Cliff Asness Quotes

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Is it fair to call The Princess Bride a classic? The storybook story about pirates and princesses, giants and wizards, Cliffs of Insanity and Rodents of Unusual Size? It's certainly one of the most often quoted films in cinema history, with lines like: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." "Inconceivable?" "Anybody want a peanut?" "Have fun storming the castle." "Never get involved in a land war in Asia." "Life is pain, Highness. Anyone who says differently is selling something." "Rest well, and dream of large women." "I hate for people to die embarrassed." "Please consider me as an alternative to suicide." "This is true love. You think this happens every day?" "Get used to disappointment." "I'm not a witch. I'm your wife." "Mawidege. That bwessed awangement." "You seem a decent fellow. I hate to kill you."... You seem a decent fellow. I hate to die." "Death cannot stop true love. All it can do is delay it for a while." "Never go in against a Sicilian when death is on the line!" "There's a shortage of perfect breasts in this world. It would be a pity to damage yours." And of course... "As you wish.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
My well-beloved was stripped. Knowing my whim, She wore her tinkling gems, but naught besides: And showed such pride as, while her luck betides, A sultan's favoured slave may show to him. When it lets off its lively, crackling sound, This blazing blend of metal crossed with stone, Gives me an ecstasy I've only known Where league of sound and luster can be found. She let herself be loved: then, drowsy-eyed, Smiled down from her high couch in languid ease. My love was deep and gentle as the seas And rose to her as to a cliff the tide. My own approval of each dreamy pose, Like a tamed tiger, cunningly she sighted: And candour, with lubricity united, Gave piquancy to every one she chose. Her limbs and hips, burnished with changing lustres, Before my eyes clairvoyant and serene, Swanned themselves, undulating in their sheen; Her breasts and belly, of my vine and clusters, Like evil angels rose, my fancy twitting, To kill the peace which over me she'd thrown, And to disturb her from the crystal throne Where, calm and solitary, she was sitting. So swerved her pelvis that, in one design, Antiope's white rump it seemed to graft To a boy's torso, merging fore and aft. The talc on her brown tan seemed half-divine. The lamp resigned its dying flame. Within, The hearth alone lit up the darkened air, And every time it sighed a crimson flare It drowned in blood that amber-coloured skin
Charles Baudelaire
You have to record your own ideas, as, so far as I know, there is no store that sells Cliffs Notes on your past thoughts.
Michael Michalko (Thinkertoys: A Handbook of Creative-Thinking Techniques)
All things have the capacity for speech -- all beings have the ability to communicate something of themselves to other beings. Indeed, what is perception if not the experience of this gregarious, communicative power of things, wherein even obstensibly 'inert' objects radiate out of themselves, conveying their shapes, hues, and rhythms to other beings and to us, influencing and informing our breathing bodies though we stand far apart from those things? Not just animals and plants, then, but tumbling waterfalls and dry riverbeds, gusts of wind, compost piles and cumulus clouds, freshly painted houses (as well as houses abandoned and sometimes haunted), rusting automobiles, feathers, granite cliffs and grains of sand, tax forms, dormant volcanoes, bays and bayous made wretched by pollutants, snowdrifts, shed antlers, diamonds, and daikon radishes, all are expressive, sometimes eloquent and hence participant in the mystery of language. Our own chatter erupts in response to the abundant articulations of the world: human speech is simply our part of a much broader conversation. It follows that the myriad things are also listening, or attending, to various signs and gestures around them. Indeed, when we are at ease in our animal flesh, we will sometimes feel we are being listened to, or sensed, by the earthly surroundings. And so we take deeper care with our speaking, mindful that our sounds may carry more than a merely human meaning and resonance. This care -- this full-bodied alertness -- is the ancient, ancestral source of all word magic. It is the practice of attention to the uncanny power that lives in our spoken phrases to touch and sometimes transform the tenor of the world's unfolding.
David Abram (Becoming Animal: An Earthly Cosmology)
I was fortunate I knew her here." She heard her voice, clipped, distant—suddenly—as if she were describing a third-form teacher who had taught her Linnaean classification. No, she said to herself. I was blessed to have her here. Her passion of place. Her sense of the people. Here is her; leave it at that.
Michelle Cliff (No Telephone to Heaven)
Discussions of the effects of serial publication of Victorian novels on their authors and readers1 usually draw attention to the author's peculiar opportunities for cliff-hanging suspense, as, for instance, when Thackeray has Becky Sharp counter old Sir Pitt's marriage proposal at the end of Vanity Fair's fourth number with the revelation that she is already married, and the reader must wait a month before the husband's identity is revealed. Or it may be pointed out how the author can modify his story in response to his readers' complaints or recommendations, as when Trollope records in his Autobiography how he wrote Mrs Proudie out of the Barchester Chronicles after overhearing two clergymen in the Athenaeum complaining of his habit of reintroducing the same characters in his fiction.
Ian Gregor (The Brontes: A Collection of Critical Essays(Twentieth Century Views))
I was looking out at cliffs and the sea, all sluiced in delicate pinks and yellows and greens and blues, as if the sun were imparting to the sleeping rock and water dreams of their youth, dreams of the rock’s birth in the earth’s molten core, the water’s ecstatic purity before it was sullied by life—as if the play of soft colors were the sun’s lullaby to the cliffs and the sea, of endurance and transformation.
Deborah Eisenberg (Your Duck Is My Duck: Stories)
There is a kind of ocean wave Whose origin remains obscure. Such waves are solitary, and appear Just off the cliff-line of Antarctica Lifting the ocean's face into the wind, Moistening the wind that pulls, and pulls them on, Until their height (as trees), their width (As continents), pace that wind north for 7,000 miles. And now we see one! - like a stranger coast Faring towards our own, and taste its breath, And watch it whale, then whiten, then decay: Whose rainbow thunder makes our spirits leap.
Christopher Logue (War Music: An Account of Homer's Iliad)
At half-past two o'clock of a moonlit morning in March, I was awakened by a tremendous earthquake, and though I had never before enjoyed a storm of this sort, the strange thrilling motion could not be mistaken, and I ran out of my cabin, both glad and frightened, shouting, "A noble earthquake! A noble earthquake!" feeling sure I was going to learn something. The shocks were so violent and varied, and succeeded one another so closely, that I had to balance myself carefully in walking as if on the deck of a ship among waves, and it seemed impossible that the high cliffs of the Valley could escape being shattered. In particular, I feared that the sheer-fronted Sentinel Rock, towering above my cabin, would be shaken down, and I took shelter back of a large yellow pine, hoping that it might protect me from at least the smaller outbounding boulders. For a minute or two the shocks became more and more violent--flashing horizontal thrusts mixed with a few twists and battering, explosive, upheaving jolts--as if Nature were wrecking her Yosemite temple, and getting ready to build a still better one.
John Muir
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
Markus Zusak (The Book Thief)
I think that thinking of our material universe, the one we perceive with our sense, as the only thing is not only foolish, it is arrogant. As well as, if I may add, in contradiction to theoretical physics. I believe — I have always believed — that there is meaning and purpose to life, although we may not understand that meaning and purpose. I think we catch glimpses of it here and there, and I honestly think that the universe communicates it to us, if we can listen for it — if our perceptions are finely enough tuned. All my life, I’ve had a strong sense of purpose, of being here for a reason that I might not at that moment understand, but that something, somewhere, understood. The times I’ve been unhappy in my life are when I’ve gone off the path, when I’ve realized that I made a choice taking me away from the way I was supposed to go. I remember what it was like to go to law school and to feel, so deeply that it went to my core, as though I was in the wrong place, as though I had stepped off the path. The path itself feels narrow and rocky, sometimes. Sometimes it feels as though I’m walking along a gulley, or a high cliff with winds. But it feels like a path, as though I’m going somewhere. I don’t know how to talk about this except by saying that we have instincts, and our instincts tell us these things, and we have to trust them.
Theodora Goss
Taking the leap is just the first step. Then you must cross the desert. And make no mistake — that journey will be hell.” “Will it be worth it?” he asked. “You tell me,” the old man responded. “How worthy is your goal? And how big is your why?” “I can’t imagine anything better,” he affirmed. “Then yes, it will be worth it. You see, everyone who stands at the edge of this cliff sees something different on the other side. What you see on the other side is your particular goal, and that is unique to you. “But there’s a reason why you have not achieved that goal yet — you are not worthy of it. You have not become who you need to become to deserve it. “As you cross the desert to your promised land, you will endure tests and trials specific to you and your goal. If you persist, those test and trials will transform you into who you need to be to be worthy of your goal. “You can’t achieve your highest, noblest goals as the same person you are today. To get from where you are to where you want to be you have to change who you are. “And that is why no one can escape that journey — it is what transforms you into a person worthy of your goal. The bad news is that that journey is hell. The good news is that you get to pick your hell.” “Pick my hell?” he asked. “What do you mean?” “Because of your natural gifts and interests, your inborn passion and purpose, there are some hells that are more tolerable to you than others. “For example, some men can endure hard physical labor because their purpose lies in such fields as construction or mechanics, while other men could not even dream of enduring that hell. “I’ve met people who knew they were born to be writers. Their desert to cross, their hell to endure was writing every day for years without being paid or being recognized and appreciated. But in spite of their hell, they were happy because they were writing. Though they still had to earn their way to the valley of their ultimate goal, they were doing what they were born to do. “Ever read the book Getting Rich Your Own Way by Scrully Blotnick?” He shook his head. “That book reveals the results on a two-decade study performed by Mr. Blotnick and his team of researchers on 1,500 people representing a cross-section of middle-class America. Throughout the study, they lost almost a third of participants due to deaths, moves, or other factors. “Of the 1,057 that remained, 83 had become millionaires. They interviewed each millionaire to identify the common threads they shared. They found five specific commonalities, including that 1) they were persistent, 2), they were patient, and 3) they were willing to handle both the ‘nobler and the pettier’ aspects of their job. “In other words, they were able to endure their particular hell because they were in the right field, they had chosen the right career that coincided with their gifts, passions, and purpose. “Here is the inescapable reality: No matter what you pick as your greatest goal, achieving it will stretch you in ways you can’t imagine right now. You will have to get out of your comfort zone. You will have to become a different person than you are right now to become worthy of your goal. You must cross that hellacious desert to get to your awe-inspiring goal. “But I get to pick my hell?” he asked. “You get to pick your hell.
Stephen Palmer
You swim along," said the tench, "as if there was nothing to be afraid of in the world. Don't you see that this place is exactly like the forest which you had to come through to find me?
T.H. White (CliffsNotes on White's the Once and Future King)
I hope,” she said, “that you didn’t stay out of some foolish romantical notion.” He looked down, staring at the tumbled bedclothes. “Such as?” “Saving my life.” He looked up again with a grimace. “Naturally not. I usually throw my houseguests off the cliff.
Laura Kinsale (The Prince of Midnight)
He guarded him . . . like an eagle that stirs up its nest and hovers over its young, that spreads its wings to catch them and carries them on its pinions. The Lord alone led him; no foreign god was with him. (Deuteronomy 32:10–12) Our almighty God is like a parent who delights in leading the tender children in His care to the very edge of a precipice and then shoving them off the cliff into nothing but air. He does this so they may learn that they already possess an as-yet-unrealized power of flight that can forever add to the pleasure and comfort of their lives. Yet if, in their attempt to fly, they are exposed to some extraordinary peril, He is prepared to swoop beneath them and carry them skyward on His mighty wings. When God brings any of His children into a position of unparalleled difficulty, they may always count on Him to deliver them. from The Song of Victory When God places a burden upon you, He places His arms underneath you. There once was a little plant that was small and whose growth was stunted, for it lived under the shade of a giant oak tree. The little plant valued the shade that covered it and highly regarded the quiet rest that its noble friend provided. Yet there was a greater blessing prepared for this little plant. One day a woodsman entered the forest with a sharp ax and felled the giant oak. The little plant began to weep, crying out, “My shelter has been taken away. Now every fierce wind will blow on me, and every storm will seek to uproot me!” The guardian angel of the little plant responded, “No! Now the sun will shine and showers will fall on you more abundantly than ever before. Now your stunted form will spring up into loveliness, and your flowers, which could never have grown to full perfection in the shade, will laugh in the sunshine. And people in amazement will say, ‘Look how that plant has grown! How gloriously beautiful it has become by removing that which was its shade and its delight!’ ” Dear believer, do you understand that God may take away your comforts and privileges in order to make you a stronger Christian? Do you see why the Lord always trains His soldiers not by allowing them to lie on beds of ease but by calling them to difficult marches and service? He makes them wade through streams, swim across rivers, climb steep mountains, and walk many long marches carrying heavy backpacks of sorrow. This is how He develops soldiers—not by dressing them up in fine uniforms to strut at the gates of the barracks or to appear as handsome gentlemen to those who are strolling through the park. No, God knows that soldiers can only be made in battle and are not developed in times of peace. We may be able to grow the raw materials of which soldiers are made, but turning them into true warriors requires the education brought about by the smell of gunpowder and by fighting in the midst of flying bullets and exploding bombs, not by living through pleasant and peaceful times. So, dear Christian, could this account for your situation? Is the Lord uncovering your gifts and causing them to grow? Is He developing in you the qualities of a soldier by shoving you into the heat of the battle? Should you not then use every gift and weapon He has given you to become a conqueror? Charles H. Spurgeon
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Romans 1:28 it says: ‘And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient.’ This means that these people are filled with thoughts of fornication, wickedness, covetousness, maliciousness, and become haters of God. When they’re like this, they hate all things of and by God, including His people, Christian and Jew alike. Do you understand so far?” “Yes,” “As a Christian, God has given you the ability to discern good from evil and He helps you find out what His will is when it comes to your walk with Christ. When God turns a man over to a reprobate mind, He has no more hope for them, so He lets their heart go, and they become hardened to anything related to God and Christ. Say I was to put my hand into a fire, what do you think would happen Charles?” “Your hand would burn and you’d learn not to do it again. So, you’re saying that some people are allowed to commit horrible acts so others will not do it again, like what the Germans did to the Jews?
Cliff Ball (Times of Turmoil)
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And, as the storm of water thrashed the very pinnacles that toppled into mist, he had seen the ribs of cliff laid bare and bleeding—as it were the laceration of a living land that he looked on. Then, ‘Corne et tonnerre!’ he had seemed to cry to himself, ‘the very world is torn by some inhuman power, and flows to the sea in rivers of purple!’ and he heard the bells of the ocean receding innumerably, choke at their moorings, muffled and congested with the floating scum of carnage that no wind might ruffle and only God’s fire cleanse. Now, in a moment, he saw that what he had taken for land was in truth a great cliff built up of human bodies—a vast reserve of human force accumulated by, and for the use of, a single dominant will. And this cliff was washed by the waves of an ocean of blood, to which its life contributed in a thousand spouting rivulets. And it was compact of limitless pain; and the cry of torture never ceased within it. And suddenly the dreamer—as in the way of dreams—felt himself to be a constituent agony of that he gazed upon—a pulp of suffering self-contained, yet partaking of the wretchedness of all.
Bernard Capes (The Black Reaper)
Content risks include changing genres, moving from one length of book to another, putting out more books, creating a serial, writing fan fiction, or writing a book with a cliff-hanger. I think taking one career risk per year is important to growth—as both a writer and a person.
Jennifer Probst (Write Naked: A Bestseller's Secrets to Writing Romance & Navigating the Path to Success)
From ‘Kokor Hekkus the Killing Machine’, Chapter IV of The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): If Malagate the Woe can be characterized by the single word ‘grim’ and Howard Alan Treesong by ‘incomprehensible’, then Lens Larque, Viole Falushe and Kokor Hekkus all lay claim to the word ‘fantastic’. Which one exceeds the other two in ‘fantasy’? It is an amusing if profitless speculation. Consider Viole Falushe’s Palace of Love, Lens Larque’s monument, the vast and incredible outrages Kokor Hekkus has visited upon humanity: such extravagances are impossible to comprehend, let alone compare. It is fair to say, however, that Kokor Hekkus has captured the popular imagination with his grotesque and eerie humor. Let us listen to what he has to say in an abstract from the famous telephoned address, The Theory and Practice of Terror, to the students of Cervantes University: “… To produce the maximum effect, one must identify and intensify those basic dreads already existing within the subject. It is a mistake to regard the fear of death as the most extreme fear. I find a dozen other types to be more poignant, such as: The fear of inability to protect a cherished dependent. The fear of disesteem. The fear of noisome contact. The fear of being made afraid. “My goal is to produce a ‘nightmare’ quality of fright, and to maintain it over an appreciable duration. A nightmare is the result of the under-mind exploring its most sensitive areas, and so serves as an index for the operator. Once an apparently sensitive area is located the operator to the best of his ingenuity employs means to emphasize, to dramatize this fear, then augment it by orders of magnitude. If the subject fears heights, the operator takes him to the base of a tall cliff, attaches him to a slender, obviously fragile or frayed cord and slowly raises him up the face of the cliff, not too far and not too close to the face. Scale must be emphasized, together with the tantalizing but infeasible possibility of clinging to the vertical surface. The lifting mechanism should be arranged to falter and jerk. To intensify claustrophobic dread the subject is conveyed into a pit or excavation, inserted head-foremost into a narrow and constricted tunnel which slants downward, and occasionally changes direction by sharp and cramping angles. Whereupon the pit or excavation is filled and subject must proceed ahead, for the most part in a downward direction.
Jack Vance (Demon Princes (Demon Princes #1-5))
It’s always a dream,” he insisted with a devilish grin. “As many times as we’ve ‘woken up’ into just another layer of dreaming, I’d expect you’d remember that by now.
Cliff Jones Jr. (Dreck)
I will hold out as long as I am able," Gregori replied, "but in the waiting, there is much danger. I will be unable to destroy myself should it become too late. I will be too far gone. You understand, Aidan. The burden of this decision could fall on your shoulders, and for that, I ask your forgiveness. I always thought it would be Mikhail, but she is here, in the United States. And she will be here, in San Francisco, when my vow has been honored." Aidan nodded, but Alexandria could feel the tears burning in his mind, in his heart. She made an effort to comfort him, to send him warmth, but she remained as still as he had asked her, not completely understanding what Gregori was saying but knowing it was grave. "I will attend to this one, destroy all evidence of his existence." Gregori gestured toward the body at the bottom of the cliff. "But, Aidan, he was not alone. There was another. I thought it best to stay and protect your lifemate rather than hunt him down. So close to turning myself, I did not want to chance two kills in one evening." The soft, musical voice could have been discussing the weather. "Gregori, I thank you for the warning and the help. You need not worry over the betrayer. That is my job, though I admit I have been attending to other things than hunting recently." "As you should have," Gregori acknowledged with a gentle smile. "A lifemate comes first in all things." "Why is it you fear yours will not have an easy life?" Aidan asked. "I have hunted too long to ever stop. I am used to my own way in all things. I have waited too long, fought too hard, and suffered too much to allow her the freedom she will desire. Her life will never be her own, only what I make of it." Aidan smiled then, and Alexandria could feel him relaxing. "If you do as you believe, put her before your own comfort, you will have no choice but to allow her freedom." "I am not like Mikhail or Jacques or, it seems, you. I intend that her protection come above all else." Gregori's voice held an edge. Aidan grinned at him, laughter spilling from his golden eyes. "I can only hope I have the chance to see you, Gregori, under the spell of your woman. You must promise that you will bring her to meet us one day." "Not if I end up like you or Mikhail. I will not have my dangerous reputation destroyed in such a way." 
Christine Feehan (Dark Gold (Dark, #3))
I will attend to this one, destroy all evidence of his existence." Gregori gestured toward the body at the bottom of the cliff. "But, Aidan, he was not alone. There was another. I thought it best to stay and protect your lifemate rather than hunt him down. So close to turning myself, I did not want to chance two kills in one evening." The soft, musical voice could have been discussing the weather. "Gregori, I thank you for the warning and the help. You need not worry over the betrayer. That is my job, though I admit I have been attending to other things than hunting recently." "As you should have," Gregori acknowledged with a gentle smile. "A lifemate comes first in all things.
Christine Feehan (Dark Gold (Dark, #3))
You left me,” he said tersely, his gaze unwavering on her. She exhaled. “I am sorry. I am sorry for borrowing your ship, and I—” “You left me after the night we shared.” She tried not to think about being in his arms, when he had seemed to love her as much as she loved him. “I told you that morning what I intended. The time we shared didn’t change anything.” She saw him flinch. “It was wonderful, but I meant it when I said I had to go home. I know you are angry. I know I took the coward’s way, and I shouldn’t have conned Mac—” “I don’t care about the ship!” he cried, stunning her. “I am glad you took my frigate—at least you would be safe from rovers. Damn it! I made love to you and you left me!” She hugged herself harder, trying to ignore that painful figure of speech. “I knew you would want to marry me, Cliff, for all the wrong reasons. How could I accept that? The night we spent together only fueled my desire to leave.” “For all the wrong reasons? Our passion fueled your desire to leave me?” “You misunderstand me,” she cried. “I do not want to hurt you. But you ruined me, you would decide to marry me. Honor is not the right reason, not for me.” He stepped closer, his gaze piercing. “Do you even know my reasons, Amanda?” “Yes, I do.” Somehow she tilted up her chin, yet she felt tears falling. “You are the most honorable man I have ever met. I know my letter hardly stated the depth of my feelings, but after all you have done, and all your family has done, you must surely know that leaving you was very difficult.” “The depth of your feelings,” he said. His nostrils flared, his gaze brilliant. “Do you refer to the friendship you wish to maintain—your affection for me?” He was cold and sarcastic, taking a final step toward her. He towered over her now. She wanted to step backward, away from him, but she held her ground. “I didn’t think you would wish to continue our friendship. But it is so important to me. I will beg you to forgive me so we can remain dear friends.” “I don’t want to be a dear friend,” he said harshly. “And goddamn it, do not tell me you felt as a friend does when you were in my bed!” She stiffened. “That’s not fair.” “You left me. That’s not fair,” he shot back, giving no quarter. “After all you have done, it wasn’t fair, I agree completely. But I was desperate.” He shook his head. “I will never believe you are desperate to be a shopkeeper. And what woman is truly independent? Only a spinster or a widow. You are neither.” Slowly, hating her words, she said, “I had planned on the former.” “Like hell,” he spat. She accepted the dread filling her then. “You despise me now.” “Are you truly so ignorant, so oblivious? How on earth could I ever despise you?” he exclaimed, leaning closer. “Would I be standing here demanding marriage if I despised you?” She started. Her heart skipped wildly; she tried to ignore it. She whispered, “Why did you really pursue me?” “I am a de Warenne,” he said, straightening. “As my father said so recently, there is no stopping us, not if it is a question of love.
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
Breathe. Steel yourself, for here ends gravity and there are now no anchors to keep you grounded. Beware, the apeman is not prepared for such leaps of imagination. Life is a kite. Remember to breathe.
Cliff James (Life As A Kite)
Nazi officials felt free to take more violent action than they had done in the western campaigns of 1940, first against the enemies of the regime, then against fascism’s conservative allies, and eventually against the German people themselves, in an ecstasy of terminal destruction. Whereas in traditional authoritarian war regimes, the army tends to extend its control, as it did in the German Reich during 1917–18 and in Franco’s Spain, the German army lost control of occupation policy in the east after 1941, as we have seen, to the Nazi Party’s parallel organizations. Party radicals felt free to express their hatreds and obsessions in ways that were foreign to the traditions of the state services. The issue here is not simply one of moral sensitivity; some officers and civil servants were appalled by SS actions in the conquered territories, while others went along because of group solidarity or because they had become hardened. It was to some degree an issue of turf. It would be unthinkable for a traditional military dictatorship to tolerate the incursions of amateurish party militias into military spheres that Hitler—and even, in Ethiopia, Mussolini—permitted. Here we enter a realm where the calculations of interest that arguably governed the behavior of both the Nazis and their allies under more ordinary circumstances in the exercise of power no longer determined policy. At this ultimate stage an obsessed minority is able to carry out its most passionate hatreds implacably and to the ultimate limit of human experience. Liberation from constraints permitted a hard core of the movement’s fanatics to regain the upper hand over their bourgeois allies and carry out some of the initial radical projects. At the outposts of empire, fascism recovered the face-to-face violence of the early days of squadrismo and SA street brawling. One must resist the temptation at this final stage to revert to a highly personalized way of looking at the exercise of power in fascist regimes, with its discredited notions of hoodlums kidnapping the state. The Nazi regime was able to pursue the war with ever mounting intensity only with the continued complicity of the state services and large sectors of the socially powerful. Fascist radicalization, finally, cannot be understood as a rational way to persuade a people to give their all to a war effort. It led Nazi Germany into a runaway spiral that ultimately prevented rational war making, as vital resources were diverted from military operations to the murder of the Jews. Finally radicalization denies even the nation that is supposed to be at fascism’s heart. At the end, fanatical fascists prefer to destroy everything in a final paroxysm, even their own country, rather than admit defeat. Prolonged fascist radicalization over a very long period has never been witnessed. It is even hard to imagine. Can one suppose that even Hitler could keep up the tension into old age? Arranging the succession to a senescent fascist leader is another intriguing but, so far, hypothetical problem. The more normal form of succession to a fascist regime is likely to be decay into a traditional authoritarianism. At that point, there can be progressive liberalization as in post-Franco Spain or perhaps revolution (as in post-Salazar Portugal). But orderly succession is clearly far more of a problem with fascism than with other forms of rule, even communism. Fascism is, in the last analysis, destabilizing. In the long run, therefore, it was not really a solution to the problems of frightened conservatives or liberals. The final outcome was that the Italian and German fascist regimes drove themselves off a cliff in their quest for ever headier successes. The fascisms we know seem doomed to destroy themselves in their headlong, obsessive rush to fulfill the “privileged relation with history” they promised their people.
Robert O. Paxton (The Anatomy of Fascism)
Cliff Lloyd said to me in 1967, four years after the historic court case, that he was convinced no other events in football had done more to lift the general standard of play to its present high level than these two. What is more, he said that he always maintained England could win the 1966 World Cup (as she did) if her players were liberated from the restrictions binding them so unreasonably, and in so much resentment, to clubs and low rewards. He said, with cold and telling perception, that without this liberation football would have gradually dwindled to the same sad status that county cricket has in England – ‘a jolly day out, take-it-or-leave-it sort of thing’. I, for one, could not bear my football to look like that.
Arthur Hopcraft (The Football Man: People & Passions in Soccer (Sports Classics))