The Enormous Radio Quotes

If you want to really hurt you parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college. And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding. For instance, join the National Guard or the Marines and teach democracy. I'm kidding. We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding. If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

Caught in a bad romance. Whoaaa-oh-ooooh!" Nellie wailed along to the XM radio blaring from the enormous speakers. "Can I uncover my ears now?" Dan called from the back, where he was reclined across the leather seat. "Has Nellie stopped her Lady Gag Me impression?

We were not born critical of existing society. There was a moment in our lives (or a month, or a year) when certain facts appeared before us, startled us, and then caused us to question beliefs that were strongly fixed in our consciousness-embedded there by years of family prejudices, orthodox schooling, imbibing of newspapers, radio, and television. This would seem to lead to a simple conclusion: that we all have an enormous responsibility to bring to the attention of others information they do not have, which has the potential of causing them to rethink long-held ideas.

As early as 1930 Schoenberg wrote: "Radio is an enemy, a ruthless enemy marching irresistibly forward, and any resistance is hopeless"; it "force-feeds us music . . . regardless of whether we want to hear it, or whether we can grasp it," with the result that music becomes just noise, a noise among other noises. Radio was the tiny stream it all began with. Then came other technical means for reproducing, proliferating, amplifying sound, and the stream became an enormous river. If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it," it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.

But if I've learned anything, it is that goodness prevails, not in the absence of reasons to despair, but in spite of them. If we wait for clean heroes and clear choices and evidence on our side to act, we will wait forever, and my radio conversations teach me that people who bring light into the world wrench it out of darkness, and contend openly with darkness all of their days. [...] They were flawed human beings, who wrestled with demons in themselves as in the world outside. For me, their goodness is more interesting, more genuinely inspiring because of that reality. The spiritual geniuses of the ages and of the everyday simply don't let despair have the last word, nor do they close their eyes to its pictures or deny the enormity of its facts. They say, "Yes, and …," and they wake up the next day, and the day after that, to live accordingly.

Private capital tends to become concentrated in few hands, partly because of competition among the capitalists, and partly because technological development and the increasing division of labor encourage the formation of larger units of production at the expense of smaller ones. The result of these developments is an oligarchy of private capital the enormous power of which cannot be effectively checked even by a democratically organized political society. This is true since the members of legislative bodies are selected by political parties, largely financed or otherwise influenced by private capitalists who, for all practical purposes, separate the electorate from the legislature. The consequence is that the representatives of the people do not in fact sufficiently protect the interests of the underprivileged sections of the population. Moreover, under existing conditions, private capitalists inevitably control, directly or indirectly, the main sources of information (press, radio, education). It is thus extremely difficult, and indeed in most cases quite impossible, for the individual citizen to come to objective conclusions and to make intelligent use of his political rights.

Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

Practicing an art, no matter how well or badly, is a way to make your soul grow. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

Si quieres lastimar a tus padres, y no tienes el valor de ser gay, lo menos que puedes hacer es convertirte en artista. No estoy bromeando. Las artes no son una manera de ganarse la vida. Son una forma muy humana de hacer la vida más soportable. Practicar un arte, no importa cuan bien o mal, es una forma de hacer crecer el alma. Cantar en la ducha. Bailar con la radio. Contar historias. Escribir un poema, aún un poema malo. Hazlo tan bien como puedas. Obtendrás una enorme recompensa. Habrás creado algo.

But knowing that moose had returned to Vermont in his lifetime pleased him enormously. It was the idea that things repaired themselves, that if you backed off a little and didn’t ask too much of the world then it would meet you halfway.

The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

I once was the guest of the week on a British radio show called Desert Island Discs. You have to choose the eight records you would take with you if marooned on a desert island. Among my choices was Mache dich mein Herze rein from Bach’s St Matthew Passion. The interviewer was unable to understand how I could choose religious music without being religious. You might as well say, how can you enjoy Wuthering Heights when you know perfectly well that Cathy and Heathcliff never really existed? But there is an additional point that I might have made, and which needs to be made whenever religion is given credit for, say, the Sistine Chapel or Raphael’s Annunciation. Even great artists have to earn a living, and they will take commissions where they are to be had. I have no reason to doubt that Raphael and Michelangelo were Christians—it was pretty much the only option in their time—but the fact is almost incidental. Its enormous wealth had made the Church the dominant patron of the arts. If history had worked out differently, and Michelangelo had been commissioned to paint a ceiling for a giant Museum of Science, mightn’t he have produced something at least as inspirational as the Sistine Chapel? How sad that we shall never hear Beethoven’s Mesozoic Symphony, or Mozart’s opera The Expanding Universe. And what a shame that we are deprived of Haydn’s Evolution Oratorio—but that does not stop us from enjoying his Creation.

Werner feels he is gazing down into the circuitry of an enormous radio, each soldier down there an electron flowing single file down his own electrical path, with no more say in the matter than an electron has.

What a wonderful world that was, and how remote it seems now. It is a challenge to believe that there was ever a time that airline food was exciting, when stewardesses were happy to see you, when flying was such an occasion that you wore your finest clothes. I grew up in a world in which everything was like that: shopping malls, TV dinners, TV itself, supermarkets, freeways, air conditioning, drive-in movies, 3D movies, transistor radios, backyard barbecues, air travel as a commonplace—all were brand-new and marvelously exciting. It is amazing we didn’t choke to death on all the novelty and wonder in our lives. I remember once my father brought home a device that you plugged in and, with an enormous amount of noise and energy, it turned ice cubes into shaved ice, and we got excited about that. We were idiots really, but awfully happy, too. —

Practicing an art, no matter how well or badly, is a way to make your soul grow. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.

prepubescent relative to collect your excellence-in-filmed-sodomy prize?—are met with bemused shrugs), “but I’m here to thank you on his behalf, and to say that I taught Jim everything he knows.” [Enormous audience laugh and ovation, single spasmodic shudder from hunched ABC Radio lady.]

When President Roosevelt suggested to Archibald MacLeish that radio be prodded to help celebrate the 150th anniversary of the Bill of Rights, Corwin was given the job. It was an enormous undertaking, a 60-minute broadcast to air on the four national networks simultaneously. But We Hold These Truths was to have a special meaning, for the Japanese had attacked Pearl Harbor the week before, and the show arrived on an unprecedented wave of patriotism. It was estimated by Crossley, the national barometer of radio listenership, that 60 million people tuned in that night, Dec. 15, 1941. Corwin had arranged a stellar cast. James Stewart played the lead, “a citizen” who was the sounding board for the cascade of opinions, historical perspectives, and colloquialisms that flooded the hour. Also in the cast were Edward Arnold, Lionel Barrymore, Walter Brennan, Bob Burns, Walter Huston, Marjorie Main, Edward G. Robinson, Rudy Vallee, and Orson Welles. Bernard Herrmann conducted in Hollywood,

Fewer than eight hundred Americans earn a Ph.D. in physics each year. Worldwide, the number is probably in the thousands. And yet from this small pool comes the discovery and innovation that shapes the way we live and think. From X-rays, lasers, radio waves, transistors, atomic energy—and atomic weapons—to our view of space and time, and the nature of the universe, all this has arisen from this dedicated pool of individuals. To be a physicist is to have an enormous potential to change the world.

Before the lightning strike, as Tony had listened to Marisita’s confession, he had been looking down from this very great height onto Bicho Raro and he had been thinking about the enormity of what they were doing tonight and how this entire family had come together to do it. He was thinking about Joaquin’s incredible promise. And finally he was thinking that it wasn’t all bad being a radio giant, as long as you looked for the things you could do as a giant that you couldn’t do as anything else, like hold up someone else’s voice so it was just a little louder.

Every American should own a Koran. There are no excuses. Every day you can switch on the television or the radio or open a newspaper and hear or read pronouncements about what Islam is and“what the Koran says. Most of it is wrong—very wrong. You owe it to yourself, your family, and all the Americans killed on 9/11 and since to know the truth. Do not take anyone’s word for it. Find out for yourself by reading the actual Koran. One of the most reliable and recognized versions is the The Holy Qur’an: Text, Translation and Commentary translated by Abdullah Yusuf Ali. Once you have a Koran and start to read it, take care to note the enormous differences between the half reportedly communicated to Mohammed in the beginning in Mecca, when he was weak and without followers, and the latter half, allegedly written after he returned from Medina with thousands of followers, the leader of a mighty military force. It is the post-Medina chapters of the Koran that are naturally favored by groups like Al Qaeda and the Islamic State. They are not in fact perverting religious texts but skillfully applying those alleged revelations that best support their cause.

habiendo algunos fanáticos en el valle de Shah-i-Kot, en la provincia de Paktia. Una vez más la información era inexacta: no eran un puñado, sino centenares. Al ser afganos los talibanes derrotados, tenían a donde ir: sus aldeas y pueblos natales. Allí podían escabullirse sin dejar rastro. Pero los miembros de Al Qaeda eran árabes, uzbekos y, los más feroces de todos, chechenos. No hablaban pastún y la gente del pueblo afgano los odiaba, de manera que solo podían rendirse o morir peleando. Casi todos eligieron esto último. El mando estadounidense reaccionó al chivatazo con un plan a pequeña escala, la operación Anaconda, que fue asignada a los SEAL de la Armada. Tres enormes Chinook repletos de efectivos despegaron rumbo al valle, que se suponía vacío de combatientes. El helicóptero que iba en cabeza se disponía a tomar tierra, con el morro levantado y la cola baja, la rampa abierta por detrás y a solo un par de metros del suelo, cuando los emboscados de Al Qaeda dieron el primer aviso. Un lanzagranadas hizo fuego. Estaba tan cerca que el proyectil atravesó el fuselaje del helicóptero sin explotar. No había tenido tiempo de cargarse, así que lo único que hizo fue entrar por un costado y salir por el otro sin tocar a nadie, dejando un par de boquetes simétricos. Pero lo que sí hizo daño fue el incesante fuego de ametralladora desde el nido situado entre las rocas salpicadas de nieve. Tampoco hirió a nadie de a bordo, pero destrozó los controles del aparato al horadar la cubierta de vuelo. Gracias a la habilidad y la genialidad del piloto, pocos minutos después el moribundo Chinook ganaba altura y recorría cuatro kilómetros hasta encontrar un sitio más seguro donde proceder a un aterrizaje forzoso. Los otros dos helicópteros se retiraron también. Pero un SEAL, el suboficial Neil Roberts, que se había desenganchado de su cable de amarre, resbaló en un charquito de fluido hidráulico y cayó a tierra. Resultó ileso, pero inmediatamente fue rodeado por miembros de Al Qaeda. Los SEAL jamás abandonan a uno de los suyos, esté vivo o muerto. Poco después de aterrizar regresaron en busca de Roberts, al tiempo que pedían refuerzos por radio. Había empezado la batalla de Shah-i-Kot. Duró cuatro días, y se saldó con la muerte del suboficial Neil Roberts y otros seis estadounidenses. Había tres unidades lo bastante cerca como para acudir a la llamada: un pelotón de SBS británicos por un lado y la unidad de la SAD por el otro; pero el grupo más numeroso era un batallón del 75 Regimiento de Rangers. Hacía un frío endemoniado, estaban a muchos grados bajo cero. La nieve, empujada por el viento incesante, se clavaba en los ojos. Nadie entendía cómo los árabes habían podido sobrevivir en aquellas montañas; pero el caso era que allí estaban, y dispuestos a morir hasta el último hombre. Ellos no hacían prisioneros ni esperaban serlo tampoco. Según testigos presenciales, salieron de hendiduras en las rocas, de grutas invisibles y nidos de ametralladoras ocultos. Cualquier veterano puede confirmar que toda batalla degenera rápidamente en un caos, y en Shah-i-Kot eso sucedió más rápido que nunca. Las unidades se separaron de su contingente, los soldados de sus unidades. Kit Carson se encontró de repente a solas en medio de la ventisca. Vio a otro estadounidense (pudo identificarlo por lo que llevaba en la cabeza: casco, no turbante) también solo, a unos cuarenta metros. Un hombre vestido con túnica surgió del suelo y disparó contra el soldado con su lanzagranadas. Esa vez la granada sí estalló; no dio en el blanco sino que explotó a los pies del soldado.

What I have said about the newspapers and the movies applies equally to the radio, to television, and even to bookselling. Thus we are in an age where the enormous per capita bulk of communication is met by an ever-thinning stream of total bulk of communication. More and more we must accept a standardized inoffensive and insignificant product which, like the white bread of the bakeries, is made rather for its keeping and selling properties than for its food value. This is fundamentally an external handicap of modern communication, but it is paralleled by another which gnaws from within. This is the cancer of creative narrowness and feebleness. In the old days, the young man who wished to enter the creative arts might either have plunged in directly or prepared himself by a general schooling, perhaps irrelevant to the specific tasks he finally undertook, but which was at least a searching discipline of his abilities and taste. Now the channels of apprenticeship are largely silted up. Our elementary and secondary schools are more interested in formal classroom discipline than in the intellectual discipline of learning something thoroughly, and a great deal of the serious preparation for a scientific or a literary course is relegated to some sort of graduate school or other.

Walt Trowbridge conducted his campaign as placidly as though he were certain to win. He did not spare himself, but he did not moan over the Forgotten Men (he'd been one himself, as a youngster, and didn't think it was so bad!) nor become hysterical at a private bar in a scarlet-and-silver special tram. Quietly, steadfastly, speaking on the radio and in a few great halls, he explained that he did advocate an enormously improved distribution of wealth, but that it must be achieved by steady digging and not by dynamite that would destroy more than it excavated. He wasn't particularly thrilling. Economics rarely are, except when they have been dramatized by a Bishop, staged and lighted by a Sarason, and passionately played by a Buzz Windrip with rapier and blue satin tights.

the thesis is that after many generations in which technology favored centralization (railroads, telegraph, radio, television, movies, mass production) since about 1950 it is now favoring decentralization (transistor, personal computer, internet, remote work, smartphone, cryptocurrency). So by this measure, peak centralization was about 1950, when there was one telephone company (AT&T), two superpowers (US/USSR), and three TV stations (ABC/CBS/NBC). Even though the 1950s are romanticized in the US, and there were certainly good things about the era, that level of centralization was not natural. This was an enormous degree of cultural homogenization, conformity, and sameness relative to the pre-1914 world just a few decades prior. Many aspects of individual initiative, creativity, and freedom had been dulled down or eliminated in the standardization process.

Count all these sufferings from here to the end of the endless sky which is no sky and see how many you can add together to make a figure to impress the Boss of Dead Souls in the Meat Manufactory in city City CITY everyone of them in pain and born to die, milling in the streets at 2 A M underneath those imponderable skies”—their enormous endlessness, the sweep of the Mexican plateau away from the Moon—living but to die, the sad song of it I hear sometimes on my roof in the Tejado district, rooftop cell, with candles, waiting for my Nirvana or my Tristessa—neither come, at noon I hear “La Paloma” being played on mental radios in the fallways between the tenement windows—the crazy kid next door sings, the dream is taking place right now, the music is so sad, the French horns ache, the high whiney violins and the deberratarra-rabaratarara of the Indian Spanish announcer. Living but to die, here we wait on this shelf, and up in heaven is all that gold open caramel, ope my door—Diamond Sutra is the sky.

Jacobs, whose faith in Moore’s Law was as strong as ever, thought a more complicated system of frequency-hopping would work better. Rather than keeping a given phone call on a certain frequency, he proposed moving call data between different frequencies, letting him cram more calls into available spectrum space. Most people thought he was right in theory, but that such a system would never work in practice. Voice quality would be low, they argued, and calls would be dropped. The amount of processing needed to move call data between frequencies and have it interpreted by a phone on the other end seemed enormous. Jacobs disagreed, founding a company called Qualcomm—Quality Communications—in 1985 to prove the point. He built a small network with a couple cell towers to prove it would work. Soon the entire industry realized Qualcomm’s system would make it possible to fit far more cell phone calls into existing spectrum space by relying on Moore’s Law to run the algorithms that make sense of all the radio waves bouncing around.

¿a quién debe ser dirigida la propaganda, a los intelectuales o a la masa menos culta? ¡La propaganda siempre deberá dirigirse a la masa! Para los intelectuales, o para aquellos que hoy, lamentablemente, así se consideran, no se debe hablar de propaganda y sí de instrucción científica. Semejantes son las condiciones con las que hoy designamos la palabra propaganda. El fin de la propaganda no es la educación científica de cada cual, y sí llamar la atención de la masa sobre determinados hechos, necesidades, etcétera, cuya importancia sólo de esta forma entra en el círculo visual de la masa. El arte está exclusivamente en hacer esto de una manera tan perfecta que provoque la convicción de la realidad de un hecho, de la necesidad de un procedimiento, y de la justicia de algo necesario. La propaganda no es y no puede ser una necesidad en sí misma, ni una finalidad. De la misma manera como en el supuesto del cartel, su misión es la de llamar la atención de la masa y no enseñar a los cultos o a aquellos que procuran cultivar su espíritu; su acción debe estar cada vez más dirigida al sentimiento y sólo muy condicionalmente a la llamada razón. Toda acción de propaganda tiene que ser necesariamente popular y adaptar su nivel intelectual a la capacidad receptiva del más limitado de aquellos a los cuales está destinada. De ahí que su grado netamente intelectual deberá regularse tanto más hacia abajo, y cuanto más grande sea el conjunto de la masa humana que ha de abarcarse. Mas, cuando se trata de atraer hacia el radio de influencia de la propaganda a toda una Nación, como exigen las circunstancias en el caso del sostenimiento de una guerra, nunca se podrá ser lo suficientemente prudente en lo que concierne a cuidar que las formas intelectuales de la propaganda sean simples en lo posible. Cuanto más modesta sea su carga científica y cuanto más tenga en consideración el sentimiento de la masa, tanto mayor será su éxito. Esto, sin embargo, es la mejor prueba de lo acertado o erróneo de una propaganda, y no la satisfacción de las exigencias de algunos sabios o jóvenes estetas. El arte de la propaganda reside justamente en la comprensión de la mentalidad y de los sentimientos de la gran masa. Ella encuentra, por la forma psicológicamente adecuada, el camino para la atención y para el corazón del pueblo. Que nuestros sabios no comprendan esto, la causa reside en su pereza mental o en su orgullo. Comprendiéndose la necesidad de la conquista de la gran masa, por medio de la propaganda, se saca la siguiente conclusión: es errado querer dar a la propaganda la variedad, por ejemplo, de la enseñanza científica. La capacidad receptiva de la gran masa es sumamente limitada y no menos pequeña su facultad de comprensión; en cambio, es enorme su falta de memoria. Teniendo en cuenta estos antecedentes, toda propaganda eficaz debe concretarse sólo a muy pocos puntos y saberlos explotar como apotegmas hasta que el último hijo del pueblo pueda formarse una idea de aquello que se persigue. En el momento en que la propaganda sacrifique ese principio o quiera hacerse múltiple, quedará debilitada su eficacia por la sencilla razón de que la masa no es capaz de retener ni asimilar todo lo que se le ofrece. Y con esto sufre detrimento el resultado, para acabar a la larga por ser completamente nulo. Cuanto más importante sea el objetivo a alcanzar, tanto más cierta, psicológicamente, debe ser la táctica a emplear.

3 INCIDENT IN THE ENGLISH CHANNEL Not long afterwards, a Belgian ferry, the Oudenbourg, was steaming its way from Ostende to Ramsgate. In the straits of Dover the duty officer noticed that half a mile south of its usual course there was something going on in the water. He could not be sure that there was no-one drowning there and so he ordered a change of course down to where the perturbance was taking place. Two hundred passengers on the windward side of the ship were shown a very strange spectacle: in some places a vertical jet of water shot out from the surface, and in some of those vertical jets there could be seen something like a black body thrown up with it; the surface of the sea for one or two hundred yards all around was tossing and seething wildly while, from the depths, a loud rattling and humming could be heard. "It was as if there was a small volcano erupting under the sea." As the Oudenbourg slowly approached the place an enormous wave rose about ten yards ahead of it and a terrible noise thundered out like an explosion. The entire ship was lifted violently and the deck was showered with a rain of water that was nearly boiling hot; and landing on the deck with the water was a strong black body which writhed and let out a sharp loud scream; it was a newt that had been injured and burnt. The captain ordered the ship full steam astern so that the ship would not steam straight into the middle of this turbulent Hell; but the water all around had also begun to erupt and the surface of the sea was strewn with pieces of dismembered newts. The ship was finally able to turn around and it fled northwards as fast as possible. Then there was a terrible explosion about six hundred yards to the stern and a gigantic column of water and steam, perhaps a hundred yards high, shot out of the sea. The Oudenbourg set course for Harwich and sent out a radio warning in all directions: "Attention all shipping, attention all shipping! Severe danger on Ostende-Ramsgate lane. Underwater explosion. Cause unknown. All shipping advised avoid area!" All this time the sea was thundering and boiling, almost as if military manoeuvres had been taking place under the water; but apart from the erupting water and steam there was nothing to see. From both Dover and Calais, destroyers and torpedo boats set out at full steam and squadrons of military aircraft flew to the site of the disturbance; but by the time they got there all they found was that the surface was discoloured with something like a yellow mud and covered with startled fish and newts that had been torn to pieces. At first it was thought that a mine in the channel must have exploded; but once the shores on both sides of the Straits of Dover had been ringed off with a chain of soldiers and the English prime-minister had, for the fourth time in the history of the world, interrupted his Saturday evening and hurried back to London, there were those who thought the incident must be of extremely serious international importance. The papers carried some highly alarming rumours, but, oddly enough, this time remained far from the truth; nobody had any idea that Europe, and the whole world with it, stood for a few days on the brink of a major war. It was only several years later that a member of the then British cabinet, Sir Thomas Mulberry, failed to be re-elected in a general election and published his memoirs setting out just what had actually happened; but by then, though, nobody was interested.

So why haven’t we been visited? Maybe the probability of life spontaneously appearing is so low that Earth is the only planet in the galaxy—or in the observable universe—on which it happened. Another possibility is that there was a reasonable probability of forming self-reproducing systems, like cells, but that most of these forms of life did not evolve intelligence. We are used to thinking of intelligent life as an inevitable consequence of evolution, but what if it isn’t? The Anthropic Principle should warn us to be wary of such arguments. It is more likely that evolution is a random process, with intelligence as only one of a large number of possible outcomes. It is not even clear that intelligence has any long-term survival value. Bacteria, and other single-cell organisms, may live on if all other life on Earth is wiped out by our actions. Perhaps intelligence was an unlikely development for life on Earth, from the chronology of evolution, as it took a very long time—two and a half billion years—to go from single cells to multi-cellular beings, which are a necessary precursor to intelligence. This is a good fraction of the total time available before the Sun blows up, so it would be consistent with the hypothesis that the probability for life to develop intelligence is low. In this case, we might expect to find many other life forms in the galaxy, but we are unlikely to find intelligent life. Another way in which life could fail to develop to an intelligent stage would be if an asteroid or comet were to collide with the planet. In 1994, we observed the collision of a comet, Shoemaker–Levy, with Jupiter. It produced a series of enormous fireballs. It is thought the collision of a rather smaller body with the Earth, about sixty-six million years ago, was responsible for the extinction of the dinosaurs. A few small early mammals survived, but anything as large as a human would have almost certainly been wiped out. It is difficult to say how often such collisions occur, but a reasonable guess might be every twenty million years, on average. If this figure is correct, it would mean that intelligent life on Earth has developed only because of the lucky chance that there have been no major collisions in the last sixty-six million years. Other planets in the galaxy, on which life has developed, may not have had a long enough collision-free period to evolve intelligent beings. A third possibility is that there is a reasonable probability for life to form and to evolve to intelligent beings, but the system becomes unstable and the intelligent life destroys itself. This would be a very pessimistic conclusion and I very much hope it isn’t true. I prefer a fourth possibility: that there are other forms of intelligent life out there, but that we have been overlooked. In 2015 I was involved in the launch of the Breakthrough Listen Initiatives. Breakthrough Listen uses radio observations to search for intelligent extraterrestrial life, and has state-of-the-art facilities, generous funding and thousands of hours of dedicated radio telescope time. It is the largest ever scientific research programme aimed at finding evidence of civilisations beyond Earth. Breakthrough Message is an international competition to create messages that could be read by an advanced civilisation. But we need to be wary of answering back until we have developed a bit further. Meeting a more advanced civilisation, at our present stage, might be a bit like the original inhabitants of America meeting Columbus—and I don’t think they thought they were better off for it.

It is still evident that the problem of finances is an enormously important one. The lack of money to do the job and to compete successfully for audiences with elaborate and attractive commercial programs seems almost hopeless. As far back as 1936, Doctor [Levering] Tyson . . . stated at the joint meeting of the Council and the Institute for Education by Radio at Columbus: Unfortunately, there is not much chance to get money until there is some general understanding of, and agreement in, country-wide objectives to which local and regional objectives can be fitted, and until controversy over these objectives is eliminated so that a unified plan of procedure can be followed

There is some feeling nowadays that reading is not as necessary as it once was. Radio and especially television have taken over many of the functions once served by print, just as photography has taken over functions once served by painting and other graphic arts. Admittedly, television serves some of these functions extremely well; the visual communication of news events, for example, has enormous impact. The ability of radio to give us information while we are engaged in doing other things—for instance, driving a car—is remarkable, and a great saving of time. But it may be seriously questioned whether the advent of modern communications media has much enhanced our understanding of the world in which we live. Perhaps we know more about the world than we used to, and insofar as knowledge is prerequisite to understanding, that is all to the good. But knowledge is not as much a prerequisite to understanding as is commonly supposed. We do not have to know everything about something in order to understand it; too many facts are often as much of an obstacle to understanding as too few. There is a sense in which we moderns are inundated with facts to the detriment of understanding. One of the reasons for this situation is that the very media we have mentioned are so designed as to make thinking seem unnecessary (though this is only an appearance). The packaging of intellectual positions and views is one of the most active enterprises of some of the best minds of our day. The viewer of television, the listener to radio, the reader of magazines, is presented with a whole complex of elements—all the way from ingenious rhetoric to carefully selected data and statistics—to make it easy for him to “make up his own mind” with the minimum of difficulty and effort. But the packaging is often done so effectively that the viewer, listener, or reader does not make up his own mind at all. Instead, he inserts a packaged opinion into his mind, somewhat like inserting a cassette into a cassette player. He then pushes a button and “plays back” the opinion whenever it seems appropriate to do so. He has performed acceptably without having had to think.

But knowing that moose had returned to Vermont in his lifetime pleased him enormously. It was the idea that things repaired themselves, that if you backed off a little and didn’t ask too much of the world then it would meet you halfway. This was one of the few corners of the planet that had gotten better in the last century, he thought—greener, healthier. The damage that too many sheep had done was wearing off. Or maybe you didn’t even need to think of it as damage. It had been good then, when Vermont was full of farmers, and it was good now, when Vermont was full of trees. Life ebbed and flowed, came and went. Goodness didn’t demand the one-way arrow toward Progress and More. It was, he thought, a blessing to have lived out his life in a place that spun slowly like that yellow leaf, an eddy in the American rapids, a place that was shrinking when most of the country was growing growing ever-growing. A place where—yow, a place where a grouse might fire up at any moment from right under your legs, scaring the wits out of you as it somehow flew off at top speed between the tangle of trunks and branches. A place where moss covered the back of a giant boulder, what the geologists delightfully called an “erratic” dropped in place when the last glaciers melted away. A place where the beech leaves still clung brown to the branches, shaking a little in the too-warm breeze.

the man with one hand turned on an enormous radio and tuned it to a mastermix station where the songs are not sung so much as bleated. Bleated and repeated.

Hollywood was called Tinseltown for a reason and I was caught up in its glitter. My friend Ken seemed to know everyone and once took me to the NBC Studios in Burbank, where he introduced me to Steve Allen. “Steverino,” as he was known by friends, must have thought that I wanted to get into show business and promised that if I applied myself, I would go places. I hadn’t really given show business much thought, but it sounded good to me. However, I’m glad that I didn’t count on his promise of becoming a star, because that was the end of it. I never saw Steve Allen again, other than on television, and I guess that’s just the way it was in Hollywood. Later Steve Allen starred in NBC’s The Tonight Show, which in more recent times has been hosted by Jack Paar, Johnny Carson, Jay Leno and now by Jimmy Fallon. Steve Allen had a rider in his contract that whenever he was introduced as a guest, the introduction would include: “And now our next guest is world-renowned recording artist, actor, producer, playwright, best-selling author, composer of thousands of songs, Emmy winning comic genius and entertainer – Steve Allen.” He was a funny guy and he would crack me up, but more than that, he would frequently crack himself up. Steve was loved or hated by people. It was said that he was enormously talented, and if you didn’t believe that, just ask him. Jack Paar, who followed Steve on The Tonight Show, once said, “Steve Allen has claimed to have written over 1,000 songs; name one???” The truth is that he did write a huge number of songs, including the 1963 Grammy award-winning composition, The Gravy Waltz. He wrote about 50 books, one of which is Steve Allen’s Private Joke File, published in 2000, just prior to his death in that same year. He also has two stars on the “Hollywood Walk of Fame,” one for radio and one for TV. Say what you want…. He cracked up at least two people with his humor, himself and me!

If you want to really hurt you parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.” ― Kurt Vonnegut, A Man Without a Country

Spotify had learned its lesson. Deploying a powerful capability in the domain of your allies is a recipe for crisis. Sustaining a coalition requires disciplining your own urges and direction of growth. A corollary, however, is that deploying that same capability in a domain where you do not depend on critical allies can be a powerful growth accelerator. For Spotify, being forced to look beyond music clarified the potential of a new horizon in podcasts—audio shows in the spirit of early radio, covering an enormous variety of topics and themes. Within a year of dropping the upload service in the music arena, Spotify would spend over $1 billion acquiring exclusive content and content aggregators in the podcast arena,

If you want to really hurt you parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.” ― Kurt Vonnegut, A Man Without a Country

If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

What the masses in America read was newspapers and low-priced magazines; also, they listened to the radio and went to the movies. If you wanted mass circulation, those were the ways to get it. They were all enormously expensive and conducted for the profit of private owners; a genuine liberal among the owners was as rare as a white blackbird, and that was why opinion in America lagged so far behind mechanical development—including the aforesaid A-bomb.

ganaban el hambre de la fiebre la soledad la pesadilla el terror el espanto de los jóvenes que habían creído el cuento de la Patria y llegaban a defenderla dispuestos a entregar la vida mil veces oh Patria y la entregaban en efecto tras del espanto de quedarse incomunicados en la selva, dañado el único radio transmisor que había en 100 kilómetros a la redonda, perdidas las patrullas, sin brújula ni agua ni sírvete y el espanto de la Amazonía con sus millones de insectos enormes, con sus millones de flores maravillosas que no se pueden comer, con sus perfumes exquisitos, llena de árboles tan altos y de ramaje tan tupido que no deja ver sino sus gigantescos troncos y raíces, sin que pueda pasar la luz del sol, y cuando pasa es todavía peor, selva calenturienta húmeda espesa pantanosa, diezmando al ya famélico ejército.

The enormous heat of re-entry ionized the air around the capsule causing a total communications blackout. For four and a half minutes the world held its breath. Were the men all right? Had the heat shield been damaged in the explosion? Was the craft now disintegrating in the upper atmosphere? There must have been a few whoops of joy in Mission Control when the radio finally sparked back into life. Odyssey splashed down in the Pacific Ocean southeast of American Samoa and just 6.5 km (4 miles) from the recovery ship, USS Iwo Jima. The crew were generally in good shape. And they were home.

But thirty million dollars of subsidy money from Washington had been plowed into Project Soybean—an enormous acreage in Louisiana, where a harvest of soybeans was ripening, as advocated and organized by Emma Chalmers, for the purpose of reconditioning the dietary habits of the nation. Emma Chalmers, better known as Kip’s Ma, was an old sociologist who had hung about Washington for years, as other women of her age and type hang about barrooms. For some reason which nobody could define, the death of her son in the tunnel catastrophe had given her in Washington an aura of martyrdom, heightened by her recent conversion to Buddhism. “The soybean is a much more sturdy, nutritious and economical plant than all the extravagant foods which our wasteful, self-indulgent diet has conditioned us to expect,” Kip’s Ma had said over the radio; her voice always sounded as if it were falling in drops, not of water, but of mayonnaise. “Soybeans make an excellent substitute for bread, meat, cereals and coffee—and if all of us were compelled to adopt soybeans as our staple diet, it would solve the national food crisis and make it possible to feed more people. The greatest food for the greatest number—that’s my slogan. At a time of desperate public need, it’s our duty to sacrifice our luxurious tastes and eat our way back to prosperity by adapting ourselves to the simple, wholesome foodstuff on which the peoples of the Orient have so nobly subsisted for centuries. There’s a great deal that we could learn from the peoples of the Orient.

However, the conclusion was substantially correct: from the observed abundance of hydrogen we can infer that the universe must in the first few minutes have been filled with an enormous amount of radiation which could prevent the formation of too much of the heavier elements; the expansion of the universe since then would have lowered its equivalent to a few degrees Kelvin, so that it would appear now as a background of radio noise, coming equally from all directions.

However, in other circumstances, such as with PSR 1913 + 16, the situation is very different, and gravitational radiation from the system indeed has a significant role to play. Here, Einstein's theory provides a firm prediction of the detailed nature of the gravitational radiation that the system ought to be emitting, and of the energy that should be carried away. This loss of energy should result in a slow spiralling inwards of the two neutron stars, and a corresponding speeding up of their orbital rotation period. Joseph Taylor and Russell Hulse first observed this binary pulsar at the enormous Aricebo radio telescope in Puerto Rico in 1974. Since that time, the rotation period has been closely monitored by Taylor and his colleagues, and the speed-up is in precise agreement with the expectations of general relativity (cf. Fig. 4.11). For this work, Hulse and Taylor were awarded the 1993 Nobel Prize for Physics. In fact, as the years have rolled by, the accumulation of data from this system has provided a stronger and stronger confirmation of Einstein's theory. Indeed, if we now take the system as a whole and compare it with the behaviour that is computed from Einstein's theory as a whole-from the Newtonian aspects of the orbits, through the corrections to these orbits from standard general relativity effects, right up to the effects on the orbits due to loss of energy in gravitational radiation-we find that the theory is confirmed overall to an error of no more than about 10^-14. This makes Einstein's general relativity, in this particular sense, the most accurately tested theory known to science!

How can a man be still if he sees such a great wrong being instigated?' 'It's difficult, but it's necessary,' Professor While insisted. 'Science must go on unhindered, and if we bring politics into our work we will cease to be scientists.' 'Will we cease being human?' MacGregor demanded with the rudeness of justifying himself. 'Should we hand over our affairs to men we despise?' 'I suppose that is unanswerable.' Professor White was an deep into it now as MacGregor. 'But when we dabble in politics we suffer what you are suffering now, and it isn't worth it. Is it?' 'I don't know,' MacGregor said morosely. 'Then why destroy yourself?' 'I don't believe a man has much choice any more,' MacGregor said. 'There seems to be some kind of a battle going on for any existence, science and all.' 'You may be right,' the Professor said. 'We are certainly facing a situation of terrible choice. Only yesterday the physicist chaps back from America brought in a petition to sign against control and secrecy of information and research in nuclear physics. Once they start on this secrecy business there is no telling where it will end. It was bad enough when we were working at Tennessee. We cannot have those ignorant politicians telling us what we must do.' 'They are already telling us what we must do,' MacGregor argued. 'The military control so much research that the phyusicist are becoming straight-out weapon makers and nothing else.' 'It's not the physicists' fault...' 'Then why don't they stop working for the military. Now they are talking about radio-active dust clouds and the biologists are producing concentrates of bacteria for wholesale disease-making. What's the matter with them? Have the Generals got them so scared that they meekly do as they are told?' 'Weapons are a part of life,' the Professor commented sadly, 'and since the politicians refuse to be peaceful, at least they ask for weapons and give us a chance we would not otherwise have of making enormous strides in costly research.' 'Perhaps. But don't we care how the products of our research are used?' 'You are looking for logic where there isn't any,' the Professor said. 'It isn't science which shapes the world, young man.' 'No sir, but we are part of it.' 'Really a very small part of it. The ultimate decision on human affairs lies outside science. We may be part of it, but if you are looking for the deciding factor in the shape of existence then I don't know where you'll find it.

Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.

Where, Bredon asked himself, did the money come from that was to be spent so variously and so lavishly? If this hell’s-dance of spending and saving were to stop for a moment, what would happen? If all the advertising in the world were to shut down tomorrow, would people still go on buying more soap, eating more apples, giving their children more vitamins, roughage, milk, olive oil, scooters and laxatives, learning more languages by gramophone, hearing more virtuosos by radio, re-decorating their houses, refreshing themselves with more non-alcoholic thirst-quenchers, cooking more new, appetizing dishes, affording themselves that little extra touch which means so much? Or would the whole desperate whirligig slow down, and the exhausted public relapse upon plain grub and elbow-grease? He did not know. Like all rich men, he had never before paid any attention to advertisements. He had never realized the enormous commercial importance of the comparatively poor. Not on the wealthy, who buy only what they want when they want it, was the vast superstructure of industry founded and built up, but on those who, aching for a luxury beyond their reach and for a leisure for ever denied them, could be bullied or wheedled into spending their few hardly won shillings on whatever might give them, if only for a moment, a leisured and luxurious illusion. Phantasmagoria

Here, too, the furnishings were fine, even expensive. Red velvet armchairs, low walnut side tables and, leaning against the far wall, an enormous radio. Fine cream-colored lacework adorned every table and the back of every chair. Hanging from a wall was a plaque in the shape of a ship, on which was written a prayer.

I wondered if we had reached that point now in America, if Christianity and capitalism both had ossified. Enormous corporations and megachurches, each with their rules and propaganda, their need to eliminate competition, eccentricity, otherness. Wasn’t it time for some brave new spirit to speak a fresh truth? Could these really be, as the radio preahers insisted, the ‘end times?’ Maybe just their end of their times, I thought, and the beginning of better.

- Hitler prepared for battle by infiltrating Frances airwaves. Germany hired native-French broadcasters to unsuspecting listeners to tune in to amusing radio shows and music. Many listeners were oblivious to the propaganda was subtly included. These radio commentators expressed worry over the German army’s dominance and military strength, and predicted that France could not withstand an attack, The doubt Hitler’s radio programs planted in French minds quickly spread. Edmond Taylor, a correspondent for the Chicago Tribune who lived in France during this period, witnessed Hitler’s intricately choreographed propaganda campaign and how it crumbled Frances resolve. Describing it as a “strategy of terror,’ Taylor reported that Germany spent enormous amounts on propaganda and even bribed French newspapers to publish stories that confirmed the rumors of Germany’s superiority. According to Taylor, Germany’s war of ideas planted a sense of dread “in the of France that spread like a monstrous cancer, devouring all ocher emotional faculties [with] an irrational fear [that was] … uncontrollable.” So weakened was the confidence of the French that something as innocuous as a test of Frances air-raid-siren system generated ripples of panic; the mere innuendo of invasion somehow reinforced the idea that France would undoubtedly be defeated. Although the French government made a late attempt at launching an ideological counteroffensive by publicizing the need to defend freedom, it was as effective as telling citizens to protect themselves from a hurricane by opening an umbrella. When the invasion finally did come, France capitulated in six weeks. By similarly destroying the resolve of his enemies before invading them, Hitler defeated Poland, Finland, Denmark, Norway. Belgium, the Netherlands, and Luxembourg in addition to France, all in under a year. Over 230 million Europeans, once free, fell under Nazi rule.

FIONA DE LONDRAS: We have lots of things that are very good about having a referendum on the constitution. The fact that the constitution should reflect our values, and so on, but what’s the flip side? What’s the cost? When we have a referendum like this, we literally have to stand in front of our friends, family, neighbours and say, ‘Recognise me.’ The risk is that they say no. And that causes problems; that’s hard; there’s a massive social cost to that. And me or you, we can do it, but we’re used to it, this is part of the give and take of our everyday life. We are not the typical person who needs this. We’re the atypical person. So I think about the 14-year-old in school who’s listening to this stuff on the radio. Or the 65-year-old closeted farmer in the middle of Cavan. And people are talking about us, and it’s our lives and it’s part of our lives we have no control over. That’s a massive cost. Most things are not about a core attribute of a person. That cost has arisen when we had an abortion referendum, when we had that egregious citizenships referendum, that must’ve been what it felt like for people then too. But where there was another option, I cannot fully comprehend why the government would have asked us to bear this social cost. Now, the social benefit that comes afterwards in enormous, because we’ve all these vulnerabilities we’ve exposed ourselves to, and our fellow citizens say, ‘You’re equal,’ and that is good. And it will give a level of democratic legitimacy that a Supreme Court wouldn’t give. But my God, it’s going to cost.

Yet it seems possible that one can make too much of the hardships of the soldiers at Gallipoli, or rather there is a danger of seeing these hardships out of their right context. With the mere cataloguing of the Army’s miseries a sense of dreariness is transmitted, and this is a false impression; at this stage life on the peninsula was anything but dreary. It was ghastly but it was not yet petty or monotonous. There can be no fair comparison with the relatively comfortable lives of the soldiers in the second world war, or even with the lives of these men themselves before they enlisted. Gallipoli swallowed them up and made conditions of its own. With marvellous rapidity the men removed themselves to another plane of existence, the past receded, the future barely existed, and they lived as never before upon the moment, released from the normal weight of human ambitions and regrets. ‘It was in some ways,’ Herbert says, ‘a curiously happy time.’ It is a strange remark, but one feels one understands it very well. The men had no cinemas, no music, no radios, no ‘entertainment’ of any kind, and they never met women or children as the soldiers did behind the lines in France. Yet the very absence of these pleasures created another scale of values. They had a sharp and enormous appetite for the smallest things. Bathing in the sea became an inexpressible joy. To get away from the flies, to wash the dust from one’s eyes and mouth, to feel cool again: this was a heightening of sensation which, for the moment, went beyond their dreams of home. The brewing of tea in the evening, the sharing out of a parcel, a cake or a bar of chocolate, the long talks in the starlight talking of what they would do ‘when it was all over’—all these things took on an almost mystical emphasis of a kind that became familiar enough in the western desert of Egypt in the second world war, or indeed on any distant front in any war. There were no pin-up girls; no erotic magazines reached them—they were lucky if they even saw a newspaper from home that was under a month old—and there were no nurses or Ensa troupes. Perhaps because of this the sexual instinct seems to have been held in abeyance for the time, or rather it was absorbed in the minutiae of their intensely friendly life, the generous feelings created by the danger all around them. There was very little vice; ordinary crimes became lost in the innocence of the crime of war itself. Certainly there was no possibility of drunkenness,22 and gambling was not much more than an anaemic pastime in a world where money was the least of things. They craved not soft beds and hot baths but mosquito nets and salt water soap.

trabajaba para la CIA desde 1963.80 El 2 de septiembre El Mercurio publicó un enorme anuncio anónimo que decía: «¡Juanita Castro habla a las mujeres de Chile! Escuche hoy este dramático mensaje de una mujer cubana...».81 En el discurso que transmitieron Radio Minería y Radio Corporación afirmó: «Serán invadidos los templos y profanadas sus imágenes (...) Chilenos: el enemigo acecha; lo tienen en sus propias puertas (...) No se dejen engañar, estén alertas, recen por sus derechos, piensen en sus familias, piensen en sus hijos. Campesinos, obreros, estudiantes, madres y pueblo chileno en general: en sus manos está el impedir que se repita en este país la dolorosa agonía que vive mi patria esclavizada por el yugo comunista».82

... he informed me coldly that I was in the hands of the Gestapo, and that I was about to learn that the German police are quite a different matter from their French counterparts. Following this amiable introduction, two or three officers entered the room. I was made to stand in the middle of the space as the Germans circled round me, looking me up and down with jerky, staccato movements, screaming like lunatics all the while, to the accompaniment of some sort of music emitted at top volume from an enormous radio. The din was indescribable....* I asked a typist, who also seemed to be an interpreter, if she would be kind enough to translate what the gentleman were shouting at me, as if they were questions I should be happy to answer them. *Though these techniques seem farcical today, this was how the SS embarked on their 'work' in Paris. When they realized that these ridiculous performances were eliciting no information they improved their methods, so gradually attaining the finesse of semi-drowning in bathtubs filled with ice water, electric shocks and the rest.

Here, almost all media are subtracted from daily life. I notice the enormous difference immediately. The habit I have, of turning on the radio news as I drive to work, comes to mind as a destroyer of the natural rhythm of the day. Subtle, because flicking on the radio seems almost an automatic gesture, a neutral gesture. But in the half hour from my flat to the parking lot at school, drug lords are shot, children are abused by those who are supposed to protect them, car bombs go off, houses are carried off by floods, and my waking psyche has absorbed a load of the world's hurt. The bombardment of frightening, disturbing images assaults any well-being that might have accrued from a lovely night's sleep. TV probably would be worse; I rarely watch TV news except for reports of earthquakes and dire events. At school, I get out of the car already tense and not knowing why. The constant overload of recurrent horror on the news and in the papers we assume is normal until we live without it. Has any study focused on the correlation of anxiety and level of exposure to news? I read the paper here two or three times a week, enough to more than keep up with crucial events. “I'll start the day without that negative drone,” I tell Ed. “On my own terms.

You have no technology to demonstrate the existence of the waves, and everyone justifiably points out that the onus is on you to convince them. So you would become a radio materialist. You would conclude that somehow the right configuration of wires engenders classical music and intelligent conversation. You would not realize that you’re missing an enormous piece of the puzzle.

of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

Winchell was enormously entertaining to the common man, his harsh and staccato voice wrapped in a fearless facade. He saw himself as a “protector of little people,” wrote Dickson Hartwell in a 1948 Collier’s profile. “Nobody browbeats a waiter in his presence.” He took on Hitler, Congress, and the president, and he wasn’t afraid to lambaste by name prominent Americans he suspected of a pro-Axis attitude. At various times he heaped scorn upon Huey Long, Hamilton Fish, Charles A. Lindbergh, Martin Dies, and the Ku Klux Klan. He sometimes referred to Congress as “the House of Reprehensibles,” and he got in trouble with his sponsor and network (one of many such troubles) when he characterized as “damn fools” voters who had returned isolationists to office.

I due agenti si divisero, Uno fece un cenno d’assenso a Due che andò verso la porta dell’ufficio. Abbassò la maniglia, la porta era chiusa a chiave. Scivolò lungo la parete attento a non fare rumore. Li avrebbero presi questa volta. Si trattava di giovani non schedati, ladri adolescenti, secondo l’informatore, e nessuno voleva che la cosa si trasformasse in un bagno di sangue. Le armi dovevano restare nella fondina, gli ordini erano chiari, niente sparatorie da far west e cadaveri che facessero “strillare" la stampa sulla crudeltà delle forze dell’ordine. Ma andavano fermati. Piccoli bastardi (.............) E fu mentre formulava questo pensiero che un rumore metallico gli fece alzare gli occhi, un’ombra uscita dal nulla balzò oltre la ringhiera, atterrando a quattro zampe sulla pila di cassoni, poi si raccolse come un gatto e saltò verso il montacarichi, si afferrò a una delle rotaie verticali, s’inarcò come un saltatore con l’asta, la testa in giù. Le gambe descrissero un’ellisse impossibile, le ginocchia si piegarono e con una spinta delle reni il ragazzo superò la ringhiera del ballatoio, parve rimbalzare in su, sullo scaffale di ferro e scomparve nell’oscurità del soffitto (..........) I due agenti spinsero la porta a vetri e a balzi risalirono la scala di emergenza esterna, che finiva però a due metri dal tetto. Uno, più agile, si issò sui pali di sostegno, mentre Due abbaiava alla radio. Quindi anche lui si inerpicò ansando e guadagnò la cima. Rimasero là qualche istante, interdetti, scrutando nel buio. - Laggiù! – Gridò Due. L’ombra correva sul tetto del magazzino, un essere magrissimo, un nulla in movimento che sparì dietro la sagoma dell’abbaino. Uno estrasse la pistola dalla fondina, fece fuoco in aria e subito la volante accese la sirena. I due agenti corsero, girarono attorno all’abbaino e non videro nessuno. Si voltarono, niente. Pareva evaporato. Giunti al limite del tetto si fermarono. L’edificio accanto, un deposito chiuso, era a vari metri di distanza. Sotto c’erano tre piani e il cortile asfaltato. Si guardarono intorno, era saltato di là? Quei due depositi erano gli unici edifici vicini. Più in là, oltre un campo abbandonato che sembrava una palude c’era solo un enorme ammasso di rottami, la strada a quattro corsie e il mare. Il fuggitivo non aveva scampo, si trattava solo di evitare la tragedia. La figura riapparve correndo piegata sul tetto dello stabile di fronte, oltre il quale non c’era niente, il vuoto, la notte. Uno fece fuoco in aria un’altra volta, ma lui non parve accorgersene, giunse al parapetto, vi salì sopra e rimase accovacciato come un animale. - Ma che diavolo fa? – Disse Due. Il ladro si alzò in piedi e per alcuni secondi rimase dritto, silhouette nera contro il cielo chiaro di nubi. Poi, senza guardarsi indietro, si lanciò nel vuoto. da B-Loved

Franklin strolled toward the tent trying to bite the apple without getting the sugary coating on his face. None of the dozen or so men looked up when he approached. All eyes were fixed on the radio as if they could see inside it. The announcer’s voice didn’t rise and fall as usual. Every word was tension filled: “Reports of the Japanese attack began coming in early this afternoon, Eastern time. What we know now is that several battleships have been hit, one already at the bottom, with enormous loss of life.” The candied apple dropped to the sawdust.