“
And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I don't know if anyone's ever told you this", he begins. He doesn't blush, and his eyes don't dart away. Instead I find myself staring into a pair of oceans - one perfect, the other blemished by that tiny ripple. "You're very attractive."
I've been complimented on my appearance before. But never in his tone of voice. Of all the things he's said, I don't know why this catches me off guard. But it startles me so much that without thinking I blurt out, "I could say the same about you." I pause. "In case you didn't know."
A slow grin spreads across his face. "Oh, trust me. I know.
”
”
Marie Lu (Legend (Legend, #1))
“
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Why do I read?
I just can't help myself.
I read to learn and to grow, to laugh
and to be motivated.
I read to understand things I've never
been exposed to.
I read when I'm crabby, when I've just
said monumentally dumb things to the
people I love.
I read for strength to help me when I
feel broken, discouraged, and afraid.
I read when I'm angry at the whole
world.
I read when everything is going right.
I read to find hope.
I read because I'm made up not just of
skin and bones, of sights, feelings,
and a deep need for chocolate, but I'm
also made up of words.
Words describe my thoughts and what's
hidden in my heart.
Words are alive--when I've found a
story that I love, I read it again and
again, like playing a favorite song
over and over.
Reading isn't passive--I enter the
story with the characters, breathe
their air, feel their frustrations,
scream at them to stop when they're
about to do something stupid, cry with
them, laugh with them.
Reading for me, is spending time with a
friend.
A book is a friend.
You can never have too many.
”
”
Gary Paulsen (Shelf Life: Stories by the Book)
“
I have always been a reader; I have read at every stage of my life, and there has never been a time when reading was not my greatest joy. And yet I cannot pretend that the reading I have done in my adult years matches in its impact on my soul the reading I did as a child. I still believe in stories. I still forget myself when I am in the middle of a good book. Yet it is not the same. Books are, for me, it must be said, the most important thing; what I cannot forget is that there was a time when they were at once more banal and more essential than that. When I was a child, books were everything. And so there is in me, always, a nostalgic yearning for the lost pleasure of books. It is not a yearning that one ever expects to be fulfilled.
”
”
Diane Setterfield (The Thirteenth Tale)
“
More than anything I was relieved that in my unfamiliar babbling-and-wanting-to-talk state I'd stopped myself from blurting the thing I'd never said, even though it was something we both knew well enough without me saying out loud to him in the street - which was, of course, I love you.
”
”
Donna Tartt (The Goldfinch)
“
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
”
”
Audre Lorde
“
1. I’m lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. You’re a ghost town I’m too patriotic to leave.
6. I stay because you’re the beginning of the dream I want to remember.
7. I didn’t call him back because he likes his girls voiceless.
8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
9. I couldn’t love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didn’t want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. I’m not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, I’m insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didn’t work out.
21. My dad walked out one afternoon and never came back.
22. I can’t sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didn’t want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. You’re the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said “I love you so bad.”
29. His heart wasn’t as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. I’m a lover without a lover.
33. I’m lovely and lonely.
34. I belong deeply to myself .
”
”
Warsan Shire
“
I had no illusions about you,' he said. 'I knew you were silly and frivolous and empty-headed. But I loved you. I knew that your aims and ideals were vulgar and commonplace. But I loved you. I knew that you were second-rate. But I loved you. It's comic when I think how hard I tried to be amused by the things that amused you and how anxious I was to hide from you that I wasn't ignorant and vulgar and scandal-mongering and stupid. I knew how frightened you were of intelligence and I did everything I could to make you think me as big a fool as the rest of the men you knew. I knew that you'd only married me for convenience. I loved you so much, I didn't care. Most people, as far as I can see, when they're in love with someone and the love isn't returned feel that they have a grievance. They grow angry and bitter. I wasn't like that. I never expected you to love me, I didn't see any reason that you should. I never thought myself very lovable. I was thankful to be allowed to love you and I was enraptured when now and then I thought you were pleased with me or when I noticed in your eyes a gleam of good-humored affection. I tried not to bore you with my love; I knew I couldn't afford to do that and I was always on the lookout for the first sign that you were impatient with my affection. What most husbands expect as a right I was prepared to receive as a favor.
”
”
W. Somerset Maugham (The Painted Veil)
“
Now I am depressed myself,' I said. 'That's why I never think about these things. I never think and yet when I begin to talk I say the things I have found out in my mind without thinking.
”
”
Ernest Hemingway (A Farewell to Arms)
“
You know when I said I knew little about love? That wasn't true. I know a lot about love. I've seen it, centuries and centuries of it, and it was the only thing that made watching your world bearable. All those wars. Pain, lies, hate... It made me want to turn away and never look down again. But when I see the way that mankind loves... You could search to the furthest reaches of the universe and never find anything more beautiful. So yes, I know that love is unconditional. But I also know that it can be unpredictable, unexpected, uncontrollable, unbearable and strangely easy to mistake for loathing, and... What I'm trying to say, Tristan is... I think I love you. Is this love, Tristan? I never imagined I'd know it for myself. My heart... It feels like my chest can barely contain it. Like it's trying to escape because it doesn't belong to me any more. It belongs to you. And if you wanted it, I'd wish for nothing in exchange - no gifts. No goods. No demonstrations of devotion. Nothing but knowing you loved me too. Just your heart, in exchange for mine.
”
”
Neil Gaiman (Stardust)
“
The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand.
—should warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden.
I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact.
I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you.
I want you under me. On your back.
I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough.
I want to talk with you forever. I remember every word you've ever said to me.
If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you.
You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only you—
And there it stopped.
”
”
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
“
Shahrzad,
I've failed you several times. But there was one moment I failed you beyond measure. It was the day we met. The moment I took your hand and you looked at me, with the glory of hate in your eyes. I should have sent you home to your family. But I didn't. There was honesty in your hatred. Fearlessness in your pain. In your honesty, I saw a reflection of myself. Or rather, of the man I longed to be. So I failed you. I didn't stay away. Then later, I thought if I had answers, it would be enough. I would no longer care. You would not matter. So I continued failing you. Continued wanting more. And now I can't find the words to say what must be said. To convey to you the least of what I owe. When I think of you, I can't find the air to breathe. And now, though you are gone, there is no pain or fear. All I am left with is gratitude.
When I was a boy, my mother would tell me that one of the best things in life is the knowledge that your story isn't over yet. Our story may have come to a close, but your story is still yet to be told. Make it a story worthy of you.
I failed you in one last thing. Here is my chance to rectify it. It was never because I didn't feel it. It was because I swore I would never say it, and a man is nothing if he can't keep his promises.
So I write it in the sky-
I love you, a thousand times over. And I will never apologize for it.
Khalid
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
Do you love me, Westley? Is that it?’
He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘
‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’
‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’
‘Never stop.’
‘There has not been—‘
‘If you’re teasing me, Westley, I’m just going to kill you.’
‘How can you even dream I might be teasing?’
‘Well, you haven’t once said you loved me.’
‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’
‘You are teasing now; aren’t you?’
‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
”
”
William Goldman (The Princess Bride)
“
You sense my loneliness, (...) my bitterness at being shut out of life. My bitterness that I'm evil, that I don't deserve to be loved and yet I need love hungrily. My horror that I can never reveal myself to mortals. But these things don't stop me, Mother. I'm too strong for them to stop me. As you said yourself once, I am very good at being what I am. These things merely now and then make me suffer, that's all
”
”
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
“
Professor Dumbledore. Can I ask you something?"
"Obviously, you've just done so," Dumbledore smiled. "You may ask me one more thing, however."
"What do you see when you look in the mirror?"
"I? I see myself holding a pair of thick, woolen socks." Harry stared.
"One can never have enough socks," said Dumbledore. "Another Christmas has come and gone and I didn't get a single pair. People will insist on giving me books."
It was only when he was back in bed that it struck Harry that Dumbledore might not have been quite truthful. But then, he thought, as he shoved Scabbers off his pillow, it had been quite a personal question.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
If we might be able to save this world, how can we walk away? Too many people around here have given up! Galloran said heroes sacrifice for causes; they do things that others hide from. I may not be some great hero, but I won’t hide from this. I would never live with myself.
”
”
Brandon Mull (A World Without Heroes (Beyonders, #1))
“
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
He shook his head. You're asking that I make myself vulnerable and that I can never do. I have only one way to live. It doesn't allow for special cases. A coin toss perhaps. In this case to small purpose. Most people don't believe that there can be such a person. You see what a problem that must be for them. How to prevail over that which you refuse to acknowledge the existence of. Do you understand? When I came into your life your life was over. It had a beginning, a middle, and an end. This is the end. You can say that things could have turned out differently. That there could have been some other way. But what does that mean? They are not some other way. They are this way. You're asking that I second say the world. Do you see?
Yes, she said sobbing. I do. I truly do.
Good, he said. That's good. Then he shot her.
”
”
Cormac McCarthy (No Country for Old Men)
“
The stars are brilliant at this time of night
and I wander these streets like a ritual I don’t dare to break
for darling, the times are quite glorious.
I left him by the water’s edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well.
There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said he’d come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are can’t be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now I’m writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until they’re all gone.
Nothing left to hold me back.
You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
it’s my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
It’s been a long time since I’ve loved someone, but I know what it feels like. When you turn from me, it hurts. When you think badly of me, I think badly of myself. When you do stupid, suicidal things, I want to slap you upside the head and demand to know how you can be so brilliant and so blind at the same time.” Tybalt’s expression was calm. “If that’s not love, what is it?”
“Why are you telling me this?” I whispered.
“Because we’re probably going to die today.” He waved his free hand toward the street. “I’ve always tried not to lie to you; I’ve seen how you react when others do. Dying without telling you how I felt would be lying. I’ve been patient. I’ve given you time to recognize my feelings, and I’ve seen you choose a man who loved the girl you were, not the woman you are. Now he’s gone, and I can’t be patient anymore. I love you, October. I’ll be sorry if we die here, but I won’t be sorry I helped you… and I won’t be sorry I finally told you.”
“Tybalt…”
“Cats never regret anything,” he said, and he turned and kissed me.
”
”
Seanan McGuire (Ashes of Honor (October Daye, #6))
“
I reach out and take his hand.
“Well, he probably used up a lot of resources helping me knock you out,” I say mischievously.
“Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.”
“Or what?” I ask.
“Or . . . or . . .” He can’t think of anything good. “Just give me a minute.”
“What’s the problem?” I say with a grin.
“The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta.
“I did do the right thing,” I say.
“No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?”
I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .”
I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home.
And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread.
“If what, Katniss?” he says softly.
I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine.
“That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.
“Then I’ll just have to fill in the blanks myself,” he says, and moves in to me.
This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious.
This is the first kiss that makes me want another.
But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted.
“I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Of course it's jealousy," said Adrian nonchalantly. "What do you expect? The former love of your life comes back—from the dead, no less. That's not something I'm really excited about. But I don't blame you for feeling confused."
"I told you before—"
"I know, I know." Adrian didn't sound particularly upset. In fact, there was a surprisingly patient tone in his voice. "I know you said him coming back wouldn't affect things between us. But saying one thing before it happens and then actually having that thing happen are two different things."
"What are you getting at?" I asked, kind of confused.
"I want you, Rose." He squeezed my hand more tightly. "I've always wanted you. I want to be with you. I'd like to be like other guys and say I want to take care of you too, but...well. When it comes down to it, you'd probably be the one taking care of me."
I laughed in spite of myself. "Some days I think you're in more danger from yourself than anyone else. You smell like cigarettes, you know."
"Hey, I have never, ever said I was perfect. And you're wrong. You're probably the most dangerous thing in my life.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Never,” said he, as he ground his teeth, “never was anything at once
so frail and so indomitable. A mere reed she feels in my hand!” (And he
shook me with the force of his hold.) “I could bend her with my finger
and thumb: and what good would it do if I bent, if I uptore, if I crushed
her? Consider that eye: consider the resolute, wild, free thing looking
out of it, defying me, with more than courage—with a stern triumph.
Whatever I do with its cage, I cannot get at it—the savage, beautiful
creature! If I tear, if I rend the slight prison, my outrage will only let the
captive loose. Conqueror I might be of the house; but the inmate would
escape to heaven before I could call myself possessor of its clay dwellingplace.
And it is you, spirit—with will and energy, and virtue and purity—
that I want: not alone your brittle frame. Of yourself you could
come with soft flight and nestle against my heart, if you would: seized
against your will, you will elude the grasp like an essence—you will vanish
ere I inhale your fragrance.
”
”
Charlotte Brontë (Jane Eyre)
“
I don’t know if I’ve learned anything yet! I did learn how to have a happy home, but I consider myself fortunate in that regard because I could’ve rolled right by it. Everybody has a superficial side and a deep side, but this culture doesn’t place much value on depth — we don’t have shamans or soothsayers, and depth isn’t encouraged or understood. Surrounded by this shallow, glossy society we develop a shallow side, too, and we become attracted to fluff. That’s reflected in the fact that this culture sets up an addiction to romance based on insecurity — the uncertainty of whether or not you’re truly united with the object of your obsession is the rush people get hooked on. I’ve seen this pattern so much in myself and my friends and some people never get off that line.
But along with developing my superficial side, I always nurtured a deeper longing, so even when I was falling into the trap of that other kind of love, I was hip to what I was doing. I recently read an article in Esquire magazine called ‘The End of Sex,’ that said something that struck me as very true. It said: “If you want endless repetition, see a lot of different people. If you want infinite variety, stay with one.” What happens when you date is you run all your best moves and tell all your best stories — and in a way, that routine is a method for falling in love with yourself over and over.
You can’t do that with a longtime mate because he knows all that old material. With a long relationship, things die then are rekindled, and that shared process of rebirth deepens the love. It’s hard work, though, and a lot of people run at the first sign of trouble. You’re with this person, and suddenly you look like an asshole to them or they look like an asshole to you — it’s unpleasant, but if you can get through it you get closer and you learn a way of loving that’s different from the neurotic love enshrined in movies. It’s warmer and has more padding to it.
”
”
Joni Mitchell
“
Yet he too obsessed me for years. Until I wrote it out, I would find my lips moving; I would be arguing with him; raging against him; saying to myself all that I never said to him. How deep they drove themselves into me, the things it was impossible to say aloud.
”
”
Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
“
Three weeks, after fuckin' you, knowin' what you taste like, what you feel like, the sounds you make when you come, three weeks I'm on the road and all I got is a couple minutes of your voice on the phone every night. Fuckin' you, that's all I can think about, like a teenager, at night in the dark, it's the only thing in my goddamned head. So I jack off, hopin' to cut through it, but nothin' compares to you. Then I know you can't sleep so I can't fuckin' sleep wonderin' if you're sleepin'. That shit's whacked and I come home, fuckin' beside myself it's over."
"So we find out about each other and who we are together. I'm gonna piss you off 'cause I can be a dick. That's who I am. And you're gonna piss me off 'cause, babe, you got attitude. That's who you are. And that's who we're comin' out to be together. And I'm all right with that because, with what I had before, even when you're a bitch, I like it. But when you're not, it's a sweetness the like I've never tasted."
"You said you were waitin' for something special and he took away your chance to figure out that you were carryin' it with you all this time. You are special, Laurie.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
Shadowhunters,” he said. “They get in your blood, under your skin. I’ve been with vampires, werewolves, faeries, warlocks like me—and humans, so many fragile humans. But I always told myself I wouldn’t give my heart to a Shadowhunter. I’ve so nearly loved them, been charmed by them—generations of them, sometimes: Edmund and Will and James and Lucie . . . the ones I saved and the ones I couldn’t.” His voice choked off for a second, and Luke, staring in amazement, realized that this was the most of Magnus Bane’s real, true emotions that he had ever seen. “And Clary, too, I loved, for I watched her grow up. But I’ve never been in love with a Shadowhunter, not until Alec. For they have the blood of angels in them, and the love of angels is a high and holy thing.
”
”
Cassandra Clare (The Mortal Instruments (The Mortal Instruments, #1-4))
“
I never considered myself an idiot until this very moment,’ I said, staring wide-eyed at Eden as we drifted towards it.
‘Really?’ said Millie, blinking heavily. ‘But you’ve done so many idiotic things already.
”
”
Catherine Doyle (Inferno (Blood for Blood, #2))
“
The boy speaks up. When he does, there's such a tender quality to his voice that I can't help looking up at him. "I don't know if anyone's ever told you this," he begins. He doesn't blush,and his eyes don't dart away. Instead I find myself staring into a pair of oceans-one perfect,the other blemished by that tiny ripple. "You're very attractive."
I've been complimented on my appearance before.But never in his tone of voice.Of all the things he's said,I don't know why this catches me off guard. But it startles me so much that without thinking I blurt out, "I could say the same about you." I pause. "In case you didn't know."
A slow grin spreads across his face. "Oh,trust me.I know.
”
”
Marie Lu (Legend (Legend, #1))
“
No, she thought, you are not going to catch me so cheaply; I do not understand words and will not accept them in trade for my feelings; this man is a parrot. I will tell him that I can never understand such a thing, that maudlin self-pity does not move directly at my heart; I will not make a fool of myself by encouraging him to mock me. “I understand, yes,” she said.
”
”
Shirley Jackson (The Haunting of Hill House)
“
There's nothing I could say to you
Nothing I could ever do to make you see
What you mean to me
All the pain, the tears I cried
Still you never said goodbye and now I know
How far you'd go
I know I let you down
But it's not like that now
This time I'll never let you go
I will be, all that you want
And get myself together
Cause you keep me from falling apart
All my life, I'll be with you forever
To get you through the day
And make everything okay
I thought that I had everything
I didn't know what life could bring
But now I see, honestly
You're the one thing I got right
The only one I let inside
Now I can breathe, cause you're here with me
And if I let you down
I'll turn it all around
Cause I would never let you go
I will be, all that you want
And get myself together
Cause you keep me from falling apart
All my life, I'll be with you forever
To get you through the day
And make everything okay
Cause without you I cant sleep
I'm not gonna ever, ever let you leave
You're all I've got, you're all I want
Yeah
And without you I don't know what I'd do
I can never, ever live a day without you
Here with me, do you see,
You're all I need
And I will be, all that you want
And get myself together
Cause you keep me from falling apart
All my life (my life), I'll be with you forever
To get you through the day
And make everything okay.
”
”
Avril Lavigne
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
I closed my eyes. “Seth—”
"And when I was there and Erik sent me wherever he did, I felt…well, it was beyond anything I’d experienced. At first, I was so confused and disoriented. I didn’t get what they were saying about finding you. It seemed surreal. Then, it was the easiest thing in the world. I just looked for you, and there you were. In all that space and all that chaos, reaching you was like looking into myself. We were so close…it defied physics and every rule of nature I knew. It didn’t seem real that I could be together with anyone like that.
And when it was over, it’s like I said—I wasn’t sure what I’d just been a part of. But I knew that I had never experienced any bond like that with any other woman. Maybe you’re the only one, maybe there’s another…but regardless, I didn’t have it with Maddie. She’s amazing. I do love her. But in that situation again? I would never find her. And I knew it wasn’t fair to lead her into a life without that connection. You and I…I don’t understand what’s between us, but I’d rather spend my life alone than with someone who isn’t you.
”
”
Richelle Mead (Succubus Shadows (Georgina Kincaid, #5))
“
I hated motorcycles. I said to my mother, 'I'll never get a motorcycle.' And she said, 'You never know what you'll want when you are older.'
After that, the thing that scared me was not so much the motorcycle itself, but that I could turn into a person who would want one. I was scared of the idea that I could become an entirely different person, a stranger to myself.
”
”
Ann Brashares (The Last Summer of You and Me)
“
Then Olivia came back. She came back, dancing like a siren. I knew exactly what she was doing the night she came to my frat house and cocked her finger at me from the dance floor. If she hadn’t come to me, I would have gone to her. Forget all you know — I said to myself. This is the one you belong with. I don’t know how I knew that. Maybe our souls touched underneath that tree. Maybe I decided to love her. Maybe love wasn’t our choice. But when I looked at that woman, I saw myself differently. And it wasn’t in a good light. Not a thing would keep me from her. And that could make a person do things they never thought themselves capable of. What I felt for her scared the hell out of me. It was a consuming obsession.
In truth, I’d barely touched on the obsession. That was still coming.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
He acted like he didn't hear me. "He will let you down, because that's what he does. That's who he is."
For the rest of my life, I was going to remember those words. Everything Jeremiah said to me that day, our wedding day, I would remember. I would remember the words Jeremiah said and the way he looked at me with them. With pity, and with bitterness. I hated myself for being the one who made him bitter, because that was one thing he'd never been.
I reached up and laid my palm on his cheek. He could have pushed my hand away, he could have recoiled at my touch. He didn't. Just that one tiny thing told me what I needed to know - that Jere was still Jere and nothing could ever change that.
”
”
Jenny Han (We'll Always Have Summer (Summer, #3))
“
Forget all you know - I said to myself.
This is the one you belong with. I don't know how I knew that. Maybe our souls touched underneath that tree. Maybe I decided to love her. Maybe love wasn't our choice. But when I looked at that woman, I saw myself differently. And it wasn't in a good light. Not a thing would keep me from her. And that could make a person do things they never thought themselves capable of. What I felt for her scared the hell out of me. It was a consuming obsession. In truth, I'd barely touched on the obsession. That was still coming.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
Clay, did you ever love me?"
I'm studying a billboard and say that I didn't hear what she said.
"I asked if you ever loved me?"
On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets.
"Don't do this, Blair," I tell her.
"Just tell me."
I don't say anything.
"Is it such a hard question to answer?"
I look at her straight on.
"Yes or no?"
"Why?"
"Damnit, Clay," she sighs.
"Yeah, sure, I guess."
"Don't lie to me."
"What in the fuck do you want to hear?"
"Just tell me," she says, her voice rising.
"No," I almost shout. "I never did." I almost start to laugh.
She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine.
"Did you ever love me?" I ask her back, though by now I can't even care.
She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops.
I look at her, waiting for her to go on, looking up at the billboard. Disappear Here.
"I don't know if any other person I've been with has been really there, either ... but at least they tried."
I finger the menu; put the cigarette out.
"You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it."
I watch the cars pass by on Sunset.
"It's hard to feel sorry for someone who doesn't care."
"Yeah?" I ask.
"What do you care about? What makes you happy?"
"Nothing. Nothing makes me happy. I like nothing," I tell her.
"Did you ever care about me, Clay?"
I don't say anything, look back at the menu.
"Did you ever care about me?" she asks again.
"I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care."
"I cared about you for a little while."
I don't say anything.
She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up.
"Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me.
"Have to meet someone for lunch."
"But what about us?"
"What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?"
I look up and put my sunglasses on and try to smile. "Yeah.
”
”
Bret Easton Ellis (Less Than Zero)
“
Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.
”
”
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
“
We’re not breaking up because you want to do the noble thing for me,” he said, his voice dropping low in warning, the edge there, dark and twisted. “You will never get away from me; you should resign yourself to that now.”
“Lan––”
“I’ll kill you and then myself, that’s a promise.”
The way he said it, so matter-of-fact, I really should have worried.
”
”
Mary Calmes (Mine)
“
In my dream I apologize to everyone I meet. Instead of introducing myself, I apologize for not knowing why I am alive. I am sorry. I am sorry. I apologize. In real life, oddly enough, when I am fully awake and out and about, if I catch someone’s eye, I quickly look away. Perhaps this too is a form of apology. Perhaps this is the form apologies take in real life. In real life the looking away is the apology, despite the fact that when I look away I almost always feel guilty; I do not feel as if I have apologized. Instead I feel as if I have created a reason to apologize, I feel the guilt of having ignored that thing—the encounter. I could have nodded, I could have smiled without showing my teeth. In some small way I could have wordlessly said, I see you seeing me and I apologize for not knowing why I am alive. I am sorry. I am sorry. I apologize. Afterwards, after I have looked away, I never feel as if I can say, Look, look at me again so that I can see you, so that I can acknowledge that I have seen you, so that I can see you and apologize.
”
”
Claudia Rankine (Don’t Let Me Be Lonely: An American Lyric)
“
Things aren't like this," he kept repeating. "It shouldn't be this way." As if he had access to some other plane of existence, some parallel, "right" universe, and had sensed that our time had somehow been put out of joint. Such was his vehemence that I found myself believing him, believing, for example, in the possibility of that other life in which Vina had never left and we were making our lives together, all three of us, ascending together to the stars. Then he shook his head, and the spell broke. He opened his eyes, grinning ruefully. As if he knew his thoughts had infected mine. As if he knew his power. "Better get on with it," he said. "Make do with what there is.
”
”
Salman Rushdie (The Ground Beneath Her Feet)
“
Then I stay beside you for as long as we have." He kept stroking my hair. Cats like to be petted. Cait Sidhe like to pet. "October, I meant it when I told you I was not leaving you. I will never leave you while both of us are living. You were not quite this human when I met you, and you were far less human when I finally allowed myself to love you. But the essential core of your being has remained the same no matter what the balance of your blood."
"How is it that you always know the exact right stupid romance novel thing to say?" I asked, leaning up to kiss him.
He smiled against my lips. When I pulled back, he said. "I was a student of Shakespeare before the romance novel was even dreamt. Be glad I do not leave you horrible poetry on your pillow, wrapped securely around the bodies of dead rats.
”
”
Seanan McGuire (Chimes at Midnight (October Daye, #7))
“
I learned a lot, when I was a child, from novels and stories, even fairytales have some point to them--the good ones. The thing that impressed me most forcibly was this: the villains went to work with their brains and always accomplished something. To be sure they were "foiled" in the end, but that was by some special interposition of Providence, not by any equal exertion of intellect on the part of the good people. The heroes and middle ones were mostly very stupid. If bad things happened, they practised patience, endurance, resignation, and similar virtues; if good things happened they practised modesty and magnanimity and virtues like that, but it never seemed to occur to any of them to make things move their way. Whatever the villains planned for them to do, they did, like sheep. The same old combinations of circumstances would be worked off on them in book after book--and they always tumbled.
It used to worry me as a discord worries a musician. Hadn't they ever read anything? Couldn't they learn anything from what they read--ever? It appeared not. And it seemed to me, even as a very little child, that what we wanted was good people with brains, not just negative, passive, good people, but positive, active ones, who gave their minds to it.
"A good villain. That's what we need!" I said to myself. "Why don't they write about them? Aren't there ever any?"
I never found any in all my beloved story books, or in real life. And gradually, I made up my mind to be one.
”
”
Charlotte Perkins Gilman (Benigna Machiavelli)
“
But I didn't. And, in truth, it was maybe better that I didn't- I say that now, though it was something I regretted bitterly for a while. More than anything I was relieved that in my unfamiliar babbling-and-wanting-to-talk state I'd stopped myself from blurting the thing on the edge of my tongue, the thing I'd never said, even though it was something we both knew well enough without me saying it out loud to him in the street- which was, of course, I love you.
”
”
Donna Tartt (The Goldfinch)
“
[Stephanie] "This won't be so bad," I said to her, making an effort at convincing myself. "How about your blanket? We could wrap him up in the blanket. Then we could pick him up without actually touching him."
"I suppose that'd be all right," Lula said. "We could give it a try"
I spread the blanket on the ground beside Elliot Harp, took a deep breath, hooked my fingers around his belt and rolled him onto the blanket. I jumped back, squeezed my eyes closed tight and exhaled. No matter how much violent death I saw, I would never get used to it. "I'm gonna definitely have the runs," Lula said. "I can feel it coming on."
"Forget about the runs and help me with this body!" Lula grabbed hold of the head end of the blanket, and I grabbed hold of the foot end. Harp had full rigor and wouldn't bend, so we put him in the trunk headfirst with his legs sticking out. We carefully closed the lid on Harp's knees and secured the lid with a piece of rope Lula had in her trunk.
"Hold on," Lula said, pulling a red flowered scarf from her coat pocket, tying the scarf on Harp's foot like a flag. "Don't want to get a ticket. I hear the police are real picky about having things sticking out of your trunk."
Especially dead guys.
”
”
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
“
I think: there at the point where thought joins with me I am able to subtract myself from being, without diminishing, without changing, by means of a metamorphosis which saves me from myself, beyond any point of reference from which I might be seized. It is the property of my thought, not to assure me of existence (as all things do, as a stone does), but to assure me of being in nothingness itself, and to invite me not to be, in order te make me feel my marvelous absence. I think, said Thomas, and this visible, inexpressible, nonexistent Thomas I became meant that henceforth I was never there where I was, and there was not even anything mysterious about it. My existence became entirely that of an absent person who, in every act I performed, produced the same act and did not perform it.
”
”
Maurice Blanchot (Thomas the Obscure)
“
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit.
Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?”
“I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.”
“Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?”
I sniffled. “No,” I admitted.
“Thank Oberon,” he said, and pulled me close, and kissed me.
”
”
Seanan McGuire (Ashes of Honor (October Daye, #6))
“
Perhaps,' said Darcy, 'I should have judged better, had I sought an introduction, but I am ill qualified to recommend myself to strangers.'
'Shall we ask your cousin the reason of this?' said Elizabeth, still addressing Colonel Fitzwilliam. 'Shall we ask him why a man of sense and education, and who has lived in the world, is ill qualified to recommend himself to strangers?'
'I can answer your question,' said Fitzwilliam, 'without applying to him. It is because he will not give himself the trouble.'
'I certainly have not the talent which some people possess,' said Darcy, 'of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done.'
'My fingers,' said Elizabeth, 'do not move over this instrument in the masterly manner which I see so many women's do. They have not the same force or rapidity, and do not produce the same expression. But then I have always supposed it to be my own fault -- because I would not take the trouble of practising. It is not that I do not believe my fingers as capable as any other woman's of superior execution.'
Darcy smiled, and said, 'You are perfectly right. You have employed your time much better. No one admitted to the privilege of hearing you, can think any thing wanting. We neither of us perform to strangers.
”
”
Jane Austen (Pride and Prejudice)
“
I tramp the perpetual journey
My signs are a rain-proof coat, good shoes, and a staff cut from the
woods,
No friend of mine takes his ease in my chair,
I have no chair, no philosophy,
I lead no man to a dinner-table, library, exchange,
But each man and each woman of you I lead upon a knoll,
My left hand hooking you round the waist,
My right hand pointing to landscapes of continents and the public
road.
Not I, not any one else can travel that road for you,
You must travel it for yourself.
It is not far, it is within reach,
Perhaps you have been on it since you were born and did not know,
Perhaps it is everywhere on water and on land.
Shoulder your duds dear son, and I will mine, and let us hasten
forth,
Wonderful cities and free nations we shall fetch as we go.
If you tire, give me both burdens, and rest the chuff of your hand
on my hip,
And in due time you shall repay the same service to me,
For after we start we never lie by again.
This day before dawn I ascended a hill and look'd at the crowded
heaven,
And I said to my spirit When we become the enfolders of those orbs,
and the pleasure and knowledge of every thing in them, shall we
be fill'd and satisfied then?
And my spirit said No, we but level that lift to pass and continue
beyond.
You are also asking me questions and I hear you,
I answer that I cannot answer, you must find out for yourself.
Sit a while dear son,
Here are biscuits to eat and here is milk to drink,
But as soon as you sleep and renew yourself in sweet clothes, I kiss
you with a good-by kiss and open the gate for your egress
hence.
Long enough have you dream'd contemptible dreams,
Now I wash the gum from your eyes,
You must habit yourself to the dazzle of the light and of every
moment of your life.
Long have you timidly waded holding a plank by the shore,
Now I will you to be a bold swimmer,
To jump off in the midst of the sea, rise again, nod to me, shout,
and laughingly dash with your hair.
”
”
Walt Whitman (Song of Myself)
“
I've never lost anything,' Red said, 'Not a penny, not a memory. Never lot anything. I've gotten rid of some crap, some people, but I don't allow myself to lose things.
”
”
Scott Wolven (Controlled Burn: Stories of Prison, Crime, and Men)
“
We both had done the math. Kelly added it all up and... knew she had to let me go. I added it up, and knew that I had... lost her. 'cos I was never gonna get off that island. I was gonna die there, totally alone. I was gonna get sick, or get injured or something. The only choice I had, the only thing I could control was when, and how, and where it was going to happen. So... I made a rope and I went up to the summit, to hang myself. I had to test it, you know? Of course. You know me. And the weight of the log, snapped the limb of the tree, so I-I - , I couldn't even kill myself the way I wanted to. I had power over *nothing*. And that's when this feeling came over me like a warm blanket. I knew, somehow, that I had to stay alive. Somehow. I had to keep breathing. Even though there was no reason to hope. And all my logic said that I would never see this place again. So that's what I did. I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And now, here I am. I'm back. In Memphis, talking to you. I have ice in my glass... And I've lost her all over again. I'm so sad that I don't have Kelly. But I'm so grateful that she was with me on that island. And I know what I have to do now. I gotta keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?
”
”
William Broyles Jr. (Cast Away: The Shooting Script)
“
I don't always think I'm a good person. But telling people this only makes them want to prove me wrong, and the more they try to prove me wrong, the more I want to push them away, but the more I push them away, the guiltier I get, the nicer I become, the more they think I've changed. It never lasts. In the end I learn to hate both myself and them for things that should have lasted no longer than a few hours.' She reflected on this. 'Maybe a few nights. Inky and I could have stayed friends.'
'This is the most twisted thing you've said so far'
'What, that being kind to people makes me want to hurt them? Or that hurting them makes me want to be kind?
”
”
André Aciman (Eight White Nights)
“
I poke at my skull with a finger. It didn't feel soft or anything. I didn't feel insane. But if you'd really lost it, would you have enough left to know? Crazy people never thought they were crazy.
"I've always talked to things," I said. "And to myself."
"Good point," myself agreed with me. "Unless that means you've been nuts all along."
"I don't need wiseass remarks," I told myself severely. "There's work to do. So shut up.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
If someone had asked me, I'd have said Charles was the most important thing in the world to me. But he wasn't. And I would prove it to him. What was important to me wasn't love or friendship, but my ability to lie convincingly to myself: to believe I was strong. I could never forgive Charles for knowing I wasn't.
”
”
Tara Westover (Educated)
“
Depression lies,” said Jenny Lawson . “Because every single time, it says, ‘You’ll never come out of this again. You are absolutely worthless, your family is better off without you.’ And then I remind myself depression lies. Those things are lies.
”
”
John Moe (The Hilarious World of Depression)
“
I mean it wasn’t an empty hole, there was always something in it, but it was never right. It never fit. I went to college for a short time, until I sat back one day and said to myself: Andrew, what the fuck are you doing here? And it clicked in my head that I wasn’t there because it’s what I wanted, I was there because it’s what people expected, even people I don’t know, society. It’s what people do.
”
”
J.A. Redmerski
“
Half the places I have been to, never were. I make things up. Half the things I say are there cannot be found. When I was young I told a tale of buried gold, and men from leagues around dug in the woods. I dug myself."
"But why?"
"I thought the tale of treasure might be true."
"You said you made it up."
"I know I did, but then I didn't know I had. I forget things, too.
”
”
James Thurber (The 13 Clocks)
“
He said that those who have endured some misfortune will always be set apart but that it is just that misfortune which is their gift and which is their strength and that they must make their way back into the common enterprise of man for without they do so it cannot go forward and they themselves will wither in bitterness. He said these things to me with great earnestness and great gentleness and in the light from the portal I could see that he was crying and I knew that it was my soul he wept for. I had never been esteemed in this way. To have a man place himself in such a position. I did not know what to say. That night I thought long and not without despair about what must become of me. I wanted very much to be a person of value and I had to ask myself how this could be possible if there were not something like a soul or like a spirit that is in the life of a person and which could endure any misfortune or disfigurement and yet be no less for it. If one were to be a person of value that value could not be a condition subject to the hazards of fortune. It had to be a quality that could not change. No matter what. Long before morning I knew that what I was seeking to discover was a thing I’d always known. That all courage was a form of constancy. That it was always himself that the coward abandoned first. After this all other betrayals came easily. I knew that courage came with less struggle for some than for others but I believed that anyone who desired it could have it. That the desire was the thing itself. The thing itself. I could think of nothing else of which that was true.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
The alternation of day and night is merely a physical phenomenon, time is a question of being human and, frankly, how could I consider myself a human being, I who have only known thirty-nine people and all of them women? I think that time must have something to do with the duration of pregnancies, the growth of children, all those things that I haven’t experienced. If someone spoke to me, there would be time, the beginning and end of what they said to me, the moment when I answered, their response. The briefest conversation creates time. Perhaps I have tried to create time through writing these pages. I begin, I fill them with words, I pile them up, and I still don’t exist because nobody is reading them. I am writing them for some unknown reader who will probably never come—I am not even sure that humanity has survived that mysterious event that governed my life. But if that person comes, they will read them and I will have a time in their mind. They will have my thoughts in them. The reader and I thus mingled will constitute something living, that will not be me, because I will be dead, and will not be that person as they were before reading, because my story, added to their mind, will then become part of their thinking. I will only be truly dead if nobody ever comes, if the centuries, then the millennia go by for so long that this planet, which I no longer believe is Earth, no longer exists. As long as the sheets of paper covered in my handwriting lie on this table, I can become a reality in someone’s mind. Then everything will be obliterated, the suns will burn out and I will disappear like the universe.
”
”
Jacqueline Harpman (I Who Have Never Known Men)
“
Listen,” he said, adopting a confidential tone. “I need to tell you one last thing before I go. Something I didn’t figure out for myself until it was already too late.” He led me over to the window and motioned out at the landscape stretching out beyond it. “I created the OASIS because I never felt at home in the real world. I didn’t know how to connect with the people there. I was afraid, for all of my life. Right up until I knew it was ending. That was when I realized, as terrifying and painful as reality can be, it’s also the only place where you can find true happiness. Because reality is real. Do you understand?” “Yes,” I said. “I think I do.” “Good,” he said, giving me a wink. “Don’t make the same mistake I did. Don’t hide in here forever.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
He placed his hand over his heart and said, “You have made me feel, in here. You have made me want things I never dare let myself want. You have made me want to fight for survival, not pride. I no longer want to die on the pit’s sand, like a warrior. I no longer I want to die at all … You make me want to live.
”
”
Tillie Cole (Riot (Scarred Souls, #4))
“
What's that you're doing, Sassenach?"
"Making out little Gizmo's birth certificate--so far as I can," I added.
"Gizmo?" he said doubtfully. "That will be a saint's name?"
"I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus."
"Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee.
"One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him.
"Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him."
Jamie looked blank.
"What has that got to do wi' chickens?"
"I haven't the faintest idea. Take it up with the Vatican," I advised him.
"Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist.
"And what's he the patron of?"
"He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--"
"A what?"
"Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring."
"Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?"
He laughed.
"Any man who's had his prayer answered could tell yet that, Sassenach."
(PP. 841-842)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
I'm not good for you. I don't know why you make me want you so bad. I was angry with myself when I said all that earlier. I was mad because I wanted you in a way I'd never experienced before. Before you, I just wanted to excel in football and school. I wanted my parents to be proud of me. But now, I want other things too. You get to me in a way I don't understand
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
But you're so easy to sneak up on." He crossed his arms, leaning back against the wall. "You should be honored that I bother, since there's no challenge to it."
"Right," I said dryly.
Tybalt has never made a secret of his contempt for changelings in general and me in particular. Not even the years I spent missing could change that. If anything, it made things worse, because when I came back, I promptly removed myself from all the places he was accustomed to finding me. Hating me suddenly took effort - an effort he's proved annoying glad to make. On the other hand, it's actually been something of a relief, because it is something I can count on. Dawn comes, the moon rises and Tybalt hates me.
”
”
Seanan McGuire (Rosemary and Rue (October Daye, #1))
“
People have gotten used to living a botched-up life — to be anxious, insecure, hateful, jealous, and in various states of unpleasantness through the day — slowly humanity has begun to see it as normal. None of these things are normal. These are abnormalities. Once you accept them as part of life they become normal because the majority has joined the gang of unpleasantness. They are all saying, "Unpleasantness is normal. Being nasty to each other is normal. Being nasty to myself is normal." Someone trusted that you would be doing good things at least to yourself and said, "Do unto others what you do unto yourself." I am telling you, never do unto others what you are doing to yourself! By being with people, I know what they are doing to themselves is the worst thing. Fortunately, they are not doing such horrible things to others. Only once in a while they are giving a dose to others, but to themselves they are giving it throughout the day.
”
”
Sadhguru (Life and Death in One Breath)
“
Common sense, indeed!” said the Rocket indignantly; “you forget that I am very uncommon, and very remarkable. Why, anybody can have common sense, provided that they have no imagination. But I have imagination, for I never think of things as they really are; I always think of them as being quite different. As for keeping myself dry, there is evidently no one here who can at all appreciate an emotional nature. Fortunately for myself, I don’t care. The only thing that sustains one through life is the consciousness of the immense inferiority of everybody else, and this is a feeling that I have always cultivated.
”
”
Oscar Wilde (The Happy Prince and Other Tales)
“
Tridentarius,' I said, and I had to take a breath to stop myself from hewing her in half. Then I said:
'If you keep acting like you know her - not even like you care about her, but like you know the first thing about her - I will end you here and now. Everything you did to her, you did because she was alone. You thought nobody gave a shit about Harrowhark Nonagesimus. You played with her because you thought it was funny. But she never gave you anything. You never got anywhere.
”
”
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
“
Would I ever have the courage to tell Wills the truth? That he wasn't just imagining the world was a more difficult place for him to understand than for some of his buddies - that it was, in fact, more difficult for him. That he'd been dealt a rotten hand in that regard, but only in that one regard. Because I wouldn't change one freckle, one misunderstood moment, one tiny piece of him for anything in the world. I would change myself. I would change the things other people said or thought out of ignorance or fear. I would change so many things, but I would absolutely never, in a million years, change him.
”
”
Monica Holloway (Cowboy & Wills)
“
Maybe it was some shred of courage, or recklessness, or I was so high above everything that no one save Rhys and the wind could hear, but I said, "I'm thinking that I must have been a fool in love to allow myself to be shown so little of the Spring Court. I'm thinking there's a great deal of that territory I was never allowed to see or hear about and maybe I would have lived in ignorance forever like some pet. I'm thinking..." The words became choked. I shook my head as if I could clear the remaining ones away. But I still spoke them. "I'm thinking that I was a lonely, hopeless person, and I might have fallen in love with the first thing that showed me a hint of kindness and safety. And I'm thinking maybe he knew that — maybe not actively, but maybe he wanted to be that person for someone. And maybe that worked for who I was before. Maybe it doesn't work for who—what I am now.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each.
Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime.
There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful.
If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love:
To Gaylene deceased
To Ray deceased
To Francy permanent psychosis
To Kathy permanent brain damage
To Jim deceased
To Val massive permanent brain damage
To Nancy permanent psychosis
To Joanne permanent brain damage
To Maren deceased
To Nick deceased
To Terry deceased
To Dennis deceased
To Phil permanent pancreatic damage
To Sue permanent vascular damage
To Jerri permanent psychosis and vascular damage
. . . and so forth.
In Memoriam.
These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
”
”
Philip K. Dick (A Scanner Darkly)
“
I'll be fast. I can make you come in two minutes."
"I can do that myself. I never get to see you anymore- I'd rather talk to you"
That had to be the most romantic things anyone had ever said to me, and I went all gooshy inside.
”
”
Jordan Castillo Price (Camp Hell (PsyCop, #5))
“
We'll never get you back then," he said. The words were meant to frighten me, but instead they filled me with romantic notions that became a part of my game. I began to imagine being carried on the wind and landing on the ground, seeing for myself what was happening below our city. I could imagine such great and impossible things. Things I didn't have words for.
The madness of youth made me unafraid.
”
”
Lauren DeStefano (Perfect Ruin (The Internment Chronicles, #1))
“
Dear Camryn,
I know you're scared. I'd be lying if I said I wasn't a little scared, too, but I have to believe that this time around everything will be fine. And it will be.
We've been through so much together. More than most people in such a short time. But no matter what, the one thing that has never changed is that we're still together. Death couldn't take me away from you. Weakness couldn't make me look at you in a bad light. Drugs and all the shit that comes with them couldn't take you away from me. I think it's more safe to say that we're indestructable.
Maybe all of this has been a test. Yeah, I think about that a lot and I've convinced myself of it. A lot of people take Fate for granted. Some have everything they've ever wanted right at their fingertips, but they abuse it. Others walk right past their only opportunity because they never open their eyes long enough to see that it's there. But you and I, even before we met, took all the risks, made our own decisions without listening to everybody around us telling us, in so many ways, that what we're doing is wrong. Hell no, we did it our way, no matter how reckless, or crazy or unconventional. It's like the more we pushed and the more we fought, the harder the obstacles. Because we had to prove we were the real deal.
And I know we've done just that.
Camryn, I want you to read this letter to yourself once a week. It doesn't matter what day or what time, just read it. Every time you open it, I want you to see that another week has passed and you're still pregnant. That I'm still in good health. That we're still together. I want you to think about the three of us, you, me and our son or daughter, traveling Europe and Soth America. Because we're going to do it. I promise you that.
You're everything to me, and I want you to stay strong and not let your fear of the past taint the path to our future. Everything will work out this time, Camryn, everything will, I swear to you.
Just trust me.
Until next week...
Love,
Andrew
”
”
J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
“
She said to me, over the phone
She wanted to see other people
I thought, Well then, look around. They're everywhere
Said that she was confused...
I thought, Darling, join the club
24 years old, Mid-life crisis
Nowadays hits you when you're young
I hung up, She called back, I hung up again
The process had already started
At least it happened quick
I swear, I died inside that night
My friend, he called
I didn't mention a thing
The last thing he said was, Be sound
Sound...
I contemplated an awful thing, I hate to admit
I just thought those would be such appropriate last words
But I'm still here
And small
So small.. How could this struggle seem so big?
So big...
While the palms in the breeze still blow green
And the waves in the sea still absolute blue
But the horror
Every single thing I see is a reminder of her
Never thought I'd curse the day I met her
And since she's gone and wouldn't hear
Who would care? What good would that do?
But I'm still here
So I imagine in a month...or 12
I'll be somewhere having a drink
Laughing at a stupid joke
Or just another stupid thing
And I can see myself stopping short
Drifting out of the present
Sucked by the undertow and pulled out deep
And there I am, standing
Wet grass and white headstones all in rows
And in the distance there's one, off on its own
So I stop, kneel
My new home...
And I picture a sober awakening, a re-entry into this little bar scene
Sip my drink til the ice hits my lip
Order another round
And that's it for now
Sorry
Never been too good at happy endings...
”
”
Eddie Vedder
“
daughter of the servants.” “Gee, you must have been lonely, Judge, having nobody to play with.” “I played with Sam Westing—chess. Hour after hour I sat staring down at that chessboard. He lectured me, he insulted me, and he won every game.” The judge thought of their last game: She had been so excited about taking his queen, only to have the master checkmate her in the next move. Sam Westing had deliberately sacrificed his queen and she had fallen for it. “Stupid child, you can’t have a brain in that frizzy head to make a move like that.” Those were the last words he ever said to her. The judge continued: “I was sent to boarding school when I was twelve. My parents visited me at school when they could, but I never set foot in the Westing house again, not until two weeks ago.” “Your folks must have really worked hard,” Sandy said. “An education like that costs a fortune.” “Sam Westing paid for my education. He saw that I was accepted into the best schools, probably arranged for my first job, perhaps more, I don’t know.” “That’s the first decent thing I’ve heard about the old man.” “Hardly decent, Mr. McSouthers. It was to Sam Westing’s advantage to have a judge in his debt. Needless to say, I have excused myself from every case remotely connected with
”
”
Ellen Raskin (The Westing Game)
“
I love the way you feel inside me,” he said.
Ryder made a low, rumbling noise of contentment. “I love the way I feel inside you, too.”
“I love that you did this for me because you wanted to give me something special.” Luca started rocking back and forth on Ryder’s cock. “I love that you’ve never done it for anyone else.”
Ryder’s brow creased. “Luca…”
Luca put his hand over Ryder’s mouth, a domineering gesture that silenced Ryder instantly. He didn’t know where the words were coming from, just that they were clawing at his throat, demanding to get out.
“I love the way you treat me,” he said. “I love that you’re so much stronger than me but you never make me feel weak. I love that you take care of me without implying that I can’t take care of myself. I love that you let me take control but always call me on my bullshit.”
Luca had to pause for a moment; the pleasure of their slow, rhythmic fucking was making it difficult for him to gather his thoughts. Ryder waited, eyes watchful.
“I love that you’re always worried about doing the right thing, even when nobody else is.” Certain that Ryder wouldn’t interrupt now, Luca let go of his mouth and braced his hands on Ryder’s chest. He bounced shallowly on Ryder’s cock, soaking up his size, his strength, his steady, reassuring presence. “I love that I can trust you, and I love that I can rely on you, and – and I love you, Ryder, I do, I love you – ”
Because he did, of course he did. It was crazy to pretend that he didn’t. He might be damning them both, but he couldn’t hide from this any longer, couldn’t let Ryder go on thinking he wasn’t head-over-heels in love with him.
”
”
Cordelia Kingsbridge (Close Protection)
“
My mom always said, there are two kinds of love in this world: the steady breeze, and the hurricane.
The steady breeze is slow and patient. It fills the sails of the boats in the harbor, and lifts laundry on the line. It cools you on a hot summer’s day; brings the leaves of fall, like clockwork every year. You can count on a breeze, steady and sure and true.
But there’s nothing steady about a hurricane. It rips through town, reckless, sending the ocean foaming up the shore, felling trees and power lines and anyone dumb or fucked-up enough to stand in its path. Sure, it’s a thrill like nothing you’ve ever known: your pulse kicks, your body calls to it, like a spirit possessed. It’s wild and breathless and all-consuming.
But what comes next?
“You see a hurricane coming, you run.” My mom told me, the summer I turned eighteen. “You shut the doors, and you bar the windows. Because come morning, there’ll be nothing but the wreckage left behind.”
Emerson Ray was my hurricane.
Looking back, I wonder if mom saw it in my eyes: the storm clouds gathering, the dry crackle of electricity in the air. But it was already too late. No warning sirens were going to save me. I guess you never really know the danger, not until you’re the one left, huddled on the ground, surrounded by the pieces of your broken heart.
It’s been four years now since that summer. Since Emerson. It took everything I had to pull myself back together, to crawl out of the empty wreckage of my life and build something new in its place. This time, I made it storm-proof. Strong. I barred shutters over my heart, and found myself a steady breeze to love. I swore, nothing would ever destroy me like that summer again.
I was wrong.
That’s the thing about hurricanes. Once the storm touches down, all you can do is pray.
”
”
Melody Grace (Unbroken (Beachwood Bay, #1))
“
That war [Bosnian war] in the early 1990s changed a lot for me. I never thought I would see, in Europe, a full-dress reprise of internment camps, the mass murder of civilians, the reinstiutution of torture and rape as acts of policy. And I didn't expect so many of my comrades to be indifferent - or even take the side of the fascists. It was a time when many people on the left were saying 'Don't intervene, we'll only make things worse' or, 'Don't intervene, it might destabilise the region. And I thought - destabilisation of fascist regimes is a good thing. Why should the left care about the stability of undemocratic regimes? Wasn't it a good thing to destabilise the regime of General Franco? It was a time when the left was mostly taking the conservative, status quo position - leave the Balkans alone, leave Milosevic alone, do nothing. And that kind of conservatism can easily mutate into actual support for the aggressors. Weimar-style conservatism can easily mutate into National Socialism. So you had people like Noam Chomsky's co-author Ed Herman go from saying 'Do nothing in the Balkans', to actually supporting Milosevic, the most reactionary force in the region. That's when I began to first find myself on the same side as the neocons. I was signing petitions in favour of action in Bosnia, and I would look down the list of names and I kept finding, there's Richard Perle. There's Paul Wolfowitz. That seemed interesting to me. These people were saying that we had to act. Before, I had avoided them like the plague, especially because of what they said about General Sharon and about Nicaragua. But nobody could say they were interested in oil in the Balkans, or in strategic needs, and the people who tried to say that - like Chomsky - looked ridiculous. So now I was interested.
”
”
Christopher Hitchens
“
Since you made it clear you didn't want to hear anything about [your son], I was obliged to act behind your back.'
'I understand. You had no choice.'
'And I should not distress you now, if I were not obliged to do something that you might never forgive.'
He swallowed nausea and pride in one gulp. 'Jess, the only unforgivable thing you can do is leave me,' he said. 'Se mi lasci mi uccido. If you leave me, I'll kill myself.'
'Don't be ridiculous,' she said. 'I should never leave you. Really, Dain, I cannot think where you get such addled ideas.'
Then, as though this explained and settled everything, she promptly returned to the main subject, and told him what had happened that day
”
”
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
“
Clint stared down at him. He was wearing what appeared to be a massive, lopsided and jewel-encrusted crown, holding a scepter and surrounded by a floating mass of Roombas. “Welcome to the sovereign nation of Bartonia,” he said, with a straight face. “My subjects, the Roombas, the drones and one random mechanical bird thing that I found, and I welcome you, and ask you what the fuck you think you're doing here, you are seriously a fucking moron.”
“I'm here,” Tony gritted out, “to rescue you, and what kind of fucking attitude is that?.”
“A little short for a storm trooper, aren't you?” Clint said, arching an eyebrow. He offered Tony a hand.
“Are you wearing a crown? Seriously? Where did you get a- Why are you wearing a crown?” Tony asked, taking it and allowing Clint to help lever him back to his feet.
“Listen, dude, I have learned something about myself today. Mostly, I have learned that if I end up in some sort of alien rubbish dump surrounded by neurotic robots and without a clue as to if I'm ever going to make it home, if I find a crown, I'm putting that bad boy on. There should never be a time when you do not wear a crown. Find a crown, you wear it and declare sovereignty over the vast mechanical wastes.” Clint waved his scepter around a bit, making the Roombas dodge. “Thus, Bartonia.
”
”
Scifigrl47 (Ordinary Workplace Hazards, Or SHIELD and OSHA Aren't On Speaking Terms (In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury), #2))
“
You get to decide how you show up in this world. No one else gets to dictate to you who you are,” Stef said. I knew he was saying it for Waylay’s benefit, but the truth resonated deep down inside me too. I’d lost myself while trying to convince someone else that I was what he wanted. I’d forgotten who I was because I’d let someone else take over the definition.
”
”
Lucy Score (Things We Never Got Over (Knockemout, #1))
“
Gilbert put down the magazine he was looking at and politely said he hoped I was recovering from my injury. I said I was.
"I've never been hurt, really hurt," he went on, "that I can remember. I've tried hurting myself, of course, but that's not the same thing. It just made me uncomfortable and irritable and sweat a lot."
"That's pretty much the same thing," I said.
”
”
Dashiell Hammett (The Thin Man)
“
I’m a little scared, Grizz. Actually, more nervous than scared.” I tilted my head up to him, hands damp. “I know you have experience. I have none. I’m afraid you’ve built me up in your head to an ideal I can’t live up to. I don’t want to disappoint you.” Until that very moment I didn’t even know the extent of my feelings. But I recognized there was truth in what I said. I was falling for Grizz. I still can’t explain the Grunt thing. Maybe it wasn’t real. Maybe it was all in my head because of the dream. I didn’t know. It didn’t matter. Because while I was talking, Grizz was kissing my neck and I was letting myself enjoy it. I closed my eyes and leaned into him. “You could never disappoint me, baby and I don’t want you to have experience. Everything you need to know you’ll learn from me,” he said as he turned me around and kissed me. “Only me.
”
”
Beth Flynn (Nine Minutes (Nine Minutes, #1))
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him:
1. I’m sorry that I forgot to water your ferns while you were away that time.
2. When you said that I reminded you of your mother, was that a good thing?
3. I never really liked your friends all that much.
4. None of my friends ever really liked you.
5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway.
6. I never liked your mother.
7. After you left, I didn’t water your plants on purpose. They’re all dead.
8. Goodbye.
9. Were you ever really in love with me?
10. Was I good in bed, or just average?
11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound?
12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once.
13. So maybe I’m an idiot, but I used to be in love with you.
14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know.
15. My feet hurt, and it’s all your fault.
16. I mean it this time, goodbye.
”
”
Kelly Link (Stranger Things Happen)
“
What you went through is horrible. I'm not disputing it.'
'Okay. So?'
'Just that this man whom you depicted—it was like he was a monster. The sum total of all the evil things in the world.'
'No, I never said that.'
'But that's how it came across.'
'That's not what I intended. It was his violence. That's all.'
Here's a friend asking me if there was nothing redeemable about my ex-husband. I do not know how to justify myself. What do I tell people like him, who want a balanced picture, who want to know that this was a real person with a rainbow side, just so that they are reminded of their own humanity?
I realize that this is the curse of victimhood, to feel compelled to lend an appropriate colour of goodness to their abuser.
”
”
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
“
I took a little walk outside for a while. I was surprised that I wasn't feeling what I thought people were supposed to feel under the circumstances. May be I was fooling myself. I wasn't delighted, but I didn't feel terribly upset, perhaps because we had known for a long time that it was going to happen.
It's hard to explain. If a Martian(who, we'll imagine never dies except by accident) came to Earth and saw this peculiar race of creatures-these humans who live about seventy or eighty years, knowing that death is going to come--it would look to hi like a terrible problem of psychology to live under those circumstances, knowing that life is only temporary Well, we humans somehow figure out how to live despite this problem: we laugh, we joke, we live.
The only difference for me and Arlene was, instead of fifty years, it was five years. It was only a quantitative difference--the psychological problem was just the same. The only way it would have become any different is if we had said to ourselves, "But those other people have it better, because they might live fifty years." But that's crazy. Why make yourself miserable saying things like, "Why do we have such bad luck? What has God done to us? What have we done to deserve this?"--all of which, if you understand reality and take it completely into your heart, are irrelevant and unsolvable. They are just things that nobody can know. Your situation is just an accident of life..
We had a hell of good time together...
”
”
Richard P. Feynman
“
I know you're scared. And maybe you really meant all those things you said about our friendship, just wanting to be friends, and if you did, I'll accept that. But I feel maybe it's possible you said those things, at least in some way, because you wanted me to make the other case. As if I would come out and say, please, Eileen, don't do this to me, I've been in love with you all along, I don't know how to live without you. Or whatever, whatever you wanted me to say. Not that it's not true, of course it's true. And maybe even when you're getting angry at Alice, saying that she doesn't care about you — I don't know, maybe it's the same idea. At some level you want her to say, oh but Eileen, I love you very much, you're my best friend. But the problem is that you seem to be drawn to people who aren't very good at giving you those responses. I mean, anyone could have told you — certainly Felix and myself both knew — that Alice was never going to react that way just now. And maybe it's the same with me, in a way. If you tell me you don't want to be with me, I might feel very hurt and humiliated, but I'm not going to start begging and pleading with you. At some level, I actually think you know I won't. But then you get left with the impression that I don't love you, or I don't want you, because you're not getting this response from me — this response that you basically know you won't get, because I'm not the type of person who can give it to you.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time."
And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer.
Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. "
... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over.
There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
”
”
Herman Melville (Moby Dick)
“
I was near-delirious. Gazing up at the pillared skyline, I knew that I was surveying a tremendous work of man. Buying myself a drink in the smaller warrens below, in all their ethnic variety (and willingness to keep odd and late hours, and provide plentiful ice cubes, and free matchbooks in contrast to English parsimony in these matters), I felt the same thing in a different way. The balance between the macro and the micro, the heroic scale and the human scale, has never since ceased to fascinate and charm me. Evelyn Waugh was in error when he said that in New York there was a neurosis in the air which the inhabitants mistook for energy. There was, rather, a tensile excitement in that air which made one think—made me think for many years—that time spent asleep in New York was somehow time wasted. Whether this thought has lengthened or shortened my life I shall never know, but it has certainly colored it.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
But you sent off that Flounder fellow," Loki said, and I rolled my eyes.
"His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning."
"Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?"
"Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you."
"But I know you had a soft spot for Finn," Loki continued.
"My feelings for him have no bearing on his ability to do his job."
I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again.
"I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?"
"No." I shook my head. "We never dated. We were never anything."
I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you."
"But I suppose you think you are?" I asked with a sarcastic laugh.
"No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough."
"You think Finn doesn't?" I asked, standing up straight.
"Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will."
The truth of his words stung harder than I'd thought they would, and I swallowed hard.
"And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even."
He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe.
"But you're wrong." I shook my head. "I don't deserve that much."
"On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give."
I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else.
"I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment.
I looked away from Loki quickly and grabbed the vacuum cleaner.
"Just get as much down there as you can," I told Duncan.
"I'll try." He scooped up another load of bedding to send downstairs.
Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone.
"You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?"
Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation.
"I'll take that as a maybe later!" Loki shouted over it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
You were kind of mean to Brittany,” Holly said.
“Was I? Trying to be protective, I guess. I have a problem with cheerleaders, sorority sisters, gangs, committees, groups, anything pack-related.”
She shrugged. “Yeah, you’re not really a joiner.”
I was never much for cheerleaders or jocks myself, especially in high school. I always knew that kind of popularity was short term, but when you’re a teenager it seemed like the most important thing in the world. But Holly was only twelve.
”
”
Michael Grigsby (Segment of One)
“
In the past eighteen years, I have learned two things about pain. First: I can feel everything and survive. What I thought would kill me, didn’t. Every time I said to myself: I can’t take this anymore—I was wrong. The truth was that I could and did take it all—and I kept surviving. Surviving again and again made me less afraid of myself, of other people, of life. I learned that I’d never be free from pain but I could be free from the fear of pain, and that was enough. I finally stopped avoiding fires long enough to let myself burn, and what I learned was that I am like that burning bush: The fire of pain won’t consume me. I can burn and burn and live. I can live on fire. I am fireproof. Second: I can use pain to become. I am here to keep becoming truer, more beautiful versions of myself again and again forever. To be alive is to be in a perpetual state of revolution. Whether I like it or not, pain is the fuel of revolution. Everything I need to become the woman I’m meant to be next is inside my feelings of now. Life is alchemy, and emotions are the fire that turns me to gold. I will continue to become only if I resist extinguishing myself a million times a day. If I can sit in the fire of my own feelings, I will keep becoming.
”
”
Glennon Doyle (Untamed)
“
As a physician, I was trained to deal with uncertainty as aggressively as I dealt with disease itself. The unknown was the enemy. Within this worldview, having a question feels like an emergency; it means that something is out of control and needs to be made known as rapidly, efficiently, and cost-effectively as possible. But death has taken me to the edge of certainty, to the place of questions.
After years of trading mystery for mastery, it was hard and even frightening to stop offering myself reasonable explanations for some of the things that I observed and that others told me, and simply take them as they are. "I don't know" had long been a statement of shame, of personal and professional failing. In all of my training I do not recall hearing it said aloud even once.
But as I listened to more and more people with life-threatening illnesses tell their stories, not knowing simply became a matter of integrity. Things happened. And the explanations I offered myself became increasingly hollow, like a child whistling in the dark. The truth was that very often I didn't know and couldn't explain, and finally, weighed down by the many, many instances of the mysterious which are such an integral part of illness and healing, I surrendered. It was a moment of awakening.
For the first time, I became curious about the things I had been unwilling to see before, more sensitive to inconsistencies I had glibly explained or successfully ignored, more willing to ask people questions and draw them out about stories I would have otherwise dismissed. What I have found in the end was that the life I had defended as a doctor as precious was also Holy.
I no longer feel that life is ordinary. Everyday life is filled with mystery. The things we know are only a small part of the things we cannot know but can only glimpse. Yet even the smallest of glimpses can sustain us.
Mystery seems to have the power to comfort, to offer hope, and to lend meaning in times of loss and pain. In surprising ways it is the mysterious that strengthens us at such times. I used to try to offer people certainty in times that were not at all certain and could not be made certain. I now just offer my companionship and share my sense of mystery, of the possible, of wonder. After twenty years of working with people with cancer, I find it possible to neither doubt nor accept the unprovable but simply to remain open and wait.
I accept that I may never know where truth lies in such matters. The most important questions don't seem to have ready answers. But the questions themselves have a healing power when they are shared. An answer is an invitation to stop thinking about something, to stop wondering. Life has no such stopping places, life is a process whose every event is connected to the moment that just went by. An unanswered question is a fine traveling companion. It sharpens your eye for the road.
”
”
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
“
When I got to school the next morning I had stepped only
one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least
bit about the scene he was creating.
The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe.
“Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.”
“I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You
had your mother worried sick!”
“My mother?” I questioned sarcastically.
Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he
looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of
how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students,
where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You
can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller!
“Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute.
“I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more.
I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I
tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop.
Look, I will be your friend. I want to be your friend. But that’s it.
We can’t be anything more. It’ll never work.”
Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.”
It was hopeless.
“Fine!” I snapped. “I’ll be your stupid girlfriend!”
Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the
harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually
laughed at my request. “No promises.”
Stupid, cocky boyfriend.
“You’re crazy. You know that, right?”
Ryan got this big cheesy smile on his face and said, “Crazy about you.”
“Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?”
“Because I like you.”
His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that?
“I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.”
“You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked
a smile despite myself. “You really are crazy,” I muttered.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
It seems as if we can’t go right, or do right, or be righted,’ said Toby. ‘I hadn’t much schooling, myself, when I was young; and I can’t make out whether we have any business on the face of the earth, or not. Sometimes I think we must have a little; and sometimes I think we must be intruding. I get so puzzled sometimes that I am not even able to make up my mind whether there is any good at all in us, or whether we are born bad. We seem to do dreadful things; we seem to give a deal of trouble; we are always being complained of and guarded against. One way or another, we fill the papers. Talk of a New Year!’ said Toby, mournfully.
”
”
Charles Dickens (The Chimes)
“
We're a lot alike, though, Watanabe and me," said Nagasawa.
"Neither of us is interested, essentially, in any thing but ourselves. OK, so I'm arrogant and he's not, but neither of us is able to feel any interest in anything other than what we ourselves think or feel or do. That's why we can think about things in a way that's totally divorced from anybody else. That's what I like about him. The only difference is that he hasn't realized this about himself, and so he hesitates and feels hurt."
"What human being doesn't hesitate and feel hurt?" Hatsumi demanded. "Are you trying to say that you have never felt those things?"
"Of course I have, but I've disciplined myself to where I can minimize them. Even a rat will choose the least painful route if you shock him enough.
”
”
Haruki Murakami (Norwegian Wood)
“
I must own, too, that I can't be astonished at his being vexed to death over this business. It is excessively awkward! However, he doesn't lay the blame for that at my door: you mustn't think that!"
"I should think not indeed!" exclaimed Anthea between amusement and indignation. "How could he possibly do so?"
"No, very true, my love!" agreed Mrs Darracott. "I thought that myself, but it did put me on the fidgets when Richmond said he wanted to see me, because in general, you know, things I never even heard about turn out to be my fault.
”
”
Georgette Heyer (The Unknown Ajax)
“
You're a handsome one, aren't you?" she cooed. "So strong and sturdy. What a good hasp you must have; what a firm sense of your purpose. But you've been holding your place for so long. You can't be expecting to stay closed forever. Why, that isn't fair! The people who put you here don't appreciate you the way I do. They don't understand how difficult it is to be a lock, and do the things you do. I would appreciate you always. I would never leave you alone in the rain to rust."
"Are we watching a woman try to seduce a lock?" asked Andrew. "I'm not objecting if we are -- your kink is okay and all -- but I just want to confirm that everyone else is seeing what I'm seeing, here."
The lock clicked as it released, popping open.
"No, we're watch a woman successfully seduce a lock, said Jeffery. "Fascinating."
"Her love life must involve a lot of handcuffs," I said, earning myself a snort from Ciara as she reached out and removed the padlock from its place on the door.
"Don't ask about mine and I won't ask about yours," she said, making the lock disappear into her pocket.
”
”
Seanan McGuire (Reflections (Indexing, #2))
“
When I said I wasn’t with another girl
the January after we fell in love for the 3rd time,
it’s because it wasn’t actual sex.
In the February that began our radio silence,
it was actual sex. I hate the tight shirts
that go below your waistline.
Not only do they make you look too young,
but then your torso is a giraffe’s neck attached to tiny legs.
I screamed at myself in the subway
for writing poems about you still.
I made a scene. I think about you almost
each morning, and roughly every five days, I still
believe you’re there.
I still masturbate to you.
When we got really bad,
I would put another coat of mop water on the floor of the bar
to make sure you were asleep when I got to my side of the bed.
You are the only person to whom I’ve lied, knowing
I was telling the truth. I miss the way your neck
wraps around my face like a cave we are both lost in.
I remember when you said being with me
is like being alone with company.
My friend Sarah wrote a poem about pink ponies.
I’m scared you’re my pink pony.
Hers is dead. It is really sad. You’re not dead.
You live in Ohio, or Washington, or Wherever.
You are a shadow my body leaves on other girls.
I have a growing queue of things I know
will make you laugh and I don’t know where to put them.
I mourn like you’re dead. If you had asked me to stay,
I would not have said no.
It would never mean yes.
”
”
Jon Sands
“
I shall never go back, I said to myself.
A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden.
I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed.
I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle.
"I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses."
I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue.
”
”
Evelyn Waugh (Brideshead Revisited)
“
One Sufi mystic who had remained happy his whole life—no one had ever seen him unhappy—he was always laughing. He was laughter, his whole being was a perfume of celebration. In his old age, when he was dying—he was on his deathbed, and still enjoying death, laughing hilariously—a disciple asked, “You puzzle us. Now you are dying. Why are you laughing? What is there funny about it? We are feeling so sad. We wanted to ask you many times in your life why you are never sad. But now, confronting death, at least one should be sad. You are still laughing! How are you managing it?” And the old man said, “It is a simple clue. I had asked my master. I had gone to my master as a young man; I was only seventeen, and already miserable. And my master was old, seventy, and he was sitting under a tree, laughing for no reason at all. There was nobody else, nothing had happened, nobody had cracked a joke or anything. And he was simply laughing, holding his belly. And I asked him, ‘What is the matter with you? Are you mad or something?’ “He said, ‘One day I was also as sad as you are. Then it dawned on me that it is my choice, it is my life. Since that day, every morning when I get up, the first thing I decide is, before I open my eyes, I say to myself, “Abdullah”—that was his name—‘what do you want? Misery? Blissfulness? What are you going to choose today? And it happens that I always choose blissfulness.’” It is a choice. Try it. The first moment in the morning when you become aware that sleep has left, ask yourself, “Abdullah, another day! What is your idea? Do you choose misery or blissfulness?” And who would choose misery? And why? It is so unnatural—unless one feels blissful in misery, but then too you are choosing bliss, not misery.
”
”
Osho (Meditation: The First and Last Freedom)
“
But what I would like to know," says Albert, "is whether there would not have
been a war if the Kaiser had said No."
"I'm sure there would," I interject, "he was against it from the first."
"Well, if not him alone, then perhaps if twenty or thirty people in the world had
said No."
"That's probable," I agree, "but they damned well said Yes."
"It's queer, when one thinks about it," goes on Kropp, "we are here to protect
our fatherland. And the French are over there to protect their fatherland. Now who's in the right?"
"Perhaps both," say I without believing it.
"Yes, well now," pursues Albert, and I see that he means to drive me into a
corner, "but our professors and parsons and newspapers say that we are the only
ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?"
"That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in."
Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started.
"Mostly by one country badly offending another," answers Albert with a slight
air of superiority.
Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in
Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat."
"Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other--"
"Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."
"Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you."
"Then I can be going home right away," retorts Tjaden, and we all laugh, "Ach,
man! he means the people as a whole, the State--" exclaims Mller.
"State, State"--Tjaden snaps his fingers contemptuously, "Gendarmes, police,
taxes, that's your State;--if that's what you are talking about, no, thank you."
"That's right," says Kat, "you've said something for once, Tjaden. State and
home-country, there's a big difference."
"But they go together," insists Kropp, "without the State there wouldn't be any
home-country."
"True, but just you consider, almost all of us are simple folk. And in France,
too, the majority of men are labourers, workmen, or poor clerks. Now just why
would a French blacksmith or a French shoemaker want to attack us? No, it is
merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were."
"Then what exactly is the war for?" asks Tjaden.
Kat shrugs his shoulders. "There must be some people to whom the war is useful."
"Well, I'm not one of them," grins Tjaden.
"Not you, nor anybody else here."
"Who are they then?" persists Tjaden.
"It isn't any use to the Kaiser either. He has everything he can want already."
"I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he would not become famous. You look in your school books."
"And generals too," adds Detering, "they become famous through war."
"Even more famous than emperors," adds Kat.
"There are other people back behind there who profit by the war, that's
certain," growls Detering.
"I think it is more of a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
I've never understood America,"said the king.
"Neither do we, sir. You might say we have two governments, kind of overlapping. First we have the elected government. It's Democratic or Republican, doesn't make much difference, and then there's corporation government."
"They get along together, these governments?"
"Sometimes," said Tod. "I don't understand it myself. You see, the elected government pretends to be democratic, and actually it is autocratic. The corporation governments pretend to be autocratic and they're all the time accusing the others of socialism. They hate socialism."
"So I have heard," said Pippin.
"Well, here's the funny thing, sir. You take a big corporation in America, say like General Motors or Du Pont or U.S. Steel. The thing they're most afraid of is socialism, and at the same time they themselves are socialist states."
The king sat bolt upright. "Please?" he said.
"Well, just look at it, sir. They've got medical care for employees and their families and accident insurance and retirement pensions, paid vacations -- even vacation places -- and they're beginning to get guaranteed pay over the year. The employees have representation in pretty nearly everything, even the color they paint the factories. As a matter of fact, they've got socialism that makes the USSR look silly. Our corporations make the U.S. Government seem like an absolute monarchy. Why, if the U.S. government tried to do one-tenth of what General Motors does, General Motors would go into armed revolt. It's what you might call a paradox sir.
”
”
John Steinbeck (The Short Reign of Pippin IV)
“
No one ever stops to ask glue how it’s holding up. If it’s tired of sticking things together or worried about falling apart or wondering how it will pay its bills next week. Kenji is kind of like that. He’s like glue. He works behind the scenes to keep things together and I’ve never stopped to think about what his story might be. Why he hides behind the jokes and the snark and the snide remarks. But he was right. Everything he said to me was right. Yesterday was a good idea. I needed to get away, to get out, to be productive. And now I need to take Kenji’s advice and get over myself. I need to get my head straight.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
...one day, alone in the kitchen with my father, I let drop a few whines about the job. I gave him details, examples of what troubled me, yet although he listened intently, I saw no sympathy in his eyes. No “Oh, you poor little thing.” Perhaps he understood that what I wanted was a solution to the job, not an escape from it. In any case, he put down his cup of coffee and said, “Listen. You don’t live there. You live here. With your people. Go to work. Get your money. And come on home.”
That was what he said. This was what I heard:
1. Whatever the work is, do it well—not for the boss but for yourself.
2. You make the job; it doesn’t make you.
3. Your real life is with us, your family.
4. You are not the work you do; you are the person you are.
I have worked for all sorts of people since then, geniuses and morons, quick-witted and dull, bighearted and narrow. I’ve had many kinds of jobs, but since that conversation with my father I have never considered the level of labor to be the measure of myself, and I have never placed the security of a job above the value of home.
”
”
Toni Morrison
“
By 'stay,' do you mean forever?" I mean to ask but don't. Stay till I die? Till I am too old to take care of myself, like my father?
"For now." is my answer, but I don't know, not really. If moving to New York at age forty-eight taught me anything, it is that I am capable of starting over in a new place. And yet, the thought of leaving it, of knowing how much I would miss, is too painful to contemplate.
I remember how Wendy once told me she loved New York so much she couldn't bear the thought of it going on without her. It seemed like both the saddest and the most romantic thing one could possibly say—sad because New York can never return the sentiment, and sad because it's the kind of thing said more often about a romantic love—husband, wife, girlfriend, partner, lover. You can't imagine them going on without you. But they do. We do. Every day, we may wake up and say, What's the point? Why go on? And, there is really only one answer: To be alive.
”
”
Bill Hayes (Insomniac City: New York, Oliver, and Me)
“
Wait, wait,' he began, interrupting Oblonsky. 'Aristocratism, you say. But allow me to ask, what makes up this aristocratism of Vronsky or whoever else it may be - such aristocratism that I can be scorned? You consider Vronsky an aristocrat, but I don't. A man whose father crept out of nothing by wiliness, whose mother, God knows who she didn't have liaisons with... No, excuse me, but I consider myself an aristocrat and people like myself, who can point to three or four honest generations in their families' past, who had a high degree of education (talent and intelligence are another thing), and who never lowered themselves before anyone, never depended on anyone, as my father lived, and my grandfather. And I know many like that. You find it mean that I count the trees in the forest, while you give away thirty thousand to Ryabinin; but you'll have rent coming in and I don't know what else, while I won't, and so I value what I've inherited and worked for... We're the aristocrats, and not someone who can only exist on hand-outs from the mighty of this world and can be bought for twenty kopecks.
'But who are you attacking? I agree with you,' said Stepan Arkadyich sincerely and cheerfully, though he felt Levin included him among those who could be bought for twenty kopecks.
”
”
Leo Tolstoy (Anna Karenina)
“
Once I was asked by a seatmate on a trans-Pacific flight, a man who took the liberty of glancing repeatedly at the correspondence in my lap, what instruction he should give his fifteen-year-old daughter, who wanted to be a writer. I didn't know how to answer him, but before I could think I heard myself saying, 'Tell your daughter three things.'
"Tell her to read, I said. Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the world beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. Tell her to read classics like The Odyssey. They've been around a long time because the patterns in them have proved endlessly useful, and, to borrow Evan Connell's observation, with a good book you never touch bottom. But warn your daughter that ideas of heroism, of love, of human duty and devotion that women have been writing about for centuries will not be available to her in this form. To find these voices she will have to search. When, on her own, she begins to ask, make her a present of George Eliot, or the travel writing of Alexandra David-Neel, or To the Lighthouse.
"Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing on information, of which we are in no great need. So help her discover what she means.
"Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things.
"Read. Find out what you truly are. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these three I trust.
”
”
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
“
When I stepped outside, the Wiccans stopped, turning as one body and bestowing beatific smiles on me...
"Sister Winterbourne" the first one said. She threw open her arms, embrace me, planted a kiss on my lips, then another on my left breast. I yelped...
I grabbed the nearest discarded robe. "Could you please put this-- Could you all put these-- Could you get dressed, please?" The woman only bestowed a serene smile on me. "We are as the Goddess requires." "The Goddess requires you to be naked on my lawn?" "We aren't naked child, we're skyclad."...
"That's --uh--very-- I mean--" I stammered. Be polite, I reminded myself. Witches should respect Wiccans, even if we didn't quite get the whole Goddesss-Worship thing. I knew some Wiccans, and they were very nice people, though I must admit they'd never arrived in my backyard naked and kissed my tits before.
”
”
Kelley Armstrong (Dime Store Magic (Women of the Otherworld, #3))
“
It was freezing, but the cold effortlessly numbed my feet and aching hands. I walked quietly, barefoot, to the end of the block, leaving my shoes behind to remind me how to find my way home. I stood at the end of the street, catching snow in my mouth, and laughed softly to myself as I realized that without my insomnia and anxiety and pain I’d never have been awake to see the city that never sleeps asleep and blanketed up for winter. I smiled and felt silly, but in the best possible way. As I turned and looked back toward the hotel I noticed that my footprints leading out into the city were mismatched. One side was glistening, small and white. The other was misshapen from my limp and each heel was pooled with spots of bright red blood. It struck me as a metaphor for my life. One side light and magical. Always seeing the good. Lucky. The other side bloodied, stumbling. Never quite able to keep up. It was like the Jesus-beach-footprint-in-the-sand poem, except with less Jesus and more bleeding. It was my life, there in white and red. And I was grateful for it. “Um, miss?” It was the man from the front desk leaning tentatively out of the front door with a concerned look on his face. “Coming,” I said. I felt a bit foolish and considered trying to clarify but then thought better of it. There was no way to explain to this stranger how my mental illness had just gifted me with a magical moment. I realized it would have sounded a bit crazy, but that made sense. After all, I was a bit crazy. And I didn’t even have to pretend to be good at it. I was a damn natural.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Svetlana said that I thought of myself as a robot who could act only negatively. She said I had cynical ideas about language. “You think language is an end in itself. You don’t believe it stands for anything. No, it’s not that you don’t believe—it’s that you don’t care. For you, language itself is a self-sufficient system.”
“But it is a self-sufficient system.”
“Do you see what you’re saying? This is how you get yourself involved with the devil incarnate. Ivan sensed this attitude in you. He’s cynical in the same way you are only more so, because of math. It’s like you said: math is a language that started out so abstract, more abstract than words, and then suddenly it turned out to be the most real, the most physical thing there was. With math they built the atomic bomb. Suddenly this abstract language is leaving third-degree burns on your skin. Now there’s this special language that can control everything, and manipulate everything, and if you’re the elite who speaks it—you can control everything.
“Ivan wanted to try an experiment, a game. It would never have worked with someone different, on someone like me. But you, you’re so disconnected from truth, you were so ready to jump into a reality the two of you made up, just through language. Naturally, it made him want to see how far he could go. You went further and further—and then something went wrong. It couldn’t continue in the same way. It had to develop into something else—into sex, or something else. But for some reason, it didn’t. The experiment didn’t work. But by now you’re so, so far from all the landmarks. You’re just drifting in space.
”
”
Elif Batuman (The Idiot)
“
I suppose you have a perfectly good reason for destroying my sign?” Jericho appeared beside me. “I had to paint the bloody thing myself,” he said pissily. “There’s not a sign-maker left in the city. I have better things to do than paint.”
I gaped. Jericho Barrons was standing beside me.
Inside my head.
I shook it, half expecting him to be knocked off his feet and go rattling around.
He remained standing, urbane and implacable as ever.
“This isn’t possible,” I told him. “You can’t be here. This is my head.”
“You push into mine. I merely projected an image with the push this time, to give you something to look at.” He gave me a faint smile. “Wasn’t easy getting in. You give a whole new meaning to ‘rock head.’”
I laughed. I couldn’t help it. He invaded my thoughts and gave me guff even here.
“I found you standing in the street, staring at the sign over the bookstore. Tried talking to you but you didn’t respond. Thought I’d better take a look around. What are you doing, Mac?” he said softly—Barrons at his most alert and dangerous.
My laughter died and tears sprang to my eyes. He was in my head. I saw little point in hiding anything. He could take a good look around and see the truth for himself.
“I didn’t get the spell.” My voice broke. I’d failed him. I hated myself for that. He’d never failed me.
“I know.”
My gaze flicked to his face, bewildered. “You . . . know?”
“I knew it was a lie the moment you said it.”
I searched his eyes. “But you looked happy! You smiled. I saw things in your eyes!”
“I was happy. I knew why you’d lied.” His dark gaze was ancient, inhuman, and uncharacteristically gentle. Because you love me.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
But to be clear, I had not, at any age, desired a specific male body in the way I did now. While all my boyfriends and crushes had been reasonably good-looking, my attraction hovered up near their face, where they kept their talent and power. Lusting for the whole length of a person, head to toe, was what body-rooted fuckers did, Jordi, and men. Now, for the first time, I understood what all the fuss was about. How something beautiful could strike your heart, move you, bring you down on your knees and then, somewhat perversely, you wanted to fuck that pure, beautiful thing. Sex was a way to have it, to not just look at it but to be with it. I suddenly understood all of classical art. The endless carved nudes, Venus in her shell, David. And sexy clothes. I had worn them without really understanding why, thinking of sexy as one of many styles, not realizing it was the only style. You should always be emerging from a shell if possible. Without knowing it, without really understanding it, I had been a body for other people but I had not gotten to have one myself. I had not participated in the infuriating pleasure of wanting a real and specific body on Earth. I lay in the center of the bed, unblinking. Wanting a body had a seriousness to it. When you said you might never recover, you really meant it. This kind of desire made a wound you just had to carry with you for the rest of your life. But this was still better than never knowing. Or I hoped it was. Because in truth it was like a bad dream, a nightmare. Life didn’t just get better and better. You could actually miss out on something and that was that. That was your chance and now it was over. I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful. — How’s
”
”
Miranda July (All Fours)
“
I didn’t make a nuisance of myself, not until the end, anyway, and I never outstayed my welcome, not while there was still a welcome to be outstayed; but I was kind and sincere and thoughtful and devoted and I remembered things about her and I told her she was beautiful and bought her little presents that usually referred to a conversation we had had recently. None of this was an effort, of course, and none of it was done with any sense of calculation: I found it easy to remember things about her, because I didn’t think about anything else, and I really did think she was beautiful, and I would not have been able to prevent myself from buying her little presents, and I did not have to feign devotion. There was no effort involved. So when one of Charlie’s friends, a girl called Kate, said wistfully one lunchtime that she wished she could find somebody like me, I was surprised and thrilled. Thrilled because Charlie was listening, and it didn’t do me any harm, but surprised because all I had done was act out of self-interest.
And yet this was enough, it seemed, to turn me into someone desirable. Weird
”
”
Nick Hornby (High Fidelity)
“
I've been living like this for a long time - about twenty years. I'm forty now. I used to be in the civil service; I no longer am. I was a wicked official. I was rude, and took pleasure in it. After all, I didn't accept bribes, so I had to reward myself at least with that. (A bad witticism, but I won't cross it out. I wrote it thinking it would come out very witty; but now, seeing for myself that I simply had a vile wish to swagger - I purposely won't cross it out!) When petitioners would come for information to the desk where I sat - I'd gnash my teeth at them, and felt an inexhaustible delight when I managed to upset someone. I almost always managed. They were timid people for the most part: petitioners, you know. But among the fops there was one officer I especially could not stand. He simply refused to submit and kept rattling his sabre disgustingly. I was at war with him over that sabre for a year and a half. In the end, I prevailed. He stopped rattling. However, that was still in my youth. But do you know, gentlemen, what was the main point about my wickedness? The whole thing precisely was, the greatest nastiness precisely lay in my being shamefully conscious every moment, even in moments of the greatest bile, that I was not only not a wicked but was not even an embittered man, that I was simply frightening sparrows in vain, and pleasing myself with it. I’m foaming at the mouth, but bring me some little doll, give me some tea with a bit of suger, and maybe I’ll calm down. I’ll even wax tenderhearted, though afterwards I’ll certainly gnash my teeth at myself and suffer from insomnia for a few months out of shame. Such is my custom.
And I lied about myself just now when I said I was a wicked official. I lied out of wickedness. I was simply playing around both with the petitioners and with the officer, but as a matter of fact I was never able to become wicked.
”
”
Fyodor Dostoevsky (Notes from Underground)
“
I am scared to even say this out loud, because I worry that having confessed this fragility, you now know where to punch. I know that if I am hit where I am earnest, I will never recover.
It can sometimes feel like loving the beauty that surrounds us is somehow disrespectful to the many horrors that also surround us. But mostly, I think I'm just scared that if I show the world my belly, it will devour me. And so I wear the armor of cynicism and hide behind the great walls of irony and only glimpse beauty with my back turned to it through the claude glass. But I want to be earnest, even if it's embarrassing.
The photographer Alec Soth has said, "to me, the most beautiful thing is vulnerability. I would go a step further and argue that you cannot see the beauty which is enough unless you make yourself vulnerable to it."
So I try to turn toward that scattered light, belly out and I tell myself, "this doesn't look like a picture, and it doesn't look like a god. It is a sunset, and it is beautiful." And this whole thing you've been doing where nothing gets five stars because nothing is perfect, that's bullshit. So much is perfect. Starting with this.
”
”
John Green
“
I’ve experienced a lot in my life. I’ve been in bloody battles. I’ve been with friends who were killed. I’ve seen terrible things done to man and beast, but I’ve never felt afraid.
“I’ve been troubled. I’ve also been uneasy and tense. I’ve been in mortal danger, but I’ve never experienced that cold-sweat kind of fear, the kind that eats a man alive, brings him to his knees, and makes him beg. In fact, I always prided myself on being above that. I thought that I’d suffered through and seen so much that nothing could scare me anymore. That nothing could bring me to that point.”
He brushed a brief kiss on my neck. “I was wrong. When I found you and saw that…that thing trying to kill you, I was enraged. I destroyed it without hesitation.”
“The Kappa were terrifying.”
“I wasn’t afraid of the Kappa. I was afraid…that I’d lost you. I felt an unquenchable, gut-wrenching, corrosive fear. It was unbearable. The most agonizing part was realizing that I didn’t want to live anymore if you were gone and knowing there was nothing I could do about it. I would be stuck forever in this miserable existence without you.”
I heard every word he said. It pierced through me, and I knew I would have felt the same way if our places had been reversed. But I told myself that his heartfelt declaration was just a reflection of the tense pressure we’d been under. The little love plant in my heart was grasping at each wispy thought, absorbing his words like sweet drops of morning dew. But I chastised my heart and shoved the tender expressions of affection elsewhere, determined to be unaffected by them.
“It’s okay. I’m here. You don’t need to be afraid. I’m still around to help you break the curse,” I said, trying to keep my voice even.
He squeezed my waist and whispered softly, “Breaking the curse didn’t matter to me anymore. I thought you were dying.”
I swallowed and tried to be flippant. “Well, I didn’t. See? I lived to argue with you another day. Now don’t you wish it had gone the other way?”
His arms stiffened and he threatened, “Don’t ever say that, Kells.”
After a second of hesitation, I said, “Well, thank you. Thank you for saving me.”
He pulled me close, and I allowed myself a minute, just a minute, to lie back against him and enjoy it.
I had almost died after all. I deserved some kind of reward for surviving, didn’t I?
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
One of the most beautifully disturbing questions we can ask, is whether a given story we tell about our lives is actually true, and whether the opinions we go over every day have any foundation or are things we repeat to ourselves simply so that we will continue to play the game. It can be quite disorienting to find that a story we have relied on is not only not true - it actually never was true. Not now not ever. There is another form of obsolescence that can fray at the cocoon we have spun about ourselves, that is, the story was true at one time, and for an extended period; the story was even true and good to us, but now it is no longer true and no longer of any benefit, in fact our continued retelling of it simply imprisons us. We are used to the prison however, we have indeed fitted cushions and armchairs and made it comfortable and we have locked the door from the inside.
The imprisoning story I identified by the time the entree was served was one I had told myself for a long time. “In order to write I need peace and quiet and an undisturbed place far from others or the possibility of being disturbed. I knew however, that if I wanted to enter the next creative stage, something had to change; I simply did not have enough free space between traveling, speaking and being a good father and husband to write what I wanted to write. The key in the lock turned surprisingly easy, I simply said to myself, “What if I acted as if it wasn’t true any more, what if it had been true at one time, but now at this stage in the apprenticeship I didn’t need that kind of insulation anymore, what if I could write anywhere and at any time?” One of the interesting mercies of this kind of questioning is that it is hard to lose by asking: if the story is still true, we will soon find out and can go back to telling it. If it is not we have turned the key, worked the hinges and walked out into the clear air again with a simple swing of the door.
”
”
David Whyte
“
Or should I have said that I wanted to die, not in the sense of wanting to throw myself off of that train bridge over there, but more like wanting to be asleep forever because there isn’t any making up for killing women or even watching women get killed, or for that matter killing men and shooting them in the back and shooting them more times than necessary to actually kill them and it was like just trying to kill everything you saw sometimes because it felt like there was acid seeping down into your soul and then your soul is gone and knowing from being taught your whole life that there is no making up for what you are doing, you’re taught that your whole life, but then even your mother is so happy and proud because you lined up your sign posts and made people crumple and they were not getting up ever and yeah they might have been trying to kill you too, so you say, What are you goona do?, but really it doesn’t matter because by the end you failed at the one good thing you could have done, and the one person you promised would live is dead, and you have seen all things die in more manners than you’d like to recall and for a while the whole thing fucking ravaged your spirit like some deep-down shit, man, that you didn’t even realize you had until only the animals made you sad, the husks of dogs filled with explosives and old arty shells and the fucking guts of everything stinking like metal and burning garbage and you walk around and the smell is deep down into you now and you say, How can metal be so on fire? and Where is all this fucking trash coming from? and even back home you’re getting whiffs of it and then that thing you started to notice slipping away is gone and now it’s becoming inverted, like you have bottomed out in your spirit but yet a deeper hole is being dug because everybody is so fucking happy to see you, the murderer, the fucking accomplice, that at-bare-minimum bearer of some fucking responsibility, and everyone wants to slap you on the back and you start to want to burn the whole goddamn country down, you want to burn every yellow ribbon in sight, and you can’t explain it but it’s just, like, Fuck you, but then you signed up to go so it’s your fault, really, because you went on purpose, so you are in the end doubly fucked, so why not just find a spot and curl up and die and let’s make it as painless as possible because you are a coward and, really, cowardice got you into this mess because you wanted to be a man and people made fun of you and pushed you around in the cafeteria and the hallways in high school because you liked to read books and poems sometimes and they’d call you a fag and really deep down you know you went because you wanted to be a man and that’s never gonna happen now and you’re too much of a coward to be a man and get it over with so why not find a clean, dry place and wait it out with it hurting as little as possible and just wait to go to sleep and not wake up and fuck ‘em all.
”
”
Kevin Powers (The Yellow Birds)
“
She was cuckoo about dime stores, where she bought cosmetics and pins and combs. After we locked the expensive purchases in the station wagon we went into McCory's or Kresge's and were there by the hour, up and down the aisles with the multitude, mostly of women, and in the loud-played love music. Some things Thea liked to buy cheaply, they maybe gave her the best sense of the innermost relations of pennies and nickels and explained the real depth of money. I don't know. But I didn't think myself too good to be wandering in the dime store with her. I went where and as she said and did whatever she wanted because I was threaded to her as if through the skin. So that any trifling object she took pleasure in could become important to me at once; anything at all, a comb or hairpin or piece of line, a compass inside a tin ring that she bought with great satisfaction, or a green billed baseball cap for the road, or the kitten she kept in the apartment - she would never be anywhere without an animal.
”
”
Saul Bellow (The Adventures of Augie March)
“
So I’ve gotten used to not complaining, and I’ve gotten used to not bothering Mom and Dad with little stuff. I’ve gotten used to figuring things out on my own: how to put toys together, how to organize my life so I don’t miss friends’ birthday parties, how to stay on top of my schoolwork so I never fall behind in class. I’ve never asked for help with my homework. Never needed reminding to finish a project or study for a test. If I was having trouble with a subject in school, I’d go home and study it until I figured it out on my own. I taught myself how to convert fractions into decimal points by going online. I’ve done every school project pretty much by myself. When Mom or Dad ask me how things are going in school, I’ve always said “good”—even when it hasn’t always been so good. My worst day, worst fall, worst headache, worst bruise, worst cramp, worst mean thing anyone could say has always been nothing compared to what August has gone through. This isn’t me being noble, by the way: it’s just the way I know it is.
”
”
R.J. Palacio
“
He was beautiful when he sat alone, he was like me, he had wide lapels, he was holding the mug in the hardest possible way so that his fingers were all twisted but still long and beautiful, he didn’t like to sit alone all the time, but this time, I swear, he didn’t care on way or the other.
I’ll tell you why I like to sit alone, because I’m a sadist, that’s why we like to sit alone, because we’re the sadists who like to sit alone.
He sat alone because he was beautifully dressed for the occasion and because he was not a civilian.
We are the sadists you don’t have to worry about, you think, and we have no opinion on the matter of whether you have to worry about us, and we don’t even like to think about the matter because it baffles us.
Maybe he doesn’t mean a thing to me any more but I think he was like me.
You didn’t expect to fall in love, I said to myself and at the same time I answered gently, Do you think so?
I heard you humming beautifully, your hum said that I can’t ignore you, that I’d finally come around for a number of delicious reasons that only you knew about, and here I am, Miss Blood.
And you won’t come back, you won’t come back to where you left me, and that’s why you keep my number, so you don’t dial it by mistake when you’re fooling with the dial not even dialing numbers.
You begin to bore us with your pain and we have decided to change your pain. You said you were happiest when you danced, you said you were happiest when you danced with me, now which do you mean?
And so we changed his pain, we threw the idea of a body at him and we told him a joke, and then he thought a great deal about laughing and about the code.
And he thought that she thought that he thought that she thought the worst thing a woman could do was to take a man away from his work because that made her what, ugly or beautiful?
And now you’ve entered the mathematical section of your soul which you claimed you never had. I suppose that this, plus the broken heart, makes you believe that now you have a perfect right to go out and tame the sadists.
He had the last line of each verse of the song but he didn’t have any of the other lines, the last line was always the same, Don’t call yourself a secret unless you mean to keep it.
He thought he knew, or he actually did know too much about singing to be a singer; and if there is actually such a condition, is anybody in it, and are sadists born there?
It is not a question mark, it is not an exclamation point, it is a full stop by the man who wrote Parasites of Heaven. Even if we stated our case very clearly and all those who held as we do came to our side, all of them, we would still be very few.
”
”
Leonard Cohen (Parasites of Heaven)
“
What’s wrong?”
Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.”
He grunted, “Hmm, let me see what I can do.”
Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.”
He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head.
“Is that more comfortable for you?”
“Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.”
“What do you mean? Why can’t you relax?”
“Because you’re too close for me to relax.”
Bemused, he said, “Me being too close never bothered you when I was a tiger.”
“The tiger you and the man you are two completely different things.”
He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.”
“It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck.
He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred.
“Ren, can you not do that right now?”
He lifted his head. “You like it when I purr. It helps you sleep better.”
“Yes, well, that only works with the tiger. How can you do that as a man anyway?”
He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm.
“Uh, Ren? Explain to me how you plan to keep watch like this.”
His lips grazed my neck. “I can hear and smell the Kappa, remember?”
I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.”
Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.”
He kissed me softly and smiled. “I haven’t either.”
He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!”
He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Hey, doll face…”
“Haidyn?” I yank the phone from Kashton’s hands and look at the screen to see it’s a video. He’s sitting on my couch, dressed in nothing but a pair of jeans. The phone is propped up against something on the coffee table.
I place my hand over my mouth to hold in my sob at the sight of him. This was last night…when I saw my phone on the coffee table when he stood in front of the floor-to-ceiling windows in my living room.
“This isn’t how I wanted to tell you goodbye. But in our life, we rarely get what we want.” A soft smile tugs at his lips. “You were my exception.”
He bows his head, his right hand twirling his wedding ring around his finger as he looks at it. “I knew that you were too good for me the moment I first saw you. That I’d never live up to the man you’d deserve. So I let you go…but when you were placed back in my life, I couldn’t stop myself.” He looks back at the phone and gives a soft smile.
Back in his life?
“I’ve done a lot of unforgivable shit in my life, but the best thing I ever did was make you my wife. I wish I could have done it differently. You deserved so much more than what I gave you. I should have gotten down on one knee and begged you to spend the rest of your life with me. I should have told you how much you changed me. That you showed me what being alive truly felt like. I always felt like I was missing something…my life was boring. Same thing over and over. And then you walked into my life with that amazing smile and when I looked into your eyes—I saw a future that I never thought existed…not for a man like me, anyway.”
A lump forms in my throat, and I blink to clear the tears from my eyes so I can see him on the screen.
“I knew you’d never give a man like me the chance at forever. So I forced your hand. I had to have Adam help me.” I look up at Adam, and his green eyes are already on mine. Blinking the fresh tears away, I drop mine back to the phone. “Because I knew that’d be the only way I’d ever get you. And I just couldn’t pass up the opportunity to be your husband.” He looks away from the camera as if he can’t look at me, and my chest tightens.
How dare he leave me this memory? Why break my heart twice? When I found him in the living room and asked if he regretted marrying me…he had just left me this video. He knew then exactly what he was going to do.
His blue eyes come back to the screen, meeting mine once again. “I’m sorry I couldn’t give you the forever you deserved, doll face. But I promise I gave you all I had left to offer.”
The knot grows in my throat, and I can’t hold back the sob anymore as I remember what he said when I told him I chose to be with him forever. To some, forever is only a matter of seconds.
“Please know that I loved you more than anything in this world…and when I walk out this door, I’m leaving a piece of myself behind with you because nothing short of forever would have been enough." He smiles, and I try to catch my breath. "You'll be safe at Carnage and my brothers will protect you." He leans forward and picks up the phone before speaking. "I love you, Charlotte.
”
”
Shantel Tessier (Madness (L.O.R.D.S., #6))
“
It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.
”
”
Christopher Hitchens (Mortality)
“
The clear liquid in our eyes is seawater and therefore there are fish in our eyes, seawater being the natural medium of fish. Since blue and green are the colours of the richest seawater, blue and green eyes are the fishiest. Dark eyes are somewhat less fecund and albino eyes are nearly fishless, sadly so. But the quantity of fish in an eye means nothing. A single tigerfish can be as beautiful, as powerful, as an entire school of seafaring tuna. That science has never observed ocular fish does nothing to refute my theory; on the contrary, it emphasizes the key hypothesis, which is: love is the food of eye fish and only love will bring them out. So to look closely into someone's eyes with cold, empirical interest is like the rude tap-tap of a finder on an aquarium, which only makes the fish flee. In a similar vein, when I took to looking at myself closely in mirrors during the turmoil of adolescence, the fact that I saw nothing in my eyes, not even the smallest guppy or tadpole, said something about my unhappiness and lack of faith in myself at the time.
...I no longer believe in eye fish in [i]fact[/i], but still do in metaphor. In the passion of an embrace, when breath, the win, is at its loudest and skin at its saltiest, I still nearly think that I could stop things and hear, feel, the rolling of the sea. I am still nearly convinced that, when my love and I kiss, we will be blessed with the sight of angelfish and sea-horses rising to the surface of our eyes, these fish being the surest proof of our love. In spite of everything, I sill profoundly believe that love is something oceanic.
”
”
Yann Martel (Self)
“
I don’t remember when I stopped noticing—stopped noticing every mirror, every window, every scale, every fast-food restaurant, every diet ad, every horrifying model. And I don’t remember when I stopped counting, or when I stopped caring what size my pants were, or when I started ordering what I wanted to eat and not what seemed “safe,” or when I could sit comfortably reading a book in my kitchen without noticing I was in my kitchen until I got hungry—or when I started just eating when I got hungry, instead of questioning it, obsessing about it, dithering and freaking out, as I’d done for nearly my whole life.
I don’t remember exactly when recovery took hold, and went from being something I both fought and wanted, to being simply a way of life. A way of life that is, let me tell you, infinitely more peaceful, infinitely happier, and infinitely more free than life with an eating disorder. And I wouldn’t give up this life of freedom for the world.
What I know is this: I chose recovery. It was a conscious decision, and not an easy one. That’s the common denominator among people I know who have recovered: they chose recovery, and they worked like hell for it, and they didn’t give up. Recovery isn’t easy, at first. It takes time. It takes more work, sometimes, than you think you’re willing to do. But it is worth every hard day, every tear, every terrified moment. It’s worth it, because the trade-off is this: you let go of your eating disorder, and you get back your life.
There are a couple of things I had to keep in mind in early recovery. One was that I was going to recover, even though I didn’t feel “ready.” I realized I was never going to feel ready—I was just going to jump in and do it, ready or not, and I am deeply glad that I did. Another was that symptoms were not an option. Symptoms, as critically necessary and automatic as they feel, are ultimately a choice. You can choose to let the fallacy that you must use symptoms kill you, or you can choose not to use symptoms. Easier said than done? Of course. But it can be done.
I had to keep at the forefront of my mind the reasons I wanted to recover so badly, and the biggest one was this: I couldn’t believe in what I was doing anymore. I couldn’t justify committing my life to self-destruction, to appearance, to size, to weight, to food, to obsession, to self-harm. And that was what I had been doing for so long—dedicating all my strength, passion, energy, and intelligence to the pursuit of a warped and vanishing ideal. I just couldn’t believe in it anymore. As scared as I was to recover, to recover fully, to let go of every last symptom, to rid myself of the familiar and comforting compulsions, I wanted to know who I was without the demon of my eating disorder inhabiting my body and mind.
And it turned out that I was all right. It turned out it was all right with me to be human, to have hungers, to have needs, to take space. It turned out that I had a self, a voice, a whole range of values and beliefs and passions and goals beyond what I had allowed myself to see when I was sick. There was a person in there, under the thick ice of the illness, a person I found I could respect.
Recovery takes time, patience, enormous effort, and strength. We all have those things. It’s a matter of choosing to use them to save our own lives—to survive—but beyond that, to thrive. If you are still teetering on the brink of illness, I invite you to step firmly onto the solid ground of health. Walk back toward the world. Gather strength as you go. Listen to your own inner voice, not the voice of the eating disorder—as you recover, your voice will get clearer and louder, and eventually the voice of the eating disorder will recede. Give it time. Don’t give up. Love yourself absolutely. Take back your life.
The value of freedom cannot be overestimated. It’s there for the taking. Find your way toward it, and set yourself free.
”
”
Marya Hornbacher
“
What I have most wanted to do throughout the past ten years is to make political writing into an art. My starting point is always a feeling of partisanship, a sense of injustice. When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art’. I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing. [...]
My book about the Spanish civil war, Homage to Catalonia, is of course a frankly political book, but in the main it is written with a certain detachment and regard for form. I did try very hard in it to tell the whole truth without violating my literary instincts. But among other things it contains a long chapter, full of newspaper quotations and the like, defending the Trotskyists who were accused of plotting with Franco. Clearly such a chapter, which after a year or two would lose its interest for any ordinary reader, must ruin the book. A critic whom I respect read me a lecture about it. ‘Why did you put in all that stuff?’ he said. ‘You've turned what might have been a good book into journalism.’ What he said was true, but I could not have done otherwise. I happened to know, what very few people in England had been allowed to know, that innocent men were being falsely accused. If I had not been angry about that I should never have written the book.
”
”
George Orwell (Essays)
“
I never cared for poetry," I said.
"Your loss," Sim said absently as he turned a few pages. "Eld Vintic poetry's thunderous. It pounds at you."
"What's the meter like?"I asked, curious despite myself.
"I don't know anything about meter," Simmon said distractedly he ran his finger down the page in front of him. "It's like this:
"Sought we the Scrivani word-work of Surthur
Long-lost in ledger all hope forgotten
Yet fast-found for friendship fair the book-bringer
Hot comes the huntress Fela, flushed with finding
Breathless her breast her high blood rising
To ripen the red-cheek rouge-bloom of beauty.
"That sort of thing," Simmon said absently, his eyes still scanning the pages in front of him.
I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there.
No, it was almost s if up until that point, he'd just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually *saw* him.
Let me say this. It was worth the whole awful , irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn't notice it herself. It wasn't dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost fast for you to see. But still, you know it's there, down where you can't see, kindling.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
I’m pretty sure decapitation wouldn’t get us out of patrol.”
I smiled, which earned me a glare from Finley. “I know it must be an adjustment after having faeries, or whatever, do your dirty work for you, but this is how we do things here,” she said, shoving a black backpack at me.
“Please. You must never have met a faerie if you think they do anything dirty,” I replied.
“We’ve met plenty of faeries,” Finley snapped, but her shoulders were up around her ears, and Izzy shot her a curious look. Whatever. I had enough family drama of my own to deal with. But then I reminded myself that technically, Izzy and Finley were my family. Demons on one side, Prodigium on the other. Was it any wonder I was so screwed up?
Finley turned to face the door, which was bolted with several different locks. I watched her spin the dial on two, open another with a key she wore around her neck, ad unhook a latch at the top.
“Man, I bet it takes you forever to get into your lockers,” I joked.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Your wife,” said Arthur, looking around, “mentioned some toothpicks.” He said it with a hunted look, as if he was worried that she might suddenly leap out from behind a door and mention them again.
Wonko the Sane laughed. It was a light easy laugh, and sounded like one he had used a lot before and was happy with.
“Ah yes,” he said, “that’s to do with the day I finally realized that the world had gone totally mad and built the Asylum to put it in, poor thing, and hoped it would get better.”
This was the point at which Arthur began to feel a little nervous again.
“Here,” said Wonko the Sane, “we are outside the Asylum.” He pointed again at the rough brickwork, the pointing, and the gutters. “Go through that door” — he pointed at the first door through which they had originally entered — “and you go into the Asylum. I’ve tried to decorate it nicely to keep the inmates happy, but there’s very little one can do. I never go in there myself. If I ever am tempted, which these days I rarely am, I simply look at the sign written over the door and I shy away.”
“That one?” said Fenchurch, pointing, rather puzzled, at a blue plaque with some instructions written on it.
“Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do.”
The sign read:
“Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion.”
“It seemed to me,” said Wonko the Sane, “that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane.”
He gazed out at the Pacific again, as if daring it to rave and gibber at him, but it lay there calmly and played with the sandpipers.
“And in case it crossed your mind to wonder, as I can see how it possibly might, I am completely sane. Which is why I call myself Wonko the Sane, just to reassure people on this point. Wonko is what my mother called me when I was a kid and clumsy and knocked things over, and sane is what I am, and how,” he added, with one of his smiles that made you feel, Oh. Well that’s all right then. “I intend to remain.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
“
It made no difference to me. Dishonesty in a woman is a thing you never blame deeply—I was casually sorry, and then I forgot. It was on that same house party that we had a curious conversation about driving a car. It started because she passed so close to some workmen that our fender flicked a button on one man’s coat.
“You’re a rotten driver,” I protested. “Either you ought to be more careful, or you oughtn’t to drive at all.”
“I am careful.”
“No, you’re not.”
“Well, other people are,” she said lightly.
“What’s that got to do with it?”
“They’ll keep out of my way,” she insisted. “It takes two to make an accident.”
“Suppose you met somebody just as careless as yourself.”
“I hope I never will,” she answered. “I hate careless people. That’s why I like you.”
Her gray, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires, and I knew that first I had to get myself definitely out of that tangle back home. I’d been writing letters once a week and signing them: “Love, Nick,” and all I could think of was how, when that certain girl played tennis, a faint mustache of perspiration appeared on her upper lip. Nevertheless there was a vague understanding that had to be tactfully broken off before I was free.
Every one suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people that I have ever known.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
I might not like what you do, but you’re not going to lose me, Gin.” “Why not?” I said, forcing the words out through the lump of emotion that clogged my throat. “What’s changed?” Bria looked at me. “Because we came down here, and I saw how Donovan treated you. How he thought he was so much better than you, so much more righteous, and I realize that it’s the same way I’ve been treating you for months now, when you’ve done nothing but save my life over and over again. With no question, no hesitation, and nothing asked in return. Not one damn thing.” Tears streaked down her cheeks, and her blue eyes were agonizingly bright in her face. “The truth is that I’m ashamed of myself for acting like him and most especially for taking you for granted. When we found out that Callie was in trouble, you were the first one to do anything about it. You immediately stepped up and offered to help her. If it wasn’t for you, Callie would be dead now and probably Donovan along with her. You saved her not because I asked you to and not even because she was my friend but because you saw someone who was in trouble and you realized you could help her. Maybe you are an assassin, maybe you are one of the bad guys, but you know what? I don’t give a damn anymore. You’re my sister first, and that’s all that matters to me.” I blinked and was surprised to find hot tears sliding down my own cheeks, one after another in a torrent that I couldn’t control. She . . . she . . . understood. She actually understood who and what I was and that I would probably never change or give up being the Spider. She knew it all, and she was still here with me. All sorts of emotions surged through my heart then, but there was one that drowned out all the others—relief. Pure, sweet relief that she wasn’t going to walk out of my life, that she was going to stick with me through the good and the bad and whatever else the world threw at us. I reached forward and wrapped my arms around Bria, and she did the same to me. We stood like that for several minutes, still and quiet, with silent sobs shaking both of our bodies. Just letting out all the fear and anger and guilt that had crept up on us both and had created this gulf between us. But we’d overcome those emotions, and I’d be damned if we’d ever grow apart like this again.
”
”
Jennifer Estep (By a Thread (Elemental Assassin #6))
“
When she saw the wild gleam in his eye, her body thrummed in response and she understood why. He wanted the chase. She wanted to be pursued. “So I have to ignore you, you see,” he continued in that low, devastating tone of aristocratic command. “If I were to look at you, I would want to strip you naked. If we conversed, I would need to hear you sigh and moan. That’s not proper drawing room behavior.” He had her backed up against a wall now. Which was a fortunate thing, because her legs had gone weak. “In fact, if I let myself come anywhere near you”—he caught her wrists and lifted them, pinning her arms to the wall—“I’d have your skirts tossed up to your ears and my cock buried inside you before the rest of them looked up from their tea.” Excitement pulsed through her veins. He had her at his mercy, but she didn’t feel the slightest whisper of fear. “And that,” he said, staring hard at her mouth, “would be very bad manners.” “Well . . .” Charlotte wet her lips, daring to look up at him. “I’ve never been too concerned with etiquette.
”
”
Tessa Dare (Do You Want to Start a Scandal (Spindle Cove, #5; Castles Ever After, #4))
“
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.”
“Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder.
“Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?”
As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?”
“Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes.
“You might have broken your neck. Why can’t you leave these things to the proper authorities?”
“I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!”
“How was I supposed to do that when you never left the house alone?”
“But you could have come at any time. I was waiting for you!”
Er Lang was incensed. “Is this the thanks I get?”
If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him.
I meant to break away at once, but he caught me, his hand behind my head.
“Are you going to complain about this?” he demanded.
Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look.
“Open your mouth then.”
“Why?”
“I’m going to put my tongue in.”
That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
”
”
Yangsze Choo (The Ghost Bride)
“
You also want to know if there is something more than mere physical existence, do you not? This ceaseless round of going to an office, working at something in which you have no vital interest, quarrelling, being envious, bearing children, gossiping with your neighbour, uttering useless words—you want to know if there is something more than all this. The very word “soul” embodies the idea of a state which is indestructible, timeless, does it not? But, you see, you never find out for yourself whether or not there is such a state. You don’t say, “I am not concerned with what Christ, Shankara, or anybody else has said, nor with the dictates of tradition, of so-called civilization; I am going to find out for myself whether or not there is a state beyond the framework of time.” You don’t revolt against what civilization or the collective will has formulated; on the contrary, you accept it and say, “Yes, there is a soul.” You call that formulation one thing, another calls it something else, and then you divide yourselves and become enemies over your conflicting beliefs.
”
”
J. Krishnamurti (Think on These Things: Penetrating Talks on Self-Knowledge and Human Society)
“
Heidi said, “I have been thinking all day what a happy thing it is that God does not give us what we ask for, even when we pray and pray and pray, if He knows there is something better for us; have you felt like that?” “Why do you ask me that to-night all of a sudden?” asked Clara. “Because I prayed so hard when I was in Frankfurt that I might go home at once, and because I was not allowed to I thought God had forgotten me. And now you see, if I had come away at first when I wanted to, you would never have come here, and would never have got well.” Clara had in her turn become thoughtful. “But, Heidi,” she began again, “in that case we ought never to pray for anything, as God always intends something better for us than we know or wish for.” “You must not think it is like that, Clara,” replied Heidi eagerly. “We must go on praying for everything, for everything, so that God may know we do not forget that it all comes from Him. If we forget God, then He lets us go our own way and we get into trouble; grandmamma told me so. And if He does not give us what we ask for we must not think that He has not heard us and leave off praying, but we must still pray and say, I am sure, dear God, that Thou art keeping something better for me, and I will not be unhappy, for I know that Thou wilt make everything right in the end.” “How did you learn all that?” asked Clara. “Grandmamma explained it to me first of all, and then when it all happened just as she said, I knew it myself, and I think, Clara,” she went on, as she sat up in bed, “we ought certainly to thank God to-night that you can walk now, and that He has made us so happy.” “Yes, Heidi, I am sure you are right, and I am glad you reminded me; I almost forgot my prayers for very joy.” Both children said their prayers, and each thanked God in her own way for the blessing He had bestowed on Clara, who had for so long lain weak and ill.
”
”
Johanna Spyri (Heidi)
“
My years of struggling against inequality, abusive power, poverty, oppression, and injustice had finally revealed something to me about myself. Being close to suffering, death, executions, and cruel punishments didn't just illuminate the brokenness of others; in a moment of anguish and heartbreak, it also exposed my own brokenness. You can't effectively fight abusive power, poverty, inequality, illness, oppression, or injustice and not be broken by it.
We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. The ways in which I have been hurt - and have hurt others - are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us.
Thomas Merton said: We are bodies of broken bones. I guess I'd always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we're fractured by the choices we make; sometimes we're shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion.
We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity.
I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We've become so fearful and vengeful that we've thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak - not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we've pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we've legalized vengeful and cruel punishments, how we've allowed our victimization to justify the victimization of others. We've submitted to the harsh instinct to crush those among us whose brokenness is most visible.
But simply punishing the broken - walking away from them or hiding them from sight - only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity.
I frequently had difficult conversations with clients who were struggling and despairing over their situations - over the things they'd done, or had been done to them, that had led them to painful moments. Whenever things got really bad, and they were questioning the value of their lives, I would remind them that each of us is more than the worst thing we've ever done. I told them that if someone tells a lie, that person is not just a liar. If you take something that doesn't belong to you, you are not just a thief. Even if you kill someone, you're not just a killer. I told myself that evening what I had been telling my clients for years. I am more than broken. In fact, there is a strength, a power even, in understanding brokenness, because embracing our brokenness creates a need and desire for mercy, and perhaps a corresponding need to show mercy. When you experience mercy, you learn things that are hard to learn otherwise. You see things that you can't otherwise see; you hear things you can't otherwise hear. You begin to recognize the humanity that resides in each of us.
”
”
Bryan Stevenson (Just Mercy)
“
For what it's worth, I know how you feel," Conner told him. "I used to doubt myself a lot. When people told me I wasn't good enough, I believed them. It's hard not to when you're young."
"Tell me about it," Bold said. "Does it get better when you're older?"
"It did for me," Conner said.
"How?" Bolt asked.
"Someone else believed in me," Conner said. "All it took was one person's approval and suddenly I believed myself, too. It gave me a shield to block out all the doubt and negativity. It made me realize I was just as capable and deserving as the people I compared myself to. But you know what? I was wrong."
"You were?" Bolt asked.
"Totally," Conner said. "I didn't need someone else. I had confidence in myself, deep down inside, the whole time. Approval is just a shortcut to self-worth, but sometimes we have to find things out on your own. Sometimes if we want something bad enough, we have to inspire ourselves to get it. Sometimes we have to be our own superhero."
Out of everything Conner said, he could tell this resonated with the boy the most. If he wanted to help people, maybe he had to start with himself.
"But what if I fail?" Bolt asked. "What if the Snake Lord wins and I don't save anyone? Then I'll never be a superhero."
"A very wise man once told me that 'courage is what makes a superhero super,'" Conner said. "He never sad anything about succeeding.
”
”
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
“
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant.
“Mr. Kadam, wait. I don’t understand.”
Dining companion? What is he talking about? Maybe he’s confused.
Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.”
I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell.
I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.”
A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry.
“Ren.”
He smiled. “Who else?”
He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly.
He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one.
I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes.
He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him.
Nervous and impatient, I asked, “Are you finished?”
“Almost.” He was now staring at my strappy shoes.
“Well, hurry up!”
His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.”
I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.”
He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.”
“I was being sarcastic, Ren.”
He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit.
I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it.
He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.”
I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.”
“Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.”
He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
167
It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog.
I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot.
Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop?
Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing?
A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
”
”
Fernando Pessoa (The Book of Disquiet)
“
His likeness? How can I trace it? I have seen Arsène Lupin a score of times, and each time a different being has stood before me… or rather the same being under twenty distorted images reflected by as many mirrors, each image having its special eyes, its particular facial outline, its own gestures, profile, and character.
“I myself,” he once said to me, “have forgotten what I am really like. I no longer recognize myself in a glass.”
A paradoxical whim of the imagination, no doubt; and yet true enough as regards those who come into contact with him, and who are unaware of his infinite resources, his patience, his unparalleled skill in make-up, and his prodigious faculty for changing even the proportions of his face and altering the relations of his features one to the other.
“Why,” he asked, “should I have a definite, fixed appearance? Why not avoid the dangers attendant upon a personality that is always the same? My actions constitute my identity sufficiently.”
And he added, with a touch of pride:
“It is all the better if people are never able to say with certainty: ‘There goes Arsène Lupin.’ The great thing is that they should say without fear of being mistaken: ‘That action was performed by Arsène Lupin.
”
”
Maurice Leblanc (The Adventures of Arsène Lupin, Gentleman-Thief (Macmillan Collector's Library))
“
Now, I've another errand for you,' said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!"
I flew thither and back, bringing the desired vessels.
"That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water."
He held out the tiny glass, and I half filled it from the water-bottle on the washstand.
"That will do;--now wet the lip of the phial."
I did so; he measured twelve drops of a crimson liquid, and presented it to Mason.
"Drink, Richard: it will give you the heart you lack, for an hour or so."
"But will it hurt me?--is it inflammatory?"
"Drink! drink! drink!"
Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm--
"Now I am sure you can get on your feet," he said--"try."
The patient rose.
"Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!"
"I do feel better," remarked Mr. Mason.
"I am sure you do.
”
”
Charlotte Brontë (Jane Eyre)
“
Oak puts a hand on my arm. I startle.
'You all right?' he asks.
'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.'
Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind.
But then, he had sisters who were stolen. Perhaps they had cried, too.
'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.'
He nods, just a little, as though more movement might break the spell of my speaking.
'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.'
'You will have this every day if you cease you're crying,' he said.
'But I couldn't stop.
'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't.
'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did.
'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that.
'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good.
'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice.
'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three.
'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.'
His eyes shone with horror.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
I don’t know what you want to call it, what we are to each other now,” I said. “But I wanted you to know that your friendship has...quite literally altered me.”
For a few long seconds, he just stared at me. There were new things to discover in his face still, even after so long spent in close company. Faint shadows under his cheekbones. The scar that ran through his eyebrow.
“You don’t know what to call it?” he said, when he finally spoke again.
His armor hit the ground with a clatter, and he reached for me. Wrapped an arm around my waist. Pulled me against him. Whispered against my mouth: “Sivbarat. Zethetet.”
One Shotet word, one Thuvhesit. Sivbarat referred to a person’s dearest friend, someone so close that to lose them would be like losing a limb. And the Thuvhesit word, I had never heard before.
We didn’t quite know how to fit together, lips too wet, teeth where they didn’t belong. But that was all right; we tried again, and this time it was like the spark that came from friction, a jolt of energy through my body.
He clutched at my sides, pulled my shirt into his fists. His hands were deft from handling carving knives and powders, and he smelled like it, too, like herbs and potions and vapor.
I pressed into him, feeling the rough stairwell wall against my hands, and his quick, hot breaths against my neck. I had wondered, I had wondered what it was like to go through life without feeling pain, but this was not the absence of pain I had always craved, it was the opposite, it was pure sensation. Soft, warm, aching, heavy, everything, everything.
I heard, echoing through the safe house, a kind of commotion. But before I let myself pull away so we could see what it was, I asked him quietly, “What does it mean, ‘zethetet’?”
He looked away, like he was embarrassed. I caught sight of that creeping blush around the collar of his shirt.
“Beloved,” he said softly. He kissed me again, then picked up his armor and led the way toward the renegades.
I couldn’t stop smiling.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark.
First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched.
Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good.
Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste.
I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!”
I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
”
”
Cicely Tyson (Just as I Am)
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Let’s ask him,” Lincoln Steffens suggested. The two men dashed across to headquarters and burst into Roosevelt’s office. Riis put the question directly. Was he working to be President? The effect, wrote Steffens, “was frightening.” TR leaped to his feet, ran around his desk, and fists clenched, teeth bared, he seemed about to throttle Riis, who cowered away, amazed. “Don’t you dare ask me that,” TR yelled at Riis. “Don’t you put such ideas into my head. No friend of mine would ever say a thing like that, you—you—” Riis’s shocked face or TR’s recollection that he had few friends as devoted as Jake Riis halted him. He backed away, came up again to Riis, and put his arm over his shoulder. Then he beckoned me close and in an awed tone of voice explained. “Never, never, you must never either of you remind a man at work on a political job that he may be President. It almost always kills him politically. He loses his nerve; he can’t do his work; he gives up the very traits that are making him a possibility. I, for instance, I am going to do great things here, hard things that require all the courage, ability, work that I am capable of … But if I get to thinking of what it might lead to—” He stopped, held us off, and looked into our faces with his face screwed up into a knot, as with lowered voice he said slowly: “I must be wanting to be President. Every young man does. But I won’t let myself think of it; I must not, because if I do, I will begin to work for it, I’ll be careful, calculating, cautious in word and act, and so—I’ll beat myself. See?” Again he looked at us as if we were enemies; then he threw us away from him and went back to his desk. “Go on away, now,” he said, “and don’t you ever mention the—don’t you ever mention that to me again.”141
”
”
Edmund Morris (The Rise of Theodore Roosevelt (Theodore Roosevelt, #1))
“
What did she say to you?"
"Nothing."
"Oh, great. I have to try to get you out of this mess after you hit a girl for nothing," he whispered angrily. "Josephine, don't waste my time. You don't seem like a violent type. She had to have said something to rile you.
"I just don't like her. She's vain. She puts her hair all over my books when she sits in front of me in class."
"So you hit her?"
"No ... yes."
"A girl puts her hair all over your books, so you break her nose?"
"Well, I don't think it's broken, personally."
"Doctor Kildare, we are not here to give a medical opinion. I want to know what she said to you."
"God," I yelled exasperated. "She said something to upset me, okay?"
"What? That you were ugly? That you smell? What?"
I looked horrified.
"I'm not ugly. I don't smell."
He sighed and took off his glasses, sitting down in front of me and pulling my chair towards him. "I was just asking for a reason."
"Never mind," I said.
"That creep out there wants -you to pay for his daughter's nose-job. Because of that nose-job she will be a famous model one day and you'll be working in a fast-food chain because you couldn't finish your Higher School Certificate due to expulsion. Now tell me what she said."
"There's nothing wrong with a fast-food chain," I said, thinking of my McDonald's job.
"I'm really getting pissed off now, Josephine. You called me out of work for this and you won't tell me why."
"Just go," I said, as he stood up and paced the room.
"I'll defend myself in court."
He groaned and looked up to the ceiling pulling his hair. "God save me from days like this," he begged.
"Go," I yelled.
"Okay. Let him win. He's a creep. Creeps always win," he said walking to the door. "But don't think you're going to make it in a court room, young lady. If you can't be honest, don't expect to stand up in a court room and defend honesty."
"She called me a wog, amongst other things," I said, finally. "I haven't been called one for so long. It offended me. It made me feel pathetic."
"Did you provoke her?"
"Yes. I called her a racist pig due to some things she was saying."
"Is she one?"
"God, yes. The biggest.
”
”
Melina Marchetta (Looking for Alibrandi)
“
Except for my net, everything I have need of in the world is contained in that bag—including a second hat and a rather sizable jar of cold cream of roses. Do not tell me you couldn’t travel with as little. I have faith that men can be as reasonable and logical as women if they but try.” He shook his head. “I cannot seem to formulate a clear thought in the face of such original thinking, Miss Speedwell. You have a high opinion of your sex.” I pursed my lips. “Not all of it. We are, as a gender, undereducated and infantilized to the point of idiocy. But those of us who have been given the benefit of learning and useful occupation, well, we are proof that the traditional notions of feminine delicacy and helplessness are the purest poppycock.”
“You have large opinions for so small a person.”
“I daresay they would be large opinions even for someone your size,” I countered.
“And where did you form these opinions? Either your school was inordinately progressive or your governess was a Radical.”
“I never went to school, nor did I have a governess. Books were my tutors, Mr. Stoker. Anything I wished to learn I taught myself.”
“There are limits to an autodidactic education,” he pointed out.
“Few that I have found. I was spared the prejudices of formal educators."
“And neither were you inspired by them. A good teacher can change the course of a life,” he said thoughtfully.
“Perhaps. But I had complete intellectual freedom. I studied those subjects which interested me—to the point of obsession at times—and spent precious little time on things which did not.”
“Such as?”
“Music and needlework. I am astonishingly lacking in traditional feminine accomplishments.”
He cocked his head. “I am not entirely astonished.” But his tone was mild, and I accepted the statement as nothing like an insult. In fact, it felt akin to a compliment. “And I must confess that between Jane Austen and Fordyce’s Sermons, I have developed a general antipathy for clergymen. And their wives,” I added, thinking of Mrs. Clutterthorpe. “Well, in that we may be agreed. Tell me, do you find many people to share your views?”
“Shockingly few,” I admitted.
”
”
Deanna Raybourn (A Curious Beginning (Veronica Speedwell, #1))
“
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master."
The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death."
Duroy began to laugh: "You make me shudder all over."
Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath."
He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain."
"Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
”
”
Guy de Maupassant
“
December 8, 1986
Hello John:
Thanks for the good letter. I don’t think it hurts, sometimes, to remember where you came from. You know the places where I came from. Even the people who try to write about that or make films about it, they don’t get it right.
They call it “9 to 5.” It’s never 9 to 5, there’s no free lunch break at those places, in fact, at many of them in order to keep your job you don’t take lunch. Then there’s OVERTIME and the books never seem to get the overtime right and if you complain about that, there’s another sucker to take your place. You know my old saying, “Slavery was never abolished, it was only extended to include all the colors.”
And what hurts is the steadily diminishing humanity of those fighting to hold jobs they don’t want but fear the alternative worse. People simply empty out. They are bodies with fearful and obedient minds. The color leaves the eye. The voice becomes ugly. And the body. The hair. The fingernails. The shoes. Everything does.
As a young man I could not believe that people could give their lives over to those conditions. As an old man, I still can’t believe it. What do they do it for? Sex? TV? An automobile on monthly payments? Or children? Children who are just going to do the same things that they did?
Early on, when I was quite young and going from job to job I was foolish enough to sometimes speak to my fellow workers: “Hey, the boss can come in here at any moment and lay all of us off, just like that, don’t you realize that?”
They would just look at me. I was posing something that they didn’t want to enter their minds.
Now in industry, there are vast layoffs (steel mills dead, technical changes in other factors of the work place). They are layed off by the hundreds of thousands and their faces are stunned:
“I put in 35 years…”
“It ain’t right…”
“I don’t know what to do…”
They never pay the slaves enough so they can get free, just enough so they can stay alive and come back to work. I could see all this. Why couldn’t they? I figured the park bench was just as good or being a barfly was just as good. Why not get there first before they put me there? Why wait?
I just wrote in disgust against it all, it was a relief to get the shit out of my system. And now that I’m here, a so-called professional writer, after giving the first 50 years away, I’ve found out that there are other disgusts beyond the system.
I remember once, working as a packer in this lighting fixture company, one of the packers suddenly said: “I’ll never be free!”
One of the bosses was walking by (his name was Morrie) and he let out this delicious cackle of a laugh, enjoying the fact that this fellow was trapped for life.
So, the luck I finally had in getting out of those places, no matter how long it took, has given me a kind of joy, the jolly joy of the miracle. I now write from an old mind and an old body, long beyond the time when most men would ever think of continuing such a thing, but since I started so late I owe it to myself to continue, and when the words begin to falter and I must be helped up stairways and I can no longer tell a bluebird from a paperclip, I still feel that something in me is going to remember (no matter how far I’m gone) how I’ve come through the murder and the mess and the moil, to at least a generous way to die.
To not to have entirely wasted one’s life seems to be a worthy accomplishment, if only for myself.
Your boy,
Hank
”
”
Charles Bukowski
“
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t.
Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass.
Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.”
I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
”
”
Bruce Springsteen (Born to Run)
“
One time I sat down in a bath where there was a beautiful girl sitting with a guy who didn’t seem to know her. Right away I began thinking, “Gee! How am I gonna get started talking to this beautiful nude babe?” I’m trying to figure out what to say, when the guy says to her, “I’m, uh, studying massage. Could I practice on you?” “Sure,” she says. They get out of the bath and she lies down on a massage table nearby. I think to myself, “What a nifty line! I can never think of anything like that!” He starts to rub her big toe. “I think I feel it,” he says. “I feel a kind of dent—is that the pituitary?” I blurt out, “You’re a helluva long way from the pituitary, man!” They looked at me, horrified—I had blown my cover—and said, “It’s reflexology!” I quickly closed my eyes and appeared to be meditating. That’s just an example of the kind of things that overwhelm me. I also looked into extrasensory perception and PSI phenomena, and the latest craze there was Uri Geller, a man who is supposed to be able to bend keys by rubbing them with his finger. So I went to his hotel room, on his invitation, to see a demonstration of both mindreading and bending keys. He didn’t do any mindreading that succeeded; nobody can read my mind, I guess. And my boy held a key and Geller rubbed it, and nothing happened. Then he told us it works better under water, and so you can picture all of us standing in the bathroom with the water turned on and the key under it, and him rubbing the key with his finger. Nothing happened. So I was unable to investigate that phenomenon.
”
”
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
“
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route.
You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit.
When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving.
On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers.
And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour.
Now…Guess what happened?
Nothing! No horns and no fingers.
But why?
When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak.
Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily.
Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
I saw it myself. An endless succession of mongrels and malingerers, the laziest dropouts who fancied themselves explorers. He made his policy clear: he was not responsible for their food, their shelter, their safety, or their health. He didn't waste his time discouraging them because frankly there was no discouragement they could not withstand. All of the energy they could have put into their intelligence they had used to develop their tenacity. But what I quickly learned was that their tenacity was for going, not for staying. Once they were out on the trail they fell like flies. Some took a day, two days, others were gone in a matter of hours, and Dr. Rapp never stopped for them. He remained beautifully consistent: he was to work and he would continue to work. He would not ferry back the weak and the lame. They had chosen to get themselves in and they would simply have to figure the means to get themselves out. People were quick to accept these terms until they themselves were weak. Then they changed their tune entirely, then they said Dr. Rapp was heartless. They couldn't slander him as a scientist but they said no end of scurrilous things about him as a man. He hadn't rescued them! He hadn't been their father and mother! I will tell you, none of that troubled his sleep. If he had made them his responsibility, either by dissuading them from their ambitions or by bailing them out of their folly, the greatest botanist of our time would have been reduced to a babysitter. It would have been an incalculable blow to science, all in the name of saving the stupid.
”
”
Ann Patchett (State of Wonder)
“
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission.
I nervously rambled, “What…umm…what do you mean you want my permission?”
He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it.
I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.”
What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy.
Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.”
Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness.
I shouted, “Ren, wait!” But it was too late. He was gone.
I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again.
I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.”
I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.”
Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved.
Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour.
On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again."
And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
”
”
André Aciman (Out of Egypt: A Memoir)
“
The hours I spent in this anachronistic, bibliophile, Anglophile retreat were in surreal contrast to the shrieking horror show that was being enacted in the rest of the city. I never felt this more acutely than when, having maneuvered the old boy down the spiral staircase for a rare out-of-doors lunch the next day—terrified of letting him slip and tumble—I got him back upstairs again. He invited me back for even more readings the following morning but I had to decline. I pleaded truthfully that I was booked on a plane for Chile. 'I am so sorry,' said this courteous old genius. 'But may I then offer you a gift in return for your company?' I naturally protested with all the energy of an English middle-class upbringing: couldn't hear of such a thing; pleasure and privilege all mine; no question of accepting any present. He stilled my burblings with an upraised finger. 'You will remember,' he said, 'the lines I will now speak. You will always remember them.' And he then recited the following:
What man has bent o'er his son's sleep, to brood
How that face shall watch his when cold it lies?
Or thought, as his own mother kissed his eyes,
Of what her kiss was when his father wooed?
The title (Sonnet XXIX of Dante Gabriel Rossetti)—'Inclusiveness'—may sound a trifle sickly but the enfolded thought recurred to me more than once after I became a father and Borges was quite right: I have never had to remind myself of the words. I was mumbling my thanks when he said, again with utter composure: 'While you are in Chile do you plan a call on General Pinochet?' I replied with what I hoped was equivalent aplomb that I had no such intention. 'A pity,' came the response. 'He is a true gentleman. He was recently kind enough to award me a literary prize.' It wasn't the ideal note on which to bid Borges farewell, but it was an excellent illustration of something else I was becoming used to noticing—that in contrast or corollary to what Colin MacCabe had said to me in Lisbon, sometimes it was also the right people who took the wrong line.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
She sat back again, a gentle loosening that made her straight spine seem effortless and restful. Again she did nothing. She simply sat across from me and unfurled herself. I felt her life brush up against me and flow around me. It was but the faintest touching, and had I not experienced both the Skill and the Wit, I do not think I would have sensed it. Cautiously, as softly as if I assayed a bridge made of cobweb, I overlay my senses on hers.
She quested. Not as I did, toward a specific beast, or to read what might be close by. I discarded the word I had always given to my sensing. Kettricken did not seek after anything with her Wit. It was as she said, simply a being, but it was being a part of the whole. She composed herself and considered all the ways the great web touched her, and was content. It was a delicate and tenuous thing and I marveled at it. For an instant I, too, relaxed. I breathed out. I opened myself, Wit wide to all. I discarded all caution, all worry that Burrich would sense me. I had never done anything to compare it with before. Kettricken's reaching was as delicate as droplets of dew sliding down a strand of spiderweb. I was like a dammed flood, suddenly released, to rush out to fill old channels to overflowing and to send fingers of water investigating the lowlands.
Let us hunt! The Wolf, joyfully.
In the stables, Burrich straightened from cleaning a hoof, to frown at no one. Sooty stamped in her stall. Molly shrugged away and shook out her hair. Across from me, Kettricken started and looked at me as if I had spoken aloud. A moment more I was held, seized from a thousand sides, stretched and expanded, illuminated pitilessly. I felt it all, not just the human folk with their comings and goings, but every pigeon that fluttered in the eaves, every mouse that crept unnoticed behind the wine kegs, every speck of life, that was not and never had been a speck, but had always been a node on the web of life. Nothing alone, nothing forsaken, nothing without meaning, nothing of no significance, and nothing of importance.
”
”
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
“
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life,
every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.”
Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just.
“If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.”
“You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?”
Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke.
“I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.”
“What do you know about love and souls?” Lindsay growled as he stalked to the study door.
“I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.”
“You do indeed.”
Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
”
”
Charlotte Featherstone (Addicted (Addicted, #1))
“
Shall we, my lady?"
"You go on," she said coolly. "I need to speak to Mr. Pinter alone."
Glancing from her to Jackson, the duke nodded. "I'll expect a dance from you later, my dear," he said with a smile that rubbed Jackson raw.
"Of course." Her gaze locked with Jackson's. "I'd be delighted."
The minute the duke was gone, however, any "delight" she was feeling apparently vanished. "How dare you interfere! You should be upstairs searching my suitors' rooms or speaking to their servants or something useful instead of-"
"Do you realize what could have happened if I hadn't come along?" he snapped. "This room is private and secluded, with a nice hot stove keeping it cozy. All he would have had to do was lay you down on one of those damned benches that are everywhere and-"
He caught himself. But not quickly enough.
"And what?" she prodded. "I would have let him ravish me like the wanton I am?"
Confound it all. "I wasn't saying that."
"That's what it sounded like. Apparently you have some notion that I have no restraint, no ability to resist the attentions of a man I've known since childhood."
"You have no idea what a man can do to a woman!" Jackson shouted.
She paled. "It was just a kiss."
He strode up to her, driven by a madness he couldn't control. "That's how it begins. A man like him coaxes you into a kiss, then a caress, then..."
"I would never let it go beyond a kiss," she said in outrage. "What sort of woman do you think I am?"
He backed her toward the wall. "The sort who is too trusting to realize what some men are really after. You can't control every situation, my lady. Some men take what they want, and there isn't a damned thing you can do about it."
"I know more about the true nature of men than you think." She stopped short as she came up against the wall. "I can take care of myself."
"Can you?" He thrust his hands against the wall on either side of her, trapping her.
He thought of his mother and the heartbreak she'd endured because some nobleman had taken a fancy to her. A roiling sickness swamped him at the idea of Lady Celia ever suffering such a thing because she was too reckless and naïve to recognize that she was not invincible.
Bending in close, he lowered his voice. "You really believe you can stop any man who wants to hurt you, no matter how strong and determined he is?"
Challenge shone in her eyes. "Absolutely."
It was time someone made her realize he vulnerability. "Prove it," he growled. Then he brought his mouth down on hers.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
“Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?”
“Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.”
Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound.
And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall.
I realized I’d just insulted my host, and no joke was going to get me out of it this time.
“For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.”
The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me.
“Oh,” I said uncomfortably. “John, I’m so-“
It turned out he wasn’t finished.
“I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.”
I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live.
“Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“
He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead.
“You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.”
“No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“
That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Don’t worry about me,” he said. “The little limp means nothing. People my age limp. A limp is a natural thing at a certain age. Forget the cough. It’s healthy to cough. You move the stuff around. The stuff can’t harm you as long as it doesn’t settle in one spot and stay there for years. So the cough’s all right. So is the insomnia. The insomnia’s all right. What do I gain by sleeping? You reach an age when every minute of sleep is one less minute to do useful things. To cough or limp. Never mind the women. The women are all right. We rent a cassette and have some sex. It pumps blood to the heart. Forget the cigarettes. I like to tell myself I’m getting away with something. Let the Mormons quit smoking. They’ll die of something just as bad. The money’s no problem. I’m all set incomewise. Zero pensions, zero savings, zero stocks and bonds. So you don’t have to worry about that. That’s all taken care of. Never mind the teeth. The teeth are all right. The looser they are, the more you can wobble them with your tongue. It gives the tongue something to do. Don’t worry about the shakes. Everybody gets the shakes now and then. It’s only the left hand anyway. The way to enjoy the shakes is pretend it’s somebody else’s hand. Never mind the sudden and unexplained weight loss. There’s no point eating what you can’t see. Don’t worry about the eyes. The eyes can’t get any worse than they are now. Forget the mind completely. The mind goes before the body. That’s the way it’s supposed to be. So don’t worry about the mind. The mind is all right. Worry about the car. The steering’s all awry. The brakes were recalled three times. The hood shoots up on pothole terrain.” Deadpan.
”
”
Don DeLillo (White Noise)
“
I love you, Kate,” he whispered, his lips brushing the words against her mouth. “I love you so much.”
She nodded, unable to make a sound.
“And right now I wish . . . I wish . . .” And then the strangest thing happened. Laughter bubbled up inside of him. He was overtaken by the pure joy of the moment, and it was all he could do not to pick her up and twirl her grandly through the air.
“Anthony?” she asked, sounding equal parts confused and amused.
“Do you know what else love means?” he murmured, planting his hands on either side of her body and letting his nose rest against hers.
She shook her head. “I couldn’t possibly even hazard a guess.”
“It means,” he grumbled, “that I’m finding this broken leg of yours a damned nuisance.”
“Not half so much as I, my lord,” she said, casting a rueful glance at her splinted leg.
Anthony frowned. “No vigorous exercise for two months, eh?”
“At least.”
He grinned, and in that moment he looked every inch the rake she’d once accused him of being. “Clearly,” he murmured, “I shall have to be very, very gentle.”
“Tonight?” she croaked.
He shook his head. “Even I haven’t the talent to express myself with that light a touch.”
Kate giggled. She couldn’t help herself. She loved this man and he loved her and whether he knew it or not, they were going to grow very, very old together. It was enough to make a girl— even a girl with a broken leg— positively giddy.
“Are you laughing at me?” he queried, one of his brows arching arrogantly as he slid his body into place next to her.
“I wouldn’t dream of it.”
“Good. Because I have some very important things to tell you.”
“Really?”
He nodded gravely. “I may not be able to show you how much I love you this eve, but I can tell you.”
“I should never tire of hearing it,” she murmured.
“Good. Because when I’m done telling you, I’m going to tell you how I’d like to show you.”
“Anthony!” she squeaked.
“I think I’d start with your earlobe,” he mused. “Yes, definitely the earlobe. I’d kiss it, and then nibble it, and then . . .”
Kate gasped. And then she squirmed. And then she fell in love with him all over again.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you."
Emma stops chewing. Galen drops his fork.
"Uh, I don't think we need to take it that far-" Emma starts.
"Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot.
"They do, but-"
"No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?"
"Probably not, but-"
"I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand."
"Rachel," he says, shaking his head, "this can wait-"
"Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around."
Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like.
Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing."
Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss."
Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something."
Rachel nods. "That should work."
"What does that mean? Making out?" Galen says between bites.
Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?"
He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him.
"We'll just have to plan it, that's all. Give you time to prepare," Emma tells him.
"Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun."
"Yeah, but this isn't for fun, remember?" Emma says. "This is just for show."
"You don't think kissing Galen would be fun?"
Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes."
Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Shall I stop in to check on Bella before I go?”
“Not dressed like that. You would give her palpitations if she knew you were going into danger for her benefit.”
“Luckily, I am mostly immune to Bella’s powers and could cure such palpitations with a thought,” Gideon mused.
Jacob raised a brow, taking the medic’s measure. He could not recall the last time he had heard the Ancient crack wise about anything. It was not a wholly unpleasant experience, and it amused the Enforcer.
“I . . . am aware of what is occurring between you and Legna, as you know,” Jacob mentioned with casual quiet. “I am only recently Imprinted myself, but should you require—” He broke off, suddenly uncomfortable. “Of course, you probably know far more about Imprinting than I ever will.”
He is reaching out to you.
Legna’s soft encouragement made Gideon suddenly aware of that fact. It was one of those nuances he would have missed completely, rusty as he was with matters of friendship and how to relate better to others.
“I am glad for the offer of any help you can provide,” Gideon said quickly. “In fact, I had wanted to ask you . . . something . . .”
What did I want to ask him? he asked Legna urgently.
I do not know! I did not tell you to engage him, just to graciously accept his offer.
Oh. My apologies. Still, you are clever enough to think of something, are you not?
Legna knew he was baiting her, so she laughed.
Ask him why it is you seem to constantly irritate me.
I will ask him no such thing, Magdelegna.
Well then, you had better come up with an alternative, because that is the only suggestion I have.
“Yes?” Jacob was encouraging neutrally, trying to be patient as the medic seemed to gather his thoughts.
“Do you find that your mate tends to lecture you incessantly?” he asked finally.
Jacob laughed out loud.
“You know something, I can actually advise you about that, Gideon.”
“Can you?” The medic actually sounded hopeful.
“Give up. Now. While you still have your sanity. Arguing with her will get you nowhere. And, also, never ever ask questions that refer to the whys and wherefores of women, females, or any other feminine-based criticism. Otherwise you will only earn an argument at a higher decibel level. Oh, and one other thing.”
Gideon cocked a brow in question.
“All the rules I just gave you, as well as all the ones she lays down during the course of your relationship, can and will change at whim. So, as I see it, you can consider yourself just as lost as every other man on the planet. Good luck with it.”
“That is not a very heartening thought,” Gideon said wryly, ignoring Legna’s giggle in his background thoughts.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
As for having reached the top, with only one way to go from there, Lee had a point, no? I mean, if you cannot repeat a once-in-a-lifetime miracle—if you can never again reach the top—then why bother creating at all? Well, I can actually speak about this predicament from personal experience, because I myself was once “at the top”—with a book that sat on the bestseller list for more than three years. I can’t tell you how many people said to me during those years, “How are you ever going to top that?” They’d speak of my great good fortune as though it were a curse, not a blessing, and would speculate about how terrified I must feel at the prospect of not being able to reach such phenomenal heights again. But such thinking assumes there is a “top”—and that reaching that top (and staying there) is the only motive one has to create. Such thinking assumes that the mysteries of inspiration operate on the same scale that we do—on a limited human scale of success and failure, of winning and losing, of comparison and competition, of commerce and reputation, of units sold and influence wielded. Such thinking assumes that you must be constantly victorious—not only against your peers, but also against an earlier version of your own poor self. Most dangerously of all, such thinking assumes that if you cannot win, then you must not continue to play. But what does any of that have to do with vocation? What does any of that have to do with the pursuit of love? What does any of that have to do with the strange communion between the human and the magical? What does any of that have to do with faith? What does any of that have to do with the quiet glory of merely making things, and then sharing those things with an open heart and no expectations?
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
”
”
Wally Lamb (She's Come Undone)
“
And now let’s move to news concerning the wizard who is proving just as elusive as Harry Potter. We like to refer to him as the Chief Death Eater, and here to give his views on some of the more insane rumors circulating about him, I’d like to introduce a new correspondent: Rodent.”
“‘Rodent’?” said yet another familiar voice, and Harry, Ron, and Hermione cried out together:
“Fred!”
“No—is it George?”
“It’s Fred, I think,” said Ron, leaning in closer, as whichever twin it was said,
“I’m not being ‘Rodent,’ no way, I told you I wanted to be ‘Rapier’!”
“Oh, all right then. ‘Rapier,’ could you please give us your take on the various stories we’ve been hearing about the Chief Death Eater?”
“Yes, River, I can,” said Fred. “As our listeners will know, unless they’ve taken refuse at the bottom of a garden pond or somewhere similar, You-Know-Who’s strategy of remaining in the shadows is creating a nice little climate of panic. Mind you, if all the alleged sightings of him are genuine, we must have a good nineteen You-Know-Who’s running around the place.”
“Which suits him, of course,” said Kingsley. “The air of mystery is creating more terror than actually showing himself.”
“Agreed,” said Fred. “So, people, let’s try and calm down a bit. Things are bad enough without inventing stuff as well. For instance, this new idea that You-Know-Who can kill with a single glance from his eyes. That’s a basilisk, listeners. One simple test: Check whether the thing that’s glaring at you has got legs. If it has, it’s safe to look into his eyes, although if it really is You-Know-Who, that’s still likely to be the last thing you ever do.”
For the first time in weeks and weeks, Harry was laughing: He could feel the weight of tension leaving him.
“And the rumors that he keeps being sighted abroad?” asked Lee.
“Well, who wouldn’t want a nice little holiday after all the hard work he’s been putting in?” asked Fred. “Point is, people, don’t get lulled into a false sense of security, thinking he’s out of the country. Maybe he is, maybe he isn’t, but the fact remains he can move faster than Severus Snape confronted with shampoo when he wants to, so don’t count on him being a long way away if you’re planning on taking any risks. I never thought I’d hear myself say it, but safety first!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.”
He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest.
“I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say?
For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue.
“You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.”
He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?”
I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was?
“Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him.
There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor.
“Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
It all suddenly made me nervous, and a little, tiny, baby bit worried. Pulling one of the stools at the island back, I plopped into it and simply stared at that discolored, harsh face in unease. “I just want to know whether I need to steal a bat or make a phone call.”
His mouth had been open and poised to argue with me… until he heard the last thing I said. “What?”
“I need to know—”
“What do you need to steal a bat for?”
“Well, no one I know owns one, and I can’t go buy one at the store and have it caught on videotape.”
“Videotape?”
Did he know nothing?
“Aiden, come on, if you beat the shit out of someone with a bat, they’re going to look for suspects. Once they have suspects, they’ll look through their things or their purchases. They’ll see I bought one recently and know it was premeditated. Why are you looking at me like that?”
His mauve-colored eyelids went heavy over the bright whites of his eyes, and the expression on his face was filled such a vast range of emotions, one after another after another, that I wasn’t sure which one I was supposed to hold on to. He switched the icepack to the other side of his bruised jaw and shook his head. “The amount you know about committing crimes is terrifying, Van.” His mouth twitched under the rainbow of whatever he was thinking. “It scares the hell out of me, and I don’t get scared easily.”
I snorted, pretty pleased with myself. “Calm down. I went through this phase when I was into watching a lot of crime TV shows. I’ve never even stolen a pen in my life.”
Aiden’s careful expression didn’t go anywhere.
“I’m not trying to kill anyone… unless we had to,” I joked weakly.
His nostrils flared so slightly I almost missed it. But what I didn’t miss was the way the corners of his mouth tipped up into a tiny smile.
I smiled at him as innocently as possible. “So do you want to tell me who’s going to get the fists of fury?” I hoped I sounded as harmless as I intended, even though I felt the exact opposite as every second passed.
“Fists of fury?”
“Yep.” I held up my hands just a little so he could see them. He had no idea the number of fights I’d gotten into with my sisters over the years. I didn’t always win—I rarely won if I was going to be honest—but I never gave up.
The sigh that came out of him was so long and drawn out, I kind of prepped myself for the half-assed answer that was going to come out of his mouth.
“It’s nothing.” There it was
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember:
"The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..."
I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination.
When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me.
A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible.
After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare.
Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
”
”
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
“
Most people cannot stand being alone for long. They are always seeking groups to belong to, and if one group dissolves, they look for another. We are group animals still, and there is nothing wrong with that. But what is dangerous is not the belonging to a group, or groups, but not understanding the social laws that govern groups and govern us.
When we're in a group, we tend to think as that group does: we may even have joined the group to find "like-minded" people. But we also find our thinking changing because we belong to a group. It is the hardest thing in the world to maintain an individual dissent opinion, as a member of a group.
It seems to me that this is something we have all experienced - something we take for granted, may never have thought about. But a great deal of experiment has gone on among psychologists and sociologists on this very theme. If I describe an experiment or two, then anyone listening who may be a sociologist or psychologist will groan, oh God not again - for they have heard of these classic experiments far too often. My guess is that the rest of the people will never have had these ideas presented to them. If my guess is true, then it aptly illustrates general thesis, and the general idea behind these essays, that we (the human race) are now in possession of a great deal of hard information about ourselves, but we do not use it to improve our institutions and therefore our lives.
A typical test, or experiment, on this theme goes like this. A group of people are taken into the researcher's confidence. A minority of one or two are left in the dark. Some situation demanding measurement or assessment is chosen. For instance, comparing lengths of wood that differ only a little from each other, but enough to be perceptible, or shapes that are almost the same size. The majority in the group - according to instruction- will assert stubbornly that these two shapes or lengths are the same length, or size, while the solitary individual, or the couple, who have not been so instructed will assert that the pieces of wood or whatever are different. But the majority will continue to insist - speaking metaphorically - that black is white, and after a period of exasperation, irritation, even anger, certainly incomprehension, the minority will fall into line. Not always but nearly always. There are indeed glorious individualists who stubbornly insist on telling the truth as they see it, but most give in to the majority opinion, obey the atmosphere.
When put as baldly, as unflatteringly, as this, reactions tend to be incredulous: "I certainly wouldn't give in, I speak my mind..." But would you?
People who have experienced a lot of groups, who perhaps have observed their own behaviour, may agree that the hardest thing in the world is to stand out against one's group, a group of one's peers. Many agree that among our most shameful memories is this, how often we said black was white because other people were saying it.
In other words, we know that this is true of human behaviour, but how do we know it? It is one thing to admit it in a vague uncomfortable sort of way (which probably includes the hope that one will never again be in such a testing situation) but quite another to make that cool step into a kind of objectivity, where one may say, "Right, if that's what human beings are like, myself included, then let's admit it, examine and organize our attitudes accordingly.
”
”
Doris Lessing (Prisons We Choose to Live Inside)
“
I'm sorry," Gansey said, not looking at her as she leaned on the car beside him. "That was very rude."
Blue thought of a few things to reply, but couldn't say any of them out loud. She felt like one of the night birds had gotten inside her. It tumbled and fumbled every time she breathed.
He's going to die; this is going to hurt--
But she touched his neck, right where his hair was cut evenly above the collar of his shirt. He was very still. His skin was hot, and she could very, very faintly feel his pulse beneath her thumb. It wasn't like when she was with Adam. She didn't have to guess what to do with her hands. They knew. This was what it should have felt like with Adam. Less like playacting and more like a foregone conclusion.
He closed his eyes and leaned, just a little, so that her palm was flat on his neck, fingers sprawled from his ear to his shoulder.
Everything in Blue was charged. Say something. Say something.
Gansey lifted her hand gently from his skin, holding it as formally as a dance. He put it against his mouth.
Blue froze. Absolutely still. Her heart didn't beat. She didn't blink. She couldn't say don't kiss me. She couldn't even form don't.
He just leaned his cheek and the edge of his mouth against her knuckles, and then set her hand back.
"I know," he said. "I wouldn't."
Her skin burned with the memory of his mouth. The thrashing bird of her heart shivered and shivered again. "Thank's for remembering."
He looked back over the valley. "Oh, Jane."
"Oh, Jane, what?"
"He didn't want me to, did you know? He told me not to try to get you to come to the table that night at Nino's. I had to talk him into it. And then I made such an idiot of myself--" He turned back to her. "What are you thinking?"
She just looked at him. That I went out with the wrong boy. That I destroyed Adam tonight for no reason at all. That I'm not sensible at all--"I thought you were an asshole."
Gallantly, he said, "Thank God for past tense." Then: "I can't--we can't do this to him."
It was jagged inside her. "I'm not a thing. To have."
"No. Jesus. Of course you're not. But you know what I mean."
She did. And he was right. They couldn't do this to him. She shouldn't do it to herself, anyway. But how it made a disaster of her chest and her mouth and her head.
"I wish you could be kissed, Jane," he said. "Because I would beg one off you. Under all this." He flailed an arm toward the stars. "And then we'd never say anything about it again.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
I don't know what's happening to me," she says, blinking through a veil of tears as she looks everywhere but at me. "I don't think I can do this anymore."
My heart plummets inside my chest, my lips still hovering over hers, my hands on her waist "do what anymore?" I don't want the answer, don't want to hear what follows my question, don't want to lose her.
"Fight it." Tears are still flowing from her eyes, but I think she stop crying. She sucks and several breaths when she looks at me, her eyes are clear that I anticipated. She's scared shitless - that's clear - but it's like she stop fighting the fear, giving into it instead.
Her lips apart and I'm a stop whatever she's about to say, silence her with my lips, but I don't, forcing myself to hear, needing to know what's got all worked up.
"I think I'm in love with you," she says, her chest heaving with every ravenous breath she takes, yet her voice is astonishingly even and she manages to maintain my gaze.
My voice however is the exact opposite of even, coming out all high-pitched like I'm a thirteen year old and going through puberty all over again. "What?"
She sucks and a breath, then releases is slowly, the fear in her eyes subsiding, as if she just won it. "I think I'm in love with you..." She bites on your lips and shakes her head. "No...I don't think. I know."
I gradually process her words and the full extent of what she's saying. I think I'd honestly believed that she might never say them, that this love thing was going to be a one-way street. Hearing her say it... I don't even know how to describe it. It's like my entire life of associated the word with hatred. Every time my mother said it, it felt like she was trying to take something from me and it made me hate her and myself-Love equaled hate for me. But hearing it from Violet's lips, seeing that look in her eyes, the one I've never seen from anyone, is so different. She's not taking something for me right now, she's giving me something.
She's giving me everything.
”
”
Jessica Sorensen (The Certainty of Violet & Luke (The Coincidence, #5))
“
Is it true it takes thirteen months for a female to carry and give birth?”
“Minimum.” He said it with such casual dismissal that Bella laughed.
“That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face.
His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm.
“I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat.
“Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon.
“You.”
Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on.
“Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station.
“Because I cannot seem to help myself, lovely little Bella.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
You can't work in the library without going into the Old Levels," said Mirelle somberly. "At least some of the time. I wouldn't be keen on going to some parts of the Library, myself."
Lirael listened, wondering what they were talking about. The Great Library of the Clayr was enormous, but she had never heard of the Old Levels.
She knew the general layout well. The Library was shaped like a nautilus shell, a continuous tunnel that wound down into the mountain in an ever-tightening spiral. This main spiral was an enormously long, twisting ramp that took you from the high reaches of the mountain down past the level of the valley floor, several thousand feet below.
Off the main spiral, there were countless other corridors, rooms, halls, and strange chambers. Many were full of the Clayr's written records, mainly documenting the prophesies and visions of many generations of seers. But they also contained books and papers from all over the Kingdom. Books of magic and mystery, knowledge both ancient and new. Scrolls, maps, spells, recipes, inventories, stories, true tales, and Charter knew what else.
In addition to all these written works, the Great Library also housed other things. There were old armories within it, containing weapons and armor that had not been used for centuries but still stayed bright and new. There were rooms full of odd paraphernalia that no one now knew how to use. There were chambers where dressmakers' dummies stood fully clothed, displaying the fashions of bygone Clayr or the wildly different costumes of the barbaric North. There were greenhouses tended by sendings, with Charter marks for light as bright as the sun. There were rooms of total darkness, swallowing up the light and anyone foolish enough to enter unprepared.
Lirael had seen some of the Library, on carefully escorted excursions with the rest of her year gathering. She had always hankered to enter the doors they passed, to step across the red rope barriers that marked corridors or tunnels where only authorized librarians might pass.
”
”
Garth Nix (Lirael (Abhorsen, #2))
“
Gideon rose up to his full height, watching their progress as they faded into the night. He then turned his diamondlike eyes until they narrowed on the female Demon who had remained so still and quiet that she had gone unremembered. An interesting feat, considering the remarkable presence of the beauty.
“You have grown strong, Legna,” he remarked quietly.
“In only a decade? I am sure it has not made much of a difference.”
“To teleport me from such a great distance took respectful skill and strength. You well know it.”
“Thank you. I shall have to remember to feel weak and fluttery inside now that you complimented me.”
Gideon narrowed his eyes coldly on her. “You sound like that acerbic little human. It does not become you.”
“I sound like myself,” Legna countered, her irritation crackling through his thoughts as the emotion overflowed her control. “Or have you forgotten that I am far too immature for your tastes?”
“I never said such a thing.”
“You did. You said I was too young to even begin to understand you.” She lifted her chin, so lost in her wounded pride that she spoke before she thought. “At least I was never so immature that Jacob had to punish me for stalking a human.”
Gideon’s spine went extremely straight, his eyes glittering with warning as she hit home on the still-raw wound. “Maturity had nothing to do with that, and you well know it. It is below you to be so petty, Magdelegna.”
“I see, so I am groveling around in the gutter now? How childish of me. However can you bear it? I shall leave immediately.”
Before Gideon could speak, Legna burst into smoke and sulfur, disappearing but for her laughter that rang through his mind. Gideon sighed, easily acknowledging her that her laughter was a taunt meant to remind him that with her departure, so too went his easy transportation home. Nevertheless, he was more perturbed to realize that he’d once against managed to say all the wrong things to her. Perhaps someday he would manage to speak with her without irritating her.
However, he didn’t think that was likely to happen this millennium.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Making money in the markets is tough. The brilliant trader and investor Bernard Baruch put it well when he said, “If you are ready to give up everything else and study the whole history and background of the market and all principal companies whose stocks are on the board as carefully as a medical student studies anatomy—if you can do all that and in addition you have the cool nerves of a gambler, the sixth sense of a clairvoyant and the courage of a lion, you have a ghost of a chance.” In retrospect, the mistakes that led to my crash seemed embarrassingly obvious. First, I had been wildly overconfident and had let my emotions get the better of me. I learned (again) that no matter how much I knew and how hard I worked, I could never be certain enough to proclaim things like what I’d said on Wall $ treet Week: “There’ll be no soft landing. I can say that with absolute certainty, because I know how markets work.” I am still shocked and embarrassed by how arrogant I was. Second, I again saw the value of studying history. What had happened, after all, was “another one of those.” I should have realized that debts denominated in one’s own currency can be successfully restructured with the government’s help, and that when central banks simultaneously provide stimulus (as they did in March 1932, at the low point of the Great Depression, and as they did again in 1982), inflation and deflation can be balanced against each other. As in 1971, I had failed to recognize the lessons of history. Realizing that led me to try to make sense of all movements in all major economies and markets going back a hundred years and to come up with carefully tested decision-making principles that are timeless and universal. Third, I was reminded of how difficult it is to time markets. My long-term estimates of equilibrium levels were not reliable enough to bet on; too many things could happen between the time I placed my bets and the time (if ever) that my estimates were reached. Staring at these failings, I realized that if I was going to move forward without a high likelihood of getting whacked again, I would have to look at myself objectively and change—starting by learning a better way of handling the natural aggressiveness I’ve always shown in going after what I wanted. Imagine that in order to have a great life you have to cross a dangerous jungle. You can stay safe where you are and have an ordinary life, or you can risk crossing the jungle to have a terrific life. How would you approach that choice? Take a moment to think about it because it is the sort of choice that, in one form or another, we all have to make.
”
”
Ray Dalio (Principles: Life and Work)
“
...it takes great humility to find oneself unjustly condemned and be silent, and to do this is to imitate the Lord Who set us free from all our sins. ... The truly humble person will have a genuine desire to be thought little of, and persecuted, and condemned unjustly, even in serious matters. ... It is a great help to meditate upon the great gain which in any case this is bound to bring us, and to realize how, properly speaking, we can never be blamed unjustly, since we are always full of faults, and a just man falls seven times a day, so that it would be a falsehood for us to say we have no sin. If, then, we are not to blame for the thing that we are accused of, we are never wholly without blame in the way that our good Jesus was. ... Thou knowest, my Good, that if there is anything good in me it comes from no other hands than Thine own. For what is it to Thee, Lord, to give much instead of little? True, I do not deserve it, but neither have I deserved the favors which Thou hast shown me already. Can it be that I should wish a thing so evil as myself to be thought well of by anyone, when they have said such wicked things of Thee, Who art good above all other good? ... Do Thou give me light and make me truly to desire that all should hate me, since I have so often let Thee, Who hast loved me with such faithfulness. ... What does it matter to us if we are blamed by them all, provided we are without blame in the sight of the Lord? ...meditate upon what is real and upon what is not. ... Do you suppose, ... that, if you do not make excuses for yourself, there will not be someone else who will defend you? Remember how the Lord took the Magdalen's part in the Pharisee's house and also when her sister blamed her. He will not treat you as rigorously as He treated Himself: it was not until He was on the Cross that He had even a thief to defend Him. His Majesty, then, will put it into somebody's mind to defend you; if He does not, it will be because there is no need. ...be glad when you are blamed, and in due time you will see what profit you experience in your souls. For it is in this way that you will begin to gain freedom; soon you will not care if they speak ill or well of you; it will seem like someone else's business. ... So here: it becomes such a habit with us not to reply that it seems as if they are not addressing us at all. This may seem impossible to those of us who are very sensitive and not capable of great mortification. It is indeed difficult at first, but I know that, with the Lord's help, the gradual attainment of this freedom, and of renunciation and self-detachment, is quite possible.
”
”
Teresa de Ávila
“
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.”
He said the word like a caress, like velvet again, and my face began to heat.
“Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.”
He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep.
“Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.”
His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it.
“The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.”
Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.”
I was hot and strange. I was light and lighter, and curiously my breath came so slow.
“Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…”
It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers.
“And by his hand, in the bliss of her unraveling, she touched the stars…”
Lora’s breath hitched. Her heart skipped-then stopped.
If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself-
Her eyes opened, went instantly to his. Panic lit her gaze.
Then she was gone.
His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
You have to stop letting me do this,” he bit off, half-angrily.
“If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!”
He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver.
“That’s…new,” she said with a strained attempt at humor.
“It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm.
It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther.
“What Colby gets is none of your business! You get out of my apartment!” she raged at him.
She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do.
“Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!”
“That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.”
She stared at him curiously, still shaken. “I don’t understand.”
“You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.”
He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.”
He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.”
“Can you?” he said softly. He searched her eyes. “In a weak moment…”
“I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.”
His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.”
“You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.”
“Con, chill out,” Jeremiah said. “She’s not leaving. Right, Belly?”
He looked at me, and I pursed my lips and nodded. Then I gave Conrad the dirtiest look I could muster, and I shot one at the girl, too, when I was far enough away that she wouldn’t be able to reach out and grab me by the hair.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it. [...]"
The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there.
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...]
"Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...]
"Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...]
Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned.
Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...]
Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all,” Nicky said [...].
"Don't let him get away with things like that."
Nicky considered him for a moment, his smile fading into something small and tired.
"Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way."
"He's like this because you let him get away with it," Neil said. [...]
"That was my fault. [...] I said something I shouldn't have, and got what I deserved.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
How do you remain an individual when you are also part of so powerfully driven a pair?”
“Irrational or justified, it is what it is.” Gideon was realizing the logic of that for himself even as he spoke the words. “Perhaps, in time, it will be less acute. I have no desire to rob you of your individuality, nor do I wish to lose my own. It is difficult for me as well . . . I have been so solitary throughout my lifetime, and now, to be suddenly given such riveting company . . . I fear I cannot do you the justice you deserve. And for you it will be worse; with the influx of power you are beginning to experience it will be taxing, to say the least.”
“I know.” Legna reached up and splayed her palms over the dark silk covering his chest. “I suppose at some point, if I start to go crazy, you are going to have to knock me out or tie me up or something.”
“Hmm. The latter has possibilities,” he mused with a growling smile that erased the tension in his face.
Legna laughed, giving him a shove.
“Gideon, you are nothing but an ancient pervert,” she teased him.
“And this is an issue because . . . ?”
“You are horrible!” She pushed away from him, gaining her feet.
He reached to take her hand, pulling her closer once more and continuing to do so until she had nowhere else to go but his lap. She took the seat, her voluminous skirts spreading over them both.
“I will forgive you, this time,” she conceded.
“Thank you,” he said with honest graciousness. “Now, my beauty, tell me what you would like to do to get to know me better. I find myself looking forward to your discoveries.”
“Well, I did not think of anything specific. I imagined time would fill itself.”
“That is dangerously liberal, sweet. If you leave it up to the natural course of things, I can tell you exactly what we will end up doing.”
Legna giggled, blushing because she realized he was right. Even just sitting in his lap and talking as she was, she could feel the mutual awareness that sparked between them, constantly simmering and waiting for just a little more heat to bring them up to the boiling point.
“Very well, I am open to suggestions,” she invited.
“Again, too liberal,” he teased, his eyes twinkling with mischievous starlight.
“You are incorrigible. I never realized you were a sex fiend, Gideon.”
“I am now,” he amended, drawing a finger down the slope of her nose.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
But that wasn't the chief thing that bothered me: I couldn't reconcile myself with that preoccupation with sin that, so far as I could tell, was never entirely absent from the monks' thoughts. I'd known a lot of fellows in the air corps. Of course they got drunk when they got a chance, and had a girl whenever they could and used foul language; we had one or two had hats: one fellow was arrested for passing rubber cheques and was sent to prison for six months; it wasn't altogether his fault; he'd never had any money before, and when he got more than he'd ever dreamt of having, it went to his head. I'd known had men in Paris and when I got back to Chicago I knew more, but for the most part their badness was due to heredity, which they couldn't help, or to their environment, which they didn't choose: I'm not sure that society wasn't more responsible for their crimes than they were. If I'd been God I couldn't have brought myself to condemn one of them, not even the worst, to eternal damnation. Father Esheim was broad-minded; he thought that hell was the deprivation of God's presence, but if that is such an intolerable punishment that it can justly be called hell, can one conceive that a good God can inflict it? After all, he created men, if he so created them that ti was possible for them to sin, it was because he willed it. If I trained a dog to fly at the throat of any stranger who came into by back yard, it wouldn't be fair to beat him when he did so.
If an all-good and all-powerful God created the world, why did he create evil? The monks said, so that man by conquering the wickedness in him, by resisting temptation, by accepting pain and sorrow and misfortune as the trials sent by God to purify him, might at long last be made worthy to receive his grace. It seem to me like sending a fellow with a message to some place and just to make it harder for him you constructed a maze that he had to get through, then dug a moat that he had to swim and finally built a wall that he had to scale. I wasn't prepared to believe in an all-wise God who hadn't common sense. I didn't see why you shouldn't believe in a God who hadn't created the world, buyt had to make the best of the bad job he'd found, a being enormously better, wiser and greater than man, who strove with the evil he hadn't made and who might be hoped in the end to overcome it. But on the other hand I didn't see why you should.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
But you're worried I'll get in trouble?" I try not to show how much this pleases me. I've managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. "Why do you care? I've ignored you for days."
His smile fades. He looks serious, mockingly so. "Yeah. You got to stop that."
I swallow back a laugh. "I can't."
"Why?" There's no humor in his eyes now, no mockery. "You like me. You want to be with me."
"I never said-"
"You didn't have to."
I inhale sharply. "Don't do this."
He looks at me so fiercely, so intently. Angry again. "I don't have friends. Do you see my hang with anyone besides my jerk cousins? That's for a reason. I keep people away on purpose," he growls. "But then you came along..."
I frown and shake my head.
His expression softens then, pulls at some part of me. His gaze travels my face, warming the core of me. "Whoever you are, Jacinda, you're someone I have to let in."
He doesn't say anything for a while, just studies me in that intense way. His nostrils flare, and again it's like he's taking in my scent or something. He continues, "Somehow, I think I know you. From the first moment I saw you, I felt that I knew you."
The words run through me, reminding me of when he let me escape in the mountains. He's good. Protective. I have nothing to fear from him, but everything to fear from his family.
I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels too good.
The pulse at his neck skips against his flesh. "Jacinda."
My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides down to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us.
I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he's in agony. Or bliss. Or maybe both. Like he's never been touched before. My heart squeezes. Like I've never touched anyone before.
"Don't stay away from me anymore."
I stop myself, just barely, from telling him I won't. I can't promise that. Can't lie.
He opens his eyes. Stares starkly, bleakly. "I need you."
He says this like it doesn't make sense to him. Like it's the worst possible thing. A misery he must endure. I smile, understanding. Because it's the same for me. "I know."
Then he kisses me.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.”
“I told you before-I don’t care!” she said hotly. “Why can’t you believe me?”
He hesitated a long moment. “The truth?”
“Always.”
“Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.”
She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?”
His wary gaze locked with hers. “Proper Pinter. Proud Pinter.”
“Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.”
Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.”
“I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.”
His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.”
She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“
He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live.
“That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.”
“Sweeting-“
“Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.”
A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.”
Love?
No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.”
“To hell with your brother.” He stalked her with clear intent.
Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?”
“To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
Rhys kept starting at the table as he said, 'I didn't know. That you were with Tamlin. That you were staying at the Spring Court. Amarantha sent me that day after the Summer Solstice because I'd been so successful on Calanmai. I was prepared to mock him, maybe pick a fight. But then I got into that room, and the scent was familiar, but hidden... And then I saw the plate, and felt the glamour, and... There you were. Living in my second-most enemy's house. Dining with him. Reeking of his scent. Looking at him like... Like you loved him.'
The whites of his knuckles showed.
'And I decided that I had to scare Tamlin. I had to scare you, and Lucien, but mostly Tamlin. Because I saw how he looked at you, too. So what I did that day...' His lips were pale, tight. 'I broke into your mind and held it enough that you felt it, that it terrified you, hurt you. I made Tamlin beg- as Amarantha had made me beg, to show him how powerless he was to save you. And I prayed my performance was enough to get him to send you away. Back to the human realm, away from Amarantha. Because she was going to find you. If you broke that curse, she was going to find you and kill you.
'But I was so selfish- I was so stupidly selfish that I couldn't walk away without knowing your name. And you were looking at me like I was a monster, so I told myself it didn't matter, anyway. But you lied when I asked. I knew you did. I had your mind in my hands, and you had the defiance and foresight to lie to my face. So I walked away from you again. I vomited my guts up as soon as I left.'
My lips wobbled, and I pressed them together.
'I checked back once. To ensure you were gone. I went with them the day they sacked the manor- to make my performance complete. I told Amarantha the name of that girl, thinking you'd invented it. I had no idea... I had no idea she'd sent her cronies to retrieve Clare. But if I admitted my lie...' He swallowed hard. 'I broke into Clare's head when they brought her Under the Mountain. I took away her pain, and told her to scream when expected to. So they... they did those things to her, and I tried to make it right, but... After a week, I couldn't let them do it. Hurt her like that anymore. So while they tortured her, I slipped into her mind again and ended it. She didn't feel any pain. She felt none of what they did to her, even at the end. But... But I still see her. And my men. And the others that I killed for Amarantha.'
Two tears slid down his cheeks, swift and cold.
He didn't wipe them away as he said, 'I thought it was done after that. With Clare's death. Amarantha believed you were dead. So you were safe, and far away, and my people were safe, and Tamlin had lost, so... It was done. We were done. But then... I was in the back of the throne room that day the Attor brought you in. And I have never known such horror, Feyre, as I did when I watched you make that bargain. Irrational, stupid terror- I didn't know you. I didn't even know your name. But I thought of those painter's hands, the flowers I'd seen you create. And how she'd delight in breaking your fingers apart. I had to stand and watch as the Attor and its cronies beat you. I had to watch the disgust and hatred on your face as you looked at me, watched me threaten to shatter Lucien's mind. And then- then I learned your name. Hearing you say it... it was like an answer to a question I'd been asking for five hundred years.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I saw you through your dreams- and I hoarded the images, sorting through them over and over again, trying to place where you you were, who you were. But you had such horrible nightmares, and the creatures belonged to all courts. I'd wake up with your scent in my nose, and it would haunt me all day, every step. But then one night, you dreamed of standing amongst green hills, seeing unlit bonfires for Calanmai.'
There was such silence in my head.
'I knew there was only one celebration that large; I knew those hills- and I knew you'd probably be there. So I told Amarantha...' Rhys swallowed. 'I told her that I wanted to go to the Spring Court for the celebration, to spy on Tamlin and see if anyone showed up wishing to conspire with him. We were so close to the deadline for the curse that she was paranoid- restless. She told me to bring back traitors. I promised her I would.'
His eyes lifted to mine again.
'I got there, and I could smell you. So I tracked that scent, and... And there you were. Human- utterly human, and being dragged away by those piece-of-shit picts, who wanted to...' He shook his head. 'I debated slaughtering them then and there, but then they shoved you, and I just... moved. I started speaking without knowing what I was saying, only that you were there, and I was touching you, and...' He loosed a shuddering breath.
There you are. I've been looking for you.
His first words to me- not a lie at all, not a threat to keep those faeries away.
Thank you for finding her for me.
I had the vague feeling of the world slipping out from under my feet like sand washing away from the shore.
'You looked at me,' Rhys said, 'and I knew you had no idea who I was. That I might have seen your dreams, but you hadn't seen mine. And you were just... human. You were so young, and breakable, and had no interest in me whatsoever, and I knew that if I stayed too long, someone would see and report back, and she'd find you. So I started walking away, thinking you'd be glad to get rid of me. But then you called after me, like you couldn't let go of me just yet, whether you knew it or not. And I knew... I knew we were on dangerous ground, somehow. I knew that I could never speak to you, or see you, or think of you again.
'I didn't want to know why you were in Prythian; I didn't even want to know your name. Because seeing you in my dreams had been one thing, but in person... Right then, deep down, I think I knew what you were. And I didn't let myself admit it, because it there was the slightest chance that you were my mate... They would have done such unspeakable things to you, Feyre.
'So I let you walk away. I told myself after you were gone that maybe... maybe the Cauldron had been kind, and not cruel, for letting me see you. Just once. A gift for what I was enduring. And when you were gone, I found those three picts. I broke into their minds, reshaping their lives, their histories, and dragged them before Amarantha. I made them confess to conspiring to find other rebels that night. I made them lie and claim that they hated her. I watched her carve them up while they were still alive, protesting their innocence. I enjoyed it- because I knew what they had wanted to do to you. And knew that it would have paled in comparison to what Amarantha would have done if she'd found you.'
I wrapped a hand around my throat. I had my reasons to be out there, he'd once said to me Under the Mountain. Do not think, Feyre, that it did not cost me.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
GET BEYOND THE ONE-MAN SHOW Great organizations are never one-man operations. There are 22 million licensed small businesses in America that have no employees. Forbes suggests 75 percent of all businesses operate with one person. And the average income of those companies is a sad $44,000. That’s not a business—that’s torture. That is a prison where you are both the warden and the prisoner. What makes a person start a business and then be the only person who works there? Are they committed to staying small? Or maybe an entrepreneur decides that because the talent pool is so poor, they can’t hire anyone who can do it as well as them, and they give up. My guess is the latter: Most people have just given up and said, “It’s easier if I just do it myself.” I know, because that’s what I did—and it was suicidal. Because my business was totally dependent on me and only me, I was barely able to survive, much less grow, for the first ten years. Instead I contracted another company to promote my seminars. When I hired just one person to assist me out of my home office, I thought I was so smart: Keep it small. Keep expenses low. Run a tight ship. Bigger isn’t always better. These were the things I told myself to justify not growing my business. I did this for years and even bragged about how well I was doing on my own. Then I started a second company with a partner, a consulting business that ran parallel to my seminar business. This consulting business quickly grew bigger than my first business because my partner hired people to work for us. But even then I resisted bringing other people into the company because I had this idea that I didn’t want the headaches and costs that come with managing people. My margins were monster when I had no employees, but I could never grow my revenue line without killing myself, and I have since learned that is where all my attention and effort should have gone. But with the efforts of one person and one contracted marketing company, I could expand only so much. I know that a lot of speakers and business gurus run their companies as one-man shows. Which means that while they are giving advice to others about how to grow a business, they may have never grown one themselves! Their one-man show is simply a guy or gal going out, collecting a fee, selling time and a few books. And when they are out speaking, the business terminates all activity. I started studying other people and companies that had made it big and discovered they all had lots of employees. The reality is you cannot have a great business if it’s just you. You need to add other people. If you don’t believe me, try to name one truly great business that is successful, ongoing, viable, and growing that doesn’t have many people making it happen. Good luck. Businesses are made of people, not just machines, automations, and technology. You need people around you to implement programs, to add passion to the technology, to serve customers, and ultimately to get you where you want to go. Consider the behemoth online company Amazon: It has more than 220,000 employees. Apple has more than 100,000; Microsoft has around the same number. Ernst & Young has more than 200,000 people. Apple calls the employees working in its stores “Geniuses.” Don’t you want to hire employees deserving of that title too? Think of how powerful they could make your business.
”
”
Grant Cardone (Be Obsessed or Be Average)
“
There was one monk who never spoke up. His name was Vappa, and he seemed the most insecure about Gautama coming back to life. When he was taken aside and told that he would be enlightened, Vappa greeted the news with doubt. “If what you tell me is true, I would feel something, and I don’t,” he said. “When you dig a well, there is no sign of water until you reach it, only rocks and dirt to move out of the way. You have removed enough; soon the pure water will flow,” said Buddha. But instead of being reassured, Vappa threw himself on the ground, weeping and grasping Buddha’s feet. “It will never happen,” he moaned. “Don’t fill me with false hope.” “I’m not offering hope,” said Buddha. “Your karma brought you to me, along with the other four. I can see that you will soon be awake.” “Then why do I have so many impure thoughts?” asked Vappa, who was prickly and prone to outbursts of rage, so much so that the other monks were intimidated by him. “Don’t trust your thoughts,” said Buddha. “You can’t think yourself awake.” “I have stolen food when I was famished, and there were times when I stole away from my brothers and went to women,” said Vappa. “Don’t trust your actions. They belong to the body,” said Buddha. “Your body can’t wake you up.” Vappa remained miserable, his expression hardening the more Buddha spoke. “I should go away from here. You say there is no war between good and evil, but I feel it inside. I feel how good you are, and it only makes me feel worse.” Vappa’s anguish was so genuine that Buddha felt a twinge of temptation. He could reach out and take Vappa’s guilt from his shoulders with a touch of the hand. But making Vappa happy wasn’t the same as setting him free, and Buddha knew he couldn’t touch every person on earth. He said, “I can see that you are at war inside, Vappa. You must believe me when I say that you’ll never win.” Vappa hung his head lower. “I know that. So I must go?” “No, you misunderstand me,” Buddha said gently. “No one has ever won the war. Good opposes evil the way the summer sun opposes winter cold, the way light opposes darkness. They are built into the eternal scheme of Nature.” “But you won. You are good; I feel it,” said Vappa. “What you feel is the being I have inside, just as you have it,” said Buddha. “I did not conquer evil or embrace good. I detached myself from both.” “How?” “It wasn’t difficult. Once I admitted to myself that I would never become completely good or free from sin, something changed inside. I was no longer distracted by the war; my attention could go somewhere else. It went beyond my body, and I saw who I really am. I am not a warrior. I am not a prisoner of desire. Those things come and go. I asked myself: Who is watching the war? Who do I return to when pain is over, or when pleasure is over? Who is content simply to be? You too have felt the peace of simply being. Wake up to that, and you will join me in being free.” This lesson had an immense effect on Vappa, who made it his mission for the rest of his life to seek out the most miserable and hopeless people in society. He was convinced that Buddha had revealed a truth that every person could recognize: suffering is a fixed part of life. Fleeing from pain and running toward pleasure would never change that fact. Yet most people spent their whole lives avoiding pain and pursuing pleasure. To them, this was only natural, but in reality they were becoming deeply involved in a war they could never win.
”
”
Deepak Chopra (Buddha)
“
There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambience which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends.
And the more substantial, the more solid the core of me became, the more delicate and extravagant appeared the close, palpable reality out of which I was being squeezed. In the measure that I became more and more metallic, in the same measure the scene before my eyes became inflated. The state of tension was so finely drawn now that the introduction of a single foreign particle, even a microscopic particle, as I say, would have shattered everything. For the fraction of a second perhaps I experienced that utter clarity which the epileptic, it is
said, is given to know. In that moment I lost completely the illusion of time and space: the world unfurled its drama simultaneously along a meridian which had no axis. In this sort of hair-trigger eternity I felt that everything was justified, supremely justified; I felt the wars inside me that had left behind this pulp and wrack; I felt the crimes that were seething here to emerge tomorrow in blatant screamers; I felt the misery that was grinding itself out with pestle and mortar, the long dull misery that dribbles away in dirty handkerchiefs.
On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a
phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage.
But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought.
Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his.
"Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it."
He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite.
"I'm glad to see your stomach is better," he said as she was finishing.
She looked up,startled. "What makes you say that?"
"You haven't seemed able to eat regularly of late."
"Oh,well,you know...so many changes...travel...all that."
He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him.
"Rycca?"
She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?"
"Something...?"
"I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot."
"Not so! You could never be that."
"Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?"
"Some women are not all that regular."
"Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-"
She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?"
"What? Will what? Does that mean-"
"I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more."
Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?"
"I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now."
"Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her.
Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered.
Nine...ten...
"We're going to have a baby."
Not long at all.
She nodded happily. "Yes,we are, and you're going to be a wonderful father."
He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her.
"My God-"
Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen."
"True,but still it's absolutely incredible."
Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby."
Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing.
Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Yesterday while I was on the side of the mat next to some wrestlers who were warming up for their next match, I found myself standing side by side next to an extraordinary wrestler.
He was warming up and he had that look of desperation on his face that wrestlers get when their match is about to start and their coach is across the gym coaching on another mat in a match that is already in progress.
“Hey do you have a coach.” I asked him.
“He's not here right now.” He quietly answered me ready to take on the task of wrestling his opponent alone.
“Would you mind if I coached you?”
His face tilted up at me with a slight smile and said. “That would be great.”
Through the sounds of whistles and yelling fans I heard him ask me what my name was.
“My name is John.” I replied.
“Hi John, I am Nishan” he said while extending his hand for a handshake.
He paused for a second and then he said to me: “John I am going to lose this match”.
He said that as if he was preparing me so I wouldn’t get hurt when my coaching skills didn’t work magic with him today.
I just said, “Nishan - No score of a match will ever make you a winner. You are already a winner by stepping onto that mat.”
With that he just smiled and slowly ran on to the mat, ready for battle, but half knowing what the probable outcome would be.
When you first see Nishan you will notice that his legs are frail - very frail. So frail that they have to be supported by custom made, form fitted braces to help support and straighten his limbs.
Braces that I recognize all to well.
Some would say Nishan has a handicap.
I say that he has a gift.
To me the word handicap is a word that describes what one “can’t do”.
That doesn’t describe Nishan.
Nishan is doing.
The word “gift” is a word that describes something of value that you give to others.
And without knowing it, Nishan is giving us all a gift.
I believe Nishan’s gift is inspiration.
The ability to look the odds in the eye and say “You don’t pertain to me.”
The ability to keep moving forward.
Perseverance.
A “Whatever it takes” attitude.
As he predicted, the outcome of his match wasn’t great.
That is, if the only thing you judge a wrestling match by is the actual score. Nishan tried as hard as he could, but he couldn’t overcome the twenty-six pound weight difference that he was giving up to his opponent on this day in order to compete. You see, Nishan weighs only 80 pounds and the lowest weight class in this tournament was 106. Nishan knew he was spotting his opponent 26 pounds going into every match on this day. He wrestled anyway.
I never did get the chance to ask him why he wrestles, but if I had to guess I would say, after watching him all day long, that Nishan wrestles for the same reasons that we all wrestle for.
We wrestle to feel alive, to push ourselves to our mental, physical and emotional limits - levels we never knew we could reach.
We wrestle to learn to use 100% of what we have today in hopes that our maximum today will be our minimum tomorrow. We wrestle to measure where we started from, to know where we are now, and to plan on getting where we want to be in the future. We wrestle to look the seemingly insurmountable opponent right in the eye and say, “Bring it on. - I can take whatever you can dish out.”
Sometimes life is your opponent and just showing up is a victory.
You don't need to score more points than your opponent in order to accomplish that.
No Nishan didn’t score more points than any of his opponents on this day, that would have been nice, but I don’t believe that was the most important thing to Nishan. Without knowing for sure - the most important thing to him on this day was to walk with pride like a wrestler up to a thirty two foot circle, have all eyes from the crowd on him, to watch him compete one on one against his opponent - giving it all that he had. That is what competition is all about. Most of the times in wrestlin
”
”
JohnA Passaro