“
I cared about us. But the cold hard truth was, nothing I said or did could realign the stars.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
There's a disconnect between my mind and my heart, but I feel the truth. They say when people lose their vision, their hearing comes sharper. I've lost part of my memory but maybe my intuition is stronger.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
You're a liar!"
He turned around, his black eyes snapping. "I'm also a thief, a gambler, a cheat, and a murdered. But this happens to be one of the rare times when I'm telling the truth. Go home. Consider yourself lucky. You've got a chance to start fresh. Not everyone can say the same.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
I have licked the fire and danced in the ashes of every bridge I ever burned. I fear no hell from you.
”
”
Nicole Lyons (Hush)
“
Pac-Man? Or is it Donkey Kong?” In truth, it looked a little more violent and military.
A slow grin spread over his face. “Baseball. Think maybe you could stand behind me and give me a few pointers?
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
The truth is scary, but knowing nothing is crippling.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
A noble leader answers not to the trumpet calls of self promotion, but to the hushed whispers of necessity.
”
”
Mollie Marti
“
Remember, a fact is a fact, no matter how hard the liars amongst you might try hushing it up.
”
”
Billy Childish (My Fault)
“
It's amazing how good governments are, given their track records in almost every other field, at hushing up things like alien encounters. One reason may be that the aliens themselves are too embarrassed to talk about it.
It's not known why most of the space-going races of the universe want to undertake rummaging in Earthling underwear as a prelude to formal contact. But representatives of several hundred races have taken to hanging out, unsuspected by one another, in rural corners of the planet and, as a result of this, keep on abducting other would-be abductees. Some have been in fact abducted while waiting to carry out an abduction on a couple of aliens trying to abduct the aliens who were, as a result of misunderstood instructions, trying to form cattle into circles and mutilate crops.
The planet Earth is now banned to all alien races until they can compare notes and find out how many, if any, real humans they have actually got. It is gloomily suspected that there is only one - who is big, hairy, and has very large feet.
The truth may be out there, but the lies are inside your head.
”
”
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
“
If I may ride with you, Citizen Evremonde, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage." As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. He pressed the work-worn, hunger-worn young fingers, and touched his lips.
"Are you dying for him?" she whispered.
"And his wife and child. Hush! Yes."
"Oh, you will let me hold your brave hand, stranger?"
"Hush! Yes, my poor sister; to the last.
”
”
Charles Dickens (A Tale of Two Cities)
“
It would be like a cleansing diet. The problem was, the only diet I'd ever been on backfired. Once I tried to go an entire month without chocolate. Not one bite. At the end of two weeks, I broke down and binged on more chocolate that I would have eaten in three months. I hoped my chocolate-free diet didn't foreshadow what would happen if I tried to avoid Patch.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Joy is not produced because others praise you. Joy emanates unbidden and unforced. Joy comes as a gift when you least expect it. At those fleeting moments you know why you were put here and what truth you serve. You may not feel giddy at those moments, you may not hear the orchestra’s delirious swell or see flashes of crimson and gold, but you will feel a satisfaction, a silence, a peace—a hush. Those moments are the blessings and the signs of a beautiful life.
”
”
David Brooks (The Road to Character)
“
The truth is, normal might take years. Normal might never happen. But it’s definitely not going to happen if I lounge around here watching soaps and avoiding life. I’m going to school today, end of story.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
My Angel,
My greatest hope is that you never have to read this. Vee knows to give you this letter only if my feather is burned and I’m chained in hell or if Blakely develops a devilcraft prototype strong enough to kill me. When war between our races ignites, I don’t know what will become of our future. When I think about you and our plans. I feel a desperate aching. Never have I wanted things to turn out right as as I do now.
Before I leave this world, I need to make certain you know that all my love belongs to you. You are the same to me now as you were before you swore the Changeover Vow. You are mine. Always. I love the strength, courage, and gentleness of your soul. I love your body too. How could someone so sexy and perfect be mine? With you I have purpose-someone to love, cherish and protect.
There are secrets in my past that weigh on your mind. You've trusted me enough not to ask about them, and it's your faith that has made me a better man. I don’t want to leave you with anything hidden between us. I told you I was banished from heaven for falling in love with a human girl. The I way I explained it, I risked everything to be with her. I said those words because they simplified my motivations.
But they weren't the truth. The truth is I had become disenchanted with the archangels’s shifting goals and wanted to push back against them and their rules. That girl was an excuse to let go of an old way of living and accept a new journey that would eventually lead me to you. I believe in destiny, Angel. I believe every choice I've made has brought me closer to you. I looked for you for a very long time. I may have fallen from heaven but I fell for you.
I will do whatever it takes to make sure you win this war. Nephilim will come out on top. You’ll fulfill your vow to the Black Hand and be safe. This is my priority even if the cost is my life. I suspect this will make you angry. It may be hard to forgive me. I promised that we would be together at the end of this and you may resent me for the breaking that vow. I want you to know I did everything to keep my word. As I write this I am going over ever possibility that will see us through this. I hope I find a way. But if this choice I have to make comes down to your or me, I choose you.
I always have.
All my love,
Patch
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
She whispers her hush lullaby in dulcet tones to be carried by the wind sending her message "My today belongs to you.
”
”
Truth Devour (Wantin (Wantin #1))
“
How can an innocent child effortlessly carry such burdens on his shoulders? It’s almost like he’s having a chat with the ancient sages about universal truths. I’ll go on record that he’ll be an incredible sculptor if that’s what he wants to be. Creative types with that kind of vision see their spirits with crystal clearness,” offered Starla.
”
”
JoDee Neathery (A Kind of Hush)
“
In a matter of seconds, the world had turned into a confusing labyrinth; the truth there and not there, shifting out beneath my feet, vanishing when I tried to look it head-on.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
Tomorrow's a red flush in the western sky
Tomorrow's a black hush in the middle night
Tomorrow swears the truth of now, now, and now
In the trembling blue gasp of the morning light
”
”
Shannon Hale (Princess Academy (Princess Academy, #1))
“
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A.
The last words I ever carved into myself, sixteen years after I started: vanish.
Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck.
Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist.
Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving.
For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
”
”
Gillian Flynn (Sharp Objects)
“
Supposing We Really Found Him? It is always shocking to meet life where we thought we were alone. ‘Look out!’ we cry, ‘it’s alive’. And therefore this is the very point at which so many draw back—I would have done so myself if I could—and proceed no further with Christianity. An ‘impersonal God’—well and good. A subjective God of beauty, truth and goodness, inside our own heads—better still. A formless life-force surging through us, a vast power which we can tap—best of all. But God Himself, alive, pulling at the other end of the cord, perhaps approaching at an infinite speed, the hunter, king, husband—that is quite another matter. There comes a moment when the children who have been playing at burglars hush suddenly: was that a real footstep in the hall? There comes a moment when people who have been dabbling in religion (‘Man’s search for God!’) suddenly draw back. Supposing we really found Him? We never meant it to come to that! Worse still, supposing He had found us?
”
”
C.S. Lewis (A Year with C. S. Lewis: Daily Readings from His Classic Works)
“
Their wedding night was in all truth a thing of beauty: the splendor of the celebrations, the hushed intimacy of a private walk under the cryptic light of a large moon, the unexpected delight discovered in the reflection of a candle's flicker in a decanter of aged wine, finally the silent weeping in each other's arms through a night that seemed infinite in its innumerable dimensions.
”
”
Robert Coover (Pricksongs and Descants)
“
Hold fast
To the law
Of the last
Cold tome,
Where the earth
Of the truth
Lies thick
On the page,
And the loam
Of faith
In the ink
Long fled
From the drone
Of the nib
Flows on
Through the breath
Of the bone
Reborn
In a dawn
Of doom
Where blooms
The rose
For the winds
The child
For the tomb
The thrush
For the hush
Of song,
The corn
For the scythe
And the thorn
In wait
For the heart
Till the last
Of the first
Depart,
And the least
Of the past
Is dust
And the dust
Is lost.
Hold fast!
”
”
Mervyn Peake (Gormenghast (Gormenghast, #2))
“
I want to say something slick, like "for five million you can do whatever you want," but I don't. Truth is, even without the money, I would let him touch me like this.
”
”
Lucia Franco (Hush Hush)
“
Let me begin afresh. Perhaps, this time, to tell the truth. For in the biting hush of ink on paper, where truth ought raise its head and speak without fear, I have long lied.
”
”
Rachel Kadish (The Weight of Ink)
“
I am one of those persons who, when sexually immersed, require serious silence, the hush of impeccable concentration. Perhaps it is due to my pubescent training as a Hershey Bar whore, and because I have consistently willed myself to accommodate unscintillating partners - whatever the reason, for me to reach an edge and fall over, all the mechanics must be assisted by the deepest fantasizing, an intoxicating mental cinema that does not welcome lovemaking chatter.
The truth is, I am rarely with the person I am with, so to say; and dependence upon an inner scenery, imagined and remembered erotic fragments, shadows irrelevant to the body above or beneath us - those images our minds accept inside sexual seizure but exclude once the beast has been routed, for, regardless of how tolerant we are, these cameos are intolerable to the meanspirited watchmen within us.
”
”
Truman Capote (Answered Prayers)
“
Thankfully existing only in SMALL pockets within our discipline, is “intellectual” snobbery. It’s a hushed but ugly truth that people are made to feel not worthy to be among a certain set – didn’t attend the right school or don’t have the requisite abbreviations to follow their name. I know what that feels like. Good thing I'm pigheaded, have a bigger vision and committed to my craft, or I would’ve succumbed to it long ago. That is why when I meet an emerging writer who’s serious about developing their craft, I try to encourage them as much as I can. I say IGNORE the highbrow cliques and prove your mettle by growing, accepting balanced feedback and most of all, creating work that will stand the test of time. Period.
”
”
Sandra Sealy
“
She bent down and reached around his trim waist to grab the handcuffs. A bit of a compromising position, given the state of her thoughts, but she had to help the poor guy out before his nose froze off. “There’s a saying here in Switzerland. To be a fool at the right time is an art.” She caught his eye before continuing with the knot. “You better hush, now.”
“Well, there’s a saying in the US, too. Imagination is worse than the truth. I have a real vivid imagination, and you bent over me like this is not helping.
”
”
Melinda Dozier
“
Erect and somber, Washington rode into the middle of a hollow square formed by New York and Connecticut regiments while a chirpy throng of civilians ringed the greensward. A uniformed aide spurred his horse forward; the crowd hushed as he unfolded his script and began to read: “In Congress, July 4, 1776.” Even the most unlettered private recognized that something majestic was in the air. "We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are life, liberty, and the pursuit of happiness. That to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed.
”
”
Rick Atkinson (The British Are Coming: The War for America, Lexington to Princeton, 1775-1777)
“
In comparison to the church, with its constant clamor, the huts had the hushed, sacred air of deathbed scenes, the light barely illuminating the pallid faces of the soldiers, the village women moving slowly in their dark shawls, their children sitting in transfixed vigil by the beds. For these, Margarete always had a crust of bread, a piece of carrot. Sometimes Lucius entertained them by showing them his father’s hand shadows, other times by letting them listen to their hearts. Their wide eyes grew wider with the cold bell of the stethoscope, not seeming to understand what they were hearing, but astonished nonetheless. Manifestly, he did this out of kindness, or a sort of effort at improving relations, though in truth there was something fortifying in the chance to touch skin without gangrene, without fever, the bodies without a wound.
”
”
Daniel Mason (The Winter Soldier)
“
we should all be amazed that we are Christians, that the great God is working in us. In “O Little Town of Bethlehem” we sing, “O holy child of Bethlehem, descend to us, we pray; cast out our sin, and enter in, be born in us today.” It’s a bold image, but quite right. Every Christian is like Mary. Everyone who puts faith in Christ receives, by the Holy Spirit, “Christ in you, the hope of glory” (Colossians 1:27, emphasis mine). We should be just as shocked that God would give us—with all our smallness and flaws—such a mighty gift. And so no Christian should ever be far from this astonishment that “I, I of all people, should be loved and embraced by his grace!” I would go so far as to say that this perennial note of surprise is a mark of anyone who understands the essence of the Gospel. What is Christianity? If you think Christianity is mainly going to church, believing a certain creed, and living a certain kind of life, then there will be no note of wonder and surprise about the fact that you are a believer. If someone asks you, “Are you a Christian?” you will say, “Of course I am! It’s hard work but I’m doing it. Why do you ask?” Christianity is, in this view, something done by you—and so there’s no astonishment about being a Christian. However, if Christianity is something done for you, and to you, and in you, then there is a constant note of surprise and wonder. John Newton wrote the hymn: Let us love and sing and wonder, Let us praise the Savior’s name. He has hushed the law’s loud thunder, He has quenched Mount Sinai’s flame. He has washed us with his blood He has brought us nigh to God.1 See where the love and wonder comes from—because he has done all this and brought us to himself. He has done it. So if someone asks you if you are a Christian, you should not say, “Of course!” There should be no “of course-ness” about it. It would be more appropriate to say, “Yes, I am, and that’s a miracle. Me! A Christian! Who would have ever thought it? Yet he did it, and I’m his.” SHE
”
”
Timothy J. Keller (Hidden Christmas: The Surprising Truth Behind the Birth of Christ)
“
Thomas Jefferson's Letter to John Holmes on the Missouri Statehood Question – April 20, 1820
I thank you, dear Sir, for the copy you have been so kind as to send me of the letter to your constituents on the Missouri question. It is a perfect justification to them. I had for a long time ceased to read newspapers, or pay any attention to public affairs, confident they were in good hands, and content to be a passenger in our bark to the shore from which I am not distant. But this momentous question, like a fire bell in the night, awakened and filled me with terror. I considered it at once as the knell of the Union. It is hushed, indeed, for the moment. But this is a reprieve only, not a final sentence. A geographical line, coinciding with a marked principle, moral and political, once conceived and held up to the angry passions of men, will never be obliterated; and every new irritation will mark it deeper and deeper. I can say, with conscious truth, that there is not a man on earth who would sacrifice more than I would to relieve us from this heavy reproach, in any practicable way. The cession of that kind of property, for so it is misnamed, is a bagatelle which would not cost me a second thought, if, in that way, a general emancipation and expatriation could be effected; and, gradually, and with due sacrifices, I think it might be. But as it is, we have the wolf by the ears, and we can neither hold him, nor safely let him go. Justice is in one scale, and self-preservation in the other. Of one thing I am certain, that as the passage of slaves from one State to another, would not make a slave of a single human being who would not be so without it, so their diffusion over a greater surface would make them individually happier, and proportionally facilitate the accomplishment of their emancipation, by dividing the burthen on a greater number of coadjutors. An abstinence too, from this act of power, would remove the jealousy excited by the undertaking of Congress to regulate the condition of the different descriptions of men composing a State. This certainly is the exclusive right of every State, which nothing in the constitution has taken from them and given to the General Government. Could Congress, for example, say, that the non- freemen of Connecticut shall be freemen, or that they shall not emigrate into any other State?
I regret that I am now to die in the belief, that the useless sacrifice of themselves by the generation of 1776, to acquire self-government and happiness to their country, is to be thrown away by the unwise and unworthy passions of their sons, and that my only consolation is to be, that I live not to weep over it. If they would but dispassionately weigh the blessings they will throw away, against an abstract principle more likely to be effected by union than by scission, they would pause before they would perpetrate this act of suicide on themselves, and of treason against the hopes of the world. To yourself, as the faithful advocate of the Union, I tender the offering of my high esteem and respect.
Th. Jefferson
”
”
Thomas Jefferson
“
A LITTLE while, a little while,
The weary task is put away,
And I can sing and I can smile,
Alike, while I have holiday.
Where wilt thou go, my harassed heart--
What thought, what scene invites thee now
What spot, or near or far apart,
Has rest for thee, my weary brow?
There is a spot, 'mid barren hills,
Where winter howls, and driving rain;
But, if the dreary tempest chills,
There is a light that warms again.
The house is old, the trees are bare,
Moonless above bends twilight's dome;
But what on earth is half so dear--
So longed for--as the hearth of home?
The mute bird sitting on the stone,
The dank moss dripping from the wall,
The thorn-trees gaunt, the walks o'ergrown,
I love them--how I love them all!
Still, as I mused, the naked room,
The alien firelight died away;
And from the midst of cheerless gloom,
I passed to bright, unclouded day.
A little and a lone green lane
That opened on a common wide;
A distant, dreamy, dim blue chain
Of mountains circling every side.
A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dream-like charm,
Wild moor-sheep feeding everywhere.
THAT was the scene, I knew it well;
I knew the turfy pathway's sweep,
That, winding o'er each billowy swell,
Marked out the tracks of wandering sheep.
Could I have lingered but an hour,
It well had paid a week of toil;
But Truth has banished Fancy's power:
Restraint and heavy task recoil.
Even as I stood with raptured eye,
Absorbed in bliss so deep and dear,
My hour of rest had fleeted by,
And back came labour, bondage, care.
”
”
Emily Brontë
“
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know i have experienced pain in many different forms, and I'm sure you have too. In most cases, though, im sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering , we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''
He broke off and looked around the room once again.
''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''
Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.
''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.
”
”
Haruki Murakami
“
And what about your brother, Agus? Will he be entertaining us with his pipes?”
“Agg,” Shanks rasped, wrinkling his nose. “I didn’t tell you? He ain’t with us no more.” A heavy fist slammed on the arm of the Viidun’s chair as he growled, “The idiot went off and got himself killed!”
“What?” Derian and Eena replied in unison, both horrified by the news.
“You heard me!” Shanks bellowed. “The crazy fool should’ve known when to duck. He died in a bloody challenge with some brainless Deramptium! A downright disgraceful way to die! I’m ashamed to say he was my brother!”
“That’s a little harsh, isn’t it?” Eena muttered, mostly speaking to Derian.
“What was that?” the Viidun demanded.
Derian whispered a hush to Eena. Addressing Shanks, he expressed their condolences. “We are truly sorry for your loss. Your brother will be sorely missed. On the other hand, we look forward to welcoming you and your crew aboard the Kemeniroc.” Derian held up his right hand, extending his thumb and two adjoining fingers. “Strength, truth, and honor, friend,” he said, ending their conversation.
“Strength, truth, and honor,” Shanks repeated.
The screen went black. The captain turned to Eena who was still in shock.
“You have to understand,” he explained, “the Viiduns are a fiercely competitive people with proud, warring ways. Their culture doesn’t call for much sympathy, especially when it appears one of their own has failed to live up to expectations.”
Eena was still disturbed by the lack of compassion. “But that was his brother.”
“I know. I can hardly believe it myself. Shanks and Agus were very close. They traveled everywhere together. All I can figure is it’s easier for Shanks to express his anger than his anguish.”
“After all that, I’m not sure I want to meet him in person. He scares me,” she admitted.
Derian laughed. “He scares everyone. That’s why you want to keep him as an ally and not make him an enemy.
”
”
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
“
An ‘impersonal God’—well and good. A subjective God of beauty, truth and goodness, inside our own heads—better still. A formless life-force surging through us, a vast power which we can tap—best of all. But God Himself, alive, pulling at the other end of the cord, perhaps approaching at an infinite speed, the hunter, king, husband—that is quite another matter. There comes a moment when the children who have been playing at burglars hush suddenly: was that a real footstep in the hall? There comes a moment when people who have been dabbling in religion (‘Man’s search for God!’) suddenly draw back. Supposing we really found Him? We never meant it to come to that! Worse still, supposing He had found us?
”
”
C.S. Lewis (Miracles)
“
Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.
”
”
Jenny Offill (Dept. of Speculation)
“
SHE TOLD ME THE EARTH LOVES US by Anne Haven McDonnell
She said it softly, without a need
For conviction or romance.
After everything? I asked, ashamed.
That’s not the kind of love she meant.
She walked through a field of gray
Beetle-bored pine, snags branching
Like polished bone. I forget sometimes
How trees look at me with the generosity
Of water. I forget all the other
Breath I’m breathing in.
Today I learned that trees can’t sleep
With our lights on. That they knit
A forest in their language, their feelings.
This is not a metaphor.
Like seeing faces across the crowd,
We are learning al the old things,
Newly shined and numbered.
I’m always looking
For a place to lie down
And cry. Green, mossed, shaded.
Or rock-quiet, empty. Somewhere
To hush and start over
I put on my antlers in the sun.
I walk through the dark gates of the trees.
Grief waters my footsteps, leaving
A trail that glistens.
”
”
Ayana Elizabeth Johnson (All We Can Save: Truth, Courage, and Solutions for the Climate Crisis)
“
I tell you, I know what it is.” “What is it? What is it? Is it hard or soft? Harry. Is it blue? Is it red? Does it have polka dots?” It hits Rabbit depressingly that he really wants to be told. Underneath all this I-know-more-about-it-than-you heresies-of-the-early-Church business he really wants to be told about it, wants to be told that it is there, that he’s not lying to all those people every Sunday. As if it’s not enough to be trying to get some sense out of this crazy game you have to carry around this madman trying to swallow your soul. The hot strap of the bag gnaws at his shoulder. “The truth is,” Eccles tells him with womanish excitement, in a voice embarrassed but determined, “you’re monstrously selfish. You’re a coward. You don’t care about right or wrong; you worship nothing except your own worst instincts.” They reach the tee, a platform of turf beside a hunchbacked fruit tree offering fists of taut ivory-colored buds. “Let me go first,” Rabbit says. “ ’Til you calm down.” His heart is hushed, held in mid-beat, by anger. He doesn’t care about anything except getting out of this tangle. He wants it to rain. In avoiding looking at Eccles he looks at the ball, which sits high on the tee and already seems free of the ground. Very simply he brings the clubhead around his shoulder into it. The sound has a hollowness, a singleness he hasn’t heard before. His arms force his head up and his ball is hung way out, lunarly pale against the beautiful black blue of storm clouds, his grandfather’s color stretched dense across the north. It recedes along a line straight as a ruler-edge. Stricken; sphere, star, speck. It hesitates, and Rabbit thinks it will die, but he’s fooled, for the ball makes its hesitation the ground of a final leap: with a kind of visible sob takes a last bite of space before vanishing in falling. “That’s it!” he cries and, turning to Eccles with a grin of aggrandizement, repeats, “That’s it.
”
”
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
“
Did you ever see such art?’ whispered Eliza, who was my nearest neighbour. ‘Would you not say they were perfect strangers?’ ‘Almost; but what then?’ ‘What then; why, you can’t pretend to be ignorant?’ ‘Ignorant of what?’ demanded I, so sharply that she started and replied,— ‘Oh, hush! don’t speak so loud.’ ‘Well, tell me then,’ I answered in a lower tone, ‘what is it you mean? I hate enigmas.’ ‘Well, you know, I don’t vouch for the truth of it—indeed, far from it—but haven’t you heard—?’ ‘I’ve heard nothing, except from you.’ ‘You must be wilfully deaf then, for anyone will tell you that; but I shall only anger you by repeating it, I see, so I had better hold my tongue.’ She closed her lips and folded her hands before her, with an air of injured meekness. ‘If you had wished not to anger me, you should have held your tongue from the beginning, or else spoken out plainly and honestly all you had to say.’ She turned aside her face, pulled out her handkerchief, rose, and went to the window, where she stood for some time, evidently dissolved in tears. I was astounded, provoked, ashamed—not so much of my harshness as for her childish weakness.
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
Yes, they are extremely fucking sexy if you must know,” he said, scarcely believing the words coming out of his mouth. It was simply the truth; somehow the markings enhanced the muscular young man’s beauty in a way that made Jon feel hot inside. “But… What do they mean? Do you know?” he asked. Tom looked down at himself and shrugged. “The lot of it could be pure fancy, love. But… the man who did it, he told me that this here”—Tom put his fingers over Jon’s—“is a map of the Devil’s Isles and beyond. Somethin’ about lost knowledge.” Jon’s breath caught in his throat and he looked at Tom, alarmed. “Gods, Tom. Now you won’t believe me when I tell you what we’re planning,” he said in a hush. Tom was quiet for a long time after Jon told him of their plans and of the captain’s intention to ask him to be first mate again. Jon rested against Tom’s wide shoulder, waiting for the big man to say something. When Tom finally spoke, it was a rumble against Jon’s ear. “If ye don’t mind, love, I’d like a day to think about it before I give ye my answer. Can ye grant me that, lad?” asked Tom, his rough hand coming up to rest against Jon’s bare chest. Jon nodded his head and closed his eyes.
”
”
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
“
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''
He broke off and looked around the room once again.
''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''
Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.
''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''
He broke off and looked around the room once again.
''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as a kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''
Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.
''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
When you said our engagement is subject to your family’s approval,” he ventured, “I hope you don’t expect it to be unanimous.”
“I would like it to be. But it’s not a requirement.”
“Good,” he said. “Because even if I manage to talk Trenear into it, debating with West will be like tilting at windmills.”
She looked up at him alertly. “Was Don Quixote one of the books you read?”
“To my regret, yes.”
“You didn’t like it?”
Tom gave her a sardonic glance. “A story about a middle-aged lunatic who vandalizes private property? Hardly. Although I agree with Cervantes’ point that chivalry is no different from insanity.”
“That’s not at all what he was saying.” Cassandra regarded him ruefully. “I’m beginning to suspect you’ve missed the point of every novel you’ve read so far.”
“Most of them are pointless. Like the one about the French bread thief who violated his parole—”
“Les Misérables?”
“Yes. It took Victor Hugo fourteen hundred pages to say, ‘Never let your daughter marry a radical French law student.’ Which everyone already knows.”
Her brows lifted. “Is that the lesson you took from the novel?”
“No, of course not,” he said promptly, reading her expression. “The lesson of Les Misérables is …” Tom paused cagily before taking his best guess. “… ‘It’s usually a mistake to forgive your enemies.’”
“Not even close.” Amusement lurked at the corners of her mouth. “I have my work cut out for me, it seems.”
“Yes,” Tom said, encouraged by the remark. “Take me on. Influence me for the better. It will be a public service.”
“Hush,” Cassandra begged, touching his lips with her fingers, “before I change my mind.”
“You can’t,” Tom said, knowing he was taking the words more seriously than she’d intended. But the very idea was like an ice pick to the heart. “That is, don’t. Please. Because I …” He couldn’t break their shared gaze. Her blue eyes, as dark as a cloudless midnight, seemed to stare right inside him, gently and inexorably prying out the truth. “… need you,” he finally muttered.
Shame caused his face to sting as if from spark burns. He couldn’t believe what he’d just said, how weak and unmanly it had sounded.
But the strange thing was … Cassandra didn’t seem to think less of him for it. In fact, she was looking at him with more certainty now, nodding slightly, as if his mortifying admission had just cemented the bargain.
Not for the first time, Tom reflected there was no understanding women.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
The renegade strand of hair nipped her eyes once more. With a swift, steady hand, Oscar pushed it away from her face. His fingertip left a trail of fire along her cheek. Camille reached up to help him tuck the strand back, and their fingers met. She knew for certain the flush had returned to her ears.
Oscar dropped his arm and walked to the rail, wrapping his strong hands around the carved wood.
“He is used to having things go his way,” Oscar said, his voice low and only for her ears. Camille moved to stand beside hm.
“Have you always done everything he’s asked of you?” She was cautious not to come off sounding snide.
His knuckles whitened as he gripped the rail tighter, as if to hold something back. Hold something in.
“No.”
She hadn’t expected him to give her an answer, and certainly not that one.
“No? I don’t believe it. What have you done that’s gone against his wishes?”
Oscar had been her father’s shadow since day one. He’d watched and obeyed William Rowen with the kind of devotion any eager apprentice would show his teacher.
Oscar had been staring at the water, at the mounting churn of the waves. Now he shifted his eyes to her and fixed her with a look so strong and deep, she felt helpless beneath it.
“He asked me to stop associating with you,” he answered, still hushed. Camille’s eyes watered with mortification and dread. Her father had spoken to Oscar, too. She wiped her sweaty palms on the hips of her trousers.
“But clearly,” Oscar continued, leaning toward her, “I didn’t listen.”
His gaze revolved out to the ocean again, releasing Camille. Air flowed back down her windpipe. This was beyond humiliation. Her father couldn’t do this. He couldn’t order people to stop speaking to her.
“Why not?” she asked, her breath uneven from a cross of fury and the steadfast way Oscar had looked at her. “He could fire you.”
He moved away from the rail.
“If he wants to fire me for speaking to you, for looking at you…” He turned back to her on his way to the quarterdeck and held her gaze again. “Then I’ll risk it.”
She watched in awe as Oscar took the helm from a sailor and placed himself behind the great spoked wheel. He’d risk everything he had to be able to speak with her, to just look at her. His bravery made her feel no taller than a hermit crab. She’d so quickly, dutifully, accepted her father’s request to set her focus solely on Randall. But she mattered to Oscar. She mattered, and that one truth made her wish she was brave enough to risk everything, too.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
For Miranda could see them now--Nathan and Ellena--alone in the barn at midnight, while Hayes House slept. The way they held each other, clung to each other, in the soft glow of lantern light, as though they were the only two people in the world.
Accomplices…and sweethearts.
Slowly, reluctantly, they drew apart. Nathan, handing Ellena his pocket watch…Ellena, giving Nathan a watch chain braided from her beautiful red hair…
“Someday,” Nathan whispered, wiping tears from Ellena’s cheeks. “Someday when this terrible war is over, we won’t have to hide like this. We won’t have to hide our feelings for each other…we’ll finally be together.”
“But I’m afraid, Nathan. I’m so afraid! Something bad is going to happen--I can feel it!”
“Hush now. Nothing’s going to happen, my love. We’ve been careful; we’ll be safe.”
“Promise you’ll come back to me…”
“Yes. Always. I promise.”
Very gently Ellena touched the braid in his hand. “And promise me you’ll keep this close to your heart.”
“I swear it. And someday, I’ll wear my watch and your chain together. Together, Ellena. Just like you and me…”
Miranda began to come back to herself.
She could feel the watch chain pressing into her skin--she wanted to hold it close, she wanted to fling it away.
“A fair exchange,” Travis Fontaine had said that tragic, deadly night. “My mercy…for your betrayal.”
Through a slow, lingering haze, Miranda stared down at the braid. This beautiful red hair over a hundred years old, yet she could still feel the love, the devotion, the tears in every strand…
Ellena’s tears…Nathan’s tears…the tears of Travis Fontaine.
Because he’s the one, isn’t he, Ellena? When Nathan was caught, Travis Fontaine--the other man who loved you so much--saw that watch chain and recognized that watch chain…
Because he recognized your hair.
Miranda was quivering. Shaking with fear, with grief, with regret. Shaking with over a century of emotions, the emotions of three people trapped in a pitiless fate.
Oh, Ellena Rose…he knew your hair.
Nathan didn’t betray you. Even though he was captured, even when he was tortured, he never betrayed you.
Miranda’s eyelids finally opened. She was sitting at the kitchen table; the hands on the clock had scarcely moved. And instead of the questions that had haunted her, there was only a deep, sad wisdom.
For she knew the rights and the wrongs…
The truths and the lies…
The betrayed and the betrayer.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
I didn't care that they snickered when I answered yes, or spoke in hushed tones. Because now, I didn't care what they thought. It wasn't new, this realization that I would never be like them. What was different now was that I was glad.
”
”
Sarah Dessen (The Truth About Forever)
“
From death itself I endeavoured to extract its secret; and whole nights I have sat in the crowded asylums of the dying, watching the last spark flutter and decay. Men die away as in sleep, without effort, or struggle, or emotion. I have looked on their countenances a moment before death, and the serenity of repose was upon them, waxing only more deep as it approached that slumber which, is never broken: the breath grew gentler and gentler, till the lips it came from fell from each other, and all was hushed; the light had departed from the cloud, but the cloud itself, gray, cold, altered as it seemed, was as before. They died and made no sign. They had left the labyrinth without bequeathing us its clew. It is in vain that I have sent my spirit into the land of shadows — it has borne back no witnesses of its inquiry. As Newton said of himself, ‘I picked up a few shells by the seashore, but the great ocean of truth lay undiscovered before me.
”
”
Edward Bulwer-Lytton (Complete Works of Edward Bulwer-Lytton)
“
The history of the land is a history of blood.
In this history, someone wins and someone loses. There are patriots and enemies. Folk heroes who save the day. Vanquished foes who had it coming.
It’s all in the telling.
The conquered have no voice. Ask the thirty-eight Santee Sioux singing the death song with the nooses around their necks, the treaty signed fair and square, then nullified with a snap of the rope. Ask the slave women forced to bear their masters’ children, to raise and love them and see them sold. Ask the miners slaughtered by the militia in Ludlow.
Names are erased. The conqueror tells the story. The colonizer writes the history, winning twice: A theft of land. A theft of witness.
Oh, but let’s not speak of such things! Look: Here is an eagle whipping above the vast grasslands where the buffalo once thundered bold as gods. (The buffalo are here among the dead. So many buffalo.) There is the Declaration in sepia. (Signed by slave owners. Shhh, hush up about that, now!) See how the sun shines down upon the homesteaders’ wagons racing toward a precious claim in the nation’s future, the pursuit of happiness pursued without rest, destiny made manifest? (Never mind about those same homesteaders eating the flesh of neighbors. Winters are harsh in this country. Pack a snack.)
The history is a hungry history. Its mouth opens wide to consume. It must be fed. Bring me what you would forget, it cries, and I will swallow it whole and pull out the bones bleached of truth upon which you will hang the myths of yourselves. Feed me your pain and I will give you dreams and denial, a balm in Gilead. The land remembers everything, though. It knows the steps of this nation’s ballet of violence and forgetting.
The land receives our dead, and the dead sing softly the song of us: blood. Blood on the plains. In the rivers. On the trees where the ropes swing. Blood on the leaves. Blood under the flowers of Gettysburg, of Antioch. Blood on the auction blocks. Blood of the Lenape, the Cherokee, the Cheyenne. Blood of the Alamo. Blood of the Chinese railroad workers. Blood of the midwives hung for witchcraft, for the crime of being women who bleed. Blood of the immigrants fleeing the hopeless, running toward the open arms of the nation’s seductive hope, its greatest export. Blood of the first removed to make way for the cities, the factories, the people and their unbridled dreams: The chugging of the railways. The tapping of the telegram. The humming of industry. Sound burbling along telephone wires. Printing presses whirring with the day’s news. And the next day’s. And the day after that’s. Endless cycles of information. Cities brimming with ambitions used and discarded.
The dead hold what the people throw away. The stories sink the tendrils of their hope and sorrow down into the graves and coil around the dead buried there, deep in its womb.
All passes away, the dead whisper. Except for us. We, the eternal. Always here. Always listening. Always seeing.
One nation, under the earth. E Pluribus unum mortuis.
Oh, how we wish we could reach you! You dreamers and schemers! Oh, you children of optimism! You pioneers! You stars and stripes, forever! Sometimes, the dreamers wake as if they have heard. They take to the streets. They pick up the plow, the pen, the banner, the promise. They reach out to neighbors. They reach out to strangers. Backs stooped from a hard day’s labor, two men, one black, one white, share water from a well. They are thirsty and, in this one moment, thirst and work make them brothers. They drink of shared trust, that all men are created equal. They wipe their brows and smile up at a faithful sun.
”
”
Libba Bray
“
What impressed Yali most were not the roads, the lights, and the tall buildings, but the Queensland Museum and the Brisbane Zoo. To his amazement, the museum was full of native New Guinea artifacts. One of the exhibits even contained his own people's carved ceremonial mask worn in the great puberty rituals of former times -- the very same mask which the missionaries had called the "works of Satan." Now, carefully preserved behind glass, the mask was being worshiped by priests in white frocks and a steady stream of well-dressed visitors, who talked in hushed tones.
...
It was not until after the war, while attending a government conference in Port Moresby, the capital of Australian New Guinea, that Yali realized the extend to which the missionaries had been lying to the natives. During the course of the conference Yali was shown a certain book which contained pictures of apes and monkeys becoming progressively more similar to men. At last the truth dawned on him: The missionaries had said that Adam and Eve were man's ancestors, but the whites really believed their own ancestors were monkeys, dogs, cats, and other animals.
”
”
Marvin Harris (Cows, Pigs, Wars, and Witches: The Riddles of Culture)
“
For a long time, three dots in a row along the writing baseline designated something lost and unknown, then at some point also something unuttered and unutterable; no longer only something omitted or left out, but also something left open. Hence the three dots became a symbol that invites one to think the allusion to its conclusion, imagine that which is missing, a proxy for the inexpressible and the hushed-up, for the offensive and obscene, for the incriminating and speculative, for a particular version of the omitted: the truth.
”
”
Judith Schalansky (An Inventory of Losses)
“
It's not always a storm. Sometimes it's a mist that descends from the sky, coating my body with faint wisps of despair. Or it's like walking out of my house and into a spiderweb that winds itself around my head, so that I spend the rest of the day swatting at my face and arms trying to brush off this phantom creeping. Or an uncomfortable itch in that space between bone and flesh that makes me want to remove my skin and hand it off to someone else, makes me want to peel my fingertips and expose blood. Anything to make this hushed suffering louder because when it's quiet it doesn't feel real.
”
”
Bassey Ikpi (I'm Telling the Truth, but I'm Lying: Essays)
“
Lamps are made needless by the advent of the sun; and, on the appearance of the truth, the occupation of the Law is gone, and prophecy is hushed into silence. He, on the contrary, who has been empowered to look down into the depth of the meaning of the Law, and, after passing through the obscurity of the letter, as through a veil, to arrive within things unspeakable, is like Moses taking off the veil when he spoke with God. He, too, turns from the letter to the Spirit.
”
”
Basil the Great (Basil: Letters and Select Works)
“
heads in shame.” “Why? I don’t understand. Dragons were monsters.” “Dragons are truth,” snapped Maralina. “Dragons are magic. Without them, the world would have been overrun with darkness of every kind. They should have been protected rather than exterminated.” “Why? If they hunted men and—” “Hush. Remember the parable of the wolf and the shepherd. Remember the history of the fall of Hakkia. You believe with all your heart that the truth is that dragons are evil, Kagen Vale. You were told this by teachers and Gardeners and others. But they told you what they were told, and what the generations before told them. All those repetitions make you believe this is a known and immutable truth, but is it? How would you—or could you—know otherwise?
”
”
Jonathan Maberry (Kagen the Damned (Kagen the Damned, #1))
“
Poetry to Wordsworth was the "spontaneous overflow of powerful feelings". He believed that it could not be composed under duress. It was a matter of feeling and mood. It flowed out naturally from the poet's heart. He further added that it could not be made to flow through artificially laid pipes.
It is essentially a matter of expressing powerful feelings. felt in the heart and not generated in the mind. It is connected with feelings. A poet is not an ordinary man speaking to man. He thinks long and deeply. He differs from his fellowmen only in degree. He communicates his experience and communicates in such a way as to give pleasure.
The function of poetry is to ennoble and edify. The poet is a teacher and through the medium of poetry he imparts moral lessons for the betterment of human life. Poetry, in this sense, is an instrument for the propagation of moral thoughts. It discovers truth-a truth not to be attained by any sort of intellectual elaboration, but by a purging of the eye, an intense and rare simplicity of outlook.
Modern poetry, on the other hand, deals with new thoughts and new forms. There are the new values of modern art and its new ways. There is new vitality, for modern poetry has the rhythm of life its throb of joy, its hush of pain, its infinity of experience. The modern poet does not take us on a perpetual joy, because that gets on our nerves. Instead we are welcome to walk with him on the more human roads, stony and dismal like asphalt and tediously endless like life.
This collection of poems is a colourful presentation of the various facets of life. It draws vivid pictures of the beauties of nature, men and women, joys and sorrows, life and its reflections and fun and laughter.
It is confidently hoped that the reading of the poems will have a positive bearing on the minds of the young readers. They will begin to understand the full meaning of life.
”
”
Michael Shane Calvert (The Golden Lyre (A Collection of Poems))
“
If you don’t speak the right things, then hush! If you don’t hush, then speak the right things!
”
”
Mehmet Murat ildan
“
So this be how I bring the cure at last to all the Nighted States, save every poory children, young to die. Is how a city kilt for selfish love, and rise from this same smallness. Be how the new America begin, in wars against all hope—a country with no power in a world that hate its life. Be what I seeing, when our Russian boat pull to the nighten waters, as the shore hush from me, drift away all worlds I known. See the shore and see the smoke of Quantico afar, and I comprehend, this all a country, and is mine. Pasha be by me, in his sorrow, talking how he bad for life, and I hold his hand in habit, watch my townie stars, the brushy land beneath their eyes. And I know, inside this final loss, I going to save this place. I be small in all this blackness world, this ship of drunken vampires, but through my hearten wounds, I living yet, and all my love the same. Nor death been ever arguments to me, I know my truth. I know ain't evils in no life nor cruelties in no red hell can change the vally heart of Ice Cream Star.
”
”
Sandra Newman (The Country of Ice Cream Star)
“
People spent entire lives fooling themselves. Talking about the things they were going to do, discussing their Big Plans. When all they were really doing was trying to get by day to day. Because the truth was, people had to have something to dream about, to hold as sacred, even if it was something they would never accomplish.
”
”
Anne Frasier (Hush)
“
Max knew Ethan didn’t want to be seen crying, and Max wanted to respect his privacy, but he couldn’t let the evening end like this, not without telling his son one final thing, the unabashed, unvarnished truth. “I adopted you because Cecilia begged me to,” Max said from the doorway. “But sometimes fortune falls on those who least expect it. I’m one of those people. You brought something into my life that had been lacking. You are my son. I love you more than I can ever say. And I can’t begin to comprehend how empty my life would be without you in it.
”
”
Anne Frasier (Hush)
“
Aye, love,” he said softly. “Dangerous. Ye had the right word after all.” Jon opened his eyes and looked at Tom in torment. “There are… words I want to say to you,” he breathed. Tom’s brow creased deep, and he let out a soft groan as if he were in pain; Jon could feel the rapid thrum of the big heart that beat beneath the brawn and scars of Tom’s broad chest. “Don’t, Jon,” said Tom quickly, his voice sounding ragged and weak. “Hush.” He reached for the lantern and turned the cover so that the light from the flame was blocked. After pulling Jon down on the bed, Tom fumbled for him in the dark with gentle hands that shook. Jon let out a low moan as Tom covered his face with impossibly soft kisses before finally meeting his lips with breathless passion. The kiss was endless, staggering. It was as if a dam had broken between the men as they strained against each other on the hard mattress. They were raw with desire and truths unsaid, both wanting to draw the moment out as long as they could, knowing that it might be a very long time before they had a chance to shed their skins and press their scarred hearts together again.
”
”
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
“
I leaned against Keir's shoulder with a sigh. Simus had produced Keir's weapons and leather armor and Keir was once again the fierce, well-armed warrior of the Plains. A pity really. He'd looked wonderful in those trous. Maybe I could convince him to wear them to bed? I felt my lips curl into a smile at the idea. Keir, lying on our bed, wearing naught but. . .
As if he caught my thought, Keir's lips brushed my ear. "That is an interesting look, Warprize." He nuzzled my neck. "What are you thinking of?"
I gave him a sideways glance, and decided to be honest. "You. Those trous. Our bed."
Keir cleared his throat and shifted on his stool.
I lowered my voice. "Our own private celebration." I put my hand on his thigh, and scratched my fingers over the leather.
He put his hand over mine, capturing it. "It would be rude to leave before seeing Atira's pattern danced."
I sighed. "Truth. But then, you are a Warlord of the Plains. Bold. Demanding." I wiggled my fingers in his grasp. "Rude, upon occasion."
"None of that now." Marcus spoke behind me. He was cloaked, and staying behind us.
"Mar-cus," I whined.
"War-prize," he mimicked. "Time enough for that after the patterns are danced. Woven especially for this celebration."
"Yes." Keir squeezed my fingers, looking smug. "Behave, Warprize."
I looked at him in astonishment.
Marcus snorted. "Like you aren't a stallion ready for his mare."
I straightened at that, flushing up like a girl. "Marcus!"
"Hush, the both of you," Marcus scolded. "I've a tent set up, down by the water, far from any others, where you can be as private as the Warprize desires
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”
Elizabeth Vaughan (Warlord (Chronicles of the Warlands, #3))
“
Then you had to finally face the truth: There were no answers. Ethan
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Anne Frasier (Hush)
“
What is it?” he asked quietly, his eyes full of concern. “What have you been doing that’s so terrible?” A great shudder of anguish moved through Velvet. Once he learned the truth Hank would never forgive her, but there had been enough running away, and she couldn’t bring herself to lie. Not to this man. She accepted the handkerchief he offered and dried her face. “Things was hard after Pa and Eldon died,” she managed to say, mopping at her eyes again. Hank nodded, his gaze tender, silently urging her to go on. Velvet drew in a deep breath and gripped a picket of the gate in one hand. For the first time in her life she thought she might faint. “I did cleanin’ work mostly till I came to Fort Deveraux. I’d heard I could make a lot of money here, washin’ clothes for the soldiers.” She paused and looked away for a moment, drawing strength from the orange and crimson blaze of the setting sun. “I found out soon enough that there were a lot of other women here lookin’ to wash clothes—there just wasn’t enough work to go around. I—I ended up takin’ money from men.” For a moment Hank just stood there, the color draining out of his skin. “For what?” he asked, his voice a low rasp. Velvet felt as though she was being torn apart piece by piece, organ by organ. She lowered her eyes for a moment, then met Hank’s gaze squarely. He knew—she could see that—but he was going to make her tell him. “For sleepin’ with me,” she said. With a muttered exclamation Hank turned away, his broad shoulders stiff beneath the rough, plain fabric of his shirt. Velvet reached out her hand, then let it fall helplessly to her side. She’d lost him a second time, and the experience was a cruel one. She doubted she’d ever recover from it. “I’m sorry,” she whispered. He whirled so suddenly that Velvet was startled and leapt backward. His face was taut with anger and pain. “You were my woman,” he whispered with hoarse fury. “How could you have let another man touch you?” The resilience that had allowed Velvet to survive the many hardships life had dealt her surged to the fore. She advanced on Hank, raging. “I wasn’t your woman. I wasn’t anybody’s woman. I was all alone in this world, and I did what I had to do!” Hesitantly Hank lifted his hand to her face. His thumb brushed away a tear. “There wasn’t a day or a night that I didn’t think about you, Velvet.” She hugged herself, afraid to hope or trust. “I didn’t love none of those men,” she said miserably. “I could only stand lettin’ them touch me because I pretended they was you.” Hank’s smile was soft and infinitely sad. “I’m not going to lose you again because of pride,” he said. “I don’t like that you took money from those men, but I figure I love you enough to get by that in time. All that really matters to me is now, Velvet. Now and next week and next year, and all the years after that, when you and I are going to be together.” Velvet hardly dared to believe her ears. She’d had very little good fortune in her life; she didn’t know how to deal with much besides trouble. “Folks around here won’t ever forget—there’ll be talk—” He laid two fingers to her lips, silencing her. “I don’t care,” he said. “I’ve found you. That’s all that’s important.” With a sob, Velvet let her head drop against Hank’s sturdy chest. Tenderly he enfolded her in his arms. “Hush, now,” he said. “Things are going to be different after this. Very different.” An
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Linda Lael Miller (Lily and the Major (Orphan Train, #1))
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You want me to report what he says about He-Who-Must-Not-Be-Named?” Rita asked Hermione in a hushed voice. “Yes, I do,” said Hermione. “The true story. All the facts. Exactly as Harry reports them. He’ll give you all the details, he’ll tell you the names of the undiscovered Death Eaters he saw there, he’ll tell you what Voldemort looks like now — oh, get a grip on yourself,” she added contemptuously, throwing a napkin across the table, for at the sound of Voldemort’s name, Rita had jumped so badly that she had slopped half her glass of firewhisky down herself. Rita blotted the front of her grubby raincoat, still staring at Hermione. Then she said baldly, “The Prophet wouldn’t print it. In case you haven’t noticed, nobody believes his cock-and-bull story. Everyone thinks he’s delusional. Now, if you let me write the story from that angle —” “We don’t need another story about how Harry’s lost his marbles!” said Hermione angrily. “We’ve had plenty of those already, thank you! I want him given the opportunity to tell the truth!” “There’s no market for a story like that,” said Rita coldly. “You mean the Prophet won’t print it because Fudge won’t let them,” said Hermione irritably. Rita gave Hermione a long, hard look. Then, leaning forward across the table toward her, she said in a businesslike tone, “All right, Fudge is leaning on the Prophet, but it comes to the same thing. They won’t print a story that shows Harry in a good light. Nobody wants to read it. It’s against the public mood. This last Azkaban breakout has got people quite worried enough. People just don’t want to believe You-Know-Who’s back.” “So the Daily Prophet exists to tell people what they want to hear, does it?” said Hermione scathingly. Rita sat up straight again, her eyebrows raised, and drained her glass of firewhisky. “The Prophet exists to sell itself, you silly girl,” she said coldly.
”
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J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
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February 16 MORNING “I have learned, in whatever state I am, therewith to be content.” — Philippians 4:11 THESE words show us that contentment is not a natural propensity of man. “Ill weeds grow apace.” Covetousness, discontent, and murmuring are as natural to man as thorns are to the soil. We need not sow thistles and brambles; they come up naturally enough, because they are indigenous to earth: and so, we need not teach men to complain; they complain fast enough without any education. But the precious things of the earth must be cultivated. If we would have wheat, we must plough and sow; if we want flowers, there must be the garden, and all the gardener’s care. Now, contentment is one of the flowers of heaven, and if we would have it, it must be cultivated; it will not grow in us by nature; it is the new nature alone that can produce it, and even then we must be specially careful and watchful that we maintain and cultivate the grace which God has sown in us. Paul says, “I have learned . . . to be content;” as much as to say, he did not know how at one time. It cost him some pains to attain to the mystery of that great truth. No doubt he sometimes thought he had learned, and then broke down. And when at last he had attained unto it, and could say, “I have learned in whatsoever state I am, therewith to be content,” he was an old, grey-headed man, upon the borders of the grave — a poor prisoner shut up in Nero’s dungeon at Rome. We might well be willing to endure Paul’s infirmities, and share the cold dungeon with him, if we too might by any means attain unto his good degree. Do not indulge the notion that you can be contented with learning, or learn without discipline. It is not a power that may be exercised naturally, but a science to be acquired gradually. We know this from experience. Brother, hush that murmur, natural though it be, and continue a diligent pupil in the College of Content.
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Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
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As I lay in bed the night after Larry abused me, I remembered the time I’d found out why we’d lost our church and had begun to recognize how too many churches treat sexual abuse. The unwillingness to believe. The refusal to engage with experts. The denigration of those who do. Hushed secrecy to preserve the image of “the gospel,” when justice would demonstrate the love of Christ so much better.
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Rachael Denhollander (What Is a Girl Worth?: My Story of Breaking the Silence and Exposing the Truth about Larry Nassar and USA Gymnastics)
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What do you do with this inner trash talk? Similar to athletes who deal with trash talk, you have to learn to focus on the task at hand, not the trash talk. Think about it. Do you ever see a visiting football player try to hush the home team’s crowd? Of course not—it’s not a productive use of energy. In the same way, trying to tell your inner voices to stop talking trash will only increase their volume.
Once you allow yourself to confront this trash talk head-on, you may start to see ways to move past it. It can be hard to be honest with yourself, but the Think part of engaging your core is key here. Ask yourself: Where do these thoughts and beliefs come from? How do they serve me? What would it look like to move past them?
This is the time to stop accepting all of your trash-talking thoughts as truth and discover new ways to move forward.
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Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
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Away deep in the aim to study himself in the school of the land his ancestors' gravestones flowered, Rip planned to burn his oil on the journey for growth by the hike, the thumb, the hitch, the rod, the freight, the rail, and he x'd New York on a map and pencilled his way to and into and through and under and up and between and over and across states and capitals and counties and cities and towns and villages and valleys and plains and plateaus and prairies and mountains and hills and rivers and roadways and railways and waterways and deserts and islands and reservations and titanic parks and shores and, ocean across to ocean and great lakes down to gulfs, Rip beheld the west and the east and the north and the south of the Brobdingnagian and, God and Christ and Man, it was a pretty damn good grand big fat rash crass cold hot pure mighty lovely ugly hushed dark lonely loud lusty bitchy tender crazy cruel gentle raw sore dear deep history-proud precious place to see, and he sure would, he thought, make the try to see it and smell it and walk and ride and stop and talk and listen in it and go on in it and try to find and feel and hold and know the beliefs in it and the temper and the talents in it and the omens and joys and hopes and frights and lies and laughs and truths and griefs and glows and gifts and glories and glooms and wastes and profits and the pulse and pitch and the music and the magic and the dreams and facts and the action and the score and the scope and span of the mind and the heart and spine and logic and ego and spirit in the soul and the goal of it.
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Alan Kapelner (All the Naked Heroes: A Novel of the Thirties)
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In the hushed echoes of whispered secrets, shadows unfold, revealing the clandestine dance between mystery and truth—a journey where the veils are lifted, and the untold stories are unshackled into the light.
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Avinash Walton (Whispered Secrets: Unveiling the Shadows, Unleashing the Truth)
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It wasn't my fault!” Her voice rose to a hysterical shriek. “It all happened so fast and she was always so awful to me. She started mocking me, making fun of me. I lost my temper, and before I knew it . . .” She took a deep, rattling breath. “It was all over.” There was a moment of silence. I could hear her laboured breathing on the other end of the line before she uttered in a hushed whisper, “For good.
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Lana Lazar (Truth or Scare (Hallow Street Book 1))
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It is a loss to the prayer-life of the whole congregation when parents have to take crying children out or feel under pressure to do so. For ten or fifteen minutes at least, their cries can become our prayers of intercession. As young children laugh or giggle, let us listen and try to re-capture the sheer unspoilt enjoyment in the world and its absurdities--even those who minister. Let our laughter help us to laugh before God. As slightly older children ask questions or make comments in loud voices, let us not hush them but think about what they have said: let their questions, asked without the slightest worry of appearing foolish, become our questions to God in prayer, for God showed the greatest truth through a cross which seemed to the wise to be sheer foolishness.
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Paul Fiddes
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The third couple stepped forward for ministry, and again the word of knowledge was present. The prophet spoke to the husband, revealing his past, present, and insight into his future. Then the man of God turned to this third minister’s wife. As he began to speak of her past, suddenly he stopped. “There was a very serious sin in your past.” The woman, with her worst fear upon her, turned pale and closed her eyes. The congregation hushed and moved to the edge of their seats. The prophet continued, “And I asked the Lord, ‘What was this sin that she committed?’ And the Lord answered, ‘I do not remember!’” The Lord had been faithful to His promise: “I will not remember your sins” (Isa. 43:25). Although many times this minister’s wife had asked for cleansing, still she could not believe the depth of God’s forgiveness. Christ had placed her sin in the sea of His forgetfulness. He removed it “as far as the east is from the west” (Ps. 103:12). From everywhere but the prison of her own mind, her sin had been paid for and removed. And now, in His great mercy, He removed it from there as well!
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Francis Frangipane (Holiness, Truth, and the Presence of God: For Those Who Are Unsatisfied with Their Spiritual Life and Willing to Do Something About It)
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The third couple stepped forward for ministry, and again the word of knowledge was present. The prophet spoke to the husband, revealing his past, present, and insight into his future. Then the man of God turned to this third minister’s wife. As he began to speak of her past, suddenly he stopped. “There was a very serious sin in your past.” The woman, with her worst fear upon her, turned pale and closed her eyes. The congregation hushed and moved to the edge of their seats. The prophet continued, “And I asked the Lord, ‘What was this sin that she committed?’ And the Lord answered, ‘I do not remember!’” The Lord had been faithful to His promise: “I will not remember your sins” (Isa. 43:25). Although many times this minister’s wife had asked for cleansing, still she could not believe the depth of God’s forgiveness. Christ had placed her sin in the sea of His forgetfulness. He removed it “as far as the east is from the west” (Ps. 103:12). From everywhere but the prison of her own mind, her sin had been paid for and removed. And now, in His great mercy, He removed it from there as well! Oh, what burdens we carry; what guilt and limitations surround us because we do not accept God’s total and perfect forgiveness. In Isaiah we read, “I, even I, am the one who wipes out your transgressions for My own sake, and I will not remember your sins” (Isa. 43:25).
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Francis Frangipane (Holiness, Truth, and the Presence of God: For Those Who Are Unsatisfied with Their Spiritual Life and Willing to Do Something About It)
“
The third couple stepped forward for ministry, and again the word of knowledge was present. The prophet spoke to the husband, revealing his past, present, and insight into his future. Then the man of God turned to this third minister’s wife. As he began to speak of her past, suddenly he stopped. “There was a very serious sin in your past.” The woman, with her worst fear upon her, turned pale and closed her eyes. The congregation hushed and moved to the edge of their seats. The prophet continued, “And I asked the Lord, ‘What was this sin that she committed?’ And the Lord answered, ‘I do not remember!’” The Lord had been faithful to His promise: “I will not remember your sins” (Isa. 43:25). Although many times this minister’s wife had asked for cleansing, still she could not believe the depth of God’s forgiveness. Christ had placed her sin in the sea of His forgetfulness. He removed it “as far as the east is from the west” (Ps. 103:12). From everywhere but the prison of her own mind, her sin had been paid for and removed. And now, in His great mercy, He removed it from there as well! Oh, what burdens we carry; what guilt and limitations surround us because we do not accept God’s total and perfect forgiveness. In Isaiah we read, “I, even I, am the one who wipes out your transgressions for My own sake, and I will not remember your sins” (Isa. 43:25). How great is the God we serve. How wonderful is His love toward us. He is our Redeemer, our Savior! If you are willing to forgive others and will but ask Him to forgive you, He will pardon your debts as often as you contritely turn to Him. He promises He will remember your sins no more.
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Francis Frangipane (Holiness, Truth, and the Presence of God: For Those Who Are Unsatisfied with Their Spiritual Life and Willing to Do Something About It)
“
Investigative questions recognize that the truth often lies beyond the facts. They include: Help me understand what the affair has meant for you. Were you looking for it, or did it just happen? Why now? What was it like when you would come home? What did you experience there that you don’t have with me? Did you feel entitled to your affair? Did you want me to find out? Would you have ended it if I hadn’t found out? Are you relieved it’s all in the open, or would you have preferred if it stayed hush-hush? Were you trying to leave me? Do you think that you should be forgiven? Would you respect me less if I were to forgive you? Did you hope I would leave so you wouldn’t have to feel responsible for breaking up the family? The investigative approach asks more enlightening questions that probe the meaning of the affair, and focuses on analysis rather than facts.
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Esther Perel (The State of Affairs: Rethinking Infidelity)
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Both Biruté and Jane are firmly rooted in the world of human endeavor. Jane has not become a chimp; Biruté has not become an orangutan. Yet the lives of all three women have been transformed by their visions; they are inexorably linked to the other nations through which they have traveled. In a sense they are, in the words of Henry Beston, living by voices we shall never hear; they are gifted with extensions of the senses we have lost or never attained. You need only listen to Jane’s excitement at seeing “a tree laden with luscious fruit”—fruit that to human senses is so tart it prompts a grimace. You need only remember how Dian would sing to the gorillas a gorilla song—praising the taste of rotting wood. You need only imagine what goes through Biruté’s mind when she does the “fruit stare” of the orangutan.
Western scientists do not like to talk about these things, for to do so is to voice what for so long has been considered unspeakable. The bonds between human and animal and the psychic tools of empathy and intuition have been “coded dark” by Western science—labeled as hidden, implicit, unspoken. The truths through which we once explained our world, the truths spoken by the ancient myths, have been hushed by the louder voice of passionless scientific objectivity.
But perhaps we are rediscovering the ancient truths. In his book Life of the Japanese Monkeys, the renowned Japanese primate researcher Kawai Masao outlines a new concept, upon which his research is built: he calls it kyokan, which translates as “feel-one.” He struck upon the concept after observing a female researcher on his team interacting with female Japanese macaques. “We [males] had always found it more difficult to distinguish among female [macaques],” he wrote. “However, a female researcher who joined our study could recognize individual females easily and understood their behavior, personality and emotional life better. . . . I had never before thought that female monkeys and women could immediately understand each other,” he wrote. “This revelation made me feel I had touched upon the essence of the feel-one method.”
Masao’s book, unavailable to Western readers until translated into English by Pamela Asquith in 1981, explains that kyokan means “becoming fused with the monkeys’ lives where, through an intuitive channel, feelings are mutually exchanged.” Embodied in the kyokan approach is the idea that it is not only desirable to establish a feeling of shared life and mutual attachment with the study animals—to “feel one” with them—but that this feeling is necessary for proper science, for discovering truth. “It is our view that by positively entering the group, by making contact at some level, objectivity can be established,” Masao wrote.
Masao is making a call for the scientist to return to the role of the ancient shaman: to “feel one” with the animals, to travel within their nations, to allow oneself to become transformed, to see what ordinary people cannot normally see. And this, far more than the tables of data, far more than the publications and awards, is the pioneering achievement of Jane Goodall, Biruté Galdikas, and Dian Fossey: they have dared to reapproach the Other and to sanctify the unity we share with those other nations that are, in Beston’s words, “caught with ourselves in the net of life and time, fellow prisoners of the splendor and travail of the earth.
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Sy Montgomery (Walking with the Great Apes: Jane Goodall, Dian Fossey, Birute Galdikas)
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..the truth as to war must be more and more insisted on: the loss of time, labour, treasure, and life must be shown, and the satanic crimes to which it leads must be laid bare. It is the sum of all villainies, and ought to be stripped of its flaunting colours, and to have its bloody horrors revealed; its music should be hushed, that men may hear the moans and groans, the cries and shrieks of dying men and ravished women….
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Charles Haddon Spurgeon
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Our strongest weapon in this war,” he said, “is that conviction of the dignity and brotherhood of man which Christmas Day signifies.” Churchill began his remarks. Here he was, he said, far from his own country, far from his family. “Yet I cannot truthfully say that I feel far from home,” he told the hushed throng.
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David McCullough (In the Dark Streets Shineth)
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So, in early 2019, when the avowedly arch-conservative TV station chain Sinclair Broadcast Group obliged its stations to run a "documentary" on vaccines, claiming to reveal previously hushed-up information on "one of the biggest medical controversies of our time," it knew it was pandering to the paranoia of the members. Among mainstream media, it is a business bias toward controversy and the principal sin of laziness, this direct assault on truth is an anomaly. In social media, it is a business model.
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Bob Garfield (American Manifesto: Saving Democracy from Villains, Vandals, and Ourselves)
“
Larry Elford worked inside Canadian investment dealers for two decades. He saw how high status persons and corporate entities were not subject to the same application of rules or laws as others. Higher status entities were able to “police themselves” or retain their own regulators to “police” their business activities. He learned how status plus this ability to “self regulate”, allowed the growth of corrupt practices, without having to worry that a policeman would come to the office door. Self-regulation also granted the privilege of being able to quietly purchase “exemption” from laws, to further enable corrupt practices without public knowledge or consequences. Not willing to be an accomplice to harming the public, he spoke out as instructed by codes of conduct and ethics. Those calls for ethics were not welcomed and he felt forced to leave the industry. He released a documentary film in 2009, titled “Breach of Trust, the Unique Violence of White Collar Crime”, after becoming aware of the suicide of an investment industry whistleblower. This person was bullied to his death by industry lawyers and those who used the courts as a mechanism to “hush” persons who spoke about abusive practices. He gradually learned more about unwritten “codes of silence”, which usually received priority over written codes of ethics. The truth teller is most often drummed out of the business, rather than being thanked for the honesty and protection of the firm’s reputation. The “Unique Violence” he learned about white collar crime is that there is little
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Larry Elford (Farming Humans: Easy Money (Non Fiction Financial Murder Book 1))
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For in the biting hush of ink on paper, where truth ought raise its head and speak without fear, I have long lied.
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Rachel Kadish (The Weight of Ink)
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Love — especially a dog’s love — can change a person. Not yet sixteen, Bellamy Larson — or Beam, as she’d rather be called — remembers everything. Truthfully, there’s a lot she’d just rather forget. Beam never knew her father and doesn’t ever want to. Her little brother died while saving her. And her mother self-medicates, leaving Beam to fend for herself. Desperate for a normal life, Beam carjacks a rusty pickup and drives south to live with her grandparents in Faderville, Kentucky. Unfortunately, as Beam soon figures out, ‘normal’ doesn’t exist. She could use a friend, but friends are hard to come by when you’re an outsider. Buzz Donovan knows what it’s like to live on the outside. Luckily for him, he has a friend — a dog named Hush. It’s because of Hush, though, that Buzz is homeless. But that’s his choice, because if it weren’t for Hush, he’d be dead. When Beam runs into Buzz, her world is turned upside down. She doesn’t trust dogs, and for good reason — she’s been mauled by one.
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N. Gemini Sasson (Say Something (Faderville #3))
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the truth was, people had to have something to dream about, to hold as sacred, even if it was something they would never accomplish.
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Anne Frasier (Hush)