Digging In The Dirt Quotes

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When you dig a well, there's no sign of water until you reach it, only rocks and dirt to move out of the way. You have removed enough; soon the pure water will flow," said Buddha.
Deepak Chopra
I dig the toe of my shoe into the dirt. “It’s complicated.” “Is it? Most complicated things in life are actually pretty simple at the core. We put so much extra nonsense in the middle that we can’t even see how easy it really is.
Emery Lord (Open Road Summer)
The problem, if anything, was precisely the opposite. I had too much to write: too many fine and miserable buildings to construct and streets to name and clock towers to set chiming, too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within, too many terrible genetic and fiduciary secrets to dig up and bury and dig up again, too many divorces to grant, heirs to disinherit, trysts to arrange, letters to misdirect into evil hands, innocent children to slay with rheumatic fever, women to leave unfulfilled and hopeless, men to drive to adultery and theft, fires to ignite at the hearts of ancient houses.
Michael Chabon (Wonder Boys)
It happens to all of us," I concluded that Easter Sunday morning. "God simply keeps reaching down into the dirt of humanity and resurrecting us from the graves we dig for ourselves through our violence, our lies, our selfishness, our arrogance, and our addictions. And God keeps loving us back to life over and over.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
Maybe tranquility is the dirt under my nails. I know it's there but I never feel like digging it out.
Casey Renee Kiser (Gutter Kisses and a Hug on Garbage Day)
It's a mistake to lie to a librarian, you know. Some people assume we're shy and gullible, but we know how to dig up the dirt.
Virginia Lowell
You can be our critic. Would you dig that? (Yes, he was the last Man in America who could say “dig” with a straight face without referring to the process of using a tool to remove dirt from the ground.)
Jordan Sonnenblick (Drums, Girls & Dangerous Pie)
I leaned forward. “How did I turn out? Are you proud of the monster you made?” Roland smiled. Hugh and Landon were right. It was like the sun had risen. Like digging a hole in your backyard and finding a glittering jewel in the dirt. “Child, my dangerous one, my beautiful one. You’ve claimed your city. You shouldn’t have been able to do that for another hundred years. I’m so proud that my pride could topple mountains. If you let me, I would show you to the world. I would show the world to you.” “So I could see it through your eyes?” “So you could see it through your own.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
For me, the feeling of my hands in the dirt offers a deep, primordial connection with the earth. When I am working the earth, I am at peace. It feels so right and so good.
Fran Sorin (Digging Deep: Unearthing Your Creative Roots Through Gardening)
As Pushkin put it: He had no itch to dig for glories deep in the dirt that time has laid.
Haruki Murakami (Sputnik Sweetheart)
imagine the desert mothers, with hair tangled tighter than their theology and breasts that flowed milk and mystic wisdom. they knew how to draw the singing sigils in the sand, how to dig rough and bitten fingers into desiccated dirt for water to wet the lips of their young. women of hips and heft, who learned how to burn beneath the wild and searing sun, who made loud love against the star-flecked threat of night, who knew that strength is not always a matter of muscle. imagine your ancestresses, the prophetesses of the arid lands, before these starched traditions and pews too hard to pray from, who bled true ritual and birthed their own fierce souls at creation's crowning --
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
Well, of course I’ve tried lavender. And pulling my memory out, ribbonlike and dripping. And shrieking into my pillow. And writing the poems. And making more friends. And baking warm brown cookies. And therapy. And intimacy. And pictures of rainbows. And all of the movies about lovers and the terrible things they do to each other. And watching the ones in other languages. And leaving the subtitles off. And listening to the language. And forgetting my name. And feeling the dirt on my skin. And screaming in the shower. And changing my shampoo. And living alone. And cutting my hair. And buying a turtle. And petting the cat. And traveling. And writing more poems. And touching a different body. And digging a grave. And digging a grave. Of course, I’ve tried it. Of course I have.
Yasmin Belkhyr
I was doing a cheap sneaky job for people I didn't like, but that's what you hire out for, chum. They pay the bills, you dig the dirt.
Raymond Chandler (Playback (Philip Marlowe, #7))
But we've all ended up giving body and soul to Africa, one way or another. Even Adah, who's becoming an expert in tropical epidemiology and strange new viruses. Each of us got our heart buried in six feet of African dirt; we are all co-conspirators here. I mean, all of us, not just my family. So what do you do now? You get to find your own way to dig out a heart and shake it off and hold it up to the light again.
Barbara Kingsolver (The Poisonwood Bible)
One does not deny their dirty fingers because of their clean toes, For it is with the fingers that one indicates to show off the toes. Do not be too elevated in yourself to realize that there was,and will always be,a part of you that was once digging in the dirt.
Gillian Duce (Nuada)
Tell me what game Steph Landry and I used to play in the big dirt pile they made while they were digging my family’s pool, back when we were both seven, or I’ll know you’re an alien replacement and you’ve got the real Steph up in your mother ship!” I glared at him. “G.I. Joe meets Spelunker Barbie,” I said. “And stop being so ridiculous. We have to go. We’re going to end up at a bad table for lunch.
Meg Cabot (How to Be Popular)
August 21. ... I've become pretty good at telling weeds fom not-weeds. But every once in a while I have my doubts. I come across an especially difficult root. I pull and it doesn't come out. I pull again. It resists. I dig my gloved fingers into the soil and grab it with both hands and pull yet again. It begins to come out, but I can see it's going to take several more hard pulls. And that's when the doubts begin. I begin to wonder: Have I made a mistake? Is this really a weed? If it's not supposed to be here, why is it resisting so? But it's too late now. There's nothing to do with a plant half pulled but to go all the way. And so I tug some more, and finally, shedding clods of dirt and worms, it breaks free of the earth---and I try not to hear the tiny, anguished cry.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
I see young men, my townsmen, whose misfortune it is to have inherited farms, houses, barns, cattle, and farming tools; for these are more easily acquired than got rid of. Better if they had been born in the open pasture and suckled by a wolf, that they might have seen with clearer eyes what field they were called to labor in. Who made them serfs of the soil? Why should they eat their sixty acres, when man is condemned to eat only his peck of dirt? Why should they begin digging their graves as soon as they are born?
Henry David Thoreau (Walden)
Zik spits into the dirt in from of home plate, his own little ritual. He digs in and grits his teeth, snarling at the Heat. Psychology. Baseball's all about psychology.
Barry Lyga (Boy Toy)
He had no itch to dig for glories Deep in the dirt that time has laid.
Haruki Murakami (Sputnik Sweetheart)
To trust the truth of a thing, you have to suffer the thing. You have to get mud on your hands and dirt under your fingernails. You have to dig for it.
Sarah Pinborough (Behind Her Eyes)
As the night air started to creep in, he lifted her in his arms and walked the back way to their home on campus. He spent the evening digging her grave, not even caring who came his way. He didn’t care whether he lived or died, now that he had lost his only love. Mike glanced into her face one more time, and then covered her with dirt. “We bury our own. We take care of the ones we love.” He spoke softly, then placed a flower on her grave and made his way back to their dorm room.
Joseph McGinnis (The Weathering, Dawn of the Apocalypse)
In South Africa, they dig for diamonds. Tons of earth are moved to find a little pebble not as large as a little fingernail. The miners are looking for the diamonds, not the dirt. They are willing to lift all the dirt in order to find the jewels. In daily life, people forget this principle and become pessimists because there is more dirt than diamonds. When trouble comes, don’t be frightened by the negatives. Look for the positives and dig them out. They are so valuable it doesn't matter if you have to handle tons of dirt.
Robert J. Ringer
I suppose I knew on an intellectual level that graves weren't especially made for getting out of. I mean, you start with a hermetically sealed casket and then you dump six feet of dirt on top of it. Over time the earth gets compacted, which can't make it easy to dig through. So even if you're a very angry and determined zombie, you've kind of got your work cut out for you just escaping from the grave. Which was, I suppose, why we got hit with an initial wave of zombie bugs, birds and rodents. I bet some people would say if you've never picked undead mosquitoes out of your teeth, you've never lived. Under that definition, I'd be just as happy to have not lived, thanks.
C.E. Murphy (Walking Dead (Walker Papers, #4))
Pat and Ian have since been to Kalgoorlie with metal detectors, scouring the red dirt in the hope of locating Lisa’s remains. If her clothes had something metal attached then the metal detector just might pick that up. Ian would locate something of interest with the detector then Pat would get down on her hands and knees and dig at the dirt, searching for her buried child.
Nicole Morris (Vanished: True Stories from Families of Australian Missing Persons)
SPRING POEM It is spring, my decision, the earth ferments like rising bread or refuse, we are burning last year's weeds, the smoke flares from the road, the clumped stalks glow like sluggish phoenixes / it wasn't only my fault / birdsongs burst from the feathered pods of their bodies, dandelions whirl their blades upwards, from beneath this decaying board a snake sidewinds, chained hide smelling of reptile sex / the hens roll in the dust, squinting with bliss, frogbodies bloat like bladders, contract, string the pond with living jelly eyes, can I be this ruthless? I plunge my hands and arms into the dirt, swim among stones and cutworms, come up rank as a fox, restless. Nights, while seedlings dig near my head I dream of reconciliations with those I have hurt unbearably, we move still touching over the greening fields, the future wounds folded like seeds in our tender fingers, days I go for vicious walks past the charred roadbed over the bashed stubble admiring the view, avoiding those I have not hurt yet, apocalypse coiled in my tongue, it is spring, I am searching for the word: finished finished so I can begin over again, some year I will take this word too far.
Margaret Atwood (You are Happy)
I succeeded on my own, why can't you?" is a dispassionate call to the majority of Native people to forsake one another. The end results is each of us digging our own way out of the hole, filling up the path with dirt as we go. Such things as justice and principles prevent the whole people from becoming dispassionate. Until all of us are free, the few who think they are remain tainted with enslavement.
Lee Maracle (I Am Woman: A Native Perspective on Sociology and Feminism)
CELL Now look objectively. You have to admit the cancer cell is beautiful. If it were a flower, you'd say, How pretty, with its mauve centre and pink petals of if a cover for a pulpy thirties sci-fi magazine. How striking: as an alien, a success, all purple eye and jelly tentacles and spines, or are they gills, creeping around on granular Martian dirt red as the inside of the body, while its tender walls expand and burst, its spores scatter elsewhere, take root, like money, drifting like a fiction or miasma in and out of people's brains, digging themselves industriously in. The lab technician says, It has forgotten how to die. But why remember? All it wants is more amnesia. More life, and more abundantly. to take more. to eat more. To replicate itself. To keep on doing those things forever. Such desires are not unknown. Look in the mirror.
Margaret Atwood
Stanley spent more time pushing the wheelbarrow than digging, because he was such a slow digger. He carted away the excess dirt and dumped it into previously dug holes. He was careful not to dump any of it in the hole where the gold tube was actually found.
Louis Sachar (Holes)
White is the color of death,” La Sombra says as the shadow grows. “The color of pictures and clothes and bones left untended and eaten by the suns. But black?” Her eyes glitter in the light of the dancing flames. “Black is the color of life. When you dig into damp, dark dirt to plant a seed or look at the space between stars, wondering—that’s life.
S. Qiouyi Lu (In the Watchful City)
Tell me “The Subtle Briar” again,’ she asked. She knew I would still know it by heart. I whispered to her in the dark. ‘When you cut down the hybrid rose, its blackened stump below the graft spreads furtive fingers in the dirt. It claws at life, weaving a raft of suckering roots to pierce the earth. The first thin shoot is fierce and green, a pliant whip of furious briar splitting the soil, gulping the light. You hack it down. It skulks between the flagstones of the garden path to nurse a hungry spur in shade against the porch. With iron spade you dig and drag it from the gravel and toss it living on the fire. ‘It claws up towards the light again hidden from view, avoiding battle beyond the fence. Unnoticed, then, unloved, unfed, it clings and grows in the wild hedge. The subtle briar armors itself with desperate thorns and stubborn leaves – and struggling higher, unquenchable, it now adorns itself with blossom, till the stalk is crowned with beauty, papery white fine petals thin as chips of chalk or shaven bone, drinking the light. ‘Izabela, Aniela, Alicia, Eugenia, Stefania, Rozalia, Pelagia, Irena, Alfreda, Apolonia, Janina, Leonarda, Czeslava, Stanislava, Vladyslava, Barbara, Veronika, Vaclava, Bogumila, Anna, Genovefa, Helena, Jadviga, Joanna, Kazimiera, Ursula, Vojcziecha, Maria, Wanda, Leokadia, Krystyna, Zofia. ‘When you cut down the hybrid rose to cull and plough its tender bed, trust there is life beneath your blade: the suckering briar below the graft, the wildflower stock of strength and thorn whose subtle roots are never dead.
Elizabeth Wein (Rose Under Fire)
It is just as honorable. . .to dig in the dirt as to dig into books. The mind can do its best work only when th body has been developed equally well.
William Warren Prescott
It was like archeology. There was digging and there was dirt. And there was broken things.
Louise Penny (A Great Reckoning (Chief Inspector Armand Gamache, #12))
Annihilated in fire and dust, the world is reborn in a hungry rodent digging in the dirt.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
Francis Marion Tarwater’s uncle had been dead for only half a day when the boy got too drunk to finish digging his grave and a Negro named Buford Munson, who had come to get a jug filled, had to finish it and drag the body from the breakfast table where it was still sitting and bury it in a decent and Christian way, with the sign of its Savior at the head of the grave and enough dirt on top to keep the dogs from digging it up. Buford had come along about noon and when he left at sundown, the boy, Tarwater, had never returned from the still.
Flannery O'Connor (The Violent Bear It Away)
the thing she enjoyed about gardening was having a garden. She liked imagining it, and she liked sitting in it when it was done. The middle bit of digging and pruning and getting sap on her paws and dirt in her fur and a crick in her back – that, she would happily do without. But you didn’t get a garden if you didn’t do the middle bit, unless you hired somebody else to do it, and then it wasn’t really yours. It would never match the garden in her head, if she did it that way.
Becky Chambers (The Galaxy, and the Ground Within (Wayfarers, #4))
If only gossip weren't so titillating. Sweeney tried to control an avid desire to know more, to dig for all the dirty details. The temptation was great. Dirt was like fat; it made life more delicious.
Linda Howard (Now You See Her)
At the moment when the road looks the harshest, and you think you cannot continue on that is when you relearn your first mode of transportation; you crawl. You dig your fingers into the dirt, and propel yourself forward with your toes, but you never give up. You've gotta learn to bend with the sway. You never know what is around the next curve.
Sai Marie Johnson
We lost our everything, she said, which said everything about loss. My accumulation dictates my ruin; it’s different from your dismantling, which can happen slowly or all at once. What’s crucial is a total inventory, which may reveal some one element not obliterated. We lost our everything, she said—we—she repeated, meaning the we-ness remained, which in the end must be the seed of re-beginning, the seed that divines the plow, the ounce of dirt, the memory of digging.
Andrea Cohen
Letting go is a hard, hard thing. Some days, it seems impossible. Stubbornness sets in, heels dig firmly into the dirt below us, and fingers refuse to uncurl from something so precious to one’s heart even if by a centimeter. Other days, though, it’s a fervent wish.
Heather Lyons (A Matter of Forever (Fate, #4))
Poetry, I tell my students, is idiosyncratic. Poetry is where we are ourselves, (though Sterling Brown said "Every 'I' is a dramatic 'I'") digging in the clam flats for the shell that snaps, emptying the proverbial pocketbook. Poetry is what you find in the dirt in the corner, overhear on the bus, God in the details, the only way to get from here to there. Poetry (and now my voice is rising) is not all love, love, love and I'm sorry the dog died. Poetry (here I hear myself loudest) is the human voice, and are we not of interest to each other?
Elizabeth Alexander (American Sublime: Poems)
Entitlement is the shovel that digs a grave of greed. And there are those of us who stand at the bottom of such a grave having thrown out the last shovel full of dirt, never realizing that the grave that we’ve dug is our own until the same shovel suddenly starts backfilling the hole.
Craig D. Lounsbrough
Every telecomm company is as big a corporate welfare bum as you could ask for. Try to imagine what it would cost at market rates to go around to every house in every town in every country and pay for the right to block traffic and dig up roads and erect poles and string wires and pierce every home with cabling. The regulatory fiat that allows these companies to get their networks up and running is worth hundreds of billions, if not trillions, of dollars. If phone companies want to operate in the “free market,” then let them: the FCC could give them 60 days to get all their rotten copper out of our dirt, or we’ll buy it from them at the going scrappage rates. Then, let’s hold an auction for the right to be the next big telecomm company, on one condition: in exchange for using the public’s rights-of-way, you have to agree to connect us to the people we want to talk to, and vice-versa, as quickly and efficiently as you can.
Cory Doctorow (Context: Further Selected Essays on Productivity, Creativity, Parenting, and Politics in the 21st Century)
A brick could be hidden in the dirt, for future archaeologists to dig up and declare, “Wow! This was one advanced society.”

Jarod Kintz (Brick and Blanket)
God hides treasure in dirt, so that only those humble enough to dig through it find it.
Matshona Dhliwayo
Because God does His best work in the muddy, messy, and broken – if we only learn to dig in.
Mary Marantz (Dirt: Growing Strong Roots in What Makes the Broken Beautiful)
Mama had chosen to dig for treasure through the dirt of Dad’s toxic, porous love, but not Leni. Not anymore.
Kristin Hannah (The Great Alone)
If I’m talking to prostitutes or a drunk on the streets, I ask the Father, “What’s Your heart for this person?” I often tell people going out to minister, “Dig for the gold, not the dirt.” Don’t try to give words revealing sin or failures. The dirt might impress people with my gift of the prophetic, but it doesn’t impact an individual’s life for the best—it just makes them feel exposed. Nobody who has a gold mine says, “Look at all the dirt I’ve found!” What I pull out of my pocket is all the gold nuggets I’ve found. Always protect people’s dignity.
Robby Dawkins (Do What Jesus Did: A Real-Life Field Guide to Healing the Sick, Routing Demons and Changing Lives Forever)
He holds the shovel in one hand, and in the other, the necks of several bright, wild daylilies, their roots trailing dirt. He sets them down gently at the base of the tree house, then digs a small hole, and plants a lily in it. As I watch him pat down the ground, I kneel beside him to help—but a low noise from the back of Asher’s throat makes me realize this is something he has to do.
Jodi Picoult (Mad Honey)
Once a week, whoever had really excelled at dirt-digging was presented with a certificate of merit in front of all of us, on parade. Top Radioactive Earth-Shoveller of the USSR. How mad was that?
Svetlana Alexievich (Chernobyl Prayer: Voices from Chernobyl (Penguin Modern Classics))
You struggle because you’re locating all of the magic in your life outside of yourself. When you are loved, then you are lovable. When you are left behind, you are unlovable. When you “arrive” at some point of success and fame as a writer, you will be worthy. Until then, you are worthless. As long as you imagine that the outside world will one day deliver to you the external rewards you need to feel happy, you will always perceive your survival as exhausting and perceive your life as a long slog to nowhere. Instead, you have to savor the tiny struggles of the day: The cold glass of water after a long run. The hot bath after hours of digging through the dirt. The satisfaction of writing a good sentence, a good paragraph. You MUST feel these things, because these aren’t small rewards on the path to some big reward; these tiny things are everything. Savoring these things requires tuning in to your feelings, and it requires loving yourself instead of shoving your nose into your own question marks hour after hour, day after day. You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in the middle of the suffocating dust. If you can learn to be where you are, without fear, then sooner than you know it, your life will quite naturally be filled with more love and more wonder than you can possibly handle. When that happens, you’ll look back and see that this was the most romantic time of your whole life. These are those terrible days, those gorgeous days, when you first learned to breathe and stand alone without fear, to believe not in finish lines but in the race itself. Your legs are aching and your heart is pounding and the world is electric. You will have 30 years or 50 years, or maybe you’ll be gone tomorrow. All that matters is this moment, right now. This is the moment you learn to be here, to feel your limbs, to feel your full heart, to realize, for the first time, just how lucky you are.
Heather Havrilesky
Shit, man, if you see a dog scratching at the dirt trying to dig something up, walk away real fast,” he said, then pulled a little square of paper from his pocket and swallowed whatever was folded inside.
Cole Alpaugh (The Spy's Little Zonbi)
On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
What did you think when I first told you about the animals I found?” He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.” She made a face at him. “Didn’t you think it was creepy? Or that I was weird?” “Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.” Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt? She tried again. “Did you ever tell anyone? Does your mom know?” He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.” He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair. He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could. It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him. His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?” She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first. “Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation. He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.” “I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.” He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.” She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing. But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I think about lying down. No, that would not do. I crouch by the trunk, my finger stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears? I dig my fingers into the dirt and squeeze. A small, clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven't seen in months. This is the seed I will care for.
Laurie Halse Anderson (Speak)
If the goal was to heal, move on, this was not the way to proceed. Healing needed privacy, needed patience, needed nurturing. Healing required planting seeds in the soft, dark underground. Reporters arrived like shovels tearing into the earth, scooping seeds out, bare-skinned, back onto the surface. I was left on my knees in the dirt digging holes, placing the broken shells down deep, patting the soil with my hands. But there would always be more shovels, more disruptions, looming court dates. The more it happened, the less energy I had to keep digging; a deadening faith that something would grow.
Chanel Miller (Know My Name: A Memoir)
When I look up, he is still dead. This wasn’t right. I thought the Society only played games with its slaves. Wrong. Julian didn’t score like I did on the tests. He wasn’t as physically capable as me. So he was a sacrificial lamb. One hundred students per House and the bottom fifty are only here to be killed by the top fifty. This is just a bloodydamn test … for me. Even the Bellona Family, powerful as they are, could not protect their less capable son. And that is the point. I hate myself. I know they made me do this, yet it still feels like a choice. Like when I pulled Eo’s legs and felt the snap of her small spine. My choice. But what other choice was there with her? With Julian? They do this to make us wear the guilt. There’s nowhere to wipe the blood, only stone and two na**d bodies. This is not who I am, who I want to be. I want to be a father, a husband, a dancer. Let me dig in the earth. Let me sing the songs of my people and leap and spin and run along the walls. I would never sing the forbidden song. I would work. I would bow. Let me wash dirt from my hands instead of blood. I want only to live with my family. We were happy enough. Freedom costs too much. But Eo disagreed. Damn her.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Gold when first struck is crowded with ‘dirt’, uncertain, might not be flashy enough to be noticed. However, if you are alert in your senses, you’d see that little glitter; if you’re persistent enough, it’ll be polished to be one of the finest ‘possessions’ you could ever acquire. The beauty about gold, though, is that in all states from uncertainty to conviction, it never for once gives up its lustre. We’re sometimes too hasty and ‘fly searching’ that we miss the little uncertain glitters that sparkle in the corners of our eyes. In such rare moments, stop for a while, and hold on to it with the best grip you could muster.
Ufuoma Apoki (Digging Your Gold)
Your manicured lawn did dissipate, revealing a garden dug with holes. Secrets germinated deep within, blossoming into botanical madness. A mix of grass stalks and fallen leaves, swept single letters across the ground. Digging and planting them into the dirt, you helped me bring earth to my words. [Awakening North]
Susan L. Marshall (Bare Spirit: The Selected Poems of Susan Marshall)
Tidy Tip: Dig deep, and be sure to cover the body in a heavy layer of slaked lime—also known as calcium hydroxide, or Ca(OH)—which accelerates decomposition and kills odors that attract animals who may want to dig it up. A layer of dirt, then another of the slaked lime before a final half-foot of dirt. The bugs will help finish the job!
Josie Brown (The Housewife Assassin's Handbook (Housewife Assassin, #1))
One might go to the bakery, perhaps," he said. "But did you know the baker has tuberculosis? All the people here run around in a highly infectious state. The baker's daughter has tuberculosis too, it seems to have something to do with the runoff from the cellulose factory, with the steam that the locomotives have spewed out for decades, with the bad diet that people eat. Almost all of them have cankered lung lobes, pneumothorax and pneumoperitoneum are endemic. They have tuberculosis of the lungs, the head, the arms and legs. All of them have tubercular abscesses somewhere on their bodies. The valley is notorious for tuberculosis. You will find every form of it here: skin tuberculosis, brain tuberculosis, intestinal tuberculosis. Many cases of meningitis, which is deadly within hours. The workmen have tuberculosis from the dirt they dig around in, the farmers have it from their dogs and the infected milk. The majority of the people have galloping consumption. Moreover," he said, "the effect of the new drugs, of streptomycin for example, is nil. Did you know the knacker has tuberculosis? That the landlady has tuberculosis? That the landlady has tuberculosis? That her daughters have been to sanatoria on three occasions? Tuberculosis is by no means on the way out. People claim it is curable. but that's what the pharmaceutical industry says. In fact, tuberculosis is as incurable as it always was. Even people who have been inoculated against it come down with it. Often those who have it the worst are the ones who look so healthy that you wouldn't suspect they were ill at all. Their rosy faces are utterly at variance with their ravaged lungs. You keep running into people who've had to endure a cautery or, at the very least, a transverse lesion. Most of them have had their lives ruined by failed reconstructive surgery." We didn't go to the bakery. Straight home instead.
Thomas Bernhard (Frost)
I'm a ferret," she said like she was confessing a great sin that she wasn't sorry for. "I noticed that, too. I'm a kestrel. Pleased to make your acquaintance. And it would be rather splendid, except that when I fly I seem to lose my brain. I'm working on it. Flying should be useful, when I can control it more. I can fly ahead and scout. Spy on people. I can't wait to spy on people. Just think of all the dirt I'll dig up.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
I communed with myself, after the manner of prodigals, and said: "How much better that I were down in Denver, even at Mrs. Coney's, digging with a skewer into the corners seeking dirt which might be there, yea, even eating codfish, than that I should perish on this desert—of imagination." So I turned the current of my imagination and fancied that I was at home before the fireplace, and that the backlog was about to roll down.
Elinore Pruitt Stewart (Letters Of A Woman Homesteader: By Elinore Pruitt : Illustrated)
Motivation, inspiration were not the problem; on the contrary I was always cheerful and workmanlike at the typewriter and had never suffered from what’s called writer’s block; I didn’t believe in it. The problem, if anything, was precisely the opposite. I had too much to write: too many fine and miserable buildings to construct and streets to name and clock towers to set chiming, too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within, too many terrible genetic and fiduciary secrets to dig up and bury and dig up again, too many divorces to grant, heirs to disinherit, trysts to arrange, letters to misdirect into evil hands, innocent children to slay with rheumatic fever, women to leave unfulfilled and hopeless, men to drive to adultery and theft, fires to ignite at the hearts of ancient houses.
Michael Chabon (Wonder Boys)
This would require moving a million tons of earth, and Leonardo calculated the man-hours necessary by doing a detailed time-and-motion study, one of the first in history. He figured out everything from the weight of one shovel-load of dirt (twenty-five pounds) to how many shovel-loads would fill a wheelbarrow (twenty). His answer: it would take approximately 1.3 million man-hours, or 540 men working 100 days, to dig the Arno diversion ditch.
Walter Isaacson (Leonardo da Vinci)
Daemon picked her up, took her into the bathroom, and filled the tub with hot water. She’d been unnaturally quiet all day, and he’d feared she was becoming ill. Now he feared she was in shock. There were dark smudges beneath her eyes, and she didn’t seem to know where she was. She struggled when he tried to lift the nightgown over her head. “No,” she said feebly as she attempted to hold the garment down. “I know what girls look like,” Daemon snapped as he pulled off the nightgown and lifted her into the tub. “Sit there.” He pointed a finger at her. She stopped trying to get out of the tub. Daemon went into the bedroom and got the brandy and glass he kept tucked in the bottom drawer of the nightstand. Returning to the bathroom, he sat on the edge of the tub, poured a healthy dose into the glass, and handed it to her. “Drink this.” He watched her take a small taste and grimace before he put the bottle to his own lips and took a long swallow. “Drink it,” he said angrily when she tried to hand him the glass. “I don’t like it.” It was the first time he’d ever heard her sound so young and vulnerable. He wanted to scream. “What—” He knew. Suddenly, all too clearly, he knew. The mud, the dirge, her hands cut up from digging in the hard ground, the dirt beneath her fingernails. He knew. Daemon took another long swallow of brandy. “Who?” “Rose,” Jaenelle replied in a hollow voice. “He killed my friend Rose.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
No memorial has been built on Rebero. Nothing to commemorate the fallen but boulders and white and rust-red stones. I look for signs from the hill, I dig at the ground. The sun is straight overhead. This is the hour of mirages. I push away the little rocks, I scratch at the ground. I find a shred of tattered cloth half-buried in the dirt. I try to convince myself that it comes from Antoine’s shirt. I hesitate, then leave that false relic where it lies. I pick up a stone with a sharp edge. In remembrance.
Scholastique Mukasonga (Cockroaches)
I think about lying down. No, that would not do. I crouch by the trunk, my fingers stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears? I dig my fingers into the dirt and squeeze. A small, clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven’t seen in months. That is the seed I will care for.
Laurie Halse Anderson
It don’t make no difference how foolish it is, it’s the right way — and it’s the regular way.  And there ain’t no other way, that ever I heard of, and I’ve read all the books that gives any information about these things. They always dig out with a case-knife — and not through dirt, mind you; generly it’s through solid rock.  And it takes them weeks and weeks and weeks, and for ever and ever.  Why, look at one of them prisoners in the bottom dungeon of the Castle Deef, in the harbor of Marseilles, that dug himself out that way; how long was he at it, you reckon?
Mark Twain (Complete Works of Mark Twain)
I threw it over my shoulder and skulked through the moonlit vineyard to see what was going on. I crept to the end of a row and knelt in the warm dirt. Her five brothers were singing melodious songs in Spanish. The stars bent over the little roof; smoke poked from the stovepipe chimney. I smelled mashed beans and chili. The old man growled. The brothers kept right on yodeling. The mother was silent. Johnny and the kids were giggling in the bedroom. A California home; I hid in the grapevines, digging it all. I felt like a million dollars; I was adventuring in the crazy American night.
Jack Kerouac (On the Road)
I believe by Elizabeth Alexander Poetry, I tell my students, is idiosyncratic. Poetry is where we are ourselves, (though Sterling Brown said “Every ‘I’ is a dramatic ‘I’”) digging in the clam flats for the shell that snaps, emptying the proverbial pocketbook. Poetry is what you find in the dirt in the corner, overhear on the bus, God in the details, the only way to get from here to there. Poetry (and now my voice is rising) is not all love, love, love, and I’m sorry the dog died. Poetry (here I hear myself loudest) is the human voice, and are we not of interest to each other?
Elizabeth Alexander (American Sublime: Poems)
O Lord, how many are Your works! In wisdom You have made them all.… —Psalm 104:24 (NAS) In her intriguing book What’s Your God Language? Dr. Myra Perrine explains how, in our relationship with Jesus, we know Him through our various “spiritual temperaments,” such as intellectual, activist, caregiver, traditionalist, and contemplative. I am drawn to naturalist, described as “loving God through experiencing Him outdoors.” Yesterday, on my bicycle, I passed a tom turkey and his hen in a sprouting cornfield. Suddenly, he fanned his feathers in a beautiful courting display. I thought how Jesus had given me His own show of love in surprising me with that wondrous sight. I walked by this same field one wintry day before dawn and heard an unexpected huff. I had startled a deer. It was glorious to hear that small, secret sound, almost as if we held a shared pleasure in the untouched morning. Visiting my daughter once when she lived well north of the Arctic Circle in Alaska, I can still see the dark silhouettes of the caribou and hear the midnight crunch of their hooves in the snow. I’d watched brilliant green northern lights flash across the sky and was reminded of the emerald rainbow around Christ’s heavenly throne (Revelation 4:3). On another Alaskan visit, a full moon setting appeared to slide into the volcanic slope of Mount Iliamna, crowning the snow-covered peak with a halo of pink in the emerging light. I erupted in praise to the triune God for the grandeur of creation. Traipsing down a dirt road in Minnesota, a bloom of tiny goldfinches lifted off yellow flowers growing there, looking like the petals had taken flight. I stopped, mesmerized, filled with the joy of Jesus. Jesus, today on Earth Day, I rejoice in the language of You. —Carol Knapp Digging Deeper: Pss 24:1, 145:5; Hb 2:14
Guideposts (Daily Guideposts 2014)
You can take great comfort now in knowing that after a while, everything that happens to you, everything you dig up, even all the dirt, becomes exceedingly precious and simply divine. Strange but true. Strange because it doesn't readily make sense, but true because the deeper you go, the closer you get and the closer you get, the more peaceful and indestructible you become. Being more firmly grounded, and having acquired considerable depth, you are no longer easily thrown or confused by the fickle finger of fate, not easily so paralyzed or disturbed by circumstances beyond your control; you are centered.
Karol Jackowski (Ten Fun Things to Do Before You Die)
This spending of the best part of one's life earning money in order to enjoy a questionable liberty during the least valuable part of it reminds me of the Englishman who went to India to make a fortune first, in order that he might return to England and live the life of a poet. He should have gone up garret at once. "What!" exclaim a million Irishmen starting up from all the shanties in the land, "is not this railroad which we have built a good thing?" Yes, I answer, comparatively good, that is, you might have done worse; but I wish, as you are brothers of mine, that you could have spent your time better than digging in this dirt.
Henry David Thoreau (Walden)
This spending of the best part of one’s life earning money in order to enjoy a questionable liberty during the least valuable part of it reminds me of the Englishman who went to India to make a fortune first, in order that he might return to England and live the life of a poet. He should have gone up garret at once. “What!” exclaim a million Irishmen starting up from all the shanties in the land, “is not this railroad which we have built a good thing?” Yes, I answer, comparatively good, that is, you might have done worse; but I wish, as you are brothers of mine, that you could have spent your time better than digging in this dirt.
Henry David Thoreau (Walden)
There was one monk who never spoke up. His name was Vappa, and he seemed the most insecure about Gautama coming back to life. When he was taken aside and told that he would be enlightened, Vappa greeted the news with doubt. “If what you tell me is true, I would feel something, and I don’t,” he said. “When you dig a well, there is no sign of water until you reach it, only rocks and dirt to move out of the way. You have removed enough; soon the pure water will flow,” said Buddha. But instead of being reassured, Vappa threw himself on the ground, weeping and grasping Buddha’s feet. “It will never happen,” he moaned. “Don’t fill me with false hope.” “I’m not offering hope,” said Buddha. “Your karma brought you to me, along with the other four. I can see that you will soon be awake.” “Then why do I have so many impure thoughts?” asked Vappa, who was prickly and prone to outbursts of rage, so much so that the other monks were intimidated by him. “Don’t trust your thoughts,” said Buddha. “You can’t think yourself awake.” “I have stolen food when I was famished, and there were times when I stole away from my brothers and went to women,” said Vappa. “Don’t trust your actions. They belong to the body,” said Buddha. “Your body can’t wake you up.” Vappa remained miserable, his expression hardening the more Buddha spoke. “I should go away from here. You say there is no war between good and evil, but I feel it inside. I feel how good you are, and it only makes me feel worse.” Vappa’s anguish was so genuine that Buddha felt a twinge of temptation. He could reach out and take Vappa’s guilt from his shoulders with a touch of the hand. But making Vappa happy wasn’t the same as setting him free, and Buddha knew he couldn’t touch every person on earth. He said, “I can see that you are at war inside, Vappa. You must believe me when I say that you’ll never win.” Vappa hung his head lower. “I know that. So I must go?” “No, you misunderstand me,” Buddha said gently. “No one has ever won the war. Good opposes evil the way the summer sun opposes winter cold, the way light opposes darkness. They are built into the eternal scheme of Nature.” “But you won. You are good; I feel it,” said Vappa. “What you feel is the being I have inside, just as you have it,” said Buddha. “I did not conquer evil or embrace good. I detached myself from both.” “How?” “It wasn’t difficult. Once I admitted to myself that I would never become completely good or free from sin, something changed inside. I was no longer distracted by the war; my attention could go somewhere else. It went beyond my body, and I saw who I really am. I am not a warrior. I am not a prisoner of desire. Those things come and go. I asked myself: Who is watching the war? Who do I return to when pain is over, or when pleasure is over? Who is content simply to be? You too have felt the peace of simply being. Wake up to that, and you will join me in being free.” This lesson had an immense effect on Vappa, who made it his mission for the rest of his life to seek out the most miserable and hopeless people in society. He was convinced that Buddha had revealed a truth that every person could recognize: suffering is a fixed part of life. Fleeing from pain and running toward pleasure would never change that fact. Yet most people spent their whole lives avoiding pain and pursuing pleasure. To them, this was only natural, but in reality they were becoming deeply involved in a war they could never win.
Deepak Chopra (Buddha)
There are three ways to approach secrets, you know. The first is what you find on soap operas and in poorly executed middle-school maneuvers. First, you uncover a piece of incriminating information, and then you use it to force a steady stream of favors or payment or behavior. The problem here is that, if extended indefinitely, the expected cost of compliance eventually outweighs the cost of exposure. Moreover, the probability that you'll lose your monopoly of your information increases with each passing day. Never, ever assume that you're only person digging for dirt, especially in Los Angeles. Vipers are measured by the pitful for a reason. The second approach is more effective: You make one, single very carefully chosen demand. And you give your mark just one chance. This was my usual MO. If this mark doesn't do as you ask, when you ask, you leak their secret. No excuses. No mercy. Brutal consistency is the key to credibility. Mothers, dog trainers, Israel -- you know what I'm talking about. But there's also a radical third approach: You reveal that you know the secret...and they you keep it under wraps. Do that, and they're not just going to tell you other secrets, they might even keep yours in return. And they'll think they're doing of their own free will when what you've really done is painstakingly aligned your incentives. That's all trust is, really. Some people are just incentivized by nature.
Elizabeth Little (Dear Daughter)
Missy and I became best friends, and soon after our first year together I decided to propose to her. It was a bit of a silly proposal. It was shortly before Christmas Day 1988, and I bought her a potted plant for her present. I know, I know, but let me finish. The plan was to put her engagement ring in the dirt (which I did) and make her dig to find it (which I forced her to do). I was then going to give a speech saying, “Sometimes in life you have to get your hands dirty and work hard to achieve something that grows to be wonderful.” I got the idea from Matthew 13, where Jesus gave the Parable of the Sower. I don’t know if it was the digging through the dirt to find the ring or my speech, but she looked dazed and confused. So I sort of popped the question: “You’re going to marry me, aren’t you?” She eventually said yes (whew!), and I thought everything was great.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
You’re not from around here–you CIA?” he demanded. “I’m not CIA,” I replied wearily. “Just here to see the Buddhas.” “What Buddhas?” “The Buddhas of Bamiyan?” I suggested, doing my best not to let my contempt of this bandit’s ignorance show. “Carved into the mountainside itself ?” “Hell yeah,” mused the man on the truck. “I’ve seen them. You’re right to go now–twenty years from now they won’t even be standing!” I stepped back, surprised, and had another look at this ragged, smelling, dust-covered man. He grinned, touched his hand to his forelock and said, “Well, nice to meet you, even if you aren’t CIA.” He hopped down from the truck and began to head away. I called out, surprised at myself for even doing it, “Tiananmen Square.” He stopped, then swung round on the spot, toe pointing up and ankle digging into the dirt as he did, like a dancer. Still grinning his easy grin, he swaggered back towards me, stopping so close I could feel the stickiness coming off his body. “Hell,” he said at last. “You don’t look much like a Chinese spy neither.” “You don’t look like an Afghan warlord,” I pointed out. “Well, that’s because I’m only passing through this place on the way to somewhere else.” “Anywhere in particular?” “Wherever there’s action. We’re men of war, see–that’s what we do and we do it well–and there’s no shame in that because it’ll happen without us anyway, but with us–” his grin widened “–maybe it’ll happen that little bit faster. But what’s a nice old gentleman like you doing talking about Chinese geography, hey?” “Nothing,” I replied with a shrug. “The word just popped into my head. Like Chernobyl–just words.” Fidel’s eyebrows flickered, though his grin remained fixed. Then he gave a great chuckle, slapped me so hard on the shoulder that I nearly lost my footing, stepped back a little to admire his handiwork, and finally roared out loud. “Jesus, Joseph and the Holy Mary,” he blurted. “Michael fucking Jackson to you too.
Claire North (The First Fifteen Lives of Harry August)
He was walking back through the cemetery to his car when he came upon a black man digging a grave with a shovel. The man was standing about two feet down in the unfinished grave and stopped shoveling and hurling the dirt out to the side as the visitor approached him. He wore dark coveralls and an old baseball cap, and from the gray in his mustache and the lines in his face he looked to be at least fifty. His frame, however, was still thick and strong. "I thought they did this with a machine," he said to the gravedigger. "In big cemeteries, where they do many graves, a lot of times they use a machine, that's right." He spoke like a Southerner, but very matter-of-factly, very precisely, more like a pedantic schoolteacher than a physical laborer. "I don't use a machine," the gravedigger continued, "because it can sink the other graves. THe soil can give and it can crush in on the box. And you have the gravestones you have to deal with. It's just easier in my case to do everything by hand. Much neater. Easier to take the dirt away without ruining anything else. I use a real small tractor that I can maneuver easily, and I dig by hand.
Philip Roth (Everyman)
Ballad" Oh dream, why do you do me this way? Again, with the digging, again with the digging up. Once more with the shovels. Once more, the shovels full of dirt. The vault lid. The prying. The damp boards. Mother beside me. Like she’s an old hat at this. Like all she’s got left is curiosity. Like curiosity didn’t kill the red cat. Such a sweet, gentle cat it was. Here we go again, dream. Mother, wearing her take-out-the-garbage coat. I haven’t seen that coat in years. The coat she wore to pick me up from school early. She appeared at the back of the classroom, early. Go with your mother, teacher said. Diane, you are excused. I was a little girl. Already a famous actress. I looked at the other kids. I acted lucky. Though everyone knows what an early pick-up means. An early pick-up, dream. What’s wrong, I asked my mother. It is early spring. Bright sunlight. The usual birds. Air, teetering between bearable and unbearable. Cold, but not cold enough to shiver. Still, dream, I shiver. You know, my mother said. Her long garbage coat flying. There was a wind, that day. A wind like a scurrying grandmother, dusting. Look inside yourself, my mother said. You know why I have come for you. And still I acted lucky. Lucky to be out. Lucky to be out in the cold world with my mother. I’m innocent, I wanted to say. A little white girl, trying out her innocence. A white lamb, born into a cold field. Frozen almost solid. Brought into the house. Warmed all night with hair dryers. Death? I said. Smiling. Lucky. We’re barely to the parking lot. Barely to the car ride home. But the classroom already feels like the distant past. Long ago, my classmates pitying me. Arriving at this car full of uncles. Were they wearing suits? Death such a formal occasion. My sister, angry-crying next to me. Me, encountering a fragment of evil in myself. Evilly wanting my mother to say it. What? I asked, smiling. My lamb on full display at the fair. He’s dead! my sister said. Hit me in the gut with her flute. Her flute case. Her rental flute. He’s dead! Our father. Our father, who we were not supposed to know had been dying. He’s dead! The flute gleaming in its red case. Here, my mother said at home. She’d poured us each a small glass of Pepsi We normally couldn’t afford Pepsi. Lucky, I acted. He’s no longer suffering, my mother said. Here, she said. Drink this. The little bubbles flew. They bit my tongue. My evil persisted. What is death? I asked. And now, dream, once more you bring me my answer. Dig, my mother says. Pry, she says. I don’t want to see, dream. The lid so damp it crumbles under my hands. The casket just a drawerful of bones. A drawerful. Just bones and teeth. That one tooth he had. Crooked like mine.
Diane Seuss
A good campaign usually deploys multiple tactics: paid media (TV ads, digital ads, radio ads, print ads), earned media (which is just jargon for public relations), opposition research (a euphemism for digging up dirt on someone), field (canvassing, door knocking, flyers, lit drops, posters, phone calls), lobbying (personal connections in one way or another), and today, perhaps more than anything else, social media. We went at it on every front. I convened a meeting of our senior team every morning at 8 a.m. to discuss what we could to do to drive Anthony from the race. Here’s the best of what we did: Earned media: I kicked things off by saying, on the front page of the New York Times, that if Anthony ran, I’d add an extra $20 million to our campaign budget to ensure that we destroyed his reputation so thoroughly, he’d never be able to run for anything ever again. In retrospect, the threat probably landed harder than I realized because Anthony was already starting to self-destruct. (It wasn’t like what he got caught doing on Twitter didn’t exist in other, pre-Twitter formats before then.) We started exactly where anyone would when it comes to Anthony Weiner: sex. In his time as a member of the House, Anthony had passed all of one bill. And that one illustrious piece of legislation was to give more visas to models. Yep, protecting the rights of hot women was Anthony’s sole achievement in office. That was a good point to make but not an exposé in and of itself. But then our research team noticed something: Anthony had also received campaign contributions from many of the models who received highly coveted H1B visas. Not only was this pay-to-play (give contributions, get government favors), it was illegal.
Bradley Tusk (The Fixer: My Adventures Saving Startups from Death by Politics)
Bob came back just in time to see us getting ready to leave. “O-oh, h-hey, I’m back from the restroom. D-did you find a volunteer already? Oh, okay, darn, I-I’m too late...Good luck out there…” said Bob nervously. “Oh, Bob…” I replied. Cindy and I exited the mayor’s house and headed towards the nearby trench. From there we dug tunnels towards the giant cube. “Hey, Cindy!” I yelled through the dirt wall tunnel. “Yeah?” she answered. “If you need anything just yell, ‘kay? I’m only a few feet away.” She laughed. “Oh, you’re worried about me, Steve?” “Of course! I care about you.” “Y-you do…?” I blushed. “A-ahem…I meant I care about your well-being.” “A-ah…right,” she said shyly. We proceeded to dig and placed the items until nearly sunrise with no incident. Then suddenly I heard a sharp scream coming through the dirt. AHHHHH!!!! I smashed through the dirt wall to find Cindy cornered by a brain-hungry zombie. “No worries, Cindy! I got you.” I pulled out my stone sword and drove it into the zombie. Raggggghhhhhh! I whacked it a few more times until it dropped some rotten flesh. “Whew! Thanks for saving me, Steve. I’ve never seen a zombie so up close before. They are actually quite stinky.” I laughed. “No problem. I’m here for you, Cindy.” She smiled. “The sun will be up soon, we should probably head back,” I said. She nodded. I stayed in her tunnel and led the way back. On the way back, we encountered a baby zombie. That thing was lightning quick. The tunnel was narrow, so I couldn’t really maneuver anywhere. No circle strafing technique for me. Suddenly, I heard Cindy scream from behind me. I turned around to see another zombie behind her. It must have fallen through the holes we made topside. Oh, no! We’re trapped with nowhere to go! This isn’t good, I thought to myself.
Steve the Noob (Diary of Steve the Noob 4 (An Unofficial Minecraft Book))
we neared Liverpool’s Lime Street station, we passed through a culvert with walls that appeared to rise up at least thirty feet, high enough to block out the sun. They were as smooth as Navajo sandstone. This had been bored out in 1836 and had been in continuous use ever since, the conductor told me. “All the more impressive,” he said, “when you consider it was all done by Irish navvies working with wheelbarrows and picks.” I couldn’t place his accent and asked if he himself was Irish, but he gave me a disapproving look and told me he was a native of Liverpool. He had been talking about the ragged class of nineteenth-century laborers, usually illiterate farmhands, known as “navvies”—hard-drinking and risk-taking men who were hired in gangs to smash the right-of-way in a direct line from station to station. Many of them had experienced digging canals and were known by the euphemism “navigators.” They wore the diminutive “navvy” as a term of pride. Polite society shunned them, but these magnificent railways would have been impossible without their contributions of sweat and blood. Their primary task was cleaving the hillsides so that tracks could be laid on a level plain for the weak locomotive engines of the day. Teams of navvies known as “butty gangs” blasted a route with gunpowder and then hauled the dirt out with the same kind of harness that so many children were then using in the coal mines: a man at the back of a full wheelbarrow would buckle a thick belt around his waist, then attach that to a rope dangling from the top of the slope and allow himself to be pulled up by a horse. This was how the Lime Street approach had been dug out, and it was dangerous. One 1827 fatality happened as “the poor fellow was in the act of undermining a heavy head of clay, fourteen or fifteen feet high, when the mass fell upon him and literally crushed his bowels out of his body,” as a Liverpool paper told it. The navvies wrecked old England along with themselves, erecting a bizarre new kingdom of tracks. In a passage from his 1848 novel Dombey and Son, Charles Dickens gives a snapshot of the scene outside London: Everywhere
Tom Zoellner (Train: Riding the Rails That Created the Modern World-from the Trans-Siberian to the Southwest Chief)
I fumbled in my pockets for my father’s map. I stared and rubbed the paper between my fingers. I read the sightings’ dot’s dates with my wormed eyes, connecting them in order. There was the first point where my father felt sure he’d seen mother digging in the neighbor’s yard across the street. And the second, in the field of power wires where Dad swore he saw her running at full speed. I connected dots until the first fifteen together formed a nostril. Dots 16 through 34 became an eye. Together the whole map made a perfect picture of my mother’s missing head. If I stared into the face, then, and focused on one clear section and let my brain go loose, I saw my mother’s eyes come open. I saw her mouth begin to move. Her voice echoed deep inside me, clear and brimming, bright, alive. She said, “Don’t worry, son. I’m fat and happy. They have cake here. My hair is clean.” She said, “The earth is slurred and I am sorry.” She said, “You are OK. I have your mind.” Her eyes seemed to swim around me. I felt her fingers in my hair. She whispered things she’d never mentioned. She nuzzled gleamings in my brain. As in: the day I’d drawn her flowers because all the fields were dying. As in: the downed bird we’d cleaned and given a name. Some of our years were wall to wall with wonder, she reminded me. In spite of any absence, we had that. I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he’d punched a hole straight through the kitchen wall, thinking she’d be tucked away inside. All those places he’d looked and never found her. Inside their mattress. In stained-glass windows. How he’d scoured the carpet for her stray hair and strung them all together with a ribbon; how he’d slept with that one lock swathed across his nostrils, hugging a pillow fitted with her nightshirt. How he’d dug up the backyard, stripped and sweating. How he’d played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet there was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn’t see a thing.
Blake Butler (Scorch Atlas)
Missy and I became best friends, and soon after our first year together I decided to propose to her. It was a bit of a silly proposal. It was shortly before Christmas Day 1988, and I bought her a potted plant for her present. I know, I know, but let me finish. The plan was to put her engagement ring in the dirt (which I did) and make her dig to find it (which I forced her to do). I was then going to give a speech saying, “Sometimes in life you have to get your hands dirty and work hard to achieve something that grows to be wonderful.” I got the idea from Matthew 13, where Jesus gave the Parable of the Sower. I don’t know if it was the digging through the dirt to find the ring or my speech, but she looked dazed and confused. So I sort of popped the question: “You’re going to marry me, aren’t you?” She eventually said yes (whew!), and I thought everything was great. A few days later, she asked me if I’d asked her dad for his blessing. I was not familiar with this custom or tradition, which led to a pretty heated argument about people who are raised in a barn or down on a riverbank. She finally convinced me that it was a formality that was a prerequisite for our marriage, so I decided to go along with it. I arrived one night at her dad’s house and asked if I could talk with him. I told him about the potted plant and the proposal to his daughter, and he pretty much had the same bewildered look on his face that she’d had. He answered quite politely by saying no. “I think you should wait a bit, like maybe a couple of years,” he said. I wasn’t prepared for that response. I didn’t handle it well. I don’t remember all the details of what was said next because I was uncomfortable and angry. I do remember saying, “Well, you are a preacher so I am going to give you some scripture.” I quoted 1 Corinthians 7:9, which says: “It is better to marry than to burn with passion.” That didn’t go over very well. I informed him that I’d treated his daughter with respect and he still wouldn’t budge. I then told him we were going to get married with him or without him, and I left in a huff. Over the next few days, I did a lot of soul-searching and Missy did a lot of crying. I finally decided that it was time for me to become a man. Genesis 2:24 says: “For this reason [creation of a woman] a man will leave his father and mother and be united to his wife, and they will become one flesh.” God is the architect of marriage, and I’d decided that my family would have God as its foundation. It was time for me to leave and cleave, as they say. My dad told me once that my mom would cuddle us when we were in his nest, but there would be a day when it would be his job to kick me out. He didn’t have to kick me out, nor did he have to ask me, “Who’s a man?” Through prayer and patience, Missy’s parents eventually came around, and we were more than ready to make our own nest.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
The first time Christina and Lachlan Meet ...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs. The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up. No, no. Her strike hadn't rescued her from the pillager. A champion had. A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!" Bloodied and battered, the varlet dropped to the dirt. A swordsman attacked her savior from behind. "Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back. Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened. Five enemy soldiers lay on their backs. "Quickly," the man shouted, running toward her, his feet bare. No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle. "Behind!" Christina screamed, every muscle in her body clenching taut. Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack. She picked up her reins and dug in her heels. "Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox. Christina peered around her shoulder at the mass of fighting men behind them. "My son!" "Do you see him?" the man asked in the strangest accent she'd ever heard. She tried to turn back, but the man's steely chest stopped her. "They took him." "Who?" "The English, of course." The more they talked, the further from the border the galloway took them. "Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day. The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste. White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time. At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace." The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?
Amy Jarecki (The Time Traveler's Christmas (Guardian of Scotland, #3))
In bureaucracies everywhere, when someone’s interests are threatened by a cycle of reform, one time-honored resistance strategy is to dig up dirt on the reformers. For maximum effectiveness, the dirt should be related to a brewing crisis in which people are tempted to shoot first and ask questions later. Whatever its supernatural claims may be, the Vatican is hardly exempt from this very natural law of the jungle.
Anonymous
That fact alone should let you know just how deep a hole I was digging. Or would that be, already have dug? Yeah, already dug. I was about halfway to China and still throwing dirt up in the air.
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
Sometimes you have to dig through the dirt to find the gems
Jim Good
I can only think of one good reason not to kill you: because if I killed you, I’d have to bury you, and that means shoveling. And I hate shoveling almost as much as I hate digging up dirt on politicians.
Jarod Kintz (This Book is Not for Sale)
Like Momma says, only thing you get by digging dirt is dirty.
Jamie Farrell (Matched (Misfit Brides, #2))
They do so have a choice... Of course they have a choice. Bunch of guys could get together and dig up a bunch of dirt and fill that fucking bog. Stone Age tools. You cut that shit down, you get everybody together and you carry dirt from the town and you fill it in. Human beings been doing it for thousands of years. They'd rather come home and fuck off.
Dan Morrison (The Black Nile: One Man's Amazing Journey Through Peace and War on the World's Longest River)
You always get filthy in the process of digging up dirt on others.
D. L. Dunnaville
I must have fallen asleep on a rock. It’s digging into my shoulder blade. I scrunch up and start to roll over, but then freeze. It’s not just a single rock. It’s a giant one. Like concrete. I go numb as I realize what this means. It can’t be…I ease open my eye, and then in an instant I’m sitting upright and looking around. And all I see are cars. And people in blue jeans. And street signs. And I smell smog and I hear radios crackling in the passing cabs. I close my eyes for at least ten seconds and then open them again, but it’s all still there. The twenty-first century. I can’t stop my face from falling. I’m back. Just when I’d realized I don’t want this at all, I’m back. My shopping bags are strewn around me. I’m wearing jeans. A T-shirt. My heels. I glance back to realize the Prada shop is still a few yards behind me, just where I’d left it. I’m sitting in the exact spot I’d fallen down. I never left at all. I stay put for a few moments as a pounding headache fades. Alex. Emily. Even Victoria. They were all make-believe. Some figment of my banged-up brain. That means the kiss…God, I made it all up! Every single thing! I want to lie back down, close my eyes, and go back. I want horrible soup and stiff corsets and lump mattresses. I’ll trade it all to see Alex again. To go to Emily’s wedding. A man trips on my foot and then has the nerve to glare at me, even though he basically kicked me in the shin. Yes, I’m definitely in the twenty-first century. I scramble to my feet and wipe the dirt off my jeans and lean over to pick up my bags. And then I notice them. My heels. My beautiful, damaged heels. I glance over my shoulder. Yes, the Prada shop is definitely still behind me. I’ve gone maybe four steps from the door. Nowhere near enough to ruin the heels like this. They’re scuffed, dented, and scratched. I gather up the rest of my bags, my grin in full-force. It wasn’t fake. It wasn’t make-believe or a dream or anything. It happened. As sure as the mud on the heels, it happened. There’s even a dent where the front door of Harksbury bounced off the toe. I don’t know how or why or anything, but somehow, I was there. I danced with Alex and helped Emily. I played a piano for a duke and a countess, and I ate more exotic animals than I ever wanted to. But it happened. I don’t understand it; I only know that the last month was real, and it was the best of my life. I sling the bags over my shoulder and practically skip down the block. No matter what happens next, no matter what happens for the rest of my life, I have something no one else will ever have. An adventure to rival Indiana Jones. A crazy month that can never be replicated.
Mandy Hubbard (Prada & Prejudice)
coyotes, or worse yet, earth movers come along looking for a nice juicy meal. What’s an earth mover, you ask? A badger. A badger will dig huge holes, putting out wheelbarrows full of dirt.
Tom Heck (Life on the Family Farm: Under an Open Heaven (Free eBook Sampler))
accumulation of dirt from the corridors and classroom floors. She went to the exit doors, stopping long enough to dig her key ring from her bag, and then unlocked the door and stepped into the warm evening air. She carefully locked the door
Rayven T. Hill (Silent Justice (Jake and Annie Lincoln, #8))
I did not have to say a word. The look on my face communicated everything to Jase Robertson when he presented me with my Christmas gift in 1988. It was a potted plant, not even a very big one or some exotic species, just an ordinary plant in a plain clay pot. Since I could not hide my confusion, I stared at him with a look that clearly said, “Are you kidding me?” Sensing that I was not exactly pleased with this present, Jase could hardly restrain himself from grinning as he told me to “dig around in the dirt.” As I dug, I found a small box covered in felt (and dirt). I knew immediately that it was a jewelry box but had no idea that the box held a beautiful engagement ring! Once again, the look on my face communicated everything I wanted to say, which was great, because I was so excited and surprised I could not speak. Jase looked at me and proposed in his unique way, not gushing about how much he loved me and tenderly asking for my hand in marriage. He simply said with completely confidence, “Well, you’re gonna marry me, aren’t ya?” Too thrilled and shocked to say very much, I managed to answer yes, and that was the beginning of a commitment the two of us still hold and treasure to this day, one that now includes our two amazing sons, Reed and Cole, and our remarkable daughter, Mia. We have a wonderful life together, but it did not just happen to us. Since the very beginning, when Jase and I first met, we have had challenges to overcome. We are still facing challenges, and with God’s grace and help, we are still overcoming them.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
Word slowly spread among Manhattan’s elite that a man of incomparable genius was digging ditches to survive. Sensing an opportunity, a band of wealthy investors eventually approached Tesla to develop an improved system of arc lighting. Although it wasn’t the ideal opportunity for Tesla, it beat shoveling dirt. Plus, the group was willing to finance the Tesla Electric Company, so Tesla agreed. As the proud owner of a new company, he immersed himself in the venture and developed a unique arc lamp of beautiful design and efficiency. Once
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))