Sudden Death Of Mother Quotes

Mother was comfort. Mother was home. A girl who lost her mother was suddenly a tiny boat on an angry ocean. Some boats eventually floated ashore. And some boats, like me, seemed to float farther and farther from land

Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It's me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, it's me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she'd begun writing books, he'd heard about it through her mother whom he'd met again in Saigon. And about her younger brother, and he'd been grieved for her. Then he didn't know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he'd love her until death.

The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.

When the commonplace "We must all die" transforms itself suddenly into the acute consciousness "I must die-- and soon," then death grapples us, and his fingers are cruel; afterwards, he may come to fold us in his arms as our mother did, and our last moment of dim earthly discerning may be like the first.

Fire         i   The morning you were made to leave she sat on the front steps, dress tucked between her thighs, a packet of Marlboro Lights near her bare feet, painting her nails until the polish curdled. Her mother phoned–   What do you mean he hit you? Your father hit me all the time but I never left him. He pays the bills and he comes home at night, what more do you want?   Later that night she picked the polish off with her front teeth until the bed you shared for seven years seemed speckled with glitter and blood.       ii   On the drive to the hotel, you remember “the funeral you went to as a little boy, double burial for a couple who burned to death in their bedroom. The wife had been visited by her husband’s lover, a young and beautiful woman who paraded her naked body in the couple’s kitchen, lifting her dress to expose breasts mottled with small fleshy marks, a back sucked and bruised, then dressed herself and walked out of the front door. The wife, waiting for her husband to come home, doused herself in lighter fluid. On his arrival she jumped on him, wrapping her legs around his torso. The husband, surprised at her sudden urge, carried his wife to the bedroom, where she straddled him on their bed, held his face against her chest and lit a match.       iii   A young man greets you in the elevator. He smiles like he has pennies hidden in his cheeks. You’re looking at his shoes when he says the rooms in this hotel are sweltering. Last night in bed I swear I thought my body was on fire.

Right after her funeral I felt the way you feel when it suddenly starts raining hard, and you look around and find no place to take shelter.

It has been a week since Ami died and this morning I woke suddenly hours before dawn, indeed the same hour as when my mother died. It was not a dream that woke me, but a thought. And with that thought I could swear I heard Ami's voice. But I am not frightened. I am joyous. Joyous with realization. For I cannot help but think what a lucky person I am. Imagine that in all the eons of time, in all the possible universes of which Dara speaks, of all the stars in the heavens, Ami and I came together for one brief and shining sliver of time. I stop. I think. Supposing in the grand infinity of this universe two particles of life, Ami and me, swirl endlessly like grains of sand in the oceans of the world -- how much of a chance is there for these two particles, these two grains of sand, to collide, to rest briefly together... at the same moment in time? That is what happened with Ami and me... this miracle of chance.

With the birth of Akash, in his sudden, perfect presence, Ruma had felt awe for the first time in her life. He still had the power to stagger her at times--simply the fact that he was breathing, that all his organs were in their proper places, that blood flowed quietly and effectively through his small, sturdy limbs. He was her flesh and blood, her mother had told her in the hospital the day Akash was born. Only the words her mother used were more literal, enriching the tired phrase with meaning: "He is made from your meat and bone." It had caused Ruma to acknowledge the supernatural in everyday life. But death, too, had the power to awe, she knew this now-that a human being could be alive for years and years, thinking and breathing and eating, full of a million worries and feelings and thoughts, taking up space in the world, and then, in an instant, become absent, invisible.

The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget; but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved, when he feels his heart, as it were, crushed in the closing of its portal, would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved are softened away in pensive meditation on all that it was in the days of its loveliness - who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh, the grave! The grave! It buries every error - covers every defect - extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections.

These Cro-Magnon people were identical to us: they had the same physique, the same brain, the same looks. And, unlike all previous hominids who roamed the earth, they could choke on food. That may seem a trifling point, but the slight evolutionary change that pushed man's larynx deeper into his throat, and thus made choking a possibility, also brought with it the possibility of sophisticated, well articulated speech. Other mammals have no contact between their air passages and oesophagi. They can breathe and swallow at the same time, and there is no possibility of food going down the wrong way. But with Homo sapiens food and drink must pass over the larynx on the way to the gullet and thus there is a constant risk that some will be inadvertently inhaled. In modern humans, the lowered larynx isn't in position from birth. It descends sometime between the ages of three and five months - curiously, the precise period when babies are likely to suffer from Sudden Infant Death Syndrome. At all events, the descended larynx explains why you can speak and your dog cannot.

And then, into the fantasy, as into a dream, would come the thought: it's not like this anymore; the world has changed. Just the way, even at that time fully two years after my mother's death, I'd catch myself thinking about her as alive; and would suddenly remember, an admonitory finger of grief upon my breast, that she was gone.

Death is like giving birth. Birth can be painful. Sometimes women die from giving birth. However, when the baby is born, all that pain (that was endured) vanishes in an instant. Love for that tiny baby makes one forget the pain, the fear. And as I’ve said before, love between mother and child is the highest experience, the closest to divine love. You might wonder about the parallel I’m making between birth and death. But I say to you, the fear and pain accompanying an awful death is over quickly. Beyond that portal one is suddenly in the light, in oneness and bliss…Just as a woman heals rapidly after childbirth and then is able to fall in love with her baby, those who pass over also are able to fall in love with a new life."-Kuan Yin (From "Oracle of Compassion: the Living Word of Kuan Yin

Auntie Phyl's last months in the care home were extra pieces. Age is unnecessary. Some of us, like my mother, are fortunate enough to die swiftly and suddenly, in full possession of our faculties and our fate, but more and more of us will be condemned to linger, at the mercy of anxious or indifferent relatives, careless strangers, unwanted medical interventions, increasing debility, incontinence, memory loss. We live too long, but, like the sibyl hanging in her basket in the cave at Cumae, we find it hard to die.

Whoo-oop! I'm the old original iron-jawed, brass-mounted, copper-bellied corpse-maker from the wilds of Arkansaw!—Look at me! I'm the man they call Sudden Death and General Desolation! Sired by a hurricane, dam'd by an earthquake, half-brother to the cholera, nearly related to the small-pox on the mother's side! Look at me! I take nineteen alligators and a bar'l of whiskey for breakfast when I'm in robust health, and a bushel of rattlesnakes and a dead body when I'm ailing! I split the everlasting rocks with my glance, and I squench the thunder when I speak! Whoo-oop! Stand back and give me room according to my strength! Blood's my natural drink, and the wails of the dying is music to my ear! Cast your eye on me, gentlemen!—and lay low and hold your breath, for I'm bout to turn myself loose!

She lifts her eyes, and there is Death in the corner, but not like a king with his iron crown, as the epics claimed. Why, it is a giant brush loaded with white paint. It descends upon her with gentle suddenness, obliterating the shape of the world.

My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.

When the commonplace "We must all die" tranfors itself suddenly into the acute consciousness "I must die - and soon," then death grapples us, and his fingers are cruel; afterwards, he may come to fold us in his arms as our mother did, and our last moment of dim earthly discerning may be like the first.

People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.

Suddenly Yudhisthira saw a yaksha approaching him. The being sat in front of him and began firing questions rapidly at him. What is bigger than the Earth? the yaksha asked. "A mother" replied Yudhisthira. What is taller than the sky? "A father" What is faster than the wind? "The mind , of course". Yudhisthira smiled. What grows faster than hay? "Worry" What is the greatest dharma in the world? queried the yaksha "Compassion and conscience" With who is friendship never-ending? "With good people" responded Yudhisthira patiently. What is the secret to never feeling unhappy? "If one can control his or her mind, then that person will never feel sad" The yaksha increase his pace now. What is the greatest kind of wealth. "Education" What is the greatest kind of profit? "Health" What is the greatest kind of happiness? "Contentment" said Yudhisthira, ever prompt with his replies. What is man's worst enemy? "Anger" What disease will never have a cure? "Greed is incurable" The yaksha smiled again. A last question my friend. What is life's biggest irony? "It is the desire to live eternally. Every day, we encounter people dying but we always think that death will never come to us.

When my mother was alive, I was the daughter first and everything else second.... That's what made her death so painful. My mother was a big part of my life and a big reason why I did what I did. I've always derived a lot of energy from being a good daughter.... When she was gone, I suddenly thought, Why am I doing this? For whom? Losing my mom was really hard on me. I remember going to the Academy Awards shortly after she died and thinking, Well I'm all dressed up, and my mother won't see me.

In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake. When I told my mother about the dream, she was puzzled. 'But what's scary about that? You were never scared of that doll.' I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying. My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears. Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")

She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.

Hearing, they say, is one of the last senses to go. My mother smiled. I tearfully asked her, "Mommy, can you see heaven?" She smiled again. Then she was gone. There was no death rattle, no sudden in-breath or out-breath. She simply stopped breathing. She smiled and slipped away. Smiling while dying is apparently not that unusual. The body tries to produce a state of euphoria to usher us out. It releases the same kinds of neurochemicals, dopamine and serotonin, that flood our brains as we are falling in love.

After my grandmother’s death, my mother’s face quickly developed deep wrinkles. She suddenly became more weathered, worn, and frail. These weren’t the wrinkles of old age; they were wrinkles of pain.

In the books I've written about my childhood I can't remember, suddenly, what I left out, what I said. I think I wrote about our love for our mother, but I don't know if I wrote about how we hated her too, or about our love for one another, and our terrible hatred too, in that common family history of ruin and death which was ours whatever happened, in love or in hate, and which I still can't understand however hard I try, which is still beyond my reach, hidden in the very depths of my flesh, blind as a newborn child. It's the area on whose brink silence begins. What happens there is silence, the slow travail of my whole life. I'm still there, watching those possessed children, as far away from the mystery now as I was then. I've never written, though I thought I wrote, never loved, though I thought I loved, never done anything but wait outside the closed door.

The loss of a mother is a partial loss of the self. It was for me. Her death cast me adrift, for she took with her her memory, both spoken and untold. She took all she might have divulged about herself, about me, for from the moment she passed, from the moment I watched her face soften and ease as she took death's hand. . . .a myriad of questions I might have asked descended on me like a sudden sleeve of rain. With her went all that possibility.

The death of my father had unmoored her. After he was gone, the tight structure of our daily life got looser: the milk expired and was not replaced, our small patch of lawn overgrew, my mother stopped changing her sheets. And then, there would be a day during which she would whip everything back to the way it was before, a sudden tightening. But the loosening would come back. A slow easing at first, and then a swift, remorseless undoing—again and again.

Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It’s me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, It’s me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she’d begun writing books, he’d heard about it through her mother whom he’d met again in Saigon. And about her younger brother, and he’d been grieved for her. Then he didn’t know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he’d love her until death. Neauphle-le-Château–Paris February–May 1984

Suddenly an ice-cold wind went through the vast hall, and the blind mother could feel that Death had arrived. 'How have you been able to find your way here?' he asked, 'how have you been able to get here faster than I have?' 'I'm a mother," she said.

Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.

Only this body, suddenly reduced by her capitulation to being a body and nothing more, hardly differed at all from a corpse – a poor defenseless carcass turned and manipulated by professional hands, one in which life seemed to carry on only because of its own stupid momentum. For me, my mother had always been there, and I had never seriously thought that some day, that soon I should see her go. Her death, like her birth, had its place in some legendary time. When I said to myself ‘She is of an age to die’ the words were devoid of meaning, as so many words are. For the first time I saw her as a dead body under suspended sentence.

And while he spoke of my mother often and fondly to me, he always did so incompletely, in a strangely peripheral way, so that I grew up with a picture of her that was really little more than an outline. Was this unfair, an injustice to me? It must seem so, and I suppose in a way it was. And yet we all have within ourselves those private spaces that are uniquely our own and that we cannot share. This was my father's: the heart of his grief, which he chose not to expose. It was only now, in these last months before his death, that the outline was filled in, that without preliminary or explanation, my father suddenly began to talk of my mother as he had never talked before, in words and phrases lit with a bursting lyrical warmth and love that had been stored up and held within him all this time, and that was now released because, I think, he knew his own time was so short, and because he did not for a moment doubt that very soon now he would be joined to her again... So there was a feeling of joy here.

No, he would never know his father, who would continue to sleep over there, his face for ever lost in the ashes. There was a mystery about that man, a mystery he had wanted to penetrate. But after all there was only the mystery of poverty that creates beings without names and without a past, that sends them into the vast throng of the nameless dead who made the world while they themselves were destroyed for ever. For it was just that that his father had in common with the men of the Labrador. The Mahon people of the Sahel, the Alsatians on the high plateaus, with this immense island between sand and sea, which the enormous silence was now beginning to envelop: the silence of anonymity; it enveloped blood and courage and work and instinct, it was at once cruel and compassionate. And he who had wanted to escape from the country without name, from the crowd and from a family without a name, but in whom something had gone on craving darkness and anonymity - he too was a member of the tribe, marching blindly into the night near the old doctor who was panting at his right, listening to the gusts of music coming from the square, seeing once more the hard inscrutable faces of the Arabs around the bandstands, Veillard's laughter and his stubborn face - also seeing with a sweetness and a sorrow that wrung his heart the deathly look on his mother's face at the time of the bombing - wandering though the night of the years in the land of oblivion where each one is the first man, where he had to bring himself up, without a father, having never known those moments when a father would call his son, after waiting for him to reach the age of listening, to tell him the family's secret, or a sorrow of long ago, or the experience of his life, those moments when even the ridiculous and hateful Polonius all of a sudden becomes great when he is speaking to Laertes; and he was sixteen, then he was twenty, and no one had spoken to him, and he had to learn by himself, to grow alone, in fortitude, in strength, find his own morality and truth, at last to be born as a man and then to be born in a harder childbirth, which consists of being born in relation to others, to women, like all the men born in this country who, one by one, try to learn without roots and without faith, and today all of them are threatened with eternal anonymity and the loss of the only consecrated traces of their passage on this earth, the illegible slabs in the cemetery that the night has now covered over; they had to learn how to live in relation to others, to the immense host of the conquerors, now dispossessed, who had preceded them on this land and in whom they now had to recognise the brotherhood of race and destiny.

I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.

My mother's death...seemed so much the focal point of all personal history in our lives, it was as though time began for us when it stopped for her. Maybe this is what happens to everyone - not necessarily sudden deaths , but certain events that create distinct before and after lines, walls really, requiring a great effort to climb, discouraging doing so.

Just when it seemed my mother couldn’t bear one more needle, one more insane orange pill, my sister, in silence, stood at the end of the bed and slowly rubbed her feet, which were scratchy with hard, yellow skin, and dirt cramped beneath the broken nails, which changed nothing in time except the way my mother was lost in it for a while as if with a kind of relief that doesn’t relieve. And then, with her eyes closed, my mother said the one or two words the living have for gratefulness, which is a kind of forgetting, with a sense of what it means to be alive long enough to love someone. Thank you, she said. As for me, I didn’t care how her voice suddenly seemed low and kind, or what failures and triumphs of the body and spirit brought her to that point— just that it sounded like hope, stupid hope.

I heard a few men in a restaurant talking about a bayou legend," Savannah said suddenly.She leaned ont he side of the boat,presenting him with an intriguing view of her tight jeans. They clung lovingly to every curve. Gregori moved, a flowing of his body, gliding silently, and his large frame was blanketing Savannah's, blocking out the captain's enticing view.Gregori leaned into her,his arms coming down on either side of the railing to imprison her against him. You are doing it again. His words brushed softly in her mind even as his warm breath teased the tendrils of hair at her neck. Savannah leaned back into him, fitting her bottom into the cradle of his hips. She was happy, free of the oppressive weight of the hunt,of death and violence. THere were only the two of them. Three, he reminded her,his teeth scraping her sensitive pulse.He could feel the answering surge of her blood, the molten lava spreading in his. My mother thinks my father is a cave man.I'm beginning to think you could give him a run for his money. Disrespectful little thing. "Which legend?There are so many," Beau said. "About an old alligator that lies in wait to eat hunting dogs and little children," Savannah said. Gregori tugged at her long braid so that she tilted her head back.His mouth brushed the line of her throat. I could be a hungry alligator, he offered softly.

On Huaihai Road, Wen was asking her to be his wife. Swirl remembered the quiet of the bed when she had woken suddenly. She had picked up her son’s perfect hand, and a grey sadness seemed to move from his chest into hers, and in that moment, when she knew her child was dead, she lost her parents, her brothers and her husband all over again. Unable to stop crying, she had refused to let go of the child’s body. But he grew rigid and cold in death. Only Big Mother had finally managed to lift the body from her arms.

Dying isn’t the end of the world,” my mother liked to joke after she was diagnosed as terminal. I never really understood what she meant, until the day I suddenly did—a few months after she died—when, at age thirty-eight, the breast cancer I’d been in treatment for became metastatic and incurable. There are so many things that are worse than death: old grudges, a lack of self-awareness, severe constipation, no sense of humor, the grimace on your husband’s face as he empties your surgical drain into the measuring cup.

In the Dictionary 'lumpy jaw' comes just before 'lunacy,' but in life there are no such clues. Suddenly, for no reason, you might start to dribble from the mouth, to howl peevishly at the moon. You might start quoting your mother, out loud and with conviction. You might lose your friends to the most uninspired of deaths. You might one day wake up and find yourself teaching at a community college; there will have been nothing to warn you. You might say things to your students like, There is only one valid theme in literature: Life will disappoint you.

The sympathy for parents who have lost children is also so natural and automatic that the deaths are often not thoroughly investigated. In many cases the children are killed in infancy and their demise ascribed to Sudden Infant Death Syndrome (SIDS). In fact, the research paper originally used to claim that SIDS has a genetic origin was based primarily on the case of a mother who had supposedly lost five successive children to SIDS. It turned out that the mother had MBPS and had smothered the children to death. She was ultimately convicted of the murders.

every clanging ambulance bell, in every scar on the faces of the pimps and their whores, in every helpless, newborn baby being brought into this danger, in every knife and pistol fight on the Avenue, and in every disastrous bulletin: a cousin, mother of six, suddenly gone mad, the children parcelled out here and there; an indestructible aunt rewarded for years of hard labor by a slow, agonizing death in a terrible small room; someone’s bright son blown into eternity by his own hand; another turned robber and carried off to jail. It was a summer of dreadful speculations and discoveries, of which these were not the worst.

...very soon he went to sleep. He dreamed that the priest whom they had shot that morning was back in the house dressed in the clothes his father had lent him and laid out stiffly for burial. The boy sat beside the bed and his mother read out of a very long book all about how the priest had acted in front of the bishop the part of Julius Caesar: there was a fish basket at her feet, and the fish were bleeding, wrapped in her handkerchief. He was very tired and very bored and somebody was hammering nails into a coffin in the passage. Suddenly the dead priest winked at him - an unmistakable flicker of the eyelid, just like that.

Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.

An Epicurean philosopher and physicist, Lucretius wrote his poem for a friend, Gaius Memmius, and urges him not to be afraid of death. ‘Death is nothing to us,’ he proclaims. If Mother Nature suddenly found a voice, she would wonder why we make such a fuss about dying. If we’ve had a good life, she would ask, why aren’t we happy to leave it, like a guest who’s had a lovely time at a party? And if we’ve had a rotten time, why prolong it? We don’t remember what it was like before we were born, and that is Nature’s mirror of how things will be after we die. ‘Surely nothing about dying seems sad. Doesn’t it seem more untroubled than any sleep?

Andre: You know, in the sexual act there’s that moment of complete forgetting, which is so incredible. Then in the next moment you start to think about things: work on the play, what you’ve got to do tomorrow. I don’t know if this is true of you, but I think it must be quite common. The world comes in quite fast. Now that again may be because we’re afraid to stay in that place of forgetting, because that again is close to death. Like people who are afraid to go to sleep. In other words: you interrelate and you don’t know what the next moment will bring, and to not know what the next moment will bring brings you closer to a perception of death! You see, that’s why I think that people have affairs. Well, I mean, you know, in the theater, if you get good reviews, you feel for a moment that you’ve got your hands on something. You know what I mean? I mean it’s a good feeling. But then that feeling goes quite quickly. And once again you don’t know quite what you should do next. What’ll happen? Well, have an affair and up to a certain point you can really feel that you’re on firm ground. You know, there’s a sexual conquest to be made, there are different questions: does she enjoy the ears being nibbled, how intensely can you talk about Schopenhauer in some elegant French restaurant. Whatever nonsense it is. It’s all, I think, to give you the semblance that there’s firm earth. Well, have a real relationship with a person that goes on for years, that’s completely unpredictable. Then you’ve cut off all your ties to the land and you’re sailing into the unknown, into uncharted seas. I mean, you know, people hold on to these images: father, mother, husband, wife, again for the same reason: ’cause they seem to provide some firm ground. But there’s no wife there. What does that mean, a wife? A husband? A son? A baby holds your hands and then suddenly there’s this huge man lifting you off the ground, and then he’s gone. Where’s that son?

An electronic machine can carry out mathematical calculations, remember historical facts, play chess and translate books from one language to another. It is able to solve mathematical problems more quickly than man and its memory is faultless. Is there any limit to progress, to its ability to create machines in the image and likeness of man? It seems the answer is no. It is not impossible to imagine the machine of future ages and millennia. It will be able to listen to music and appreciate art; it will even be able to compose melodies, paint pictures and write poems. Is there a limit to its perfection? Can it be compared to man? Will it surpass him? Childhood memories… tears of happiness … the bitterness of parting… love of freedom … feelings of pity for a sick puppy … nervousness … a mother’s tenderness … thoughts of death … sadness … friendship … love of the weak … sudden hope … a fortunate guess … melancholy … unreasoning joy … sudden embarrassment… The machine will be able to recreate all of this! But the surface of the whole earth will be too small to accommodate this machine – this machine whose dimensions and weight will continually increase as it attempts to reproduce the peculiarities of mind and soul of an average, inconspicuous human being. Fascism annihilated tens of millions of people.

Celestial Music” I have a friend who still believes in heaven. Not a stupid person, yet with all she knows, she literally talks to god, she thinks someone listens in heaven. On earth, she’s unusually competent. Brave, too, able to face unpleasantness. We found a caterpillar dying in the dirt, greedy ants crawling over it. I’m always moved by weakness, by disaster, always eager to oppose vitality. But timid, also, quick to shut my eyes. Whereas my friend was able to watch, to let events play out according to nature. For my sake, she intervened, brushing a few ants off the torn thing, and set it down across the road. My friend says I shut my eyes to god, that nothing else explains my aversion to reality. She says I’m like the child who buries her head in the pillow so as not to see, the child who tells herself that light causes sadness— My friend is like the mother. Patient, urging me to wake up an adult like herself, a courageous person— In my dreams, my friend reproaches me. We’re walking on the same road, except it’s winter now; she’s telling me that when you love the world you hear celestial music: look up, she says. When I look up, nothing. Only clouds, snow, a white business in the trees like brides leaping to a great height— Then I’m afraid for her; I see her caught in a net deliberately cast over the earth— In reality, we sit by the side of the road, watching the sun set; from time to time, the silence pierced by a birdcall. It’s this moment we’re both trying to explain, the fact that we’re at ease with death, with solitude. My friend draws a circle in the dirt; inside, the caterpillar doesn’t move. She’s always trying to make something whole, something beautiful, an image capable of life apart from her. We’re very quiet. It’s peaceful sitting here, not speaking, the composition fixed, the road turning suddenly dark, the air going cool, here and there the rocks shining and glittering— it’s this stillness that we both love. The love of form is a love of endings.

In my despair, I felt a sharp and sudden longing for the softness of my mother and my sister, and the warm, strong embrace of my father. My love for my father swelled in my heart, and I realized that, despite the hopelessness of my situation, the memory of him filled me with joy. It staggered me: The mountains, for all their power, were not stronger than my attachment to my father. They could not crush my ability to love. I felt a moment of calmness and clarity, and in that clarity of mind I discovered a simple, astounding secret: Death has an opposite, but the opposite is not mere living. It is not courage or faith or human will. The opposite of death is love.

To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapable into itself. From the earth, from the air, sustaining forces pour into us—mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and often for ever. Earth!—Earth!—Earth! Earth with thy folds, and hollows, and holes, into which a man may fling himself and crouch down. In the spasm of terror, under the hailing of annihilation, in the bellowing death of the explosions, O Earth, thou grantest us the great resisting surge of new-won life. Our being, almost utterly carried away by the fury of the storm, streams back through our hands from thee, and we, thy redeemed ones, bury ourselves in thee, and through the long minutes in a mute agony of hope bite into thee with our lips! At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed;—suddenly he throws himself down on the ground and a storm of fragments flies harmlessly over him;—yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers—we reach the zone where the front begins and become on the instant human animals. An

I had of course been terribly sad when my mother and father and my nurse had died. I missed them, and wished I could see them again, and I regretted the times I'd been selfish or cruel when they were alive. But that pain had lessened with the passage of time. Their deaths grew distant with the years, leaving behind only the most precious memories I associated with them. But this time, I had the impression that something was different. In addition to the sadness, I was overcome by a mysterious and menacing anxiety, as though the old man's death had suddenly transformed the very ground under my feet into a soft, unreliable mass. I had been left alone, with no one to comfort me, no one to reach out and take my hand, no one to share the terrible void in my heart.

The Old Man’s voice sinks to a minor. It puts on mourning, it drips unction. A sudden tremor passes over the black flock of masters. Their faces show self-control, solemnity. —“But especially we would remember those fallen sons of our foundation who hastened joyfully to the defence of their homeland and who have remained upon the field of honour. Twenty-one comrades are with us no more;—twenty-one warriors have met the glorious death of arms; twenty-one heroes have found rest from the clamour of battle under foreign soil and sleep the long sleep beneath the green grasses——” There is a sudden, booming laughter. The principal stops short in pained perplexity. The laughter comes from Willy, standing there, big and gaunt, like an immense wardrobe. His face is red as a turkey’s, he is so furious. “Green grasses! —Green grasses!” he stutters. “Long sleep? In the mud of shell holes they are lying, knocked rotten, ripped in pieces, gone down into the bog—Green grasses! This is not a singing lesson!” His arms are whirling like a windmill in a gale. “Hero’s death! And what sort of a thing do you suppose that was, I wonder? Would you like to know how young Hoyer died? All day long he lay out in the wire screaming, and his guts hanging out of his belly like macaroni. Then a bit of shell took off his fingers and a couple of hours later another chunk off his leg, and still he lived; and with his other hand he would keep trying to pack back his intestines, and when night fell at last he was done. And when it was dark we went out to get him and he was full of holes as a nutmeg grater. —Now you go and tell his mother how he died,—if you have so much courage.

That night, I hated father. He smelt of cabbage. There was cigarette ash all over his trousers. His untidy moustache was yellower and viler than ever with nicotine, and he took no notice of me. He simply sat there in his ugly arm-chair, his eyes half closed, brooding on the Lord knows what. I hated him. I hated his moustache. I even hated the smoke that drifted from his mouth and hung in the stale air above his head. And when my mother came through the door and asked me whether I had seen her spectacles, I hated her too. I hated the clothes she wore; tasteless and fussy. I hated them deeply. I hated something I had never noticed before; it was the way the heels of her shoes were worn away on their outside edges - not badly, but appreciably. It looked mean to me, slatternly, and horribly human. I hated her for being human - like father. She began to nag me about her glasses and the thread-bare condition of the elbows of my jacket, and suddenly I threw my book down. The room was unbearable. I felt suffocated. I suddenly realised that I must get away. I had lived with these two people for nearly twenty-three years. I had been born in the room immediately overhead. Was this the life for a young man? To spend his evenings watching the smoke drift out of his father's mouth and stain that decrepit old moustache, year after year - to watch the worn-away edges of my mother's heels - the dark-brown furniture and the familiar stains on the chocolate-coloured carpet? I would go away; I would shake off the dark, smug mortality of the place. I would forgo my birthright. What of my father's business into which I would step at his death? What of it? To hell with it. ("Same Time, Same Place")

This is the work of a lifetime, here on earth: To invent the astral body, to create it. giving it our consciousness. Thus one will survive death. One could also die when one chooses… And on dying, not lose the awareness 'from here.' What has happened to you is a detachment of your astral body while your physical body sleeps. This occurs to vîras; it's an automatic unconscious process. Sometimes, by simple chance, a glimmer of consciousness reaches this fine body and then, on suddenly awakening or the next day, one gets the impression of experiencing something much more real than physical reality. The deja-vu of psychologists has its explanation in this phenomena of detachment. Have you seen those children who elevate a kite and send messages with little rolls of paper that go slowly up to the kite? So it is, more or less, with that other. The astral body breaks away, still attached to the physical body by a string which has been called a 'silver cord' that is only cut at death. Thanks to this cord we can go immeasurable distances without losing the connection with our physical bodies. It always returns. So it reaches consciousness, like those messages of children with their kite. Yes, we must become like children to enter into the Kingdom of Heaven… with our astral bodies. Pay attention to this other analogy: As a child finds itself joined to its mother by the umbilical cord, so the astral body is joined to its father, the physical body, by a silver cord. The child cries and despairs at birth, when the cord connecting him to his mother is cut. He thinks this is death, but it is a new life. The same befalls the vîra when he dies; when the silver cord is cut he enters into another life. Death is a new life. All this is archetypal. Only those events expressing archetypes have ontological reality.

That night, I took a while falling asleep and when I did, I had a strange dream. She was sitting in my rocking chair and rocking herself, her dead eyes fixed on me. I lay on my bed, paralysed with fear, unable to move, unable to scream, my limbs refusing to move to my command. The room was suddenly freezing cold, the heater had probably stopped working in the night because the electricity supply had been cut and the inverter too had run out. At one point, I was uncertain whether I was dreaming or awake, or in that strange space between dreaming and wakefulness, where the soul wanders out of the body and explores other dimensions. What I knew was that I was chilled to the bones, chilled in a way that made it impossible for me to move myself, to lever myself to a sitting position in order to switch the bedside lamp on and check whether this was really happening. I could hear her in my head. Her voice was faint, feathery, and sibilant, as if she was whispering through a curtain of rain. Her words were indistinct, she called my name, she said words that pierced through my ears, words that meshed into ice slivers in my brain and when I thought finally that I would freeze to death an ice cold tiny body climbed into the quilt with me, putting frigidly chilly arms around me, and whispered, ‘Mother, I’m cold.’ Icicles shot up my spine, and I sat up, bolt upright in my bed, feeling the covers fall from me and a small indent in the mattress where something had been, a moment ago. There was a sudden click, the red light of the heater lit up, the bed and blanket warmer began radiating life-giving heat again and I felt myself thaw out, emerge from the scary limbo which marks one’s descent into another dimension, and the shadow faded out from the rocking chair right in front of me into complete transparency and the icy presence in the bed faded away to nothingness.

[Vitellius's] sins were luxury and cruelty. He divided his feasts into three, sometimes into four a day, breakfast,​ luncheon, dinner, and a drinking bout; and he was readily able to do justice to all of them through his habit of inducing vomiting. ... When his mother died, he was suspected of having forbidden her being given food when she was ill, because a woman of the Chatti, in whom he believed as he would in an oracle, prophesied that he would rule securely and for a long time, but only if he should survive his parent. .... He declared from the steps of the Palace before his assembled soldiers, that he withdrew from the rule which had been given him against his will; but when all cried out against this, he postponed the matter, and after a night had passed, went at daybreak to the rostra in mourning garb and with many tears made the same declaration, but from a written document. When the people and soldiers again interrupted him and besought him not to lose heart, vying with one another in promising him all their efforts in his behalf, he by a sudden onslaught drove Sabinus and the rest of the Flavians, into the Capitol. Then he set fire to the temple of Jupiter Optimus Maximus and destroyed them, viewing the battle and the fire from the house of Tiberius, where he was feasting. ... At last on the Stairs of Wailing​ he was tortured for a long time and then despatched and dragged off with a hook to the Tiber. He met his death, along with his brother and his son, in the fifty-seventh year of his age, fulfilling the prediction of those who had declared from an omen which befell him at Vienna, as we have stated,​ that he was destined to fall into the power of some man of Gaul. For he was slain by Antonius Primus, a leader of the opposing faction, who was born at Tolouse and in his youth bore the surname Becco, which means a rooster's beak.

So what are you scared of?' he asks me at our last appointment. 'I mean really scared of.' I try to think about it. 'I'm scared that if I can't even handle this right now, how will I be able to handle bigger things in the future?' He nods. He scrapes his moustache against his thumbs. 'Bigger things in the future. What's bigger than this? Your mother dies suddenly. It echoes her previous abandonment of you thus making her death a double whammy. Your father proved to be incapable of being your father. You owe money to several large corporations who will squeeze you indefinitely. You spent six years writing a novel that may or may not get published. You got fired from your job. You say you want a family of your own but there doesn't seem to be a man in your life, and you may have fertility problems. I don't know, my friend. This is not nothing.' Of all his strange responses, this is the one that helps me the most. This is not nothing.

You have something to say to me, Cassidy, say it. Or shut the fuck up.” “All right,” Jules said. “I will.” He took a deep breath. Exhaled. “Okay, see, I, well, I love you. Very, very much, and . . .” Where to go from here . . .? Except, his plain-spoken words earned him not just a glance but Max’s sudden full and complete attention. Which was a little alarming. But it was the genuine concern in Max’s eyes that truly caught Jules off-guard. Max actually thought . . . Jules laughed his surprise. “Oh! No, not like that. I meant it, you know, in a totally platonic, non-gay way.” Jules saw comprehension and relief on Max’s face. The man was tired if he was letting such basic emotions show. “Sorry.” Max even smiled. “I just . . .” He let out a burst of air. “I mean, talk about making things even more complicated . . .” It was amazing. Max hadn’t recoiled in horror at the idea. His concern had been for Jules, about potentially hurting his tender feelings. And even now, he wasn’t trying to turn it all into a bad joke. And he claimed they weren’t friends. Jules felt his throat tighten. “You can’t know,” he told his friend quietly, “how much I appreciate your acceptance and respect.” “My father was born in India,” Max told him, “in 1930. His mother was white—American. His father was not just Indian, but lower caste. The intolerance he experienced both there and later, even in America, made him a . . . very bitter, very hard, very, very unhappy man.” He glanced at Jules again. “I know personality plays into it, and maybe you’re just stronger than he was, but . . . People get knocked down all the time. They can either stay there, wallow in it, or . . . Do what you’ve done—what you do. So yeah. I respect you more than you know.” Holy shit. Weeping was probably a bad idea, so Jules grabbed onto the alternative. He made a joke. “I wasn’t aware that you even had a father. I mean, rumors going around the office have you arriving via flying saucer—” “I would prefer not to listen to aimless chatter all night long,” Max interrupted him. “So if you’ve made your point . . .?” Ouch. “Okay,” Jules said. “I’m so not going to wallow in that. Because I do have a point. See, I said what I said because I thought I’d take the talk-to-an-eight-year-old approach with you. You know, tell you how much I love you and how great you are in part one of the speech—” “Speech.” Max echoed. “Because part two is heavily loaded with the silent-but-implied ‘you are such a freaking idiot.’” “Ah, Christ,” Max muttered. “So, I love you,” Jules said again, “in a totally buddy-movie way, and I just want to say that I also really love working for you, and I hope to God you’ll come back so I can work for you again. See, I love the fact that you’re my leader not because you were appointed by some suit, but because you earned very square inch of that gorgeous corner office. I love you because you’re not just smart, you’re open-minded—you’re willing to talk to people who have a different point of view, and when they speak, you’re willing to listen. Like right now, for instance. You’re listening, right?” “No.” “Liar.” Jules kept going. “You know, the fact that so many people would sell their grandmother to become a part of your team is not an accident. Sir, you’re beyond special—and your little speech to me before just clinched it. You scare us to death because we’re afraid we won’t be able to live up to your high standards. But your back is strong, you always somehow manage to carry us with you even when we falter. “Some people don’t see that; they don’t really get you—all they know is they would charge into hell without hesitation if you gave the order to go. But see, what I know is that you’d be right there, out in front—they’d have to run to keep up with you. You never flinch. You never hesitate. You never rest.

Suddenly, Dan began to gesture frantically. I continued towards him while trying to figure out what he was trying to communicate. The mystery was solved when I came face-to-face with a giant moray eel. This eel was bright neon green and had probably been living in this cave, continuously growing since prehistoric times. I guessed the eel was a “she” because her mouth was always open and males rarely look so mean. She was as big around as I was at the waist, but she was much longer and stared at me with her mouth gaping open. The eel had no choice—she couldn’t close her mouth because it was packed to overflowing with jagged fangs. I frantically windmilled my arms, backpedaling through the water with all my strength. The eel decided to let me live, and I escaped and made a wide detour around her lair. Protected by their giant “Mother of all Eels,” her youngsters brazenly poked their snickering heads from the cave and laughed at me, calling me a dull-toothed, sissy air breather and hurling other embarrassing eel insults at me.

Even while I protest the assembly-line production of our food, our songs, our language, and eventually our souls, I know that it was a rare home that baked good bread in the old days. Mother's cooking was with rare exceptions poor, that good unpasteurized milk touched only by flies and bits of manure crawled with bacteria, the healthy old-time life was riddled with aches, sudden death from unknown causes, and that sweet local speech I mourn was the child of illiteracy and ignorance. It is the nature of a man as he grows older, a small bridge in time, to protest against change, particularly change for the better. But it is true that we have exchanged corpulence for starvation, and either one will kill us. The lines of change are down. We, or at least I, can have no conception of human life and human thought in a hundred years or fifty years. Perhaps my greatest wisdom is the knowledge that I do not know. The sad ones are those who waste their energy in trying to hold it back, for they can only feel bitterness in loss and no joy in gain.

British ecologist Josephine Andrews, now affiliated with the anthropology department at Washington University, reports a case of primate infanticide by a female black lemur in Madagascar. She found that, after an attack by dogs and the subsequent death of the leading female, a fight ensued between two adult females neither of whom was “dominant.” As they fought, one female suddenly picked up the other female’s infant and “ran back up the mango tree with the screaming infant, shaking it violently from side to side in her mouth, smashing the rib cage, and then held the body while eating some of the entrails.” The mother of the dead infant became silent and, although she sat watching the body, she did not ascend the tree to investigate. For the next few days, the female who had lost her infant sat apart from the rest of the group. She did not eat with the others, but waited until they had moved away before feeding. From then on, the killer of the baby lemur and her infant led the troop. The mother of the dead baby trailed some distance behind them.

Here was a man who now for the first time found himself looking into the eyes of death- who was passing through one of those rare moments of experience when we feel the truth of a commonplace, which is as different from what we call knowing it, as the vision of waters upon the earth is different from the delirious vision of the water which cannot be had to cool the burning tongue. When the commonplace "We must all die" transforms itself suddenly into the acute consciousness "I must die- and soon," then death grapples us, and his fingers are cruel; afterwards, he may come to fold us in his arms as our mother did, and our last moment of dim earthly discerning may be like the first. To Mr. Casaubon now, it was as if he suddenly found himself on the dark river-brink and heard the plash of the oncoming oar, not discerning the forms, but expecting the summons. In such an hour the mind does not change its lifelong bias, but carries it onward in imagination to the other side of death, gazing backward- perhaps with the divine calm of beneficence, perhaps with the petty anxieties of self-assertion.

Children also use all kinds of mental tricks to dodge death, starting by simply declining to think about it. Three-year-old Jane, in her budding awareness of death, worriedly asked her mother whether dead people opened their eyes again, whether they spoke, ate, and wore clothes. “Suddenly, in the middle of all these questions and tears,” her mother reported, “she said, ‘Now I will go on with my tea.’ ” Similarly, after his mother told five-year-old Richard that he wouldn’t die for a long time, the little boy smiled and said, “That’s all right. I’ve been worried, and now I can get happy.” Then he said he would like to dream about “going shopping and buying things.” These diversionary tactics are strikingly similar to what happens when adults think about themselves dying. They react by trying to stop thinking about death and distracting themselves with mundane concerns. Research finds that after a reminder of death, adults also search for “don’t worry, be happy” thoughts. And it is quite common for adults to react to thoughts of death by turning to comfort foods and luxury goods: “Let’s do lunch and go shopping!

Why suffer the slings and arrows when I can just wet my nose, insert it into the light socket, and never have to deal with anxiety, heartache, or my mother’s boiled chicken ever again? Hamlet chose not to because he feared what might happen in an afterlife, but I didn’t believe in an afterlife, so given my utterly dismal appraisal of the human condition and its painful absurdity, why go on with it? In the end, I couldn’t come up with a logical reason why and finally came to the conclusion that as humans, we are simply hardwired to resist death. The blood trumps the brain. No logical reason to cling to life, but who cares what the head says—the heart says: Have you seen Lola in a miniskirt? As much as we whine and moan and insist, often quite persuasively, that life is a pointless nightmare of suffering and tears, if a man suddenly entered the room with a knife to kill us, we instantly react. We grab him and fight with every ounce of our energy to disarm him and survive. (Personally, I run.) This, I submit, is a property strictly of our molecules. By now you’ve probably figured out not only I’m no intellectual but also no fun at parties.

On the way home I told Max that on my deathbed provided that the pains are not too great, I will be very content. I forgot to add and later omitted intentionally that the best of what I have written stems from this ability to die contentedly. All those good and strongly convincing passages always deal with the fact that someone is dying, that this is very difficult for him, that in it he experiences an injustice and at least a hardship and that for the reader at least in my opinion this is moving. For me, however, believing as I do in my ability to be content on my deathbed, such depictions are secretly a game, indeed I am happy to die in the dying man, therefore calculatingly take advantage of the attention the reader concentrates on death, am far more clearheaded than he, who I assume will lament on his deathbed, and my lament is therefore as perfect as possible, does not, for example, suddenly break off like a real lament, but rather trails away beautifully and purely. It’s like my perpetual lamenting to my mother over woes not nearly as great as the lament led one to believe. For my mother, to be sure, I didn’t need as much artistic effort as for the reader.

Is this true?" Suzette asked, sounding like a suspicious nanny. It was a tone Daniel had heard often as a child, though from his mother, not a nanny. They hadn't been able to afford a nanny. Oddly enough, he suddenly found himself imagining Suzette as that nonexistent nanny, though really the gown he pictured her in as that nanny was nothing a respectable nanny would wear and covered less than it revealed as she approached him in his mind with a naughty smile and a spanking paddle in hand. "Spank me," he breathed on a sigh, and then muttered, "Better yet,let me spank you." A vision immediately rose in his mind of her turning and slowly pulling up her scandalously short, ankle-revealing skirt to present him with a view of her very fine bottom. That vision died an abrupt death when Richard's voice intruded, soaked with melodrama as he said, "Guilt can lead a man to act like an ass and do the most foolish of things." Daniel almost snorted at that. He was standing there in a dark room all but dancing with a dead man while having the most ridiculous sexual fantasies about Suzette. All this wile waiting to be able to slip out of the house undiscovered. Oh yes, guilt-and many other emotions-made a man do foolish things.

Pru curled up in the bay window and looked out at the city. People were going to the movies, parents were putting their children to bed. Suddenly, she feared for them all. She remembered, as she did from time to time, that everyone was going to die. Plane crashes, heart attacks, the slow erosion of bones. How did we manage to forget this, she wondered, and get through our daily lives? It was astonishing to her. Everybody was going to die, but still they did the laundry, watered the plants, dug out the scum around the taps in the bathroom,. They let themselves love others, who were also going to die. They created little beings, who they also loved, and who will, one day, cease to exist. What did it matter how love ended? So it ended for Patsy with Jacob returning to his wife, instead of with his death. Did it really matter so much? She thought of something her mother used to say, a warning she gave whenever they’d begun to fight over some precious object or another: “It’s going to end in tears girls! It always ends in tears.” For a long time, she’d thought the whole problem was about finding love. She’d thought that, once she’d found it, she’d basically be done. Set. Good to go. Funny how until just now, she hadn’t put it all together: All love ended, somehow. One way, or another. It was all going to end in tears, wasn’t it?

ELEKTRA: If this is all you were, Orestes, how could your memory fill my memory, how is it your soul fills my soul?.... Look! You are nothing at all. Just a crack where the light slipped through. Oh, my child, I thought I could save you. I thought I could send you beyond. But there is not beyond. .....somewhere, I don't know where - suddenly alone you stopped - where death was. You stopped. And I would have waited and washed you and lifted you up from the fire like a whitened coal. ....Into your child's fingers I put the earth and the sky. No mother did that for you. No nurse. No slave. I. Your sister, without letting go, day after day, year after year, and you my own sweet child. But death was a wind too strong for that. One day three people vanished. Father. You. Me. Gone. Now our enemies rock with laughter. And she runs mad for joy - that creature in the shape of your mother - how often you said you would come one secret evening and cut her throat! But our luck canceled that, whatever luck is. And instead my beloved, luck sent you back to me colder than ashes, later than shadows. ....Oh, my love, take me there. Let me dwell where you are. I am already nothing. I am already burning. Oh, my love, I was once part of you - take me too! Only void is between us. And I see that the dead feel no pain. (Elektra, by Sophocles)

Only then did he hear the small gasp—a soundless cry—and feel his mother’s cold fingers tightening on his arm. He turned toward her. Saw the red stain spreading across the front of her dress where the sword had driven in. Through him. Through her. There, just above her heart. The too-small hole of a too-great wound. His mother’s eyes met his. “Rhy,” she said, a small, disconcerted crease between her brows, the same face she’d made a hundred times whenever he and Kell got into trouble, whenever he shouted or bit his nails or did anything that wasn’t princely. The furrow deepened, even as her eyes went glassy, one hand drifting toward the wound, and then she was falling. He caught her, stumbled as the sudden weight tore against his open, ruined chest. “No, no, no,” he said, sinking with her to the prismed floor. No, it wasn’t fair. For once, he’d been fast enough. For once, he’d been strong enough. For once— “Rhy,” she said again, so gently—too gently. “No.” Her bloody hands reached for his face, tried to cup his cheek, and missed, streaking red along his jaw. “Rhy …” His tears spilled over her fingers. “No.” Her hand fell away, and her body slumped against him, still, and in that sudden stillness, Rhy’s world narrowed to the spreading stain, the lingering furrow between his mother’s eyes. Only then did the pain come, folding over him with such sudden force, such horrible weight, that he clutched his chest and began to scream.

1953. It was a world with a war that had just ended and, like a devil that grows a new tail after you’ve chopped one off, another war had begun. With a draft and an enemy just like the one before, only this time there were nuclear weapons; there were veterans’ cemeteries that refused to bury Negro soldiers; there was a government telling you what to look for in a nuclear flash, what kind of structure to hide under should the sirens start wailing—though they must have known that it would have been madness to look or hide or consider anything except lying down and taking your death in with one full breath. There were the subcommittee hearings with Sheedy asking McLain on TV, “Are you a red?” whereupon McLain threw water into his face, and Sheedy threw water back and knocked off his glasses. A world in which TV stations were asked to segregate characters on their shows for Southern viewers, in which all nudes were withdrawn from a San Francisco art show because “local mother Mrs. Hutchins’s sensibilities are shaken to the core;” and beautiful Angel Island became a guided missile station, and a white college student was expelled for proposing to a Negro, and they were rioting against us in Trieste; the Allies freed Trieste not many years ago, and suddenly they hated us … and hovering above all this, every day in the paper, that newsprint visage like the snapshot of a bland Prometheus: Ethel Rosenberg’s face. When would the all clear come? Didn’t somebody promise us an all clear if we were good, and clean, and nice,

I sit down across from her at the table and put the vial of memory serum between us. “I came to make you drink this,” I say. She looks at the vial, and I think I see tears in her eyes, but it could just be the light. “I thought it was the only way to prevent total destruction,” I say. “I know that Marcus and Johanna and their people are going to attack, and I know that you will do whatever it takes to stop them, including using that death serum you possess to its best advantage.” I tilt my head. “Am I wrong?” “No,” she says. “The factions are evil. They cannot be restored. I would sooner see us all destroyed.” Her hand squeezes the edge of the table, the knuckles pale. “The reason the factions were evil is because there was no way out of them,” I say. “They gave us the illusion of choice without actually giving us a choice. That’s the same thing you’re doing here, by abolishing them. You’re saying, go make choices. But make sure they aren’t factions or I’ll grind you to bits!” “If you thought that, why didn’t you tell me?” she says, her voice louder and her eyes avoiding mine, avoiding me. “Tell me, instead of betraying me?” “Because I’m afraid of you!” The words burst out, and I regret them but I’m also glad they’re there, glad that before I ask her to give up her identity, I can at least be honest with her. “You…you remind me of him!” “Don’t you dare.” She clenches her hands into fists and almost spits at me, “Don’t you dare.” “I don’t care if you don’t want to hear it,” I say, coming to my feet. “He was a tyrant in our house and now you’re a tyrant in this city, and you can’t even see that it’s the same!” “So that’s why you brought this,” she says, and she wraps her hand around the vial, holding it up to look at it. “Because you think this is the only way to mend things.” “I…” I am about to say that it’s the easiest way, the best way, maybe the only way that I can trust her. If I erase her memories, I can create for myself a new mother, but. But she is more than my mother. She is a person in her own right, and she does not belong to me. I do not get to choose what she becomes just because I can’t deal with who she is. “No,” I say. “No, I came to give you a choice.” I feel suddenly terrified, my hands numb, my heart beating fast-- “I thought about going to see Marcus tonight, but I didn’t.” I swallow hard. “I came to see you instead because…because I think there’s a hope of reconciliation between us. Not now, not soon, but someday. And with him there’s no hope, there’s no reconciliation possible.” She stares at me, her eyes fierce but welling up with tears. “It’s not fair for me to give you this choice,” I say. “But I have to. You can lead the factionless, you can fight the Allegiant, but you’ll have to do it without me, forever. Or you can let this crusade go, and…and you’ll have your son back.” It’s a feeble offer and I know it, which is why I’m afraid--afraid that she will refuse to choose, that she will choose power over me, that she will call me a ridiculous child, which is what I am. I am a child. I am two feet tall and asking her how much she loves me. Evelyn’s eyes, dark as wet earth, search mine for a long time. Then she reaches across the table and pulls me fiercely into her arms, which form a wire cage around me, surprisingly strong. “Let them have the city and everything in it,” she says into my hair. I can’t move, can’t speak. She chose me. She chose me.

By becoming the aggressor in sharing the good news of Christ with everyone in earshot, I became the one doing the influencing for good rather than the one being influenced for evil. I deduced that my Christianity is not about me but about Christ living through me. Jesus Christ represents everything that is truly good about me. Oddly enough, it started with a prank telephone call when I was seventeen. As I was studying the Bible one night, I had just said a prayer in which I asked God for the strength to be more vocal about my faith. All of a sudden, the phone rang and I answered. “Hello?” I asked. No one answered. “Hello?” I asked again. There was still silence on the other end. I started to hang up the phone, but then it hit me. “I’m glad you called,” I said. “You’re just the person I’m looking for.” Much to my surprise, the person on the other end didn’t hang up. “I want to share something with you that I’m really excited about,” I said. “It’s what I put my faith in. You’re the perfect person to hear it.” So then I started sharing the Gospel, and whoever was on the other end never said a word. Every few minutes, I’d hear a little sound, so I knew the person was still listening. After several minutes, I told the person, “I’m going to ask you a few questions. Why don’t you do one beep for no and two beeps for yes? We can play that game.” The person on the other end didn’t say anything. Undaunted by the person’s silence, I took out my Bible and started reading scripture. After a few minutes, I heard pages rustling on the other end of the phone. I knew the person was reading along with me! After a while, every noise I heard got me more excited! At one point, I heard a baby crying in the background. I guessed that the person on the phone was a mother or perhaps a babysitter. I asked her if she needed to go care for her child. She set the phone down and came back a few minutes later. I figured that once I started preaching, she would hang up the phone. But the fact that she didn’t got my adrenaline flowing. For three consecutive hours, I shared the message of God I’d heard from my little church in Luna, Louisiana, and what I’d learned by studying the Bible and listening to others talk about their faith over the last two years. By the time our telephone call ended, I was out of material! “Hey, will you call back tomorrow night?” I asked her. She didn’t say anything and hung up the phone. I wasn’t sure she would call me back the next night. But I hoped she would, and I prepared for what I was going to share with her next. I came across a medical account of Jesus’ death and decided to use it. It was a very graphic account of Jesus dying on a cross. Around ten o’clock the next night, the phone rang. I answered it and there was silence on the other end. My blood and adrenaline started pumping once again! Our second conversation didn’t last as long because I came out firing bullets! I worried my account of Jesus’ death was too graphic and might offend her. But as I told her the story of Jesus’ crucifixion--how He was sentenced to death by Pontius Pilate, beaten with leather-thonged whips, required to strip naked, forced to wear a crown of thorns on His head, and then crucified with nails staked through His wrists and ankles--I started to hear sobs on the other end of the phone. Then I heard her cry and she hung up the phone. She never called back. Although I never talked to the woman again or learned her identity, my conversations with her empowered me to share the Lord’s message with my friends and even strangers. I came to truly realize it was not about me but about the power in the message of Christ.

He would have liked to continue talking about his mother. He did not suppose, from what he could remember of her, that she had been an unusual woman, still less an intelligent one; and yet she had possessed a kind of nobility, a kind of purity, simply because the standards that she obeyed were private ones. Her feelings were her own, and could not be altered from outside. It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. When the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did not avert the child’s death or her own; but it seemed natural to her to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against the bullets than a sheet of paper. The terrible thing that the Party had done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of the stream of history. And yet to the people of only two generations ago this would not have seemed all-important, because they were not attempting to alter history. They were governed by private loyalties which they did not question. What mattered were individual relationships, and a completely helpless gesture, an embrace, a tear, a word spoken to a dying man, could have value in itself. The proles, it suddenly occurred to him, had remained in this condition. They were not loyal to a party or a country or an idea, they were loyal to one another. For the first time in his life he did not despise the proles or think of them merely as an inert force which would one day spring to life and regenerate the world. The proles had stayed human. They had not become hardened inside. They had held on to the primitive emotions which he himself had to re-learn by conscious effort.

For a start, most books like this, rich in such expensive pigments, had been made for palaces or cathedrals. But a haggadah is used only at home. The word is from the Hebrew root ngd, “to tell,” and it comes from the biblical command that instructs parents to tell their children the story of the Exodus. This “telling” varies widely, and over the centuries each Jewish community has developed its own variations on this home-based celebration. But no one knew why this haggadah was illustrated with numerous miniature paintings, at a time when most Jews considered figurative art a violation of the commandments. It was unlikely that a Jew would have been in a position to learn the skilled painting techniques evinced here. The style was not unlike the work of Christian illuminators. And yet, most of the miniatures illustrated biblical scenes as interpreted in the Midrash, or Jewish biblical exegesis. I turned the parchment and suddenly found myself gazing at the illustration that had provoked more scholarly speculation than all the others. It was a domestic scene. A family of Jews—Spanish, by their dress—sits at a Passover meal. We see the ritual foods, the matzoh to commemorate the unleavened bread that the Hebrews baked in haste on the night before they fled Egypt, a shank bone to remember the lamb’s blood on the doorposts that had caused the angel of death to “pass over” Jewish homes. The father, reclining as per custom, to show that he is a free man and not a slave, sips wine from a golden goblet as his small son, beside him, raises a cup. The mother sits serenely in the fine gown and jeweled headdress of the day. Probably the scene is a portrait of the family who commissioned this particular haggadah. But there is another woman at the table, ebony-skinned and saffron-robed, holding a piece of matzoh. Too finely dressed to be a servant, and fully participating in the Jewish rite, the identity of that African woman in saffron has perplexed the book’s scholars for a century. Slowly, deliberately, I examined and made notes on the condition of each page. Each time I turned a parchment, I checked and adjusted the position of the supporting forms. Never stress the book—the conservator’s chief commandment. But the people who had owned this book had known unbearable stress: pogrom, Inquisition, exile, genocide, war.

Fig-tree, for such a long time I have found meaning in the way you almost completely omit your blossoms and urge your pure mystery, unproclaimed, into the early ripening fruit. Like a curved pipe of a fountain, your arching boughs drive the sap downward and up again: and almost without awakening it bursts out of sleep, into its sweetest achievement. Like the god stepping into the swan. ......But we still linger, alas, we, whose pride is in blossoming; we enter the overdue interior of our final fruit and are already betrayed. In only a few does the urge to action rise up so powerfully the they stop, glowing in their heart's abundance, while, like the soft night air , the temptation to blossom touches their tender mouths, touches their eyelids, softly: heroes perhaps, and those chosen to disappear early, whose veins Death the gardener twists into a different pattern. These plunge on ahead: in advance of their own smile like the team of galloping horses before the triumphant pharaoh in the mildly hollowed reliefs at Karnak. The hero is strangely close to those who died young. Permanence does not concern him. He lives in continual ascent, moving on into the ever-changed constellation of perpetual danger. Few could find him there. But Fate, which is silent about us, suddenly grows inspired and sings him into the storm of his onrushing world. I hear no one like him. All at once I am pierced by his darkened voice, carried on the streaming air. Then how gladly I would hide from the longing to be once again oh a boy once again, with my life before me, to sit leaning on future arms and reading of Samson, how from his mother first nothing, then everything, was born. Wasn't he a hero inside you mother? didn't his imperious choosing already begin there, in you? Thousands seethed in your womb, wanting to be him, but look: he grasped and excluded—, chose and prevailed. And if he demolished pillars, it was when he burst from the world of your body into the narrower world, where again he chose and prevailed. O mothers of heroes, O sources of ravaging floods! You ravines into which virgins have plunged, lamenting, from the highest rim of the heart, sacrifices to the son. For whenever the hero stormed through the stations of love, each heartbeat intended for him lifted him up, beyond it; and, turning away, he stood there, at the end of all smiles,—transfigured.

and Bran was suddenly afraid. Old sour-smelling Yoren looked up at Robb, unimpressed. “Whatever you say, m’lord,” he said. He sucked at a piece of meat between his teeth. The youngest of the black brothers shifted uncomfortably in his seat. “There’s not a man on the Wall knows the haunted forest better than Benjen Stark. He’ll find his way back.” “Well,” said Yoren, “maybe he will and maybe he won’t. Good men have gone into those woods before, and never come out.” All Bran could think of was Old Nan’s story of the Others and the last hero, hounded through the white woods by dead men and spiders big as hounds. He was afraid for a moment, until he remembered how that story ended. “The children will help him,” he blurted, “the children of the forest!” Theon Greyjoy sniggered, and Maester Luwin said, “Bran, the children of the forest have been dead and gone for thousands of years. All that is left of them are the faces in the trees.” “Down here, might be that’s true, Maester,” Yoren said, “but up past the Wall, who’s to say? Up there, a man can’t always tell what’s alive and what’s dead.” That night, after the plates had been cleared, Robb carried Bran up to bed himself. Grey Wind led the way, and Summer came close behind. His brother was strong for his age, and Bran was as light as a bundle of rags, but the stairs were steep and dark, and Robb was breathing hard by the time they reached the top. He put Bran into bed, covered him with blankets, and blew out the candle. For a time Robb sat beside him in the dark. Bran wanted to talk to him, but he did not know what to say. “We’ll find a horse for you, I promise,” Robb whispered at last. “Are they ever coming back?” Bran asked him. “Yes,” Robb said with such hope in his voice that Bran knew he was hearing his brother and not just Robb the Lord. “Mother will be home soon. Maybe we can ride out to meet her when she comes. Wouldn’t that surprise her, to see you ahorse?” Even in the dark room, Bran could feel his brother’s smile. “And afterward, we’ll ride north to see the Wall. We won’t even tell Jon we’re coming, we’ll just be there one day, you and me. It will be an adventure.” “An adventure,” Bran repeated wistfully. He heard his brother sob. The room was so dark he could not see the tears on Robb’s face, so he reached out and found his hand. Their fingers twined together. EDDARD “Lord Arryn’s death was a great sadness for all of us, my lord,” Grand Maester Pycelle said.

(Errour's Den) This is the wandring wood, this Errours den, A monster vile, whom God and man does hate: Therefore I read beware. Fly fly (quoth then The fearefull Dwarfe:) this is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made “A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, eachone Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. [The monster] Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto your force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. ... Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. ... Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse. Her scattred brood, soone as their Parent deare They saw so rudely falling to the ground, Groning full deadly, all with troublous feare, Gathred themselues about her body round, Weening their wonted entrance to haue found At her wide mouth: but being there withstood They flocked all about her bleeding wound, And sucked vp their dying mothers blood, Making her death their life, and eke her hurt their good.

Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd had to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.' 'Did anyone know?' ... 'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.' My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.' I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn. 'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit. 'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.' I was going to vomit; I was going to fall to my knees and weep. ... Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- to the manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.' I couldn't stop shaking my head. 'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.' I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.' 'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.' He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and- 'He didn't tell you any of that.

You could coax out life or you could end it at once. A slow death might seem gentler but a sudden death was kinder. Merciful, even.

Carlotta’s spiritual mother is deceased. How sad. How fortunate the younger Miss Ulansky is so well equipped to dress for mourning. I wonder how old Bertha Ulansky was at the end? Not a day younger than 90, I’d estimate. Once she was Carlotta’s age, with her whole life ahead of her. Now she’s a disturbing interruption to her neighbors, an everyday inconvenience for the coroner. At least she will live on anonymously in her 400 films. Death: the final censor. He waits for us all with his editing shears—as our colors fade and our celluloid slowly dissolves. Bummed out by the transience of life, I resolved to take the afternoon off from school and savor every golden, fleeting moment. Twenty minutes later, tiring of living life to the fullest, I picked up a Penthouse, leafed through it for a while, dealt peremptorily with a sudden T.E., squeezed several erupting zits, then took a nap. Life, I decided as time dissolved into clockless unconsciousness, must go on.

When we Stratagrammed into the area, and I saw the city for the first time, my throat got suddenly tight. All that color rising up from the smooth gold of the plains, refusing to be silent, refusing to become invisible. It had held against two of the most powerful militaries in the world. Against all odds, it still stood.

War and ceasefire There was a war followed by a ceasefire, Swaths of land lay covered in ashes and dead men and women, Beside them lay still unfilled dreams and many a desire, Wherever one looked there appeared no end to them then, Because a country defeated in war, Enters into the state of passive spirit, Where to the victor, spirited men and women of the defeated country appear too few and too far, And they rush to assume this is it, their end, and the end of it! Followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, And behind them their lost spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, And when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose now it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, And it stings all alike, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps growing and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s actual fall!

War and ceasefire There was a war followed by a ceasefire, Land covered in ash, dead men and women, Beside the dead were unfulfilled dreams and many a desire, This is how it is now and this is how it was then, Because a country defeated in war, Enters into the state of passive spirit, To the victor, spirited men and women of the defeated country appear too few and too far, So, they rush to assume this is it, the end of it! To be followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, Behind which their broken spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and someone a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, Finally when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So, those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose and it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, It stings all, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps getting louder and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s innocence that actually was the cause of great fall!

When I heard, when my father heard … I wasn’t wholly truthful to you when I told you Under the Mountain that my father killed Tamlin’s father and brothers. I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot—to the manor. I slew Tamlin’s brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord’s bedroom—he was dead. And my father … my father had killed Tamlin’s mother as well.” I couldn’t stop shaking my head. “My father had promised not to touch her. That we weren’t the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin’s room.” I couldn’t breathe—couldn’t breathe as Rhys said, “I tried to stop him. He didn’t listen. He was going to kill him, too. And I couldn’t … After all the death, I was done. I didn’t care that Tamlin had been there, had allowed them to kill my mother and sister, that he’d come to kill me because he didn’t want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us—smelled the blood already leaking into the hallway. And I didn’t even get to say a word before Tamlin killed my father in one blow. “I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord—and then I ran.

In my despair, I felt a sharp and sudden longing for the softness of my mother and my sister, and the warm, strong embrace of my father. My love for my father swelled in my heart, and I realized that, despite the hopelessness of my situation, the memory of him filled me with joy. It staggered me: The mountains, for all their power, were not stronger than my attachment to my father. They could not crush my ability to love. I felt a moment of calmness and clarity, and in that clarity of mind I discovered a simple, astounding secret: Death has an opposite, but the opposite is not mere living. It is not courage or faith or human will. The opposite of death is love.

The thing that now suddenly struck Winston was that his mother’s death, nearly thirty years ago, had been tragic and sorrowful in a way that was no longer possible. Tragedy, he perceived, belonged to the ancient time, to a time when there were still privacy, love, and friendship,

twenty-two-year-old Malaysia Goodson, a Black mother who, in January 2019, fell while trying to carry her stroller and baby down the subway stairs because there was no working elevator at her station and died (her official cause of death listed cardiac hypertrophy, which can lead to sudden death after physical stress, and hyperthyroidism as factors16).

In my despair, I felt a sharp and sudden longing for the softness of my mother and my sister, and the warm, strong embrace of my father. My love for my father swelled in my heart, and I realised that, despite the hopelessness of my situation, the memory of him filled me with joy. It staggered me: the mountains, for all their power, were not stronger than my attachment to my father. They could not crush my ability to love. I felt a moment of calmness and clarity, and in that clarity of mind I discovered a simple, astounding secret: death has an opposite, but the opposite is not mere living. It is not courage or faith or human will. The opposite of death is love. How had I missed that? How does anyone miss that? Love is our only weapon. Only love can turn mere life into a miracle, and draw precious meaning from suffering and fear.

Mrs. Kavanagh’s face turned a deathly shade of white when she hissed, “I am going to castrate that little shit—” “Oh my god, no!” I squealed. Thinking back over my words, I suddenly realized how badly that must have sounded to Mrs. Kavanagh and, desperate to wipe the look of terror off her face, I quickly clarified. “Out. Johnny knocked me out. Not up.” Oh, dear god, let me die. “Out,” I emphasized for the dozenth time. “The bump was on my head.” “How did he hurt you?” his mother asked, looking troubled and yet massively relieved. I sighed heavily. “With his balls.” “With his balls?” she repeated, looking horrified. “Johnny knocked you out with his balls?

AM: My father had arrived in New York all alone, from the middle of Poland, before his seventh birthday… He arrived in New York, his parents were too busy to pick him up at Castle Garden and sent his next eldest brother Abe, going on 10, to find him, get him through immigration and bring him home to Stanton Street and the tenement where in two rooms the eight of them lived and worked, sewing the great long, many-buttoned cloaks that were the fashion then. They sent him to school for about six months, figuring he had enough. He never learned how to spell, he never learned how to figure. Then he went right back into the shop. By the time he was 12 he was employing two other boys to sew sleeves on coats alongside him in some basement workshop. KM: He went on the road when he was about 16 I think… selling clothes at a wholesale level. AM: He ended up being the support of the entire family because he started the business in 1921 or something. The Miltex Coat Company, which turned out to be one of the largest manufacturers in this country. See we lived in Manhattan then, on 110th Street facing the Park. It was beautiful apartment up on the sixth floor. KM: We had a chauffeur driven car. The family was wealthy. AM: It was the twenties and I remember our mother and father going to a show every weekend. And coming back Sunday morning and she would be playing the sheet music of the musicals. JM: It was an arranged marriage. But a woman of her ability to be married off to a man who couldn’t read or write… I think Gussie taught him how to read and to sign his name. AM: She knew she was being wasted, I think. But she respected him a lot. And that made up for a little. Until he really crashed, economically. And then she got angry with him. First the chauffeur was let go, then the summer bungalow was discarded, the last of her jewellery had to be pawned or sold. And then another step down - the move to Brooklyn. Not just in the case of my father but every boy I knew. I used to pal around with half a dozen guys and all their fathers were simply blown out of the water. I could not avoid awareness of my mother’s anger at this waning of his powers. A certain sneering contempt for him that filtered through her voice. RM: So how did the way you saw your father change when he lost his money? AM: Terrible… pity for him. Because so much of his authority sprang from the fact that he was a very successful businessman. And he always knew what he as doing. And suddenly: nothin’. He didn’t know where he was. It was absolutely not his fault, it was the Great Crash of the ‘29, ‘30, ‘31 period. So from that I always, I think, contracted the idea that we’re very deeply immersed in political and economic life of the country, of the world. And that these forces end up in the bedroom and they end up in the father and son and father and daughter arrangements. In Death of a Salesman what I was interested in there was what his world and what his life had left him with. What that had done to him? Y’know a guy can’t make a living, he loses his dignity. He loses his male force. And so you tend to make up for it by telling him he's OK anyway. Or else you turn your back on him and leave. All of which helps create integrated plays, incidentally. Where you begin to look: well, its a personality here but what part is being played by impersonal forces?

She glanced at the knife with what seemed to me like longing. "Here's my breast bared to you," she said. "Plunge the knife in." I looked at her naked body which, though within my grasp, I did not possess. Sitting on the side of the bed, I bowed my head meekly. She placed her hand on my cheek and said in a tone that was not devoid of gentleness: "My sweet, you're not the kind of man that kills." I experienced a feeling of ignominy, loneliness, and loss. Suddenly I remembered my mother. I saw her face clearly in my mind's eye and heard her saying to me "It's your life and you're free to do with it as you will." I remembered that the news of my mother's death had reached me nine months ago and had found me drunk and in the arms of a woman. I don't recollect now which woman it was; I do, though, recollect that I felt bo sadness – it was as thought the matter was of absolutely no concern to me. I remembered this and wept from deep within my heart. I wept so much I thought I would never stop. I felt Jean embraceing me and saying things I couln't make out, though her voice was repellent to me and sent a shudder through my body I pushed her violently from me. "I hate you," I shouted at her. "I swear I'll kill you one day." In the throes of my sorrow the expression in her eyes did not escape me. They shone brightly and gave me a strange look. Was it surprise? Was it fear? Was it desire? Then, in a voice of simulated tenderness, she said: "I too, my sweet, hate you. I shall hate you until death.

Roza…” Melina whispered, nervously. I ignored her as I reached out to touch the sphere— The next thing I knew, my back slammed against the floor. My breath hit me like a stone crashing down on my chest. And my skin was burning, burning, burning, so intensely that I had to bite down hard to keep from letting out a cry. My skin. My hand. “Roza!” Melina fell to her knees beside me. Long seconds, and the pain subsided to a tolerable throb. I forced my eyes open and bit back a gasp. Gold covered my fingertips, reaching down over my palm in organic shapes that looked like the veins of a leaf. The strokes were slightly raised, and my skin clung to the edges, irritated where the gold met my flesh. This wasn’t on me. This was in me. I lifted my eyes to the box on the table. It was now empty. Oh, gods. I looked at the gold spreading across my palm with renewed horror. This thing—this was the artifact. Melina made a strangled sound of panic and suddenly pulled away from me. It took me a moment to realize why. I had been so preoccupied with the gold that I hadn’t realized what it was covering: my skin. My normal, Fragmented skin. The illusion was gone. Melina turned to the door, presumably to get help. I moved faster. I leapt to my feet, grabbed her, and pressed my hand to her mouth. “Don’t move,” I hissed. “I am one of you.” Her back was against me, my arm firmly around her shoulders to keep her from moving. I could not see her face, but I felt her trembling. “I am Tisaanah Vytezic,” I whispered. “Do you know that name?” A pause. Then a small nod.

Tell me again what happened,” he said. I did, describing the orb that Farimov had presented to the Fey, and what it had done when I tried to touch it. Ishqa was silent. My palm tingled as his magic reached for mine, as if testing the thing on my skin. Then suddenly, he dropped my hand and straightened. His eyes leapt to mine, and I saw something very strange on Ishqa’s face—panic. “We need to leave,” he said. “Why?” I asked. “What did you—” That was when the screaming started.

Loftus learned for herself how realistic false memories can seem when she had an upsetting experience several years ago. She was shocked when, at a family gathering, an uncle informed her that thirty years earlier, when her mother drowned in a pool, she had been the one who discovered the body. Loftus, who was fourteen when the drowning occurred, always believed that she had never seen her mother's dead body. Indeed, she remembered little about the death itself. She recounts what happened the next in her book 'The Myth of Repressed Memory'. Almost immediately after her uncle's revelation, 'the memories began to drift back, like the crisp, piney smoke from evening camp fires. My mother, dressed in her nightgown, was floating face down. . . . I started screaming. I remembered the police cars, their lights flashing'. A few days later, she writes, 'my brother called to tell me that my uncle had made a mistake. Now he remembered (and other relatives confirmed) that Aunt Pearl had found my mother's body.' This shocked Loftus even more than her uncle's false revelation. If someone so specially trained as she is to recognize fallible memories could suddenly believe her own false memory, just think how readily the average person can be fooled.

An appalling double tragedy overshadowed the joy that should have welcomed Alice Lee Roosevelt's entrance to the world on February 12, 1884. The popular, young New York assemblyman Theodore Roosevelt lost both his beautiful wife, Alice Hathaway Lee, and his beloved mother, Martha Bulloch Roosevelt, on Valentine's Day 1884. He gave the infant her mother's name, a wet nurse, a temporary home, and then relegated her to an afterthought. The family turned in upon itself, lost in grief at the sudden and unexpected deaths, too heartbroken to celebrate Alice's birth. It was the last time anything would eclipse Alice Roosevelt.

Would it be death? If so, she did not fear it, for she knew that her life would flow down the silver thread which always trailed her, to the Carrier of Spirits who would gather the rest of her in that vast sea of memory. Would she find her mother? She had found her mother. Would she go home? Where was home, anyway? “The trees were full of fireflies, and suddenly, as if a new goddess came to meet her, the moon, a vast-seeming golden sphere of light, softened at the edges by the thickness of the air, rose and came toward her. She ran in her own globe of golden radiance until she felt that like Skaalya in the legend she could learn to fly. She would fly up, she would dive into the Moon, she would know what this goddess knew, she would give herself to the light which had at long last returned itself to her. “She chased the moon toward her until they met at the doorway, the moon diving into the portal before Essa arrived. It was there, she knew, on the other side. Would she too pass through? “She stood in wonder before the doorway: was this what ‘wondering’ truly meant? She could spend her life wondering.… “Ahead of her was the bright doorway: green, iridescent, swirling, oval under the trees, lit from behind by the full moon.

The news of sarbajaya's death aroused a rather strange feeling in Apu's heart. It was partly joy ... incredible as it might seem, the truth was that when he received a telegram from the telis in Monshapota telling him that his mother had died, his immediate reaction was to feel a sudden surge of relief, as if he had just broken away from a shackle. It did not last for more than a few seconds, however, and was quickly replaced by fear and shame. What was he thinking of? How could he feel relief at his mother's death? Hadn't he seen her spend every moment of her life working to make him happy? And did he think of her as a shackle, a stumbling block on his way? How could he be so cruel, so completely heartless? But no amount of self-reproach could wipe away the truth. He had felt an odd mixture of joy and relief, just for a second, there was no denying that. He, who had loved his mother with all his heart!

Humans hurt Fey one too many times. Again and again, he saw it happen. Thus, he calculated an inarguable equation. He will remove the future possibility. This is the decision his mind made, and he made it for all of us. But his heart?” One hundred and eighty thousand days, and I thought of you in every one. My own heart—strange thing—was suddenly very loud, as if pounding against the insides of my ribs. Meajqa leaned closer. “His heart is what truly lit the fires of war, and the fire burns because of you. The decision was for all of us, yes. But the vengeance? The vengeance is for you.

It may have been only for a moment, it probably was; but I do know the silence was not broken till the aged minister, who stood at the head of the coffin, began his discourse. We stood with uncovered heads during the service, and when the old minister addressed us he spoke as though he might have been holding family worship and we had been his children. He invoked Heaven to comfort and sustain the mother when the news of her son's death reached her, as she would need more than human aid in that hour; he prayed that her faith might not falter and that she might again meet and be with her loved ones forever in the great beyond. He then took up the subject of life,—spoke of its brevity, its many hopes that are never realized, and the disappointments from which no prudence or foresight can shield us. He dwelt at some length on the strange mingling of sunshine and shadow that seemed to belong to every life; on the mystery everywhere, and nowhere more impressively than in ourselves. With his long bony finger he pointed to the cold, mute form that lay in the coffin before us, and said, "But this, my friends, is the mystery of all mysteries." The fact that life terminated in death, he said, only emphasized its reality; that the death of our companion was not an accident, though it was sudden and unexpected; that the difficulties of life are such that it would be worse than folly in us to try to meet them in our own strength. Death, he said, might change, but it did not destroy; that the soul still lived and would live forever; that death was simply the gateway out of time into eternity; and if we were to realize the high aim of our being, we could do so by casting our burdens on Him who was able and willing to carry them for us. He spoke feelingly of the Great Teacher, the lowly Nazarene, who also suffered and died, and he concluded with an eloquent description of the blessed life, the immortality of the soul, and the resurrection of the body. After the discourse was ended and a brief and earnest prayer was covered, the two young girls sang the hymn, "Shall we meet beyond the river?" The services being at an end, the coffin was lowered into the grave.

It will sound to be perhaps funny. But of, its the fact.. On 19th January 2015 I suddenly had fallen sick. My nearest and dearest person, our beloved family physician had expired on 18th January, 2015 at 6P.M. Every length and breadth of nostalgic thoughts fogged to my mind. I was becoming too restless.No particular medicine, as such acted upon me.My mother's words were in despair..I heard her to say on me, "What should I do with her now?" On other doctor's prescription, medicines were been continuing but my weakness was all along on my way, severely... 20th January, 7P.M.-On one side my mother's inspiration that I have to be awaken, I need to be shaken up myself again and, on the other hand my own teachings to my students when they repel my words "Life and Death together is temporary. When there is Birth, prepare for Death: When there is Hope, prepare for Despair : When there is Happiness, prepare for Sadness: Laugh and Be Merry..:""Life is not a stagnant water,A man is mortal:" And today is 21st January, Feeling much better ..I am, now again to continue with my work-my Life..