Subtle Hints Quotes

Her hair fragrant with hints of vanilla and cinnamon, subtle enough to make him wonder if it were the spices or truly the way she smelled.

The sea can bind us to her many moods, whispering to us by the subtle token of a shadow or a gleam upon the waves, and hinting in these ways of her mournfulness or rejoicing. Always she is remembering old things, and these memories, though we may not grasp them, are imparted to us, so that we share her gaiety or remorse.

My brother threw up his hands. "What does a woman need to do, Harry? Rip her clothes off, throw herself on top of you, and shimmy while screaming, 'Do me, baby!'?" he shook his head. "Sometimes you're a frigging idiot.

A politician is not allowed to get too emotional in public, so what he does is drop subtle hints that, over time, cause the public to get emotional. Once the same emotions are generated by enough people, the politician can use it to steer the public in his desired direction. Fear is an emotion that is often used this way. A smart politician knows that if he can create fear in enough people, those people will give up what they truly want in order to give the politician what he says they need.

A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain - a malign and particular suspension or defeat of those laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space .... Therefore we must judge a weird tale not by the author's intent, or by the mere mechanics of the plot; but by the emotional level which it attains at its least mundane point... The one test of the really weird is simply this - whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.

Germany Schaefer, trying to send a subtle hint to umpire Billy Evans that the game ought to be called, appeared at second base wearing a yellow rain slicker,

But the good thing about subtle hints was that one could ignore them as long as the actual work got done.

You got me an engagement ring?” “Oh no,” I chirped, trying as hard as I could to keep my composure. “That’s for you to put on my finger.” When his eyes flashed back to mine, I waggled my eyebrows. “Guess you got me something after all.” His hand fell to his lap, ring all but forgotten as he stared at me with wide eyes. “Are you asking me to marry you?” I brushed off the question as if it was the silliest one he’d ever asked. “Heavens, no. That’s your job. I’m just dropping a subtle hint that I might be ready for you to do that. Whenever you’re ready, of course.” Once

Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Prime emphasis should be given to subtle suggestion - imperceptible hints and touches of selective associative detail which express shadings of mood and build up a vague illusion of the strange reality of the unreal. Avoid bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and symbolism.

He had changed, of course, but the change was subtle; as though he had been put into an oven and baked to a hard finish. He looked as though both muscle and skin had drawn in just a bit, grown closer to the bone, so he was more tightly knit; he had never seemed gawky, but the last hint of boyish looseness had vanished.

Our sense of time passing can even depend on the way we feel about our physical well-being. The psychologist John Bargh gave people anagrams to solve, then noted the time it took them to walk to the lift to go home after the experiment. Half the people were given anagrams of everyday words, but half were given words that might be associated with older people, such as ‘grey’ and ‘bingo’. When these people walked to the lift, these subtle hints about old age had primed them to such a degree that it changed their sense of timing and they walked more slowly.

Abeke stopped to smile at a little boy with dirty cheeks who stooped at the entrance of an alley, quietly watching them pass. As she did, the boy sneered at her, then spit in her direction before running off. She watched him go with her mouth open. “With my remarkable powers of perception,” Rollan said beside her, “I’m getting the very subtle hint that people might … possibly … not like us here. But it’s hard to tell.

Don't let a Narcissist, or any other kind of vampire, get away with nonverbal disapproval. Unspoken communication has much more power than mere words because it is ambiguous. If a Narcissist says you did something wrong, you can at least disagree. If he only hints at it, you are left wondering if what you're seeing really means what you think it does, or if the whole thing is somehow your fault, or whatever else you might be imagining. ... Translate rather than pointing the finger. This is the tricky part because it is subtle, but it will make all the difference. An unsubstantiated accusation of an internal state, like, "You're bored," invites defensiveness. A translation, like, "You keep looking at the clock; I'm assuming you're bored," is much harder to deny. A Histrionic might try, but other kinds of vampires will have to concede that they are indeed looking at the clock.

The risks in antiques fraud are relative. Other criminals risk the absolute. You've never heard of a fraudster involved in a shoot-out, of the "Come and get me, copper!" sort. Or of some con artist needing helicopter gunships to bring him. No, we subtle-mongers do it with the smile, the promise, the hint. And we have one great ally: greed. And make no mistake. Greed is everywhere, like weather.

My own manager, a young fellow whose chief qualification for his position must have been his smarminess, since it was the only quality he possessed in abundance—my manager had taken to dropping none-too-subtle hints that the company was offering exceedingly generous severance packages to those who were wise enough to take them.

But tiny variances in their friendship hinted at new paths to be explored. Conversations had a fresh edge...The group dynamics had taken a subtle but definite shift, with none of them quite yet sure where they had landed.

What do you know about me, Isabeau?" He leaned forward, and I forced myself to stay still instead of shying away. He was so close that I could smell the subtle notes of his cologne: musk and wood with a hint of leather. What did he want me to say? That everyone said he was an ogre? Or that they all wanted to sleep with him anyway? "I..." "Go on. You won't hurt my feelings." He was still smiling, slight dimples visible in both cheeks. The sight was destracting, to say the least. "I know that you're the youngest CEO and partner in the company's history, and I know that you earned the spot by working your way up after graduate school instead of using your inheritance as a crutch." "Everyone knows that. What do you know about me? The real stuff. None of this press release bullshit." I looked down at my hands, anything not to have to look up at his face so close to me. "Um. People say... they say that you're scary. And that your assistants don't last long." He laughed, a deep, warm sound that seemed to fill up the office. I glanced up to see him smirking at me. I relaxed my grip on the desk a little. Maybe I wasn't being fired after all. "What else do they say?" Oh, God. He can't possibly want me to tell him everything. Does he? The look on his face confirmed that he did. It was clear by the way he looked at me that I wasn't leaving this office until I gave him exactly what he wanted. "They say. Um... They say that you're very, uh, good looking... and impossible to please." "Oh they do, do they?" He sat back, and tented his fingers beneath his chin. "Well, do you agree with them? Do you think I'm scary, handsome and woefully unsatisfied?" My mouth dropped open, and I quickly closed it with a snap. "Yes. I mean, no! I mean, I don't know..." He stood, then, and leaned in close, towering over me. "You were right the first time." Anxiety coursed through me, but I have to admit, being this close to him, smelling his scent and feeling the heat radiating off his body, it made me wonder what it would be like to be in his arms. To be his. To be owned by him... His face was almost touching mine when he whispered to me. "I am unsatisfied, Isabeau. I want you to be my new assistant. Will you do that for me? Will you be at my beck and call?" My breath left me as his words sunk in. When I finally regained it, I felt like I was trembling from head to toe. His beck and call. "Wh-what about your old assistant?" Mr. Drake leaned back again and took my chin in his hand, forcing my eyes to his. "What about her? I want you." His touch on my skin was electric. Are we still talking about business? "Yes, Mr. Drake." His thumb stroked my cheek for the briefest of moments, and then he released me, breathless, and wondering what I'd just agreed to.

From the darkest beluga to the golden almas, creamy and subtle, to the osetra, with its hint of walnuts and cream, to the small gray eggs of the sevruga, with its overwhelming flavor of the sea, Escoffier fed Sarah a universe of moons. And she, in turn, met each kiss that was deeper than the last.

In case you weren't aware, my good fellow, you are in the company of one of the most skilled and accomplished women in England. In fact, I would say Dr. Gibson has a male brain in a woman's body." Garrett grinned wryly at his last comment, which she knew had been intended as a compliment. "Thank you, Doctor." "Despite my short acquaintance with Dr. Gibson," Ethan said, "her brain seems entirely female to me." The remark caused Garrett to stiffen slightly, as she expected a mocking comment to follow. Something about how a woman's mind was changeable, or shallow, the usual clichés. But as Ethan continued, there was no hint of teasing in his tone. "Keen, subtle, and quick, with an intellect strengthened by compassion- yes, she has a woman's mind." Thrown off guard, Garrett stared at him with a touch of wonder. In that brief, private moment, Ethan looked as if he really did prefer her to everything else in the world. As if he saw all of her, the good and the bad, and wouldn't change a thing about her.

To cover all the bases, I also signed up for a class on psycholinguistics, which had a prerequisite in neural networking. In addition to not having taken it, I also didn’t know what neural networking was. For some reason, this didn’t really bother me, or seem like a problem. The handsome Italian professor wore the most elegant suits I had ever seen, in the most subtle colors—gray with a hint of smoky blue so elusive that you had to keep looking to be sure you hadn’t imagined it. The class met on the tenth floor of the psychology building, most of which was devoted to an institute for bat study and smelled accordingly. It was total sensory discord to see the handsome professor in his elegant suits stepping out of the elevator into the hall of stinky bats.

... this is why Gottman has couples talk about something involving their marriage — like their pets — without being about their marriage. He looks closely at indirect measures of how the couple is doing: the telling traces of emotion that flit across one person's face; the hint of stress picked up in the sweat glands of the palm; a sudden surge in heart rate; a subtle tone that creeps into an exchange.

I warned you I'd overstep," he muttered. "I apologize." "No," Phoebe said curtly, surprising him. "I wanted your opinion. You've made some points worth considering." West's head lifted, and he looked at her with unconcealed surprise. He'd fully expected her to give him a sharp set-down, or simply turn on her heel and walk off. Instead, Phoebe had set aside her pride long enough to listen to him, which few women of her rank would have done. "Although next time you might try a gentler manner," she said. "It usually helps criticism go down easier." Staring into her silver eyes was like drowning in moonlight. West found himself at a complete loss for words. They were within arms' reach of each other. How had that happened? Had he moved closer, or had she? His voice was a husk of sound as he managed a reply. "Yes. I... I'll be gentle next time." That hadn't sounded right. "Gentler. With you. Or... anyone." None of that sounded right, either. "It wasn't criticism," he added. "Just helpful hints." Christ. His thoughts were in a heap. She was breathtaking up close, her skin reflecting light like the silk of butterfly wings. The lines of her throat and jaw were a precise framework of a mouth as full and rich as flowers in deep summer. Her fragrance was subtle and dry and alluring.

Dawn arrived far too soon, dragging its light into the world with a cold, indifferent certainty. It slipped through the Shopping District, touching rooftops and shopfronts with soft, hesitant kisses of silver. The light crept across the trees, brushing their branches with a delicate touch, so gentle it felt like a lover's touch no one was meant to see. It didn’t explode or dazzle; it crept, shy and subtle, casting pale lines through the thinning branches, reaching for something just out of sight. The light hinted at promises not quite made, golden edges of a dawn still hidden beneath the horizon, teasing what might be. The world breathed with it, spaces between the leaves coming alive with shifting patterns, like it was painting possibilities across the ground. It was the kind of light that made you think of the road ahead—paths waiting to be walked, choices waiting to be made.

Leaning over the tray he inhaled deeply, letting the steam-laden aroma flood all the way through him. The soft green clouds with the most delicate golden crusts smelled as perfect as they looked. Pistachio with a hint of saffron. was there even such a thing as a hint of saffron? It was the loudest understated spice, like a soft-spoken person you couldn't stop listening to. Like the hidden lilts inside a well-held aria. Like the beauty within making what someone looked like on the outside meaningless, slowly, one encounter at a time. No matter how subtle you tried to make it, saffron always shone through, it became the soul of your preparation. He nodded at Rajesh, who stood at the ready with the cashews DJ had candied to perfection with butter and brown sugar. He started to arrange three at the center of each ramekin in a clover of paisleys, then tucked a sugarwork swirl next to it to top things off just so.

And so he lay, the moonlight washing over the incomparable smooth white of his back, its brilliance highlighting the graceful lines of his body to reveal the subtle but persuasive hint of firm masculinity that made it clear that this was the flesh not of a woman but of a still immature young man. The moon shone with dazzling brightness on Kiyoake’s left side, where the pale flesh pulsed softly in rhythm with his heartbeat. Here there were three small, almost invisible moles. And much as the three stars in Orion’s belt fade in strong moonlight, so too these three moles were almost blotted out by its rays. (p.43)

Well…it’s nice to meet you, Zsadist.” “So polite,” he mocked. “Okay, how about this. Thank you for not killing him or me just now. That real enough for you?” Zsadist glanced over his shoulder. His eyelids were like window blinds, allowing only slits of cold night to shine through. And with his skull-trimmed hair and that scar, he was the personification of violence: aggression, and pain anthropomorphized. Except as he looked at her through the candlelight, the slightest hint of warmth came through his face. It was so subtle she couldn’t define quite how she knew it was there. “You,” he said softly, “are extraordinary.

Eating a meal in Japan is said to be a communion with nature. This particularly holds true for both tea and restaurant kaiseki, where foods at their peak of freshness reflect the seasonal spirit of that month. The seasonal spirit for November, for example, is "Beginning Anew," because according to the old Japanese lunar calendar, November marks the start of the new tea year. The spring tea leaves that had been placed in sealed jars to mature are ready to grind into tea. The foods used for a tea kaiseki should carry out this seasonal theme and be available locally, not flown in from some exotic locale. For December, the spirit is "Freshness and Cold." Thus, the colors of the guests' kimonos should be dark and subdued for winter, while the incense that permeates the tearoom after the meal should be rich and spicy. The scroll David chose to hang in the alcove during the tea kaiseki no doubt depicted winter, through either words or an ink drawing. As for the flowers that would replace the scroll for the tea ceremony, David likely would incorporate a branch of pine to create a subtle link with the pine needle-shaped piece of yuzu zest we had placed in the climactic dish. Both hinted at the winter season and coming of New Year's, one of David's underlying themes for the tea kaiseki. Some of the guests might never make the pine needle connection, but it was there to delight those who did.

Fair are the flowers and the children, but their subtle suggestion is fairer. Rare is the rose-burst of dawn, but the secret that clasps it is rarer; Sweet is the exultance of song, but the strain that precedes it is sweeter; And never was poem yet writ, but the meaning outmaster'd the metre. Never a daisy that grows, but a mystery guideth the growing; Never a river that flows, but a majesty sceptres the flowing; Never a Shakespeare that soar'd, but a stronger than he did enfold him, Nor ever a prophet foretells, but a mightier seer hath foretold him. Back of the canvas that throbs, the painter is hinted and hidden; Into the statue that breathes, the soul of the sculptor is bidden; Under the joy that is felt, lie the infinite issues of feeling; Crowning the glory reveal'd. is the glory that crowns the revealing. Great are the symbols of being, but that which is symboll'd is greater; Vast the create and beheld, but vaster the inward Creator; Back of the sound broods the silence, back of the gift stands the giving; Back of the hand that receives, thrill the sensitive nerves of receiving. Space is as nothing to Spirit, the deed is outdone by the doing; The heart of the wooer is warm, but warmer the heart of the wooing; And up from the pits where these shiver, and up from the heights where those shine, Twin voices and shadows swim starward, and the essence of life is Divine. RICHARD REALF

Too much bergamot in this one, too tart; no depth in this one; bring forward the orange blossom. Measuring out drops from several vials, she blended another variation, leaning heavily on her keen intuition. Inhaling, she let her mind wander, visualizing the aromatic impression. She was on the verge of discovery. An ethereal freshness with subtle spiciness, like the voluptuous scent of orange blossoms on a sunny spring morning. The hair on her arms bristled with anticipation. She inhaled again, going farther, detecting the bouquet of jasmine absolute and rose attar, rich and silky, entwined with a spicy note of carnation, adding verve and vitality, robust brilliance. It needs a splash of complexity here, a sprig of basil there, an accent of clove. Images of lovers danced in her mind, a soaring sonata thrilled in her soul. A vision intruded, no, a memory- she was dancing with Jon, resting her head on his shoulder, a salty hint of ocean, breathing in his scent, intoxicated with the musky, virile smell of his skin... Another breath and she dragged her thoughts back, delving deeper into the essence. The mystery of amber to balance the soul; the silky smoothness of sandalwood; the delicious lure of vanilla, like a lover's midnight embrace. An ache grew within her at the core of her being. And in her mind's eye, veiled visions of a moonlit night, a couple dancing barefoot on the beach, swirling silks of scarlet and gold, the sultry caress of a whisper, so vivid she trailed her fingers along the nape of her neck, remembering... Seductive, sensual, the essence of amour.

COOKBOOK FOR THE MODERN HOUSEWIFE The cover was red with a subtle crosshatch pattern and distressed, the book's title stamped in black ink- all of it faded with age. Bordering the cookbook's cover were hints of what could be found inside. Alice tilted her head as she read across, down, across, and up the cover's edges. Rolls. Pies. Luncheon. Drinks. Jams. Jellies. Poultry. Soup. Pickles. 725 Tested Recipes. Resting the spine on her bent knees, the cookbook dense yet fragile in her hands, Alice opened it carefully. There was an inscription on the inside cover. Elsie Swann, 1940. Going through the first few, age-yellowed pages, Alice glanced at charts for what constituted a balanced diet in those days: milk products, citrus fruits, green and yellow vegetables, breads and cereals, meat and eggs, the addition of a fish liver oil, particularly for children. Across from it, a page of tips for housewives to avoid being overwhelmed and advice for hosting successful dinner parties. Opening to a page near the back, Alice found another chart, this one titled Standard Retail Beef Cutting Chart, a picture of a cow divided by type of meat, mini drawings of everything from a porterhouse-steak cut to the disgusting-sounding "rolled neck." Through the middle were recipes for Pork Pie, Jellied Tongue, Meat Loaf with Oatmeal, and something called Porcupines- ground beef and rice balls, simmered for an hour in tomato soup and definitely something Alice never wanted to try- and plenty of notes written in faded cursive beside some of the recipes. Comments like Eleanor's 13th birthday-delicious! and Good for digestion and Add extra butter. Whoever this Elsie Swann was, she had clearly used the cookbook regularly. The pages were polka-dotted in brown splatters and drips, evidence it had not sat forgotten on a shelf the way cookbooks would in Alice's kitchen.

Everywhere something could be detected that seemed to be on the point of betraying some secret, something elusively subtle oh, how subtle!...'No,' Chichikov said to himself, 'women are a subject such as...' Here he dismissed it with the wave of a hand: 'What's the use of talking!' Just try and describe or put into words everything that is flitting over their faces, all the subtle twists of meaning, all the hints- and you simply won't be able to put into words. Their eyes alone are such a vast realm that if a man ventured to enter it he'd be as good as done for! You won't drag him out of there by hook or by crook. Just try describing, for instance, their glitter alone: moist, velvety, sugary. Goodness only knows what else you may not find there. Harsh and soft, and quite languishing, or as some say, voluptuous or not voluptuous but a hundred times worse than voluptuous- and it clutches your heart and plays upon your souls, as though a violin bow. No, one simply can't find the right words: the 'ever so refined' half of the human species, and that's all there is to it.

Yeah, well, he’s having a hard time dealing, you know?” Bree asked uneasily. “That’s understandable. How are you coping?” he asked, reaching out and touching her arm. Gianni shifted in her arms and looked down at Colin’s hand. “It’s taking some getting used to. Let’s just say it’s a bit of a relief to take a break for a little while. I’m more worried about the kids though and this is affecting them so I’m hoping to get in to see Dr. Graham. She was a big help to Will a while back.” “Oh, yeah. I hear great things about her. You know she doesn’t just work with kids, right?” Bree narrowed her eyes but smiled in amusement. “Is that a hint?” “Not a very subtle one, I know. Hey Gianni, how you doing, huh? Wow, you’re sure getting big,” Colin remarked. “He sure is. He’s almost standing all by himself now, aren’t you, Gianni? You wanna show Colin?” Bree asked. “Nooo,” Gianni insisted, burying his face in Bree’s neck. “Oh, speaking of Mr. Cranky Pants, huh? He didn’t get a lot of sleep last night.” Gianni lifted his head and then looked down, and it was then that Bree noticed Colin still had his hand on her arm. “Dat,” Gianni said. Bree cleared her throat and took a step back, not wanting to make the movement seem like she was uncomfortable with Colin touching her.

Nostromo is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the Typhoon volume of short stories. I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, however, did cause me some concern was that after finishing the last story of the Typhoon volume it seemed somehow that there was nothing more in the world to write about. This so strangely negative but disturbing mood lasted some little time; and then, as with many of my longer stories, the first hint for Nostromo came to me in the shape of a vagrant anecdote completely destitute of valuable details. As a matter of fact in 1875 or ’6, when very young, in the West Indies or rather in the Gulf of Mexico, for my contacts with land were short, few, and fleeting, I heard the story of some man who was supposed to have stolen single-handed a whole lighter-full of silver, somewhere on the Tierra Firme seaboard during the troubles of a revolution. On the face of it this was something of a feat. But I heard no details, and having no particular interest in crime qua crime I was not likely to keep that one in my mind. And I forgot it till twenty-six or seven years afterwards I came upon the very thing in a shabby volume picked up outside a second-hand book-shop. It was the life story of an American seaman written by himself with the assistance of a journalist. In the course of his wanderings that American sailor worked for some months on board a schooner, the master and owner of which was the thief of whom I had heard in my very young days. I have no doubt of that because there could hardly have been two exploits of that peculiar kind in the same part of the world and both connected with a South American revolution.

Sonnet for Thunder Lovers and Primary Colors” When Sweet Nothings Just Don’t Cut It You’re more than soda fizz, than sparklers lit for kids at play, than fireflies’ flit in sky. You spin around my heart and up my thigh with the whistle and boom of a bottle rocket. Baby, those other jugglers’ gigolo tricks— magician’s spell and mime’s unspoken sigh— don’t turn my head, don’t catch my ear or eye, but your mercury rolls in my hip pocket. Some women like the subtle hints, require a pastel touch, a whispered cry and blush, but not me; I am all hyperbole. Your howls of red, your strokes of green sapphire, your cayenne kiss, serrano pepper rush from lip to nape of knee will do for me. from Rattle #12, Winter 1999. Tribute to Latino/Chicano Poets

I make a little noise—an audible oof—and his eyes narrow curiously, a subtle hint that he’s heard me.

What super-sure looks like A multitude of fascinating factors come under the ‘looking confident ‘umbrella. There isn’t space here to explore the thousands of subtle signs that signal confidence. I cover them in my book How to Talk to Anyone. However, here are a few hints to tide you over. Self-assureds do the following things instinctively. You can do them consciously until they become second nature. 1. When you are at a gathering, do not stand close to the wall or by the snacks. Walk directly to the dead-centre of the room. That’s where all the important people instinctively stand. 2. When you are going through a large door or open double doors, don’t walk on one side. Walk straight through the middle. It signifies confidence. 3. At a restaurant, unless there is an established hierarchy, go for the seat at the end of the table facing the door. That is the power position. 4. Sit in the highest chair in a meeting or on the arm of the couch – but not higher than the boss! 5. Make larger, more fluid movements. Confident people’s bodies occupy more space. Shys take as little as possible, as if to say, ‘Excuse me for taking up this much of the earth.’ 6. Keep your hands away from your face and never fidget. 7. When you agree with someone, nod your head up from neutral (jaw parallel to the floor), not down. 8. When walking towards someone and passing, be the last person to break eye-contact. 9. For men: Don’t strut like a bantam rooster. But to look like a leader, swing your arms more significantly when you walk. When you are seated, put one arm up on the back of a chair. Occasionally lean back with your arms up and your hands behind your head. 10. For women: To seem self-assured, square your body towards the person you’re talking to and stand a tad closer. Naturally, give a big smile but let it come ever so slightly so it looks sincere, not nervous.

I beg your pardon, my lord,” the valet said. With an overdone respect that hinted at sarcasm, he added, “I’ve never known you to be modest before.” “I’m an aristocrat now,” Devon said. “We prefer not to flaunt our assets.” He was wedged against her so tightly that Kathleen could feel his voice resonate through her. The vital, potent maleness of him surrounded her. The sensation was foreign and frightening…and bewilderingly pleasant. The motion of his breathing and the heat of him along her back sent little flames dancing through her tummy. “…there is some confusion as to the location of your luggage,” Sutton was explaining. “One of the footmen carried it inside the house, as I directed, but Mrs. Church told him not to bring it to the master bedroom, as Lady Trenear has taken up temporary residence.” “Has she? Did Mrs. Church enlighten you as to why Lady Trenear has invaded my room?” “The plumbers are installing pipe beneath the floor in her bedroom. I’m told that Lady Trenear was none too pleased by the situation. One of the footmen said he heard her vow to do you bodily harm.” “How unfortunate.” Subtle amusement wove through Devon’s voice. She felt his jaw nudge against her hair as he grinned. “I’m sorry to have inconvenienced her.” “It wasn’t merely an inconvenience, my lord. Lady Trenear quitted the master bedroom immediately after the late earl’s passing, and hasn’t spent a night there since. Until now. According to one of the servants--” Kathleen stiffened. “I don’t need to know why,” Devon interrupted. “That is Lady Trenear’s concern, and none of ours.” “Yes, sir,” the valet said. “More to the point, the footman conveyed your luggage to one of the upstairs rooms, but no one seems to know which one.” “Has anyone thought of asking him?” Devon suggested dryly. “At present the man is nowhere to be found. Lady Pandora and Lady Cassandra recruited him to assist them in searching for their pig, which has gone missing.” Devon’s body tensed. “Did you say ‘pig’?” “Yes, my lord. A new family pet.

Not long after my video deposition, I was talking to a Secret Service colleague who worked the West Wing Lobby. He had just resumed his shift after returning from his own testimony. The president had just visited him. That was extremely suspicious—my associate was spooked. “He just came out and came straight up to me like—like he was looking for me. Yeah, and he asked how I was by name. We chatted—like small talk—like normal. And then he asked how my wife and kids were.… We’ve never actually talked before.” Nothing about that was normal. It was obviously a subtle form of intimidation. The president was sending a message that he knew of the officer’s recent testimony—and perhaps was sending an even more sinister message. I certainly was glad to be at JJRTC, away from them. It was all so wild, so bizarre. Prior to that, the president didn’t seem to know my fellow officer by name. Someone—most likely the president’s attorneys—advised him to make small talk immediately after the officer testified. The president’s little “hint” spooked both of us. It confirmed to me what I suspected: That was indeed how they operated. It was reminiscent of the stories we had heard of some of the women who alleged that the president, while governor, had either raped or sexually assaulted them. In one of the stories Mrs. Clinton had homed in on the alleged victim, despite having never met her beforehand, just as the president zeroed in on the West Wing Lobby officer. I was glad to be at JJRTC, but I feared that I was not far enough away.

We walk past a clown who is painting kids’ faces, and I suddenly stop, something catching my eye. “I like that unicorn,” I say, pointing to the bright pink stuffed animal hanging from the ceiling of a game booth. Travis looks from the unicorn to me. “Is that a hint?” “I didn’t think I was being subtle,” I say, batting my eyelashes at him. “How much is it?” Travis asks the man in charge of the game, reaching for his wallet. “One dart for three dollars, four for ten. You just pop a balloon with the dart and you get a prize,” he says, perking up at the prospect of a new customer. “Oh, that sounds easy!” I say, clapping my hands together. “How many times do you have to pop a balloon to get the unicorn?” Travis asks. “Five,” the man answers brightly. “I could buy you a unicorn for cheaper than that!” Travis says, turning to me. My face falls. “But that’s not the point,” I argue. Travis looks at my pout before he lifts his eyes up to the ceiling, shaking his head. “Okay, I will take five darts.” I immediately perk up again, and reach out for his arm. “You’ll do great!” I say. Travis takes the first dart from the man and throws it at the wall. It doesn’t even make it all the way and falls pitifully to the floor. “Must have been a bad dart,” I argue. He frowns, picks up the second dart and this time takes a little more aim before throwing it. This time it makes it to the wall but doesn’t manage to stick. “That’s okay, it−” Before I can finish my thought, Travis is handing me his jacket to hold so he has both hands free. He picks up the next dart, his face all business, and plants his feet, ready for action. None of the five darts pop any balloons, and before I can offer him any words of consolation he has slapped down a twenty on the ledge and rolled up his sleeves. “Travis, you don’t have to−” but I can tell he isn’t listening to a word I’m saying. He throws another dart and it actually connects to the side of a balloon, but it only serves to pin the balloon to the wall more. Is that even possible? These are like miracle balloons. “This is obviously rigged!” I argue, picking up one of the darts. I throw it at the wall, my back leg kicking up from the effort and it connects with a bright yellow balloon, popping it instantly. “We have a winner!” The operator yells. I look up at Travis who is just staring at the popped balloon. “That was just beginner’s luck,” I assure Travis, picking up another dart and trying to throw it at the wall a little higher than before, aiming for above the balloons. It quickly curves down in the air and pops a blue balloon. Honestly, I tried out for my high school’s baseball team and got laughed off the diamond. If it wasn’t so inappropriate I would have Travis take a video so I could post it on my Facebook page. That would show Shannon Winters and all her baseball friends. “Another winner!” the operator yells. “Three more, pretty lady, and you’ve got your unicorn.” I shoot my eyes to Travis, but he’s still staring at the wall in disbelief. I have no problem popping the other three balloons and I stand gleefully with my arms outstretched, waiting for my unicorn. “You have three more darts,” the operator points out. “Did you want to try and win your boyfriend something?” I clamp my lips together while Travis stands beside me, completely silent. “We’re going to try something else,” I say, holding my unicorn in one hand and grabbing Travis’s hand with the other. Travis walks away shaking his head. “I played football in university. I was on the provincial lacrosse team.” “I know,” I say, wrapping my arm around his middle as we walk away. “You were so close.” I try and hide the smile from my face. There is hardly anything I’m able to beat Travis at and now I know whenever I challenge him it should definitely include darts

The best portrait of this psychology comes from that very dead, very white European male: William Shakespeare, in his Othello. Iago just hated Othello, but he could not hope to defeat him in open confrontation. How then could he destroy him?  Iago’s strategy was to attack him where it would hurt most—through Othello’s passion for Desdemona. Iago hinted indirectly that she had been sleeping around, he spread subtle lies and innuendo about her faithfulness, he succeeded in raising a doubt in Othello’s mind about the most beautiful thing in his life, and he let that doubt work like a slow poison. Like the postmodernists, Iago’s only weapons were words. The only difference is that the postmodernists are not so subtle about their intended targets.

SELF PORTRAIT, 1799 In this early self portrait we can note the subtle blend of light and dark, illuminating the face of the young twenty-four year old artist. Dating from around 1799, the painting was most likely intended to mark Turner’s election as a full member of the Royal Academy, a momentous occasion for any aspiring artist. This meant that he could now exhibit his works on the walls of the Academy without fear of rejection by any members of the committee. Despite his relative youth, Turner had already made a name for himself as an original, accomplished painter with the technical abilities of someone many years more experienced. He had been described in London newspapers as an artist that ‘seems thoroughly to understand the mode of adjusting and applying his various materials’ and ‘their effect in oil or on paper is equally sublime’. The portrait, which is now housed in Tate Britain, depicts a confident young man, who stares assertively at the viewer, hinting at his ambitions and skilled abilities as an artist.

Communication is so much more. Body language. Unspoken rules. Subtle hints.

PEPPERMINT CREAM COCKTAIL 3/4 oz (20ml) crème de menthe 3/4 oz (20ml) white crème de cacao 3/4 oz (20ml) hazelnut liqueur 3/4 oz (20ml) Baileys Irish Cream 3/4 oz (20ml) cream 3/4 oz (20ml) milk Good quality cocoa powder Half-fill a cocktail shaker with ice cubes. Pour in all the ingredients and shake vigorously. Strain into a cocktail glass and top with milk to taste. Sift a light dusting of cocoa powder on the top and serve. Maggie’s tip: If you’d prefer a more subtle hint of mint, use half the recommended amount of crème de menthe and a little more Baileys.

We can’t weigh Source material based on the initial impact it makes on arrival. Sometimes the smallest seed grows into the biggest tree. The most innocent idea can lead to the most consequential writing. Trivial insights can open the doors to vast new worlds. The most delicate message could be of the greatest importance. Even if the seed is nothing more than what we notice—a momentary perception, an unexpected thought, even the echo of a memory—it’s enough. Most often, the hints of inspiration and direction from Source are small. They appear as tiny signals traveling through the void of space, quiet and subtle, like a whisper.

Love is being utterly honest, even when it’s ground-glass painful. Tell the truth all the time! All the truth! Not just that part that you can get away with. Go the limit. And the answer to Hemingway’s riddle is that the leopard lost his way. He took the wrong path. And that’s what so many of us do in love. Keep aware, keep wide open, and remember everything that’s ever happened to you, everything that’s ever been said, every motion and change of tone and subtle hint. We’ll read a long, essentially dull book on how to get through probate with our skin intact, or take a correspondence course in electrical wiring just so we don’t have to pay an electrician to do our house, or go to college for four years to acquire the obscure knowledge that will permit us to make a living in one or another proscribed field of endeavor. But about the most mysterious subject of all, love, we bumble and careen and hope for the best; without proper education, without proper tools, without even a goal that can be named. And more often than not it poisons our lives. The wrong men and the wrong women get together and proceed to kill each other piece by piece.

Even miles above the earth, I can’t escape her not-so-subtle hints about my love life. Or lack thereof.

We kissed once.” She spoke quietly and lowered her gaze. “I esteem you greatly, Joseph Carrington, though I have wondered if my efforts in that kiss were sufficiently unmemorable as to make you regret the occasion.” He was so busy trying to muster the discipline to let go of her hand and take himself off that her words didn’t register immediately in his befuddled mind. She esteemed him greatly? “Louisa, your efforts were not… unmemorable.” He saw her drop frosty politesse over the hint of vulnerability in her eyes, felt her spine stiffen fractionally—and knew he’d said the wrong thing. He could not abide those withdrawals, however subtle. “Louisa, since we kissed, I have thought of little else, and I esteem you greatly, as well. Very greatly.” While Joseph watched, a blush, beautiful and rosy, stole up Louisa Windham’s graceful neck. “I have had occasion to consider that kiss a time or two myself,” she said. He thought her voice might have been just a trifle husky. Hope, an entire Christmas of hope, blossomed in the center of his chest. “Perhaps you would like a small reminder now?” He would adore giving her a reminder. A reminder that took the rest of the afternoon and saw their clothes strewn about the chamber. Twelve days of reminders would work nicely, with a particular part of Joseph’s body promptly appointing itself Lord of Misrule. He would not push her, but he would get a cane, the better to support himself should random insecurity threaten his knees in future. Louisa lifted her gaze to his and seemed to visually inventory his features. After suffering her perusal for an eternity, Joseph let out a breath when she twined her arms slowly around his neck. He would not harry her. It would be a chaste kiss, a kiss to reassure— Louisa Windham did not need any reminders about how to kiss a man. She gently took possession of Joseph’s mouth, plundered his wits, and stole off with his best intentions.

Slowly, the wine rewarded her with its complex, subtle flavors... apricot, pear,a hint of vanilla... and some indescribable flavor that made her think of sun-drenched, flowery meadows.

Iverson glanced down at my white-knuckled grip, then at my eyes. A hint of a smile more subtle than a single flick of snow crossed his face, and his eyes nodded approval.

It was worse than she’d expected. “None?” she asked. “No fresh boot prints anywhere around the perimeter of the house,” Sheriff Coughlin confirmed. “It was windy last night. Maybe the drifting snow filled in the prints?” Even before she finished speaking, the sheriff was shaking his head. “With the warm temperatures we’ve been having, the snow is either frozen or wet and heavy. If someone had walked through that yard last night, there would’ve been prints.” Daisy hid her wince at his words, even though they hit as hard as an elbow to the gut, and struggled to keep her voice firm. “There was someone walking around the outside of that house last night, Sheriff. I don’t know why there aren’t any boot prints, but I definitely saw someone.” He was giving her that look again, but it was worse, because she saw a thread of pity mixed in with the condescension. “Have you given more thought to starting therapy again?” The question surprised her. “Not really. What does that have to do…?” As comprehension dawned, a surge of rage shoved out her bewilderment. “I didn’t imagine that I saw someone last night. There really was a person there, looking in the side window.” All her protest did was increase the pity in his expression. “It must get lonely here by yourself.” “I’m not making things up to get attention!” Her voice had gotten shrill, so she took a deep breath. “I even said there was no need for you to get involved. I only suggested one of the on-duty deputies drive past to scare away the kid.” “Ms. Little.” His tone made it clear that impatience had drowned out any feelings of sympathy. “Physical evidence doesn’t lie. No one was in that yard last night.” “I know what I saw.” The sheriff took a step closer. Daisy hated how she had to crane her neck back to look at him. It made her feel so small and vulnerable. “Do you really?” he asked. “Eyewitness accounts are notoriously unreliable. Even people without your issues misinterpret what they see all the time. The brain is a tricky thing.” Daisy set her jaw as she stared back at the sheriff, fighting the urge to step back, to retreat from the man looming over her. There had been someone there, footprints or no footprints. She couldn’t start doubting what she’d witnessed the night before. If she did, then that meant she’d gone from mildly, can’t-leave-the-house crazy, to the kind of crazy that involved hallucinations, medications, and institutionalization. There had to be some other explanation, because she wasn’t going to accept that. Not when her life was getting so much better. She could tell by looking at his expression that she wasn’t going to convince Coughlin of anything. “Thank you for checking on it, Sheriff. I promise not to bother you again.” Although he kept his face impassive, his eyes narrowed slightly. “If you…see anything else, Ms. Little, please call me.” That wasn’t going to happen, especially when he put that meaningful pause in front of “see” that just screamed “delusional.” Trying to mask her true feelings, she plastered on a smile and turned her body toward the door in a not-so-subtle hint for him to leave. “Of course.” Apparently, she needed some lessons in deception, since the sheriff frowned, unconvinced. Daisy met his eyes with as much calmness as she could muster, dropping the fake smile because she could feel it shifting into manic territory. She’d lost enough credibility with the sheriff as it was. The silence stretched until Daisy wanted to run away and hide in a closet, but she managed to continue holding his gaze. The memory of Chris telling her about the sheriff using his “going to confession” stare-down on suspects helped her to stay quiet. Finally, Coughlin turned toward the door. Daisy barely managed to keep her sigh of relief silent. “Ms. Little,” he said with a short nod, which she returned. “Sheriff.” Only when he was through the doorway with the door locked behind him did Daisy’s knees start to shake.

Perhaps nothing is as subtle and deceptive as the ease with which our forms of worshipping God (reading the Bible, singing, partaking in the Lord’s Supper, serving the poor, etc.) can be used for our own self-worship. This is so subtle and deceptive that we don’t even know it is there. We can become aware of this self-worship when we pay attention to our desires. Our desires hint at subconscious beliefs we hold about life, God, and ourselves. These beliefs often surface when we enter God’s presence. In His presence we come to realize how often we relate to him as a tool or resource in our quest for happiness, fulfillment, and meaning, rather than as the Lord who calls us to worship.

They will leave you alone with your thoughts, planting subtle hints and suggestions over social networking to encourage your paranoia.

She considers a tray of flaky 'jesuites,' their centers redolent of frangipani cream, decorated with violet buds preserved in clouds of black crystal sugar. Or 'dulce de leche' tarts- caramelized swirls on a 'pate sucree' crust, glowing with chocolate, tiny muted peaks, ruffles of white pastry like Edwardian collars. But nothing seems special enough and nothing seems right. Nothing seems like Stanley. Avis brings out the meticulous botanical illustrations she did in school, pins them all around the kitchen like a room from Audubon's house. She thinks of slim layers of chocolate interspersed with a vanilla caramel. On top she might paint a frosted forest with hints of white chocolate, dashes of rosemary subtle as deja vu. A glissando of light spilling in butter-drops from one sweet lime leaf to the next. On a drawing pad she uses for designing wedding cakes, she begins sketching ruby-throated hummingbirds in flecks of raspberry fondant, a sub-equatorial sun depicted in neoclassical butter cream. At the center of the cake top, she draws figures regal and languid as Gauguin's island dwellers, meant to be Stanley, Nieves, and child. Their skin would be cocoa and coffee and motes of cherry melded with a few drops of cream. Then an icing border of tiny mermaids, nixies, selkies, and seahorses below, Pegasus, Icarus, and phoenix above.

When he could wait no longer, he levered his body over hers and entered her, his heavy shaft spreading her deliciously, pushing deep. The sway of the train rocked them exquisitely, the subtle hint of motion teasing her senses. Her inner muscles began to close on him helplessly, and he followed that secret rhythm, sensitive to her every need.

Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.

Yes," Naveen said. "Yes?" Hope surged through her. "You'll do it?" "Of course I will, Tiana." There was something about the way he said her name---the way it rolled off his tongue in that lyrical way he spoke. If she didn't know any better, Tiana would have thought the Shadow Man had taken away her ability to speak. She was transfixed by the subtle hint of longing in Naveen's hazel-colored eyes. The butterflies returned. But Tiana didn't try to suppress them; she didn't want to. Because this flutter was filled with excitement and yearning and all those feelings she'd tried so hard to ignore this past year when it came to Naveen. For one brief moment, Tiana allowed herself to just feel. "Thank you," she finally answered, her voice once again catching in her throat. "Anything for you," he said.

Oh, wisht. You think you can work in the business of love this long and not get some of the gaydar? I've known some brides in my day who shouldn't have been marrying grooms, that's for sure. You still get the odd one here and there who doesn't know it yet, poor dears. I try and give them a hint, you know, subtle, would you not like a nice pantsuit, dear. That sort of thing.

These small red peppers from Spain, sold in jars or cans, have a subtle hint of smokiness from being roasted over a wood fire.

had time to become what the Japanese called an idoru, a software representation that was better than the real thing, smarter and sexier than any possible human mind or form, like those wide-eyed, faux-innocent anime brats or the simulated stars of pornography and romance. Sex wasn’t the half of it – there were other codes, other keys, in the semiotics of charm: the subtle suggestions of wisdom, the casual hints at a capacity for violence, the assumed readiness to command, the mirroring glance of empathy; all the elements that went to make up an image of a man that men would die for and women would fall for.

She maintained her facade, but her little speech was edged with anger, tainted with frustration, searing with the hint that some part of her longed to scream the words and pummel his chest and hurl heavy objects at his head. Her sense of injustice, her lack of power, her subtle strength of character—he imagined them wrestling with each other like drunks in a brawl, wreaking havoc inside her, with only her politeness to keep them locked in. A better man would help her fight her battles, so she could have some peace.

Research in resonance and sound shows that if living beings operate or resonate on similar vibrations, one can affect the other. Yet another set of studies hints that there is sharing of energy and intention through the upper range of the electromagnetic spectrum. Replicated studies indicate a significant decrease in gamma rays from patients during alternative healing practices. This suggests that the body’s gamma emitter, a form of potassium, regulates the surrounding electromagnetic field.93 Gamma rays materialize when matter (such as an electron) and its antimatter counterpart (a positron) annihilate on impact. As we have seen, antimatter has the opposite charge and spin of matter. When electrons and positrons collide, they release specific types of gamma rays. Years ago, Nikola Tesla suggested that the gamma rays found on earth emanate from the zero-point field.94 Though it appears as a vacuum, this field is actually quite full, serving as a crossroads for virtual and subatomic particles and fields. When we perform healing, it is possible that we are actually tapping into this zero-point or universal field, shifting its power through intention. Still another theory is that we are accessing torsion fields, fields that travel at 109 times the speed of light. These fields are hypothesized as conveying information without transmitting energy and with no time lapse.95 Part of this suggested effect is based on the definition of time as a vector of the magnetic field. When torsion and gravitational fields function in opposing directions, the torsion field can conceivably alter the magnetic functions, and therefore the vector of time. When superimposed on a specific area in a gravitational field, it might also reduce the effect of gravity in that spot.96 These torsion fields have been researched by Peter Gariaev and Vladimir Poponin, Russian scientists who discovered that photons travel along the DNA molecule in spirals rather than along a linear pathway, which shows that DNA has the ability to bend light around itself. Some physicists believe that this twisting or “torsion-shaped” energy is an intelligent light, emanating from higher dimensions and different from electromagnetic radiation, giving rise to DNA. Many researchers now believe that these torsion waves are consciousness, composing the soul and serving as the precursor to DNA.97

Daniel sensed that everyone, except perhaps for himself and Shemyaza, were suffused with a suppressed hysterical frenzy. Even Enniel was behaving oddly. His normally bland expression held a hint of wildness. His hair appeared wantonly dissheveled and all his actions were exaggerated. His colleagues were no different. Daniel would not have been surprised to notice erections pushing out the front of their robes, but as far as he could tell, they were not sexually aroused. Something had been conjured within them, yet despite this, the ritual itself seemed empty and mechanical. In some subtle way, it lacked the essential spark of spiritual feeling that should have united everyone present. Perhaps this was a symptom of what had been discussed at the meeting earlier. Grigori ritual had gone stale.

Rockefeller worked by subtle hints, doling out praise sparingly to employees and nudging them along.

I fired up the brick oven, reminding myself that garlic has no place in a confection and butter becomes a layer of oil floating atop the cheese. I felt confident and excited; this time I would get it right. I helped myself to the triple-cream cheese (still convinced it it would make a delicious base) and then added a dollop of honey to sweeten it and heavy cream to thin it enough for my whisk. Since my last endeavor, I'd noticed that wine was primarily used in sauces and stews, and so, in a moment of blind inspiration, I added, instead, a splash of almond liqueur, which I hoped would add subtle flavor without changing the creamy color of the cheese. Instead of the roach-like raisins, I threw in a handful of chopped almonds that I imagined would provide a satisfying crunch and harmonize with the liqueur. I beat it all to a smooth batter and poured it into a square pan, intending to cut rectangular slices after it cooled. I slid the pan, hopefully, into the oven. Once again, I watched the edges bubble and noticed, with satisfaction, that instead of an overpowering smell of garlic there was a warm seductive hint of almond in the air. The bubbles turned to a froth that danced over the entire surface, and I assumed this was a sign of cohesion. My creation would come out of the oven like firm custard with undertones of almond and an unexpected crunch. The rectangular servings would make an unusual presentation- neither cheese nor pudding nor custard, but something completely new and unique. The bubbling froth subsided to a gently bumpy surface, and to my horror those damnable pockmarks began to appear with oil percolating in the tiny craters. The nuts completed the disruption of the creamy texture and gave the whole thing a crude curdled look. If only this cross-breed concoction would cohere, it might yet be cut up into squares and served on a plate with some appealing garnish, perhaps strawberries and mint leaves for color. I took the pan out and stared at it as it cooled, willing it to stand up, pull itself together, be firm. When the pan was cool enough to touch, I dipped my spoon into the mixture and it came out dripping and coated in something with the consistency of buttermilk. It didn't taste bad at all, in fact I licked the spoon clean, enjoying the balance of sweetness and almond, but it wasn't anything I could present to the chef. It was like a sweet, cheesy soup into which someone had accidentally dropped nuts. Why was the cheese breaking down? Why wasn't it holding together like cake or custard?

I speared a sausage with my knife, bit off the end. Juice and fat exploded: the pork melted. I tasted chestnuts, moss, the bulbs of wild lilies, the roots and shoots of an Umbrian forest floor. There was pepper, of course, salt and garlic. Nothing else. I opened my eyes. The Proctor was staring at me, and quickly looked away. I thought I saw a smile cross his lips before he opened them to admit another wagon-load of lentils. I tried a spoonful myself. They were very small and brown- earthy-tasting, of course. That I had been expecting. But these were subtle: there was a hint of pine, which came partly from the rosemary that was obviously in the dish, but partly from the lentils themselves. I did feel as if I were eating soil, but a special kind: some sort of silky brown clay, perhaps; something that Maestro Donatello would have crossed oceans to sculpt with, or that my uncle Filippo would have used as a pigment to paint the eyes of a beautiful brown-eyed donna. Maybe this is what the earth under the finest hazelnut tree in Italy would taste like- but that, perhaps, was a question best put to a pig. "Make sure you chew properly," I mumbled, piling my plate high. The serving girl came back with a trencher of sliced pork meats: salami dotted with pink fat, ribbons of lardo, peppery bacon. The flavors were slippery, lush, like copper leaf or the robe of a cardinal. I coiled a strip of dark, translucent ham onto my tongue: it dissolved into a shockingly carnal mist, a swirl of truffles, cinnamon and bottarga.

pleasant guy, and you may want to fool your reader into believing he can be trusted. Instead of using scare techniques, plant hints in the reader's mind, so subtle that they don't give away the villain's true

Then Erica walked up in full Sasha mode and asked, “What are you two doing now?” Jessica gave me a subtle signal not to tell Erica, but I pretended not to notice. “Getting a hot chocolate,” I said, nice and friendly. “Oooh! That sounds dee-lish-ous!” Erica crooned. “Count me in!” Then she followed us to the Arabelle, blindly ignoring Jessica’s many hints that she didn’t want Erica around.

Our opinion on palaeoart is that subtle references and hints of anatomical features are more realistic, more in line with what we see in living animals. Portrayed with style and in an appropriate setting, they can leave a more distinct effect on the viewer.

If the deception before D-Day was composed of subtle hints and nudges, the second phase was spoon-fed to the Germans with a spade.

This was no longer the Sarah who was unable to stop herself from making phone calls and then not saying a word, who was hurt so much by her memories that she ended up crying. This was the levelheaded Sarah I knew. “Well, take care. I've got to go back to the room,” Sarah said. “Okay. . . . Good-bye then,” I replied. I was now totally awake. The patch of sky visible through the window was a strange wash of subtle gradations of cloud and blue, and the interior of the room was very bright. Some-how that brightness felt terribly sad. What strange weather, I thought. “Sarah, I hope you'll be happy—I really hope you'll be happy!” “Thanks, Shi-ba-mi,” Sarah said. And then the line went dead. I settled into a strange mood—it felt as if I'd seen something through to its conclusion, but at the same time I felt overwhelmingly sad. It occurred to me once again how incredible Mari was. To think she'd figured out that Sarah was back in Japan just from listening to a silent phone call! There hadn't been the slightest hint of uncertainty in her eyes when she told me it was Sarah. She had known. Yes . . . perhaps Mari, wandering in the interval between dream and reality as she was, perhaps she could sense that much, figure out who was calling almost before she knew it, feel it as clearly as something she held cupped in her hand.

The excessively rich were as shy as wild birds; everybody was hunting them and they took wing at the least hint of danger. They were abnormally sensitive and had to be handled as if they were made of wet tissue paper. They would absorb flattery like sponges—but only that subtle kind which assured them that they were above flattery.