Almond Tree Quotes

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I said to the almond tree, 'Sister, speak to me of God.' And the almond tree blossomed.
Nikos Kazantzakis (Report to Greco)
Look, one day I had gone to a little village. An old grandfather of ninety was busy planting an almond tree. ‘What, grandfather!’ I exclaimed. ‘Planting an almond tree?’ And he, bent as he was, turned around and said: ‘My son, I carry on as if I should never die.’ I replied: ‘And I carry on as if I was going to die any minute.’ Which of us was right, boss?
Nikos Kazantzakis (Zorba the Greek)
You cannot go back and make a new start, but you can start now and make a new ending
Michelle Cohen Corasanti (The Almond Tree)
When an almond tree became covered with blossoms in the heart of winter, all the trees around it began to jeer. 'What vanity,' they screamed, 'what insolence! Just think, it believes it can bring spring in this way!' The flowers of the almond tree blushed for shame. 'Forgive me, my sisters,' said the tree. 'I swear I did not want to blossom, but suddenly I felt a warm springtime breeze in my heart.
Nikos Kazantzakis (Saint Francis)
Hatred is self-punishment. Do you think they're feeling bad because you hate them?
Michelle Cohen Corasanti (The Almond Tree)
Good things make choosing difficult.Bad things leave no choice
Michelle Cohen Corasanti (The Almond Tree)
Success is not about never falling, but about rising every time you fall
Michelle Cohen Corasanti (The Almond Tree)
I sit in my tree I sing like the birds My beak is my pen My songs are my poems.
David Almond (My Name Is Mina (Skellig, #0.5))
Courage, I realised, was not the absence of fear: it was the absence of selfishness; putting someone else's interest before one's own.
Michelle Cohen Corasanti (The Almond Tree)
He who aims too high will get a sore neck
Michelle Cohen Corasanti (The Almond Tree)
Many great men can attribute their success to the fact that they didn't have the advantages other men had
Michelle Cohen Corasanti (The Almond Tree)
People hate out of fear and ignorance. If they could just get to know the people they hate, and focus on their common interests, they could overcome that hatred.
Michelle Cohen Corasanti (The Almond Tree)
Look at all the life in this," she said. "Every pip could become a tree, and every tree could bear another hundred fruits and every fruit could bear another hundred trees. And so on to infinity." I picked the picks from my tongue with my fingers. "Just imagine," she said. "If every seed grew, there'd be no room in the world for anything but pomegranate trees.
David Almond (Skellig (Skellig, #1))
I want to know everything. I want to know how the clouds move and why islands fall into the sea. I want to know how to plant almond trees and how to make children grow up straight and healthy. I want to know how princes should govern and why people love. I want to understand the stars in the heavens and all the words that were ever made. I want to remember every story that was ever told.
Jo Graham (Black Ships (Numinous World, #1))
Before you judge a person, try to imagine how you would feel if the same things had happened to you.
Michelle Cohen Corasanti (The Almond Tree)
The world should have stopped, but it didn't.
Michelle Cohen Corasanti (The Almond Tree)
The plants in the garden - the aloes, the almond tree, the rose tree and the iris - were afraid of her. The flowers withered under her breath and the touch of her hand was leprous for the leaves. The plants whose growth is belief, whose breathing is hope, whose immobility is confidence and whose calyx is prayer, the plants who kept watch into the night, hated this women with the secret force of stars.
Hendrik Cramer
Don't allow guilt to enter your heart, because it's a disease, like cancer, that'll eat away at you until there's nothing left.
Michelle Cohen Corasanti (The Almond Tree)
I had no idea words could have so much power and beauty.
Michelle Cohen Corasanti (The Almond Tree)
Permission to buy apricots and oranges from my own trees, the ones my great grandfather planted and i kept alive in drought and war
Michelle Cohen Corasanti (The Almond Tree)
He looked me directly in the eye. 'So you live in America?' 'We do.' I smiled. He stopped, opened his backpack, pulled out an empty tear gas grenade and handed it to me. 'I believe it was a present from your country.' Majid smiled. 'Tell your friends thanks. We got their grenade.
Michelle Cohen Corasanti (The Almond Tree)
Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or beast does, just like life does. Why should a book tell a tale in a dull straight line? Words should wander and meander. They should fly like owls and flicker like bats and slip like cats. They should murmur and scream and dance and sing.
David Almond (My Name Is Mina (Skellig, #0.5))
The only certainty was that they took everything with them: money, December breezes, the bread knife, thunder at 3 in the afternoon, the scent of jasmines, love. All that remained were the dusty almond trees, the reverberating streets, the houses of wood and roofs of rusting tin with their taciturn inhabitants, devastated by memories.
Gabriel García Márquez (Living to Tell the Tale)
Only fools fail to recognize you, knowing no sleep but the shadow which you, taking pity, cast over us in the twilight before true night. They do not taste you in the golden flood of grapes, in the magic oil of the almond tree and the brown juice of the poppy. They do not know that it is you who hovers over a tender maiden’s bosom, making a heaven of her lap − never suspect that it is you who comes to them out of old stories, opening the doors to heaven and carrying the key to the dwellings of the blessed, a silent messenger of infinite mysteries.
Novalis (Hymns to the Night)
I wanted to describe to him how the emotional intimacy growing between us was shattering my heart in the most life-affirming ways, but I didn’t have the right words, except to say that I loved him, which wasn’t nearly enough. We spent that night, and every night together after, in a closeness I had never known, or even thought possible with another person. I was happy. Truly content. Drifting to sleep in Bilal’s arms, I thought about the hills beyond the terrace. Soon wild plum, peach, pear, fig, medlar, mulberry, date, and almond trees would bloom.
Susan Abulhawa (Against the Loveless World)
The almond blossom from the tree has gone, to be replaced by new green shoots. It smells of spring, and mown grass, and tilled earth from the fields beyond. Now is the month of Germinal in the Republican calendar: the month of hyacinth, and bees, and violet, and primrose. It is also the windy month; the month of new beginnings, and I have never felt it so strongly as I feel it now: that sense of possibility; that irresistible lightness.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
At first he told them that everything was just the same, that the pink snails were still in the house where he had been born, that the dry herring still had the same taste on a piece of toast, that the waterfalls in the village still took on a perfumed smell at dusk. They were the notebook pages again, woven with the purple scribbling, in which he dedicated a special paragraph to each one. Nevertheless, and although he himself did not seem to notice it, those letters of recuperation and stimulation were slowly changing into pastoral letters of disenchantment. One winter night while the soup was boiling in the fireplace, he missed the heat of the back of his store, the buzzing of the sun on the dusty almond trees, the whistle of the train during the lethargy of siesta time, just as in Macondo he had missed the winter soup in the fireplace, the cries of the coffee vendor, and the fleeting larks of springtime. Upset by two nostalgias facing each other like two mirrors, he lost his marvelous sense of unreality and he ended up recommending to all of them that they leave Macondo, that they forget everything he had taught then about the world and the human heart, that they shit on Horace, and that wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.
Gabriel García Márquez
Throughout history the conquerors have always treated the conquered this way. The bad ones need to believe we're inferior to justify the way they treat us. If they only could realize that we're all the same.
Michelle Cohen Corasanti (The Almond Tree)
Success is not about never failing, but about rising every time you fall.
Michelle Cohen Corasanti (The Almond Tree)
So when I feel most lost I choose to remember those things that help me survive. I choose love.
Laura McVeigh (Under the Almond Tree)
THERE CAN BE FEW delights in the world as pleasant as a Siracusan spring. The fragrance of the lemon, orange, apricot, almond and peach blossoms pervade the city, enriched by the moist, salty sea breezes. On
Tariq Ali (The Islam Quintet: Shadows of the Pomegranate Tree, The Book of Saladin, The Stone Woman, A Sultan in Palermo, and Night of the Golden Butterfly)
She’d bought a blue notebook in the pharmacy to write down her aunt’s remedies. Star tulip to understand dreams, bee balm for a restful sleep, black mustard seed to repel nightmares, remedies that used essential oils of almond or apricot or myrrh from thorn trees in the desert. Two eggs, which must never be eaten, set under a bed to clean a tainted atmosphere. Vinegar as a cleansing bath. Garlic, salt, and rosemary, the ancient spell to cast away evil.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
I’ll emerge, with wings, from the banner I am, bird that never alights on trees in the garden— I will shed my skin and my language. Some of my words of love will fall into Lorca’s poems; he’ll live in my bedroom and see what I have seen of the Bedouin moon. I’ll emerge from almond trees like cotton on sea foam
Mahmoud Darwish
(And did I mention how in summer the streets of Smyrna were lined with baskets of rose petals? And how everyone in the city could speak French, Italian, Greek, Turkish, English, and Dutch? And did I tell you about the famous figs, brought in by camel caravan and dumped onto the ground, huge piles of pulpy fruit lying in the dirt, with dirty women steeping them in salt water and children squatting to defecate behind the clusters? Did I mention how the reek of the fig women mixed with pleasanter smells of almond trees, mimosa, laurel, and peach, and how everybody wore masks on Mardi Gras and had elaborate dinners on the decks of frigates? I want to mention these things because they all happened in that city that was no place exactly, that was part of no country because it was all countries, and because now if you go there you'll see modern high-rises, amnesiac boulevards, teeming sweatshops, a NATO headquarters, and a sign that says Izmir...)
Jeffrey Eugenides (Middlesex)
Good things make choosing difficult. Bad things leave no choice. [p. 62]
Michelle Cohen Corasanti (The Almond Tree)
You cannot go back and make a new start, but you can start now and make a new ending. [p. 115]
Michelle Cohen Corasanti (The Almond Tree)
One cannot live on anger, my son.
Michelle Cohen Corasanti (The Almond Tree)
life isn't about what happens to you, but about you choose to react to it
Michelle Cohen Corasanti (The Almond Tree)
And it suddenly occured to me that maybe peace was possible.
Michelle Cohen Corasanti (The Almond Tree)
I wanted to crunch flowering almond trees, and take bites out of the rainbow nougat of the sunset.
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
Well, Queen Orianna, back home I was like an almond tree growing in an orchard of apples. But here…everybody is nuts!
K. Aten (The Fletcher (The Arrow of Artemis, #1))
Prologue Flying 1 The almond tree knows before all the other trees The almond tree knows that Spring is coming before all the other trees The almond tree knows that Spring is coming so well it blossoms in the winter
Alexandra Psaropoulou (Flying 1)
Remember your Creator in the days of your youth, before the days of trouble come and the years approach when you will say, “I find no pleasure in them”— before the sun and the light and the moon and the stars grow dark, and the clouds return after the rain; when the keepers of the house tremble, and the strong men stoop, when the grinders cease because they are few, and those looking through the windows grow dim; when the doors to the street are closed and the sound of grinding fades; when people rise up at the sound of birds, but all their songs grow faint; when people are afraid of heights and of dangers in the streets; when the almond tree blossoms and the grasshopper drags itself along and desire no longer is stirred. Then people go to their eternal home and mourners go about the streets. Remember him—before the silver cord is severed, and the golden bowl is broken; before the pitcher is shattered at the spring, and the wheel broken at the well, and the dust returns to the ground it came from, and the spirit returns to God who gave it. “Meaningless! Meaningless!” says the Teacher. “Everything is meaningless!
Anonymous
I have always enjoyed this part of the journey the most - the passing through of places where one would never wish to stay but that hold a strange, eerie beauty all of their own. There, with the heavens open wide above, streaked with silent stars and constellations, so vast and beautiful, then I would feel that our journey was not purposeless after all.
Laura McVeigh (Under the Almond Tree)
It was close to the end of Shebat, when the almond trees blossomed. The wakeful tree, we called it. Midway down the hill, I smelled its rich brown scent, and winding farther, I came upon the tree itself, its canopy lush with white flowers.
Sue Monk Kidd (The Book of Longings)
The hardest part for us was watching them harvest our Shamouti oranges.Those were our favourites, thick skinned, seedless and juicy.When the wind was strong, the scent of their blossoms in the spring and their fruit in the summer still reached us.
Michelle Cohen Corasanti (The Almond Tree)
Water problems in the western United States, when viewed from afar, can seem tantalizingly easy to solve: all we need to do is turn off the fountains at the Bellagio, stop selling hay to China, ban golf, cut down the almond trees, and kill all the lawyers.
David Owen (Where the Water Goes: Life and Death Along the Colorado River)
I still dream in pictures and color, always the world of my childhood. I see the purple Judas trees at Easter lighting up the roadsides and terraces of the town. Ochre cliffs made of cinnamon powder. Autumn clouds rolling along the ground of the hills, and the patchwork of wet oak leaves on the grass. The shape of a rose petal. And my parents' faces, which will never grow any older. "But it is strange how scent brings it all back too. I only have to smell certain aromas, and I am back in a certain place with a certain feeling." The comforting past smelled of heliotrope and cherry and sweet almond biscuits: close-up smells, flowers you had to put your nose to as the sight faded from your eyes. The scents of that childhood past had already begun to slip away: Maman's apron with blotches of game stew; linen pressed with faded lavender; the sheep in the barn. The present, or what had so very recently been the present, was orange blossom infused with hope.
Deborah Lawrenson (The Sea Garden)
This was something they could not take from us - the freedom to imagine, to create new worlds beyond this one.
Laura McVeigh (Under the Almond Tree)
Wasn't there any balance in the world?
Michelle Cohen Corasanti (The Almond Tree)
This is where my father once instructed me,” said Skanda, pointing to a familiar row of now desiccated neem, sweet-almond and fig trees. Scolded, more like. I resisted the urge to laugh.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
The little girl dipped her pipette in the water, then held it up to the lightbulb dangling over the table. In the liquid drop that was slowly stretching, she had captured the entire room: the window and its four panes with the waning daylight, the chest covered with a red rug, the sink with the handle of a saucepan poking out, the big photo tacked to the wall showing an almond tree bowed under a storm, its blossoms torn off, blown away, tiny angel flights or sacrificed lives. 'The world's tiny... it's a pity we can't keep droplets for all the beautiful things we see. And for people. I'd love that. I'd put them in...' Zaide broke off, shaking her head. 'No. You can't put them anywhere. But it's beautiful.' I whispered, 'Yes, the world is beautiful.
Christine Féret-Fleury (The Girl Who Reads on the Métro)
my issue with what they consider beautiful is their concept of beauty centers around excluding people i find hair beautiful when a woman wears it like a garden on her skin that is the definition of beauty big hooked noses pointing upward to the sky like they’re rising to the occasion skin the color of earth my ancestors planted crops on to feed a lineage of women with thighs thick as tree trunks eyes like almonds deeply hooded with conviction the rivers of punjab flow through my bloodstream so don’t tell me my women aren’t as beautiful as the ones in your country
Rupi Kaur (Milk and Honey)
A lemon tree was nearly universal; other trees varied with climate - almond trees in Adelaide and Perth, plums and apples in Melbourne, choke vines and bananas in Sydney and Brisbane, a mango in Cairns, figs and loquats everywhere. For a few weeks, there was a gross overabundance of fruit and much trading ('I'll take some of your plums if you take some of my apples next month').
George Seddon
Beaumont's intention was to promote the virtue and nutritional value of fruit-bearing trees. Fifteen different genera of fruit and a number of their different species are described in the work: almonds, apricots, a barberry, cherries, quinces, figs, strawberries, gooseberries, apples, a mulberry, pears, peaches, plums, grapes, and raspberries. Each colored plate illustrates the plant's seed, foliage, blossom, fruit, and sometimes cross sections of the species.
Lucinda Riley (The Lavender Garden)
Hephaestus told Phyllis that she owed her name to the lovely girl whom Acamas left behind in Thrace after the Trojan War, promising to return.The poor girl waited in vain & out of desparation, hanged herself.The Goddess Nemesis took pity on the girl & turned her into a leafless almond tree.When Acamas at last returned,he was overcome with grief & embraced the tree which immediately sprouted green leaves, which gave the Greeks their word "phylla" meaning "green leaves" & all the botanists of the world their "phylla" words.Hephaestus also said that Vicky stood for Victory[Nike].[MMT]
Nicholas Chong
Twice in this book Thich Nhat Hanh puts before us a powerful image of Christian legend: In midwinter, St. Francis is calling out to an almond tree, “Speak to me of God!” and the almond tree breaks into bloom. It comes alive. There is no other way of witnessing to God but by aliveness. With a fine instinct, Thich Nhat Hanh traces genuine aliveness to its source. He recognizes that this is what the biblical tradition calls the Holy Spirit. After all, the very word “spirit” means “breath,” and to breathe means to live. The Holy Spirit is the breath of divine life. —Brother David Steindl-Rast
Thich Nhat Hanh (Living Buddha, Living Christ)
Letter from Town: The Almond Tree" You promised to send me some violets. Did you forget? White ones and blue ones from under the orchard hedge? Sweet dark purple, and white ones mixed for a pledge Of our early love that hardly has opened yet. Here there’s an almond tree—you have never seen Such a one in the north—it flowers on the street, and I stand Every day by the fence to look up for the flowers that expand At rest in the blue, and wonder at what they mean. Under the almond tree, the happy lands Provence, Japan, and Italy repose, And passing feet are chatter and clapping of those Who play around us, country girls clapping their hands. You, my love, the foremost, in a flowered gown, All your unbearable tenderness, you with the laughter Startled upon your eyes now so wide with hereafter, You with loose hands of abandonment hanging down.
D.H. Lawrence (The Complete Poems of D.H. Lawrence)
Letter from Town: The Almond Tree" You promised to send me some violets. Did you forget? White ones and blue ones from under the orchard hedge? Sweet dark purple, and white ones mixed for a pledge Of our early love that hardly has opened yet. Here there’s an almond tree—you have never seen Such a one in the north—it flowers on the street, and I stand Every day by the fence to look up for the flowers that expand At rest in the blue, and wonder at what they mean. Under the almond tree, the happy lands Provence, Japan, and Italy repose, And passing feet are chatter and clapping of those Who play around us, country girls clapping their hands. You, my love, the foremost, in a flowered gown, All your unbearable tenderness, you with the laughter Startled upon your eyes now so wide with hereafter, You with loose hands of abandonment hanging down.
D.H. Lawrence (New Poems)
When I'm not writing, I'm thinking about writing. Filling pages and people with inspiration. When my thoughts don't want to rest on a page, we argue. We argue that one merely is ready just too comfortable playing in The Nile [denial] river. So we compromise. We grow, water metaphors and plant simile trees of golden-almond manifested love dreams. Then at that moment, we forgot what we were arguing about. Beauty can do that for you. That's the beauty of writing.
Antonia Perdu
The flavor that came to me was a luscious Suncrest peach that I once had in California. This heirloom variety needed time to ripen on the tree to achieve its peak flavor. Unlike other peaches that were picked unripe so they would ship more easily. Suncrest peaches had to be eaten right away. But they were worth it- fragrant, luscious, juice-dripping-down-your-chin perfection. The problem was that I didn't have any peach mousse or filling. But I quickly improvised. "You're getting married in August, when peaches are in season," I said. "Taste our browned butter yellow cake with a little apricot and some vanilla-almond buttercream, and see what you think." As they each took a small bite of what I hoped would be their signature cake flavors, I was drawn back into the taste of the peach. It was juicy and sweet, but as I got close to the center of the peach, their was an off flavor of rot. In my mind's eye, I could see a darkened area close to the center that would soon cause the peach to wither. I knew what that meant. I didn't know whose life would be blighted, but these golden days were few. They wouldn't have much time together.
Judith M. Fertig (The Memory of Lemon)
Out beyond and way back and further past that still. And such was it since. But after all appearances and some afternoons misspent it came to pass not all was done and over with. No, no. None shally shally on that here hill. Ah, but that was idle then and change was not an old hand. No, no. None shilly shilly on that here first rung. So, much girded and with new multitudes, a sun came purple and the hail turned in a year or two. And that was not all. No, no. None ganny ganny on that here moon loose. Turns were taken and time put in, so much heft and grimace, there, with callouses, all along the diagonal. Like no other time and the time taken back, that too like none other that can be compared to a bovine heap raising steam, or the eye-cast of a flailing comet. Back and forth, examining the egg spill and the cord fray and the clowning barnacle. And all day with no break to unwrap or unscrew or squint and flex or soak the brush. No, no. None flim flim on that here cavorting mainstay. From tree to tree and the pond there deepening and some small holes appearing and any number of cornstalks twisting into a thing far from corn. That being the case there was some wretched plotting, turned to stone, holding nothing. No, no. None rubby rubby on that here yardstick. Came then from the region of silt and aster, all along the horse trammel and fire velvet, first these sounds and then their makers. When passed betwixt and entered fully, pails were swung and notches considered. There was no light. No, none. None wzm wzm on that here piss crater. And it being the day, still considered. Oh, all things considered and not one mentioned, since all names had turned in and handed back. Knowing this the hounds disbanded and knowing that the ground muddled headstones and milestones and gallows and the almond-shaped buds of freshest honeysuckle. And among this chafing tumult fates were scrambled and mortality made untidy and pithy vows took themselves a breather. This being the way and irreversible homewards now was a lifted skeletal thing of the past, without due application or undue meaning. No, no. None shap shap on that here domicile shank. From right foot to left, first by the firs, then by the river, hung and loitered, and the blaze there slow to come. All night waking with no benefit of sleeping and the breath cranking and the heart-place levering and the kerosene pervading but failing to jerk a flame from out any one thing. No, none. None whoosh whoosh on that here burnished cunt. Oh, the earth, the earth and the women there, inside the simpering huts, stamped and spiritless, blowing on the coals. Not far away, but beyond the way of return.
Claire-Louise Bennett (Pond)
Now focus. 17° 59' 0" North, 76° 44' 0" West. Down there is the Caribbean, though not the bits you might have seen in a pretty little brochure. We are beyond the aquamarine waters, with their slow manatees and graceful sea turtles, and beyond the beaches littered with sweet almonds. We have gone inland. Notice the hills, how one of them carries on its face a scar - a section where bulldozers and tractors have sunk their rusty talons into its cheeks, scraped away the brush and the trees and left behind a white crater of marl. The eyesore can be seen from ten or more miles away. To the people who live in this valley, it feels as if they wear the scar on their own skin - as if a kind of ruin has befallen them.
Kei Miller (Augustown)
I keep an eye out for Ann, but instead I catch sight of a hedgehog shuffling into the undergrowth---an unexpected glimpse for they are shy, nocturnal creatures. Something about his gait, his spines, makes me imagine a sweet dish in his image. A hedgehog pudding... How might I make the spikes? Slithers of blanched almonds... impaled in a stiff white icing? Browned in a hot oven to re-create his russet color? And beneath his armor of icing and almonds... a Madeira sponge? A stiff blancmange? As I ponder how to make the hedgehog's body, I notice an apple tree, its boughs stripped of fruit but for a single split pippin at its apex. An apple hedgehog! A thick puree of apples drained until almost dry... with a center of apricot jam flavored with lemons.
Annabel Abbs (Miss Eliza's English Kitchen)
... the exotic spices arriving daily from the East Indies and the Americas, the crates of sweet oranges and bitter lemons from Sicily, the apricots from Mesopotamia, the olive oil from Naples, the almonds from the Jordan valley... I have seen and smelled these delicacies at market. But does any English person know how to cook with such foods? I think back to my time in France and Italy, of all the delicacies that passed across my tongue. And then to the gardens I've seen in Tonbridge with their raised beds of sorrel, lettuce, cucumbers, marrows, pumpkins. Already the banks are starred bright with blackberries and rose hips, with damsons and sour sloes, the bloom still upon them. Trees are weighted down with green apples and yellow mottled pears and crab apples flushed pink and gold. Soon there will be fresh cobnuts in their husks, and ripe walnuts, and field mushrooms, and giant puffballs.
Annabel Abbs (Miss Eliza's English Kitchen)
Letters from home have come too, which I have not yet had the courage to read, I feel so melancholy. Please ask M. Aurier not to write any more articles on my painting, insist upon this, that to begin with he is mistaken about me, since I am too overwhelmed with grief to be able to face publicity. Making pictures distracts me, but if I hear them spoken of, it pains me more than he knows. How is Bernard? As there are some canvases in duplicate, if you like you can exchange with him, for a good canvas by him would be a fine thing to have in your collection. I felt ill at the time I was doing the almond blossoms. If I had been able to go on working, you can judge from it that I would have done others of trees in blossom. Now the trees in blossom are almost over, really I have no luck. Yes, I must try to get out of here, but where to go? I do not think I could be more shut up and more of a prisoner in the homes where they do not pretend to leave you free, such as at Charenton or Montevergues.
Vincent van Gogh
Recipes TOM PEPPER’S HOT BREW To soothe the throat or otherwise ease a long day. 1.4 drachm (1 tsp) local raw honey 16 drachm (1 oz) scotch or bourbon ½ pint (1 cup) hot water 3 sprigs fresh thyme Stir honey and bourbon at bottom of mug. Add hot water and thyme sprigs. Steep five minutes. Sip while warm. BLACKFRIARS BALM FOR BUGS AND BOILS To subdue angry, itchy skin caused by insect bites. 1 drachm (0.75 tsp) castor oil 1 drachm (0.75 tsp) almond oil 10 drops tea tree oil 5 drops lavender oil In a 2.7 drachm (10 ml) glass rollerball vial, add the 4 oils. Fill to top with water and secure cap. Shake well before each use. Apply to itchy, uncomfortable skin. ROSEMARY BUTTER BISCUIT COOKIES A traditional shortbread. Savory yet sweet, and in no way sinister. 1 sprig fresh rosemary 1 ½ cup butter, salted 2⁄3cup white sugar 2 ¾ cup all-purpose flour Remove leaves from rosemary and finely chop (approximately 1 Tbsp or to taste). Soften butter; blend well with sugar. Add rosemary and flour; mix well until dough comes together. Line 2 cookie sheets with parchment paper. Form dough into 1.25-inch balls; press gently into pans until 0.5-inch thick. Refrigerate at least 1 hour. Preheat oven to 375°F. Bake for 10–12 minutes, just until bottom edges are golden. Do not overbake. Cool at least 10 minutes. Makes 45 cookies.
Sarah Penner (The Lost Apothecary)
they had never been apart, and there was nothing Evelyn could do about it but unwrap her Almond Joy candy bar and sit there for the duration. “The front yard had a great big old chinaberry tree. I remember, we’d pick those little chinaberries all year long, and at Christmas, we’d string them and wrap them all around the tree from top to bottom. Momma was always warning us not to put chinaberries up our nose, and of course the first thing Idgie did, as soon as she learned to walk, was to go out in the yard and put chinaberries up her nose and in her ears as well. To the point that Dr. Hadley had to be called! He told Momma, ‘Mrs. Threadgoode, it looks like you’ve got yourself a little scalawag on your hands.’ “Well, of course Buddy just loved to hear that. He encouraged her every step of the way. But that’s how it is in big families. Everybody has their favorite. Her real name was Imogene, but Buddy started calling her Idgie. Buddy was eight when she was born, and he used to carry her all over town, just like she was a doll. When she got old enough to walk, she’d paddle around after him like a little duck, dragging that little wooden rooster behind her. “That Buddy had a million-dollar personality, with those dark eyes and those white teeth…he could charm you within an inch of your life. I don’t know of a girl in Whistle
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
My mother had a passion for all fruit except oranges, which she refused to allow in the house. She named each one of us, on a seeming whim, after a fruit and a recipe- Cassis, for her thick black-currant cake. Framboise, her raspberry liqueur, and Reinette after the reine-claude greengages that grew against the south wall of the house, thick as grapes, syrupy with wasps in midsummer. At one time we had over a hundred trees (apples, pears, plums, gages, cherries, quinces), not to mention the raspberry canes and the fields of strawberries, gooseberries, currants- the fruits of which were dried, stored, made into jams and liqueurs and wonderful cartwheel tarts on pâte brisée and crème pâtissière and almond paste. My memories are flavored with their scents, their colors, their names. My mother tended them as if they were her favorite children. Smudge pots against the frost, which we base every spring. And in summer, to keep the birds away, we would tie shapes cut out of silver paper onto the ends of the branches that would shiver and flick-flack in the wind, moose blowers of string drawn tightly across empty tin cans to make eerie bird-frightening sounds, windmills of colored paper that would spin wildly, so that the orchard was a carnival of baubles and shining ribbons and shrieking wires, like a Christmas party in midsummer. And the trees all had names. Belle Yvonne, my mother would say as she passed a gnarled pear tree. Rose d'Aquitane. Beurre du Roe Henry. Her voice at these times was soft, almost monotone. I could not tell whether she was speaking to me or to herself. Conference. Williams. Ghislane de Penthièvre. This sweetness.
Joanne Harris (Five Quarters of the Orange)
Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain. An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively. What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully? Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul. But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden? Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth. One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant. Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium. The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
You cannot go back and make a new start, but you can start now and make a new ending.
Michelle Cohen Corasanti (The Almond Tree)
olive trees. As I looked closer at them I wondered if they had escaped; their trunks and roots were so gnarled and scarred it looked as if they had been weeping for centuries. I stared at one of the farms as we passed. A few lemon trees sprinkled the land and a dozen or more almond trees, but they looked as
Giacomo Giammatteo (Finding Family (Blood Flows South #1.5))
Rebecca’s image of herself had been stamped in puberty, tall and gangly, skin hyper-pigmented with spots, and soda-bottle bottom bifocals to correct eyes that had crossed at age five. Now thirty-seven years old, she stood a full six feet, with erect posture and a decisive stride. Her fiery red hair, dramatically set off against a canvas of what now registered as sparkling freckles, as the result of a recessive gene on chromosome sixteen. With high cheekbones, a narrow nose, flush lips, she presented a striking image. Her brown, almond-shaped eyes, surgically uncrossed at age twelve, shimmered when she smiled.
Michael Abramson (Rebecca Tree)
A short time later, Haganah officers came to take the village from the Irgun. One officer remarked, “All of the killed, with very few exceptions, were old men, women, or children.” He noted, “The dead we found were all unjust victims and none of them had died with a weapon in their hands.” Another Haganah commander sneered, “You are swine,” and ordered his men to surround the militiamen. A tense standoff ensued as the Haganah commanders debated about forcibly disarming the dissidents and shooting them if they refused. At last, the Haganah commander ordered the Irgun to clean the village and bury the dead. They carried the bodies to a rock quarry and set them ablaze. “It was a lovely spring day,” the Haganah commander recorded. “The almond trees were in bloom, the flowers were out, and everywhere there was the stench of the dead, the thick smell of blood, and the terrible odor of the corpses burning in the quarry.”8 The
Eric Gartman (Return to Zion: The History of Modern Israel)
A short time later, Haganah officers came to take the village from the Irgun. One officer remarked, “All of the killed, with very few exceptions, were old men, women, or children.” He noted, “The dead we found were all unjust victims and none of them had died with a weapon in their hands.” Another Haganah commander sneered, “You are swine,” and ordered his men to surround the militiamen. A tense standoff ensued as the Haganah commanders debated about forcibly disarming the dissidents and shooting them if they refused. At last, the Haganah commander ordered the Irgun to clean the village and bury the dead. They carried the bodies to a rock quarry and set them ablaze. “It was a lovely spring day,” the Haganah commander recorded. “The almond trees were in bloom, the flowers were out, and everywhere there was the stench of the dead, the thick smell of blood, and the terrible odor of the corpses burning in the quarry.”8 The next day, the Haganah commander issued a communiqué: “For a full day Etzel [Irgun] and Lechi [Stern] soldiers stood and slaughtered men, women, and children—not in the course of the operation, but in a premeditated act which had as its intention slaughter and murder only. They also took spoils, and when they finished their work, they fled.” Irgun and Stern leaders denied that any deliberate killings of civilians occurred at Deir Yassin. Menachem Begin noted that they had set up a loudspeaker at the entrance of the village, warning civilians to leave: “By giving this humane warning, our fighters threw away the element of complete surprise, and thus increased their own risk in the ensuing battle. A substantial number of the inhabitants obeyed the warning and they were unhurt. A few did not leave their stone houses—perhaps because of the confusion. The fire of the enemy was murderous—to which the number of our casualties bears elegant testimony. Our men were compelled to fight for every house; to overcome the enemy they used large numbers of hand grenades. And the civilians who had disregarded our warnings suffered inevitable casualties.”9 The Jewish Agency did not accept Begin’s explanation and immediately condemned the killings. Regardless of which view was correct, the events at Deir Yassin would have a more far-reaching impact than anyone could have imagined.
Eric Gartman (Return to Zion: The History of Modern Israel)
The night breeze cooled her flushed skin, and she lifted her head to the setting sun. The scent of the almond trees mingled with the headier lavender and roses, calming her. The sun dipped slowly, setting off a wild array of pinks and oranges, and a splay of yellow that pointed toward the clouds that brought a song to Esther's soul. Perhaps Adonai had not abandoned her in this place. Could she have a purpose even as one in hundreds or a thousand in a harem? Would God grant her favor in the king's eyes and allow her to know him- to see him more than one night?
Jill Eileen Smith (Star of Persia: (An Inspirational Retelling about Queen Esther))
She stopped to inspect some of the blossoms on the almond trees and watched the butterflies flap tiny wings from the bushes to the skies. Oh, to have such freedom. Like a bird, they were not confined to the king's palaces or a specific set of rooms. If she thought on it overmuch, she had to admit that in her new life she felt more like a bird caged than one set free. And she missed her family. Not Mordecai, for she saw him often, but her cousins, their wives, the children. Especially the children. How long had it been since she had chased Isha through the house and taught the children of Noah! She walked past the almond trees, forcing her mind to ponder the beauty around her. Gratitude was a better choice than lonely complaints.
Jill Eileen Smith (Star of Persia: (An Inspirational Retelling about Queen Esther))
Nijinsky, Lawrence, Van Gogh, each had his own form of discipline towards this end. Each one had, as it were, discovered in some moment of insight a source from which these supplies of ‘more abundant life’ flowed, and each concentrated on a discipline that would make the source accessible. Lawrence was a thinker who had found imaginative relief in his study of the past. Van Gogh’s religious temperament needed to accumulate sense impressions; his striving towards a sense of ‘otherness’ took the form of a sort of pictorial memory of other times and other places: a memory that was, after all, incomplete, since he could not capture the scent of the almond tree or the hot July wind, or the tension in the air of a rising storm on his canvas. But Nijinsky’s kingdom was the body. People who saw him dance have testified to his amazing ability to become the part he was acting, whether the Negro in Scheherezade, the puppet in Petrouchka, or the Prince in Giselle. His discipline gave him the power to dismiss his identity at will, or to expand some parts and contract others to give an illusion of a completely new personality. It was this power that, at times, became a mystical intensity of abnegation in his dancing, that occasionally gave him glimpses into the ecstasy of the saint.
Colin Wilson (The Outsider)
I was enchanted as soon as I stepped off the train. As were the hundreds of others who got off the train with me who were now in the process of climbing into buggies and wagons, en route to the dozens of resorts, enclaves, and tent campgrounds in the area, where they would soak up the sun, get drunk on Cabernet, swim and picnic in the druidy redwood groves while reciting Shakespeare. I climbed into a wagon and was driven off by a Mr. Lars Magnusson to view the old Olson farm. We traveled a mile or so into the hills, past oak glens, brooks, and pools of water, past manzanitas, madrones, and trees dripping with Spanish moss. Sonoma Mountain was to the west; its shadow cast everything in a soft purple light. When we finally reached the farm and I saw the luscious valley spread out in front of me, I knew this was it. Greengage. It would be a home for me and Martha at first, but I hoped it would soon be something more. A tribute to my mother and her ideals; a community in which she would have flourished, where she would have lived a good long life. Greengage.The burbling creek that ran smack down the middle of the property. The prune, apple, and almond orchards: the fields of wheat, potatoes, and melons. The pastures for cows and sheep. The chicken house and pigsty. The gentle, sloping hills, mounds that looked like God's knuckles, where I would one day plant a vineyard.
Melanie Gideon (Valley of the Moon)
Good things make choosing difficult. Bad things leave no choice
Michelle Cohen Corasanti (The Almond Tree)
Sometimes, when he got home from work he took me up to the roof. There he set up a telescope and explained the constellations to me, whispered their names into my ear, as if we were the only two people who knew those names, as if they were a secret between us. I felt his warm breath, smelling of almonds, and if father had a drink before, he'd bring me to bed, let me change into my nightgown, give me a kiss, his beard stubble brushing against my cheek, and stroke my hair. Then he'd lay his hand on the radiator just as gently as he had touched my head earlier and leave the room.
Olga Grjasnowa (All Russians Love Birch Trees)
Next come the magickally important Hebrew letters Yud-Heh-Vahv-Heh, YHVH for short, the Tetragrammaton. I have already discussed it, but let’s add some more information. The Yud looks like this: . The upper tip of the Yud is associated with the first Sephira. The rest of the Yud, along with the Heh (which looks like this: ), is associated with the second through fourth Sephiroht. The Vahv is an elongated Yud and looks like this: . It is related to the fourth through ninth Sephiroht. Notice the overlap between the Vahv and Heh. The second or last Heh is related to the tenth Sephira. The first Heh is known as the Heh Superior (Sup.) and the second Heh is known as the Heh Inferior (Inf.). Hebrew is read from right to left, and the Tetragrammaton looks like this: Vertically, it looks like this: The creatures in the next column are both real and unreal, while the tools of the following column are magickal tools. The lamen is a medallion hung around the neck to represent a certain power or quality. The names are the various God, archangelic, and angelic names, along with other words of power. The traditional magician of the Middle Ages wore two robes: an outer robe, representing the silence necessary to being a magician, which concealed a hidden, inner robe of truth. Today, most magicians wear only one robe, the two robes being more symbolic than actual. Finally, the last column is self-explanatory with the sole added note that the plant associated with the first Sephira is an almond “aflower.” That is, it should be blooming. This list of Kabalistic correspondences is by no means complete. But it is a good start. I suggest that you make up a series of Trees of Life, each one filled out with one of the columns. You may wish also to make up a very large Tree of Life putting many of the correspondences associated with a Sephira in the drawing of that Sephira. I urge a deep study of the correspondences now. Their importance will become clearer to you as we move into the study of Grey Magick. For a far more complete version
Donald Michael Kraig (Modern Magick: Twelve Lessons in the High Magickal Arts)
In a crumbling park in the crumbling back end of Copacabana, a woman stopped under an almond tree with a suitcase and a cigar. She
Idra Novey (Ways to Disappear)
Letojanni is a little strip of a village with the sea in front and mountains behind, and I went up, past the fig and almond trees, until I found the terraces, each like a big garden, bordered by low stone walls. I felt like an explorer who has suddenly come across hidden treasure. The Interdonato is such an individual lemon that even through up until the Second World War it was very popular in England for serving with tea, in Sicily these days, they barely know of it on the other side of the island.
Locatelli, Giorgio
Begin with me, barefoot, under the almond tree... —Sam (a character in Mildred's Garden)
Laura Boggess (Mildred's Garden)
​Theobroma cacao is an example of biological inefficiency. Its flower blossoms are pollenated exclusively by the midge fly. Of the hundreds of flowers produced by one cacao tree, only 1-3% bear fruit. Each flower results in a large pod containing 30-40 almond-shaped seeds or beans. Pods reach full growth in 4-5 months and take 1 month to ripen.
Mena Borges-Gillette (Confections of a Chocoholic: Healthier, Allergy Conscious Treats Everyone Can Enjoy)
you get forests of almond and walnut trees, casting shade as cool as a well, thick battalions of spear-like cypress and silver-trunked fig trees with leaves as large as a salver.
Gerald Durrell (The Corfu Trilogy (The Corfu Trilogy #1-3))
to bring us a handful of figs from his tree or a few almonds, milky and fresh, which we would crack between the smooth stones on the beach.
Gerald Durrell (The Corfu Trilogy (The Corfu Trilogy #1-3))
How could we know that the Russian military kept testing and developing new systems? With Yeltsin in charge, the military didn’t seem to matter very much.
David Aikman (When the Almond Tree Blossoms)
Could there be another civil war in the United States?
David Aikman (When the Almond Tree Blossoms)
The question, however, remains: is there a point at which social and political polarizing national tensions could lead to bloodshed at a national level in America? I devoutly hope not.
David Aikman (When the Almond Tree Blossoms)
The fact is that all left-wing political dictatorships since the French Revolution have ended up being in some way totalitarian: that is, directing not just the politics of the nation under revolution but the social and cultural fabric of the entire society.
David Aikman (When the Almond Tree Blossoms)
Jean Kirkpatrick, made a strong point during her career that left-wing totalitarianism was far more dangerous than fascism. She maintained that fascism invariably left alone areas of cultural expression that it did not consider directly threatening to its political existence.
David Aikman (When the Almond Tree Blossoms)
capitalism always did manage to make the comfort industry work better than socialism did.
David Aikman (When the Almond Tree Blossoms)
I understand some of the committee people, despite their official positions, are not very friendly toward gays and lesbians.
David Aikman (When the Almond Tree Blossoms)
If it keeps the streets safe, people will accept it.
David Aikman (When the Almond Tree Blossoms)
There is absolutely nothing sacred about freedom of information,” he said, “when it can be used to undermine social progress.
David Aikman (When the Almond Tree Blossoms)
Of course the fascists in Moscow think it’s just fine if progressives in America approve of an emigration program to Israel. They’ve been saying for years that Zionists and Freemasons control the world.
David Aikman (When the Almond Tree Blossoms)
You can’t tell the politicians from the magicians, if you know what I mean,” and he flicked an imaginary cigar and flexed his eyebrows.
David Aikman (When the Almond Tree Blossoms)
The gringos are never coming back,” he concluded. The only certainty was that they took everything with them: money, December breezes, the bread knife, thunder at three in the afternoon, the scent of jasmines, love. All that remained were the dusty almond trees, the reverberating streets, the houses of wood and roofs of rusting tin with their taciturn inhabitants, devastated by memories.
Gabriel García Márquez (Living to Tell the Tale)