Claw Marks Quotes

Everything I’ve ever let go of has claw marks on it.

Everything I've ever let go of has claw marks on it. (on the wall of a bedroom at a recovery house for alcoholics and drug addicts)

Each of the scars, the chipped teeth and broken claws, the mutilated tail—­they ­weren’t the markings of a victim. Oh, no. They ­were the trophies of a survivor. Abraxos was a warrior who’d had all the odds stacked against him and survived. Learned from it. Triumphed.

He's not an animal," she said, focusing on the claw marks on the side of Wolf's face. "Are you sure?" "I hate to agree with Thorne," said Cinder, "I mean, I really hate to agree with him, but he's right

Everything I’ve ever let go of had claw marks on it.

Leo waited while the fish centaur put away his supplies. Aphros's lobster-claw horns kept swimming around in his thick hair, and Leo had to resist the urge to try and rescue them.

You just came wild and sexy all over my hand and even left some claw marks on my back to prove it. Don’t go getting shy on me now. ‘Cause baby, before the night is over you will be naked in my bed.

Nature shaped the claw to trap, and the tooth to kill, but the thorn...the thorn's only purpose is to hurt.

Until one comes who is mightier, The one sprung from misery, The one who was weak, The one who was hunted, The one marked with claw and vine, The one named in secret, The one called Jezelia.

Even his hair was bigger—a massive globe of blue-black frizz so thick that his lobster-claw horns appeared to be drowning as they tried to swim their way to the surface. “Is that why they named you Aphros?” Leo asked as they glided down the path from the cave. “Because of the Afro?” Aphros scowled. “What do you mean?” “Nothing,” Leo said quickly.

The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal.

and we're just chatting and then I'm in the middle of a sentence about analogies or something and like a hawk he reaches down and he honks my boob. HONK. A much-too-firm, two- to three-second HONK. And the first thing I thought was Okay, how do I extricate this claw from my boob before it leaves permanent marks? and the second thing I thought was God, I can't wait to tell Takumi and the Colonel.

There was a hunger inside me, and there always had been. That hunger was stronger than pain, stronger than horror. It gnawed even after everything else inside me had given up. It was not hope; it did not soar; it slithered, clawed, and dragged, and it would not let me stop. And when I finally named it, I found it was something very simple: the desire to live.

[Fireheart] was interrupted by a screech from Cloudtail. "Fireheart! Fireheart, Brightpaw isn't dead!" Fireheart spun around and raced across the clearing to crouch beside Brightpaw. Her white-and-ginger fur, which, she had always kept so neatly groomed, was spiky with drying blood. On one side of her face the fur was torn away, and there was blood where her eye should have been. One ear had been shredded, and there were huge claw marks scored across her muzzle.

Don't think for a minute that bad publicity and endless criticism don't leave their claw marks on everyone concerned. Your friends try to cheer you up by saying lightly, "I suppose you get used to it, and ignore it." You try. You try damned hard. But you never get used to it. It always wounds and hurts.

Besides my professional goals, I have a couple of private ones, my man. One of those is to pet a kangaroo before I leave Australia. I understand there's lots of Eastern Grays around this area. What do you say? Are you in?' Bergman looked at him like he'd just made the worst financial investment of his life. 'Kangaroos are wild animals. I've heard they claw like girl fighters and kick like jackhammers. You're going to get your skull crushed.' Cole held up a finger. 'Or I'm going to pet a kangaroo. How cool would that be?

Loyalty is what matters, and that exists now, not in the past. Loyalty must be prove every day, in each piece of fresh-kill brought back to the Clan, every claw mark on our enemies, every patrol, every training session.

My gaze crept to where Sadi stood only a few feet from her, breathing heavily. Her white blouse was torn. Buttons popped and missing. Her normally coiffed hair looked like she’d been inside a wind tunnel, but the best part? Fingernail marks were etched down the side of Sadi’s face and reddish-blue blood had been drawn. A disturbing level of pride rippled through me. Kitten got claws and then some. “She doesn’t play nice with others,” Sadi huffed out. “So I’m in the process of adjusting her attitude.” “And I’m in the process of getting ready to cut out your heart, bitch.” In spite of everything that was so damn messed up, my lips twitched into a small smile. “Get out.

I will miss it so,” she said beside him. “This hell of a place, I will miss it so much. This fat body, walking mud puddle, deceived by everything, this impossible, ruinous accident of a world, these people who would truly rather hurt one another than eat—oh, there is nothing, nothing, nothing I would not do to stay here ten minutes longer. Oh, I will leave claw marks, I will drag mountains and forests away under my fingernails when I am dragged off. Such a stupid way to feel. I will be all dirty from clutching at this stupid planet, and the gods will laugh at me.

Everything he let go of had claw marks on it.

Her normally coiffed hair looked like she’d been inside a wind tunnel, but the best part? Fingernail marks were etched down the side of Sadi’s face and reddish-blue blood had been drawn. A disturbing level of pride rippled through me. Kitten got claws and then some. “She doesn’t play nice with others,” Sadi huffed out. “So I’m in the process of adjusting her attitude.” “And I’m in the process of getting ready to cut out your heart, bitch.” In spite of everything that was so damn messed up, my lips twitched into a small smile.

Ronan and his friend Gansey stood on the back porch, leaning on the railing, watching the psychics giggling as they placed the flowers for the ceremony. Every so often, Ronan threw a cheese cube stolen from a snack tray at Chainsaw, whose claw marks scarred the railing. “You want one of these?” Gansey asked. He gestured with his chin to indicate it. The all of it. The wedding. “Yeah,” said Ronan. “I think so.” “Well that’s a relief,” Gansey said. “How do you figure?” “I asked Adam and he said the same thing.

The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal. Quellcrist Falconer Things I Should Have Learned by Now, Volume II

Cold has its own taste. It tastes of a bitten tongue. It coils around you, a living thing, a beast that means to kill you, not with wrath, not with tooth nor claw, but with the mercy of surrender, with the kindness of letting you go gentle into the long night after such a burden of pain and misery.

Loyalty is what matters, and that exists now, not in the past. Loyalty has to be proved every day, in every piece of fresh-kill brought back for the Clan, every claw mark on our enemies, every patrol, every training session.

[G]ive him this much: death didn't just walk up and inhale him. He wasn't exactly whisked away. He left claw marks on his life.

In the end, the only way you can appreciate your progress is to stand on the edge of the hole you dug for yourself, low down inside it, and smile fondly at the bloody claw prints that marked your journey up the walls.

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

Whachoo want, white boy? Burn cream? A Band-Aid? Then he raised his own enormous palms to me, brought them up real close so I could see them properly; the hideous constellation of water-filled blisters, angry red welts from grill marks, the old scars, the raw flesh where steam or hot fat had made the skin simply roll off. They looked like the claws of some monstrous science-fiction crustacean, knobby and calloused under wounds old and new. I watched, transfixed, as Tyrone - his eyes never leaving mine - reached slowly under the broiler and, with one naked hand, picked up a glowing-hot sizzle-platter, moved it over to the cutting board, and set it down in front of me. He never flinched.

When he asks you why you chose alone all these years. Tell him that it’s because you love with all claws and bared teeth. Apologize for the scratches that you will leave on his skin; ask forgiveness for the bite marks. Tell him you never ever mean to love so hard, but you do.

Lightning clawed across the sky, tracing veins through the clouds and marking the pulse of the universe itself.

Rob opened the door, and a tiny kitten ran out. It stopped to sniff Rob‟s ankle and arched its back, spitting tiny kitty defiance at him. Rob scooped it up. The tiny black bundle barely filled his palm. Dark as ink, the only mark on it was a tiny white spot between its eyes. Rob looked up from the kitten to meet Jamie‟s wide-eyed attempt at innocence. "There was a cat in my closet." "I can explain," Jamie offered. Rob returned to the bed. He dropped the kitten in Jamie‟s lap, causing it to poke unfortunate things with tiny needle claws. "Damn!" Jamie yelped, grabbing the kitten and putting a sheet between his delicate parts and danger. "I took out the trash yesterday, and there she was almost buried in a snow bank shivering." "It was ninety degrees yesterday, and there is no snow." Rob sat down on the edge of the bed. "Aren‟t you supposed to hate cats?" Jamie cuddled the tiny creature in his hands. It wrestled with his fingers. "That‟s dogs. I‟m not a dog, I‟m a wolf. There might not have been a snow bank, but it was dirty and hungry and very sad.

The personal, as every one’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL. Well, fuck them. Make it personal.   QUELLCRIST FALCONER Things I Should Have Learnt by Now Volume II

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the full claw mark on Soraya’s collar bone with her fingertips. “I always thought you . . . I thought they were beautiful.

The 2-Man seniorest males’ bedroom has a bunch of old AA bumper-stickers on it and a calligraphic poster saying EVERYTHING I’VE EVER LET GO OF HAS CLAW MARKS ON IT, and the answer to Gately’s knock is a moan,

I lunged for the dagger and sat on top of him, my knees pinning his arms, my dagger on his throat. He lay still. “I give up,” he said and smiled. “Your move.” Er. I was sitting atop the Beast Lord in my underwear, holding a knife to his throat. What the hell was my next move? Curran’s gaze fixed on a point on my shoulder. “That’s a claw mark,” he said, his voice gaining a hard edge. “Wolf. Who?” “Nobody!” Oh, now there was a brilliant answer. He would believe that.

Yeah, but you got claws and shit. I've got nothin' other than my cock. What am I gonna do, turkey slap any eternal to death?

I don't know you." "Then why did you do that for me?" "Because you are so full of wonder. After what I-- After--" He gestured, his eyes hidden; deep lines ran down his cheeks like claw marks. "That seems very precious to me now. How could I not give you such a small thing?

That night marks my life's dark center, the moment when growing up ended and the long downward slope toward death began. The wonder to me now is that I thought myself worth saving...I reached out and clung for life with my good left hand like a claw, grasping at moving legs to raise myself from the dirt. Desperate to save myself in a river of people saving themselves. And if they chanced to look down and see me struggling underneath them, they saw that even the crooked girl believed her own life was precious. That is what it means to be a beast in the kingdom.

King scratched at the door to be let out." Charlie snorted. "King obviously has a lot of stamina. I'd have been clawing at the door a lot sooner if I was trapped in a booth with Mark." "But Mark ignored him, so King... uh, pooped." Charlie grinned. "And then?" "Mark yelled at him and scared him." Harry fought back a grin. "So King pooped again." Charlie's grin widened. "Mark is an idiot." "So then Mark waved the script at him, and King—" "Pooped again." Charlie started to laugh. "Then Marcia came in and threw a fit because of all the poop in the booth and because Mark was mistreating a puppy. She gave him ten minutes to get the booth clean, and she took the dog away from him.

Everything I ever let go of had claw marks on it”?

There was a hunger inside me, and there always had been. That hunger was stronger than pain, stronger than horror. It gnawed even after everything else inside me had given up. It was not hope; it did not soar; it slithered, clawed, and dragged, and it would not let me stop.

Quillonians were a reclusive race, proud, prone to drama, and violent when cornered. A couple of them had stayed at my parents’ inn, and as long as everything went their way, they were perfectly cordial, but the moment any small problem appeared, they would start putting exclamation marks at the end of all their sentences. My mother didn’t like dealing with them. She was very practical. If you brought a problem to her, she’d take it apart and figure out how best to resolve it. From what I remembered, Quillonians didn’t always want their problems resolved. They wanted a chance to shake their clawed fists at the sky, invoke their gods, and act as if the world was ending.

Sloane quickly prepped Dex, his dick soon replacing his fingers inside his lover. The feral beast inside him rejoiced. Dex was his. Would always be his. Any Therian who laid eyes on Dex’s arm would know what the deliberate claw marks meant.

Resisting her hold over him, the vampire yelled to the crowd, “Mark me, and listen well! I’ve won this tournament. . . . No one here can deny my victory. . . . I’ve won this crown”—he pointed his bloodied sword at her—“and Bettina as my wife.” Claws digging into his chest, lungs failing, he bellowed, “I forsake you both!

Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that

Inferno: Canto XIII Not yet had Nessus reached the other side, When we had put ourselves within a wood, That was not marked by any path whatever. Not foliage green, but of a dusky colour, Not branches smooth, but gnarled and intertangled, Not apple-trees were there, but thorns with poison. Such tangled thickets have not, nor so dense, Those savage wild beasts, that in hatred hold 'Twixt Cecina and Corneto the tilled places. There do the hideous Harpies make their nests, Who chased the Trojans from the Strophades, With sad announcement of impending doom; Broad wings have they, and necks and faces human, And feet with claws, and their great bellies fledged; They make laments upon the wondrous trees.

Petey Samson gave the ladies an over-the-shoulder glance. He realized no doggie treat was forthcoming, even from Isabel who was usually the soft mark to hit up. He scratched his front claws to re-attack the sand.

Sometimes it is the other way around. A white person is set down in our midst, but the contrast is just as sharp for me. For instance, when I sit in the drafty basement that is The New World Cabaret with a white person, my color comes. We enter chatting about any little nothing that we have in common and are seated by the jazz waiters. In the abrupt way that jazz orchestras have, this one plunges into a number. It loses no time in circumlocutions, but gets right down to business. It constricts the thorax and splits the heart with its tempo and narcotic harmonies. This orchestra grows rambunctious, rears on its hind legs and attacks the tonal veil with primitive fury, rending it, clawing it until it breaks through to the jungle beyond. I follow those heathen--follow them exultingly. I dance wildly inside myself; I yell within, I whoop; I shake my assegai above my head, I hurl it true to the mark yeeeeooww! I am in the jungle and living in the jungle way. My face is painted red and yellow and my body is painted blue. My pulse is throbbing like a war drum. I want to slaughter something--give pain, give death to what, I do not know. But the piece ends. The men of the orchestra wipe their lips and rest their fingers. I creep back slowly to the veneer we call civilization with the last tone and find the white friend sitting motionless in his seat, smoking calmly. "Good music they have here," he remarks, drumming the table with his fingertips. Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt. He is far away and I see him but dimly across the ocean and the continent that have fallen between us. He is so pale with his whiteness then and I am so colored.

In the end, the only way you can appreciate your progress is to stand on the edge of the hole you dug for yourself, look down inside it, and smile fondly at the bloody claw prints that marked your journey up the walls.

Mark Anthony had established ascendance the day before by springing claws like flick knives and hissing like a maddened cobra. Dirk had rolled on his back and ratified the peace treaty before the ink was dry, like a dog of sense.

GIVEN A CHOICE between death and the Buford Zippy Mart, Nico would’ve had a tough time deciding. At least he knew his way around the Land of the Dead. Plus the food was fresher. ‘I still don’t get it,’ Coach Hedge muttered as they roamed the centre aisle. ‘They named a whole town after Leo’s table?’ ‘I think the town was here first, Coach,’ Nico said. ‘Huh.’ The coach picked up a box of powdered doughnuts. ‘Maybe you’re right. These look at least a hundred years old. I miss those Portuguese farturas.’ Nico couldn’t think about Portugal without his arms hurting. Across his biceps, the werewolf claw marks were still swollen and red. The store clerk had asked Nico if he’d picked a fight with a bobcat. They bought a first-aid kit, a pad of paper (so Coach Hedge could write more paper aeroplane messages to his wife), some junk food and soda (since the banquet table in Reyna’s new magic tent only provided healthy food and fresh water) and some miscellaneous camping supplies for Coach Hedge’s useless but impressively complicated monster traps.

A patch of glowing white hair appeared over the ridge, then a familiar grinning face with pure silver eyes. “Bob?” Annabeth was so happy she actually jumped. “Oh my gods!” “Friends!” The Titan lumbered toward them. The bristles of his broom had been burned off. His janitor’s uniform was slashed with new claw marks, but he looked delighted. On his shoulder, Small Bob the kitten purred almost as loudly as the pulsing heart of Tartarus. “I found you!” Bob gathered them both in a rib-crushing hug. “You look like smoking dead people. That is good!

What Mark sees up there makes his heart want to stop. The place is packed. At least half of the crowd is wounded in some way. Cuts and slashes. Terrible burns. There are people lying on the ground screaming. Children of all ages, many of them hurt, too. That’s what breaks Mark inside the most. Two men are fighting brutally in one spot, pounding each other, scratching and clawing. No one even makes a move to break them up. There’s a lady slumped on the edge of the landing and her face is gone, replaced by melted skin and blood. Mark feels as if he’s been given a glimpse into hell.

In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collarbone with her fingertips. “I always thought you… I thought they were beautiful.

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collarbone with her fingertips. “I always thought you… I thought they were beautiful.

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collar bone with her fingertips. “I always thought you . . . I thought they were beautiful.

The agent of these interruptions was usually the Haze woman (who, as the reader will mark, was more afraid of Lo's deriving some pleasure from me than of my enjoying Lo). The passion I had developed for that nymphet- for the first nymphet in my life that could be reached at last by my awkward, aching, timid claws- would have certainly landed me in a sanatorium

They both looked up at Danny’s bookcase by the window where Frederick the cat was eating the cover off of Danny’s childhood edition of Tom Sawyer. He had been going back to it periodically for about a week now, gnawing at the binding, tearing through the pages with his claws. Really getting into the story. Danny figured the cat must have a thing for Mark Twain.

Blood oozed from deep puncture wounds at his neck and shoulder. His right arm flopped unnaturally. From the middle of his back to his waist, the bear’s raking claws left deep, parallel cuts. It reminded Harris of tree trunks he had seen where bears mark their territory, only these marks were etched in flesh instead of wood. On the back of Glass’s thigh, blood seeped through his buckskin breeches. Harris

It was murder - strangulation - but one need not say that the claw-mark on Mrs. Suydam's throat could not have come from her husband's or any other human hand, or that upon the white wall there flickered for an instant in hateful red a legend which, later copied from memory, seems to have been nothing less than the fearsome Chaldee letters of the word 'LILITH'. One need not mention these things because they vanished so quickly - as for Suydam, one could at least bar others from the room until one knew what to think oneself. The doctor has distinctly assured Malone that he did not see IT. The open porthole, just before he turned on the lights, was clouded for a second with a certain phosphorescence, and for a moment there seemed to echo in the night outside the suggestion of a faint and hellish tittering;

The night candle on the bedside table burst into spontaneous flame. The golden glow revealed a creature whose pale white skin was marked with dark blue swirls, like some barbarian war paint. Fins jutted from her arms and legs, and the claws tipping fingers and toes clung to the house’s woodsiding. A host of slender tendrils squirmed around her face in place of hair, and her grin revealed row after row of shark’s teeth. Oh, thank heavens. Nothing to be afraid of after all

He slashes his claws across her cheek to mark her. Then he starts to run... So much relief as she hustles away. Not because she's free. Relief because she isn't beautiful anymore, her cheek carved up, thesign of a girl who strayed from the path. She can imagine her mother's and father's faces upon her return, first joy, then pity, for who would want such a girl--the town's offering, sent in sacrifice, sent in submission, but too willful to play the part. Bad girl, they'll whisper...

A door slammed open in the half-crumbled house closest to them and a man came out of it running straight for them, screaming at the top of his lungs. His words were indecipherable, and his eyes were full of madness, his hair ratty and matted; sores covered his face, as if he’d been trying to claw through his own skin. And he was completely naked. Mark stumbled a couple of steps backward, stunned by the man’s appearance and scared out of his mind. He was searching for something to do or say.

A cavalry of sweaty but righteous blond gods chased pesky, unkempt people across an annoyingly leaky Mexican border. A grimy cowboy with a headdress of scrawny vultures lay facedown in fiery sands at the end of a trail of his own groveling claw marks, body flattened like a roadkill, his back a pincushion of Apache arrows. He rose and shook his head as if he had merely walked into a doorknob. Never mind John Wayne and his vultures and an “Oregon Trail” lined with the Mesozoic buttes of the Southwest, where the movies were filmed, or the Indians who were supposed to be northern plains Cheyenne but actually were Navajo extras in costume department Sioux war bonnets saying mischievous, naughty things in Navajo, a language neither filmmaker nor audience understood anyway, but which the interpreter onscreen translated as soberly as his forked tongue could manage, “Well give you three cents an acre.” Never mind the ecologically incorrect arctic loon cries on the soundtrack. I loved that desert.

Things changed after that between me and Mark. I stopped being mortified that people might mistake me for one of his acolytes. I was his Boswell, don’t you know. I interviewed him about his childhood—his father was a psychiarist in Beverly Hills. I cataloged the contents of his van. I followed him around at work, sitting in while he examined patients. He had been a bit of a prodigy when we were in college. After his father developed a tumor, Mark, who was pre-med, started studying cancer with an intensity that convinced many of his friends that his goal was to find a cure in time to save his father. As it turned out, his father didn’t have cancer. But Mark kept on with his cancer studies. His interest was not in fact in oncology—in finding a cure—but in cancer education and prevention. By the time he entered medical school, he had created, with another student, a series of college courses on cancer and coauthored The Biology of Cancer Sourcebook, the text for a course that was eventually offered to tens of thousands of students. He cowrote a second book, Understanding Cancer, that became a bestselling university text, and he continued to lecture throughout the United States on cancer research, education, and prevention. “The funny thing is, I’m not really interested in cancer,” Mark told me. “I’m interested in people’s response to it. A lot of cancer patients and suvivors report that they never really lived till they got cancer, that it forced them to face things, to experience life more intensely. What you see in family practice is that families just can’t afford to be superficial with each other anymore once someone has cancer. Corny as it sounds, what I’m really interested in is the human spirit—in how people react to stress and adversity. I’m fascinated by the way people fight back, by how they keep fighting their way to the surface.” Mark clawed at the air with his arms. What he was miming was the struggle to reach the surface through the turbulence of a large wave.

Last year’s leaves exploded into rustling traitors under Haydn’s boots. Branches clawed at his cloak and he ducked, swiping away pale gray webs of moss. Gorawen’s fingers were wrapped around his left hand. A moonstone gleamed from his right. The dim light barely lifted the shadows as Haydn tucked the stone beside a log. Another flash of soaked moonbeams lurked on the edge of his sight. Half-covered, they’d not reveal their path to those following while marking a clear trail for his and Gorawen’s return and keep their own direction sure.

It was Spring, and yet it wasn't. It was not the land I had once roamed in centuries past, or even visited almost a year ago. The sun was mild, the day clear, distant dogwoods and lilacs still in eternal bloom. Distant- because on the estate, nothing bloomed at all. The pink roses that had once climbed the pale stone walls of the sweeping manor house were nothing but tangled webs of thorns. The fountains had gone dry, the hedges untrimmed and shapeless. The house itself had looked better the day after Amarantha's cronies had trashed it. Not for any visible signs of destruction, but for the general quiet. The lack of life. Though the great oak doors were undeniably worse for wear. Deep, long claw marks had been slashed down them. Standing on the top step of the marble staircase that led to those front doors, I surveyed the brutal gashes. My money was on Tamlin having inflicted them after Feyre had duped him and his court. But Tamlin's temper had always been his downfall. Any bad day could have produced those gouge marks. Perhaps today would produce more of them.

Far from erupting all over them, clinging like Greek fire for a moment, then leaping away to safety, Sir Mordred sized up his prey in the leisurely manner of a much older cat, taking all the time necessary to unsheathe his claws, blow on them, adjust for windage and elevation, and finally reach out to draw them daintily down Nicholas’ left leg from calf to ankle, like a bear marking a tree. And he looked upon his work, saw that it was good—four neat slits in the red hose, and scratched skin showing through—and he sat back, deeply content, and said, “Rao.

That night marks my life’s dark center, the moment when growing up ended and the long downward slope toward death began. The wonder to me now is that I thought myself worth saving. But I did. I did, oho, did I! I reached out and clung for life with my good left hand like a claw, grasping at moving legs to raise myself from the dirt. Desperate to save myself in a river of people saving themselves. And if they chanced to look down and see me struggling underneath them, they saw that even the crooked girl believed her own life was precious. That is what it means to be a beast in the kingdom.

The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal. QUELLCRIST FALCONER

He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin. He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat. He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go. He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry. He is sinking his teeth into the neck of an angel's child, he is drinking the light. He is bearing a Mark, and it burns. He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives. He is in a cage. He is in hell. He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live. He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive. He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine. He is Nephilim.

The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal. QUELLCRIST FALCONER Things I Should Have Learned by Now Volume II

He watched her small hand hike up her skirt, saw her reach under to cup her sex. Once her fingers were covered in slick, she met his eyes, smearing her hand down his neck, directly over the spot where he stank of his beloved. Gathering more of her wetness, Claire soaked the patch of his shirt until she could only smell herself. It was not good enough. Unable to comprehend anything beyond black rage, Claire clawed the fabric and ripped Shepherd’s shirt to threads. Her nose went back to his exposed chest and she let out the most threatening growl an Omega could make. If he was hushing her, or reprimanding, touching, or in shock, Claire was absolutely oblivious. Every fiber of her being demanded she stake claim, that she scratch her marks all over his body, that she leave a sign all other females would see. She left him bloody. Breathing hard, she reared up until eye level with the man. “Now you will fuck me, hard, in every way that pleases me. And when it is done, you will get me food, because I’m fucking hungry!” He was on her with such force the breath was knocked from her body. Shepherd did exactly as his mate demanded, pounding into her with a fury that set her howling amidst their shredded clothing. In Shepherd’s experience, there had never been a coupling like it.

The Roman general wanted to spare Archimedes, because he was so valuable—sort of like the Einstein of the ancient world—but some stupid Roman soldier killed him.” “There you go again,” Hazel muttered. “Stupid and Roman don’t always go together, Leo.” Frank grunted agreement. “How do you know all this, anyway?” he demanded. “Is there a Spanish tour guide around here?” “No, man,” Leo said. “You can’t be a demigod who’s into building stuff and not know about Archimedes. The guy was seriously elite. He calculated the value of pi. He did all this math stuff we still use for engineering. He invented a hydraulic screw that could move water through pipes.” Hazel scowled. “A hydraulic screw. Excuse me for not knowing about that awesome achievement.” “He also built a death ray made of mirrors that could burn enemy ships,” Leo said. “Is that awesome enough for you?” “I saw something about that on TV,” Frank admitted. “They proved it didn’t work.” “Ah, that’s just because modern mortals don’t know how to use Celestial bronze,” Leo said. “That’s the key. Archimedes also invented a massive claw that could swing on a crane and pluck enemy ships out of the water.” “Okay, that’s cool,” Frank admitted. “I love grabber-arm games.” “Well, there you go,” Leo said. “Anyway, all his inventions weren’t enough. The Romans destroyed his city. Archimedes was killed.

Sloane inhaled sharply, and he relinquished control to his Therian side without any further thought. His claws came out, and his painful cry drowned out Dex’s as the tips of Sloane’s claws pierced his lover’s skin. Dex clutched at Sloane, his finger’s digging into his bicep and his jaw clenched as he tried desperately to keep himself quiet. His eyes grew glassy and red, but Sloane could see Dex fighting to keep himself from screaming. Darkness encroached Sloane’s vision, his senses sharpening. Slowly and deliberately he sliced at Dex’s arm, making sure to go deep enough to leave his mark permanently but not enough where Dex would need stitches. Sloane’s heart pounded, the scent of Dex’s blood filling his nostrils. He ground his hips against Dex as he finished leaving his mark around Dex’s forearm. As soon as he was finished, he pulled off his T-shirt and wrapped it around his partner’s bleeding arm, tying it firmly in place. His eyes landed on Dex, and he was taken aback by the heat in those amazing eyes. They clawed at each other’s clothes the best they could with Dex’s arm and Sloane’s leg. Desire and love turned into desperation, sending them both into a frenzy of need and lust. Sloane spit into his hand, making it good and wet, then wrapped it around his cock, stroking himself before he pushed a finger against Dex’s entrance. “Yes,” Dex hissed, his fingers slipping into Sloane’s hair and grabbing fistfuls of it. “Please, fuck me.” Sloane

Silas refuses to help us cage Screwtape, who hisses loudly, having long suspected something is up. I go to pick him up, trying to act like everything is normal, but Screwtape darts away. It’d probably be easier to crate a Fenris than it is to crate Screwtape. The dance repeats until Scarlett and I are red in the face and Silas is laughing at us. We finally run the cat down, and Scarlett manages to toss the laundry basket over him when he’s too busy anticipating his next dash. “We could still leave him,” Silas jokes—I think he’s joking, anyway—as we load the howling backseat of his car. Scarlett looks as though she might feel the same way as she nurses a batch of claw marks on top of the thicker Fenris scars. She climbs into the backseat of the car as Silas and I slide into the front. Silas hot-wires the ignition of the hatchback and pounds on the radio for a few minutes before it buzzes to life. “We can’t change the station, by the way,” he says. “Because you really like pop music?” I ask, wrinkling my nose as a bubbly song blares at us. “Not hardly,” Silas says. “I hate it. But last time I changed it, the car stopped. Oh, and lean away from your door—sometimes it opens randomly. “Um . . . great,” I say, leaning as far away from the door as possible. But this feels even more dangerous, because I’m leaning incredibly close to Silas, so close that I’m hyperaware of the fact that my sister is right behind me. My stomach twists as it fights my body’s urge to fall against him. I shudder and try to shake the desire off.

You’re mine, Taryn, and you’re not going anywhere. I need you here with me, and I need your brand on me. Do it, Taryn! Give it to me!” Whining in defeat, Taryn lifted her head and sank her teeth into the juncture of his neck and shoulder. It took everything Trey had not to come there and then. “Fuck, yeah. More!” She raked her claws down his back, just like she and her wolf had wanted to from the beginning. “Again, Taryn!” This time she bit down on his shoulder but she didn’t release him, and he loved the possessiveness of that act. Pounding into her even harder, he demanded, “Come for me, Taryn.” He clamped his teeth over his claiming mark and she screamed around the flesh of his shoulder as her climax tore into her. That together with her muscles closing around his cock had him erupting inside her once again. And that was when it happened.

How do you keep doing this?” he said. “Keep going, when everything is so horrible?” Horrible. Was that what life was? I had never put a word to it. Pain had a way of breaking time down. I thought about the next minute, the next hour. There wasn’t enough space in my mind to put all those pieces together, to find words to summarize the whole of it. But the “keep going” part, I knew the words for. “Find another reason to go on,” I said. “It doesn’t have to be a good one, or a noble one. It just has to be a reason.” I knew mine: There was a hunger inside me, and there always had been. That hunger was stronger than pain, stronger than horror. It gnawed even after everything else inside me had given up. It was not hope; it did not soar; it slithered, clawed, and dragged, and it would not let me stop. And when I finally named it, I found it was something very simple: the desire to live.

Every time a human walks out of a room, something with more feet walks in. For every job a human holds, there is a mouse with the same job and doing it better. You don't see a cat that shocked every day of the week. Even her whiskers looked scandalized. Time you saw a bit of the world, if you're to find your place in it, the horse said. Nobody ever learned who he was by staying in the stable. He was the picture of skepticism. Also pomposity. He was so noble a figure that I could scarcely look at him full on. Every bit of his bearing was living proof of the grandeur mice can rise to. British mice. Of course they would be foreign, being bats. Romanian, Transylvanian, Something. The Belgians followed in a great mob. And hard on their heels the Spanish, their claws clicking like castanets across the marble. Then the Russians in all their barbaric splendor. Romanov rodents in caterpillar-fur caps. Even one of the Gorgonzola princes from Italy, looking very blue-veined.

From this height, you have as much chance of hitting her as him,” Lanor objected. “I’m not going to throw it from here.” Aedan’s voice was shaking now. Both men looked at him, confused. “You said our chance might be small,” he said to Lanor, “but what about her? I promised not to abandon her, and I won’t.” He looked at the river. The canoe was approaching the mark. “No Aedan,” Lanor said, stepping forward and reaching out with a big hand. “You won’t make it. I won’t let you –” But Aedan was too quick for him. With a deep breath, he clenched his jaw, slipped around Lanor and sprinted at the edge. Moonlight made it more difficult to be completely sure-footed over the broken ground. A mistake now would rob him of the speed he needed to carry him over the rocks. Instinct dug its claws in and willed him to stop. He felt sick. He didn’t want to do this. But he drove himself on. Fear surged as the edge rushed forward. He placed his final step. His stomach twisted. Then he leapt.

Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.

My head snaps around at the hiss, but it takes awhile to believe he’s real. How could he have gotten here? I take in the claw marks from some wild animal, the back paw he holds slightly above the ground, the prominent bones in his face. He’s come on foot, then, all the way from 13. Maybe they kicked him out or maybe he just couldn’t stand it there without her, so he came looking. “It was the waste of a trip. She’s not here,” I tell him. Buttercup hisses again. “She’s not here. You can hiss all you like. You won’t find Prim.” At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. “Get out!” He dodges the pillow I throw at him. “Go away! There’s nothing left for you here!” I start to shake, furious with him. “She’s not coming back! She’s never ever coming back here again!” I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. “She’s dead.” I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. “She’s dead, you stupid cat. She’s dead.” A new sound, part crying, part singing, comes out of my body, giving voice to my despair. Buttercup begins to wail as well. No matter what I do, he won’t go. He circles me, just out of reach, as wave after wave of sobs racks my body, until eventually I fall unconscious. But he must understand. He must know that the unthinkable has happened and to survive will require previously unthinkable acts. Because hours later, when I come to in my bed, he’s there in the moonlight. Crouched beside me, yellow eyes alert, guarding me from the night. In the morning, he sits stoically as I clean the cuts, but digging the thorn from his paw brings on a round of those kitten mews. We both end up crying again, only this time we comfort each other. On the strength of this, I open the letter Haymitch gave me from my mother, dial the phone number, and weep with her as well. Peeta, bearing a warm loaf of bread, shows up with Greasy Sae. She makes us breakfast and I feed all my bacon to Buttercup.

The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate

Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.

A dead world is never really dead. Even when the stars vanish in a great exodus, leaving an inky night that swallows the sky. Even when the sound of silence is a terrible thing to listen to in a city that once groaned with noise. But it’s not quite silence, is it? There are the birds that soar over bare roof rafters, egrets and jackdaws and scruffy brown scraps that go by a multitude of names calling joyfully to each other. There are the nocturnal animals who claw and scrape over cobblestones, lifting their gazes to the two pale moons impressed against a violet sky. There are the trees that stretch upwards, overgrown and languorous, from leaf-strewn courtyards, extending gracefully through balconies and walkways. And below them, the ferns that unfurl in dark, damp corners that might still bear cracked tiles in parched colours, or spongey wooden skates engraved with toothy chisel marks. Life, persistent and predictably stubborn, goes on. Close your eyes and the stars might not sing in this hushed city of dust and dreams, but there’s still singing nonetheless. Even if there’s just one voice left.

The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal.

The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here - it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL. Well, fuck them. Make it personal.

held out to me a closed fist that seemed three-quarters precious stones in their clawlike settings. In a movement that spoke of great effort, she turned her hand and opened it, as though she had some surprise gift concealed and was about to offer it to me. But there was no gift. The surprise was the hand itself. The flesh of her palm was like no flesh I had seen before. Its whitened ridges and purple furrows bore no relation to the pink mound at the base of my fingers, the pale valley of my palm. Melted by fire, her flesh had cooled into an entirely unrecognizable landscape, like a scene left permanently altered by the passage of a flow of lava. Her fingers did not lie open but were drawn into a claw by the shrunken tightness of the scar tissue. In the heart of her palm, scar within a scar, burn inside burn, was a grotesque mark. It was set very deep in her clutch, so deep that with a sudden nausea I wondered what had happened to the bone that should be there. It made sense of the odd set of the hand at the wrist, the way it seemed to weigh upon her arm as though it had no life of its own. The mark was a circle embedded in her palm, and extending from it, in the direction of the thumb, a short line.

Your beast's little trick didn't work on me,' she said with quiet steel. 'Apparently, an iron will is all it takes to keep a glamour from digging in. So I had to watch as Father and Elain went from sobbing hysterics into nothing. I had to listen to them talk about how lucky it was for you to be taken to some made-up aunt's house, how some winter wind had shattered our door. And I thought I'd gone mad- but every time I did, I would look at that painted part of the table, then at the claw marks farther down, and know it wasn't in my head.' I'd never heard of a glamour not working. But Nesta's mind was so entirely her own; she had put up such strong walls- of steel and iron and ash wood- that even a High Lord's magic couldn't pierce them. 'Elain said- said you went to visit me, though. That you tried.' Nesta snorted, her face grave and full of that long-simmering anger that she could never master. 'He stole you away into the night, claiming some nonsense about the Treaty. And then everything went on as if it had never happened. It wasn't right. None of it was right.' My hands slackened at my sides. 'You went after me,' I said. 'You went after me- to Prythian.' 'I got to the wall. I couldn't find a way through.' I raised a shaking hand to my throat. 'You trekked two days there and two days back- through the winter woods?' She shrugged, looking at the sliver she'd pried from the table. 'I hired that mercenary from town to bring me a week after you were taken. With the money from your pelt. She was the only one who seemed like she would believe me.' 'You did that- for me?' Nesta's eyes- my eyes, our mother's eyes- met mine. 'It wasn't right,' she said again. Tamlin had been wrong when we'd discussed whether my father would have ever come after me- he didn't possess the courage, the anger. If anything, he would have hired someone to do it for him. But Nesta had gone with that mercenary. My hateful, cold sister had been willing to brave Prythian to rescue me. ... I looked at my sister, really looked at her, at this woman who couldn't stomach the sycophants who now surrounded her, who had never spent a day in the forest but had gone into wolf territory... Who had shrouded the loss of our mother, then our downfall, in icy rage and bitterness, because the anger had been a lifeline, the cruelty a release. But she had cared- beneath it, she had cared, and perhaps loved more fiercely that I could comprehend, more deeply and loyally.

His gaze was drawn to the tender flesh between her neck and shoulder, just under the line of her shining pearls. “Holly . . . can’t stop myself.” “Don’t stop!” “Mine.” He sank his fangs in her. Her arms fell limp over her head, her body quiescent as he rutted over her. She screamed with pleasure as she helplessly came. Her sex clenched around his cock, milking it for the seed he could finally give her. Mindlessly snarling against her flesh, he plunged into her again and again. The ache, the pressure, the throbbing inside . . . He was crazed with the need to ejaculate, thrusting, grunting, driving. He released her neck, throwing back his head to roar as his come began to shoot from him. His back bowed from the force of it, jetting out in wave after wave. He’d claimed her. Holly’s mine . . . at last. He collapsed over her, heaving his breaths against her marked neck. Once he’d begun to gather his wits, he leaned up to see how badly he’d hurt her, an apology on his lips. “Holly, I . . .” He trailed off at her expression. She looked even hungrier for him. “Is that all you’ve got?” she said, her voice a purr. His eyes went wide, then narrowed. “Oh, I’ve got more, baby.” He clutched the back of her neck. “A lot more.” “Then let’s see it.” Her claws sank deeper into his ass. He hissed in a breath, and his cock pulsed inside her. “Later, I’m gonna do you nice and slow, but right now I just need to bend you over things and see what this sexy little body of yours can do . . . .” “Try to keep up, demon.

Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.

And its with my head between my knees that I've loved all the men in my life, that's how I love my psychoanalyst, who doesn't see my body fidgeting on the couch when I'm queasy from repeating my mother who worms and my father who comes, when I want to sit up and show him that I'm not just a voice and that a single thrust of my claws can say as much as ten years of chattering about what's hidden behind the words. that the marks they leave are no better than the rage of a child crying for its mother's breast, and besides, who knows whether he's sleeping with his head between his hands and dreaming of me naked in a bathroom, who knows whether he's not masturbating silently to add a bit of life to my narratives, it's something I'll never know, something I don't have the right to hear, and if I did know what would happen, what would occur if I surprised him with his hand wedged down his pants and took his cock in my mouth, how much time to live would there be left for us if I moved my mouth from bottom to top and right to left, how much time before he came, before the end of the world and lightning striking, well, I don't know that, either, and maybe it would be better if it did happen, after all, maybe I'm dying from nothing happening between us and the fact that we'll have to replay the scene of my parents in the bathroom, finally put actions where there were only my tears, maybe it would be better to face each other and talk about love, confront each other in bathwater and stroke what falls under our hands, it would be better if we could be client and whore for the space of a moment, for the length of a session be the one who pays and the woman who gives herself, the roles would have to change within the time it takes for him to close his books and become a man in my arms, but it will never happen, one last time, it can't happen since those things never occur when you're me, when you're calling out life from death's side

Robinson's discussion with God: "Tell me what it's like." "What what's like?" "To be God." "Like, how do you mean?" "Like, how does it make you feel to know you've created the planet earth and all its inhabitants. Do you feel proud? Sad? Embarrassed? Humbled? Mortified?" "The truth? I feel imposed upon. I feel like an exhausted father whose needy children never grew up. Do you know what I'd like to see? Honest to me, this would make me the happiest guy on earth. I'd like to see everyone just take responsibility for themselves. Stop seeking my favor with your expensive churches, synagogues, mosques and temples. And quit wasting your time expecting me to solve all your problems. Am I the numbskull who created all your stupid problems? No, all I ever did was plant a handful of seeds. I'm not the one who cheats, lies, plunders, steals, hoodwinks, bribes, and scratches and claws his backward way through the unfaithful to his loving spouse or who is disrespectful to his parents. And I'm not the one who rapes and pollutes oceans, mountains, valleys, rivers, lakes, deserts, and mesas. I'm not the one who's slaughtering all the whales in the seas, and I'm certainly not the one who's spreading AIDS, shooting innocent people with handguns and assault rifles, or overpopulating the planet. I'm not even responsible for acts of God. So what of the forest fires, earthquakes, hurricanes and tornados? You can thank dear Mother Nature for these so-called acts of me. All these disaster are completely out of my hands. Don't you see? I'm just me, God, and no more or less. Yes, I'm willing to give advice here and there, but even then , you will discover than my advice is no better than the advice you'd give yourself. And why? Because I am you. I was never anything else. I never claimed to be anything else, So, you get down on your knees and say you have faith in me? Try having some faith in yourself and leave me the hell out of it. I'm a busy man. There are books I would like to read, music I'd like to listen to, art I would like to see, and some good shows on TV I really don't want to miss.

Sleepless City (Brooklyn Bridge Nocturne)" Out in the sky, no one sleeps. No one, no one. No one sleeps. Lunar creatures sniff and circle the dwellings. Live iguanas will come to bite the men who don’t dream, and the brokenhearted fugitive will meet on street corners an incredible crocodile resting beneath the tender protest of the stars. Out in the world, no one sleeps. No one, no one. No one sleeps. There is a corpse in the farthest graveyard complaining for three years because of an arid landscape in his knee; and a boy who was buried this morning cried so much they had to call the dogs to quiet him. Life is no dream. Watch out! Watch out! Watch out! We fall down stairs and eat the humid earth, or we climb to the snow’s edge with the choir of dead dahlias. But there is no oblivion, no dream: raw flesh. Kisses tie mouths in a tangle of new veins and those in pain will bear it with no respite and those who are frightened by death will carry it on their shoulders. One day horses will live in the taverns and furious ants will attack the yellow skies that take refuge in the eyes of cattle. Another day we’ll witness the resurrection of dead butterflies, and still walking in a landscape of gray sponges and silent ships, we’ll see our ring shine and rose spill from our tongues. Watch out! Watch out! Watch out! Those still marked by claws and cloudburst, that boy who cries because he doesn’t know bridges exist, or that corpse that has nothing more than its head and one shoe— they all must be led to the wall where iguanas and serpents wait, where the bear’s teeth wait, where the mummified hand of a child waits and the camel’s fur bristles with a violent blue chill. Out in the sky, no one sleeps. No one, no one. No one sleeps. But if someone closes his eyes, whip him, my children, whip him! Let there be a panorama of open eyes and bitter inflamed wounds. Out in the world, no one sleeps. No one. No one. I’ve said it before. No one sleeps. But at night, if someone has too much moss on his temples, open the trap doors so he can see in moonlight the fake goblets, the venom, and the skull of the theaters.

She knew she was going into that Cauldron. Knew she would lose this fight. Knew no one was going to save her: not sobbing Feyre, not Feyre's gagged former lover, nor her devastated new mate. Not Cassian, broken and bleeding on the floor. The warrior was still trying to rise on trembling arms. To reach her. The King of Hybern- he had done this. To Elain. To Cassian. And to her. The icy water bit into the soles of her feet. It was a kiss of venom, a death so permanent that every inch of her roared in defiance. She was going in- but she would not go gently. The water gripped her ankles with phantom talons, tugging her down. She twisted, wrenching her arm free from the guard who held it. And Nesta Archeron pointed. One finger- at the King of Hybern. A death-promise. A target marked. Hands shoved her into the water's waiting claws. Nesta laughed at the fear that crept into the king's eyes just before the water devoured her whole. In the beginning. And in the end. There was darkness. And nothing more. She did not feel the cold as she sank into a sea that had no bottom, no horizon, no surface. But she felt the burning. Immortality was not a serene youth It was fire. It was molten ore poured into her veins, boiling her human blood until it was nothing but steam, forging her brittle bones until they were fresh steel. And when she opened her mouth to scream, when the pain ripped her very self in two, there was no sound. There was nothing in this place but darkness and agony and power- They would pay. All of them. Staring with the Cauldron. Starting now. She tore into the darkness with talons and teeth. Rent and cleaved and shredded. And the dark eternity around her shuddered. Bucked. Thrashed. She laughed as it recoiled. Laughed around the mouthful of raw power she ripped out and swallowed whole; laughed at the fistfuls of eternity she shoved into her heart, her veins. The Cauldron struggled like a bird under a cat's paw. She refused to relent. Everything it had stolen from her, from Elain, she would take from it. Wrapped in black eternity, Nesta and the Cauldron twined, burning through the darkness like a newborn star.

this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no

She said, “Why can’t you see that people care for you?” She said, “I care for you.” “I know that you care. But…” He searched her face. “Anyone would, for a friend.” “You’re more than a friend.” “On the battlefield, you stayed--” “Of course I did.” “You have a strong sense of honor. You always have. I think you think you owe me something.” “I stayed because I love you.” He flinched and looked away. “You don’t mean that.” “Yes, I do.” The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure. There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin. He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else. He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them. He bit his lip. “That hurts?” “No.” “What is this? What happened?” “I’ll tell you,” he said. “Later.” His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin. “Kestrel…I’ve never--” She whispered that this was new for her, too. There was a long pause. “Are you certain you want--” “Yes.” “Because…” “Arin.” “Maybe you--” “Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound. When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.

Upon hearing them, Eloise turns as well. Paul watches as she stares at them, and he wonders what she’s thinking: if she sees love or a letdown; salvation or inconvenience. Reaching down, she gathers up the train of her dress and begins trudging up to them, working her way across the broad swath of grass. He stays behind for a moment, and as his sisters and his mother vanish behind the abbey’s arches and spires he stares upward, past his blinding hangover, to a point in the distance that he can’t quite grasp. A bit of infinity where blue bleeds to white, where absence and hope collide. He thinks of the beautiful, gut-wrenching future awaiting them, and the claw marks they’ve left in everything they’ve given up. He thinks of all the times they’ve faced the world on two steady feet, and all the times he knows it will knock them over to the ground. Mostly, though, he thinks—he forces himself to think—that for today, at least for today, they’ll all be okay.