“
How you can sit there, calmly eating muffins when we are in this horrible trouble, I can’t make out. You seem to me to be perfectly heartless."
"Well, I can’t eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them."
"I say it’s perfectly heartless your eating muffins at all, under the circumstances.
”
”
Oscar Wilde (The Importance of Being Earnest)
“
A certain man once lost a diamond cuff-link in the wide blue sea, and twenty years later, on the exact day, a Friday apparently, he was eating a large fish - but there was no diamond inside. That’s what I like about coincidence.
”
”
Vladimir Nabokov (Laughter in the Dark)
“
Stay with me until this thing is done, and I will take off the cuffs and the collar. I will release you willingly. We can face each other as free men. Whatever is to fall out between us can do so then.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Well, I can't eat muffins in an agitated manner. The butter would probably get on my cuffs.
”
”
Oscar Wilde (The Importance of Being Earnest)
“
It was with a shock that he felt the touch of Laurent's fingers against the back of his wrist. [...] Laurent was shifting the fabric of his sleeve, sliding it back slightly to reveal the gold underneath, until the wrist cuff he had asked the blacksmith to leave on was exposed between them.
'Sentiment?' said Laurent.
'Something like that.'
Their eyes met and he could feel each beat of his heart. A few seconds of silence, a space that lengthened, until Laurent spoke.
'You should give me the other.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Inej frowned. “I thought you and Nina chose four outbreak sites on the Staves.”
Kaz straightened his cuffs. “I also had her stop at the Menagerie.”
She smiled then, her eyes red, her cheeks scattered with some kind of dust. It was a smile he thought he might die to earn again.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Baby, I don't need an excuse to cuff you. I just need the opportunity.
”
”
Tessa Bailey (Protecting What's His (Line of Duty, #1))
“
He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest.
Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now.
"Take off your hat," I said, the words tumbling out before I could stop them.
He slid it around, the brim facing backward.
I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind.
He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me.
I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way.
"You should go," I breathed. "You should definitely go."
"Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck.
My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin...
"My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all
through my body, legs included.
"I could solve that." Patch’s hands closed on my hips.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
That fucking better not be you in the goddamn elevator, Adam. Maintenance just called and said some asshole stopped the elevator and guess what? They started out on my floor. Are you fucking the client in the goddamn elevator five minutes after I told you not to fuck the fucking client?
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
Zane heard Ty whuff from within the bathroom, and by the time he looked back, Ty had shoved Julian’s face against the shower wall and was holding him there by the back of his head.
“Watch the elbows.”
“Watch your fingers,” Julian snapped.
“Welcome to TSA training, bitch.”
“Want the other set of cuffs?” Zane asked, hoping to appease his cranky partner. “You could spread his arms out.”
“Will someone please tell me the safe word?” Julian asked.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Yeah, there are no more “colored” water fountains, and it’s supposed to be illegal to discriminate, but if I can be forced to sit on the concrete in too-tight cuffs when I’ve done nothing wrong, it’s clear there’s an issue. That things aren’t as equal as folks say they are.
”
”
Nic Stone (Dear Martin (Dear Martin, #1))
“
Look at this limp cravet. And the sad state of those cuffs. I can hardly bring myself to look upon them.
”
”
Emmuska Orczy
“
You guys are not leaving me out there. They're going to talk books and sex. And the books are about sex. Who knew women were so damn chatty about sex? Men don't do that. We just look at a girl, announce we did her, and everyone moves on.
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
Clearly the sight of a well-muscled forearm incited a woman to utter depravity. How else to explain the invention of cuffs?
”
”
Tessa Dare (Goddess of the Hunt (The Wanton Dairymaid Trilogy, #1))
“
Rachel, my itchy witch," Al said as he tugged the lace at his cuffs. "We've talked about this. You simply must stop collecting nasty little men. How many do you really need, love?
”
”
Kim Harrison (Black Magic Sanction (The Hollows, #8))
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
Valkyrie, I will get answers from you one way or another. Either through this painful exercise in futility, as you believe, or through a civilized conversation."
"You call this civilized?" She strained against her cuffs, leaning in to whisper, "Psst, Chase. The sexual tension between us is grueling.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
I am at liberty to vote as my conscience and judgment dictates to be right, without the yoke of any party on me... Look at my arms, you will find no party hand-cuff on them.
”
”
David Crockett
“
A moment later, Cat hurtled back into the room as if chased by demons. She stationed herself in front of Raisa, a knife in either hand, all of her genteel patina swept away. "Cuffs! Look sharp! It's him, the whey-faced, gutter-swiving, prig-napping bastard! He's here!"
Han looked as mystified as Raisa. "Who's here?
”
”
Cinda Williams Chima (The Gray Wolf Throne (Seven Realms, #3))
“
Well, I believe she went in to rescue some Raggers from the pits,” Cuffs said. “She wasn’t all that specific.”
“She went in to rescue — why would she do that?” Amon gripped the ironwork, studying the streetlord’s face. Was he lying? And if so, what was the purpose?
“Guess she’s kind of taken with us,” Cuffs said. “You know, the glamor of the gang life and all. Getting beat up every other day, arrested for crimes you didn’t commit, long nights in gaol, sleeping in the cold and wet. It’s...seductive.” He raised an eyebrow.
”
”
Cinda Williams Chima (The Demon King (Seven Realms, #1))
“
He's better-looking then the last vagabond I had to take in," Eddie said, standing and carrying empty bowls to the sink. "I'll give him that."
The insult slid off of Bobby like water. "So, you know, kid, according to thief culture, if you're going to court Kat, you now owe me two dozen goats."
"It's a dozen," Eddie corrected.
"Yeah, but Kat's worth two," Hamish said with a wink.
Through it all, Hale said nothing. Then, finally, he smiled. "I'm afraid I'm all out of goats at the moment, but I've got some ruby cuff links you can have."
"No." Bobby shook his head. "It's goats or nothing."
"Sorry, Kat." Hale shrugged, disappointed. "It was fun while it lasted."
"Don't look at me." Kat threw up her hands. "I'm officially ignoring all of you.
”
”
Ally Carter (Perfect Scoundrels (Heist Society, #3))
“
Let the fairy tale begin on a winter's morning, then, with one drop of blood newly-fallen on the ivory snow: a drop as bright as a clear-cut ruby, red as a single spot of claret on the lace cuff.
”
”
Ellen Kushner (Swordspoint (Riverside, #1))
“
Shane lowered his glasses on his nose and gave me his version of a severe stare.
I leaned a little toward Luther. "Is this the part where I faint in fear?"
Luther bit his lip. "He might also accept falling to your knees and holding your hands in humble supplication. Makes it easier for him to slap the cuffs on.
”
”
Ilona Andrews (Magic Slays (Kate Daniels, #5))
“
I hope he didn't cross Kaz Brekker," Nina said with a shudder.
"Wylan wouldn't--"
"Of course not," said Nina as she shook out the cuffs of her kefta and prepared to exit the dining room." Only a fool would.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I’m a firm believer in equality at all times—”
“At all times?” She glanced at the cuffs clipped to his leathers. “Why do I find that hard to believe?” And why the heck was she arguing with him. Mine, mine, mine.
“At all times,” he repeated. “However, in the bedroom or in the club, I am a lot more equal than you.
”
”
Cherise Sinclair (Dark Citadel (Masters of the Shadowlands, #2))
“
It’s the cavalry,” Digger said.
“Thank Christ,” Kelly grumbled. He raised his hands, rubbing at one wrist and dropping his handcuffs to the floor.
“What the hell, man?” Nick whispered.
“What? They were too tight.”
Digger dropped his cuffs to the floor with a clank that echoed through the station. “If he’s not wearing his, neither am I.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
Panties are a privilege, not a right.
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
I checked my pocketbook to make sure I had the essentials... beeper, tissues, hair spray, flashlight, cuffs, lipstick, gun with bullets, recharged cell phone, recharged stun gun, hairbrush, gum, pepper spray, nail file. Was I a kick-ass bounty hunter, or what?"(Three to get deadly)Janet evanovich
”
”
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
“
I check the list. Rubber tubing, gas, saw, gloves, cuffs, razor wire, hatchet, Gladys, and my mitts.
”
”
Frank Miller (Sin City Volume 1: The Hard Goodbye)
“
You’re all full of bullsh*t. In the last couple of months, I’ve had to listen to the three of you talk about your feelings more than a damn talk show. I swear you’ve all grown vaginas.
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
Now do you want to do this nicely, have time to pack your Uzi in your underwear, or do we get to cuff you and drag you out?
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
I see you're looking at my cuff buttons."
I hadn't been looking at them, but I did now.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
He’s a sub dog. How did she find a sub dog?
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
White Sky. Trees fading at the skyline, the mountains gone. My hands dangled from the cuffs of my jacket as if they weren’t my own. I never got used to the way the horizon there could just erase itself and leave you marooned, adrift, in an incomplete dreamscape that was like a sketch for the world you knew -the outline of a single tree standing in for a grove, lamp-posts and chimneys floating up out of context before the surrounding canvas was filled in-an amnesia-land, a kind of skewed Heaven where the old landmarks were recognizable but spaced too far apart, and disarranged, and made terrible by the emptiness around them.
”
”
Donna Tartt (The Secret History)
“
You should be cuddling with her. I can’t believe I just said that. Cuddling makes me want to vomit a little, but apparently women like it.
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
I’m not playing at all. And f**k you, you’re trying to pull me into vagina talk. I won’t do it. I don’t have feelings. None at all. And I’m keeping it that way.
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
By a man's finger-nails, by his coat-sleeve, by his boots, by his trouser-knees, by the callosities of his forefinger and thumb, by his expression, by his shirt-cuff — By each of these things a man's calling is plainly revealed. That all united should fail to enlighten the competent inquirer in any case is almost inconceivable. You know that a conjurer gets no credit when once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all.
”
”
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
“
Dani, Dani, Dani."
I flinch. I've never heard anyone say my name so gently. It creeps me all kinds of out.
He's towering over me, arms crossed over his chest, scarred forearms dark against the rolled-up sleeves of a crisp white shirt.
Heavy silver cuffs glint at both wrists. The light is smack behind his head, as usual.
"You didn't really think I'd let you get away with it," Ryodan says.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
I want to be the only thing touching him. I want to be the only thing that ever touches him again. I will be envious of every shirt he ever wears, the cuffs of his coats, the trousers going soft with wear where they rub his inner thighs.
”
”
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
“
Biffy said, off the cuff, "Or we could find a replacement queen."
"Volunteering for the position?"
"Why, Professor, is that wittiness I detect?"
"Only for you."
"Charmer." Biffy tapped him on the arm playfully.
”
”
Gail Carriger (Timeless (Parasol Protectorate, #5))
“
Rose stood in the last faint beams of sunset.
“Whoa!”
“Is he wearing a leather cat suit?”
“Holy Mother!"
“Dude!”
The guys all quickly averted their eyes and raised their hands to further block any chance of catching a view. Anything to not see Rose in his painted-on leather one-piece that left absolutely nothing to the imagination.
“Stunning, right?” Rose spread his palms as far as the cuffs would allow.
“Oh, I’m stunned.” Ayden looked ill.
Rose looked down at himself with admiration. “Not many males can pull off this look.”
“No male can pull off that look.”
"Actually, his finely sculptured physique would be considered the perfect complement for this type of anatomically revealing attire which accentuates his—”
“Bloody hell, Jayden, shut it!”
“Dude, this is so not right.”
“I feel like it’s looking at me.”
“Feel like what’s looking at—? Oh. Oh! Ugh, now I feel like it’s looking at me too.”
“How can it be looking at both of us?” “Are you serious?”
“I’m gonna be sick.”
“Someone please gouge out my eyes.
”
”
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
“
Kane narrowed his eyes. ‘Where have you been all this time, Caitlin?’ She could see the suspicion in his eyes, the accusation.
‘Tied to a radiator.’
‘What is it about you that makes people want to cuff you, huh?
”
”
Lindsay J. Pryor (Blood Shadows (Blackthorn, #1))
“
Now, Mama, Papa, and sir," said Ramses, "please withdraw to the farthest corner and crouch down with your backs turned. It is as I feared; we will never break through by this method. The walls are eight feet thick. Fortunately I brought along a little nitroglycerin--"
"Oh, good Gad," shrieked Inspector Cuff.
”
”
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
“
Well, I can't eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them.
”
”
Oscar Wilde (The Importance of Being Earnest)
“
If you will look about you (which most people won't do)," says Sergeant Cuff, "you will see that the nature of a man's tastes is, most times, as opposite as possible to the nature of a man's business.
”
”
Wilkie Collins (The Moonstone)
“
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister.
Jules, Helen had called him. Her little brother.
The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids.
The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart.
“Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.”
Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd.
“Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Holy crap. Is that an elephant penis?
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
Thanks to Bruce and Casey, I could operate six different firearms, drop a two-hundred-pound asshole to the floor in three seconds, and cuff a perp with one hand tied behind my back.
And they called it "family time.
”
”
Kelly Keaton (Darkness Becomes Her (Gods & Monsters, #1))
“
The most impressive thing about him, to me, is his belief in those wings. Useless, fragile, attached to his arms by a couple of cuffs, and yet he believes in them as a child might believe a cloak will make him invisible.
”
”
Bethan Roberts (My Policeman)
“
He saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply and lovers he had not owned up to.
”
”
Ian McEwan (Solar)
“
Hey, one week, huh, Lex?" he said, tossing her a Cuff. "Here's your graduation gift."
"Sweet." she slid it onto her wrist. It felt cool, with a slight vibration to it. "Thanks."
"So, you feel all trained up? Driggs teach you everything he knows?"
"Yes. I'm now fully qualified to operate a can opener."
Driggs let out a sigh. "What a lovable scamp you've bestowed upon our fair town, Mort."
"My pleasure," he said to Driggs.
”
”
Gina Damico (Croak (Croak, #1))
“
Aw, sad face. I came up with that totally off the cuff. No props for off the cuff?
”
”
Chloe Neill (Hard Bitten (Chicagoland Vampires, #4))
“
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force."
"Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?"
The man who'd spoken arched an eyebrow. "I wasn't talking to him."
"You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics?
"What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now.
The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands.
My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—"
That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home.
[...]
Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away.
Dimitri.
"Don't touch her," he growled.
There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me.
"Stay back," he ordered me. "They aren't laying a hand on you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
He reached his fingers back and hooked them inside the cuff of her sweater.
"But you still want to give me a chance, right? Not just me, this? Us?"
"Yeah," Cath said, like she was giving in.
"Good."
He tugged on her sleeve and smiled down at their not-quite-touching hands.
"It's okay if you're crazy," he said softly.
"You don't even know-"
"I don't have to know," he said.
"I'm rooting for you.
”
”
Rainbow Rowell (Fangirl)
“
Pet, so far we've been playing at this. I'm going to take you a bit further. A play spanking can be erotic but I am going to take you flying, so high you'll never have felt anything like it." He paused and strolled around the kneeling boy. Damian pulled his hands together behind his back and linked the D rings on the cuffs. "Feel how helpless you are, on your knees to me, waiting for me to decide what to do to you?
”
”
Catt Ford (A Strong Hand)
“
You can't put cuffs on Mr. Cluck! What will the kids think?"
Stuart Bagget
”
”
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
“
The cuff, unmistakably, was the twin to the one Damen wore, altered last night by a blacksmith for Laurent’s finer wrist. Damen said, ‘Wear it for me.’ For
”
”
C.S. Pacat (Kings Rising (Captive Prince, #3))
“
Kevlar wrist cuffs in place, smoke bombs in left cargo pocket, zip ties in the right, and my handy-dandy, military-grade, metal detector-defying, twin APS daggers snug in their sheaths and hidden inside my steel-toe Doc Martens. Nothing like a well-stocked pair of black cargoes to make me feel girly.
”
”
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
“
He reaches down and tugs his pant leg up. The gold cuff wrapped around his ankle is decorated with Smurf stickers. "One of the other collectors did this after I crashed last night. Can you believe that mess? I can't get the damn things off.
”
”
Victoria Scott (The Collector (Dante Walker, #1))
“
Julie marched over to Matt. She stood in front of him and crossed her arms. “Lift up your sweatshirt.”
Matt rolled his eyes. “God, you really know how to turn a guy on.”
Julie didn’t budge. “If I was trying to turn you on, I could do better than that. Now, lift up your sweatshirt.”
Matt looked up at her and tried to look serious. “Julie, I’m completely offended that you have so little faith in my honesty. I thought at this point in our friendship that you would at least—”
“Get up.” Julie leaned over and shut his laptop. “Get up!” she said again.
“You’re being ridiculous,” Matt said laughing, but he stood up. “I trust you implicitly, and it wouldn’t kill you to show me the same respect.”
“Show me!”
Matt sidestepped the chair and took a few steps backward. “You have quite the attitude today. Suspicious and mean.”
Julie took a step forward, causing Matt to continue backing away. “Lift up your shirt.”
“Look, I appreciate an aggressive woman, but this is really getting weird.”
Julie grabbed his sweatshirt by the waist cuff and lifted it up with one hand, as she pulled down his T-shirt with the other. Matt put his hands over hers, lightly protesting, but she refused to let go. “Aha!” She squinted at his shirt.
“OK, I don’t even know what this is, but it’s definitely geeky.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I'm faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name.
I've never seen her before, because if I had, I'd remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff's drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I'm staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that is, tugs me forward until there are only inches between us.
“Asp-aspirant Veturius.”
It's the way she says my name—like it's something to fear—that brings me back to myself. Pull it together, Veturius. I step away, appalled at myself when I see the terror in her eyes.
“What is it?” I ask calmly.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
Yes, she fears the cuffs, the cross and the whip, but she will get past this. Such problems, even with time, do not go away on their own. They must be addressed.
André Chevalier
”
”
Nikki Sex
“
Pah! I wave my cuff at hindsight as if it were a bothersome fly. Life can only be lived forwards, Ulysses. All that matters is what you do now.
”
”
Kevin Ansbro (The Fish That Climbed a Tree)
“
You're doing that crazy mastermind thing again," Cuff said.
"Which crazy mastermind thing?"
"Where you talk to the other masterminds and one of you leaves something unsaid, and the other knows what that thing is without asking
”
”
Wildbow (Worm (Parahumans, #1))
“
And Jazz snapped.
He didn't snap the way a normal person might snap. A normal person would fling his arms around and stomp his feet and rant at the top of his lungs, bellowing to the sky. There might be tears, from a normal person.
Jazz went quiet. He darted out one hand and grabbed the wrist of the paramedic who had been trying to cuff him and pulled the man close, holding his gaze.
In a moment, he channeled every last drop of (his father).
"Who am I? I'll tell you. I'm the local psychopath, and if you don't save my best friend's life, I will hunt down everyone you've ever cared about in your life and make you watch while I do things to them that will have you begging me to kill them. That's who I am.
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
In February, the overcast sky isn’t gloomy so much as neutral and vague. It’s a significant factor in the common experience of depression among the locals. The snow crunches under your boots and clings to your trousers, to the cuffs, and once you’re inside, the snow clings to you psyche, and eventually you have to go to the doctor. The past soaks into you in this weather because the present is missing almost entirely.
”
”
Charles Baxter (The Feast of Love)
“
That Kevin Burns, the one on television, is easy to hate, even to despise. He shot and tried to kill my son. He killed nine people. This Kevin Burns, a helpless child in prison garb and cuffs, looks meek and terrified, especially in the backdrop of a jail complex and cell, with two giant guards escorting him into the deposition room.
”
”
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
“
Wait a minute," said Gabriel. "Someone knows what the secret tattoo says?"
Hunter gave him a look. "It´s not a secret. It´s on my arm."
"Enough with the suspense already. What does it say?"
"Nothing important," said Hunter.
The nurse smiled and released the pressure in the cuff. "It says ,
The first day you meet, you are friends. The next day, you are brothers."
Gabriel lost the smile. Then he clapped Hunter on the shoulder.
Hunter frowned at him. "What was that for?"
"Brotherhood," he said. "Welcome to the family.
”
”
Brigid Kemmerer (Spirit (Elemental, #3))
“
She’d never seen a boy with hands like that, with long, delicate fingers, beautiful but still masculine. His fingernails were long too, almost crystalline, tapered to points. They were the kind of hands you’d expect to see under lace cuffs, like Mozart or something.
”
”
Kelly Creagh (Nevermore (Nevermore, #1))
“
You want to know what I remember," he said quietly, his fingers fiddling with his cuffs as he rolled the sleeves up to his elbow, his eyes locked on the view before them.
She nodded.
He shoved his hands into his pockets and dipped his head just slightly, glancing at the floor before lifting it and staring out at the night sky.
"I remember everything.
”
”
Lauren Layne (The Trouble with Love (Sex, Love & Stiletto, #4))
“
She asked if we were calm enough for her to take off the cuffs, and McMurphy nodded. He had slumped over with his head hung and his elbows between his knees and looked completely exhausted--it hadn't occurred to me that it was just as hard for him to stand straight as it was for me.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.
I guess it must be the flag of my disposition, out of hopeful green
stuff woven.
Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner's name someway in the corners, that we may see
and remark, and say Whose?
Or I guess the grass is itself a child, the produced babe of the
vegetation.
Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.
And now it seems to me the beautiful uncut hair of graves.
Tenderly will I use you curling grass,
It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers' laps,
And here you are the mothers' laps.
This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.
O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.
...
What do you think has become of the young and old men?
And what do you think has become of the women and children?
They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas'd the moment life appear'd.
All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.
”
”
Walt Whitman (Song of Myself)
“
Dizziness?"
"No."
"Nausea? Vomiting? Diarrhea?"
"No, no, and yuck," I said. "Dr. G, can I please be excused?"
"Not yet. How many fingers am I holding up?"
"Eleven."
"Amelie."
I scowled. (...) "Sir, I'm fine. Just let me go to class. Please?"
Gunderman unhooked the blood pressure cuff from my arm and looked at me like I'd asked to borrow his credit card. "Young the lady, the fact you want to go to class gives me definite cause for concern.
”
”
Cecily White (Prophecy Girl (Angel Academy, #1))
“
One of the men gave Butch a bunch of volts with a stun gun. The Rangeman didn’t move fast enough, and Butch grabbed the gun and threw it across the room.
“Hunh,” Rangeman guy said.
“Yeah,” I said. “Been there, done that.”
“Are you sure he’s human?”
“Maybe you could hook a chain to the FlexiCuffs on his ankles and drag him behind your car,” I said.
“We tried that once, and Ranger didn’t like it,” the guy said. “You do something twice that Ranger doesn’t like, and you’re out of a job and damaged.
”
”
Janet Evanovich (Sizzling Sixteen (Stephanie Plum, #16))
“
Laurent said steadily, 'I have you oath that you will see this border skirmish through to its end? Then you have mind: stay with me until this thing is done, and I will take off the cuffs, and the collar. I will release you willingly. We can face each other as free men. Whatever its to fall out between us can do so then.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air.
Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashinable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
The gown rustles and slides around her, speaking a glossolalia all of its own, the silk moving against the rougher nap of the underskirts, the bone supports of the bodice straining and squealing against their coverings, the cuffs scuffing and chafing the skin of her wrists, the stiffened collar hooking and nibbling at her nape, the hip supports creaking like the rigging of a ship. It is a symphony, an orchestra of fabrics, and Lucrezia would like to cover her ears, but she cannot.
”
”
Maggie O'Farrell (The Marriage Portrait)
“
Sophie held the [hand]cuffs higher, hopint to instill some sense of shame, if not in him, then at least in herself. One look at him and she wanted him again. "I found them in the bed."
"That makes sense," Phin said. "That's where I lost them."
"I'd ask what you were doing with them," Sophie said, trying not to sound bitchy, "but I probably don't want to know, do I?"
"Sure you do. It was exciting and different and depraved." Phin nodded toward the stairs. "Go put them someplace we can find them, and I'll show you later.
”
”
Jennifer Crusie (Welcome to Temptation (Dempseys, #1))
“
When the twins asked what cuff-links were for—“To link cuffs together,” Ammu told them—they were thrilled by this morsel of logic in what had so far seemed an illogical language. Cuff+link = cuff-link. This, to them, rivaled the precision of logic and mathematics. Cuff-links gave them an inordinate (if exaggerated) satisfaction, and a real affection for the English language.
”
”
Arundhati Roy (The God of Small Things)
“
Beat and cuff your slave, keep him hungry and spiritless, and he will follow the chain of his master like a dog; but, feed and clothe him well, - work him moderately - surround him with physical comfort, - and dreams of freedom intrude. Give him a bad master, and he aspires to a good master; give him a good master, and he wishes to become his own master.
”
”
Frederick Douglass
“
The hardest lesson in life is learning to accept that there are some things we can't change." Falcone paused, his eyes hard and glittering.
[...]
Then he unbuttoned the cuffs on his shirt and rolled back his sleeves to expose the melted surface of his forearms. He held them up for Kira to see.
"Why do you think I keep these scars?"
"Because you feel guilty over ..."
"No," Falcone said harshly.
Then, in a gentler tone, "No. I keep them to remind me of what I can survive. Of what I have survived. If I'm having a rough time, I look at my arms and then I know I'll get through whatever problem I'm dealing with. Life's not gonna break me. It can't break me. It might kill me, but nothing it throws at me is gonna make me give up.
”
”
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
“
Move along,” Hines said. “Last room down.”
I spotted a fish tank halfway down the aisle. Dug into my pocket.
“Hi,” I whispered. “Distraction in five. Four. Three...”
I broke off as we neared the tank.
Hi spun. “Yo, warden. When do we eat around here? I'm hypoglycemic, plus I've got a hernia. And rabies simplex D. Basically, I need a ton of pills or my arms will fall off.”
“Boy, you're on my last nerve.”
As Hines glared at Hiram, I palmed the flash drive and dumped it into the fish tank. The yellow-and-black rectangle tumbled to the bottom.
So long, friend. Let's hope Shelton's email went through.
“It's a cultural thing,” Hi was saying. “I think you're being very insensitive.”
Hines snorted. “Do you want me to cuff you?”
“Kinda.”
“Hi.” I nodded.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
Hamlet's Cat's Soliloquy
"To go outside, and there perchance to stay
Or to remain within: that is the question:
Whether 'tis better for a cat to suffer
The cuffs and buffets of inclement weather
That Nature rains on those who roam abroad,
Or take a nap upon a scrap of carpet,
And so by dozing melt the solid hours
That clog the clock's bright gears with sullen time
And stall the dinner bell. To sit, to stare
Outdoors, and by a stare to seem to state
A wish to venture forth without delay,
Then when the portal's opened up, to stand
As if transfixed by doubt. To prowl; to sleep;
To choose not knowing when we may once more
Our readmittance gain: aye, there's the hairball;
For if a paw were shaped to turn a knob,
Or work a lock or slip a window-catch,
And going out and coming in were made
As simple as the breaking of a bowl,
What cat would bear the houselhold's petty plagues,
The cook's well-practiced kicks, the butler's broom,
The infant's careless pokes, the tickled ears,
The trampled tail, and all the daily shocks
That fur is heir to, when, of his own will,
He might his exodus or entrance make
With a mere mitten? Who would spaniels fear,
Or strays trespassing from a neighbor's yard,
But that the dread of our unheeded cries
And scraches at a barricaded door
No claw can open up, dispels our nerve
And makes us rather bear our humans' faults
Than run away to unguessed miseries?
Thus caution doth make house cats of us all;
And thus the bristling hair of resolution
Is softened up with the pale brush of thought,
And since our choices hinge on weighty things,
We pause upon the threshold of decision.
”
”
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
“
The detective story, as created by Poe, is something as specialised and as intellectual as a chess problem, whereas the best English detective fiction has relied less on the beauty of the mathematical problem and much more on the intangible human element. [...] In The Moonstone the mystery is finally solved, not altogether by human ingenuity, but largely by accident. Since Collins, the best heroes of English detective fiction have been, like Sergeant Cuff, fallible.
”
”
T.S. Eliot (Selected Essays: 1917-1932)
“
It destroyed some cavern of your reverence to watch Augustine punch the Prince Undying on the arm, and to watch the Prince Undying gamely cuff him back. Part of your brain temporarily calcified into atheism. You had not thought it would be like this. From the day the letter arrived in Drearburh, you’d thought that your Lyctoral days would be spent in prayer, training, and the beauty of necromantic mysteries. You did not think any part of it would be spent honestly quite drunk, wearing a piece of material no larger than a towel, and with Ianthe Tridentarius’s fingers idly caressing the hair at the nape of your neck. For a moment, you wondered wildly if you had hit your head quite hard entering the shuttle out of Drearburh, and had hallucinated everything subsequent.
”
”
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
“
Larry sat with his arm stretched out along the top of the front seat. His shirt cuff was pulled back by his position and displayed his slim, strong wrist and the lower part of his brown arm lightly covered with fine hairs. The sun shone goldly upon them. Something in Isabel's immobility attracted my attention, and I glanced at her. She was so still that you might have thought her hypnotized. Her breath was hurried. Her eyes were fixed on the sinewy wrist with its little golden hairs and on that long, delicate, but powerful hand, and I have never seen on a human countenance such a hungry concupiscence as I saw then on hers. It was a mask of lust. I would never have believed that her beautiful features could assume an expression of such unbridled sensuality. It was animal rather than human. The beauty was stripped from her face; the look upon it made her hideous and frightening. It horribly suggested the bitch in heat and I felt rather sick.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
She could not have created this moment, these lovely faces, these candles flickering, the flash of the silverware, the fragrances of the food hanging over the table, the heads turning this way and that, the voices murmuring and laughing. She looked at Walter, who was so far away from her, all the way at the other end of the table, having a laugh with Andrea, who had a beautiful suit on, navy blue with a tiny waist and white collar and cuffs. As if on cue, Walter turned from Andrea and looked at Rosanna, and they agreed in that instant: something had created itself from nothing—a dumpy old house had been filled, if only for this moment, with twenty-three different worlds, each one of them rich and mysterious.
”
”
Jane Smiley (Some Luck (Last Hundred Years: A Family Saga, #1))
“
I looked him up and down. Once before I’d seen Jericho Barrons wearing jeans and a T-shirt. It’s like sheet-metaling a W16 Bugatti Veyron engine - all 1,001 horsepower of it - with the body of a ‘65 Shelby. The height of sophisticated power sporting in-your-face, fuck-you muscle. The effect is disturbing.
He had more tattoos now than he’d had a few days ago.when I’d last seen him wearing nothing but a sheen of sweat, his arms were unmarked. They were now sleeved in intricate crimson and black designs, from bicep to hand. A silver cuff gleamed in his wrist. There were chains on his boots.
“Slumming, huh?” I’d said
You should talk, said those dark eyes, as they swept my black leather ensemble.
”
”
Karen Marie Moning
“
Under his buckskin riding-coat he wore a black vest and the cravat and collar of a churchman. A young priest, at his devotions; and a priest in a thousand, one knew at a glance. His bowed head was not that of an ordinary man,—it was built for the seat of a fine intelligence. His brow was open, generous, reflective, his features handsome and somewhat severe. There was a singular elegance about the hands below the fringed cuffs of the buckskin jacket. Everything showed him to be a man of gentle birth—brave, sensitive, courteous. His manners, even when he was alone in the desert, were distinguished. He had a kind of courtesy toward himself, toward his beasts, toward the juniper tree before which he knelt, and the God whom he was addressing.
”
”
Willa Cather (Death Comes for the Archbishop)
“
You want to know the story? I'd be happy to tell you. I think I have just enough caloric energy stored up to make it through the telling of the tale. It's short. I am monstrously fat. I am a glutton. My wife was disgusted and repulsed. She gave me six months to lose one hundred pounds. I joined Weight Watchers . . . see it there, right across the street, that gaunt storefront? This afternoon was the big six-month weigh-in. So to speak. I had gained almost seventy pounds in the six months. An errant Snickers bar fell out of the cuff of my pants and rolled against my wife's foot as I stepped on the scale. The scale over there across the street is truly an ingenious device. One preprograms the desired new weight into it, and if one has achieved or gone below that new low weight, the scale bursts into recorded whistles and cheers and some lively marching-band tune. Apparently, tiny flags protrude from the top and wave mechanically back and forth. A failure--see for instance mine--results in a flatulent dirge of disappointed and contemptuous tuba. To the strains of the latter my wife left, the establishment, me, on the arm of a svelte yogurt distributor whom I am even now planning to crush, financially speaking, first thing tomorrow morning. Ms. Beadsman, you will find an eclair on the floor to the left of your chair. Could you perhaps manipulate it onto this plate with minimal chocolate loss and pass it to me.
”
”
David Foster Wallace (The Broom of the System)
“
If you like being cuffed, I have no problem accommodating you, baby.” “Actually,” she returned, drawing the word out, “I was thinking I would cuff you.” She held her breath. Any minute now, he’d scoff at her request and this charade would be over. Funny, she wasn’t quite as ready to walk away as she had been moments ago. In fact, the thought of Brent’s big body, restrained by handcuffs, was surprisingly appealing. That fluttering in her stomach had graduated into a constant tug, confusing her further. “Done.” Hayden hid her shock as Brent leaned close and spoke gruffly near her ear. “Be warned, though. If you take away the use of my hands, I’ll only make up for it with my mouth.
”
”
Tessa Bailey (Asking for Trouble (Line of Duty #4))
“
It seems to me that sometimes the worst parents make the best grandparents. I'm not sure why. Maybe because there is enough of a generational separation that they don't see their grandchildren as an extension of themselves, so their relationship isn't tainted by any self-loathing. And of course, just growing older seems to soften and relax people. Since so many people these days don't seem to start their families until around age forty, I predict there will be less child beating, but more slipped disks from lifting babies out of cribs. Even the father of advanced age who's not inclined to spare the rod is likely to suffer more than his victim: The first punch he throws might well be the last straw for his rotator cuff, reducing his disciplinary options to mere verbal abuse and napping. I'm excited about the next generation!
”
”
Sarah Silverman (The Bedwetter: Stories of Courage, Redemption, and Pee)
“
He felt something on his neck. Warmth.
He hesitated, then turned weary eyes toward the sky. Sunlight bathed his face. He gaped; it seemed so long since he’d seen pure sunlight. It shone down through a large break in the clouds, comforting, like the warmth of an oven baking a loaf of Adrinne’s thick sourdough bread.
Almen stood, raising a hand to shade his eyes. He took a deep, long breath, and smelled… apple blossoms? He spun with a start.
The apple trees were flowering.
That was plain ridiculous. He rubbed his eyes, but that didn’t dispel the image. They were blooming, all of them, white flowers breaking out between the leaves.
[...] What was happening? Apple trees didn’t blossom twice. Was he going mad?
Footsteps sounded softly on the path that ran past the orchard. Almen spun to find a tall young man walking down out of the foothills. He had deep red hair and he wore ragged clothing: a brown cloak with loose sleeves and a simple white linen shirt beneath. The trousers were finer, black with a delicate embroidery of gold at the cuff.
“Ho, stranger,” Almen said, raising a hand, not knowing what else to say, not even sure if he’d seen what he thought he’d seen. “Did you… did you get lost up in the foothills?”
The man stopped, turning sharply. He seemed surprised to find Almen there. With a start, Almen realized the man’s left arm ended in a stump.
The stranger looked about, then breathed in deeply. “No. I’m not lost. Finally. It feels like a great long time since I’ve understood the path before me.
”
”
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
“
Andrew pressed two fingers to the underside of Nathaniel's chin to turn his head. Nathaniel let himself be guided and said nothing while Andrew looked his fill. When Andrew dropped his hand and clenched it in Nathaniel's hoodie, Nathaniel risked looking back at him. There was violence in Andrew's eyes, but at least he hadn't shoved Nathaniel away yet. That had to count for something. "I'm sorry," Nathaniel said. Andrew's fist went back, but he didn't take the swing. Nathaniel knew it wasn't because that was the hand cuffed to Wymack; Andrew's arm actually shook with the effort it took to not knock Nathaniel's head off his neck. Nathaniel said nothing to tip the balance either way. At length Andrew uncurled his fingers and let his hand hang limp from the cuff. "Say it again and I will kill you," he said.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
It was pitiful for a person born in a wholesome free atmosphere to listen to their humble and hearty outpourings of loyalty toward their king and Church and nobility; as if they had any more occasion to love and honor king and Church and noble than a slave has to love and honor the lash, or a dog has to love and honor the stranger that kicks him! Why, dear me, ANY kind of royalty, howsoever modified, ANY kind of aristocracy, howsoever pruned, is rightly an insult; but if you are born and brought up under that sort of arrangement you probably never find it out for yourself, and don't believe it when somebody else tells you. It is enough to make a body ashamed of his race to think of the sort of froth that has always occupied its thrones without shadow of right or reason, and the seventh-rate people that have always figured as its aristocracies -- a company of monarchs and nobles who, as a rule, would have achieved only poverty and obscurity if left, like their betters, to their own exertions...
The truth was, the nation as a body was in the world for one object, and one only: to grovel before king and Church and noble; to slave for them, sweat blood for them, starve that they might be fed, work that they might play, drink misery to the dregs that they might be happy, go naked that they might wear silks and jewels, pay taxes that they might be spared from paying them, be familiar all their lives with the degrading language and postures of adulation that they might walk in pride and think themselves the gods of this world. And for all this, the thanks they got were cuffs and contempt; and so poor-spirited were they that they took even this sort of attention as an honor.
”
”
Mark Twain
“
Now when I go out, the wind pulls me into the grave. I go out to part the hair of a child I left behind, and he pushes his face into my cuffs, to smell the wind. If I carry my father with me, it is the way a horse carries autumn in its mane. If I remember my brother, it is as if a buck had knelt down in a room I was in. I kneel, and the wind kneels down in me. What is it to have a history, a flock buried in the blindness of winter? Try crawling with two violins into the hallway of your father’s hearse. It is filled with sparrows. Sometimes I go to the field and the field is bare. There is the wind, which entrusts me; there is a woman walking with a pail of milk, a man who tilts his bread in the sun; there is the black heart of a mare in the milk—or is it the wind, the way it goes? I don’t know about the wind, about the way it goes. All I know is that sometimes someone will pick up the black violin of his childhood and start playing—that it sits there on his shoulder like a thin gray falcon asleep in its blinders, and that we carry each other this way because it is the way we would like to be carried: sometimes with mercy, sometimes without.
”
”
Joseph Fasano (Fugue for Other Hands)
“
Having shaved, washed, and dexterously arranged several artificial teeth, standing in front of the mirror, he moistened his silver-mounted brushes and plastered the remains of his thick pearly hair on his swarthy yellow skull. He drew on to his strong old body, with its abdomen protuberant from excessive good living, his cream-colored silk underwear, put black silk socks and patent-leather slippers on his flat-footed feet. He put sleeve-links in the shining cuffs of his snow-white shirt, and bending forward so that his shirt front bulged out, he arranged his trousers that were pulled up high by his silk braces, and began to torture himself, putting his collar-stud through the stiff collar. The floor was still rocking beneath him, the tips of his fingers hurt, the stud at moments pinched the flabby skin in the recess under his Adam's apple, but he persisted, and at last, with eyes all strained and face dove-blue from the over-tight collar that enclosed his throat, he finished the business and sat down exhausted in front of the pier glass, which reflected the whole of him, and repeated him in all the other mirrors.
" It is awful ! " he muttered, dropping his strong, bald head, but without trying to understand or to know what was awful. Then, with habitual careful attention examining his gouty-jointed short fingers and large, convex, almond-shaped finger-nails, he repeated : " It is awful. . . .
”
”
Ivan Bunin (The Gentleman from San Francisco and Other Stories)
“
Who is he?”
Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.”
I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?”
Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.”
I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.”
I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it.
“He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.”
Eleanor still didn’t respond. “Shh . . .” she muttered under her breath.
But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around.
“Hi,” he said with a half grin that seemed to be mocking me.
And that’s how I met Dante Berlin.
So how do you describe someone who leaves you speechless?
He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt.
I wanted to say something witty or charming, but all I could muster up was a timid “Hi.”
He studied me with what looked like a mix of disgust and curiosity.
“You must be Eugene,” I said.
“I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.”
I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described.
“And you are—”
“Renee,” I interjected.
“I was going to say, ‘in my seat,’ but Renee will do.”
My face went red. “Oh, right. Sorry.”
“Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.”
I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move.
I turned and walked to the last row, using all of my self-control to resist looking back.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
Tom looked at St. Vincent. “I assume the editor at the Chronicle refused to divulge the writer’s identity?”
St. Vincent looked rueful. “Categorically. I’ll have to find a way to pry it out of him without bringing the entire British press to his defense.”
“Yes,” Tom mused, tapping his lower lip with a fingertip, “they tend to be so touchy about protecting their sources.”
“Trenear,” Lord Ripon said through gritted teeth, “will you kindly throw him out?”
“I’ll see myself out,” Tom said casually. He turned as if to leave, and paused as if something had just occurred to him. “Although … as your friend, Trenear, I find it disappointing that you haven’t asked about my day. It makes me feel as if you don’t care.”
Before Devon could respond, Pandora jumped in. “I will,” she volunteered eagerly. “How was your day, Mr. Severin?”
Tom sent her a brief grin. “Busy. After six tedious hours of business negotiations, I paid a call to the chief editor of the London Chronicle.”
St. Vincent lifted his brows. “After I’d already met with him?”
Trying to look repentant, Tom replied, “I know you said not to. But I had a bit of leverage you didn’t.”
“Oh?”
“I told him the paper’s owner would dismiss him and toss him out on the pavement if he didn’t name the anonymous writer.”
St. Vincent stared at him quizzically. “You bluffed?”
“No, that is what the business negotiations were about. I’m the new owner. And while the chief editor happens to be a staunch advocate for freedom of the press, he’s also a staunch supporter of not losing his job.”
“You just bought the London Chronicle,” Devon said slowly, to make certain he hadn’t misheard. “Today.”
“No one could do that in less than a day,” Ripon sneered.
Winterborne smiled slightly. “He could,” he said, with a nod toward Tom.
“I did,” Tom confirmed, picking idly at a bit of lint on his cuff. “All it took was a preliminary purchase agreement and some earnest money.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
”
”
Alistair MacLean (When Eight Bells Toll)