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To this day, most attempts to stage the history of transatlantic slavery in museums have stood out through their vacuity. In them, the slave appears, at best, as the appendix to another history, a citation at the bottom of a page devoted to someone else, to other places, to other things. For that matter, were the figure of the slave really to enter into the museum, such as it exists nowadays, the museum would automatically cease to be.
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