Worms Game Quotes

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My god! people say. You have so much self-control! And later: My god. You're so, so sick. When people say this, they turn their heads, you've won your little game. You have proven your thesis that no-body-loves-me-every-body-hates-me, guess-I'll-just-eat-worms. You get to sink back into your hospital bed, shrieking with righteous indignation. See? you get to say. I knew you'd give up on me. I knew you'd leave.
Marya Hornbacher (Wasted : A Memoir of Anorexia and Bulimia)
Beginning to think is beginning to be undermined. Society has but little connection with such beginnings. The worm is in man's heart. That is where it must be sought. One must follow and understand this fatal game that leads from lucidity in the face of existence to flight from light.
Albert Camus (The Myth of Sisyphus and Other Essays)
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
This is Quick Ben’s game, O Elder. The bones are in his sweaty hands and they have been for some time. Now, if at his table you’ll find the Worm of Autumn, and the once Lord of Death, and Shadowthrone and Cotillion, not to mention the past players Anomander Rake and Dessembrae, and who knows who else, well – did you really believe a few thousand damned Nah’ruk could take him down? The thing about Adaephon Delat’s game is this: he cheats.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
When I was younger I thought I had superpowers Thought if I sat real still and stared at a book No one would be able to see me I got so good at it I forgot that I’m the only one playing the game Sit still with a book or my head down And you can go missing
Mahogany L. Browne (Chlorine Sky)
And he did love her! He did! It was just that, only a few hours into his new life in the wilderness, he knew he hated it. The heat, and the worms, and those birds yakking nonstop . .
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
His lips were as soft and red as the worms you found after a rain, and his eyes were vain and cruel. “I hate you,” she whispered.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
She came downstairs like a doe stepping into a clearing on the first day of hunting season. I felt like a coward. I was lower than dirt. I had used every trick in my book to get her to come downstairs. I had manipulated her emotions, cheated and wormed to beat her at this game we were playing. But then I saw her, and I was so happy. I knew I would have burned the building down for the sight of her running toward me out of the flames.
Candice Raquel Lee (The Innocent: A Myth)
Counting coup?” Leister asked. He was the sole subordinate that Vantage had brought along. Rime, by contrast, had brought Usher and Arbiter from her team. Prefab from San Diego had shown up as well. I explained, “The term came from the Native Americans’ style of warfare. In a fight, one person makes a risky, successful play against the other side showing their prowess. They gain reputation, the other side loses some. All it is, though, is a game. A way to train and make sure you’re up to snuff against the real threats without losing anything.
Wildbow (Worm (Parahumans, #1))
And he did love her! He did! It was just that, only a few hours into his new life in the wilderness, he knew he hated it. The heat, and the worms, and those birds yakking nonstop . . .
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
It was a curiously happy picture: a dark-haired girl...sternly cautioning her bare-kneed younger brother not to be so loud in church, then bending down to whisper with a mischievous smile, 'If you can only sit still for five more minutes, once we are out of here I will play a great game with you. You will enjoy it.' Flash of merry dark eyes. 'There will be worms involved.
Lauren Baratz-Logsted (The Twin's Daughter)
Occasionally, especially at celebratory times, the whole gang of us would launch into a spontaneous mental game. For example, my mother used to send me to the back porch (a room containing no furniture but a simply incredible mass of Stuff) to get flour for holiday cakes or pies. I often returned to the kitchen, cringing with disgust, to announce that the flour was full of worms. No matter how sick this made me, I knew it wuoldn't bother my mother. She always just sifted the worms out, saying that even if she missed a few and they got into the food, they would simply be an excellent source of protein. Just as we were all beginning to feel thoroughly downtrodden, my father would save the day. "Everyone come up with a literary reference about worms!" he would shout.
Martha N. Beck (Expecting Adam: A True Story of Birth, Rebirth, and Everyday Magic)
Heavy, dark clouds rolled in, providing some relief from the beating sun but adding to his oppression. This was his life now. Digging for worms and being at the mercy of the weather. Elemental. Like an animal. He knew this would be easier if he wasn't such an exceptional person. The best and the brightest humanity had to offer. The youngest to pass the officer candidate test.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Walking back through the mall to the exit nearest our part of the parking lot, we passed one shop which sold computers, printers, software, and games. It was packed with teenagers, the kind who wear wire rims and know what the new world is about. The clerks were indulgent, letting them program the computers. Two hundred yards away, near the six movie houses, a different kind of teenager shoved quarters into the space-war games, tensing over the triggers, releasing the eerie sounds of extraterrestrial combat. Any kid back in the computer store could have told the combatants that because there is no atmosphere in space, there is absolutely no sound at all. Perfect distribution: the future managers and the future managed ones. Twenty in the computer store, two hundred in the arcade. The future managers have run on past us into the thickets of CP/M, M-Basic, Cobal, Fortran, Z-80, Apples, and Worms. Soon the bosses of the microcomputer revolution will sell us preprogrammed units for each household which will provide entertainment, print out news, purvey mail-order goods, pay bills, balance accounts, keep track of expenses, and compute taxes. But by then the future managers will be over on the far side of the thickets, dealing with bubble memories, machines that design machines, projects so esoteric our pedestrian minds cannot comprehend them. It will be the biggest revolution of all, bigger than the wheel, bigger than Franklin’s kite, bigger than paper towels.
John D. MacDonald (Cinnamon Skin (Travis McGee, #20))
Mr. Edwards and the Spider" I saw the spiders marching through the air, Swimming from tree to tree that mildewed day In latter August when the hay Came creaking to the barn. But where The wind is westerly, Where gnarled November makes the spiders fly Into the apparitions of the sky, They purpose nothing but their ease and die Urgently beating east to sunrise and the sea; What are we in the hands of the great God? It was in vain you set up thorn and briar In battle array against the fire And treason crackling in your blood; For the wild thorns grow tame And will do nothing to oppose the flame; Your lacerations tell the losing game You play against a sickness past your cure. How will the hands be strong? How will the heart endure? A very little thing, a little worm, Or hourglass-blazoned spider, it is said, Can kill a tiger. Will the dead Hold up his mirror and affirm To the four winds the smell And flash of his authority? It’s well If God who holds you to the pit of hell, Much as one holds a spider, will destroy, Baffle and dissipate your soul. As a small boy On Windsor Marsh, I saw the spider die When thrown into the bowels of fierce fire: There’s no long struggle, no desire To get up on its feet and fly It stretches out its feet And dies. This is the sinner’s last retreat; Yes, and no strength exerted on the heat Then sinews the abolished will, when sick And full of burning, it will whistle on a brick. But who can plumb the sinking of that soul? Josiah Hawley, picture yourself cast Into a brick-kiln where the blast Fans your quick vitals to a coal— If measured by a glass, How long would it seem burning! Let there pass A minute, ten, ten trillion; but the blaze Is infinite, eternal: this is death, To die and know it. This is the Black Widow, death.
Robert Lowell (Collected Poems)
The game had only two rules. The first was that every statement had to have at least two words in which the first letters were switched. “You’re not my little sister,” Shawn said. “You’re my sittle lister.” He pronounced the words lazily, blunting the t’s to d’s so that it sounded like “siddle lister.” The second rule was that every word that sounded like a number, or like it had a number in it, had to be changed so that the number was one higher. The word “to” for example, because it sounds like the number “two,” would become “three.” “Siddle Lister,” Shawn might say, “we should pay a-eleven-tion. There’s a checkpoint ahead and I can’t a-five-d a ticket. Time three put on your seatbelt.” When we tired of this, we’d turn on the CB and listen to the lonely banter of truckers stretched out across the interstate. “Look out for a green four-wheeler,” a gruff voice said, when we were somewhere between Sacramento and Portland. “Been picnicking in my blind spot for a half hour.” A four-wheeler, Shawn explained, is what big rigs call cars and pickups. Another voice came over the CB to complain about a red Ferrari that was weaving through traffic at 120 miles per hour. “Bastard damned near hit a little blue Chevy,” the deep voice bellowed through the static. “Shit, there’s kids in that Chevy. Anybody up ahead wanna cool this hothead down?” The voice gave its location. Shawn checked the mile marker. We were ahead. “I’m a white Pete pulling a fridge,” he said. There was silence while everybody checked their mirrors for a Peterbilt with a reefer. Then a third voice, gruffer than the first, answered: “I’m the blue KW hauling a dry box.” “I see you,” Shawn said, and for my benefit pointed to a navy-colored Kenworth a few cars ahead. When the Ferrari appeared, multiplied in our many mirrors, Shawn shifted into high gear, revving the engine and pulling beside the Kenworth so that the two fifty-foot trailers were running side by side, blocking both lanes. The Ferrari honked, weaved back and forth, braked, honked again. “How long should we keep him back there?” the husky voice said, with a deep laugh. “Until he calms down,” Shawn answered. Five miles later, they let him pass. The trip lasted about a week, then we told Tony to find us a load to Idaho. “Well, Siddle Lister,” Shawn said when we pulled into the junkyard, “back three work.” — THE WORM CREEK OPERA HOUSE announced a new play: Carousel. Shawn drove me to the audition, then surprised me by auditioning himself. Charles was also there, talking to a girl named
Tara Westover (Educated)
So, why do we do it?” I decided at least to try and give the appearance of being in control. “I don’t know, I swear some of you English men use it to seek me out and be obsessive on my front doorstep. What do you think? Are you going to come knocking on my door?” “Well, I don’t know. I mean about the assumptions and the bullshit, not the door.” I thought it needed stressing, but immediately realised it was part of her game. “Perhaps it’s some kind of safety thing. If a stranger starts talking to you in the street, you have little by which to judge your safety. Here in a hotel lobby you have some sanctuary, but that doesn’t mean it’s safe. Not every hotel guest is in a foreign land, and I am sure not every Colombian is going to rob you, but I don’t know.” “It is prejudice, if you ask me,” she spat distastefully.
Mel Vil (The Heart Worm)
Careful what you wish for, boys. Even the shiniest apple can be worm-eaten inside.
J.T. Geissinger (Wicked Beautiful (Wicked Games, #1))
Next up was the match with North Korea, where the national team showed off another choreographed goal celebration in a 1–0 win. After Abby Wambach’s first goal, the team lined up and held hands, raising their arms in succession to create a rolling wave—a break dancing–type move. When it reached the last player in the line, the players turned and pointed to the midfield, where Hope Solo and Christie Pearce were doing the dance move known as “the Worm.” “Sometimes Hope doesn’t get involved in our celebrations, and she said before the game that the Worm is the only thing she can do,” Wambach said afterward. “So we just tried to set her up for something.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
HE HAD BEEN trained in a hidden monastery by the ninjas of Xi’en. He had studied yoga and meditation under an Avrantic guru. His strength, stamina and ability to withstand pain were legendary. He was as silent as a shadow of a black cat in the night, as deadly as a cobra’s fang. He moved like a panther, taut and sinuous. He could climb up rock-faces with his bare hands and stay underwater for hours without breathing. His skill and luck at love and cards was legendary, and he had almost beaten the Civilian at chess once. He was wondering what to wear. When in doubt, Black is the answer, the dance teacher in Ektara had said. He dressed, swiftly. It had been a long time since he had worn the original costume. Black silk clothes, padded boots. The cloth around the face, with slits for his eyes. The fire-resistant Xi’en lava-worm black silk cape. Of course, disguises and camouflage were fun, and often necessary, but this was his favourite. He strapped on his Necessity Belt. He had been all around the world and seen many beautiful things, but this was the finest example of vaman craftsmanship he had ever seen. He opened a trunk under his bed and started thinking about his assignment. His fingers, trained by years of practice, began sliding things into the right pockets on his belt. Into the little sheaths went the darts, the crossbow bolts and the blackened throwing knives. With practiced ease his fingers found the little pouches, side by side, one after the other, for the wires, the brass knuckles, the vial of oil, the sachet of poisonous powder and the shuriken, the little blackened poisoned-tipped discs the ninjas used. On his back was the slim bag that contained a little black chalk, his stamp and his emergency scarab. If he was killed or captured, it would fly to the Civilian. The message inside said Killed or captured. Sorry. He slung a pouch over his shoulder. It contained his blowpipes, ropes, strangling cords and cloth-covered grappling hooks. Over his other shoulder went the light and specially constructed crossbow. The flat bag filled with what he called his ‘special effects’ went on his back. He felt a little naked. He strapped on little black daggers in sheaths to his left arm and outer thighs. He tapped his left foot thrice on the floor and felt the blade slide to the front of the boot. He tapped again and it slid back to the heel. (...) He slipped on his gloves. Finally, he picked up the sheath that contained his first love. It was the one love he’d always been faithful to, the long, curved, deadly and beautiful Artaxerxian dagger that glittered and shone even in the candlelight as he pulled it out and held it lovingly. It was the only weapon he had never blackened. The Silver Dagger. He attached it to the Necessity Belt. Now he was dressed to kill.
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
Next come wormholes. Forgers are not the only bookworms with a consuming interest in Chateaux of the Loire. Wormholes are tiny tunnels burrowed into old books or other pieces of ancient paper. (The culprits are not worms but beetles and other bugs, especially silverfish.) The forger is glad to see wormholes, since they testify to age, but the holes pose a subtle problem. In an authentic drawing made centuries ago, the sides of a wormhole would not show any sign of ink, because the ink would have dried long before the bugs began their tunneling. But if a modern-day forger ignores the holes and starts drawing, ink from his pen might seep into the wormhole and give away the game.
Edward Dolnick (The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century (P.S.))
Virgil returned to the Operator’s Station and entered a single command. Its effect was to draw together the reins of the eighteen sham programs, to lift out, as it were, all those long machine code sections and interleave them into one huge powerful program that seemed to coalesce out of nowhere, having already penetrated the Worm’s locks and defenses. This monster program, then, had calmly proceeded to wipe out all administrative memory and all student and academic software, and then to restructure the Operator to suit Virgil’s purposes. It all went—payroll records, library overdues, video-game programs. From the computer’s point of view, American Megaversity ceased to exist in the time it took for a micro-transistor to flip from one state to the other.
Neal Stephenson (The Big U)
Take me, for example. I opposed indulgences and all papists, but never by force. I simply taught, preached, wrote God’s Word: otherwise I did nothing. And then, while I slept or drank Wittenberg beer with my Philip of Amsdorf the Word so greatly weakened the papacy that never a prince or emperor did such damage to it. I did nothing: the Word did it all. Had I wanted to start trouble . . . I could have started such a little game at Worms that even the emperor wouldn’t have been safe. But what would it have been? A mug’s game. I did nothing: I left it to the Word.
David Teems (Tyndale: the Man Who Gave God an English Voice)
The rest of the day seemed to creep by as slow as a worm in molasses.
George R.R. Martin (A Game of Thrones / A Clash of Kings / A Storm of Swords / A Feast for Crows (A Song of Ice and Fire #1-4))
Ashtart, the goddess of sex and war, who tread through rivers of blood and bizarre sexual perversity had the gall to call him detestable. Ba’al, the most high bully and mightiest ego of the pantheon, treated him like a retarded child. Dagon, that fish of the Philistines, didn’t let him build any temples in Philistia. And that bitch Asherah ignored him, even though her Phoenician people had a distinct liking for his practices. All of these divinities scoffed, spurned and spit on him from their arrogant lofty high places of privilege and bigotry. And yet all of them, every single one of them, were gone. Bound in their pride in Tartarus by the archangels. Molech alone was left. He had played his game with craftiness and savvy. He had survived them all. The fools. Now, I spit on you. He hocked with his throat to gather a clump of mucus, saliva and worms, and spit on the ground as if on their graves. He lifted his chin with pride of status and took in a deep whiff of the pleasant scent of child sacrifice now burning on his altar.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
He got in her face then, anger pouring off him. He smelled so good, and his breath was warm as it blew against her face and neck. “You’re goddamn right this isn’t a game. Do you think for one fucking minute that, as I looked down on you dying in that pit, I thought it was fun? You nearly died, Gretchen. It is intolerable. I will not lose you!” He was yelling by the time he finished and he took her face in his hands, forcing her to meet his gaze. “You wormed your stubborn ass into my soul, and I’ll not fucking allow you to kill yourself for vengeance. You’ll stay here, where I can keep you safe, and we’ll plan, Gretchen. We’ll plan, and then we’ll act, but we will do it together. You will never put me through that again,” he said viciously.
Lea Griffith (Bullet to the Heart (No Mercy, #1))
No, her father was ashes in the wind, his existence marked only by a headstone on a hill outside the city. Or so her sisters had told her. I loved you from the first moment I held you in my arms, her father had said to her in those last moments together. Don't lay your filthy hands on my daughter. Those had been his final words, spat at the King of Hybern. Her father had squandered those final words on that worm of a king. Her father. The man who had never fought for his children, not until the end. When he had come to save them- to save the humans and the Fae, yes, but most of all, his daughters. Her. A grand, stupid waste. Unholy dark power flowed through her, and it had not been enough to stop the King of Hybern from snapping his neck. She had hated her father, hated him deeply, and yet he had loved her, for some inexplicable reason. Not enough to try to spare them from poverty or keep them from starving. But somehow it had been enough for him to raise an army on the continent. To sail a ship named for her into battle. She had still hated her father in those last moments. And then his neck had cracked, his eyes not full of fear as he died, but of that foolish love for her. That was what had lingered- the look in his eyes. The resentment in her heart as he died for her. It had festered, gnawing at her like the power she buried deep, running rampant through her head until no icy baths could numb it away. She could have saved him. It was the King of Hybern's fault. She knew that. But it was hers, too. Just as it was her fault that Elain had been captured by the Cauldron after Nesta spied on it with that scrying, her fault that Hybern had done such terrible things to hunt her and her sisters down like a deer. Some days, the sheer dread and panic locked Nesta's body up so thoroughly that nothing could get her to breathe. Nothing could stop the awful power from beginning to rise, rise, rise in her. Nothing beyond the music at those taverns, the card games with strangers, the endless bottles of wine, and the sex that made her feel nothing- but offered a moment of release amid the roaring inside her.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Over and over again, growing increasingly hostile as he went, he blackened the earth, drawing with the magnet of his rage the storm of the bloody century to my demesne. Worms screamed in anguish as they burned. Moles, disturbed from slumber, whimpered once then crumbled to ash. I suffered the soft implosion of larvae not yet formed enough to rue the beauty they were losing; subterranean life in all its dark, earthy grandeur. The occasional burrowing snake hissed defiance as it was seared to death. Sean O’Bannion walks—the earth turns black, barren, and everything in it dies, a dozen feet down. Hell of a princely power. Again, what the fuck was the Unseelie king thinking? Was he? Incensed by failure, Sean insisted hotly, as we stood in the bloody deluge—it wasn’t raining, that scarce-restrained ocean that parked itself above Ireland at the dawn of time and proceeded to leak incessantly, lured by the siren-song of Sean’s broodiness decamped to Scotland and split wide open—that I was either lying or it didn’t work the same for each prince. Patiently (okay, downright pissily, but, for fuck’s sake, I could be having sex again and gave that up to help him), I explained it did work the same for each of us but, because he wasn’t druid-trained, it might take time for him to understand how to tap into it. Like learning to meditate. Such focus doesn’t come easy, nor does it come all at once. Practice is key. He refused to believe me. He stormed thunderously and soddenly off, great ebon wings dripping rivers of water, lightning bolts biting into the earth at his heels, Kat trailing sadly at a safe distance behind. I was raised from birth to be in harmony with the natural world. Humans are the unnatural part of it. Animals lack the passel of idiotic emotions we suffer. I’ve never seen an animal feel sorry for itself. While other children played indoors with games or toys, my da led me deep into the forest and taught me to become part of the infinite web of beating hearts that fill the universe, from the birds in the trees to the insects buzzing about my head, to the fox chasing her cubs up a hillside and into a cool, splashing stream, to the earthworms tunneling blissfully through the vibrant soil. By the age of five, it was hard for me to understand anyone who didn’t feel such things as a part of everyday life. As I matured, when a great horned owl perched nightly in a tree beyond my window, Uncle Dageus taught me to cast myself within it (gently, never usurping) to peer out from its eyes. Life was everywhere, and it was beautiful. Animals, unlike humans, can’t lie. We humans are pros at it, especially when it comes to lying to ourselves.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
Feelie Box—Cut a hole in a shoebox lid. Place spools, buttons, blocks, coins, marbles, animals, and cars in the box. The child inserts a hand through the hole and tells you what toy she is touching. Or, ask her to reach in and feel for a button or car. Or, show her a toy and ask her to find one in the box that matches. These activities improve the child’s ability to discriminate objects without the use of vision. “Can You Describe It?”—Provide objects with different textures, temperatures, and weights. Ask her to tell you about an object she is touching. (If you can persuade her not to look at it, the game is more challenging.) Is the object round? Cool? Smooth? Soft? Heavy? Oral-Motor Activities—Licking stickers and pasting them down, blowing whistles and kazoos, blowing bubbles, drinking through straws or sports bottles, and chewing gum or rubber tubing may provide oral satisfaction. Hands-on Cooking—Have the child mix cookie dough, bread dough, or meat loaf in a shallow roasting pan (not a high-sided bowl). Science Activities—Touching worms and egg yolks, catching fireflies, collecting acorns and chestnuts, planting seeds, and digging in the garden provide interesting tactile experiences. Handling Pets—What could be more satisfying than stroking a cat, dog or rabbit? People Sandwich—Have the “salami” or “cheese” (your child) lie facedown on the “bread” (gym mat or couch cushion) with her head extended beyond the edge. With a “spreader” (sponge, pot scrubber, basting or vegetable brush, paintbrush, or washcloth) smear her arms, legs, and torso with pretend mustard, mayonnaise, relish, ketchup, etc. Use firm, downward strokes. Cover the child, from neck to toe, with another piece of “bread” (folded mat or second cushion). Now press firmly on the mat to squish out the excess mustard, so the child feels the deep, soothing pressure. You can even roll or crawl across your child; the mat will distribute your weight. Your child will be in heaven.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
And our own beloved Carl Sandburg had this to say about the fire-belching evangelist Billy Sunday: You come along—tearing your shirt—yelling about Jesus. I want to know what the hell you know about Jesus. Jesus had a way of talking soft, and everybody except a few bankers and higher-ups among the con men of Jerusalem liked to have Jesus around because he never made any fake passes, and he helped the sick and gave people hope. You come along calling us all damn fools—so fierce the froth of your own spit slobbers over your lips—always blabbering we’re all going to hell straight off and you know all about it. I’ve read Jesus’s words. I know what he said. You don’t throw any scare into me. I’ve got your number. I know how much you know about Jesus. You tell people living in shanties Jesus is going to fix it up all right with them by giving them mansions in the skies after they’re dead and the worms have eaten ’em. You tell $6-a-week department store girls all they need is Jesus. You take a steel trust wop, dead without having lived, gray and shrunken at forty years of age, and you tell him to look at Jesus on the cross and he’ll be all right. You tell poor people they don’t need any more money on pay day, and even if it’s fierce to be out of a job, Jesus’ll fix that all right, all right—all they gotta do is take Jesus the way you say. Jesus played it different. The bankers and corporation lawyers of Jerusalem got their murderers to go after Jesus because Jesus wouldn’t play their game. I don’t want a lot of gab from a bunkshooter in my religion.
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: The Graduation Speeches and Other Words to Live By)
Observe their cohabiting customs,’ Gutkind’s great-grandfather wrote, ‘observe them as a scientist might observe the mating habits of white mice, and you will see that however far outside the swarm they wander to satisfy their appetites, for purposes of procreation they invariably regroup. They choose their mistresses and lovers from those for whom they feel neither respect nor compassion and their wives and husbands from their own ranks. As is often reported by innocents who encounter them without knowing by what rules they live, they can be companionable, amusing, even adorable, and in some circumstances, especially where reciprocal favours are looked for, munificent. But this to them is no more than play, the exercise of their undeniable powers and charm for the mere sadistic fun of it. Thereafter their loyalty is solely to each other. Let one of their number suffer and their vengefulness knows no limits; let one of their number perish and they will make the planet quake for it. To some, this is taken to be the proof of the steadfastness of their tribal life, the respect and affection they have been brought up, over many generations, to show to one another. But it is in fact a manifestation of a sense of superiority that values the life of anyone not belonging to their “tribe” at less than nothing. Only witness, in that country which they call their ancestral home (but which few of them except the most desperate appear to be in any hurry to repair to), a recent exchange of prisoners with one of their many enemies in which, for the sake of a single one of their own – just one – they willingly handed over in excess of seven hundred! The mathematics make a telling point. Never, in the history of humanity, has one people held all others in such contempt, or been more convinced that the world can, and will, be organised for their benefit alone. It has been said that were the earth to be laid waste, so long as not a single hair of one of theirs was harmed, they would connive in that destruction. That is not a justification for their destruction, though others argue persuasively for it. But it does invite us to ask how much longer we can tolerate their uncurbed presence.” … ‘Some worm of divisiveness in their own souls has impelled them – throughout history, as though they knew history itself was against them – to the brink of self-destruction. Imaginatively, the story of their annihilation engrosses them; let them enjoy a period of peace and they conjure war, let them enjoy a period of regard and they conjure hate. They dream of their decimation as hungry men dream of banquets. What their heated brains cannot conceive, their inhuman behaviour invites. “Kill us, kill us! Prove us right!” Time and again they have been saved, not by their own resolution, but by the world taking them at their own low self-valuation and endeavouring to deliver them the consummation they devoutly wish. Only then are they able to come together as a people, mend their divisions, and celebrate their escape as one more proof of the divine protection to which their specialness entitles them. But it is a dangerous game and will backfire on them one day.
Howard Jacobson (J)
Jon was paired with dour Eddison Tollett, a squire grey of hair and thin as a pike, whom the other brothers called Dolorous Edd. “Bad enough when the dead come walking,” he said to Jon as they crossed the village, “now the Old Bear wants them talking as well? No good will come of that, I’ll warrant. And who’s to say the bones wouldn’t lie? Why should death make a man truthful, or even clever? The dead are likely dull fellows, full of tedious complaints—the ground’s too cold, my gravestone should be larger, why does he get more worms than I do …
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
The final score was five to zero, with high-scoring Brother, the hockey hero! The cheers for the Cousins were long and loud. They left the ice to the roar of the crowd. So there you have it. A stellar performance by Brother Bear and another victory for the Bear Country Cousins. This puts the Cousins in the big Valentine’s game against… the Beartown Bullies-- a dubious privilege at best. There was a special cheer for Brother as well. The cheerleaders gave him a well-deserved yell. They then addressed Brother in more personal terms. “Yuck, when it comes to mush, I’d rather eat worms.
Stan Berenstain (The Berenstain Bears' Comic Valentine)
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A tyrant, in the future, is about to retire and turn over the 3 or so planets he controls to a younger aspirant. The young wife of the tyrant, however, wishes control to go to her, and to prove to her husband what a dreadful leader the aspirant would make. All time-travel experiments have failed, but there is a theoretical possibility that alternate presents could be reached. Instigated by the tyrant's wife, a research crew begins the job. MEANWHILE, the aspirant has let no grass grow beneath his feet; he responds to Project Alternate by hiring one of Earth's larges industrial corporations to build a fake alternate world, in which he rules, and all is wonderful. Now comes the tour de force. The tyrant's young wife learns about the construction of a fake alternate world. Her response: she engages a team of clever experts—along the lines of that in MISSION IMPOSSIBLE—to worm their way into the fake alternate world and plant fake fakes there, which will give it all away when the tyrant is brought to visit it. All seems clear at this point. The aspirant is having a fake alternate world being made; the tyrant's wife is busily subverting it. But—aha! Everyone's scheme is brought down in a great crash when a real alternate present is reached. The tyrant sets out to visit it—naturally. But it bears no relation at all to their own world. It is a 'board-game' world, with squares and the possibility of moving from one square to the next. Each square is a sort of alternate world on its own; the squares differ that much from one another in tone, structure, mood, color, with the characters themselves altering to fit into the Geist of each square. On one square, for example, all food tastes marvelous. On the next square, milk is a deadly poison. And so on. Ultimately, the characters discover the nature of this world: each square represents a particular mushroom, and that of a poisonous mushroom is a poisonous micro-world . . . the morel square, of course, being nearly on a level with heaven.
Dennis (introduction) Dick, Philip K.; Etchison (The Selected Letters, 1938-1971)
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Bill Bryson (One Summer: America, 1927)
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