Steer Roping Quotes

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And Lawrence was afraid of the main thing. He had a tendency to talk feverishly all around the main thing, as if bundling it with twine. Presumably if he talked in circles around the main thing for long enough it would lie there, vanquished, panting on its side, like a roped steer.
Lionel Shriver (The Post-Birthday World)
Big and little they went on together to Molalla, to Tuska, to Roswell, Guthrie, Kaycee, to Baker and Bend. After a few weeks Pake said that if Diamond wanted a permanent traveling partner he was up for it. Diamond said yeah, although only a few states still allowed steer roping and Pake had to cover long, empty ground, his main territory in the livestock country of Oklahoma, Wyoming, Oregon and New Mexico. Their schedules did not fit into the same box without patient adjustment. But Pake knew a hundred dirt road shortcuts, steering them through scabland and slope country, in and out of the tiger shits, over the tawny plain still grooved with pilgrim wagon ruts, into early darkness and the first storm laying down black ice, hard orange-dawn, the world smoking, snaking dust devils on bare dirt, heat boiling out of the sun until the paint on the truck hood curled, ragged webs of dry rain that never hit the ground, through small-town traffic and stock on the road, band of horses in morning fog, two redheaded cowboys moving a house that filled the roadway and Pake busting around and into the ditch to get past, leaving junkyards and Mexican cafes behind, turning into midnight motel entrances with RING OFFICE BELL signs or steering onto the black prairie for a stunned hour of sleep.
Annie Proulx (Close Range: Wyoming Stories)
You sleep with a dream of summer weather, wake to the thrum of rain—roped down by rain. Nothing out there but drop-heavy feathers of grass and rainy air. The plastic table on the terrace has shed three legs on its way to the garden fence. The mountains have had the sense to disappear. It's the Celtic temperament—wind, then torrents, then remorse. Glory rising like a curtain over distant water. Old stonehouse, having steered us through the dark, docks in a pool of shadow all its own. That widening crack in the gloom is like good luck. Luck, which neither you nor tomorrow can depend on.
Anne Stevenson
The whole of the day should not be daytime, nor of the night night-time, but some portion be rescued from time to oversee time in. All our hours must not be current; all our time must not lapse. There must be one hour at least which the day did not bring forth—of ancient parentage and long established nobility—which will be a serene and lofty platform overlooking the rest. We should make our notch every day on our characters, as Robinson Crusoe on his stick. We must be at the helm at least once a day; we must feel the tiller-rope in our hands, and know that if we sail, we steer.
Henry David Thoreau
Tsundoku (Japanese) Buying books and not reading them; letting books pile up on shelves or floors or nightstands. My parents used to joke about making furniture out of them; instead of being coffee table books, they could be the coffee table. Ditto on nightstands, counters, roofs. When we were kids, my brother and I, teased about always reading, built a wall. Right through the middle of the neighborhood, protected ourselves with fiction and with facts. I loved the encyclopedias best; the weight of them, how my grandmother made me walk with one on my head to practice being a lady. It wasn’t until college that I built a grand stairway out of them; their glossy blue jackets looked like marble in the moonlight. I climbed it, to the top of the wall. Peering over, I found you, on the other side, alone in your bed, asleep. That was the first time you dreamed me. In your dream, you told me not to jump. But to be patient. (We were young then, it would be years before we’d meet) and then this morning, I found you in my bedroom. In your hands, How to Rope and Tie a Steer, a mug of coffee, a piece of slightly burned toast. I took The Sun Also Rises from the wall, made the first window into your heart.
Julia Klatt Singer (Untranslatable)
Millions of us daily take advantage of [Skype], delighted to carry the severed heads of family members under our arms as we move from the deck to the cool of inside, or steering them around our new homes, bobbing them like babies on a seasickening tour. Skype can be a wonderful consolation prize in the ongoing tournament of globalization, though typically the first place it transforms us is to ourselves. How often are the initial seconds of a video's call takeoff occupied by two wary, diagonal glances, with a quick muss or flick of the hair, or a more generous tilt of the screen in respect to the chin? Please attend to your own mask first. Yet, despite the obvious cheer of seeing a faraway face, lonesomeness surely persists in the impossibility of eye contact. You can offer up your eyes to the other person, but your own view will be of the webcam's unwarm aperture. ... The problem lies in the fact that we can't bring our silence with us through walls. In phone conversations, while silence can be both awkward and intimate, there is no doubt that each of you inhabits the same darkness, breathing the same dead air. Perversely, a phone silence is a thick rope tying two speakers together in the private void of their suspended conversation. This binding may be unpleasant and to be avoided, but it isn't as estranging as its visual counterpart. When talk runs to ground on Skype, and if the purpose of the call is to chat, I can quickly sense that my silence isn't their silence. For some reason silence can't cross the membrane of the computer screen as it can uncoil down phone lines. While we may be lulled into thinking that a Skype call, being visual, is more akin to a hang-out than a phone conversation, it is in many ways more demanding than its aural predecessor. Not until Skype has it become clear how much companionable quiet has depended on co-inhabiting an atmosphere, with a simple act of sharing the particulars of a place -- the objects in the room, the light through the window -- offering a lovely alternative to talk.
Laurence Scott (The Four-Dimensional Human: Ways of Being in the Digital World)
I don’t know what to do with you,” he said, his voice growing curt with anger again. “Deceitful little minx. I’m of half a mind to put you to work, milking the goats. But that’s out of the question with these hands, now isn’t it?” He curled and uncurled her fingers a few times, testing the bandage. “I’ll tell Stubb to change this twice a day. Can’t risk the wound going septic. And don’t use your hands for a few days, at least.” “Don’t use my hands? I suppose you’re going to spoon-feed me, then? Dress me? Bathe me?” He inhaled slowly and closed his eyes. “Don’t use your hands much.” His eyes snapped open. “None of that sketching, for instance.” She jerked her hands out of his grip. “You could slice off my hands and toss them to the sharks, and I wouldn’t stop sketching. I’d hold the pencil with my teeth if I had to. I’m an artist.” “Really. I thought you were a governess.” “Well, yes. I’m that, too.” He packed up the medical kit, jamming items back in the box with barely controlled fury. “Then start behaving like one. A governess knows her place. Speaks when spoken to. Stays out of the damn way.” Rising to his feet, he opened the drawer and threw the box back in. “From this point forward, you’re not to touch a sail, a pin, a rope, or so much as a damned splinter on this vessel. You’re not to speak to crewmen when they’re on watch. You’re forbidden to wander past the foremast, and you need to steer clear of the helm, as well.” “So that leaves me doing what? Circling the quarterdeck?” “Yes.” He slammed the drawer shut. “But only at designated times. Noon hour and the dogwatch. The rest of the day, you’ll remain in your cabin.” Sophia leapt to her feet, incensed. She hadn’t fled one restrictive program of behavior, just to submit to another. “Who are you to dictate where I can go, when I can go there, what I’m permitted to do? You’re not the captain of this ship.” “Who am I?” He stalked toward her, until they stood toe-to-toe. Until his radiant male heat brought her blood to a boil, and she had to grab the table edge to keep from swaying toward him. “I’ll tell you who I am,” he growled. “I’m a man who cares if you live or die, that’s who.” Her knees melted. “Truly?” “Truly. Because I may not be the captain, but I’m the investor. I’m the man you owe six pounds, eight. And now that I know you can’t pay your debts, I’m the man who knows he won’t see a bloody penny unless he delivers George Waltham a governess in one piece.” Sophia glared at him. How did he keep doing this to her? Since the moment they’d met in that Gravesend tavern, there’d been an attraction between them unlike anything she’d ever known. She knew he had to feel it, too. But one minute, he was so tender and sensual; the next, so crass and calculating. Now he would reduce her life’s value to this cold, impersonal amount? At least back home, her worth had been measured in thousands of pounds not in shillings. “I see,” she said. “This is about six pounds, eight shillings. That’s the reason you’ve been watching me-“ He made a dismissive snort. “I haven’t been watching you.” “Staring at me, every moment of the day, so intently it makes my…my skin crawl and all you’re seeing is a handful of coins. You’d wrestle a shark for a purse of six pounds, eight. It all comes down to money for you.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Falco loosened the final rope with a flourish and the gondola floated free of the dock. He laughed when Cass instinctively took her usual spot, tucked back inside the felze. Then he went to the rear of the boat and began to use the long flexible oar to steer toward the Giudecca, the sandbar island that separated San Domenico from the more populated islands of Venice. Cass felt a bit foolish. She slid out of the felze and went to stand beside Falco as he moved the boat through the water. Fog swirled around the gondola. “Don’t expose yourself to the elements on my account,” Falco said with a crooked smile. “I don’t mind playing gondolier for you.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
She’s both striking and practical, somehow, like the string of rope lights around the banister that dangles and loops and steers you upstairs to a nighttime party. This
Darin Strauss (Half a Life: A Memoir)
So when Finn sailed back down the Negro at dawn, he saw no flames and heard no roaring as the house was destroyed. Everything at first seemed to be as it had always been: the big trees by the river, the huts of the Indians, the Carters’ launch riding at anchor. Then the dog, standing beside him, threw back his head and howled. “What is it?” asked Finn. But now he, too, smelled the choking, lingering smoke. And as he sailed toward the landing stage, he saw it--the space, the nothingness, where the Carters’ house should have been. Not even an empty shell. Nothing. He had thought that the news of his father’s death was the worst thing that had happened to him, but this was worse, because he was to blame. If he had taken Maia as she had begged… He was shivering so much that it was difficult to steer the Arabella to the jetty and make her fast. There was no point in searching the ruins; it was so obvious that no one could survive such a blaze. But there was one last hope. The huts of the Indians had been spared. Perhaps they had gotten Maia out; perhaps he would find her sleeping there. He pushed open the door of the first hut and went inside…then the second and the third. They were completely empty. Even the parrot on his perch had gone, even the little dog. A broken rope in the run outside showed where the pig, terrified by the flames, had rushed back into the forest. There was no doubt now in Finn’s mind. They had let Maia burn and fled in terror and shame. What would it be like, Finn wondered, going on living and knowing that he had killed his friend? The howler monkeys had been right to laugh when he said he wasn’t going back. He had turned downriver again almost at once to fetch Maia, and he had made good time, traveling with the current--but he had come too late.
Eva Ibbotson (Journey to the River Sea)
Me and the Texas Woman, it was not love at first sight. In fact, my match with her was a bit of an arranged marriage. Once with a rocky start, potholed by cultural misunderstandings and distrust. It took decades of observation to fully appreciate the Yellow Rose in all her glories. All her contradictions. All her glorious contradictions. Was she Southern? All belles and balls? Or was she Western? Ready to rope and ride and shoot the head off a rattler? You already know the answer. You know, that like sulfur, charcoal, and bat guano, the ingredients don't really pop until they're mixed up together into gunpowder. The Texas Woman is a hybrid with all the vigor that comes from the perfect pairing of the best of two species. She is Southern but with the Western grit handed down by her foremothers, who could give birth during a Comanche attack, help out when it came time to turn the bulls into steers, and still end up producing more Miss USAs that any other state in the union.
Sarah Bird (A Love Letter to Texas Women)
When they reached the ranch, Dave parked the truck at the stable. The girls heard laughter coming from the corral and saw Tex Britten perched on the fence. Bess was mounted on a brown quarter horse and holding a coiled lariat. “Watch me!” she called. “I’m learning to rope a steer.” Nancy and George walked over and saw Bud Moore put his hands on his head like horns and prance in front of Bess’s horse. “Come on and rope me, pardner!” he said.
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
The "pull" of this quicksand was so strong that four of us were unable to lift a steer's tail out, once it was imbedded in the sand. And when we had released a tail by burrowing around it to arm's length and freed it, it would sink of its own weight in a minute's time until it would have to be burrowed out again. To avoid this we had to coil up the tails and tie them with a soft rope hobble.
Andy Adams (10 Masterpieces of Western Stories)
The helmsman steered, the ship moved on; Yet never a breeze up-blew; The mariners all ’gan work the ropes, Where they were wont to do; They raised their limbs like lifeless tools— We were a ghastly crew.
Laurence Bergreen (Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe)
He claimed to employ different tactics for different ships, but the basic strategy was crude in its simplicity. In attack groups spread amongst several small and speedy skiffs, Boyah and his men approached their target on all sides, swarming like a water-borne wolf pack. They brandished their weapons in an attempt to frighten the ship's crew into stopping, and even fired into the air. If these scare tactics did not work, and if the target ship was capable of outperforming their outboard motors, the chase ended there. But if they managed to pull even with their target, they tossed hooked rope ladders onto the decks and boarded the ship. Instances of the crew fighting back were rare, and rarely effective, and the whole process, from spotting to capturing, took at most thirty minutes. Boyah guessed that only 20 per cent to 30 per cent of attempted hijackings met with success, for which he blamed speedy prey, technical problems, and foreign naval or domestic intervention. The captured ship was then steered to a friendly port – in Boyah's case, Eyl – where guards and interpreters were brought from the shore to look after the hostages during the ransom negotiation. Once the ransom was secured – often routed through banks in London and Dubai and parachuted like a special-delivery care package directly onto the deck of the ship – it was split amongst all the concerned parties. Half the money went to the attackers, the men who actually captured the ship. A third went to the operation’s investors: those who fronted the money for the ships, fuel, tracking equipment, and weapons. The remaining sixth went to everyone else: the guards ferried from shore to watch over the hostage crew, the suppliers of food and water, the translators (occasionally high school students on their summer break), and even the poor and disabled in the local community, who received some as charity. Such largesse, Boyah told me, had made his merry band into Robin Hood figures amongst the residents of Eyl.
Jay Bahadur (The Pirates of Somalia: Inside Their Hidden World)
The Little Cowboy That Could" Once upon a time, in a dusty, sunbaked town, there was a little cowboy named Cody. Unlike the other cowboys who rode tall in the saddle, Cody was just a young buck with a small pony. Every day, he watched the seasoned cowboys and wished he could wrangle and ride as well as they did. One evening, as the sun dipped low, Old Man Moon peered down and saw Cody looking downhearted. "Why the long face, little cowboy?" asked the Moon. "I'm not as skilled as the others. I want to be a great cowboy too," Cody replied. The Moon chuckled softly and said, "Every cowboy has his day to shine. You've got a special spirit within you, and one day, it'll show." Bolstered by the Moon's words, Cody decided to try harder. He started by helping a lost calf find its way back to the herd. Then, he practiced lassoing as best as he could to help round up the steers. With every good deed, he felt a proud warmth inside. Days turned into weeks, and Cody kept on working hard. One night, as he helped a little lost pup find its way back to the ranch, he felt a sudden glow. Cody looked down and saw the pup wagging its tail, looking up at him with grateful eyes. The pup barked as if to say, "Thank you, little cowboy, for guiding me home." At that moment, Cody felt a burst of happiness and, to his surprise, he found himself riding and roping better than ever before. All the other cowboys noticed and cheered, "Look, Cody is riding like a true cowboy!" From that day on, Cody became known as the cowboy who rode the brightest, not just with his skills, but with his kindness and heart. And he learned that it's not just about how well you ride, but about the help you bring to others' lives. And so, Cody continues to ride, reminding everyone that even the smallest cowboy can make a big difference.
James Hilton-Cowboy
be fast enough to blow the school away. And if the school blows away, there will be no school! Yay! But right now I had other things to worry about. The basket was swaying back and forth. I was afraid the whole thing might flip over. “Are we going to die?” I shouted. “Not on my watch,” Miss Newman shouted back. What did watches have to do with anything? She wasn’t even wearing a watch. Miss Newman grabbed some ropes on the side of the basket and pulled on them. I guess it was for steering or something. The basket stopped swaying. “This is a dangerous situation,” she hollered over the sound of the wind and sand blowing in our faces. “I need to report the weather to the people!
Dan Gutman (Miss Newman Isn't Human! (My Weirdest School, #10))
Across the corral stood a man, his face shadowed by the large brim of his black Stetson. The mare left my side abruptly and trotted over to him. I watched as he climbed into the saddle with grace before giving the horse a subtle foot command to move forward into the arena. His team-roping partner entered from the other side. Just before the steer was released, the man looked over to me and nodded, the kind of nod that means something. It’s the quiet cowboy’s version of a wolf whistle. I lost my balance on the top of the corral and wobbled just for a moment before smiling back at him.
Renee Carlino (After the Rain)
June 10, 1995 I seen John the Baptist on my dream. I was walking in a valley of wheat as I was walking toward west seeing waives of wheat flowing, as I kept walking from far away I see a white thing walking in the middle of the wheat coming toward the direction I was walking we meet in the middle and he kept walking toward me, as we got loser I realized it was an old man with white long shoulder length hair, and a white long rope, as I got closer I stopped, and steering at him and I asked him "Who are you?" He said "Don't be affright I'm John the Baptist" I said what do you want" He reply I don't want anything from you, I'm here to tell you "We have a gift for you" This is my 3rd dream I would like to know what these dream mean, if you do you can you tell me?
Zybejta (Beta) Metani' Marashi (Escaping Communism, It's Like Escaping Hell)
The steer had to stay down for ten seconds before the roper’s time could be recorded. The jackpot had been three hundred dollars that day, and the red-faced white man who took it turned in a record time: six seconds; but when the men loosened the rope on the steer’s neck, it did not move. They dragged it away behind two horses, one of the forelegs dangling in the hide, shattered. The anger made him lightheaded, but he did not talk about this other dimension of their perversion which, like the hunting of the mountain lion, was their idea of “sport” and fun.
Leslie Marmon Silko (Ceremony)
A RIB is a rigid inflatable boat, and this has an engine at the rear which pushes the nose up and out of the water as it bounces along at a great speed. This was a good-sized one and I realised that it must have an antigrav component because it never sank in the water though the team of Neptunians got on with us. The marine engineer steering it took us out to the dive boat, a large – to our eyes – vessel over a mile offshore. We sat back and gripped the rope lacings along the sides and breathed in salt spray air, grinning foolishly at our friends and each other. The RIB engine was so noisy that we couldn’t really talk but we were relishing being right down at water level, streaking across the Thames estuary, heading for the most dangerous boat in the world.
Clare O'Beara (Dining Out Around The Solar System)
It wanted but a little while of sunset, when the sailor and his young comrade had finished flensing the shark. The raft now exhibited quite an altered appearance. Between the two upright oars several pieces of rope had been stretched transversely, and from these hung suspended the broad thin flitches of the shark’s flesh, that at a distance might have been mistaken for some sort of a sail. Indeed, they acted as such; for their united discs presented a considerable breadth of surface to the breeze, which had sprung up as the evening approached, and the raft by this means moved through the water with considerable rapidity. There was no effort made to steer it. The idea of reaching land was entirely out of the question. Their only hope of salvation lay in their being seen from a ship; and as a ship was as likely to come from one direction as another, it mattered not to which of the thirty-two points of the compass their raft might be drifting. Yes, it did matter. So thought Ben Brace, on reflection. It might be of serious consequence, should the raft make way to the westward. Somewhere in that direction—how far neither could guess—that greater raft, with its crew of desperate ruffians,—those drunken would-be cannibals,—must be drifting about, like themselves, at the mercy of winds and waves: perhaps more than themselves suffering the dire extreme of thirst and hunger.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
The Shipwreck 39In the morning they did not recognize the land, but they noticed a bay with a beach on which they planned to run the ship ashore, if they could. 40So they cast off the anchors and left them in the sea. At the same time they loosened the ropes that tied the steering-oars; then hoisting the foresail to the wind, they made for the beach. 41But striking a reef,b they ran the ship aground; the bow stuck and remained immovable, but the stern was being broken up by the force of the waves. 42The soldiers’ plan was to kill the prisoners, so that none might swim away and escape; 43but the centurion, wishing to save Paul, kept them from carrying out their plan. He ordered those who could swim to jump overboard first and make for the land 44and the rest to follow, some on planks and others on pieces of the ship. And so it was that all were brought safely to land.
Zondervan (NRSVue, Holy Bible with Apocrypha)