Unlike Anything Else Quotes

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The mind-blowing, ridiculous sex which was the stuff of both poetry and porn - so unlike anything else I had ever experienced before.
Emily Giffin (Love the One You're With)
What a queer thing Life is! So unlike anything else, don't you know, if you see what I mean.
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
I spent the afternoon musing on Life. If you come to think of it, what a queer thing Life is! So unlike anything else, don't you know, if you see what I mean.
P.G. Wodehouse
We lusty bibliophiles know that reading, unlike just about anything else, is both good for you and loads of fun.
Kevin Smokler (Bookmark Now: Writing in Unreaderly Times: A Collection of All Original Essays from Today's (and Tomorrow's) Young Authors on the State of the Art -- ... Hustle -- in the Age of Information Overload)
But even if you have bad dreams, you must remember that they're only that. Dreams. You will always wake from them. And they will fade, eventually. I've found that waking from a bad dream brings a sense of relief unlike anything else in the world. It means what you were seeing wasn't real.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
My father laughed. "The magic of Summer," he said, "is unlike anything else. Imagine life, fertility, laughter, joy, ripening fruits and the smell of fresh bread baking in the morning. That is Summer magic." Forever Frost (Frost Series 2)
Kailin Gow (Bitter Frost (Frost, #1))
People who cannot distinguish between good and bad language, or who regard the distinction as unimportant, are unlikely to think carefully about anything else.
B.R. Myers
I backed us up against the wall. “How I feel? You want to know?” I ran my hands over his face and tangled them into his messy hair. “This is unlike anything else. I’ve bungeed off buildings, I’ve skateboarded off roofs. I’ve even gone train surfing. Nothing comes close to the high I feel when I’m with you. You’ve been through horrible things, and yet you’re one of the kindest, truest people I’ve ever met. At first I thought it was because you were safe. I could feel something for you because you couldn’t hurt me. Not the way Alex did. But it’s more than that. It’s you. Who you are. The way you are. Everything from your smile to the way you always say exactly what’s on your mind. Your soul, Kale.
Jus Accardo (Touch (Denazen, #1))
Some people skip through life. Others are dragged through it. I sometimes wonder if we are moving through time, or whether time is moving through us. Light, unlike anything else in the universe is not effected by time. Light exists outside of time.. It is still a mystery to physicists.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
Truth was truth and anything else was fuckery.
Jason Fagone (The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies)
The real artist with no tear in his eye and no sadness in his heart, puts the pages in the fire and does it again!" "All art is a metaphor it's by telling you one thing when your mean something else. The Old Man in the Sea is not about fishing!" "Writing a book is like torture that you don't know, but after it’s done and there it is. It's a joy like unlike anything else, I think it's the closest that a man can come to knowing what is feels like to have a baby.
Harry Crews
listening to music renews the heart precisely for this reason: it plumbs the gravity of sorrow until it finds the point of submerged light and lightness. Listening to music stirs the heavy heart; it alters the gravity. Unconsciously it schools us in a different way to hold sorrow. When the music is dark it works through dissonance and harsh notes; like underpainting their beauty is slow to reveal itself but it does ultimately dawn. It frees a space to let in lightness. Unlike anything else in the world, music is neither image nor word and yet it can say and show more than a painting or poem.
John O'Donohue (Divine Beauty: The Invisible Embrace)
Sometimes they would just pay me to stay home and not do anything else, which sounds fantastic but doesn't do much for your ego. Its probably a little like getting alimony-the money is nice but has a nasty aftertaste.
Craig Ferguson (American on Purpose: The Improbable Adventures of an Unlikely Patriot)
I spent the afternoon musing on Life. If you come to think of it, what a queer thing Life is! So unlike anything else, don't you know, if you see what I mean. At any moment you may be strolling peacefully along, and all the time Life's waiting around the corner to fetch you one. You can't tell when you may be going to get it. It's all dashed puzzling. Here was poor old George, as well-meaning a fellow as every stepped, getting swatted all over the ring by the hand of Fate. Why? That's what I asked myself. Just Life, don't you know. That's all there was about it.
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
If you come to think of it, what a queer thing Life is! So unlike anything else, don't you know, if you see what I mean. At any moment you may be strolling peacefully along, and all the time Life's waiting around the corner to fetch you one.
P.G. Wodehouse (The Works of P.G. Wodehouse (with active table of contents))
We stood there for a minute or two, with John swaying gently against my arm. 'I'm feeling better,' he announced. Then he looked up at the stars. 'Wow..' he intoned. 'Look at that! Isn't that amazing?". I followed his gaze. The stars did look good but they didn't look that good. It was very unlike John to be over the top in that way. I stared at him. He was wired-pin-sharp and quivering, resonating away like a human tuning fork. No sooner had John uttered his immortal words about the stars than George and Paul came bursting out on the roof. They had come tearing up from the studio as soon as they found out where we were. They knew why John was feeling unwell. Maybe everyone else did, too - everyone except for father-figure George Martin here! It was very simple. John was tripping on LSD. He had taken it by mistake, they said - he had meant to take an amphetamine tablet. That hardly made any difference, frankly; the fact was that John was only too likely to imagine he could fly, and launch himself off the low parapet that ran around the roof. They had been absolutely terrified that he might do so. I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn't go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John' as he put it- be with him in his misery and fear. What about that for friendship?
George Martin (With A Little Help From My Friends: The Making of Sgt. Pepper)
Passion is that strong feeling of emotion, ecstasy, or excitement which you feel for something or someone. This sizzling desire can light up your soul and fuel your commitment to be persistent in spite of obstacles and unfavorable circumstances. This depth of motivation can transform your life unlike anything else and reignite your purpose and your passion.
Susan C. Young
Nothing in this world is unlike anything else. So many people will ask you to be beautiful and urgent, to discover what you cannot have and desire it.
Annelyse Gelman
Some of the dairy people, who were also out of doors on the first Sunday evening after their engagement, heard her impulsive speeches, ecstasized to fragments, though they were too far off to hear the words discoursed; noted the spasmodic catch in her remarks, broken into syllables by the leapings of her heart, as she walked leaning on his arm; her contented pauses, the occassional laugh upon which her soul seemed to ride - the laugh of a woman in company with the man she loves and has won from all other women - unlike anything else in nature. They marked the buoyancy of her tread, like the skim of a bird which has not yet alighted.
Thomas Hardy (Tess of the D’Urbervilles)
Since he was very young he had known that in certain ways he was unlike anyone else he knew. For a child the consciousness of such difference is very painful, since, having done nothing yet and being incapable of doing anything, he cannot justify it. The reliable and affectionate presence of adults who are also, in their own way, different, is the only reassurance such a child can have; and Shevek had not had it. His father had indeed been utterly reliable and affectionate. Whatever Shevek was and whatever he did, Palat approved and was loyal. But Palat had not had this curse of difference. He was like the others, like all the others to whom community came so easy. He loved Shevek, but he could not show him what freedom is, that recognition of each person's solitude which alone transcends it.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
It felt like one of those perfect moments where everything comes together. But like I said, I don't believe in accidents. Even if this strange, musical moment, the final result of a long chain of unlikely events, never came to anything else, it was meant to be. Something new had been born.
Mark Peter Hughes (Lemonade Mouth)
I’m sure you’ve had croissants before. You can get them pretty much anywhere. They usually taste fine, a little bland, maybe. But when you come to Paris, the croissants are unlike anything else you’ve eaten before. They’re warm and soft, golden and buttery. Like baked clouds. Deliciously decadent clouds. They may look the same as the other croissants but they are far superior in every single way and why am I thinking about that right now? Because croissants are like kisses. You don’t fully “get”them until you’ve had them in Paris. And now I know this: French kisses taste a million times better in France.
Anne-Sophie Jouhanneau (Kisses and Croissants)
If we know that the inevitable setbacks and frustrations are phases of the natural cycle of creative processes, if we know that our obstacles can become our ornaments, we can persevere and bring our desires to fruition. Such perseverance can be a real test, but there are ways through, there are guideposts. And the struggle, which is guaranteed to take a lifetime, is worth it. It is a struggle that generates incredible pleasure and joy. Every attempt we make is imperfect; yet each one of those imperfect attempts is an occasion for a delight unlike anything else on Earth
Stephen Nachmanovitch
How these humans dispose themselves! Unlike anything else in creation. Or rather like everything else in creation all at once. Legs of one beast. Arms of another. Proportions all awry to a tortoise's eye. Torso too squat. Too little neck. Vastly too much leg. Hands like creatures unto themselves. Senses delicately balanced. And yet each sense dulled by mental acuity. Reason in place of a good nose. Logic instead of a tail. Faith instead of the certain knowledge of instinct. Superstition instead of a shell.
Verlyn Klinkenborg (Timothy; or, Notes of an Abject Reptile)
But more than anything else, my female friends and I need each other because we do not have, unlike women of previous generations, a clear life path laid out for us.
Costanza Miriano (Marry Him and Be Submissive)
The merging of two lives, the threshold of possibility: it's an energy unlike anything else.
Crystal Cestari (The Best Kind of Magic (Windy City Magic, #1))
Oh, what love this was, free, unprecedented, unlike anything else! They thought the way other people sing.
Boris Pasternak (Doctor Zhivago (Vintage International))
I relied on him to find answers I couldn’t, to blaze a path when I found myself lost. David saw things no one else did. He saw through the world to the mysteries on the other side. I know that he’s gone on to solve those mysteries.” A faint smile touched Nikolai’s lips. “I can see him in some great library, already lost in his work, head bent to some new problem, making the unknown known. When I enter the laboratory, when I wake in the night with a new idea, I will miss him…” His voice broke. “I miss him now. May the Saints receive him on a brighter shore.” “May the Saints receive him,” the crowd murmured. But David hadn’t believed in Saints. He’d believed in the Small Science. He’d believed in a world ordered by facts and logic. What do you believe? Zoya didn’t know. She believed in Ravka, in her king, in the chance that she could be a part of something better than herself. But maybe she didn’t deserve that. All eyes had turned to Genya now. She was David’s wife, his friend, his compatriot. She was expected to speak. Genya stood straighter, lifted her chin. “I loved him,” she said, her body still trembling as if it had been torn apart and hastily stitched back together. “I loved him and he loved me. When I was … when no one could reach me … he saw me. He…” Genya turned her head to Zoya’s shoulder and sobbed. “I loved him and he loved me.” Was there any greater gift than that? Any more unlikely discovery in this world? “I know,” said Zoya. “He loved you more than anything.” The dragon’s eye had opened and Zoya felt that love, the enormity of what Genya had lost. It was too much to endure knowing she could do nothing to erase that pain
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
The sensation of being owned rushed through her bloodstream, unlike anything else she'd ever experienced. Between them, wrapped in their passion, she felt small, female, possessed... and shockingly submissive. Just like the night she'd taken them both into her mouth and pleased them, she wanted to give them everything she could, whatever would thrill them. She felt desperate to show them how much she yearned to give to herself.
Shayla Black (The Young and the Submissive (The Doms of Her Life, #2))
How many of us live our lives in this way? Swept away by memories of the past and plans for the future. So preoccupied with thinking that we’re completely unaware of what’s actually taking place right now, oblivious to life unfolding around us. The present moment just feels so ordinary that we take it for granted, and yet that’s what makes it so extraordinary—the fact that we so rarely experience the present moment exactly as it is. And quite unlike anything else in life, you don’t need to go anywhere to get it, or do anything to create it. It’s right here, no matter what you’re doing. It’s in the eating of a sandwich, the drinking of a cup of tea, the washing of the dishes … ordinary, everyday activities. This is what it means to be mindful, to be present, to be aware.
Andy Puddicombe (The Headspace Guide to Meditation and Mindfulness: How Mindfulness Can Change Your Life in Ten Minutes a Day)
I thought I was lucky because, unlike most of my friends, I never had to be home at a particular time. I didn’t want to get home until late because I knew if I got home earlier there would often be a fight in progress or some other event that made me wish I were somewhere else, someone else. Sometimes the thing you want most is just someone to tell you, tell you anything. Because that means you’re important. And sometimes it’s not that you’re not important, it’s just you’re not seen because the pain of those around you makes you invisible.
James R. Doty (Into the Magic Shop: A Neurosurgeon's Quest to Discover the Mysteries of the Brain and the Secrets of the Heart)
But even if you have bad dreams, you must remember they're only that: dreams. You will always wake from them. And they will face, eventually. I've found that waking from a bad dream brings a sense of relief unlike anything else in the world. It means what you were seeing wasn't real.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
It’s part of being alive, I think. But even if you have bad dreams, you must remember they’re only that: dreams. You will always wake from them. And they will fade, eventually. I’ve found that waking from a bad dream brings a sense of relief unlike anything else in the world. It means what you were seeing wasn’t real.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Some foolish men declare that creator made the world. The doctrine that the world was created is ill advised and should be rejected. If God created the world, where was he before the creation? If you say he was transcendent then and needed no support, where is he now? How could God have made this world without any raw material? If you say that he made this first, and then the world, you are faced with an endless regression. If you declare that this raw material arose naturally you fall into another fallacy, For the whole universe might thus have been its own creator, and have arisen quite naturally. If God created the world by an act of his own will, without any raw material, then it is just his will and nothing else — and who will believe this silly nonsense? If he is ever perfect and complete, how could the will to create have arisen in him? If, on the other hand, he is not perfect, he could no more create the universe than a potter could. If he is form-less, action-less and all-embracing, how could he have created the world? Such a soul, devoid of all morality, would have no desire to create anything. If he is perfect, he does not strive for the three aims of man, so what advantage would he gain by creating the universe? If you say that he created to no purpose because it was his nature to do so, then God is pointless. If he created in some kind of sport, it was the sport of a foolish child, leading to trouble. If he created because of the karma of embodied beings [acquired in a previous creation] He is not the Almighty Lord, but subordinate to something else. If out of love for living beings and need of them he made the world, why did he not take creation wholly blissful free from misfortune? If he were transcendent he would not create, for he would be free: Nor if involved in transmigration, for then he would not be almighty. Thus the doctrine that the world was created by God makes no sense at all, And God commits great sin in slaying the children whom he himself created. If you say that he slays only to destroy evil beings, why did he create such beings in the first place? Good men should combat the believer in divine creation, maddened by an evil doctrine. Know that the world is uncreated, as time itself is, without beginning or end, and is based on the principles, life and rest. Uncreated and indestructible, it endures under the compulsion of its own nature. [By 9th century Jain (the religion of Jainism) Acharya, Jinasena, in his work, Mahapurana, a major Jain text. The Jains have never believed in any gods as creators of the universe, unlike most other religions, and have focused on acting morally on Earth rather than wasting time supplicating the supernatural.]
Jinasena (Mahapurana (महापुराण))
She sent you to your death once, in case you've forgotten," he said, a sudden chill dropping into his voice. "Why should her collapse concern me?" I paused. Tybalt was a cat before he was anything else. If something didn't affect him personally, he was unlikely to give a damn. Slowly, I said, "Because Rayseline is blaming me, and if Luna dies--" "The little bitch will push for your execution under Oberon's law," he snarled. I blinked. I'd expected a reaction, but nothing that strong.
Seanan McGuire
the post-Enlightenment West is seen as exceptional, completely unlike anything else that has preceded it and unlike anything elsewhere in the world. This is a dangerous misprision. To the religious, it can suggest that belief is somehow universal, essential to the human condition, and that creeping secularism is an unnatural state. Atheists,
Tim Whitmarsh (Battling the Gods: Atheism in the Ancient World)
It struck her that dispensing justice was really more about being present and engaged than anything else—unlike
Jodi Picoult (Nineteen Minutes)
Since he was very young he had known that in certain ways he was unlike anyone else he knew. For a child the consciousness of such difference is very painful, since, having done nothing yet and being incapable of doing anything, he cannot justify it. The reliable and affectionate presence of adults who are also, in their own way, different, is the only reassurance such a child can have; and Shevek had not had it. His father had indeed been utterly reliable and affectionate. Whatever Shevek was and whatever he did, Palat approved and was loyal. But Palat had not had this curse of difference. He was like the others, like all the others to whom community came so easy. He loved Shevek, but he could not show him what freedom is, that recognition of each person’s solitude which alone transcends it.
Ursula K. Le Guin (The Dispossessed)
Oh, what love this was, free, unprecedented, unlike anything else! They thought the way people sing. They loved each other not out of necessity, not ‘scorched by passion’, as it is falsely described. They loved each other because everything around them wanted it so: the Earth beneath them, the sky over their heads, the clouds and trees. Everything around them was perhaps more pleased by their love than they were themselves. Strangers in the street, the distances opening out during their walks, the rooms they lived or met in. Ah, it was this, this was the chief thing that united them and made them akin! Never, never, even in moments of the most gratuitous, self-forgetful happiness, did that most lofty and thrilling thing abandon them: delight in the general mould of the world, the feeling of their relation to the whole picture, the sense of belonging to the beauty of the whole spectacle, to the whole universe. They breathed only by that oneness. And therefore the exaltation of man over the rest of nature, the fashionable fussing over and worshipping of man, never appealed to them. Such false principles of social life, turned into politics, seemed to them pathetically home-made and remained incomprehensible.
Boris Pasternak (Doctor Zhivago)
As the spectacular triumphs of technology mounted, something else was happening: old sources of belief came under siege. Nietzsche announced that God was dead. Darwin didn’t go as far but did make it clear that, if we were children of God, we had come to be so through a much longer and less dignified route than we had imagined, and that in the process we had picked up some strange and unseemly relatives. Marx argued that history had its own agenda and was taking us where it must, irrespective of our wishes. Freud taught that we had no understanding of our deepest needs and could not trust our traditional ways of reasoning to uncover them. John Watson, the founder of behaviorism, showed that free will was an illusion and that our behavior, in the end, was not unlike that of pigeons. And Einstein and his colleagues told us that there were no absolute means of judging anything in any case, that everything was relative. The thrust of a century of scholarship had the effect of making us lose confidence in our belief systems and therefore in ourselves. Amid the conceptual debris, there remained one sure thing to believe in—technology.
Neil Postman (Technopoly: The Surrender of Culture to Technology)
about the brain scans taken of yogis while they meditate? The human brain, in advanced states of focus, will physically create a waxlike substance from the pineal gland. This brain secretion is unlike anything else in the body. It has an incredible healing effect, can literally regenerate cells, and may be one of the reasons yogis live so long. This is real science, Robert. This substance has inconceivable properties and can be created only by a mind that is highly tuned to a deeply focused state.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
think we should break the swing in slowly, don’t you? After all, it’s so new to being used for romantic purposes.” “More like breaking me in slowly. I’m not used to being kissed like that.” “That makes two of us. I guess now would be a good time to tell you that I’m kind of old-fashioned. I believe physical intimacy is more than sharing one’s body with someone; it’s a connection with another person’s heart and soul. When the two people involved love each other to the exclusion of everyone else, the experience can be unique, unlike anything else. It can transcend the visceral and create a bond that nothing on earth can break. To me, it’s something worth waiting for.
Delaney Cameron (Team Mom (Finding Love, #1))
They walked later on Sundays, when it was quite dark. Some of the dairy-people, who were also out of doors on the first Sunday evening after their engagement, heard her impulsive speeches, ecstasized to fragments, though they were too far off to hear the words discoursed; noted the spasmodic catch in her remarks, broken into syllables by the leapings of her heart, as she walked leaning on his arm; her contented pauses, the occasional little laugh upon which her soul seemed to ride--the laugh of a woman in company with the man she loves and has won from all other women--unlike anything else in nature. They marked the buoyancy of her tread, like the skim of a bird which has not quite alighted.
Thomas Hardy (Tess Of The d'Urbervilles)
The visor was light-years ahead of the clunky virtual-reality goggles available prior to that time, and it represented a paradigm shift in virtual-reality technology—as did the lightweight OASIS haptic gloves, which allowed users to directly control the hands of their avatar and to interact with their simulated environment as if they were actually inside it. When you picked up objects, opened doors, or operated vehicles, the haptic gloves made you feel these nonexistent objects and surfaces as if they were really right there in front of you. The gloves let you, as the television ads put it, “reach in and touch the OASIS.” Working together, the visor and the gloves made entering the OASIS an experience unlike anything else available, and once people got a taste of it, there was no going back.
Ernest Cline (Ready Player One (Ready Player One, #1))
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
We all have that one girl. We can have a handful of relationships, and they might be good, we might even fall in love with those people, but there is always going to be that one girl. The thing is, you don’t know it until you meet her, but when you do, it is like nothing else could ever compare. She has the power to change everything. She makes you a better person. She brings out the good in you. She knocks back all the bad. You honestly don’t know yourself when you’re with her. But you just know, she’s the one to bring out the absolute best in you. It's a connection unlike anything you've ever felt, almost like you've known her forever. It's more real than anything you've ever experienced. You don't feel a single bad vibe. And for the first time, you honestly wonder how you ever managed before you met her.
Bella Jewel (Valiant (Jokers' Wrath MC, #6))
Anyway, we’re left with three possibilities. I have forgotten something very basic about a topic I know a great deal about, and so has everyone else I’ve talked to about this, including people who are smarter and know more than me. Someone has constructed a new material that behaves unlike anything that currently exists, or should be able to exist, and then put it on the sidewalk for everyone to see. Carl is alien. And I don’t mean alien like “weird.” I
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Ambrose Bierce’s witty definition of the verb ‘to pray’: ‘to ask that the laws of the universe be annulled in behalf of a single petitioner, confessedly unworthy’. There are athletes who believe God helps them win – against opponents who would seem, on the face of it, no less worthy of his favouritism. There are motorists who believe God saves them a parking space – thereby presumably depriving somebody else. This style of theism is embarrassingly popular, and is unlikely to be impressed by anything as (superficially) reasonable as NOMA.
Richard Dawkins (The God Delusion: 10th Anniversary Edition)
Remember Ambrose Bierce’s witty definition of the verb ‘to pray’: ‘to ask that the laws of the universe be annulled in behalf of a single petitioner, confessedly unworthy’. There are athletes who believe God helps them win—against opponents who would seem, on the face of it, no less worthy of his favouritism. There are motorists who believe God saves them a parking space—thereby presumably depriving somebody else. This style of theism is embarrassingly popular, and is unlikely to be impressed by anything as (superficially) reasonable as NOMA. Nevertheless,
Richard Dawkins (The God Delusion)
I told mom that she was confusing happiness with pleasure. That's common today. A trip to the video arcade may be a source of pleasure, but it will not give lasting and enduring happiness. This mother's son derives pleasure from playing video games, but playing video games in an online world is unlikely to be a source of real fulfillment. The pleasure derived from a video game may last for weeks or even months. But it will not last many years, in my firsthand observation Of many young men over the past two decades. The boy either moves on to something else, or the happiness undergoes a silent and malignant transformation into addiction. The hallmark of addiction is decreasing pleasure over time. Tolerance develops. Playing the game becomes compulsive, almost involuntary. It no longer gives the thrill and pleasure it once did. But the addict can no longer find pleasure in anything else. Pleasure is not the same thing as happiness. The gratification Of desire yields pleasure, not lasting happiness. Happiness comes from fulfillment, from living up to your potential, which means more than playing online video games.
Leonard Sax (The Collapse of Parenting: How We Hurt Our Kids When We Treat Them Like Grown-Ups)
Very Like a Whale One thing that literature would be greatly the better for Would be a more restricted employment by authors of simile and metaphor. Authors of all races, be they Greeks, Romans, Teutons or Celts, Can'ts seem just to say that anything is the thing it is but have to go out of their way to say that it is like something else. What foes it mean when we are told That the Assyrian came down like a wolf on the fold? In the first place, George Gordon Byron had had enough experience To know that it probably wasn't just one Assyrian, it was a lot of Assyrians. However, as too many arguments are apt to induce apoplexy and thus hinder longevity, We'll let it pass as one Assyrian for the sake of brevity. Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold, Just what does the poet mean when he says he came down like a wolf on the fold? In heaven and earth more than is dreamed of in our philosophy there are a great many things, But i don't imagine that among then there is a wolf with purple and gold cohorts or purple and gold anythings. No, no, Lord Byron, before I'll believe that this Assyrian was actually like a wolf I must have some kind of proof; Did he run on all fours and did he have a hairy tail and a big red mouth and big white teeth and did he say Woof woof? Frankly I think it very unlikely, and all you were entitled to say, at the very most, Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host. But that wasn't fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them, With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they're the ones that a lot of wolves dressed up in gold and purple ate them. That's the kind of thing that's being done all the time by poets, from Homer to Tennyson; They're always comparing ladies to lilies and veal to venison, And they always say things like that the snow is a white blanket after a winter storm. Oh it is, is it, all right then, you sleep under a six-inch blanket of snow and I'll sleep under a half-inch blanket of unpoetical blanket material and we'll see which one keeps warm, And after that maybe you'll begin to comprehend dimly, What I mean by too much metaphor and simile.
Ogden Nash (The Best of Ogden Nash)
The kid, whose existence became a hallucination at seven, and a catastrophe at fourteen, and a disaster after that, whose vocation is to be neither a waitress nor a hooker nor a farmer nor a janitor, but forever the stepdaughter to a lascivious stepfather and the undefended offspring of a self-obsessed mother, the kid, who mistrusts everyone, sees the con in everyone and yet is protected against nothing, whose capacity to hold on unintimidated is enormous, and yet whose purchase on life is minute, misfortune's favorite embattled child, the kid to whom everything loathsome that can happen has happened and whose luck shows no sign of changing and yet who excites and arouses him like nobody since Steena, not the most but morally speaking the least repellant person he knows, the one to whom he feels drawn because of having been aimed for so long in the opposite direction, because of all he has missed by going in the opposite direction, and because the underlying feeling of rightness that controlled him formerly is exactly what is propelling him now, the unlikely intimate with whom he shares no less a spiritual than a physical union, who is anything but a plaything, upon whom he flings his body twice a week in order to sustain his animal nature, who is more to him like a comrade in arms than anyone else on earth.
Philip Roth (The Human Stain (The American Trilogy, #3))
Peacekeeping is a soldier-intensive business in which the quality of troops matters as much as the quantity. It is not just soldiering under a different color helmet; it differs in kind from anything else soldiers do. The are medals and rewards (mainly, the satisfaction of saving lives), but there are also casualties. And no victories. It is not a risk -free enterprise. In Bosnia, mines, snipers, mountainous terrain, extreme weather conditions, and possible civil disturbances were major threats that had to be dealt with from the outset of the operation. Dag Hammarskjold once remarked, "Peacekeeping is a job not suited to soldiers, but a job only soldiers can do." Humanitarianism conflicts with peacekeeping and still more with peace enforcement. The threat of force, if it is to be effective, will sooner or later involve the use of force. For example, the same UN soldiers in Bosnia under a different command and mandate essentially turned belligerence into compliance over night, demonstrating that a credible threat of force can yield results. Unlike, UNPROFOR, the NATO-led Implementation Force was a military success and helped bring stability to the region and to provide an "environment of hope" in which a nation can be reborn. It is now up to a complex array of international civil agencies to assist in putting in place lasting structures for democratic government and the will of the international community to ensure a lasting peace.
Larry Wentz
Now, all of a sudden, she had an overwhelming urge to talk to Finn. She turned and, out of habit, walked over to the shed, not even thinking about the fact that he had been banned from his home-away-from-home. One push opened the door and Megan’s entire world came to a screeching stop. Standing on the easel directly across from her was her own image. Finn’s painting of her. Completed to the last eyelash. It took her breath away. Slowly Megan approached the painting. It was unlike anything else Finn had ever painted. He hadn’t painted her profile or her shoulder or her hands or her ear. It was the only painting in the room that was a full, face-forward portrait, and it was amazing how much it looked like her. Only softer somehow. Prettier. More open. Her lips were pulled up on one side in a sort of knowing smile. Her skin practically glowed, and the smattering of freckles across her nose actually looked sweet to her. But it was the eyes that killed her. They swirled with at least five shades of green and had delicate gold flecks painted subtly through them. Was this what she really looked like to Finn? Did he really think she was this…beautiful? Megan reached out and touched the edge of the canvas. The paint was completely dry. When had he had time to finish this? She remembered suddenly that he had been grounded for the past few days. He must have been sneaking out here all week to work on it. And he had finished it. He had actually finished a painting. Of her.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
For the next few days I rose at dawn and walked Dominic to Oakwook Park, where he would run around and chase birds. I felt like a wild woman as I ran beside him, a primal lady of the wolves. He thanked me gleefully, jumping up and licking my face, his cold, wet nose brushing up against mine. I couldn’t believe that his love for me was still so pure and unwavering, and I didn’t even have to work for it. Could a love like that really be trusted? Who was I if I wasn’t trying to make someone love me? I knew that Dominic, unlike the men, would never hurt me. But then why did his pure love feel a little scary while the others had felt strangely safe? I suspected that I was afraid it might make me lazy, not through any fault of my own, but because of a lack of friction: a gradual atrophying of the muscles with nothing to push against, nothing to resist. Or maybe it was something else? Since my mother’s death I had been mistrustful of love, or anything, really, that came too easily, as though it were fool’s gold and could one day, just like she did, disappear. I had spent so much time creating friction for myself: not only in whom I chose to love but in the work I did. I’d made my thesis impossibly hard—harder than it needed to be, ensuring that I might never complete it. Somehow it always felt safer psychologically to do that. But where had it gotten me?
Melissa Broder (The Pisces)
The boys who have done you harm are surrounded by girls you will choose never to be. girls who are disgusting, who bleed and weep and wail. Girls who spend too much time in the bathroom. Girls who are never ready on time. Girls who titter, who are soft, who wear pretty clothes that are easily dirties, girls in hoop earrings and perfect wings of black eyeliner, girls who don't know what's cool. Girls who read the wrong books, twirl their hair around, are pursued, are hunted. You will remake yourself into something else: a boys' girl, a tough girl, a girl without needs or feelings, a girl who wisecracks and drinks whiskey in the backseat of cars, a girl cool as the first frost in winter, a girl so totally unlike other girls. If you cannot be loved and safe, you will be clever, mean, a girl as vicious as the serrated edge of a hunting knife. If you cannot be pretty, you will disdain beauty and its trappings. If you cannot be heard, you will be silent on purpose. You will find your knights again, a different set of boys, this time united against a common enemy: the softness and fragility of girls, of anything girlish within you, of anything girlish in any other girl. Against girls who are sad and silly and weeping (you don't cry), girls who complain (you protest nothing), girls who make demands (you never ask). This time, however, you will not be queen. Some of these boys will never even know your name.
Sarah McCarry (Here We Are)
We can be very sure there really is a single concestor of all surviving life forms on this planet. The evidence is that all that have ever been examined share (exactly in most cases, almost exactly in the rest) the same genetic code; and the genetic code is too detailed, in arbitrary aspects of its complexity, to have been invented twice. Although not every species has been examined, we already have enough coverage to be pretty certain that no surprises—alas—await us. If we now were to discover a life form sufficiently alien to have a completely different genetic code, or one not even based on DNA, it would be the most exciting biological discovery in my adult lifetime, whether it lives on this planet or another. As things stand, it appears that all known life forms can be traced to a single ancestor which lived more than 3 billion years ago. If there were other, independent origins of life, they have left no descendants that we have discovered. And if new ones arose now they would swiftly be eaten, probably by bacteria. The grand confluence of all surviving life is not the same thing as the origin of life itself. This is because all surviving species presumably share a concestor who lived after the origin of life: anything else would be an unlikely coincidence, for it would suggest that the original life form immediately branched and more than one of its branches survive to this day. The oldest bacterial fossils found so far date to about 3.5 billion years ago, so the origin of life must at least be earlier than that. The grand confluence—the last common ancestor of all surviving creatures—could predate the oldest fossils (it didn’t fossilise) or it could have lived a billion years later (all but one of the other lineages went extinct).
Richard Dawkins (The Ancestor's Tale: A Pilgrimage to the Dawn of Evolution)
They won’t do it, Ian,” Jordan Townsende said the night after Ian was released on his own recognizance. Pacing back and forth across Ian’s drawing room, he said again, “They will not do it.” “They’ll do it,” Ian said dispassionately. The words were devoid of concern; not even his eyes showed interest. Days ago Ian had passed the point of caring about the investigation. Elizabeth was gone; there had been no ransom note, nothing whatever-no reason in the world to continue believing that she’d been taken against her will. Since Ian knew damned well he hadn’t killed her or had her abducted, the only remaining conclusion was that Elizabeth had left him for someone else. The authorities were still vacillating about the other man she’d allegedly met in the arbor because the gardener’s eyesight had been proven to be extremely poor, and even he admitted that it “might have been tree limbs moving around her in the dim light, instead of a man’s arms.” Ian, however, did not doubt it. The existence of a lover was the only thing that made sense; he had even suspected it the night before she disappeared. She hadn’t wanted him in her bed; if anything but a lover had been worrying her that night, she’d have sought the protection of his arms, even if she didn’t confide in him. But he had been the last thing she’d wanted. No, he hadn’t actually suspected it-that would have been more pain than he could have endured then. Now, however, he not only suspected it, he knew it, and the pain was beyond anything he’d ever imagined existed. “I tell you they won’t bring you to trial,” Jordan repeated. “Do you honestly think they will?” he demanded, looking first to Duncan and then to the Duke of Stanhope, who were seated in the drawing room. In answer, both men raised dazed, pain-filled eyes to Jordan’s, shook their heads in an effort to seem decisive, then looked back down at their hands. Under English law Ian was entitled to a trial before his peers; since he was a British lord, that meant he could only be tried in the House of Lords, and Jordan was clinging to that as if it were Ian’s lifeline. “You aren’t the first man among us to have a spoiled wife turn missish on him and vanish for a while in hopes of bringing him to heel,” Jordan continued, desperately trying to make it seem as if Elizabeth were merely sulking somewhere-no doubt unaware that her husband’s reputation had been demolished and that his very life was going to be in jeopardy. “They aren’t going to convene the whole damn House of Lords just to try a beleaguered husband whose wife has taken a start,” he continued fiercely. “Hell, half the lords in the House can’t control their wives. Why should you be any different?” Alexandra looked up at him, her eyes filled with misery and disbelief. Like Ian, she knew Elizabeth wasn’t indulging in a fit of the sullens. Unlike Ian, however, she could not and would not believe her friend had taken a lover and run away. Ian’s butler appeared in the doorway, a sealed message in his hand, which he handed to Jordan. “Who knows?” Jordan tried to joke as he opened it. “Maybe this is from Elizabeth-a note asking me to intercede with you before she dares present herself to you.” His smile faded abruptly. “What is it?” Alex cried, seeing his haggard expression. Jordan crumpled the summons in his hand and turned to Ian with angry regret. “They’re convening the House of Lords.” “It’s good to know,” Ian said with cold indifference as he pushed out of his chair and started for his study, “that I’ll have one friend and one relative there.
Judith McNaught (Almost Heaven (Sequels, #3))
You’re right: if there’s sentient life behind the border, it probably won’t share my goals. Unlike the people in this room, who all want exactly the same things in life as I do, and have precisely the same tastes in food, art, music, and sex. Unlike the people of Schur, and Cartan, and Zapata — who I came here in the hope of protecting, after losing my own home — who doubtless celebrate all the same festivals, delight in the same songs and stories, and gather every fortieth night to watch actors perform the same plays, in the same language, from the same undisputed canon, as the people I left behind. “If there’s sentient life behind the border, of course we couldn’t empathize with it. These creatures are unlikely to possess cute mammalian neonate faces, or anything else we might mistake for human features. None of us could have the imagination to get over such insurmountable barriers, or the wit to apply such difficult abstractions as the General Intelligence theorem — though since every twelve-year-old on my home world was required to master that result, it must be universally known on this side of the border. “You’re right: we should give up responsibility for making any difficult moral judgments, and surrender to the dictates of natural selection. Evolution cares so much about our happiness that no one who’s obeyed an inherited urge has ever suffered a moment’s regret for it. History is full of joyful case studies of people who followed their natural instincts at every opportunity — fucking whoever they could, stealing whatever they could, destroying anything that stood in their way — and the verdict is unanimous: any behavior that ever helped someone disseminate their genes is a recipe for unalloyed contentment, both for the practitioners, and for everyone around them.
Greg Egan (Schild's Ladder)
Wait a second,” said Ash. “How is there a ‘moon in springtime before the start of the new year’? I think it’s a riddle. It makes no sense.” “Yes, it does,” said Jared. “The new year was in March in England until the 1700s, when the pope introduced a new calendar.” Everyone stared at him. Jared flushed slightly, scar thrown into relief, and muttered, “I read a lot of old books.” “Well done,” said Jon. “See where learning gets you, lads? So much better than messing around with girls or playing those video games which one hears are full of violence.” Kami, as a witness to many of her father’s video game marathons, gave him a long judgmental stare. “You total hypocrite.” “Hypocrisy is what being a parent is all about,” Jon said. “Well done for cracking the books, Jared and Holly. You see how it pays off.” Holly smiled and the light of her smile seemed to spill all over the room, reflections of light refracted all over everywhere. “It’s true reading is a wonderful thing,” Rusty observed. “I read a Cosmo a year ago, and I still remember how to keep my nails in perfect condition and also ten top tips on how to dress to accentuate my ass.” Now everybody was staring at Rusty. Unlike Jared, he did not blush. “Those tips are working,” he said. “Don’t pretend you haven’t all noticed. I know the truth.” Kami rolled up a magazine on the table—sadly, for the sake of dramatic irony, not a Cosmo—and hit Rusty over the head with it. “Does anybody have anything else to say—I can’t stress this enough—specifically about Elinor Lynburn and medieval New Year?” “Want to know what it was called? You’ll like this,” Jared added, and he looked at Kami. It was a simple glance from his gray eyes, but it felt like being put in a room that was just the two of them. “Lady Day.” Kami beamed at him. “You know what I like, sugarprune
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
I flip the lock back in place and turn, hitting a concrete wall of a man. “What’s he made of? Concrete and sex?” I whisper into the phone like the man in front of me can’t hear me. “Good, he’s already there,” I hear Elle say as my eyes travel up and up an endless span of chest. Up, up, up, until my eyes finally land on a hard face with a clenched jaw. He’s hot in that oh-my-God-he-could-crush-me way. Wait, is that hot? “Listen here, Hulk. You can take your incredible body and vacate my home. I won’t be needing your services.” “I’m standing in the middle of your apartment, and you didn't so much as scream. This is despite you knowing someone has been stalking you. I could have been that someone. Fuck. I could be that someone.” I snort and roll my eyes. “Yeah right, Hulk-man.” I pat him on the chest before resting my hand there. I start to rub. I only meant to do a quick pat, but now I can’t seem to remove my hand. I like the feel of him. I don’t think I’ve ever liked the feel of a man before. I don’t think I’ve ever had the urge to touch one before. “You think I couldn’t hurt you?” He grabs my wrist, pulling it away from his chest. The action makes me frown. Oh, I know he could hurt me, but someone like him would never stalk me. That just didn’t add up to me. If anything, I’d end up stalking him. “Oh, I’m sure you could Hulk smash me.” Now that I’m not touching him, I bring my other hand up to his chest and continue doing what I was doing before, but he just grabs that wrist, too. “Then why aren’t you worried?” His words are hard and laced with anger. So unlike the soft hold he has on my wrist. I could easily pull away with one good tug. Maybe. “Someone like you wouldn’t stalk me.In fact, I don’t see anyone stalking me. There has to be a mi...” His mouth hits mine, cutting off my words. He gives a little tug on my wrist, and I fall into him, gasping when I feel his erection press into me. He takes the opening and pushes his tongue into my mouth. I let my eyes close as he devours me. My body feels like I’m buzzing. I push further into him, wanting to be closer. I deepen the kiss. He goes to pull back, but I wrap my hands around his neck, not even noticing that I’m eye level with him and that my feet are no longer on the floor as I pull him back to me. I move against him, needing the friction. His cock is settled against my core, and I move my hips against him, taking what I want. What I need. Everything else is forgotten, my mind just shuts off. He growls into my mouth, and I swear the sound vibrates through my whole body and goes straight to where I need it. My body explodes. A moan falls from my lips as I finally pull them from his. I let my head drop back and enjoy the sensations rocking through my whole body. I feel like I’m floating. When I finally come back down, I realize I kind of am. My legs are wrapped around his waist and I’ve somehow ended up with my back to a wall. I feel his tongue come out and lick my neck, making my body jerk. “I wanna do that again,” I say lazily. I think I could do that over and over again. “Your place isn’t secure. Come to mine and I’ll do it over and over again.” “Mmkay,” is all I say. I’d probably go anywhere he asked me at the moment. “Holy shit.” I roll my head to the side and see my sister standing in the doorway. A man stands beside her with a shocked looked on his face, mirroring Elle’s expression. I’m guessing that’s her guard. “I’m keeping this one,” I say, locking my arms around him, not wanting to do a trade. “Fuck,” Hart says, placing me on the floor. I regretfully let my arms fall from around his neck. He steps in front of me, blocking my view of my sister and the other man. “I don’t think you should be her guard, Hart,” I hear the other man say. His words make my heart drop. “I’m moving in with him,” I retort, popping my head out from behind him. Elle giggles.
Alexa Riley (Guarding His Obsession)
So what," the Chelgrian asked, "is the point of me or anybody else writing a symphony, or anything else?" The avatar raised its brows in surprise. "Well, for one thing, you do it, it's you who gets the feeling of achievement." "Ignoring the subjective. What would be the point for those listening to it?" "They'd know it was one of their own species, not a Mind, who created it." "Ignoring that, too; suppose they weren't told it was by an AI, or didn't care." "If they hadn't been told then the comparison isn't complete; information is being concealed. If they don't care, then they're unlike any group of humans I've ever encountered." "But if you can—" "Ziller, are concerned that Minds—AIs, if you like—can create, or even just appear to create, original works of art?" "Frankly, when they're the sort of original works of art that I create, yes." "Ziller, it doesn't matter. You have to think like a mountain climber." "Oh, do I?" "Yes. Some people take days, sweat buckets, endure pain and cold and risk injury and—in some cases—permanent death to achieve the summit of a mountain only to discover there a party of their peers freshly arrived by aircraft and enjoying a light picnic." "If I was one of those climbers I'd be pretty damned annoyed." "Well, it is considered rather impolite to land an aircraft on a summit which people are at that moment struggling up to the hard way, but it can and does happen. Good manners indicate that the picnic ought to be shared and that those who arrived by aircraft express awe and respect for the accomplishment of the climbers. "The point, of course, is that the people who spent days and sweated buckets could also have taken an aircraft to the summit if all they'd wanted was to absorb the view. It is the struggle that they crave. The sense of achievement is produced by the route to and from the peak, not by the peak itself. It is just the fold between the pages." The avatar hesitated. It put its head a little to one side and narrowed its eyes. "How far do I have to take this analogy, Cr. Ziller?
Iain M. Banks (Look to Windward (Culture, #7))
So who else?” “Who else what?” With his mouth full, he says, “Who else got letters?” “Um, that’s really private.” I shake my head at him, like Wow, how rude. “What? I’m just curious.” Peter dips another fry into my little ramekin of ketchup. Smirking, he says, “Come on, don’t be shy. You can tell me. I know I’m number one, obviously. But I want to hear who else made the cut.” He’s practically flexing, he’s so sure of himself. Fine, if he wants to know so bad, I’ll tell him. “Josh, you--” “Obviously.” “Kenny.” Peter snorts. “Kenny? Who’s he?” I prop my elbows up on the table and rest my chin on my hands. “A boy I met at church camp. He was the best swimmer of the whole boys’ side. He saved a drowning kid once. He swam out to the middle of the lake before the lifeguards even noticed anything was wrong.” “So what’d he say when he got the letter?” “Nothing. It was sent back return to sender.” “Okay, who’s next?” I take a bite of sandwich. “Lucas Krapf.” “He’s gay,” Peter says. “He’s not gay!” “Dude, quit dreaming. The kid is gay. He wore an ascot to school yesterday.” “I’m sure he was wearing it ironically. Besides, wearing an ascot doesn’t make someone gay.” I give him a look like Wow, so homophobic. “Hey, don’t give me that look,” he objects. “My favorite uncle’s gay as hell. I bet you fifty bucks that if I showed my uncle Eddie a picture of Lucas, he’d confirm it in half a second.” “Just because Lucas appreciates fashion, that doesn’t make him gay.” Peter opens his mouth to argue but I lift up a hand to quiet him. “All it means is he’s more of a city guy in the midst of all this…this boring suburbia. I bet you he ends up going to NYU or some other place in New York. He could be a TV actor. He’s got that look, you know. Svelte with fine-boned features. Very sensitive features. He looks like…like an angel.” “So what did Angel Boy say about the letter, then?” “Nothing…I’m sure because he’s a gentleman and didn’t want to embarrass me by bringing it up.” I give him a meaningful look. Unlike some people is what I’m saying with my eyes. Peter rolls his eyes. “All right, all right. Whatever, I don’t care.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love. “I ran over my dog today!” I blubbered and collapsed into another heap of impossible-to-corral tears. Marlboro Man was embracing me tightly now, knowing full well that his arms were the only offering he had for me at that moment. My face was buried in his neck and I continued to laugh, belting out an occasional “I’m sorry” between my sobs, hoping in vain that the laughter would eventually prevail. I wanted to continue, to tell him about J, to give him the complete story behind my unexpected outburst. But “I ran over my dog” was all I could muster. It was the easiest thing to explain. Marlboro Man could understand that, wrap his brain around it. But the uninvited surfer newly-ex-boyfriend dangling at the airport? It was a little more information than I had the strength to share that night. He continued holding me in his kitchen until my chest stopped heaving and the wellspring of snot began to dry. I opened my eyes and found I was in a different country altogether, The Land of His Embrace. It was a peaceful, restful, safe place. Marlboro Man gave me one last comforting hug before our bodies finally separated, and he casually leaned against the counter. “Hey, if it makes you feel any better,” he said, “I’ve run over so many damn dogs out here, I can’t even begin to count them.” It was a much-needed--if unlikely--moment of perspective for me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
NOTE: Practice your most effective relaxation techniques before you begin these exercises (refer to Chapter 6 if necessary). People are better able to concentrate when they are relaxed. Listening -Pay attention to the sounds coming from outside: from the street, from above in the air, from as far away as possible. Then focus on one sound only. -Pay attention to the sounds coming from a nearby room—the kitchen, living room, etc. Identify each one, then focus on a single sound. -Pay attention to the sounds coming from the room you are in: the windows, the electrical appliances. Then focus on one sound only. -Listen to your breathing. -Hear a short tune and attempt to re-create it. -Listen to a sound, such as a ringing doorbell, a knock on the door, a telephone ringing, or a siren. How does it make you feel? -Listen to a voice on the telephone. Really focus on it. -Listen to the voices of family members, colleagues, or fellow students, paying close attention to their intonation, pacing, and accent. What mood are they conveying? Looking -Look around the room and differentiate colors or patterns, such as straight lines, circles, and squares. -Look at the architecture of the room. Now close your eyes. Can you describe it? Could you draw it? -Look at one object in the room: chair, desk, chest of drawers, whatever. Close your eyes and try to picture the shape, the material, and the colors. -Notice any changes in your environment at home, at school, or in your workplace. -Look at magazine photos and try to guess what emotions the subjects’ expressions show. -Observe the effect of light around you. How does it change shapes? Expressions? Moods? Touching -When shaking a person’s hand, notice the temperature of the hand. Then notice the temperature of your own hand. -Hold an object in your hands, such as a cup of coffee, a brick, a tennis ball, or anything else that is available. Then put it down. Close your eyes and remember the shape, size, and texture of the object. -Feel different objects and then, with your eyes closed, touch them again. Be aware of how the sensations change. -Explore different textures and surfaces with your eyes first open and then closed. Smelling and Tasting -Be aware of the smells around you; come up with words to describe them. -Try to remember the taste of a special meal that you enjoyed in the past. Use words to describe the flavors—not just the names of the dishes. -Search your memory for important smells or tastes. -Think of places with a strong tie to smell. These sensory exercises are an excellent way to boost your awareness and increase your ability to concentrate. What is learned in the fullest way—using all five senses—is unlikely to be forgotten. As you learn concentration, you will find that you are able to be more in tune with what is going on around you in a social situation, which in turn allows you to interact more fully.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
People, for the most part, live in the objective-immediate mode (discussed earlier). This means that they are totally absorbed in and identified with positive worldly interests and projects, of which there is an unending variety. That is to say, although they differ from one another in their individual natures, the contents of their respective positivities, they are all alike in being positive. Thus, although the fundamental relation between positives is conflict (on account of their individual differences), they apprehend one another as all being in the same boat of positivity, and they think of men generally in terms of human solidarity, and say 'we'. But the person who lives in the subjective-reflexive mode is absorbed in and identified with, not the positive world, but himself. The world, of course, remains 'there' but he regards it as accidental (Husserl says that he 'puts it in parentheses, between brackets'), and this means that he dismisses whatever positive identification he may have as irrelevant. He is no longer 'a politician' or 'a fisherman', but 'a self'. But what we call a 'self', unless it receives positive identification from outside, remains a void, in other words a negative. A 'self', however, is positive in this respect—it seeks identification. So a person who identifies himself with himself finds that his positivity consists in negativity—not the confident 'I am this' or 'I am that' of the positive, but a puzzled, perplexed, or even anguished, 'What am I?'. (This is where we meet the full force of Kierkegaard's 'concern and unrest'.) Eternal repetition of this eternally unanswerable question is the beginning of wisdom (it is the beginning of philosophy); but the temptation to provide oneself with a definite answer is usually too strong, and one falls into a wrong view of one kind or another. (It takes a Buddha to show the way out of this impossible situation. For the sotāpanna, who has understood the Buddha's essential Teaching, the question still arises, but he sees that it is unanswerable and is not worried; for the arahat the question no longer arises at all, and this is final peace.) This person, then, who has his centre of gravity in himself instead of in the world (a situation that, though usually found as a congenital feature, can be acquired by practice), far from seeing himself with the clear solid objective definition with which other people can be seen, hardly sees himself as anything definite at all: for himself he is, at best, a 'What, if anything?'. It is precisely this lack of assured self-identity that is the secret strength of his position—for him the question-mark is the essential and his positive identity in the world is accidental, and whatever happens to him in a positive sense the question-mark still remains, which is all he really cares about. He is distressed, certainly, when his familiar world begins to break up, as it inevitably does, but unlike the positive he is able to fall back on himself and avoid total despair. It is also this feature that worries the positives; for they naturally assume that everybody else is a positive and they are accustomed to grasp others by their positive content, and when they happen to meet a negative they find nothing to take hold of.
Nanavira Thera
In physical terms, we know that every human action can be reduced to a series of impersonal events: Genes are transcribed, neurotransmitters bind to their receptors, muscle fibers contract, and John Doe pulls the trigger on his gun. But for our commonsense notions of human agency and morality to hold, it seems that our actions cannot be merely lawful products of our biology, our conditioning, or anything else that might lead others to predict them. Consequently, some scientists and philosophers hope that chance or quantum uncertainty can make room for free will. For instance, the biologist Martin Heisenberg has observed that certain processes in the brain, such as the opening and closing of ion channels and the release of synaptic vesicles, occur at random, and cannot therefore be determined by environmental stimuli. Thus, much of our behavior can be considered truly “self-generated”—and therein, he imagines, lies a basis for human freedom. But how do events of this kind justify the feeling of free will? “Self-generated” in this sense means only that certain events originate in the brain. If my decision to have a second cup of coffee this morning was due to a random release of neurotransmitters, how could the indeterminacy of the initiating event count as the free exercise of my will? Chance occurrences are by definition ones for which I can claim no responsibility. And if certain of my behaviors are truly the result of chance, they should be surprising even to me. How would neurological ambushes of this kind make me free? Imagine what your life would be like if all your actions, intentions, beliefs, and desires were randomly “self-generated” in this way. You would scarcely seem to have a mind at all. You would live as one blown about by an internal wind. Actions, intentions, beliefs, and desires can exist only in a system that is significantly constrained by patterns of behavior and the laws of stimulus-response. The possibility of reasoning with other human beings—or, indeed, of finding their behaviors and utterances comprehensible at all—depends on the assumption that their thoughts and actions will obediently ride the rails of a shared reality. This is true as well when attempting to understand one’s own behavior. In the limit, Heisenberg’s “self-generated” mental events would preclude the existence of any mind at all. The indeterminacy specific to quantum mechanics offers no foothold: If my brain is a quantum computer, the brain of a fly is likely to be a quantum computer, too. Do flies enjoy free will? Quantum effects are unlikely to be biologically salient in any case. They play a role in evolution because cosmic rays and other high-energy particles cause point mutations in DNA (and the behavior of such particles passing through the nucleus of a cell is governed by the laws of quantum mechanics). Evolution, therefore, seems unpredictable in principle.13 But few neuroscientists view the brain as a quantum computer. And even if it were, quantum indeterminacy does nothing to make the concept of free will scientifically intelligible. In the face of any real independence from prior events, every thought and action would seem to merit the statement “I don’t know what came over me.” If determinism is true, the future is set—and this includes all our future states of mind and our subsequent behavior. And to the extent that the law of cause and effect is subject to indeterminism—quantum or otherwise—we can take no credit for what happens. There is no combination of these truths that seems compatible with the popular notion of free will.
Sam Harris (Free Will)
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary ... You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
It really was too early in the day to deal with all of that energy. She didn't dislike Stella Darling. More than anything Ellie felt a twitch of pity for her. At just under five feet, Stella could barely contain herself within her clothes. Ellie wasn't sure if they were too small for her, or if she just happened to own one of those unlucky bodies nothing seemed to fit right. Her hair was an unnatural red that flew out in every direction and she wore too much makeup. At the paper, Stella's specialty was weather and farm reports. She also knew a fair bit about natural remedies for everyday problems. She always had great tips for things like curing earaches with a hair dryer and various surefire stain removal techniques. Truth be told, Ellie often felt like she had more in common with Stella than she did anyone else. She recognized the invisibility magic wrapped around Stella's uncontrollable curves. But unlike Ellie, Stella fought it with everything she had. She tried too hard, and although she was not invisible physically the way Ellie could be, she slipped the minds of those around her. She invited herself loudly, brazenly to be included. It was that brazen energy that Ellie wasn't always keen to deal with at nine in the morning.
Amy S. Foster (When Autumn Leaves)
Jack Webb had been active in radio for several years before Dragnet propelled him to national prominence. He had arrived at KGO, the ABC outlet in San Francisco, an unknown novice in 1945. Soon he was working as a staff announcer and disc jockey. His morning show, The Coffee Club, revealed his lifelong interest in jazz music, and in 1946 he was featured on a limited ABC-West network in the quarter-hour docudrama One out of Seven. His Jack Webb Show, also 1946, was a bizarre comedy series unlike anything else he ever attempted. His major break arrived with Pat Novak: for 26 weeks Webb played a waterfront detective in a series so hard-boiled it became high camp. He moved to Hollywood, abandoning Novak just as that series was hitting its peak. Mutual immediately slipped him into a Novak sound-alike, Johnny Modero: Pier 23, for the summer of 1947. He played leads and bit parts on such series as Escape, The Whistler, and This Is Your FBI. He began a film career: in He Walked by Night (1948), Webb played a crime lab cop. The film’s technical adviser was Sergeant Marty Wynn of the Los Angeles police. Webb and Wynn shared a belief that pure investigative procedure was dramatic enough without the melodrama of the private eye. The seeds of Dragnet were sown on a movie set.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
If we agree that alcohol has some control over you once you start drinking, enough that drinkers regularly drink more than they set out to, surely alcohol can make you do something you never imagined yourself capable of. I am appalled by how many awful things I did under the influence. Addiction is humbling, and I have been humbled enough to know that I am capable of anything, no matter how abhorrent, if the circumstances are right. Anyone is. Believing yourself immune to mistakes increases your chance of committing a repugnant act. All humans are painfully capable of failure. We are only human. It only takes one slip-up, one lapse in judgment. Don’t be fooled—everyone makes mistakes. No one intends to kill another person while driving drunk. Yet it happens all the time. In the U.S., someone is killed by a drunk driver every 51 minutes.154 Have you ever gotten so drunk you threw up? Did you set out to do that? If your judgment is perfect, would you have allowed that to happen? Even if you consistently make great decisions and keep yourself and others out of harm’s way, do you want to be the person at the party who cannot shut up? The person whose breath reeks of wine but can’t tell because their senses have been numbed to the smell? We all know the person who goes on and on, and unfortunately, unlike on Facebook, we can’t skip to the next interesting story. I know from experience, no one wants to spend time with “drunk Annie,” who can’t stop talking or laughing loudly at her own jokes. You may feel that a little alcohol is good for your conversation skills or your golf game. The problem with alcohol is that once you start drinking you can’t judge the point where a little is good and a lot becomes a disaster. When you are making a fool of yourself, or when your conversation skills wane, you remain unaware. Even if you could gauge the exact amount to drink, booze doesn’t make you cleverer, funnier, more creative, or more interesting. There is nothing inherent in alcohol that can do this. More often when a shy person gets drunk, they end up emotional, weepy, and repetitive. We don’t realize how bad we look when drinking because we are drunk and so is everyone else. It’s the old question: If everyone jumped off a cliff, would you? With alcohol, as a culture, our answer is disturbing—yes.
Annie Grace (This Naked Mind: Control Alcohol, Find Freedom, Discover Happiness & Change Your Life)
I blame myself for being drawn into argument with him, but what else could I do? I was glad to hear a cultured voice, even his, after so much solitary confinement. It was, in a sense, not unlike being stuck in the club with some bore whose opinions are very left or very right. You can't do anything but listen to the man. You know he is wrong, but since you argue from the standpoint of individuals and he argues about a mythical mass, there is no common ground. And it's utterly impossible to explain yourself.
Geoffrey Household (Rogue Male (Rogue Male, #1))
Times were changing in the world of id. They had finally fired Jason, narrowing the group to Carmack, Romero, Adrian, and Tom. But something else was in the air. The Reagan-Bush era was finally coming to a close and a new spirit rising. It began in Seattle, where a sloppily dressed grunge rock trio called Nirvana ousted Michael Jackson from the top of the pop charts with their album Nevermind. Soon grunge and hip-hop were dominating the world with more brutal and honest views. Id was braced to do for games what those artists had done for music: overthrow the status quo. Games until this point had been ruled by their own equivalent of pop, in the form of Mario and Pac-Man. Unlike music, the software industry had never experienced anything as rebellious as Wolfenstein 3-D. The
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
The age of territory was driven by acquisition. Leaders of nations sought to increase their nation’s power by gaining territory—mostly through force. Accumulated military prowess by one drove would-be victims to arm. War was thus inevitable. Lost lives and wasted resources were its currency. And always, one side’s gain was the other’s loss. Today, the importance of land as the primary source of human livelihood has diminished, giving way to science instead. Unlike territory, science has no borders or flags. Science can’t be conquered by tanks or defended by fighter jets. It has no limitations. A nation can increase its scientific achievement without taking anything from somebody else. In fact, great scientific achievement by one nation lifts the fortunes of all nations. It is the first time in history that we can win, without making anyone lose. In the age of science, the traditional power of states and leaders is declining. Rather than politicians, it is innovators that drive the global economy and wield the most influence. The young leaders who created Facebook and Google have sparked a revolution without killing one person. The globalized economy affects every state, yet no single state is powerful enough to determine outcomes. We are participating in the birth of a new world.
Shimon Peres (No Room for Small Dreams: Courage, Imagination and the Making of Modern Israel)
There was so much heat. So much tenderness in the way her body accepted his. Encompassing, consuming, drawing on his final reserves. It was a sensation unlike anything he could have imagined. Finally, he could take no more. Tensing his buttocks, he gave one long thrust and drove deeply into her core. His jaw clenched, and a guttural moan caught in his throat. He nearly closed his eyes in an instinctive urge to contain the fierce rush of pleasure, but he could not look away from Lily's face. The tip of her tongue pressed delicately against the top row of her parted teeth as she gasped for breath. It was the only reaction she gave to the rending of her maidenhead. While he felt as though he had trespassed into nirvana. Being inside her, fully encased in her warmth, was more powerful a feeling than he had ever expected. It was possession and surrender at once. Each ragged breath he drew as he remained still and focused on managing the overwhelming stimulation only made his body crave more. As stunning and intimate as it was to feel so connected with Lily, there was an undeniable force within him, demanding he take them both to the limit of what they could endure. He knew he should wait, allow her body to adjust to his intrusion, but he couldn't. He had been reduced to nothing but a primitive urge to finally, finally explore the bone-deep pleasure of being joined with this woman. And it was pleasure, he realized in awe. Full, encompassing, undeniable pleasure. The flashes of pain across his affected nerves were not nearly enough to distract from the beauty of everything else he felt.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
Stepping into worlds for which I am the first to see, and meeting the characters who live there, is a joy unlike anything else I’ve experienced. As a writer I attempt to share this joy with an invitation to others. Thanks to those who have accepted the invitation. E. G. Kardos
E.G. Kardos (Cutting of Harp Strings: A Novel)
A Grief Observed engages emotions with a passion and intensity unlike anything else in Lewis’s body of works, past or future. Lewis’s earlier discussion of suffering in The Problem of Pain (1940) tends to treat it as something that can be approached objectively and dispassionately. The existence of pain is presented as an intellectual puzzle which Christian theology is able to frame satisfactorily, if not entirely resolve. Lewis was quite clear about his intentions in writing this earlier work: “The only purpose of the book is to solve the intellectual problem raised by suffering.”[708] Lewis may have faced all the intellectual questions raised by suffering and death before. Yet nothing seems to have prepared him for the emotional firestorm that Davidman’s death precipitated.
Alister E. McGrath (C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet)
She was funny and quick-witted, and she cared for me in a way I wasn't used to, a way I couldn't really process. She laughed at my jokes even when they weren't funny. She listened to me and didn't try to fix things. [...] Unconditional acceptance. She wasn't afraid to look at the darkness and keep smiling. Unlike everyone else, who either looked and then looked away, ashamed, or gawked. But more important, she was different. She was like no one I'd ever met before. And, to my shame, I allowed that to consume me. I was so used to being an outcast that I thought only of what made her different, too, thinking that this bonded us, that I couldn't possibly have anything to offer other than commiseration. And I fell in love with her. Far too hard and far too soon. And I just assumed that the feelings were reciprocated. Not really because of anything she did—though I convinced myself certain things mattered more than they did—but mostly because that's what I needed in the moment. I treated her like a remedy, not a person.
Barry Lyga (Bang)
How is it possible for a book of 628 pages to inspire so many different visions?2 Because it consists of so many distinct but interrelated objects — that is to say words, of course, but they denote and evoke things—more things than there are words. Many of the words or formations appear nowhere else, and it is difficult to describe something so much of which you’re seeing for the first time. Its neologisms make it unencompassable, endlessly redefinable. The textual matter of Finnegans Wake developed over seventeen years, just as the meaning for its readers has developed over the seventy- eight years since its first publication. The continual critical redefining of Finnegans Wake partly maps onto its many redefinitions of itself. Both have histories and the list above comprises jumbled fragments of them, concealing a deranged story of ever-shifting perceptions. During the seventeen years of its composition, composed in a manner unlike that used for any other novel, it was always growing. That is it was shifting, splitting, recombining, reconfiguring, restructuring, destructuring, decomposing, and recomposing. One of the things that Finnegans Wake is, is a strange object made in strange ways. By focusing on some of the ways it was made, we will in this book arrive at a further understanding of what it is. Through its continuously self-generating transformation, it is a text of modulation and becoming, flux and flow, an alternative classic of change to the I Ching. Written in a world which was heading towards a confident belief that it could locate, name, and describe anything (all organisms, subatomic particles, links of DNA, black holes), it produced something full of indescribable, unnamable parts. As an unencompassable unfathomable text it remains the best correlative for our unencompassable unfathomable times, changing in its meanings as swiftly as our world, through its feverish reproduction of reproductions.
Finn Fordham (Lots of Fun at Finnegans Wake: Unravelling Universals)
All my demons had fallen in love with her too, and when she was here they sat still and quiet, tamed by her and no one else. It was peace unlike anything I’d ever known.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
All you do is hurt me.” “Hurting you is caring about you, Violet.” His teeth grit together. “Because unlike anyone else in your life, I listen. I see you. Your desires, your darkness. I hear the things you tell me and the things you’re still too scared to say. I know you better than you know yourself because I’ve been watching every little detail to make sure I don’t miss a single thing. I care about you more than I’ve ever cared about anything. But it doesn’t make me sweet, and it doesn’t make me nice. So, you’ll continue to struggle with that until you’re ready to let it go.
Eva Simmons (Saint)
Love is a pear,’ Jaskier tells him and Geralt snorts. ‘How would you describe the shape of a pear? There’s nothing else like it, it’s pear-shaped. You know when you see it, it’s sweet, and can be sour, it has its own texture unlike anything else. It doesn’t taste like an apple. Or a cherry. And even when you consume it, there’s seeds that can be planted, and you’d never forget it. You can grow more, and there’s flowers, and offshoots, and when someone says ‘pear’ to you, you can still taste it. You can remember the juice breaking over your chin, and the smell of it as you bite into the skin…the odd texture of it, sort of grainy, but it’s a beautiful contrast to the fruit inside…
stressedspidergirl
I’ve been with plenty of pretty girls. Jessica was hands-down the best-looking girl at my high school. But all of them felt … replaceable. Olivia, in my office, wasn’t replaceable. The need for her was sharp, urgent, painful, unlike anything I’d ever felt. At that moment, there was nothing in the entire damn world I wanted more than her. And it felt like there was nothing else I would ever want.
Elizabeth O'Roark (Waking Olivia (The Langstrom Brothers #1))
While some select sobering situations may be unlaughable, there are few circumstances that humor, subtle or candid, can't improve. Afterall, remembering not to take ourselves or others too seriously can put a lot of things into perspective. Laughter is healing. Laughter creates bonds and forges enduring friendships. A healthy sense of humor can quell almost any overwhelming anxiety, and can quench the fires of fury and fear unlike anything else when appropriate. Even more so when not. Connie Kerbs
Connie Kerbs (Paths of Fear: An Anthology of Overcoming Through Courage, Inspiration, and the Miracle of Love (Pebbled Lane Books Book 1))
Even readers who think they only want to read 100% original fiction, totally unlike anything else that’s ever been done before, are mistaken. The human mind is drawn like a magnet to established story patterns. That’s why the “hero’s journey” pattern of ancient myth has persisted throughout all of human history.
Libbie Hawker (Take Off Your Pants! Outline Your Books for Faster, Better Writing)
The power of Scripture is unlike anything else on earth. It’s a force to be reckoned with, containing intrinsic power, high enough to give us insight, deep enough to give us peace, wide enough to mold our personalities, and strong enough to bear us through horrendous days.
Robert J. Morgan (100 Bible Verses Everyone Should Know by Heart)
Nothing illustrates the CCP’s success in rewriting history more than the irony that all Han will acknowledge how the people and landscapes of Tibet and Xinjiang are so unlike them and anywhere else in China. But they will never admit that those regions have ever been anything but part of the Chinese empire.
David Eimer (The Emperor Far Away: Travels at the Edge of China)
found myself sniffing Lily Anne’s head frequently—certifiably odd behavior, I know, but, from what I could gather, completely in keeping with my new human persona. The smell was remarkable, unlike anything else I had ever smelled. It was an odor that was almost nothing at all, and it did not really fit into any category like “sweet” or “musty,” although it contained elements of both—and more, and neither. But I sniffed and was unable to say what the smell was, and then I sniffed again just because I wanted to, and then suddenly a new odor welled up from the region of the diaper, one that was quite easy to identify. Changing
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
You might think it’s better to prove to your reader that your book is unlike anything else out there—that this is a totally unique reading experience that doesn’t have any similarity to any other story. I hate to break it to you, but that’s a losing game. Even readers who think they only want to read 100% original fiction, totally unlike anything else that’s ever been done before, are mistaken. The human mind is drawn like a magnet to established story patterns. That’s why the “hero’s journey” pattern of ancient myth has persisted throughout all of human history.
Libbie Hawker (Take Off Your Pants! Outline Your Books for Faster, Better Writing)
How did you learn to ballroom dance? That’s quite an accomplishment for a boy your age.” “My mom taught me.” He glanced at her. The anger had faded from his eyes. “I’m pretty good.” “I’m not surprised.” She liked the way he’d perked up. It was good to see his confidence emerging. Too bad he couldn’t showcase his talent for tomorrow’s audience. She was certain it would be beneficial. “Is there anything else you could do for the show? What other talents do you have?” Max shrugged. “Nothing, really.” His feet shuffled under the table. “’Cept being a goalie and building boat models, but I can’t do those for a talent show.” “Is there some other kind of dance you could do?” “It’s too late to come up with a new dance. The show’s tomorrow. Besides, it’s for a parent and their child.” His eyes pulled down at the corners, and he ducked his head. “I wish I could help, but I don’t know how to ballroom dance. I guess it wouldn’t be the same without your mom anyway.” His head lifted. Hope sparkled in his eyes. “You could learn.” “Oh, I—I think it would take longer than a day, Max.” Meridith laughed uneasily. “Especially for me.” His head and shoulders seemed to sink. “I guess you’re right. I only know how to lead, and I don’t know how to teach it.” “I know how.” Jake appeared in the doorway, filling it with his broad shoulders and tall frame. “Didn’t mean to eavesdrop.” “He could teach you!” Max’s eyes widened. He looked back and forth between Jake and Meridith. “Oh,” Meridith said, “We couldn’t ask—” “I’m offering,” Jake said. “I can be here bright and early tomorrow morning.” Max’s dimple hollowed his cheek. “No, I—you don’t understand, the show’s tomorrow night, and I’m a bad dancer.” Jake leaned against the doorframe, crossed his arms. “You said you wanted to help.” “Well, I do, but I don’t see how—you know how to ballroom dance?” The notion suddenly struck her as unlikely. “I can do more than swing a hammer.” “I didn’t mean—” “So you’ll do it?” Max bounced on the chair. She hadn’t seen him this excited since she’d arrived. She looked at Jake. At his wide shoulders, thick arms, sturdy calloused hands. She remembered the look in his eyes just minutes ago and imagined herself trapped in the confines of his embrace for as long as it took her to learn the dance. Which would be about, oh, a few years. “And why would you do this?” It wasn’t as if he owed her anything. Unless he was punching the time clock on the lessons. “Let’s just say I was picked on a time or two myself.” Max rubbed his hands together. “Toby and Travis, eat your heart out!” “Now, hold on. We already missed dress rehearsals. I don’t know if Mrs. Wilcox will let us slip in last minute.” “Call her,” Jake said. He had all the answers, didn’t he? She spared him a scowl as she slid past on her way to the phone. “Hi, Mrs. Wilcox? This is Meridith Ward again.” She looked over her shoulder. Max waited, Jake standing behind him, thumbs hooked in his jeans pockets, looking all smug. “I was wondering. If Max can get a replacement for the dance, could he still participate?” Please say no. “I know he’s missing dress rehearsals and—” “That would be no problem whatsoever.” Mrs. Wilcox sounded delighted. “We’d fit him in and be glad to have him. Have you found him another partner?” “Uh, looks like we have.” She thanked Mrs. Wilcox and hung up, then turned to face a hopeful Max. “What did she say?” he asked. Meridith swallowed hard. “She said they could work you back into the schedule.” She cast Jake a plea. “But I don’t know if I can do this. I wasn’t kidding, I have no rhythm whatsoever.” “Look at the kid. You can’t say no to that.” Max was grinning from ear to ear. It was Meridith’s shoulders that slunk now. Heaven help her. She winced and forced the words. “All right. I’ll do it.” Max let out a whoop and threw his arms around her.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Experimentation also proved serendipitous for Greg Koch and Steve Wagner, when they were putting together the Stone Brewing Co. in Escondido, California, north of San Diego. It was destined to become one of the most successful brewing startups of the 1990s. In The Craft of Stone Brewing Co. Koch and Wagner confess that the home-brewed ale that became Arrogant Bastard Ale and propelled Stone to fame in the craft brewing world, started with a mistake. Greg Koch recalls that Wagner exclaimed “Aw, hell!” as he brewed an ale on his brand spanking new home-brewing system. “I miscalculated and added the ingredients in the wrong percentages,” he told Koch. “And not just a little. There’s a lot of extra malt and hops in there.” Koch recalls suggesting they dump it, but Wagner decided to let it ferment and see what it tasted like. Greg Koch and Steve Wagner, founders of Stone Brewery. Photograph © Stone Brewing Co. They both loved the resulting hops bomb, but they didn’t know what to do with it. Koch was sure that nobody was “going to be able to handle it. I mean, we both loved it, but it was unlike anything else that was out there. We weren’t sure what we were going to do with it, but we knew we had to do something with it somewhere down the road.”20 Koch said the beer literally introduced itself as Arrogant Bastard Ale. It seemed ironic to me that a beer from southern California, the world of laid back surfers, should produce an ale with a name that many would identify with New York City. But such are the ironies of the craft brewing revolution. Arrogant Bastard was relegated to the closet for the first year of Stone Brewing Co.’s existence. The founders figured their more commercial brew would be Stone Pale Ale, but its first-year sales figures were not strong, and the company’s board of directors decided to release Arrogant Bastard. “They thought it would help us have more of a billboard effect; with more Stone bottles next to each other on a retail shelf, they become that much more visible, and it sends a message that we’re a respected, established brewery with a diverse range of beers,” Wagner writes. Once they decided to release the Arrogant Bastard, they decided to go all out. The copy on the back label of Arrogant Bastard has become famous in the beer world: Arrogant Bastard Ale Ar-ro-gance (ar’ogans) n. The act or quality of being arrogant; haughty; Undue assumption; overbearing conceit. This is an aggressive ale. You probably won’t like it. It is quite doubtful that you have the taste or sophistication to be able to appreciate an ale of this quality and depth. We would suggest that you stick to safer and more familiar territory—maybe something with a multi-million dollar ad campaign aimed at convincing you it’s made in a little brewery, or one that implies that their tasteless fizzy yellow beverage will give you more sex appeal. The label continues along these lines for a couple of hundred words. Some call it a brilliant piece of reverse psychology. But Koch insists he was just listening to the beer that had emerged from a mistake in Wagner’s kitchen. In addition to innovative beers and marketing, Koch and Wagner have also made their San Diego brewery a tourist destination, with the Stone Brewing Bistro & Gardens, with plans to add a hotel to the Stone empire.
Steve Hindy (The Craft Beer Revolution: How a Band of Microbrewers Is Transforming the World's Favorite Drink)
The first men to set foot on the moon were sent to Iceland for acclimation—that’s how unlike to anything else the Icelandic landscape is.
Gudjon Bergmann ("You Can't Have the Green Card": The Incredible Story of How I Became a U.S. Citizen)
Just after a krampus that people had spotted in the area.” That got my attention. “A krampus? You’re sure?” Petra nodded. “I saw it walking down the road, swinging its chains around. Those fucking horrific bell things were making noise. You can’t really mistake a krampus for anything else.” In mythology, a krampus was a sort of anti-Santa. It would spirit away the naughty boys and girls to its lair. What it did with them is open to interpretation; some say it drowned the children and ate them, while some suggested it just kept them until they behaved and then brought them back. In most instances the truth is quite far removed from reality, but in the case of the krampus, truth and reality weren’t all that dissimilar. Krampus don’t care one way or the other about the behavior of the children they steal. They take children back to their lairs and feast on their souls, tossing the corpse of the child into a nearby stream or river when they finish. Unlike animals that need to hibernate during the winter, krampus only feed during the coldest months of the year, before vanishing once spring arrives. Before the tenth century, there were hundreds of the bastards running around, although nearly all of them were killed after it was made illegal to create them. Like most of the truly horrific creations in the world, krampus were made using dark blood magic. At one point, they’d been human, although once the magic had finished with them, any glimmer of humanity had been extinguished. They were considered a crime against magic, and their creation was punishable by death. Apparently, someone was unconcerned about the possibility of such things, if he or she had taken the time and effort to make a krampus and unleash it on the town of Mittenwald.
Steve McHugh (Prison of Hope (Hellequin Chronicles, #4))
They had taken to the movement unlike anything he had ever seen, and he thought that should this venture of the Jews prove successful, the new state would be filled with dancers and musicians, but especially dancers, for dancing like nothing else says: I am still alive.
Mark Helprin (Refiner's Fire)
Focus on what you can control. Worrying about anything else is just a waste of your time. Worry and regret steal our happiness and, unlike goals and actions, they are fruitless.
C.C. Wood (Earning Yancy (NSFW, #2))
Normal kids are turned into Borribles very slowly, almost without being aware of it; but one day they wake up and there it is. It doesn't matter where they come from as long as they have what is called a “bad start.” A child disappears from a school and the word goes round that he was “unmanageable”; the chances are he is off managing by himself. Sometimes it's given out that a kid down the street has been “put into care” because whenever he got home from school the house was empty; no doubt he's been Borribled and is caring for himself someplace. One day a shout might be heard in a supermarket and a kid with the goods on him is hoisted out by a store-detective. If that kid gets away he'll become a Borrible and make sure he isn't caught again. Being caught is the end for a Borrible. So Borribles are outcasts but unlike most outcasts they enjoy themselves and wouldn't be anything else. They delight in feeling independent and free and it is this feeling that is most important to them. Consequently they have no real leaders, though someone may pop into prominence from time to time, perhaps because he has had a good idea and wants to carry it through. They manage without authority and they get on well enough together, though like everybody, they quarrel.
Michael de Larrabeiti (The Borribles (The Borrible Trilogy #1))
Pastor Ray O. Jones stated his feelings well as he wrote of a conversation he had with a nine-year–old boy. * The youngster had asked him, “What's it like to be a preacher?” Pastor Jones replied: “Being a pastor is something like many other tasks in life, and yet it is unlike anything else in all the world. It's being loved and unloved, wanted and unwanted, understood and misunderstood. It's joy and sadness. It's heaven—and just to be honest—a bit of hell at times. “My job keeps me in touch with birth and death, love and hate. As a pastor, I must be able to go from death to birth in a moment's notice. It's like talking with a drunken bum one minute and counseling with a beauty queen the next. It's climbing the stairs of a hospital wondering how many times I've climbed them before and how much—or how little—I've helped someone in pain. “It's someone saying, ‘If it hadn't been for you.’ It's walking across a lonely graveyard after a funeral and wondering about the old man you buried. It's picking a man up out of the gutter when no one seems to care and telling him God cares, that God loves him and sent Christ into the world to die for his sins. “There is no joy comparable to that of being a pastor. The heartaches and sorrows at times overwhelm us as shepherds of God's people, but the joy of serving, loving, and sharing with the people of God more than compensate for the hard and difficult hours.
Howard B. Foshee (Now That You're a Deacon)
Get a little practice. See what it feels like to drive a knife through my heart. Relish it. Watch the light fade from my eyes, stare into my dying, taste it, see how you like it. There’s a moment in death that is unlike anything else in all existence.
Karen Marie Moning (Burned (Fever #7))