Walkman Quotes

Whitney Houston’s cover of “I Will Always Love You” was constantly on my FM Walkman radio around that time. I think that made me cry because I associated it with absolutely no one.

I repeat his words in my head. What's going on? What's going on? Oh, well, since you asked, I got a bunch of tapes in the mail today from a girl who killed herself. Apparently, I had something to do with it. I'm not sure what that is, so I was wondering if I could borrow your Walkman to find out. 'Not much,' I say.

One of Renee's friends asked her, "Does your boyfriend wear glasses?" She said, "No, he wears a Walkman.

To me, at least in retrospect, the really interesting question is why dullness proves to be such a powerful impediment to attention. Why we recoil from the dull. Maybe it’s because dullness is intrinsically painful; maybe that’s where phrases like ‘deadly dull’ or ‘excruciatingly dull’ come from. But there might be more to it. Maybe dullness is associated with psychic pain because something that’s dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient, low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from feeling, or at least from feeling directly or with our full attention. Admittedly, the whole thing’s pretty confusing, and hard to talk about abstractly…but surely something must lie behind not just Muzak in dull or tedious places any more but now also actual TV in waiting rooms, supermarkets’ checkouts, airport gates, SUVs’ backseats. Walkman, iPods, BlackBerries, cell phones that attach to your head. This terror of silence with nothing diverting to do. I can’t think anyone really believes that today’s so-called ‘information society’ is just about information. Everyone knows it’s about something else, way down.

They saw him walk away, leave a world he'd never really been part of. They saw him pull his hat down low and get onto his bike. He forgot the Walkman's earplugs. Maybe, Anna thought, he didn't need them anymore; maybe the white noise had finally made it into his head.

You ever notice how long it takes for things to happen when you know they're supposed to happen? My fake Walkman has a built-in alarm, and I set it for two in the morning and wear the headphones to bed, but before you can wake up you have to fall asleep, and I never DO fall asleep because I keep waiting for the alarm to go off.

The white noise from the old Walkman enveloped them both; like a blanket of new snow, it draped itself over them, shutting out all the curious looks. And the world under the blanket was - surprisingly, wonderfully - absolutely, quiet.

Why are you so interested in crime?” people ask me, and I always go back to that moment in the alley, the shards of a dead girl’s Walkman in my hands. I need to see his face. He loses his power when we know his face.

Nothing evokes the end of the world more than a man running straight ahead on a beach, swathed in the sounds of his walkman . . . Primitives, when in despair, would commit suicide by swimming out to sea until they could swim no longer. The jogger commits suicide by running up and down the beach. His eyes are wild, saliva drips from his mouth. Do not stop him.

In my headphones, I led a life of romance and incident and intrigue, none of which had anything to do with the world outside my Walkman.

CHOW^TM contained spun, plaited, and woven protein molecules, capped and coded, carefully designed to be ignored by even the most ravenous digestive tract enzymes; no-cal sweeteners; mineral oils replacing vegetable oils; fibrous materials, colorings, and flavorings. The end result was a foodstuff almost indistinguishable from any other except for two things. Firstly, the price, which was slightly higher, and secondly, the nutritional content, which was roughly equivalent to that of a Sony Walkman.

Kamu sering bertanya: Apakah kegembiraan hidup? Sebuah pesta? Sebotol bir? Sepotong musik jazz? Semangkok bakso? Sebait puisi? Sebatang rokok? Seorang istri? Ah ya, apakah kebahagiaan hidup? Selembar ijazah? Sebuah rumah? Sebuah mobil? Walkman? Ganja? Orgasme? Pacar? Kamu selalu bertanya bagaimana caranya menikmati hidup.

Picture a thirteen-year-old boy sitting in the living room of his family home doing his math assignment while wearing his Walkman headphones or watching MTV. He enjoys the liberties hard won over centuries by the alliance of philosophic genius and political heroism, consecrated by the blood of martyrs; he is provided with comfort and leisure by the most productive economy ever known to mankind; science has penetrated the secrets of nature in order to provide him with the marvelous, lifelike electronic sound and image reproduction he is enjoying. And in what does progress culminate? A pubescent child whose body throbs with orgasmic rhythms; whose feelings are made articulate in hymns to the joys of onanism or the killing of parents; whose ambition is to win fame and wealth in imitating the drag-queen who makes the music. In short, life is made into a nonstop, commercially prepackaged masturbational fantasy.

O Lord, as I walk through the valley of the shadow of doubt, at least let me wear a Walkman...

Misty frozen rain was whirling around as I left the building and walked back to the shuttle stop. The shuttle was somewhat less overcrowded than usual. I didn't get a seat but I had enough room to take out my Walkman, and occasionally I could see between people's heads out the window, and this made me cheerful. It was weird what was enough to make you feel good or bad, even though your basic life circumstances were the same.

I should have known he and I weren't going to make it when for my seventeenth birthday he gave me a box of microwave popcorn and a used battery tester. You know, to test batteries before I put them in my Walkman. Like you give someone when you're in love.

As early as 1930 Schoenberg wrote: "Radio is an enemy, a ruthless enemy marching irresistibly forward, and any resistance is hopeless"; it "force-feeds us music . . . regardless of whether we want to hear it, or whether we can grasp it," with the result that music becomes just noise, a noise among other noises. Radio was the tiny stream it all began with. Then came other technical means for reproducing, proliferating, amplifying sound, and the stream became an enormous river. If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it," it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.

If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it", it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.

To me the great divide is between the talkative and the quiet. Do they just say everything that's on their minds, even before it's on their minds? Sometimes I think I could just turn up my head like a Walkman so what's going on there could be heard by others. But there would still be a difference. For inside the head they are talking to people like them, and I am talking to someone like me: he is quiet and doesn't much like being talked at; he can't conceal how easily he gets bored.

In the 1980s, a few genetic engineering companies began to ask, “What is the biological equivalent of a Sony Walkman?” These

Abby_Donovan: I bet you were one of those uber-cool teachers like Mr.Chip, weren't you? MarkBaynard: I was more like Mr.Kotter or that guy from GLEE who looks like the love child of Orlando Bloom & Justin Timberlake. Abby_Donovan: Your female students were probably writing "I love you" on their eyelids and listening to "Don't Stand So Close to Me" on their Walkmans. [...] Abby_Donovan: Goodnight Mr.Schuester MarkBaynard: Goodnight Miss Pillsbury Abby_Donovan: Goodnight Puck MarkBaynard: Goodnight Rachel Abby_Donovan: Goodnight Kurt MarkBaynard: Goodnight Quinn Abby_Donovan: Goodnight Finn MarkBaynard: Goodnight Sue Sylvester, you heartless but oddly sexy beast Abby_Donovan: Goodnight Artie MarkBaynard: Goodnight Tweetheart...

Music leaks out of the Walkman, and a saxophone from long ago circles in the air, so sad it could barely leave the ground.

Five years ago was before Walkman earphones. They can’t imagine that.

the nutritional content, which was roughly equivalent to that of a Sony Walkman.

Before I met Maria, I was your basic craven hermit. I spent most of my time in my room, in love with my walls, hiding out from the world with my fanzines and my records. I thought I was happier that way. I had developed these monastic habits to protect myself from something, probably, but whatever it was, the monastic habits had turned into the bigger problem. In my headphones, I led a life of romance and incident and intrigue, none of which had anything to do with the world outside my Walkman. I was an English major, obsessed with Oscar Wilde and Walter Pater and Algernon Swinburne, thrilling to the exploits of my decadent aesthete poet idols, even though my only experience with decadence was reading about it.

With the Walkman, for the first time music entered the body. We could live inside music, walled off from the world.

all dressed in mid-1980s attire. A woman with a giant ozone-depleting hairdo bobbed her head to an oversize Walkman. A

listen to Radiohead on my Walkman, read

Luis Carruthers ... takes the seat next to mine which means I'm supposed to take off my walkman

Shortly after getting on the bus, Coach Butler pinchered her head with her headphones and hit PLAY on her Walkman knockoff. It was a Samsung, some cheap Korean brand that would probably bust by the end of the year.

For the last month, every night after dinner, I’d go back to my restroom, run a hot bath, listen to one of my three cassettes on my Walkman, write another fifteen-page letter to myself, and jack off to Lord Byron. Every night.

Two years of Newtrition investment and research had produced CHOW™. CHOW™ contained spun, plaited, and woven protein molecules, capped and coded, carefully designed to be ignored by even the most ravenous digestive tract enzymes; no-cal sweeteners; mineral oils replacing vegetable oils; fibrous materials, colorings, and flavorings. The end result was a foodstuff almost indistinguishable from any other except for two things. Firstly, the price, which was slightly higher, and secondly the nutritional content, which was roughly equivalent to that of a Sony Walkman. It didn’t matter how much you ate, you lost weight.* Fat people had bought it. Thin people who didn’t want to get fat had bought it. CHOW™ was the ultimate diet food—carefully spun, woven, textured, and pounded to imitate anything, from potatoes to venison, although the chicken sold best. Sable sat back and watched the money roll in. He watched CHOW™ gradually fill the ecological niche that used to be filled by the old, untrademarked food. He followed CHOW™ with SNACKS™—junk food made from real junk. MEALS™ was Sable’s latest brainwave. MEALS™ was CHOW™ with added sugar and fat. The theory was that if you ate enough MEALS™ you would a) get very fat, and b) die of malnutrition.

But Sony couldn’t. It had pioneered portable music with the Walkman, it had a great record company, and it had a long history of making beautiful consumer devices. It had all of the assets to compete with Jobs’s strategy of integration of hardware, software, devices, and content sales. Why did it fail? Partly because it was a company, like AOL Time Warner, that was organized into divisions (that word itself was ominous) with their own bottom lines; the goal of achieving synergy in such companies by prodding the divisions to work together was usually elusive. Jobs did not organize Apple into semiautonomous divisions; he closely controlled all of his teams and pushed them to work as one cohesive and flexible company, with one profit-and-loss bottom line. “We don’t have ‘divisions’ with their own P&L,” said Tim Cook. “We run one P&L for the company.

had listened to my Walkman while reading Père Goriot. Père Goriot’s previous owner, Brian Kennedy, had systematically underlined what seemed to be the most meaningless and disconnected sentences in the whole book. Thank God I wasn’t in love with Brian Kennedy, and didn’t feel any mania to decipher his thoughts.

I had listened to my Walkman while reading Père Goriot. Père Goriot’s previous owner, Brian Kennedy, had systematically underlined what seemed to be the most meaningless and disconnected sentences in the whole book. Thank God I wasn’t in love with Brian Kennedy, and didn’t feel any mania to decipher his thoughts.

De gelijktijdige verfijning van functionele eigenschappen en de sierlijke, niet-functionele eigenschappen is een ontwikkeling die niet exclusief is voor de walkman. Het is de paradox van elk gebruikersvoorwerp. Als je erop let zie je in al onze spullen - van horloge tot blikopener - het samengaan van gemak en opsmuk, van nut en overbodigheid.

Don't go home with that magic man! I wanted to shake my Walkman, warn the Heart girls to run away. Don't trust him! He might be magic, but he's not very nice! He says he just wants to get high awhile, but he'll get you so high you can't come back down. He'll make you stay inside so long, it hurts your eyes to go out, so you'll spend whole years wasting away in his mansion. You'll lose your sense of time. You'll lose your appetite. When your mama cries on the phone, you won't understand a word she's saying. You'll just tell her, "Try to understand." And Mrs. Wilson isn't falling for that shit. Ann! Nance! Get the hell out of there. One smile from that magic man and you're done. You'll be so fucking magic, you won't be real anymore. He'll even set your lipgloss on fire.

The value of the tape was also the crafting of a mixtape. I am from an era when we learned not to waste songs. If you are creating a cassette that you must listen to all the way through, and you are crafting it with your own hands and your own ideas, then it is on you not to waste sounds and to structure a tape with feeling. No skippable songs meant that I wouldn’t have to take my thick gloves off during the chill of a Midwest winter to hit fast-forward on a Walkman, hoping that I would stop a song just in time. No skippable songs meant that when the older, cooler kids on my bus ride to school asked what I was listening to in my headphones, armed with an onslaught of jokes if my shit wasn’t on point, I could hand my headphones over, give them a brief listen of something that would pass quality control, and keep myself safe from humiliation for another day.

...And all the while, accompanying my every step, The Photographer is sounding in my head, purling incessantly through my clamped-on Walkman; it's a good piece, Glass's homage to Muybridge, minimalism used to maximal effect: with its repeating rhythms, endlessly rechurning, the music resembles a wave that doesn't move, a standing wave; that's what you listen to, the change and unchange of the wave, not any emergent melody: listening not above, but within;

At Takamatsu Station I take a bus to the fitness club. I change into my gym clothes in the locker room, then do some circuit training, plugged into my Walkman, Prince blasting away. It’s been a while and my muscles complain, but I manage. It’s the body’s normal reaction—muscles screaming out, resisting the extra burden put on them. Listening to “Little Red Corvette,” I try to soothe that reaction, suppress it. I take a deep breath, hold it, exhale. Inhale, hold, exhale. Even breathing, over and over. One by one I push my muscles to the limit. I’m sweating like crazy, my shirt’s soaked and heavy. I have to go over to the cooler a few times to gulp down water.

For all these years I kept my mouth closed so selfish desires would not fall out. And because I remained quiet for so long now my daughter does not hear me. She sits by her fancy swimming pool and hears only her Sony Walkman, her cordless phone, her big, important husband asking her why they have charcoal and no lighter fluid. All these years I kept my true nature hidden, running along like a small shadow so nobody could catch me. And because I moved so secretly now my daughter does not see me. She sees a list of things to buy, her checkbook out of balance, her ashtray sitting crooked on a straight table. And I want to tell her this: We are lost, she and I, unseen and not seeing, unheard and not hearing, unknown by others.

That's bullshit, buddy. And you know it. The trouble was, he DIDN'T know it. He had come face to face with something Susannah had found out for herself after shooting the bear: he could TALK about how he didn't want to be a gunslinger, how he didn't want to be tramping around this crazy world where the three of them seemed to be the only human life, that what he really wanted more than anything else was to be standing on the corner of Broadway and Forty-second Street, popping his fingers, munching a chili-dog, and listening to Creedence Clearwater Revival blast out of his Walkman earphones as he watched the girls go by, those ultimately sexy New York girls with their pouty go-to-hell mouths and their long legs in short skirts. He could talk about those things until he was blue in the face, but his heart knew other things. It knew that he had ENJOYED blowing the electronic menagerie back to glory, at least while the game was on and Roland's gun was his own private handheld thunderstorm. He had ENJOYED kicking the robot rat, even though it had hurt his foot and even though he had been scared shitless. In some weird way, that part--the being scared part--actually seemed to add to the enjoyment. All that was bad enough, but his heart knew something even worse: that if a door leading back to New York appeared in front of him right now, he might not walk through it. Not, at least, until he had seen the Dark Tower for himself. He was beginning to believe that Roland's illness was a communicable disease.

If I could have chosen a flag back then, it would have been embroidered with a portrait of Malcolm X, dressed in a business suit, his tie dangling, one hand parting a window shade, the other holding a rifle. The portrait communicated everything I wanted to be—controlled, intelligent, and beyond the fear. I would buy tapes of Malcolm’s speeches—“Message to the Grassroots,” “The Ballot or the Bullet”—down at Everyone’s Place, a black bookstore on North Avenue, and play them on my Walkman. Here was all the angst I felt before the heroes of February, distilled and quotable. “Don’t give up your life, preserve your life,” he would say. “And if you got to give it up, make it even-steven.” This was not boasting—it was a declaration of equality rooted not in better angels or the intangible spirit but in the sanctity of the black body.

Ces conditions ne se prêtent évidemment pas à la lecture attentive de livres, sinon de ces livres qu’on lit dans les transports en commun, le Walkman vissé sur les oreilles, entre deux occupations plus dignes d’intérêt. Pour lire vraiment, il faut le sentiment d’avoir du temps devant soi, et surtout la conviction que cette activité apporte quelque chose. Des décennies de « politique de la lecture » ont valorisé la lecture-loisir, comme si lire des livres était une fin en soi, si bien qu’on ne lit plus pour mieux connaître le monde ou pour essayer de s’« orienter dans la pensée». D’autres loisirs beaucoup plus gratifiants sont à portée de main, qui ne donnent pas, contrairement au livre, la déplaisante sensation de se trouver confronté à soi-même, obligé de penser, si possible dans le calme, loin du regard d’autrui, et donc déjà presque mort.

Taunja Bennett kissed her mother good-bye and said she was off to meet a boyfriend. She disappeared from sight in the direction of a bus stop, her Walkman plugged into her ears. Lately the twenty-three-year-old high school dropout had been listening over and over to “Back to Life” by Soul II Soul. She carried a small black purse. Taunja was mildly retarded from oxygen deprivation at birth. She’d been a difficult child. In a cooking class at Cleveland High School, she assaulted a classmate in a quarrel over a piece of cake. Addicted to alcohol and drugs, she was committed to a state hospital for six months. At twenty-one, she frequented northeast Portland bars like the Woodshed, the Copper Penny and Thatcher’s. She hustled drinks, shot pool and got into trouble with men. She was petite and pretty—five-five, with glistening dark brown hair, liquid brown eyes, a trim figure,

The iPod, like the Walkman cassette player before it,C allows us to listen to our music wherever we want. Previously, recording technology had unlinked music from the concert hall, the café, and the saloon, but now music can always be carried with us. Michael Bull, who has written frequently about the impact of the Walkman and the iPod, points out that we often use these devices to “aestheticize urban space.”4 We carry our own soundtrack with us wherever we go, and the world around us is overlaid with our music. Our whole life becomes a movie, and we can alter the score for it over and over again: one minute it’s a tragedy and the next it’s an action film. Energetic, dreamy, or ominous and dark: everyone has their own private movie going on in their heads, and no two are the same. That said, the twentieth-century philosopher Theodor Adorno, ever the complainer, called this situation “accompanied solitude,” a situation where we might be alone, but we have the

office, with its water coolers and soda machines and soft, quiet carpet. While temping there are breaks, and lunch, and one can bring a Walkman if one so desires, can take a fifteen-minute break, walk around, read— It’s bliss. The temp doesn’t have to pretend that he cares about their company, and they don’t have to pretend that they owe him anything. And finally, just when the job, like almost any job would, becomes too boring to continue, when the temp has learned anything he could have learned, and has milked it for the $18/hr and whatever kitsch value it may have had, when to continue anymore would be a sort of death and would show a terrible lack of respect for his valuable time—usually after three or four days—then, neatly enough, the assignment is over. Perfect. In her sunglasses and new Jeep, Beth picks Toph up from school, and he spends the afternoon at her little place, sharing her futon, the two of them studying side by side, until I get home. At that point, Beth and I do our best to fight about something vital and lasting— “You said six o’ clock.

When my mother died I was a baby,' Cyrus finally said. 'And so I didn’t really know what I’d lost until I was much older. I mean, maybe I still don’t. But there was this one day when I was fifteen or sixteen when I decided I was really going to feel it. Like, I didn’t get to have a day to grieve my mother properly when it happened. So I made one up. I skipped school and just wandered around downtown Fort Wayne listening to my Walkman, weeping wherever I went, trying to picture her in my head. I kept ducking into these alleys and side streets bawling my eyes out, imagining all the days she’d never seen me. All the days I’d never see her. I got dehydrated from all the crying, I remember feeling super thirsty. I remember stopping into a gas station to buy a Gatorade, and the clerk there asking if I was okay, if I needed any help. That’s such a funny detail, I’d forgotten about that till just now. It tasted like trash, so sweet it burned. But I chugged it! I was so thirsty from crying. I felt it I think maybe for the first time then. All that grief consolidated, concentrated into a single hard point. Like a diamond. That one day.

El problema no era su trabajo, que me parecía magnífico, sino su gusto musical. (...) Del walkman salía a todo volumen una música horrenda de cualquiera de esos grupos que los veinteañeros suelen escuchar. Mientras que pudiera probarse científicamente que su música era inferior a lo que escuchábamos los de mi generación, todo estaba bien (...) Sonic Youth durante horas, y, de repente, el Beethoven tardío. Después, Grand Ole Opry, catos gregrorianos, Shostakovich, John Coltrane. (...) Estaba dedicándose a gastarse los primeros cheques de su vida en una exploración metódica de nuevos tipos de música, escuchándolos con atención, formándose distintas opiniones sobre ellos, odiando algunos y disfrutando de todo el proceso. Era así en todos los demás aspectos de su vida. Tenía barba y pelo medio largo, y un día sin ningún miramiento, se lo afeitó todo y apareció calvo: "Pensé que sería interesante probar este aspecto algún tiempo, ver si la forma en la que la gente interactúa conmigo cambia". Era irritante lo abierto que estaba a todo y lo dispuesto a probar cualquier novedad; además, era deprimente porque me hacía darme cuenta de mi propia cerrazón mental.

Walkman cassette player was temporarily put on hold when market research indicated that consumers would never buy a tape player that didn’t have the capacity to record and that customers would be irritated by the use of earphones. But Morita ignored his marketing department’s warning, trusting his own gut instead. The Walkman went on to sell over 330 million units and created a worldwide culture of personal music devices.

Leo Rubinfein over to ask questions for his book. He asked me what I most regretted, having lived half a century here, and witnessed all the change. I said that I most regretted the loss of a kind of symbiosis between people and where they lived, a kind of agreement to respect each other. I again mention the paradigm—the builders make a hole in their wall to accommodate the limb of a tree. No more now. It is more expensive to make a hole than it is to cut down the tree, just as it is cheaper to raze than to restore. And since the environment is now so different, the people are different. This is symbiotic, too, degraded environment makes degraded people who make more degraded environment. And with it I regret the loss of a kind of curiosity. People used to be curious about each other. Now they have their hands full with their convenient and portable environment—Walkman in the ears, manga for the eyes, and the portable phone (which now contains their lives) in the palm of their hands. Many Japanese no longer look at each other, or those they talk to—those on that select menu of known voices on their phones they cannot see. These robots, I regret.

I know why the show’s shaky,” the script had him say at the outset. “It’s my fault. I speak too fast and they can’t understand me. I should talk more like you—like a Walkman with dead batteries.

Working on a shoestring, which in my case is more often a matter of circumstance than of choice, never appeared to me as a cornerstone for aesthetics, and Dogme-type stuff just bores me. So it’s rather in order to bring some comfort to young filmmakers in need that I mention these few technical details: The material for La Jetee was created with a Pentax 24x36, and the only “cinema” part (the blinking of the eyes) with an Arriflex 35mm film camera, borrowed for one hour. Sans Soleil was entirely shot with a 16mm Beaulieu silent film camera (not one sync take within the whole film), with 100-foot reels – 2'44" autonomy! –and a small cassette recorder (not even a Walkman; they didn’t exist yet). The only “sophisticated” device – given the time – was the spectre image synthesizer, also borrowed for a few days. This is to say that the basic tools for these two films were literally available to anyone. No silly boasting here, just the conviction that today, with the advent of computer and small DV cameras (unintentional homage to Dziga Vertov), would-be directors need no longer submit their fate to the unpredictability of producers or the arthritis of televisions, and that by following their whims or passions, they perhaps see one day their tinkering elevated to DVD status by honorable men.

Although the increasing rates of insomnia around the world may well reflect increased stress and worrying, we think there is another contributor—smartphones and earbuds. Take a look at people walking down the street, driving in their cars, eating alone in restaurants and cafes. Not so long ago, these people wouldn’t be doing anything else. Their minds would wander and they would daydream; their DMN would be active, and, although they were totally unaware of it, they would be tagging recent memories for processing later that night. But as first the Walkman and then the iPhone came to dominate our free time, the DMN has slowly been squeezed out of our daily lives. Maybe all those worries come crashing in at bedtime because it’s the only time we’ve left the brain to perform the critically important task of identifying and tagging memories for later processing. Maybe you can’t have your iPhone and sleep, too.

What was that?” I asked, completely baffled. “It’s called a Walkman. It plays music through the ear pieces.

What he wanted the filmmakers to do was to somehow crawl inside time and rewind it, to upend chronology, reverse it and channel it in an entirely different direction – like a Borges story – so that the light was brighter, and the chairs were righted, and the street was ordered, the café was intact, and Smadar was suddenly walking along again, her hair short, her nose pierced, arm in arm with her schoolgirl friends, sauntering past the café, sharing the Walkman, the smell of coffee sharp in her nostrils, caught in the banality of not caring what happens next.

In the same way that McDonald’s omitted cutlery from its restaurants to make it obvious how you were supposed to eat its hamburgers, by removing the recording function from Walkmans, Sony produced a product that had a lower range of functionality, but a far greater potential to a change behaviour.

Unlike those corporations that focused on building a particular brand (e.g. Coca-Cola or Marlboro), or companies that created a wholly new sector by means of some invention (e.g. Edison with the light bulb, Microsoft with its Windows software, Sony with the Walkman, or Apple with the iPod/iPhone/iTunes package), Walmart did something no one had ever thought of before: it packaged a new ideology of cheapness into a brand that was meant to appeal to the financially stressed American working and lower-middle classes.

It’s not always easy to listen. Sometimes it’s more comfortable to play deaf, put on the Walkman and not listen to anyone. So easily we replace listening with email, messaging, and “chat,” and in this way we deprive ourselves… of faces, looks, and embraces. El Verdadero Poder Es el Servicio, 2007

Sometimes as I laid there with my Walkman and headphones, I’d stare at the closed door and know she was just across the hall. What was she doing?

Every touch of her skin sent shivers through his body. He breathed her in, the smell of her seeping into his bones. He held her so tight she must have struggled to breathe, but she didn’t complain. A compilation of love songs played from a battered Walkman and speakers. Tony rolled off of her. They were both out of breath and covered in a thin film of sweat. “That was great,” Becky said, nuzzling his chest. “Great for all of ten

De paradox van ritme is dat het in de herhaling zowel stabiliteit, ordening en 'eeuwig evenwicht' brengt, als teloorgang. In de herhaling, die orde in het bestaan aanbrengt, blijven dingen aanwezig én ze verdwijnen, ze blijven hetzelfde én ze veranderen. Die paradox doet ritme verschillen van een monotone dreun waarbij de ene slag zozeer op de andere lijkt dat we geen verschil horen. We raken verveeld of geërgerd wanneer een apparaat ons dwingt steeds dezelfde handelingen uit te voeren of als uit de walkman van een medepassagier voortdurend dezelfde beat tot ons doordringt. Maar zodra we zelf de koptelefoon opzetten en we de variatie in de herhaling opmerken, zakken de verveling en ergernis weg. Waarom reageren we zo op ritmes? Waarom vinden we ritme, waarin herhaling samengaat met variatie en ordening, prettiger dan bij een herhaling waarin geen variatie zit? Waarom voelen we ons bij het ene ritme beter dan bij het andere? Waarom geeft ritme het leven kleur, schittering en betekenis?

Private listening really took off in 1979, with the popularity of the Walkman portable cassette player. Listening to music on a Walkman is a variation of the “sitting very still in a concert hall” experience (there are no acoustic distractions), combined with the virtual space (achieved by adding reverb and echo to the vocals and instruments) that studio recording allows. With headphones on, you can hear and appreciate extreme detail and subtlety, and the lack of uncontrollable reverb inherent in hearing music in a live room means that rhythmic material survives beautifully and completely intact; it doesn’t get blurred or turned into sonic mush as it often does in a concert hall. You, and only you, the audience of one, can hear a million tiny details, even with the compression that MP3 technology adds to recordings. You can hear the singer’s breath intake, their fingers on a guitar string. That said, extreme and sudden dynamic changes can be painful on a personal music player. As

Alla sfida mondiale dei robot c’è una star ed è «made in Italy» Lorenza Castagneri | 454 parole L’umanoide del futuro, il robot che potrebbe sostituire l’uomo in molte emergenze, è italiano. Ha l’altezza di un corazziere - 1 metro e 85 - e mani agilissime. Pesa più di 100 chili, sa camminare, può aprire le porte, usare il trapano, afferrare un oggetto dietro la schiena senza voltarsi, perché ha braccia capaci di piegarsi all’indietro e piegarsi in avanti per raccogliere un oggetto. Si chiama Walkman (nelle foto) e l’hanno inventato all’Iit, l’Istituto italiano di tecnologia di Genova, in collaborazione con il Centro di ricerche «E. Piaggio» dell’Università di Pisa e grazie al contributo della Commissione Europea. Tra meno di un mese parteciperà a una competizione internazionale lanciata dalla Darpa, l’agenzia per la ricerca avanzata del dipartimento della Difesa americano. Obiettivo: definire gli standard tecnologici per i robot da impiegare in caso di disastri ambientali, alluvioni, terremoti e incendi. La gara si chiama «Darpa robotics challenge» e si svolgerà il 5 e il 6 giugno a Pomona, Los Angeles. Walkman e gli scienziati che lo guideranno saranno gli unici a rappresentare il nostro Paese e l’Europa. L’invito a prendere parte alla competizione è arrivato dagli organizzatori a fine 2013: «Considerata la forza delle idee dell’Iit, siamo certi che la sua partecipazione aumenterà la qualità della competizione», ha scritto Gill Pratt, responsabile dell’evento a Nikolaos Tsagarakis, che guiderà il team genovese. Da allora è cominciata una corsa contro il tempo per mettere a punto Walkman, che dovrà vedersela con le creature messe a punto da altre 24 squadre, tra cui la stessa Darpa e la Nasa, provenienti non solo dagli Usa, ma anche da Giappone, Corea, Cina e Hong Kong. I robot dovranno dimostrare, tra l’altro, di sapersi muovere e prendere decisioni in autonomia, salire le scale, oltrepassare ostacoli. Persino guidare un veicolo tipo Ranger: la prova più complicata che attende i ricercatori dell’Iit. E per rendere la situazione più realistica, in più fasi delle prove, le comunicazioni robot-scienziati saranno interrotte. «Siamo orgogliosi. Walkman è la dimostrazione che anche l’Europa, e su tutti l’Italia, gioca un ruolo decisivo per lo sviluppo del settore», ha commentato Roberto Cingolani, il direttore scientifico dell’Iit. Tanto che presto il robot sarà messo alla prova in situazioni di emergenza vere, definite con la Protezione civile. Ma quella della Darpa sarà una sfida che coinvolgerà anche i team che comandano i robot. Per individuare i primi tre classificati - a cui andrà un finanziamento di 3 milioni e mezzo di dollari - saranno valutati il software e l’interfaccia di controllo, oltre che le tecnologie per garantire alla macchina equilibrio, agilità ed efficienza energetica.

Bel Air (music) Fresh Prince". About how My life upside down backwards. I would like to take a moment. Sitting there I can tell you that I was a prince of a town called Bel Air. Born in West Philadelphia. I spent most of my court date. All is well for fun "Relaxin" Maxi. And every school to take some balls B-. When a few good ones. The problem started in my field. I had to struggle a little afraid of my mother. He said: "You went to live with her aunt and uncle in Bel Air.". I confess and diary But boxed me on my way. He kissed me and I gave him my card. I put my Walkman and said. "I can" I first layer is bad. Champagne glass of orange juice consumption. This is what people who live in Bel Air? Ah, this could be good But wait, I hear you're a prude, all middle class. This is a place where you just need to write a cool cat? I do not I do not know, but I do not understand. I hope you're ready for Prince of Bel-Air. Good landing, and I A police man at my name. However, any attempt to stop. I just moved here I grew up at a high speed, I lost. I whistled for a cab and asked him to come. Put the dice "live" and a mirror. If what I say in the cab are small. But I thought, "No, we must not forget.". -. "I'm home Bel Air". I went to the house about seven or eight. The taxi driver where I wanted to scream. "I do not smell it.". I looked at my kingdom. Eventually, I was able When he sat on the throne, Prince of Bel Air.

To anyone born after 1975 there is nothing outlandish about people walking around or sitting on a train wearing headphones, but in the late 1970s this was a very odd behaviour indeed; comparable to the use of an early cellphone in the late 1980s, when to use one in public carried a high risk of ridicule.* In market research, the Walkman aroused very little interest and quite a lot of hostility. ‘Why would I want to walk about with music playing in my head?’ was a typical response, but Morita ignored it. The request for the Walkman had initially come from the 70-year-old Ibuka, who wanted a small device to allow him to listen to full-length operas on flights between Tokyo and the US.*

The technology involved,* given the economics of mass production, would have added no more than a few pounds to the final purchase price, so why would you not add this significant extra?* Any ‘rational’ person would have advised Morita to go with the engineers’ advice, but according to multiple accounts, Morita vetoed the recording button. This defies all conventional economic logic, but it does not defy psycho-logic. Morita thought the presence of a recording function would confuse people about what the new device was for. Was it for dictation? Should I record my vinyl record collection onto cassette? Or should I record live music? In the same way that McDonald’s omitted cutlery from its restaurants to make it obvious how you were supposed to eat its hamburgers, by removing the recording function from Walkmans, Sony produced a product that had a lower range of functionality, but a far greater potential to a change behaviour.

That in-between time that's not concerned with the past or the future, only an infinite present that stretches ahead like those days of summer that merge into night. When the tape in my Walkman decides my persona and I'm taken so far away from myself I don't care if it's grief or joy that surges my heart.

En poco tiempo, el teléfono inteligente reemplazó a los grandes reproductores de casete, al walkman y la radio de transistores: todos ellos medios portátiles que usábamos para acceder a noticias y entretenimiento, y tal vez reclamar una pequeña burbuja de espacio para nosotros

Decidedly, joggers are the true Latter Day Saints and the protagonists of an easy-does-it Apocalypse. Nothing evokes the end of the world more than a man running straight ahead on a beach, swathed in the sounds of his Walkman, cocooned in the solitary sacrifice of his energy, indifferent even to catastrophes since he expects destruction to come only as the fruits of his own efforts, from exhausting the energy of a body that has in his own eyes become useless. Primitives would commit suicide by swimming out to sea until they could swim no longer. The jogger commits suicide by running up and down the beach. His eyes are wild, saliva drips from his mouth. Do not stop him. He will either hit you or simply carry on dancing around in front of you like a man possessed.

The weather is very hot, but the sky is blue and the sunlight as sharp as glass. My rented room has a tiny balcony with a nice view. I had thought about lying out there on a towel in my bathing suit with my Walkman in my ears so I could get a tan. All I needed was a pair of sunglasses, oil, and an Agatha Christie novel.

A prediction about safety is not, of course, merely statistical or demographic. If it were, a woman crossing a park alone one late afternoon could calculate risk like this: there are 200 people in the park; 100 are children, so they cause no concern. Of the remaining 100, all but 20 are part of couples; 5 of those 20 are women, meaning concern would appropriately attach to about 15 people she might encounter (men alone). But rather than acting just on these demographics, the woman’s intuition will focus on the behavior of the 15 (and on the context of that behavior). Any man alone may get her attention for an instant, but among those, only the ones doing certain things will be moved closer to the center of the predictive circle. Men who look at her, show special interest in her, follow her, appear furtive, or approach her will be far closer to the center than those who walk by without apparent interest, or those playing with a dog, or those on a bicycle, or those asleep on the grass. Speaking of crossing a park alone, I often see women violating some of nature’s basic safety rules. The woman who jogs along enjoying music through Walkman headphones has disabled the survival sense most likely to warn her about dangerous approaches: her hearing. To make matters worse, those wires leading up to her ears display her vulnerability for everyone to see. Another example is that while women wouldn’t walk around blind-folded, of course, many do not use the full resources of their vision; they are reluctant to look squarely at strangers who concern them. Believing she is being followed, a woman might take just a tentative look, hoping to see if someone is visible in her peripheral vision. It is better to turn completely, take in everything, and look squarely at someone who concerns you. This not only gives you information, but it communicates to him that you are not a tentative, frightened victim-in-waiting. You are an animal of nature, fully endowed with hearing, sight, intellect, and dangerous defenses. You are not easy prey, so don’t act like you are.

I started to associate my favorite albums and songs with particular photographers and images. In a weird way, spending so much time looking through those books- usually while listening to music on my Walkman- expanded my imagination in a way all the books I read growing up never did. I could study the people and places in the pictures and feel as if I'd been someplace else. Those books were also an education in looking, in how to really see the world around me. It seems obvious now, but I think I went through life looking straight ahead and trying to pay attention to what the world wanted me to pay attention to, and I noticed that most of the photos that really fascinated me were of things in the margins or peripheries, things you had to actually look around to see.

Imagine if Mozart and Beethoven had a fucking Walkman! You wouldn’t have had twenty-six overtures, you’d have fifty-bleeding-nine. Those guys would be green with envy. They would burn their wigs.

Then I remember that my last tape recorder was replaced by my CD walkman that I used when I used to remember to exercise. Except the CD player was sort of janky, and it wouldn't play unless it was held flat. So, I would power walk through my neighborhood, holding the CD player with both hands in front of me like I was in a really big hurry to present a small waffle iron to someone just around the corner.

Meanwhile, I still worked with Dr. Ferrante. He came up with different ways to try to help me with my approach to football. Back then, we listened to Walkmans and cassette tapes before games. This was almost ten years before Apple invented the iPod. Dr. Ferrante asked me to put together a playlist of the top twenty pregame songs that got me in the right football mood. Then he asked me to record my dad, my mom, my sister, and my brother as they each gave me a positive thought to take out onto the field. I took all the recordings to a local radio disc jockey, who was nice enough to mix them together on a cassette tape for me.

New product (or service) platforms combine various technologies, some of which are new and others that are existing. These product platforms can have many dimensions of change, such as changes in cost, quality, or performance, and can offer dramatically new and unique benefits. Examples of such platform products include the Sony Walkman, which developed a new technology, or the Apple iTunes that legally combined multiple technologies and products to create a blockbuster platform. These product platforms are less risky and cheaper to develop than revolutionary products but with more potential and differentiation than evolutionary advances. Steve Jobs was the master at this, having developed platform products like the iPod, the iPad, and the iPhone.

I don't even know why I bother being disappointed. Remember when we didn't have any money, and we never saw them because they were always working? I used to lie in bed at night, waiting for things to get better, trying to block out the noise of your Walkman from the bottom bunk. I used to lie there with my eyes closed and wish that things would get better, that something would happen to pull us all out of that hole. And then it did, and here we are, no better off".

Larry Ellison: Steve had decided, rather brilliantly, “Why should I compete with Microsoft and bang my head up against the wall when I can compete with Sony instead?” We’d go on these long walks and said, “Who do you want to compete with: Microsoft or Sony? I’ll take Sony every day of the week, because I’m a software company, and Sony is not.” Jon Rubinstein: We knew that someone was going to replace the Walkman. Either we were, or they were.

Before setting out for their sunset runs, Jenn and Billy would snap a tape of Allen Ginsberg reading “Howl” into their Walkman. When running stopped being as fun as surfing, they had agreed, they’d quit. So to get that same surging glide, that same feeling of being lifted up and swept along, they ran to the rhythm of Beat poetry.

and the brain-dead music industry copyright nazis are campaigning for a law to make it mandatory to install secret government spookware in every Walkman—or camera—to prevent home taping from killing Michael Jackson. Absolutely brilliant.

I was born during the reign of now forgotten technical appliances, those transitional forms that didn't survive although it seemed that their epoch would last forever. Who'd have thought something as modern and contemporary as a cassette player would so quickly and definitively end up in a museum? a video-recorder, a Walkman, a floppy disk, telephone boxes, telephone answer-machines... who still uses any of those things? In fact it's easier to find someone who plays gramophone records or someone who writes letters and sends them by post, just as there are still people who go to the cinema and film libraries. But finding someone who watches videos or has a telephone answer-machine, who walks around with a Walkman or files data on floppy disks, doesn't seem possible, ever less so, even theoretically.

We had portable music before the iPod, most commonly in the form of the Sony Walkman and Discman (and their competitors), but these devices played only a restricted role in most people’s lives—something you used to entertain yourself while exercising, or in the back seat of a car on a long family road trip. If you stood on a busy city street corner in the early 1990s, you would not see too many people sporting black foam Sony earphones on their way to work. By the early 2000s, however, if you stood on that same street corner, white earbuds would be near ubiquitous. The iPod succeeded not just by selling lots of units, but also by changing the culture surrounding portable music. It became common, especially among younger generations, to allow your iPod to provide a musical backdrop to your entire day—putting the earbuds in as you walk out the door and taking them off only when you couldn’t avoid having to talk to another human.

On my way out of the building, I passed the Men’s Residence Christmas Dinner. If you’ve ever witnessed a school bus accident or a dog trying to nudge its dead owner back to life, then the sight of this dinner probably wouldn’t affect you. But for me, it was easily the third-saddest thing I’ve ever seen in my life. The residents were at a long table in the basement, and Mr. Mkvcrkvckz was wearing a Santa hat with his dingy suit. There had been some kind of turkey dinner, because the place smelled like gravy, and they were just opening their presents. A tall goony kid named Timmy held up a pair of tube socks. There were tube socks for Mr. Engler. Opening tube socks over here, boss! They all got tube socks. It wasn’t the tube socks that got me. It wasn’t knowing that these guys would get nothing else for Christmas. It was the thought of Mr. Mvzkrskchs at the dollar store buying forty pairs of tube socks that set me weeping all the way home. This was compounded by the fact that Whitney Houston’s cover of “I Will Always Love You” was constantly on my FM Walkman radio around that time. I think that made me cry because I associated it with absolutely no one. After a visit to civilization with my family, I found the front desk harder to take.

I keep getting drunk. There’s no more interesting way to say it. Only drunk does the volume crank down. Liquor no longer lets me bullshit myself that I’m taller, faster, funnier. Instead, it shrinks me to a plodding zombie state in which one day smudges into every other—it blurs time. Swaying on the back landing in the small hours, I stare at the boxy garage and ghostly replicas of it multiplying along either side, like playing cards spread against the slate sky. Though this plural perspective is standard, I’m surprised by my own shitfaced state. The walkman sends punk rock banging across the tiny bones of my ears. And with the phonebook-sized stack of papers on my lap still unmarked, I—once more, with feeling—take the pledge to quit drinking. Cross my heart. Pinky swear to myself. This is it, I say, the last night I sit here. Okay, I say in my head. I give. You’re right. (Who am I talking to? Fighting with?) By the next afternoon, while I’m lugging the third armload of groceries up the back stairs, Dev, who’s bolted ahead to the living room, shrieks like he’s been stabbed, and I drop the sack on the kitchen floor, hearing as it hits what must be a jar of tomato sauce detonating. In the living room, I find Dev has leaped—illicitly, for the nine hundredth time—off the sofa back, trying to land in the clothes basket like a circus diver into a bucket of water. He’s whapped his noggin on the coffee table corner. Now dead center on his pale, formerly smooth forehead, there’s a blue knot like a horn trying to break through. I gather him up and rush to the kitchen, aiming to grab a soothing bag of frozen peas. But I step on a shard of tomato sauce jar, gash my instep, slide as on a banana peel, barely hanging on to Dev till we skid to a stop. I tiptoe across the linoleum, dragging a snail of blood till I can plop him in a kitchen chair, instructing him to hold the peas to his head and not move an inch while I bunny-hop upstairs to bandage my foot. Coming back, I find he’s dragged the formerly white laundry into the kitchen to mop up the tomato sauce. I’m helping, he says, albeit surrounded by gleaming daggers of glass while on his forehead the blue Bambi horn seems to throb. Minutes later, my hand twists off a beer cap as I tell myself that a beer isn’t really a drink after all. So I have another after that to speed preparing the pot roast, and maybe even a third. Before we head to the park, I tuck two more beer bottles in my coat pocket, plus one in my purse alongside a juice box.

My father has always worn his dreams on the outside, so even as a preteen I knew what they were. I'd known for years he'd wanted to have his own school. He had other dreams that I recognized but still can't articulate, even as I've gotten older. His ill-advised motorcycle purchase; his leather suits, studded and fringed, that he wore in ninety-degree weather; the Prince he listened to on his Walkman while he rode: there was something at the heart of my father that felt too big for the life he'd been born into. He was forever in love with the promise of the horizon: the girls he cheated with, fell in love with, one after another, all corporeal telescopes to another reality.