Mr F Quotes

I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife.

Mr. Fitzgerald is a novelist and Mrs. Fitzgerald is a novelty

There used to be two kinds of kisses: First when girls were kissed and deserted; second, when they were engaged. Now there's a third kind, where the man is kissed and deserted. If Mr. Jones of the nineties bragged he'd kissed a girl, everyone knew he was through with her. If Mr. Jones of 1919 brags the same, everyone knows it's because he can't kiss her any more. Given a decent start any girl can beat a man nowadays.

It seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and, also, scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald (I believe that is how he spells his name) seems to believe that plagiarism begins at home.

When his son was dressed Mr. Button regarded him with depression. The costume consisted of dotted socks, pink pants, and a belted blouse with a wide white collar. Over the latter waved the long whitish beard, drooping almost to the waist. The effect was not good.

The major characteristics discoverable by the stranger in Mr F.'s Aunt, were extreme severity and grim taciturnity; sometimes interrupted by a propensity to offer remarks in a deep warning voice, which, being totally uncalled for by anything said by anybody, and traceable to no association of ideas, confounded and terrified the Mind.

I think a reading group should have a snappy name to attract members, don't you?' Mr Peterson didn't ask about my snappy name, but I could tell his curiosity was piqued. 'The Secular Church of Kurt Vonnegut,' I said. 'Jesus F Christ,' said Mr Peterson.

fMr. Oswald places the telescope on the desk in front of us. "This," he says proudly, "Is a Broadhurst. It was the most powerful telescope for backyard veiwing in its day." Which was when?" Lizzy asks. The nineteen thirties," he replies. "Isn't it a beauty? On a clear night, you could see the whole entire solar system with this one." Unable to stop myself, I blurt out, "My very energetic mother just served us nine pizzas." Lizzy gawks at me like I have two heads. "He's lost it; he's finally lost it. I knew this day would come." Mr. Ozwald chuckles. "Jeremy has just given us a mnemonic device for remembering the order of the planets.

When I was in high school, my math teacher Mr. Packwood used to say, "If you're stuck on a problem, don't sit there and think about it; just start working on it. Even if you don't know what you're doing, the simple act of working on it will eventually cause the right ideas to show up in your head".

He was smirking the smirkiest smirk of all smirks to date. I laughed, even that smirk was hard to ignore. F**k, maybe I should call him Mr Smirk.

Why do we always fall in love with the people who never ever care about us?” “Because we always feel that we don’t deserve someone who loves us better.

Mr F.'s Aunt, who had eaten her pie with great solemnity, and who had been elaborating some grievous scheme of injury in her mind since her first assumption of that public position on the Marshal's steps, took the present opportunity of addressing the following Sibyllic apostrophe to the relict of her late nephew. 'Bring him for'ard, and I'll chuck him out o' winder!' Flora tried in vain to soothe the excellent woman by explaining that they were going home to dinner. Mr F.'s Aunt persisted in replying, 'Bring him for'ard and I'll chuck him out o' winder!' Having reiterated this demand an immense number of times, with a sustained glare of defiance at Little Dorrit, Mr F.'s Aunt folded her arms, and sat down in the corner of the pie-shop parlour; steadfastly refusing to budge until such time as 'he' should have been 'brought for'ard,' and the chucking portion of his destiny accomplished.

I was fifteen when I left school. And what did I get to show for my ten years in the British education system? A piece of paper which said: John Osbourne attended Birchfield Road Secondary Modern. Signed, Mr Oldham (Headmaster) That was f**king it. Not a single qualification. Nothing. I had two career choices: manual labour or manual labour.

My God, she's good-looking!" said Mr. Sandwood, who was just over thirty. "Good-looking!" cried Mr. Hedrick contemptuously, "she always looks as if she wanted to be kissed! Turning those big cow-eyes on every calf in town!" It was doubtful if Mr. Hedrick intended a reference to the maternal instinct.

There will be no legacy for Mr. Bush. I don't believe his successor would re-enunciate the words he used in his second inaugural address because they were too ambitious. So therefore I think his legacy is indecipherable.

Little Dorrit that she had not seen Mr F.'s Aunt so full of life and character for weeks; that she would find it necessary to

Th' newspaper does ivrything f'r us. It runs th' polis foorce an' th' banks, commands th' milishy, controls th' ligislachure, baptizes th' young, marries th' foolish, comforts th' afflicted, afflicts th' comfortable, buries th' dead an' roasts thim aftherward.

One of the ironic things,” Kennedy observed to Norman Cousins in the spring of 1963, “…is that Mr. Khrushchev and I occupy approximately the same political positions inside our governments. He would like to prevent a nuclear war but is under severe pressure from his hard-line crowd, which interprets every move in that direction as appeasement. I’ve got similar problems…. The hard-liners in the Soviet Union and the United States feed on one another.”8

People think that it is in the tangle of bodies, in the actual congress, that one person invades another and takes possession of them; that it is on the bed that we give ourselves up. Well it is true that there is a surrender there that is unlike any other, but the real time they get under your skin is when you spend these hours alone preparing for them; imagining them. The hours when you find yourself wondering if these sheets would be too hot with two people under them. Or when you lie there on your back with both eyes open, as Mr F lies now, in the desperate early hours of that Monday morning, wishing that your nightmare would come back and plague you, just so that you can see your beloved one last time.

Normalcy doesn’t lend itself to greatness, Mr. Crowley. The more tumultuous a life, the more chances one gets to leave one’s mark. Life is only as rewarding as it is exciting.

MR. ICKY: Is your mind in good shape? DIVINE: (Gloomily) Fair. After all what is brilliance? Merely the tact to sow when no one is looking and reap when every one is.

That's the peculiar thing about nature," explained Mr. F., "it guards it's rarest treasures with greatest care.

Mr F.'s Aunt, who had eaten her pie with great solemnity, and who had been elaborating some grievous scheme of injury in her mind

Mr F.'s Aunt, who had eaten her pie with great solemnity,

As my muscles marginally relax, the tension flicks from anger to fevered desire. I want to tear each wisp of clothing off her and tie her to this f**king desk. I’ll know next time, to bring my satin ribbon.

This is how I have justified this strike, Mr Swift. But what you’re doing here is not self-defence; it has trespassed into malice. Your violence is personal, it is vindictive, and this I cannot support. Professor Chakravarti

Where are you going?’ asked Mr Baylis. ‘I want to go and see the city.’ Robin’s irritation made him bold. ‘We’re done for the day, aren’t we?’ ‘Foreigners aren’t allowed in the city,’ said Mr Baylis. ‘I’m not a foreigner. I was born here.

Mr.Tasker worshipped pigs, and a great many of his gods, fat and lean, were always in the fields round his house. He killed his gods himself, and with great unction he would have crucified them if he could have bled them better that way and so have obtained a larger price.

But how reassuring it was for us, you remember, every now and then (“Mr. Gorbachev, tear down this wall”), to vibrate to the music of the very heartstrings of the Leader of the Free World who, to qualify convincingly as such, had after all to feel a total commitment to the Free World.

Dick, meanwhile, turned to Mr. Bloeckman, determined to extract what gold he could from this unpromising load. 'I hear all the new novels are sold to the moving pictures as soon as they come out., 'That's true. Of course the main thing in a moving picture is a strong story.' 'Yes, I suppose so.' 'So many novels are all full of talk and psychology. Of course those aren't as valuable to us. It's impossible to make much of that interesting on the screen.' 'You want plots first,' said Richard brilliantly. 'Of course. Plots first—' He paused, shifted his gaze. His pause spread, included the others with all the authority of a warning finger. Gloria followed by Rachael was coming out of the dressing room.

And it was such a perfect tragedy, wasn’t it? An age-old story, parricide. The Greeks loved parricide, Mr Chester had been fond of saying; they loved it for its infinite narrative potential, its invocations of legacy, pride, honour, and dominance. They loved the way it struck every possible emotion because it so deviously inverted the most basic tenet of human existence. One being creates another, moulds and influences it in its own image. The son becomes, then replaces, the father; Kronos destroys Ouranos, Zeus destroys Kronos and, eventually, becomes him. But Robin had never envied his father, never wanted anything of his except his recognition, and he hated to see himself reflected in that cold, dead face.

I stomped down the hallway, twisted the latch on the front door, and yanked it open. ‘Are you… “Ozzy Zig”?’ said Guy Fawkes, in a thick Brummie accent. ‘Who wants to know?’ I said, folding my arms. ‘Terry Butler,’ he said. ‘I saw your ad.’ That was exactly what I’d hoped he was going to say. Truth was, I’d been waiting a long time for this moment. I’d dreamed about it. I’d fantasised about it. I’d had conversations with myself on the shitter about it. One day, I thought, people might write newspaper articles about my ad in the window of Ringway Music, saying it was the turning point in the life of John Michael Osbourne, ex-car horn tuner. ‘Tell me, Mr Osbourne,’ I’d be asked by Robin Day on the BBC, ‘when you were growing up in Aston, did you ever think that a simple advert in a music shop window would lead to you becoming the fifth member of the Beatles, and your sister Iris getting married to Paul McCartney?’ And I’d answer, ‘Never in a million years, Robin, never in a million years.’ It was a f**king awesome ad.

It’s best to see the willy up front. This way, ye don’t have to go through all the rigmarole to check out the equipment. Good size? Well then, sure, let’s try it out. Too small or big? Keep moving, my dear, I haven’t the time.” “It’s not the size of the vessel, it is the motion in the ocean,” Mr. Tom said.

These invitations were couched in Chesterfield terms: Mr. Wyse said that he had met a mutual friend just now who had informed him that you were in residence, and had encouraged him to hope that you might give him the pleasure of your company, etc. This was alluring diction: it presented the image of Mr. Wyse stepping briskly home again, quite heartened up by this chance encounter, and no longer the prey to melancholy at the thought that you might not give him the joy.

Gentlemen, I take it we are all in complete agreement on the decision here.” Everyone around the table nodded assent. “Then,” continued Mr. Sloan, “I propose we postpone further discussion of this matter until our next meeting to give ourselves time to develop disagreement and perhaps gain some understanding of what the decision is all about.

Mr Spacey has decreed that we will be going last. ooow! oh F**k. What's so bad about going last? Means you can't enjoy the show because you'll be Sh!tting yourself.

Come on, Miss. Steele, you have a big day tomorrow. Sooner you're in bed, sooner you'll be f*cked, and sooner you can sleep." "Mr. Grey, you are a born romantic.

Idle living turns me into an idiot. I can’t afford to get stupid. I’ve already been irritating. I’ve used up my passes on personality flaws.

Foreigners aren't allowed in the city,' said Mr Baylis. 'I'm not a foreigner. I was born here.

Mr Martinek turned back to Jana. 'Thirty-eight per cent alcohol, sixty-two per cent fire - all the way from Karlovy Vary.

I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out.

It was Mr Gatsby himself, come out to determine what share was his of our local heavens.

When you want to say what is in your heart you can’t say it because, as the words take shape in your head, you find yourself despising them as clichés.

agree.” Mr. Tom nodded. “This is no time for sense and logic.

it was Mr. Gatsby himself, come out to determine what share was his of our local heavens.

for a dark instant Mr Button wished passionately that his son was black

She gritted her teeth. The man dances like a clod. I’d rather dance with Mr Jenkins, who can barely move.

There are all kinds of love in the world but never the same love twice

It's easy to not give a f*ck during the day. But when the sun goes to sleep and you're all alone, the pain hits different.

Jammy Grammy Lammy F’Huppa F’Huppa Berlin Stereo Eo Eo Lebb C’Yepp Nermonica Le Straypek De Grespin De Crespin De Spespin De Vespin De Whoop De Loop De Brunkle Merry Christmas Lenoir!

Halfway through the second term of Franklin Roosevelt, the New Deal braintrusters began to worry about mounting popular concern over the national debt. In those days the size of the national debt was on everyone’s mind. Indeed, Franklin Roosevelt had talked himself into office, in 1932, in part by promising to hack away at a debt which, even under the frugal Mr. Hoover, the people tended to think of as grown to menacing size. Mr. Roosevelt’s wisemen worried deeply about the mounting tension ... And then, suddenly, the academic community came to the rescue. Economists across the length and breadth of the land were electrified by a theory of debt introduced in England by John Maynard Keynes. The politicians wrung their hands in gratitude. Depicting the intoxicating political consequences of Lord Keynes’s discovery, the wry cartoonist of the Washington Times Herald drew a memorable picture. In the center, sitting on a throne in front of a Maypole, was a jubilant FDR, cigarette tilted almost vertically, a grin on his face that stretched from ear to ear. Dancing about him in a circle, hands clasped together, their faces glowing with ecstasy, the braintrusters, vested in academic robes, sang the magical incantation, the great discovery of Lord Keynes: “We owe it to ourselves.” With five talismanic words, the planners had disposed of the problem of deficit spending. Anyone thenceforward who worried about an increase in the national debt was just plain ignorant of the central insight of modern economics: What do we care how much we - the government - owe so long as we owe it to ourselves? On with the spending. Tax and tax, spend and spend, elect and elect ...

I forged more notes and my trips to the library became frequent. Reading grew into a passion. My first serious novel was Sinclair Lewis’s Main Street. It made me see my boss, Mr. Gerald, and identify him as an American type. I would smile when I saw him lugging his golf bags into the office. I had always felt a vast distance separating me from the boss, and now I felt closer to him, though still distant. I felt now that I knew him, that I could feel the very limits of his narrow life. And this had happened because I had read a novel about a mythical man called George F. Babbitt.

One of the pilots asked Mr. Smith if he liked his business, and Mr. Smith said, "Sure. Sure I like it. It's nice being the only sound nut in a hatful of cracked ones." ---Stewardess to Cecelia Brady

Now, what I wish,’ interrupted Mr Ratcliffe, ‘is that all these women would stop taking part in those anti-slavery debates. They see too much of themselves in their situation; it puts ideas in their head.

I don’t know,” I murmur. “Honestly, Mr. Lee, I don’t know if I was the right person to tell this story.” He clasps my hands tighter. His face is so kind, it makes me feel rotten. “You are exactly right,” he says. “We need you. My English, it is not so good. Your generation has very good English. You can tell them our story. Make sure they remember us.” He nods, determined. “Yes. Make sure they remember us.

Mr. Today’s Clue: FOLLOW THE DOTS AS THE TRAVELING SUN, MAGNIFY, FOCUS, EVERY ONE. STAND ENROBED WHERE YOU FIRST SAW ME, UTTER IN ORDER; REPEAT TIMES THREE. SAM & LANI’S TAP SYSTEM: A=1 TAP B=2 TAPS C=3 TAPS D=4 TAPS E=5 TAPS OR 1 SLAP F=6 TAPS OR 1 SLAP 1 TAP G=7 OR 1 SLAP 2 TAPS H=8 OR 1 SLAP 3 TAPS I=9 OR 1 SLAP 4 TAPS J=10 OR 2 SLAPS K=11 OR 2 SLAPS 1 TAP L=12 OR 2 SLAPS 2 TAPS M=13 OR 2 SLAPS 3 TAPS N=14 OR 2 SLAPS 4 TAPS 0=15 OR 3 SLAPS p=16 OR 3 SLAPS 1 TAP Q=17 OR 3 SLAPS 2 TAPS R=18 OR 3 SLAPS 3 TAPS S=19 OR 3 SLAPS 4 TAPS T=20 OR 4 SLAPS U=21 OR 4 SLAPS 1 TAP V=22 OR 4 SLAPS 2 TAPS W=23 OR 4 SLAPS 3 TAPS X=24 OR 4 SLAPS 4 TAPS Y=25 OR 5 SLAPS Z=26 OR 5 SLAPS 1 TAP

You two start on home, Daisy,' said Tom. 'In Mr Gatsby's car.' She looked at Tom, alarmed now, but he insisted with magnanimous scorn. 'Go on. He won't annoy you. I think he realises that his presumptuous little flirtation is over.

Then Mr. McKee turned and continued on out the door. Taking my hat from the chandelier I followed. ‘Come to lunch some day,’ he suggested, as we groaned down in the elevator. ‘Where?’ ‘Anywhere.’ ‘Keep your hands off the lever,’ snapped the elevator boy. ‘I beg your pardon,’ said Mr. McKee with dignity, ‘I didn’t know I was touching it.’ ‘All right,’ I agreed, ‘I’ll be glad to.’ … I was standing beside his bed and he was sitting up between the sheets, clad in his underwear, with a great portfolio in his hands.

accordingly led the way across the road to the pie-shop in question: Mr F.'s Aunt stalking across in the rear, and putting herself in the way of being run over, with a perseverance worthy of a better cause. When the 'three kidney ones,' which were to be a blind to the conversation, were set before them on three little tin platters, each kidney one ornamented with a hole at the top, into which the civil man poured hot gravy out of a spouted can as if he were feeding three lamps, Flora took out her pocket-handkerchief.

The car came opposite her, and she curtsied so low that recovery was impossible, and she sat down in the road. Her parasol flew out of her hand and out of her parasol flew the Union Jack. She saw a young man looking out of the window, dressed in khaki, grinning broadly, but not, so she thought, graciously, and it suddenly struck her that there was something, beside her own part in the affair, which was not as it should be. As he put his head in again there was loud laughter from the inside of the car. Mr. Wootten helped her up and the entire assembly of her friends crowded round her, hoping she was not hurt. "No, dear Major, dear Padre, not at all, thanks," she said. "So stupid: my ankle turned. Oh, yes, the Union Jack I bought for my nephew, it's his birthday to-morrow. Thank you. I just came to see about my coke: of course I thought the Prince had arrived when you all went down to meet the 4.15. Fancy my running straight into it all! How well he looked." This was all rather lame, and Miss Mapp hailed Mrs. Poppit's appearance from the station as a welcome diversion. . . . Mrs. Poppit was looking vexed.

I will accept only the best from you, Percy Jackson. I took a deep breath. I picked up the mythology book. I’d never asked a teacher for help before. Maybe if I talked to Mr. Brunner, he could give me some pointers. At least I could apologize for the big fat F I was about to score on his exam. I didn’t want to leave Yancy Academy with him thinking I hadn’t tried. I walked downstairs to the faculty offices. Most of them were dark and empty, but Mr. Brunner’s door was ajar, light from his window stretching across the hallway floor. I was three steps from the door handle when I heard voices inside the office. Mr. Brunner asked a question. A voice that was definitely Grover’s said “…worried about Percy, sir.” I froze. I’m not usually an eavesdropper, but I dare you to try not listening if you hear your best friend talking about you to an adult. I inched closer.

The Republican Party spent the year of the liberal apotheosis enacting the most unlikely political epic ever told: a right-wing fringe took over the party from the ground up, nominating Barry Goldwater, the radical-right senator from Arizona, while a helpless Eastern establishment-that-was-now-a-fringe looked on in bafflement. Experts, claiming the Republican tradition of progressivism was as much a part of its identity as the elephant, began talking about a party committing suicide. The Goldwaterites didn’t see suicide. They saw redemption. This was part and parcel of their ideology—that Lyndon Johnson’s “consensus” was their enemy in a battle for the survival of civilization. For them, the idea that calamitous liberal nonsense—ready acceptance of federal interference in the economy; Negro “civil disobedience”; the doctrine of “containing” the mortal enemy Communism when conservatives insisted it must be beaten—could be described as a “consensus” at all was symbol and substance of America’s moral rot. They also believed the vast majority of ordinary Americans already agreed with them, whatever spake the polls—“crazy figures,” William F. Buckley harrumphed, doctored “to say, ‘Yes, Mr. President.’” It was their article of faith. And faith, and the uncompromising passions attending it, was key to their political makeup.

Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out.… Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.

How'd you like a temporary job in our shipping room?" Mr. Shanahan asked, his eyes suddenly watchful. For an instant Mr. Newman succeeded in making it plain that he, like any man of his business experience, was meant for better things. A moment later, in an interesting ceremony which took place in his heart, Mr. Newman surrendered his well-loved white collar.

I don't know," I murmur. "Honestly, Mr. Lee, I don't know if I was the right person to tell this story." He clasps mu hands tighter. His face is so kind, it makes me feel rotten. "You are exactly right," he says. "We need you. My English, it is not very good. Your generation has very good English. You can tell them our story. Make sure they remember us." He nods, determines. "Yes. Make sure they remember us.

Look it over some time. 'T is fine spoort if ye don't care f r checkers. Some say it laves th' flag up in th' air an' some say that's where it laves th' constitution. Annyhow, something'» in th' air. But there's wan thing I 'm sure about." " What's that ?" asked Mr. Hennessy. " That is," said Mr. Dooley, " no matther whether th' constitution follows th' flag or not, th' supreme coort follows th' iliction returns.

It’s not cold enough for a blanket anyway.” Mr. Tom moved to grab it. “No, no.” I put out my hand to stop him. “It’s the fart blanket.” Mr. Tom yanked back his hands. “I beg your pardon?” “I think he uses a blanket so he doesn’t stick to the leather, but it also contains all the farts.” A look of horror crossed Mr. Tom’s face. “Who are these people?” “These people are my parents, and they’ll get weirder, don’t worry.

To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren

Something not going well, Mr. Boxley?" The novelist looked back at him in thunderous silence. "I read your letter," said Stahr. The tone of the pleasant young headmaster was gone. He spoke as to an equal, but with a faint two-edged deference. "I can't get what I write on paper," broke out Boxley. "You've all been very decent, but it's a sort of conspiracy. Those two hacks you've teamed me with listen to what I say, but they spoil it--they seem to have a vocabulary of about a hundred words." "Why don't you write it yourself?" asked Stahr. "I have. I sent you some." "But it was just talk, back and forth," said Stahr mildly. "Interesting talk but nothing more." Now it was all the two ghostly attendants could do to hold Boxley in the deep chair. He struggled to get up; he uttered a single quiet bark which had some relation to laughter but non to amusement, and said: "I don't think you people read things. The men are duelling when the conversation takes place. At the end one of them falls into a well and has to be hauled up in a bucket." He barked again and subsided. Would you write that in a book of your own, Mr. Boxley?" "What? Naturally not." "You'd consider it too cheap." "Movie standards are different," said Boxley, hedging. "Do you ever go to them?" "No--almost never." "Isn't it because people are always duelling and falling down wells?" Yes--and wearing strained facial expressions and talking incredible and unnatural dialogue." "Skip the dialogue for a minute," said Stahr. "Granted your dialogue is more graceful than what these hacks can write--that's why we brought you out here. But let's imagine something that isn't either bad dialogue or jumping down a well.

My darling Prometheus, you failed at being human. It’s such a simple thing to be human. You didn’t understand that you never had to be any good at it. You simply had to try. The modern Prometheus. I feel your inadequacy under my skin. Crawling like worms. You possessed that love and rage indeed. Entertain away, dear Monster. Frankenstein forced you into humanity. Tried to make you a man. That was his first mistake. You should have aimed for the Gods.

The old Metropole,” brooded Mr. Wolfshiem gloomily. “Filled with faces dead and gone. Filled with friends gone now forever. I can’t forget so long as I live the night they shot Rosy Rosenthal there. It was six of us at the table, and Rosy had eat and drunk a lot all evening. When it was almost morning the waiter came up to him with a funny look and says somebody wants to speak to him outside. ‘All right,’ says Rosy, and begins to get up, and I pulled him down in his chair.

An age-old story, parricide. The Greeks loved parricide, Mr. Chester had been fond of saying; they loved it for its infinite narrative potential, its invocations of legacy, pride, honour, and dominance. They loved the way it struck every possible emotion because it so deviously inverted the most basic tenet of human existence. One being creates another, moulds and influences it in its own image. The son becomes, then replaces, the fater; Kronos destroys Ouranos, Zeus destroys Kronos and, eventually, becomes him.

She ran her hands, butterfly fashion, over the keys. "A little morsel of Stravinski?" she said. It was in the middle of the morsel that Adele came in and found Lucia playing Stravinski to Mr. Greatorex. The position seemed to be away, away beyond her orbit altogether, and she merely waited with undiminished faith in Lucia, to see what would happen when Lucia became aware to whom she was playing. . . . It was a longish morsel, too: more like a meal than a morsel, and it was also remarkably like a muddle. Finally, Lucia made an optimistic attempt at the double chromatic scale in divergent directions which brought it to an end, and laughed gaily. "My poor fingers," she said. "Delicious piano, dear Adele. I love a Bechstein; that was a little morsel of Stravinski. Hectic perhaps, do you think? But so true to the modern idea: little feverish excursions: little bits of tunes, and nothing worked out. But I always say that there is something in Stravinski, if you study him. How I worked at that little piece, and I'm afraid it's far from perfect yet.

As long ago as 1860 it was the proper thing to be born at home. At present, so I am told, the high gods of medicine have decreed that the first cries of the young shall be uttered upon the anesthetic air of a hospital, preferably a fashionable one. So young Mr. and Mrs. Roger Button were fifty years ahead of style when they decided, one day in the summer of 1860, that their first baby should be born in a hospital. Whether this anachronism had any bearing upon the astonishing history I am about to set down will never be known.

[Professor Greene's] reaction to GAMAY, as published in the Yale Daily News, fairly took one's breath away. He fondled the word "fascist" as though he had come up with a Dead Sea Scroll vouchsafing the key word to the understanding of God and Man at Yale. In a few sentences he used the term thrice. "Mr. Buckley has done Yale a great service" (how I would tire of this pedestrian rhetorical device), "and he may well do the cause of liberal education in America an even greater service, by stating the fascist alternative to liberalism. This fascist thesis . . . This . . . pure fascism . . . What more could Hitler, Mussolini, or Stalin ask for . . . ?" (They asked for, and got, a great deal more.) What survives, from such stuff as this, is ne-plus-ultra relativism, idiot nihlism. "What is required," Professor Greene spoke, "is more, not less tolerance--not the tolerance of indifference, but the tolerance of honest respect for divergent convictions and the determination of all that such divergent opinions be heard without administrative censorship. I try my best in the classroom to expound and defend my faith, when it is relevant, as honestly and persuasively as I can. But I can do so only because many of my colleagues are expounding and defending their contrasting faiths, or skepticisms, as openly and honestly as I am mine." A professor of philosophy! Question: What is the 1) ethical, 2) philosophical, or 3) epistemological argument for requiring continued tolerance of ideas whose discrediting it is the purpose of education to effect? What ethical code (in the Bible? in Plato? Kant? Hume?) requires "honest respect" for any divergent conviction?

Wynter's Pass was a picturesque region in the north of Vohlfhein, where the Bleak Hills eventually collapsed into the Frozen Sea. From the back of Mr. Buckles, who had been on a slow trot since sunrise, Monch watched the light glisten off of the frozen branches of the evergreens. As the sun warmed the frozen ground, sending the evening's frost into retreat, Monch absorbed the splendor of it all and wondered how expensive the local real estate must be around here. He then contemplated attempting to find an agent that would represent his interests well. "This land is such a spectacular wonder," the Lion of Ahriman declared. "It would be very much sought after if they could just do something about the bears, the White Orts, the wolves, the bloodthirsty cannibals, the snow manapés, the frost wizards, the northern bandit gangs, the dire lynxes, the similarly sounding but not related pygmy bloodthirsty cannibals, the demon possessed yaks, the dead-soul animated trees, the..." Monch paused for a moment. "It just occurred to me that this land is really not safe at all. It seems almost everything in it wants to kill me," the Templar admitted.

Mr. Churchill had struggled to diminish totalitarian rule in Europe, which, however, increased. He fought to save the empire, which dissolved. He fought socialism, which prevailed. He struggled to defeat Hitler—and he won. It is not, I think, the significance of that victory, mighty and glorious though it was, that causes the name of Churchill to make the blood run a little faster. He later spoke diffidently about his role in the war, saying that the lion was the people of England, that he had served merely to provide the roar. But it is the roar that we hear, when we pronounce his name. WFB

But you of all people!” I said to him. “Look at me—I never was a believer, not until this happened. If I can believe it, why can’t you?” I asked Mr. Merrill. He began to stutter. “It’s easier for you to j-j-j-just accept it. Belief is not something you have felt, and then not felt; you haven’t l-l-l-lived with belief, and with unbelief. It’s easier f-f-f-for you,” the Rev. Mr. Merrill repeated. “You haven’t ever been f-f-f-full of faith, and full of d-d-d-doubt. Something j-j-j-just strikes you as a miracle, and you believe it. For me, it’s not that s-s-s-simple,” said Pastor Merrill. “But it is a miracle!” I cried. “He told you that dream—I know he did! And you were there—when he saw his name, and the date of his death, on Scrooge’s grave. You were there!” I cried. “How can you doubt that he knew?” I asked Mr. Merrill. “He knew—he knew everything! What do you call that—if you don’t call it a miracle?” “You’ve witnessed what you c-c-c-call a miracle and now you believe—you believe everything,” Pastor Merrill said. “But miracles don’t c-c-c-cause belief—real miracles don’t m-m-m-make faith out of thin air; you have to already have faith in order to believe in real miracles. I believe that Owen was extraordinarily g-g-g-gifted—

Parks waits a long while, until he’s absolutely certain that Justineau’s monologue is finished. The truth is, for most of the time he’s been trying to figure out what it is exactly that she’s trying to tell him. Maybe he was right the first time about where they were heading, and Justineau airing her ancient laundry is just a sort of palate-cleanser before they have sex. Probably not, but you never know. In any case, the countermove to a confession is an absolution, unless you think the sin is unforgivable. Parks doesn’t. “It was an accident,” he tells her, pointing out the obvious. “And probably you would have ended up doing the right thing. You don’t strike me as the sort of person who just lets shit slide.” He means that, as far as it goes. One of the things he likes about Justineau is her seriousness. He frigging flat-out hates frivolous, thoughtless people who dance across the surface of the world without looking down. “Yeah, but you don’t get it,” Justineau says. “Why do you think I’m telling you all this?” “I don’t know,” Parks admits. “Why are you telling me?” Justineau steps away from the parapet wall and squares off against him – range, zero metres. It could be erotic, but somehow it’s not. “I killed that boy, Parks. If you turn my life into an equation, the number that comes out is minus one. That’s my lifetime score, you understand me? And you … you and Caldwell, and Private Ginger f**king Rogers … my God, whether it means anything or not, I will die my own self before I let you take me down to minus two.” She says the last words right into his face. Sprays him with little flecks of spit. This close up, dark as it is, he can see her eyes. There’s something mad in them. Something deeply afraid, but it’s damn well not afraid of him. She leaves him with the bottle. It’s not what he was hoping for, but it’s a pretty good consolation prize.

Therefore Flora said, though still not without a certain boastfulness and triumph in her legacy, that Mr F.'s Aunt was 'very lively to-day, and she thought they had better go.' But Mr F.'s Aunt proved so lively as to take the suggestion in unexpected dudgeon and declare that she would not go; adding, with several injurious expressions, that if 'He'--too evidently meaning Clennam--wanted to get rid of her, 'let him chuck her out of winder;' and urgently expressing her desire to see 'Him' perform that ceremony. In this dilemma, Mr Pancks, whose resources appeared equal to any emergency in the Patriarchal waters, slipped on his hat, slipped out at the counting-house door, and slipped in again a moment afterwards with an artificial freshness upon him, as if he had been in the country for some weeks. 'Why, bless my heart, ma'am!' said Mr Pancks, rubbing up his hair in great astonishment, 'is that you? How do you do, ma'am? You are looking charming to-day! I am delighted to see you. Favour me with your arm, ma'am; we'll have a little walk together, you and me, if you'll honour me with your company.' And so escorted Mr F.'s Aunt down the private staircase of the counting-house with great gallantry and success. — Little Dorrit, Charles Dickens

When I make you come, say my name.” Evie nodded as if in a trance, thinking she’d agree to anything as long as he didn’t stop what he was doing to her. “F-ford?” she stammered, realizing she wasn’t clear on his instructions. She’d never called him by his first name before, not to his face. “No,” he growled, and pushed a second finger into her without warning, making her gasp. Sucking her clit between his lips, he nuzzled his tongue against the nub while he had it trapped. She gave up holding back on her expressions of pleasure. She was sighing and moaning so much that she almost missed his instructions. “You will call me ‘Mr. Hawthorne’. Now lie back.

If you were in a drug store," said Stahr "-having a prescription filled-" "You mean a chemist?" Boxley asked. "If you were in a chemist's," conceded Stahr, "and you were getting a prescription for some member of your family who was very sick-" "-Very ill?" queried Boxley. "Very ill. Then whatever caught your attention through the window, whatever distracted you and held you would probably be material for pictures." "A murder outside the window, you mean." "There you go," said Stahr smiling. "It might be a spider working on the pane." "Of course-I see." "I'm afraid you don't, Mr. Boxley. You see it for your medium but not for ours. You keep the spiders for yourself and you try to pin the murders on us.

Wilson dug into his pockets, feeling in every one. Then he tried his car doors. I could have told him they were all locked, but I wisely remained silent. I suppose that would be twelve things: I can be wise. “Bollocks!” He pressed his face up against the car window, hands shielding his eyes on either side. “Blast!” “You have a filthy mouth, Mr. Wilson,” I chided, trying not to laugh. “Isn't saying blast like saying the F word in England?” “What? No! Bugger, blast and bloody are fairly tame . . . like damn.” “And bollocks? That sounds downright profane.” It really didn't, but I found I was enjoying myself. “Soon you'll be saying fiddlesticks! I don't think Principal Beckstead would approve.” “My keys are in the ignition,” Wilson groaned, ignoring me. He straightened and looked down at me soberly. “We're walking, Blue, unless you're willing to admit you have certain skills . . . breaking and entering, perhaps?” “I don't need skills to break and enter. I just need tools – and I don't have any of them on me,” I retorted flatly. “We could shove your big violin through your car window, though.” “Always a smartarse,” Wilson turned and began walking toward the road. “I live about four miles away in that direction,” I offered, hobbling along after him. “Oh, good. I live six. That means for at least two miles, I will not have to listen to you snipe at me,” Wilson grumbled. I burst out laughing. He really was cranky

You do realize your initials spell ELF, right?” Keefe asked. “Of course. I couldn’t resist, once I knew my surname would start with an F.” “How did you choose ‘Forkle’?” Della asked. “Somewhat randomly. I was looking for a word that was memorable, but not too complicated, and I wanted the meaning to bear some sort of logic. Forkle is close to the word for ‘disguise’ in Norwegian, a part of the human world I’ve always been partial to, so it seemed the best fit—though strangely, I believe it also means ‘apron.’ Ah, the quirks of human languages.” “What does the L stand for?” Dex asked. Mr. Forkle looked slightly flushed as he mumbled, “Loki.” “Loki,” Sophie repeated, tempted to roll her eyes. “You named yourself after the Nordic trickster god?” “Actually, he was inspired by me. Do not credit me for the insane stories humans made up—especially that one about the stallion. But as I said, I’ve always been partial to that part of the world, and in my younger days I may have had a bit too much fun there. It was so easy to take on disguises and cause a little chaos. And over time my escapades morphed into the stories of a shape-shifting trickster god. So I thought it only fitting, as I assumed yet another disguise, that I accept the title officially as part of my new identity.” “Guys, I think the Forkster just became my hero,” Keefe said. “And is anyone else wondering about the stallion?” “Trust me, you don’t want to know,

The problem with creations is that they’ll never understand their true value. It’s the same with parents and children. The mother knows her daughter is important but she does not voice this fact. So the daughter will constantly wonder what her worth is. She will forever look to the mother for reassurance. The mother thinks the daughter is clingy. The daughter thinks the mother is cold. The truth is that they don’t communicate with one another. They just assume. And so they assume themselves into resentment. Where they never speak. They never listen. They die wondering why what they gave was never enough. Thankfully this is easily fixed. All that is required is an open mind and a little patience. But who the hell’s got time for that?

Before the game, he [Vin Scully] waxed poetic about Wrigley Field: She stands alone at the corner of Clark and Addison, this dowager queen, dressed in basic black and pearls, seventy-five years old, proud head held high and not a hair out of place, awaiting yet another date with destiny, another time for Mr. Right. She dreams as old ladies will of men gone long ago. Joe Tinker. Johnny Evers. Frank Chance. And of those of recent vintage like her man Ernie. And the Lion [Leo Durocher]. And Sweet Billy Williams. And she thinks wistfully of what might have been, and the pain is still fresh and new, and her eyes fill, her lips tremble, and she shakes her head ever so slightly. And then she sighs, pulls her shawl tightly around her frail shoulders, and thinks, This time, this time it will be better.

The accomplishment of the testimony was two-fold: It changed the death of Marshall from suicide to death by gunshot, and it brought into light bespectacled Johnson hit man, Malcolm “Mac” Wallace. At one point, Wallace, a former marine who had been the president of the University of Texas student body, had strong political aspirations. In 1946, Wallace was an organizer for Homer Rainey’s campaign for governor.44 Wallace eventually became indebted to Johnson, and the closest he would ever get to political office would be in administering of carnage for Johnson and his Texas business associates. Wallace was the Mr. X at the gas station asking Nolan Griffin for directions. Described as a “hatchet man”45 for Johnson by Lyndon’s mistress Madeleine Brown, Wallace was an important link in many of the murders connected to Johnson. Estes’s lawyer, Douglas Caddy, revealed Wallace’s and Johnson’s complicity in Texas-style justice in a letter to Stephan S. Trott at the US Department of Justice: My client, Mr. Estes, has authorized me to make this reply to your letter of May 29, 1984. Mr. Estes was a member of a four-member group, headed by Lyndon Johnson, which committed criminal acts in Texas in the 1960’s. The other two, besides Mr. Estes and LBJ, were Cliff Carter and Mack Wallace. Mr. Estes is willing to disclose his knowledge concerning the following criminal offenses: Murders 1.   The killing of Henry Marshall 2.   The killing of George Krutilek 3.   The killing of Ike Rogers and his secretary 4.   The killing of Coleman Wade 5.   The killing of Josefa Johnson 6.   The killing of John Kinser 7.   The killing of President J. F. Kennedy46

They had this course you had to take, Oral Expression. That I flunked. 'Why?' 'Oh, I don't know.' I didn't feel much like going into it. I was still feeling sort of dizzy or something, and I had a helluva headache all of a sudden. I really did. But you could tell he was interested, so I told him a little bit about it. 'It's this course where each boy in class has to get up in class and make a speech. You know. Spontaneous and all. And if the boy digresses at all, you're supposed to yell "Digression!" at him as fast as you can. It just about drove me crazy. I got an F in it.' 'Why?' 'Oh, I don't know. That digression business got on my nerves. I don't know. The trouble with me is, I like it when somebody digresses. It's more interesting and all.' 'You don't care to have somebody stick to the point when he tells you something?' 'Oh, sure! I like somebody to stick to the point and all. But I don't like them to stick too much to the point. I don't know. I guess I don't like it when somebody sticks to the point all the time. The boys that got the best marks in Oral Expression were the ones that stuck to the point all the time—I admit it. But there was this one boy, Richard Kinsella. He didn't stick to the point too much, and they were always yelling "Digression!" at him. It was terrible, because in the first place, he was a very nervous guy—I mean he was a very nervous guy—and his lips were always shaking whenever it was his time to make a speech, and you could hardly hear him if you were sitting way in the back of the room. When his lips sort of quit shaking a little bit, though, I liked his speeches better than anybody else's. He practically flunked the course, though, too. He got a D plus because they kept yelling "Digression!" at him all the time. For instance, he made this speech about this farm his father bought in Vermont. They kept yelling "Digression!" at him the whole time he was making it, and this teacher, Mr. Vinson, gave him an F on it because he hadn't told what kind of animals and vegetables and stuff grew on the farm and all. What he did was, Richard Kinsella, he'd start telling you all about that stuff—then all of a sudden he'd start telling you about this letter his mother got from his uncle, and how his uncle got polio and all when he was forty-two years old, and how he wouldn't let anybody come to see him in the hospital because he didn't want anybody to see him with a brace on. It didn't have much to do with the farm—I admit it—but it was nice. It's nice when somebody tells you about their uncle. Especially when they start out telling you about their father's farm and then all of a sudden get more interested in their uncle. I mean it's dirty to keep yelling "Digression!" at him when he's all nice and excited... I don't know. It's hard to explain.' I didn't feel too much like trying, either. For one thing, I had this terrific headache all of a sudden. I wished to God old Mrs. Antolini would come in with the coffee. That's something that annoys hell out of me—I mean if somebody says the coffee's all ready and it isn't.

Meeting the Prince of Wales Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.”’ The next minute he leapt on me practically and I thought this was very strange, too, and I wasn’t quite sure how to cope with all this. Anyway we talked about lots of things and anyway that was it. Frigid wasn’t the word. Big F when it comes to that. He said: ‘You must come to London with me tomorrow. I’ve got to work at Buckingham Palace, you must come to work with me.’ I thought this was too much. I said: ‘No, I can’t.’ I thought ‘How will I explain my presence at Buckingham Palace when I’m supposed to be staying with Philip?’ Then he asked me to Cowes on Britannia and he had lots of older friends there and I was fairly intimidated but they were all over me like a bad rash. I felt very strange about the whole thing, obviously somebody was talking. I came in and out, in and out, then I went to stay with my sister Jane at Balmoral where Robert [Fellowes, Jane’s husband] was assistant private secretary [to the Queen]. I was terrified--shitting bricks. I was frightened because I had never stayed at Balmoral and I wanted to get it right. The anticipation was worse than actually being there. I was all right once I got in through the front door. I had a normal single bed! I have always done my own packing and unpacking--I was always appalled that Prince Charles takes 22 pieces of hand luggage with him. That’s before the other stuff. I have four or five. I felt rather embarrassed. I stayed back at the castle because of the press interest. It was considered a good idea. Mr and Mrs Parker-Bowles were there at all my visits. I was the youngest there by a long way. Charles used to ring me up and say: ‘Would you like to come for a walk, come for a barbecue?’ so I said: ‘Yes, please.’ I thought this was all wonderful.

If you want anything just ask for it, old sport,” he urged me. “Excuse me. I will rejoin you later.” When he was gone I turned immediately to Jordan—constrained to assure her of my surprise. I had expected that Mr. Gatsby would be a florid and corpulent person in his middle years. “Who is he?” I demanded. “Do you know?” “He’s just a man named Gatsby.” “Where is he from, I mean? And what does he do?” “Now you’re started on the subject,” she answered with a wan smile. “Well,—he told me once he was an Oxford man.” A dim background started to take shape behind him but at her next remark it faded away. “However, I don’t believe it.” “Why not?” “I don’t know,” she insisted. “I just don’t think he went there.” Something in her tone reminded me of the other girl’s “I think he killed a man,” and had the effect of stimulating my curiosity. I would have accepted without question the information that Gatsby sprang from the swamps of Louisiana or from the lower East Side of New York. That was comprehensible. But young men didn’t—at least in my provincial inexperience I believed they didn’t—drift coolly out of nowhere and buy a palace on Long Island Sound. “Anyhow he gives large parties,” said Jordan, changing the subject with an urbane distaste for the concrete. “And I like large parties. They’re so intimate. At small parties there isn’t any privacy.

Holy s——!” someone shouted from outside. A few guests reacted with good-natured titters. The children hardly noticed, they were so absorbed in their music. The song ended. All the little eyes were on Mr. Kangana, who counted them into their next song, “One, two, three—” “F——!” someone else shouted. This was not OK. I dashed through the laundry room to the back door, with the intention of shushing the raucous caterers. I turned the handle. A strong, dull, consistent pressure pushed the door toward me. Immediately sensing a terrible force of nature on the other side, I attempted to close the door. The inhuman force wouldn’t allow it. I stuck my foot against the bottom of the door. I heard an ominous creak. The hinges began pulling loose from the frame. Before I could compute any of this, the marimba music suddenly stopped. A series of pops and pings erupted from the sunroom. A child squealed in distress. I abandoned the threat at the door and hurtled to the sunroom, where I was met by the shattering of glass. The children were running, screaming, from their instruments. With none of their own parents to run to for comfort, the kindergarteners collectively burrowed into the crowd of prospective parents, who in turn were trying to squeeze through the one small door leading to the living room. It’s a small miracle nobody was trampled. My daughter, Ginny, ran to me and hugged my legs. Her back was wet… and muddy. I looked up. The shades were now eerily raised of their own accord. And then came the mud. In it sloshed, through the broken windows. Thick mud, watery mud, rocky mud, mud with beveled-glass shards, mud with window muntins, mud with grass, mud with barbecue utensils, mud with a mosaic birdbath. In a flash, the sunroom windows were gone, and in their place, a gaping, mud-oozing hole.

As we trod up the front walk, Jackaby let out a thoughtful “Huh.” I followed his gaze to the transom ahead of us. It read, in clean, frosty letters: r. f. jackaby: exquisite frustration “Are you feeling exquisitely frustrated of late, Miss Rook?” he asked. “I wouldn’t put it as such, sir,” I said. “I don’t think that one’s for me.” Jenny materialized between Jackaby and the bright red door. “Ah,” said Jackaby. “Good afternoon, Miss Cavanaugh.” “I couldn’t find it,” Jenny said without preamble as we mounted the steps. “What? Right—the Bible. It’s fine. I’ll see to it myself. That church is a long way off. It was quite ambitious for you to even consider the trip. I shouldn’t reasonably have expected as much of you.” “I made it to the church just fine, thank you very much for your vote of confidence. Do you have any idea how many Bibles and psalm books and hymnals there are in a parish that size? You said to look for a shield, but none of them had anything obvious like that. If the shield is somehow inside one of them, it could be any of them.” “That’s all right, you did your—” Jackaby began. “. . . So I just brought all of them.” The door swung open to reveal a small hillside of books heaped on the front desk. “Hrm.” Jackaby grunted. He stepped inside and began to dig through the stack, picking up battered old books and dropping them back onto the heap. “Thank you, Miss Cavanaugh,” Jenny intoned behind him. “It was nothing, really,” she replied to herself. “I underestimated you, Miss Cavanaugh. Oh, I was just happy to help. You are special and precious to me, Miss Cavanaugh. Please now, Mr. Jackaby, you’re simply too much.” Jackaby paid her dialogue no mind, and appeared to have forgotten that anyone else was in the room at all. “I’ll just go fetch that bail money for Miss Lee, shall I?” I suggested, and excused myself.

The sixty acres of the estate were dotted with old and new summer houses and many fountains and white benches that came suddenly into sight from foliage-hung hiding-places; there was a great and constantly increasing family of white cats that prowled the many flower-beds and were silhouetted suddenly at night against the darkening trees. It was on one of the shadowy paths that Beatrice at last captured Amory, after Mr. Blaine had, as usual, retired for the evening to his private library. After reproving him for avoiding her, she took him for a long tête-a-tête in the moonlight. He could not reconcile himself to her beauty, that was mother to his own, the exquisite neck and shoulders, the grace of a fortunate woman of thirty. "Amory, dear," she crooned softly, "I had such a strange, weird time after I left you." "Did you, Beatrice?" "When I had my last breakdown"—she spoke of it as a sturdy, gallant feat. "The doctors told me"—her voice sang on a confidential note—"that if any many alive had done the consistent drinking that I have, he would have been physically shattered, my dear, and in his grave—long in his grave." Amory winced, and wondered how this would have sounded to Froggy Parker. "Yes," continued Beatrice tragically, "I had dreams—wonderful visions." She pressed the palms of her hands into her eyes. "I saw bronze rivers lapping marble shores, and great birds that soared through the air, parti-colored birds with iridescent plumage. I heard strange music and the flare of barbaric trumpets—what?" Amory had snickered. "What, Amory?" "I said go on, Beatrice." "That was all—it merely recurred and recurred—gardens that flaunted coloring against which this would be quite dull, moons that whirled and swayed, paler than winter moons, more golden than harvest moons——" "Are you quite well now, Beatrice?" "Quite well—as well as I will ever be. I am not understood, Amory. I know that can't express it to you, Amory, but—I am not understood." Amory was quite moved. He put his arm around his mother, rubbing his head gently against her shoulder.

The assassination of President Kennedy killed not only a man but a complex of illusions. It demolished the myth that hate and violence can be confined in an airtight chamber to be employed against but a few. Suddenly the truth was revealed that hate is a contagion; that it grows and spreads as a disease; that no society is so healthy that it can automatically maintain its immunity. If a smallpox epidemic had been raging in the South, President Kennedy would have been urged to avoid the area. There was a plague afflicting the South, but its perils were not perceived. Negroes tragically know political assassination well. In the life of Negro civil-rights leaders, the whine of the bullet from ambush, the roar of the bomb have all too often broken the night's silence. They have replaced lynching as a political weapon. More than a decade ago, sudden death came to Mr. and Mrs. Harry T. Moore, N.A.A.C.P. leaders in Florida. The Reverend George Lee of Belzoni, Mississippi, was shot to death on the steps of a rural courthouse. The bombings multiplied. Nineteen sixty-three was a year of assassinations. Medgar Evers in Jackson, Mississippi; William Moore in Alabama; six Negro children in Birmingham—and who could doubt that these too were political assassinations? The unforgivable default of our society has been its failure to apprehend the assassins. It is a harsh judgment, but undeniably true, that the cause of the indifference was the identity of the victims. Nearly all were Negroes. And so the plague spread until it claimed the most eminent American, a warmly loved and respected president. The words of Jesus "Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me" were more than a figurative expression; they were a literal prophecy. We were all involved in the death of John Kennedy. We tolerated hate; we tolerated the sick stimulation of violence in all walks of life; and we tolerated the differential application of law, which said that a man’s life was sacred only if we agreed with his views. This may explain the cascading grief that flooded the country in late November. We mourned a man who had become the pride of the nation, but we grieved as well for ourselves because we knew we were sick.

adolescence; as never, surely, were the certain-coursed, dynamic roller-coasters of youth. For most men and women these thirty years are taken up with a gradual withdrawal from life, a retreat first from a front with many shelters, those myriad amusements and curiosities of youth, to a line with less, when we peel down our ambitions to one ambition, our recreations to one recreation, our friends to a few to whom we are anaesthetic; ending up at last in a solitary, desolate strong point that is not strong, where the shells now whistle abominably, now are but half-heard as, by turns frightened and tired, we sit waiting for death. At forty, then, Merlin was no different from himself at thirty-five; a larger paunch, a gray twinkling near his ears, a more certain lack of vivacity in his walk. His forty-five differed from his forty by a like margin, unless one mention a slight deafness in his left ear. But at fifty-five the process had become a chemical change of immense rapidity. Yearly he was more and more an "old man" to his family--senile almost, so far as his wife was concerned. He was by this time complete owner of the bookshop. The mysterious Mr. Moonlight Quill, dead some five years and not survived by his wife, had deeded the whole stock and store to him, and there he still spent his days, conversant now by name with almost all that man has recorded for three thousand years, a human catalogue, an authority upon tooling and binding, upon folios and first editions, an accurate inventory of a thousand authors whom he could never have understood and had certainly never read. At sixty-five he distinctly doddered. He had assumed the melancholy habits of the aged so often portrayed by the second old man in standard Victorian comedies. He consumed vast warehouses of time searching for mislaid spectacles. He "nagged" his wife and was nagged in turn. He told the same jokes three or four times a year at the family table, and gave his son weird, impossible directions as to his conduct in life. Mentally and materially he was so entirely different from the Merlin Grainger of twenty-five that it seemed incongruous that he should bear the same name. He worked still In the bookshop with the assistance of a youth, whom, of course, he considered

She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.

Speech in the Sportpalast Berlin, January 30, 1942 They say, “you sail on your KdF ships; we cannot allow them to land here; that would corrupt our laborers.” Now, why would that corrupt their laborers? I cannot see why. The German laborer has worked more than ever before; why should he not have a rest? Is it not a joke when today the man in the White House says, “we have a program for the world, and this program for the world will give man freedom and the right to work.” Mr. Roosevelt-open your eyes! We have already done this in Germany a long time ago. Or when he says that the sick ought to be taken care of. Please leave the garden of our party program-this is National Socialist teaching and not yours, Sir! This is heresy for a democrat. Or when he says, “we want laborers to have a vacation.” It is a little late to want this, since we have already put this into practice. And we would be much further along now if Mr. Roosevelt had not interfered. Or when he says, “we want to increase prosperity for the masses of laborers, too.” All these things are in our program! He might have seen them through, if he had not started the war. After all, we did all this before the war. No, these capitalist hyenas do not have the slightest intention of doing this. They see us as a suspicious example. And now, in order to lure their own people, they have to get in on our party program and fish out a few sentences, these poor bunglers. And even that they do imperfectly. We had a world unanimously against us here. Of course, not only on the right, but also on the left. Those on the left feared: “What are we going to do, if this experiment succeeds and he actually makes it and eliminates the housing problem? What if he manages to introduce an educational system based on which a talented boy, no matter who his parents are, can attain God knows what position? And, he is capable of doing it, he is already making a Reich protector out of a former farmhand. What if he really introduces an old-age pension scheme covering the whole Volk? What if he truly secures a right to vacations for the whole Volk, since he is already building ships? And he is bringing all this up to an ordered and secured standard of living. What are we going to do? We live by the absence of this. We live by this and, therefore, we must fight National Socialism.” What the others have accomplished-that, our comrades were best able to see in Russia. We have been in power for nine years now. Bolshevism has been there since 1917, that is, almost twenty-five years. Everyone can judge for himself by comparing this Russia with Germany. The things we did in these nine years. What does the German Volk look like, and what have they accomplished over there? I do not even want to mention the capitalist states. They do not take care of their unemployed, because no American millionaire will ever come into the area where they live, and no unemployed man will ever go to the area where the millionaires live. While hunger marches to Washington and to the White House are organized, they are usually dispersed en route by the police by means of rubber truncheons and tear gas. Such things do not exist in authoritarian Germany. We deal with such problems without such things-rubber truncheons and tear gas.

We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.

It felt familiar. But just because it was familiar, it didn’t make it easy.

To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive.