Valhalla Quotes

Wrongly chosen, wrongly slain, A hero Valhalla cannot contain. Nine days hence the sun must go east, Ere Sword of Summer unbinds the beast.

Valhalla on the right. Paradise regained on the left. Stuck between a Godiva truffle and a chocolate eclair. Between a rock and a very hard place. Two very hard places from the looks of it.

I have known many gods. He who denies them is as blind as he who trusts them too deeply. I seek not beyond death. It may be the blackness averred by the Nemedian skeptics, or Crom's realm of ice and cloud, or the snowy plains and vaulted halls of the Nordheimer's Valhalla. I know not, nor do I care. Let me live deep while I live; let me know the rich juices of red meat and stinging wine on my palate, the hot embrace of white arms, the mad exultation of battle when the blue blades flame and crimson, and I am content. Let teachers and philosophers brood over questions of reality and illusion. I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content.

― The Viking Prayer “Lo, there do I see my father. Lo, there do I see my mother, and my sisters, and my brothers. Lo, there do I see the line of my people, Back to the beginning! Lo, they do call to me. They bid me take my place among them, In the halls of Valhalla! Where the brave may live forever!

He wanted to work in Hot Woman Valhalla until he died of testosterone poisoning. (Nick)

We humans are naturally disposed to worship gods and heroes, to build our pantheons and valhallas. I would rather see that impulse directed into the adoration of daft singers, thicko footballers and air-headed screen actors than into the veneration of dogmatic zealots, fanatical preachers, militant politicians and rabid cultural commentators.

Heaven and hell - nirvana and Valhalla, reincarnation, hauntings, and so many underworlds, one would think the grave was a corridor with a million doors

I will be at your back until I cross the threshold to Valhalla, Born-in-Fire, whether you want me there or not.

She’d touched down in my life like a tornado, gotten my drink wrong during her first shift at Valhalla, and hadn’t left my thoughts since.

No man should go to Valhalla with brothel rash.

„Everyone wants to believe that there’s something else – something great – waiting for them on the other side. Paradise. Valhalla. Heaven. Their next – hopefully less horrible – life.

Think of the glory. Think of your reputation. Think how great it'll look on your next resume." On my cenotaph, you mean. Nobody will be able to collect enough of my scattered atoms to bury. You going to cover my funeral expenses, son?" Splendidly. Banners, dancing girls, and enough beer to float your coffin to Valhalla." - Miles coaxing Ky Tung to agree to an almost suicidal mission

He turned to leave, then hesitated. "One more thing." He walked up to me. "I've also been thinking about your declaration of undying love or whatever." "I didn't - it wasn't -" He clamped his hands on the sides of my gooey face and kissed me. I had to wonder: was it possible to dissolve into chocolate on a molecular level and melt into a puddle on the carpet? Because that's how I felt. I'm pretty sure Valhalla had to resurrect me several times during the course of that kiss. Otherwise, I don't know how I was still in one piece when Alex finally pulled away. He studied me critically, his brown and amber eyes taking me in. He had a chocolate moustache and goatee now, and chocolate down the front of his sweater vest. I'll be honest. A small part of my brain thought, Alex is male right now. I have just been kissed by a dude. How do I feel about that? The rest of my brain answered: I have just been kissed by Alex Fierro. I am absolutely great with that. In fact, I might have done something typically embarrassing and stupid, like making the aforementioned declaration of undying love, but Alex spared me. "Eh." He shrugged. "I'll keep thinking about it. I'll get back to you. In the meantime, definitely take that shower." He left, whistling a tune that might have been a Frank Sinatra song from the elevator, "Fly Me to the Moon".

To those before us, to those amongst us, to those we’ll see on the other side. Lord let me not prove unworthy of my brothers.” “Until Valhalla, Freddy.

I am yours, Bayr. Always. My heart is yours. My spirit is yours, and even when I’m dead, I will refuse Valhalla, and I will follow at your heels, watching over you.

King Edmund of East Anglia is now remembered as a saint, as one of those blessed souls who live forever in the shadow of God. Or so the priests tell me. In heaven, they say, the saints occupy a privileged place, living on the high platform of God’s great hall where they spend their time singing God’s praises. Forever. Just singing. Beocca always told me that it would be an ecstatic existence, but to me it seems very dull. The Danes reckon their dead warriors are carried to Valhalla, the corpse hall of Odin, where they spend their days fighting and their nights feasting and swiving, and I dare not tell the priests that this seems a far better way to endure the afterlife than singing to the sound of golden harps. I once asked a bishop whether there were any women in heaven. “Of course there are, my lord,” he answered, happy that I was taking an interest in doctrine. “Many of the most blessed saints are women.” “I mean women we can hump, bishop.” He said he would pray for me. Perhaps he did.

There are as many Africas as there are books about Africa -- and as many books about it as you could read in a leisurely lifetime. Whoever writes a new one can afford a certain complacency in the knowledge that his is a new picture agreeing with no one else's, but likely to be haugthily disagreed with by all those who believed in some other Africa. ... Being thus all things to all authors, it follows, I suppose, that Africa must be all things to all readers. Africa is mystic; it is wild; it is a sweltering inferno; it is a photographer's paradise, a hunter's Valhalla, an escapist's Utopia. It is what you will, and it withstands all interpretations. It is the last vestige of a dead world or the cradle of a shiny new one. To a lot of people, as to myself, it is just 'home.

But I suppose if you're friends of Magnus's ..." He went completely still. His runes faded. Then he leaped out of my hand and flew towards Annabeth, his blade twitching as if he was stiffing the air. "Where is she? Where are you hiding the babe?" Annabeth backed towards the rail. "Whoa, there, sword. Personal space?" "Jack, behave," Alex said. "What are you doing?" "She's around here somewhere," Jack insisted. He flew to Percy. "Aha! What's in your pocket, sea boy?" "Excuse me?" Percy looked a bit nervous about the magical sword hovering at his waistline. Alex lowered his Ray-Bans. "Okay, now I'm curious. What do you have in your pocket, Percy? Enquiring swords want to know." Percy pulled a plain-looking ballpoint pen from his jeans. "You mean this?" "BAM!" Jack said. "Who is this vision of loveliness?" "Jack," I said. "It's a pen." "No, it's not! Show me! Show me!" "Uh ... sure." Percy uncapped the pen. Immediately it transformed into a three-foot-long sword with a leaf-shaped blade of glowing bronze.. Compared to Jack, the weapon looked delicate, almost petite, but from the way Percy wielded it I had no doubt he'd be able to hold his own on the battlefields of Valhalla with that thing. Jack turned his point towards me, his runes flashing burgundy. "See Magnus? I told you it wasn't stupid to carry a sword disguised as a pen!" "Jack, I never said that!" I protested. "You did.

The manager turned up his palms. "I don't have those answers, Samirah, but Huginn and Muninn will brief you privately. Go with them to the high places of Valhalla. Let them show you thoughts and memories." To me, that sounded like some trippy vision quest with Darth Vader appearing in a foggy cave.

I am a brave warrior in my internal Battle of Valhalla.

Where you go, I go, Born-in-Fire. Even if it's to the gates of Valhalla.

Die painfully. Go to Valhalla. Gain the ability to drag rancid, colossal severed heads across a dock. Hooray.

Let's go to Valhalla with the sun on our faces.

I would say, I’ll meet you in Valhalla," replied Hiccup through gritted teeth. "But I don’t think you’ll be going there.

My Einherjar have a saying: Some days you are the axe, some days you are the decapitated head. I like it so much, I'm having T-shirts made for the Hotel Valhalla gift shop.

I could imagine Cnut sitting there and thinking that I must join him soon, and we would raise a horn of ale together. There is no pain in Valhalla, no sadness, no tears, no broken oaths.

The room was not impressively large, even by Manhattan apartment-house standards, but its accumulated furnishings might have lent a snug appearance to a banquet hall in Valhalla.

I remembered all our interactions in vivid detail, whether I wanted to or not. She’d touched down in my life like a tornado, gotten my drink wrong during her first shift at Valhalla, and hadn’t left my thoughts since.

The man you are seeing is no man, Andy. He was Odin Borson, Allfather and King of Asgard. His wolves were Freki and Geri and his hall was Valhalla. He was my father and the father of many others. And he was your father.

Turns out Valhalla had been sending its recycling to home plate at Fenway, which could explain any problems the Red Sox were having with their offensive lineup.

I’m not trying to send you out “on the road” in search of Valhalla, but merely pointing out that it is not necessary to accept the choices handed down to you by life as you know it. There is more to it than that — no one HAS to do something he doesn’t want to do for the rest of his life.

It is better to live on the sea and let other men raise your crops and cook your meals. A house smells of smoke, a ship smells of frolic. From a house you see a sooty roof, from a ship you see Valhalla.

A grief-stricken man is driven to defy the gods.

It has a name because it's important, and all important things have names.

What entity aboard this ship exhibits all the personality traits of a cold-blooded killing machine, combined with the monstrous, overweening vanity and laziness of a convalescent war god lounging in their personal Valhalla while their minions prepare their armor? There's only one answer. The Persian tomcat sits underneath the alien horror, washing itself without concern.

Words, then, are born of worlds. But they also take us places we can’t go: Constantinople and Mars, Valhalla, the Planet of the Apes. Language comes from what we’ve seen, touched, loved, lost. And it uses knowable things to give us glimpses of what’s not. The Word, after all, is God.

One likes to think that there is some fantastic limbo for the children of imagination, some strange, impossible place where the beaux of Fielding may still make love to the belles of Richardson, where Scott’s heroes still may strut, Dickens’s delightful Cockneys still raise a laugh, and Thackeray’s worldlings continue to carry on their reprehensible careers. Perhaps in some humble corner of such a Valhalla, Sherlock and his Watson may for a time find a place, while some more astute sleuth with some even less astute comrade may fill the stage which they have vacated.

Since moving to Valhalla, I'd learned an impressive number of Old Norse cusswords. Meinfretr translated as something like stinkfart, which was, naturally, the worse kind of fart

You don't know what you're talking about. When you fall in love, even a kiss is mind-blowing. You don't fuck other people, because there's only one person you want to be close to. When he fucks me, it's like I give him a part of my soul," his words became quieter. "I'm not looking for other guys, and I don't wanna do it with anyone else.

Don't insert your hand inside a wolf's mouth - or a lion's, bear's, alligator's or crocodile's mouth, or in a lawn mower, garbage disposal, snowblower or blender - because, if you do, you're not going to have that hand for much longer! Don't believe me? Ask my good friend Captain Hook how he got his name! - Tyr

Everything ends. Summer ends. Happiness ends. Days of joy are followed by days of sorrow. Even the gods will meet their end in the last battle of Ragnarok when all the evil of the world brings chaos and the sun will turn dark, the waters will drown the homes of men, and the great beamed hall of Valhalla will burn to ashes. Everything ends. I drew Serpent Breath and walked towards the scouts.

Even without being killed a man can experience death, he can conquer, he can realize the culmination characteristic of a 'super-life'. From a higher point of view, Paradise, the Kingdom of Heaven, Valhalla, the Island of the Heroes, etc., are only symbolic figurations forged for the masses, figurations that in reality designate transcendent states of consciousness, beyond life and death. The ancient Aryan tradition used the term jivan-mukti to indicate such a realization while still in the mortal body.

Somewhere off to my left, a little voice chirped: The redhead is smart. We can help. In a nearby tree sat a murder of crows. (That's what you call a group of them. You learn useless facts like that in Valhalla.) "Uh, guys," I told my friends, "those crows claim they can help." Claim? squawked another crow. You don't trust us? Send your two friends back to the ship with the mead. We'll give you a hand here. All we ask for in return is something shiny. Anything will do. I related this to my friends. I looked at the crows. "Okay, guys, what's the plan?" Plan? cawed the nearest crow. We just said we'd help. We don't have a plan, per se. Stupid misleading crows. Also, what kind of bird uses the term per se? Since I didn't have time to murder the entire murder, I contemplated my limited options.

Religion is a disease, a social cancer. It is the afterbirth of intelligence, of thought itself.

... he's most probably in a closet so deep he's, like, in Narnia.

Fucking heaven. I’m pretty sure if there was a Valhalla, the VIP area was set aside for people who died fucking.

But you still know about Doors, don't you? Because there are ten thousand stories about ten thousand Doors, and we know them as well as we know our names. They lead to Faerie, to Valhalla, Atlantis and Lemuria, Heaven and Hell, to all the directions a compass could never take you, to elsewhere. My father--who is a true scholar and not just a young lady with an ink pen and a series of things she has to say--puts it much better: "If we address stories as archaeological sites, and dust through their layers with meticulous care, we find at some level there is always a doorway. A dividing point between here and there, us and them, mundane and magical. It is at the moments where the doors open, when things flow between the worlds, that stories happen.

Halfborn Gunderson was slumped over the rudder, blood dripping from an ugly gash on his forehead. For a moment, I thought, Eh, Halfborn gets killed that way all the time. Then I remembered we were not in Valhalla anymore. Wherever this was, if we died here, we would not get a do-over.

You've never been alone," Bjorn said, his voice so soft that no one but me would hear over the wind and my weeping. "I will be at your back until I cross the threshold to Valhalla, Born-in-Fire, whether you want me there or not.

I’d walked the halls of Valhalla countless times, but every interaction with Vivian was like our first. I noticed something new about her every day—the tiny beauty mark above her upper lip, the way she slid her pendant along its chain when she was uncomfortable, and the mildly crooked slant of her smile when she was genuinely amused. It was infuriating. I didn’t want to notice these things about her, yet I inadvertently hoarded them the way dragons hoarded jewels.

Dead man, listen well. The Great Keep is not like the Otherworld. The Great Keep has many names. To the Norse it is Valhalla, Hall of the Lords. To the Greeks it is Olympus. There are as many names as there are men who would speak them.

Obviously, they were not to torture anyone for their own pleasure unless the fucker just totally deserved it.

Welcome to warrior paradise, where you can listen to Frank Sinatra in Norwegian FOREVER!

Valley of the Damned (The 'Halla, Vol. # 1) No force can oppose Love in Earth or Heaven above, No, not even the damned of Hell can stop relentless Love. —Valkyrie Kari, Chapter Sixteen

Colonel Fedmahn Kassad knew only that all the great passions of a passionate life had led him to this place and to this moment, and if death awaited him here, then so be it. And if love and glory and a victory that would make Valhalla quake awaited, then so be it.

They wish to build a new and better world, and I would be glad if they could succeed, and if I saw any hope of success I would join them. I ask for their plans, and they offer me vague dreams, in which as a man of affairs, I see no practicality. Is is like the the end of Das Rheingold: there is Valhalla, very beautiful, but only a rainbow bridge on which to get to it, and while the gods ma be able to walk on a rainbow, my investors and working people cannot.

She looked into the eyes of many of them as they passed away, like some sort of angel of death. Some were frightened, some relieved, most just confused. She served as the arbiter of their passage, an earthly Charon. Or perhaps a Valkyrie, carrying fallen heroes to Valhalla. But she’d seen no heroes, no one worthy of Valhalla.

Hyperion: We're going to die here today. Thor: Aye...But let it be on our terms. One more time. Our very...Huurggg!...best. (Thor is unable to lift the mjolnir from an alternate universe - Thorr's hammer of unworthiness) Thor: Ha! Ha! Ha! Ha! So be it. If this is the end let me not meet is as The Unworthy...but as my father's son. The occasion demands I offer you a drink, Hyperion, but unfortunately, I have none. Hyperion: That's because we drank it all, brother. Thor: Yes. We did.. Nothing left to do now but the other thing. Hyperion: I just want to say... for some time I believed I survived the death of two worlds -- now I know it just took a while to catch up with me. It's a dark thing, what my life became... you have made it better, Odinson. Will you wait for me in Valhalla? Thor: Brother... this day, I will race you there. *Against the bleak nothing of dead space, two gods fell to many. The sun shone one last time. There was lightning, and thunder... and then silence.*

We are the poem's ancient band of twelve that proceeds through the ages. There were twelve of us, when we ruled the world on the cloud-covered top of Olympus, and twelve when we lived as birds in Ygdrasil's green crown. Wherever poetry went forth, there we followed. Did we not sit, twelve men strong, at King Arthur's round table, and did twelve paladins not go in Charles the Twelfth's great army? On of us has been Thor, another Jupiter, as any man should be able to see in us yet today. The divine splendor can be sensed under the rags, the lion's mane under the donkey hide. Time has treated us badly, but when we are there, the smithy becomes Mount Olympus and the cavalier's wing a Valhalla.

Not to mention he's most probably in a closet so deep, he's like, in Narnia.

Even impaled on a spear, he was confident he could - suddenly he was impaled on a spear.

Hmmm, very severe... Poor condition, heavy infection... Disarticulation... Oh no, no... Clearly broken... Mm-hmmm... All right, then, all's well, perfect health, clear to go.

If something is very important to you, you will always find a way to do it

... he’s most probably in a closet so deep he’s, like, in Narnia.

Wow. Another realm, huh? Your zealous delusions continue to impress me. Is this where we fly off to Olympus or Valhalla or Heaven or something?

I’m pretty sure if there was a Valhalla, the VIP area was set aside for people who died fucking.

TO VALHALLA.

Valhalla could resurrect me with a chocolate bar in my pocket, but not a sword in my hand. That was messed up.

The Australian aborigines, reckoned to be among the most primitive of races upon evidence that is far from conclusive, have a region that is well-developed. They worship the Earth Mother, and recognise in their graceful, plaintive stories the prior existence of culture heroes as well limned as any in Valhalla. To an amazing degree they feel the reality of the metaphysical world they have created––the dream-time, which is neither a dream nor a period, or if it is a period is one which has no dimension, so that the past and the present exist together.

Kris,” he said. “Let us go into a battle from which we may never return. But I have sworn Odin’s Oath to keep you safe, and I believe in our victory. For our hearts are pure, Troglodyte is with us, and I just gave the van its annual emissions inspection.” With that, he dropped the minivan into drive. “Until Valhalla!” he shouted. And they took off on their final ride.

When you take someone’s hand and lead them to Valhalla, you get a glimpse into their soul.” “Did that happen when you took me?” “With you, there wasn’t much to see. It’s very dark in there.

But the attitude that Viking society held up as the ideal one was a heroic stoicism. In the words of archaeologist Neil Price, "The outcome of our actions, our fate, is already decided and therefore does not matter. What is important is the manner of our conduct as we go to meet it." You couldn't change what was going to happen to you, but you could at least face it with honor and dignity. The best death was to go down fighting, preferably with a smile on your lips. Life is precarious by nature, but this was especially true in the Viking Age, which made this fatalism, and stoicism in the face of it, especially poignant. The model of this ideal was Odin's amassing an army in Valhalla in preparation for Ragnarok. He knew that Fenrir, "the wolf", was going to murder him one way or another. Perhaps on some level he hoped that by gathering all of the best warriors to fight alongside him, he could prevent the inevitable. But deep down he knew that his struggle was hopeless - yet he determined to struggle just the same, and to die in the most radiant blaze of glory he could muster.

Also by Rick Riordan PERCY JACKSON AND THE OLYMPIANS Book One: The Lightning Thief Book Two: The Sea of Monsters Book Three: The Titan’s Curse Book Four: The Battle of the Labyrinth Book Five: The Last Olympian The Demigod Files The Lightning Thief: The Graphic Novel The Sea of Monsters: The Graphic Novel The Titan’s Curse: The Graphic Novel Percy Jackson’s Greek Gods Percy Jackson’s Greek Heroes From Percy Jackson: Camp Half-Blood Confidential THE KANE CHRONICLES Book One: The Red Pyramid Book Two: The Throne of Fire Book Three: The Serpent’s Shadow The Red Pyramid: The Graphic Novel The Throne of Fire: The Graphic Novel THE HEROES OF OLYMPUS Book One: The Lost Hero Book Two: The Son of Neptune Book Three: The Mark of Athena Book Four: The House of Hades Book Five: The Blood of Olympus The Demigod Diaries The Lost Hero: The Graphic Novel The Son of Neptune: The Graphic Novel Demigods & Magicians MAGNUS CHASE AND THE GODS OF ASGARD Book One: The Sword of Summer Book Two: The Hammer of Thor For Magnus Chase: Hotel Valhalla Guide to the Norse Worlds THE TRIALS OF APOLLO Book One: The Hidden Oracle

in this beautiful world.. in our paradise.. our Eden.. our Valhalla.. our Heaven.. though of high doctorate.. even in the caves of alcohol alleys.. each time is the first time'.. as each time runs eternal'.. (c)AC.11.24.09.arr././

–A veces yo también deseo devorarte para que formes parte de mí, para tenerte en mi interior y protegerte de todo, para sentirte más cerca, para que seamos uno. Yo…; yo sé que lo que sentimos no es corriente, no es el sentimiento de amor que sienten los demás por sus parejas; es diferente, más fuerte, más caótico, más intenso; casi sobrenatural. Cuando me miras se me encoge el estómago, cuando me tocas siento explotar algo dentro de mí; cuando me besas, es como si flotara hacia las estrellas, pero cuando estoy dentro de ti… Por Odín y todas las divinidades del Valhalla siento que muero un poco. Ni siquiera sé expresar esa sensación, es como si me dejara arrastrar a un pozo oscuro, como si me arrancaras el alma para luego recuperarla más brillante y vibrante que nunca. Estamos unidos, amor mío, por toda la eternidad, de eso estoy seguro. Porque, de alguna forma, sé que, si uno de nosotros muriera, el otro lo buscaría hasta dar con él…

In Norse mythology, Valkyrie were female goddesses who spread their wings and flew over the battlefield, choosing who lived and who died in battle. Warriors chosen by the Valkyrie died with honor and were then taken to the hall of Valhalla in the afterlife. Their souls could finally rest.

Dim, gradual thinning of the shapeless gloom Shudders to drizzling daybreak that reveals Disconsolate men who stamp their sodden boots And turn dulled, sunken faces to the sky Haggard and hopeless. They, who have beaten down The stale despair of night, must now renew Their desolation in the truce of dawn, Murdering the livid hours that grope for peace. Yet these, who cling to life with stubborn hands, Can grin through storms of death and find a gap In the clawed, cruel tangles of his defence. They march from safety, and the bird-sung joy Of grass-green thickets, to the land where all Is ruin, and nothing blossoms but the sky That hastens over them where they endure Sad, smoking, flat horizons, reeking woods, And foundered trench-lines volleying doom for doom. O my brave brown companions, when your souls Flock silently away, and the eyeless dead, Shame the wild beast of battle on the ridge, Death will stand grieving in that field of war Since your unvanquished hardihood is spent. And through some mooned Valhalla there will pass Battalions and battalions, scarred from hell; The unreturning army that was youth; The legions who have suffered and are dust.

But we do not choose our deaths. The Norns do that at the foot of Yggdrasil and I imagined one of those three Fates holding the shears above my thread. She was ready to cut, and all that mattered now was to keep tight hold of my sword so that the winged women would take me to Valhalla's feasting-hall.

Give me four days so that my planes can fly, so that my fighter bombers can bomb and strafe, so that my reconnaissance may pick out targets for my magnificent artillery. Give me four days of sunshine to dry this blasted mud, so that my tanks roll, so that ammunition and rations may be taken to my hungry, ill-equipped infantry. I need these four days to send von Rundstedt and his godless army to their Valhalla. I am sick of this unnecessary butchering of American youth, and in exchange for four days of fighting weather, I will deliver You enough Krauts to keep Your bookkeepers months behind in their work. “Amen.

last year he managed to disguise himself as an industrial food blender to avoid detection during a recent raid.

Pelamus turned around, and bless the idiot, he gave a monologue.

From what I’ve gleaned, when combined with other words, hashtag has the power to distract the mind from more important matters.

Like trying to capture an angry butterfly.

Square one, here I come. - Sam

In 869 we have an event which rapidly achieved almost mythic status in English Christian folklore: the horrible martyrdom of King Edmund of East Anglia by the appalling Ivar the Boneless, who according to some traditions brought a great Viking army to England in pursuit of revenge for the killing of his father, the semi-legendary Ragnar Lothbrok, executed by the king of Northumbria.

Dearly beliked, we are gathered here tonight to pay our first and final respects to these gentle creatures. Oh, closet mice, I’m sorry you all died in a box in the back of the supply room, but I’m grateful that at least you didn’t have to die alone. We pray that you don’t haunt this gas station. Instead may you find your peace in Heaven or whatever your mouse-religion equivalent is." "Valhalla." I muttered.

...we all have asymmetrical relationships with people far away, in space, in time, across the barrier between our real world and the shadow world which contains both our past and Holmes’s Valhalla. Worlds which are not real (past or imaginary) can still teach us, warn us, just as friends who are not with us can inspire us, push us, draw us into the unending teamwork of humanity, which has always crossed time’s diaspora. Sometimes we’re too tired, the friends around us absent or just tired too. But Thomas Hobbes is not too tired, nor loyal Watson, and while dead hands and imaginary hands can’t mend our pavement cracks, they can still sit beside us on the roughest nights and help us make it through. And if we love our imaginary worlds, if they stir passions in us, love, I think that makes us love this world the more, this world that created them, and that we remake with them.

Mr. Kaplan smiled back and answered promptly, “Vell, I´ll tell you about Prazidents United States. Fife Prazidents United States is Abram Lincohen, he vas freeink de neegers; Hodding, Coolitch, Judge Vashington, an´ Banjamin Franklin.” Futher encouragement revealed that Mr. Kaplan´s literary Valhalla the “most famous tree American wriders” were Jeck Laundon, Valt Viterman, and the author of “Hawk l. Barry-Feen,” one Mock- tvain. Mr. Kaplan took pains to point out that he did not mention Relfvaldo Amerson because “He is a poyet, an´I´m talkink about wriders.

Stand up naked in the storm! Shake back your mane and face the thunders and the giant winds that roar between the worlds. Face the rush of events, the gigantic Truths, the dizzying realities. Be one with the tempests, the roaring ocean, and the swirling constellations. A Thunder of Trumpets

Midnight Steel When Love’s steel draws near it doth but conspire, And pierces she the hearts of all she holds and so desires. Come thou, dear Love, to sleep, rest in your arms and dream but deep. Help me to love all of my days, so that on sweet earth I may stay. —Valkyrie Kari, Musings in the Night

Future Of Humanity - Planetary Civilization In mythology, the gods lived in the divine splendor of heaven, far above the insignificant affairs of mere mortals. The Greek gods frolicked in the heavenly domain of Mount Olympus, while the Norse gods who fought for honor and eternal glory would feast in the hallowed halls of Valhalla with the spirits of fallen warriors. But if our destiny is to attain the power of the gods by the end of the century, what will our civilization look like in 2100? Where is all this technological innovation taking our civilization? All the technological revolutions described here are leading to a single point: the creation of a planetary civilization. This transition is perhaps the greatest in human history. In fact, the people living today are the most important ever to walk the surface of the planet, since they will determine whether we attain this goal or descend into chaos. Perhaps 5,000 generations of humans have walked the surface of the earth since we first emerged in Africa about 100,000 years ago, and of them, the ones living in this century will ultimately determine our fate. Unless there is a natural catastrophe or some calamitous act of folly, it is inevitable that we will enter this phase of our collective history. We can see this most clearly by analyzing the history of energy.

I seek not beyond death. It may be the blackness averred by the Nemedian skeptics, or Crom's realm of ice and cloud, or the snowy plains and vaulted halls of the Nordheimer's Valhalla. I know not, nor do I care. Let me live deep while I live; let me know the rich juices of red meat and stinging wine on my palate, the hot embrace of white arms, the mad exultation of battle when the blue blades flame and crimson, and I am content. Let teachers and philosophers brood over questions of reality and illusion. I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content.

Anyone with an adequate education will easily acknowledge that in the mythology of the Eddas itself the essential element does not correspond to the pathos of the emerging and unleashing of elementary forces and of the struggle against them...the essential, in the tradition in question, is to be found in what are ultimately ‘Olympian’ meanings. These are implied, for instance, by the idea of Miðgarðr, which reflects the general idea of a supreme centre and fundamental order of the world, and which, in a way, may be considered the metaphysical basis of the idea of empire; by the symbolism of Valhalla as a mountain whose frozen and bright peak shines of an eternal light beyond all clouds; and, connected to this, the motif of the so called Light of the North in its many variants. In relation to this, I should recall the symbolism of the golden realm of Glaðsheimr, ‘brighter than the sun’...and the image of the celestial place of Gimlé, ‘more magnificent than any other and brighter than the sun,’ which ‘will endure even when the heavens and the earth pass away.’ In this and many other motifs...a trained eye is bound to detect a testimony to a higher dimension in ancient Nordic mythology...According to Völuspá and Gylfaginning, after Ragnarök a ‘new sun’ and ‘new race’ will arise, the ‘divine heroes’... will return to Iðavöllr and find gold, which symbolises the primordial tradition of luminous Asgard and the original state.

For 3,000 years the most sought-after rooms were on the first floor—or the second floor if you’re an American. The piano nobile, the grand first floor, was for animals or the shop. One flight up was the master bedroom and reception rooms, and the further up you went, the lower your status. Scullery maids roosted like swallows in the eaves. But the lift brought us to the penthouse to live with the angels, the glass walls, the silent buffet of the wind, the hiss of climate control. And beneath the great, blinking panorama of the city, wall evaporated into air. No art or bookshelf could compete with the view of omnipotence, the sense of living on Parnassus, a double-glazed Valhalla. And a view suddenly had a value—real estate agents could sell something they didn’t own.

There is no number so unlucky as thirteen. Once, in Valhalla, there was a feast for twelve gods, but Loki, the trickster god, went uninvited and he played his evil games, persuading Hod the Blind to throw a sprig of mistletoe at his brother, Baldur. Baldur was the favorite god, the good one, but he could be killed by mistletoe and so his blind brother threw the sprig and Baldur died and Loki laughed, and ever since we have known that thirteen is the evil number. Thirteen birds in the sky are an omen of disaster, thirteen pebbles in a cooking pot will poison any food placed in the pot, while thirteen at a meal is an invitation to death. Thirteen spears against a fortress could only mean defeat. Even the Christians know thirteen is unlucky. Father Beocca told me that was because there were thirteen men at Christ’s last meal, and the thirteenth was Judas.

The joy of it. The sword joy. I was dancing with joy, joy seething in me, the battle joy that Ragnar had so often spoken of, the warrior joy. If a man has not known it, then he is no man. It was no battle, that, no proper slaughter, just a thief-killing, but it was my first fight and the gods had moved in me, had given my arm speed and my shield strength, and when it was done, and when I danced in the blood of the dead, I knew I was good. Knew I was more than good. I could have conquered the world at that moment and my only regret was that Ragnar had not seen me, but then I thought he might be watching from Valhalla and I raised Serpent-Breath to the clouds and shouted his name. I have seen other young men come from their first fights with that same joy, and I have buried them after their next battle. The young are fools and I was young. But I was good.

Niflheim: the world of primordial darkness, cold, mist, and ice Norns: the three sisters who control the fate of men and women Ormstunga: means serpent’s tongue, from orm (serpent) and stunga (tongue) Prow: the front end of a ship or boat Ragnarök: the final battle between the gods and giants which will bring an end to the gods of Asgard. Sax-knife: a large single-edged knife Skald: a poet, a storyteller Skjaldborg: a shield wall Sleipnir: Odin’s eight-legged horse Snekkja: a viking longship used for battle Stern: the back end of a ship or boat Suðrikaupstefna: Southern Market, from the words suðr (south) and kaupstefna (market) Surtr: a fire giant who leads his kin into battle against the gods of Asgard during Ragnarök Svartalfheim: the world inhabited by the dwarves Tafl: a strategy board game Thrall: a slave Valhalla: Odin’s hall where those who died in battle reside Valknut: a symbol made of three interlocked triangles, also known as Odin’s Knot. It is thought to represent the transition from life to death, Odin, and the power to bind and unbind

The gods of the right-hand path have bickered and quarreled for an entire age of earth. Each other these deities and their respective priests and ministers have attempted to find wisdom in their own lies. The ice age of religious though can last but a limited time in this great scheme of human existence. The gods of wisdom-defiled have had their saga, and their millennium hath become as reality. Each, with his own 'divine' path to paradise, hath accused the other of heresies and spiritual indiscretions. The Ring of the Nibelungen doth carry an everlasting curse, but only because those who seek it think in terms of 'Good' and 'Evil' - themselves at all time 'Good'. The gods of the past have becomes as their own devils in order to live. Feebly, their ministers play the devil's game to fill their tabernacles and pay the mortgages on their temples. Alas, too long have their studies 'righteousness', and poor and incompetent devils they make. So they all join hands in 'brotherly' unity, and in their desperation to go to Valhalla for their last great ecumenical council.

How many of us human animals could endure the sight of our own selves, stripped of the garments of illusion with which we clothe them? In our infancy others begin to garb us in conventional illusions to spare their own sight, and later we ourselves continue the process - we carefully deck ourselves out in elaborate regalia of pretence to hide the raw nakedness of our souls, not only from others, but from ourselves as well. We hate most those who strip us bare - and their motive is generally one of self-protection, as a man points out the deformities in others to draw attention away from his own defects. - A Thunder of Trumpets

Damn it, Sir, I can’t fight a shadow. Without Your cooperation from a weather standpoint, I am deprived of accurate disposition of the German armies and how in the hell can I be intelligent in my attack? All of this probably sounds unreasonable to You, but I have lost all patience with Your chaplains who insist that this is a typical Ardennes winter, and that I must have faith. “Faith and patience be damned! You have just got to make up Your mind whose side You are on. You must come to my assistance, so that I may dispatch the entire German Army as a birthday present to your Prince of Peace. “Sir, I have never been an unreasonable man; I am not going to ask You to do the impossible. I do not even insist upon a miracle, for all I request is four days of clear weather. “Give me four days so that my planes can fly, so that my fighter bombers can bomb and strafe, so that my reconnaissance may pick out targets for my magnificent artillery. Give me four days of sunshine to dry this blasted mud, so that my tanks roll, so that ammunition and rations may be taken to my hungry, ill-equipped infantry. I need these four days to send von Rundstedt and his godless army to their Valhalla. I am sick of this unnecessary butchering of American youth, and in exchange for four days of fighting weather, I will deliver You enough Krauts to keep Your bookkeepers months behind in their work. “Amen.