (Italy (Enchantment of the World Second Series))
I take it you have some sort of plan going? Something that calls for you to be arrested?" "There, now, you see? I told Drake you'd grasp the gist of things right away, but he had his doubts." "Drake?" I straightened up. "Is Gabriel with him? Did he get my message?" "Of course he got your message. That's why I'm here. Is there no chair?" she asked, frowning around the empty room. "No. I hate to let down the team and all, but what exactly are you doing here? Is Gabriel going to be able to get me out of being sent to the Akasha? Is he going to appeal the conviction?" "Better than that," she said with smile, glancing around quickly before leaning in closely, her voice dropped to almost a whisper. "We're going to bust you out of here." "Bust me..." I closed my eyes for a moment. "You've been watching too many old westerns. No one conducts jailbreaks these days. Especially not when the jailers are the L'au-dela committee." "That's why this plan is so incredibly cunning," she said, giving my arm a little squeeze. "They're all expecting you to try to escape-they'll never expect us to break you out of here." "Oy," I said, sliding down the wall to the floor. "This has 'doomed from the start' written all over it. You didn't think up this plan yourself, did you?" I asked suspiciously. She looked offended. "No, I didn't, and you can stop being such a negative Nelly. Gabriel thought up the plan, and Drake and I are helping. I'm the decoy, you see." "Of course you are. What, exactly, is this grandiose escape plan?" Her mouth set in a prim manner. "I can't tell you." "Why not?" "There could be bugs. We don't want them to know our plans." "If they were listening in, you just told them there's a plan, so they'll be expecting something to happen," I pointed out. "Yes, but they won't know what," she said, pulling off her jacket. Her shirt followed almost immediately, as did her jeans, shoes, and the sparkly pink socks that she was so prone to wearing despite the fact they would look more at home on a twelve-year-old. I watched her striptease with confusion for a moment before a thought struck me. "You don't mean-" "Shhh," she said, waving a vague hand around as she pulled off the scarf she wore to confine her bangs. "Bugs, remember?" I bit back an obvious reply, thought for a moment, then decided that although the plan Gabriel had come up with was too I Love Lucy for words, I didn't have any alternative. I stripped.
Katie MacAlister (Playing With Fire (Silver Dragons, #1))
We live in a fantastic century. I brush aside the incredible discoveries of science, and the razor’s edge between doom and fulfillment onto which they have pushed us, to speak of the new situation among peoples. Lands across the planet have become our neighbors, China across the street, the Middle East at our back door. Young people with backpacks are everywhere, and those who remain at home are treated to an endless parade of books, documentaries, and visitors from abroad. We hear that East and West are meeting, but it is an understatement. They are being flung at one another, hurled with the force of atoms, the speed of jets, the restlessness of minds impatient to learn the ways of others. When historians look back on our century, they may remember it most, not for space travel or the release of nuclear energy, but as the time when the peoples of the world first came to take one another seriously.
Huston Smith (The World's Religions, Revised and Updated (Plus))
Israelis are Jews who have misplaced their sense of humor. I like men and women who don’t fit well in the dominant culture, or, as Álvaro de Campos calls them, strangers in this place as in every other, accidental in life as in the soul. I like outsiders, phantoms wandering the cobwebbed halls of the doomed castle where life must be lived. David Grossman may love Israel, but he wanders its cobwebbed halls, just as his namesake Vasily wandered Russia’s. To write is to know that you are not home. I stopped loving Odysseus as soon as he landed back in Ithaca. I love the idea of homeland, but not the actual return to one.
Rabih Alameddine (An Unnecessary Woman)