X Sad Quotes

Usually when people are sad, they don't do anything. They just cry over their condition. But when they get angry, they bring about a change.

here once was a group with Liam and Niall Vas happenin’ boys? Vas happenin’ boys? They lived with Zayn and his room was vile Vas happenin’ boys? Vas happenin’ boys? Did you know Harry’s such a slob? He needs to win X-factor ‘cause he can’t get a job And oh Louis needs a boat He dresses like he owns one ‘Cause he’s got no other clothes They really need your vote Vas happenin’ boys? Vas happenin’ boys? Mick Jagger could be Harry’s dad Vas happenin’ mum? Vas happenin’ Mick? When Liam sings he makes his face look sad Vas happenin’ song? Vas happenin’ sad? And Zayn’s the master of echos And Niall was raised by leprechauns So he won’t ever grow And oh Louis needs that boat He dresses like he owns one And it’s becoming a joke They really need your vote Vas happenin’ boys? Vas happenin’ boys? Vas happenin’ boys? Vas happenin’ boys? Vas happenin’ boys? Vas happenin’ boys?

It's a sadness that has been knocking at my door for a long time, and I finally let it in.

Everything said about Gen Xers--both positive and negative--was completely true. Twenty-somethings in the nineties rejected the traditional working-class American lifestyle because (a) they were smart enough to realize those values were unsatisfying, and (b) they were totally fucking lazy. Twenty-somethings in the nineties embraced a record like Nirvana's Nevermind because (a) it was a sociocultural affront to the vapidity of the Reagan-era paradigm, and (b) it fucking rocked. Twenty-somethings in the nineties were by and large depressed about the future, mostly because (a) they knew there was very little to look forward to, and (b) they were obsessed with staring into the eyes of their own self-absorbed sadness. There are no myths about Generation X. It's all true.

the answer is to just let go the betrayal is to the past the cocoon dangles empty the desire outlasts the object the effort lingers the frustration is in how pointless the effort was the ghost does not make itself transparent the heart knows nothing except its own mind the ideas are not enough the jealousy is always there the killing blow is sometimes the softest the life you lead can be detoured the moment you know cannot be taken back the new you will try to bury the old me the opportunity has passed the past is inopportune the questions all grow from why the reality will always be contended the sadness will ebb the trouble is the time it might take the ugly words cannot be erased, only discredited the versions are never the same the wonder is that we make it through the x is the unknown variable the yesterday cannot be repeated the zenith is the point when you look down and realize you’re no longer below

She isn't traumatized, she isn't weighed down by any obvious grief. She's just sad, all the time. An evil little creature that wouldn't have shown up on any X-rays was living in her chest, rushing through her blood and filling her head with whispers, saying she wasn't good enough, that she was weak and ugly and would never be anything but broken. You can get it into your head to do some unbelievably stupid things when you run out of tears, when you can't silence the voices no one else can hear, when you've never been in a room where you felt normal. In the end you get exhausted from always tensing the skin around your ribs, never letting your shoulders sink, brushing along walls all your life with white knuckles, always afraid that someone will notice you, because no one's supposed to do that. All Nadia knew was that she had never felt like someone who had anything in common with anyone else. She had always been entirely alone in every emotion. She sat in a classroom full of her contemporaries, looking like everything was the same as usual, but inside she was standing in a forest screaming until her heart burst. The trees grew until one day the sunlight could no longer break through the foliage, and the darkness in here became impenetrable.

But life is not evens and odds and solving for x. And sadness? Sadness is an equation made of all variables.

Plus, he was funny, with that almost imperceptible edge of sadness that's like catnip to anyone with a double-X chromosome. Throughout our years of friendship, Adam always had some not-quite-thing going on with some not-quite-right girl. He had a knack for making everyone feel close to him, when no one really was.

There is no cell culture for depression. You can't see it on a bone scan or an x-ray. Not everyone with depression will show the same behavioral symptoms.

I'm sad because you remind me of home. Because you are beautiful and bright and dynamic and whole lot of other things I haven't seen for a long time... and won't see again anytime soon.

Betrayal eats into you like maggots on road-kill. Forgiveness is an illusion, because you can never forget what was done to you. You’re stuck in that moment; you haven’t got 4 x 4 in your car, so there’s no moving on away from the deep pit of sadness and hurt. It dominates your every thought, every waking moment, dragging you down.

Many people—particularly the young—have been persuaded that such a search is futile. They have been told from their preschool days on that one person’s opinion is as good as another’s, that each person can pick his or her own truth from a multicultural smorgasbord. If one choice proves unsavory, pick another, and so on, until, in a consumerist fashion, we pick the truth we like best. I think the despair of Generations X, Y, and now E comes from this fundamental notion that there’s no such thing as reality or the capital-T truth. Almost every new movie I see these days features a bright, good-looking, talented young man who is so downright sad, he can barely lift his head. I want to scream, “What’s wrong with this guy?” Then I feel a profound compassion because his generation has been forbidden the one thing that makes life such a breathtaking challenge: truth.

And now his smile is a little sad. And I think about all the things we could be if we were never told our bodies were not built for them.

For a second, I get a little sad about it. Not the leaving—just the way it seems like the world is always changing, right underneath my feet.

In a sec.......let's see if this will help. Once there was a bunny that was very sad cause his ears were long and floppy and he stepped on them all the time." "Like my shoelaces?" "Yep, just like that. One day a beautiful fairy,,,,,,,," "The shoelace fairy?" "Yep. She landed on the bunny's head and.........." "Didn't that hurt? Does she have a wand?" "Nope. She lifted up the bunny's ears and crossed them over like an x." "I can cross my eyes.........look." "Lovely. She put one ear through the bottom of the x and she pulled." "She pulled the bunny's ears..........bad fairy." "No, she was trying to tie his.........." "Dan," Jordan laughed, "Stop. That is the worst thing I've ever heard." "Well, it's better than the teepees and the arrows and crap," Danny huffed. "Can I go see Andy now?" "Yes, go see Andy and his Velcro sneakers," Jordan snickered. "We give up.

Pope Pius X said. “If we were to lose Mary,” the pope explained, “the world would wholly decay. Virtue would disappear, especially holy purity and virginity, connubial love and fidelity. The mystical river through which God’s graces flow to us would dry up. The brightest star would disappear from heaven, and darkness would take its place.”23 Sadly, we need not look too far to see what a culture that has lost Mary looks like and why it is so essential that we bring her back into our hearts and homes.

It was in these moments, I knew, that my father loved my mother most. When my mother was broken and helpless, when her hard shell was stripped away and her spite and brittleness couldn't serve her. It was a sad dance of two people who were starving to death in each other's arms. Their marriage an X that forever joined murderer to victim.

Love caught me with my pants down, watering skeleton flowers and humming the blues.

How many people will betray us in the end?” “I suppose we should expect that everyone will,” he said. “That is a sad existence.” “And yet it is ours.

Being an old farm boy myself, chickens coming home to roost never did make me sad; they've always made me glad.

Is this reality or a dream?" she whispered. "Being with you has always been a dream." For some reason, the words made her inexplicably sad.

He chewed on his thumbnail, as if racking his brain for a solution to this equation. But life is not evens and odds and solving for x. And sadness? Sadness is an equation made of all variables.

Her hair was totally Indian Woolworth perfume clerk. You know - sweet but dumb - she'll marry her way out of the trailer park some day soon. But the dress was early '60s Aeroflot stewardess - you know - that really sad blue the Russians used before they all started wanting to buy Sonys and having Guy Laroche design their Politburo caps. And such make-up! Perfect '70s Mary Quant, with these little PVC floral appliqué earrings that looked like antiskid bathtub stickers from a gay Hollywood tub circa 1956. She really caught the sadness - she was the hippest person there. Totally.' TRACEY, 27

You've probably been depressed yourself, you had days when you've been in terrible pain in places that don't show up in x-rays, when you can't find the words to explain it even to the people who love you

I fooled myself into believing I was after closure, when all I really wanted was never to let go. Because, as Alison’s scar was her most sacred vanity, her death was mine. Because I needed a murder mystery. Without one, what choice did I have but to be angry at Alison for making herself so indispensable to me, to all of us, and then being so careless with herself? (Drinking and drugs, a reckless swim, a stupid accident. The police had suggested this basic scenario from the beginning, but my parents had refused to accept it. Why would they have? Why would anyone accept such a sad and pointless story, a tale that was not even cautionary but simply tragic, a shame?) What choice was there, finally, but to admit that I hated Alison every bit as much as I loved her? I hated her while she was alive for the way her dazzling, spectacular self took up the entire spotlight, and I hated her even more for the oppressive shadow she cast with her death. How could I ever be enough? How could I possibly compare to someone who never had to grow up?

She isn’t traumatized, she isn’t weighed down by any obvious grief. She’s just sad, all the time. An evil little creature that wouldn’t have shown up on any X-rays was living in her chest, rushing through her blood and filling her head with whispers, saying she wasn’t good enough, that she was weak and ugly and would never be anything but broken. You can get it into your head to do some unbelievably stupid things when you run out of tears, when you can’t silence the voices no one else can hear, when you’ve never been in a room where you felt normal. In the end you get exhausted from always tensing the skin around your ribs, never letting your shoulders sink, brushing along walls all your life with white knuckles, always afraid that someone will notice you, because no one’s supposed to do that.

Zarina gave her a sad smile. “I wish it could be. But, like Spencer, Tanner is constantly worried about hurting me or someone else who’s important to him. That’s why he’s been living here on his own for the past two months. He thinks that’s the only way to keep people safe.” Lillie let out a sound of frustration. “What is it with guys? Spencer’s has said the exact same thing to me a dozen times. He thinks it’d be better for everyone if he goes to Alaska and lives alone in the wilderness. Are all men born with the same macho crap in their DNA?

She was every Cora she'd ever been: Cora X, Cora Kaufmann, Cora Carlisle. She was an orphan on a roof, a lucky girl on a train, a dearly loved daughter by chance. She was a blushing bride of seventeen, a sad and stoic wife, a loving mother, an embittered chaperone, and a daughter pushed away. She was a lover and a lewd cohabitator, a liar and a cherished friend, and aunt and a kindly grandmother, a champion of the fallen, and a late-in-coming fighter for reason over fear. Even in those final hours, quiet and rocking, arriving and departing, she knew who she was.

The person who really writes the minor work is a secret writer who accepts only the dictates of a masterpiece. Our good craftsman writes. He’s absorbed in what takes shape well or badly on the page. His wife, though he doesn’t know it, is watching him. It really is he who’s writing. But if his wife had X-ray vision she would see that instead of being present at an exercise of literary creation, she’s witnessing a session of hypnosis. There’s nothing inside the man who sits there writing. Nothing of himself, I mean. How much better off the poor man would be if he devoted himself to reading. Reading is pleasure and happiness to be alive or sadness to be alive and above all it’s knowledge and questions. Writing, meanwhile, is almost always empty. There’s nothing in the guts of the man who sits there writing. Nothing, I mean to say, that his wife, at a given moment, might recognize. He writes like someone taking dictation. His novel or book of poems, decent, adequate, arises not from an exercise of style or will, as the poor unfortunate believes, but as the result of an exercise of concealment. There must be many books, many lovely pines, to shield from hungry eyes the book that really matters, the wretched cave of our misfortune, the magic flower of winter! Excuse the metaphors. Sometimes, in my excitement, I wax romantic. But listen. Every work that isn’t a masterpiece is, in a sense, a part of a vast camouflage. You’ve been a soldier, I imagine, and you know what I mean. Every book that isn’t a masterpiece is cannon fodder, a slogging foot soldier, a piece to be sacrificed, since in multiple ways it mimics the design of the masterpiece. When I came to this realization, I gave up writing. Still, my mind didn’t stop working. In fact, it worked better when I wasn’t writing. I asked myself: why does a masterpiece need to be hidden? what strange forces wreath it in secrecy and mystery?

She isn’t traumatized, she isn’t weighed down by any obvious grief. She’s just sad, all the time. An evil little creature that wouldn’t have shown up on any X-rays was living in her chest, rushing through her blood and filling her head with whispers, saying she wasn’t good enough, that she was weak and ugly and would never be anything but broken.

No one can really explain, either before or after, what makes a teenager stop wanting to be alive. It just hurts so much at times, being human. Not understanding yourself, not liking the body you’re stuck in. Seeing your eyes in the mirror and wondering whose they are, always with the same question: “What’s wrong with me? Why do I feel like this?” She isn’t traumatized, she isn’t weighed down by any obvious grief. She’s just sad, all the time. An evil little creature that wouldn’t have shown up on any X-rays was living in her chest, rushing through her blood and filling her head with whispers, saying she wasn’t good enough, that she was weak and ugly and would never be anything but broken. You can get it into your head to do some unbelievably stupid things when you run out of tears, when you can’t silence the voices no one else can hear, when you’ve never been in a room where you felt normal. In the end you get exhausted from always tensing the skin around your ribs, never letting your shoulders sink, brushing along walls all your life with white knuckles, always afraid that someone will notice you, because no one’s supposed to do that.

Last night, Good Friday night, at the bottom of the escalator at King’s X tube, a weasel-faced man in uniform was sweeping up rubbish with a wide broom, drink cartons, cigarette packets with all the dust and filthy scraps of the day which he pushed towards an elegant long black glove that was lying there. I expected him to pick it up as I would have – I thought of picking it up, but was too late. He smothered it in a wide sweep. It seemed to me extraordinary and shocking that he had no feeling for it. Several images went through my mind, a symbolic hand, a dead blackbird, an ornamental bookmark fallen from a lectern Bible – any once-precious relic being tumbled in the dirt. As I went up the escalator I remembered the Tatterdemallion whom I haven’t seen for months and thought of his body, if he were to die in the tube, being tumbled about with the rest of the thrown-away rubbish.” David Thomson, In Camden Town

Agrown woman is like a coyote—she can get by on very little. Men are more like house cats. Leave them alone for too long and they’ll die of sadness. Over the years I’ve grown to love men for this weakness. I’ve tried to respect them as people, full of feelings, fluctuating and beautiful from day to day. I have listened, soothed, wiped the tears away. But as a young woman in X-ville, I had no idea that other people—men or women—felt things as deeply as I did.

If [the heavyweights] become champions they begin to have inner lives like Hemingway or Dostoyevsky, Tolstoy or Faulkner, Joyce or Melville or Conrad or Lawrence or Proust…Dempsey was alone and Tunney could never explain himself and Sharkey could never believe himself nor Schmeling nor Braddock, and Carnera was sad and Baer an indecipherable clown; great heavyweights like Louis had the loneliness of the ages in their silence, and men like Marciano were mystified by a power which seemed to have been granted them. With the advent, however, of the great modern Black heavyweights, Patterson, Liston, then Clay and Frazier, perhaps the loneliness gave way to what it had been protecting itself against—a surrealistic situation unstable beyond belief. Being a Black heavyweight champion in the second half of the twentieth century (with Black revolutions opening all over the world) was now not unlike being Jack Johnson, Malcolm X and Frank Costello all in one…

You felt no sorrow? No shame? Then?" "Yes, shame, maybe. Maybe sorrow, too, a little. I knew it was terrible. I felt that it was, of course. But still—you see—" "Yes, I know. That Miss X. You wanted to get away." "Yes—but mostly I was frightened, and I didn't want to help her." "Yes! Yes! Tst! Tst! Tst! If she drowned you could go to that Miss X. You thought of that?" The Reverend McMillan's lips were tightly and sadly compressed. "Yes." "My son! My son! In your heart was murder then.

She isn’t traumatized, she isn’t weighed down by any obvious grief. She’s just sad, all the time. An evil little creature that wouldn’t have shown up on any X-rays was living in her chest, rushing through her blood and filling her head with whispers, saying she wasn’t good enough, that she was weak and ugly and would never be anything but broken. You can get it into your head to do some unbelievably stupid things when you run out of tears, when you can’t silence the voices no one else can hear, when you’ve never been in a room where you felt normal.

X. We Have Lost Even" We have lost even this twilight. No one saw us this evening hand in hand while the blue night dropped on the world. I have seen from my window the fiesta of sunset in the distant mountain tops. Sometimes a piece of the sun burned like a coin between my hands. I remembered you with my soul clenched in the sadness of mine that you know. Where were you then? Who else was there? Saying what? Why will the whole of love come on me suddenly when I am sad and feel you are far away? The book fell that is always turned to at twilight and my cape rolled like a hurt dog at my feet. Always, always you recede through the evenings towards where the twilight goes erasing statues.

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

This book consists not only of my stories of mistakes, rather it’s all our stories of mistakes and heart aches. It’s the plight of all of us who were rebelling, and kicking against the social messes we found ourselves in. Yet there are so many others who are not alive today, and I feel obligated in not allowing the lessons of their mistakes to lie in the grave with them. It was the United States Senator, Al Franken, who stated, “Mistakes are a part of being human. Precious life lessons that can only be learned the hard way unless it's a fatal mistake, which, at least, others can learn from.” I’m revealing all of those mistakes and more, sadly a lot of them are fatal. In an attempt to have these real life lessons obtained in blood, prevent the blood-shedding of so many others. These stories are ones that young people can understand and identify with. While at the same time empowering them, to make better decisions about their choice of friends, the proper use of their time and how one wrong move can be fatal. I guess the major question that we all have to ask ourselves at the end of the day would be: how could I and so many others have been prevented from becoming monsters? You be the judge. I now extend my hand to you, and personally invite you to take a journey with me into the heartlands of innocence to menacing, from a youngster to a monster, and the making of a predator. I will safely walk you down the deserted and darkened street corners which were once my world of crime, gang violence and senseless murders. It’s a different world unto itself, one which could only be observed up close by invitation only. Together we will learn the motivation behind hard-core gangsters, and explore the minds of cold-blooded murderers. You will discover the way they think about their own lives, and why they are so remorseless about the taking of another’s life. So, if you will, please journey with me as we discover together how the fight of our lives were wrapped up in our fathers.

THEORY OF ALMOST EVERYTHING After the war, Einstein, the towering figure who had unlocked the cosmic relationship between matter and energy and discovered the secret of the stars, found himself lonely and isolated. Almost all recent progress in physics had been made in the quantum theory, not in the unified field theory. In fact, Einstein lamented that he was viewed as a relic by other physicists. His goal of finding a unified field theory was considered too difficult by most physicists, especially when the nuclear force remained a total mystery. Einstein commented, “I am generally regarded as a sort of petrified object, rendered blind and deaf by the years. I find this role not too distasteful, as it corresponds fairly well with my temperament.” In the past, there was a fundamental principle that guided Einstein’s work. In special relativity, his theory had to remain the same when interchanging X, Y, Z, and T. In general relativity, it was the equivalence principle, that gravity and acceleration could be equivalent. But in his quest for the theory of everything, Einstein failed to find a guiding principle. Even today, when I go through Einstein’s notebooks and calculations, I find plenty of ideas but no guiding principle. He himself realized that this would doom his ultimate quest. He once observed sadly, “I believe that in order to make real progress, one must again ferret out some general principle from nature.” He never found it. Einstein once bravely said that “God is subtle, but not malicious.” In his later years, he became frustrated and concluded, “I have second thoughts. Maybe God is malicious.” Although the quest for a unified field theory was ignored by most physicists, every now and then, someone would try their hand at creating one. Even Erwin Schrödinger tried. He modestly wrote to Einstein, “You are on a lion hunt, while I am speaking of rabbits.” Nevertheless, in 1947 Schrödinger held a press conference to announce his version of the unified field theory. Even Ireland’s prime minister, Éamon de Valera, showed up. Schrödinger said, “I believe I am right. I shall look an awful fool if I am wrong.” Einstein would later tell Schrödinger that he had also considered this theory and found it to be incorrect. In addition, his theory could not explain the nature of electrons and the atom. Werner Heisenberg and Wolfgang Pauli caught the bug too, and proposed their version of a unified field theory. Pauli was the biggest cynic in physics and a critic of Einstein’s program. He was famous for saying, “What God has torn asunder, let no man put together”—that is, if God had torn apart the forces in the universe, then who were we to try to put them back together?

This great focus on relationships, and the appearance of coupling or marrying for status, can cause the public to perceive them to be promiscuous. Many of them are, indeed, but it is not their usual style. What they normally want is a lifelong companion, a true partner they can integrate themselves completely with, forever and ever. The sad reality is that this is a rare gem to find, so many of them scamper from one bed to another, hoping to find The One.

Oh on my breast in days hereafter Light the earth should lie, Such weight to bear is now the air, So heavy hangs the sky. (Additional Poems, X)

Sad by Maroon 5 - x C

I feel sad as I read Tolstoy’s religious writings. The X-ray vision into the human heart that made him a great novelist also made him a tortured Christian. Like a spawning salmon, he fought upstream all his life, in the end collapsing from moral exhaustion. Yet I also feel grateful to Tolstoy, for his relentless pursuit of authentic faith has made an indelible impression upon me. I first came across his novels during a period when I was suffering the delayed effects of “church abuse.” The churches I grew up in contained too many frauds, or at least that is how I saw it in the arrogance of youth. When I noted the rift between the ideals of the gospel and the flaws of its followers, I was sorely tempted to abandon those ideals as hopelessly unattainable. Then I discovered Tolstoy. He was the first author who, for me, accomplished that most difficult of tasks: to make good as believable and appealing as evil. I found in his novels, fables, and short stories a source of moral power. A. N. Wilson, a biographer of Tolstoy, remarks that “his religion was ultimately a thing of Law rather than of Grace, a scheme for human betterment rather than a vision of God penetrating a fallen world.” With crystalline clarity Tolstoy could see his own inadequacy in the light of God’s Ideal. But he could not take the further step of trusting God’s grace to overcome that inadequacy.

Harry finished reading but continued to gaze at the picture accompanying the obituary. Dumbledore was wearing his familiar, kindly smile, but as he peered over the top of his half-moon spectacles, he gave the impression, even in newsprint, of X-raying Harry whose sadness mingled with a sense of humiliation. He had thought he knew Dumbledore quite well, but ever since reading this obituary he had been forced to recognize that he had barely known him at all.

The darker side of this story is that parents in such (cot death) cases have often had their tragedy compounded by suspicion that they have killed their child. In one particularly sad case a few years ago an ‘expert’ witness informed a UK court that the chances of a couple’s first cot death through natural causes were 1 in 8,000, and, that, following the second cot death in the same family, the chances of that were 1 in 8,000 x 8,000 (i.e. 1 in 64 million). The mother went to prison because the ‘expert’ failed to understand that, if the first death, however unlikely, had a genetic cause, then the chances of the same defect affecting the next child were 1 in 4. For a recessive condition (see above), the assumption is that the two parents are carriers, each carrying one ‘bad’ copy and one ‘good’ copy of the gene. They are therefore unaffected themselves but both have a 50:50 chance of passing on the bad copy to their offspring. Hence a 25 per cent chance that the child will be affected and a 50 per cent chance that the child will be unaffected but also be a carrier like the parents.

The difference between a basic orientation toward the love of learning and one toward the love of spectacle is that between two kinds of basic restlessness. The one sort, exemplified by Augustine’s own journey as he describes it, unceasingly moves past the surfaces of things to what is more real. The second flees unceasingly from object to object, all on the same level—never culminating in anything further, never achieving anything beyond the thrill of experience. It is the bare existence of a human possibility that inspires the exercise of the love of spectacle. The lovers of spectacle seek no good of the kind Malcolm X, André Weil, or Irina Ratushinskaya sought—indeed, it is the bad, the sad, and the ugly as such that hold special fascination for them. The love of learning always wants more; the love of spectacle is satisfied at the surface, like someone scratching an itch rather than trying to heal a wound.28

Harry finished reading but continued to gaze at the picture accompanying the obituary. Dumbledore was wearing his familiar, kindly smile, but as he peered over the top of his half-moon spectacles, he gave the impression, even in newsprint, of X-raying Harry, whose sadness mingled with a sense of humiliation. He had thought he knew Dumbledore quite well, but ever since reading this obituary he had been forced to recognize that he had barely known him at all. Never once had he imagined Dumbledore’s childhood or youth; it was as though he had sprung into being as Harry had known him, venerable and silver-haired and old. The idea of a teenage Dumbledore was simply odd, like trying to imagine a stupid Hermione or a friendly Blast-Ended Skrewt.

Sadness would inevitably happen down the road. It wasn't being pessimistic, just realistic.

The more he thought about space, the more important its exploration seemed to him. He felt as if the public had lost some of its ambition and hope for the future. The average person might see space exploration as a waste of time and effort and rib him for talking about the subject, but Musk thought about interplanetary travel in a very earnest way. He wanted to inspire the masses and reinvigorate their passion for science, conquest, and the promise of technology. His fears that mankind had lost much of its will to push the boundaries were reinforced one day when Musk went to the NASA website. He’d expected to find a detailed plan for exploring Mars and instead found bupkis. “At first I thought, jeez, maybe I’m just looking in the wrong place,” Musk once told Wired. “Why was there no plan, no schedule? There was nothing. It seemed crazy.” Musk believed that the very idea of America was intertwined with humanity’s desire to explore. He found it sad that the American agency tasked with doing audacious things in space and exploring new frontiers as its mission seemed to have no serious interest in investigating Mars at all. The spirit of Manifest Destiny had been deflated or maybe even come to a depressing end, and hardly anyone seemed to care. Like

There is another duty of strict Justice which regards children; they are obliged to pray for their deceased parents. Reciprocally in their turn parents are bound by natural right not to forget before God those of their children who have preceded them into eternity. Alas! there are parents who are inconsolable at the loss of a son or of a dearly beloved daughter, and who, instead of praying for them, bestow upon them nothing but a few fruitless tears. Let us hear what Thomas of Cantimpré relates on this subject; the incident happened in his own family. The grandmother of Thomas had lost a son in whom she had centred her fondest hopes. Day and night she wept for him and refused all consolation. In the excess of her grief she forgot the great duty of Christian love, and did not think of praying for that soul so dear to her. The unfortunate object of this barren tenderness languished amid the flames of Purgatory, receiving no alleviation in his sufferings. Finally God took pity on him. One day, whilst plunged in the depths of her grief, this woman had a miraculous vision. She saw on a beautiful road a procession of young men, as graceful as angels, advancing full of joy towards a magnificent city. She understood that they were souls from Purgatory making their triumphal entry into Heaven. She looked eagerly to see if among their ranks she could not discover her son. Alas! the child was not there; but she perceived him approaching far behind the others, sad, suffering, and fatigued, his garments drenched with water. “Oh, dear object of my grief,” she cried out to him, “how is it that you remain behind that brilliant band? I should wish to see you at the head of your companions.” “Mother,” replied the child in a plaintive tone, “it is you, it is these tears which you shed over me that moisten and soil my garments, and retard my entrance into the glory of Heaven. Cease to abandon yourself to a blind and useless grief. Open your heart to more Christian sentiments. If you truly love me, relieve me in my sufferings; apply some indulgences to me, say prayers, give alms, obtain for me the fruits of the Holy Sacrifice of the Mass. It is by this means that you will prove your love; for by so doing you will deliver me from prison where languish, and bring me forth to eternal life, which is far more desirable than the life terrestrial which you have given me.” Then the vision disappeared, and that mother, thus admonished and brought back to true Christian sentiments, instead of giving way to immoderate grief, applied to the practice of every good work which could give relief to the soul of her son. The

Losing someone, it’s not all sadness. Grief…it’s a difficult thing but it’s more than just pain and misery. In a way, it’s a display of love. Grief is an echo of the love and joy that a person brought to your life. Even when they’re gone, the moments shared with them still live. They still live within you.

Some people think words are just words, that they mean nothing. I pity those who think that way - it's sad. It's not true, it's more than just a couple of letters strung together. It's about how they can be brought together to form life. To compose. Whether that be in a story, a speech, or a song. Words that can make you feel something.

RIVER QUAY In Kansas City, if one were to bring up the topic of River Quay (pronounced “River Key”), that conversation would no doubt evolve into a conversation about River Market. Today, River Market is a hip-and-trendy neighborhood in Kansas City, Missouri. Located just south of the Missouri River. Adorning River Market’s quaint neighborhood feel, you’ll find chic eateries. Coupled to an urban lifestyle. Complete with a streetcar. A stone’s throw to the west of Christopher S. Bond Bridge. That’s today. Today’s River Market. Yesterday’s River Quay. In 1971, Marion Trozzolo - then, a Rockhurst University professor - began renovating historic buildings alongside the “Big Muddy” in a section of Kansas City that we now know to be River Market. It was Professor Trozzolo who came up with the River Quay nickname. Trozzolo’s idea for River Quay? For River Quay to undergo a thorough, artsy-remake. Into a Kansas City-styled French Quarter. A neighborhood comparable to Chicago’s Old Town. To San Francisco’s Ghirardelli Square. Trozzolo envisioned a family-friendly environ for River Quay. Unfortunately, the latter half of the ‘70’s was a rough time for this neighborhood next to the muddy Missouri. The word Quay? It's a word of French origin. The translation for Quay? Loading platform. Or wharf. Did River Quay ever become a Kansas City French Quarter? Did River Quay ever become a Kansas City Old Town? Did River Quay ever become a Kansas City Ghirardelli Square? Hardly. By the late ‘70’s, revitalization efforts in River Quay had stalled. Leaving River Quay saddled with boarded up buildings. Deserted through-streets. A neighborhood, with no vibrancy. Streets, with no traffic. Sidewalks, with no passers-by. By the late ‘70’s, developers were walking away from unfinished River Quay projects. Whereas River Quay had once - not long before - been primed for a grandiose new identity. One which bespoke of a rebirth for this neighborhood. A transition. From blight. To that of an entertainment district. Yet by the late ‘70’s, River Quay was not on its way to becoming Kansas City’s French Quarter. By the late ‘70’s, you’d still find an X-rated theatre in River Quay. With mob ties. Homeless, sleeping next to decrepit River Quay buildings. Empty River Quay buildings which had once been fancied as prime renovation opportunities. Projects, sadly cast aside and forgotten. In River Quay.  In the late 1970’s? Well, at that time, River Quay was as an unfinished idea. Full of unrealized potential. Full of unrealized promise. Disappointing, no doubt. Yet today, on those same grounds, alongside the Missouri River, we have Kansas City’s stunning River Market. A great idea. Then a detour. Yet, a happy ending - and a nice story, with a unique history- in Kansas City.

Indy beware. Suddenly my books ceased to sell on Amazon and Smashwords. Checking the internet I found that they were also being sold by readabookpage,com and euro-books.net neither of which I have authorised . Worse still they claim to have had 290 four star reviews for them which would equipage to a majority of 5 X stars. Moreover, probably only 1 in 20 people , maybe more, ever write a review. So, by my sums, they have probably shifted over 5.800 books and me c.$7,000 out of pocket. Nice to know they are selling so well, sad I don't get the benefits. Unless Amazon, Smashwords, Apple Books, B and N etc.. get together to get pirate sites closed down , then there is very little future in indy books

Exciting! Have been waiting long for Job One Day Job One turns out per Jer is: high and noble as all getout Per Jer: I will stand for freedom For poor and sick Will defend weak From oppressors. More Defining, with help of HandiPics: Freedom = cartoon bird flies above land, smile on beak. Poor = sad child, pockets sticking out of pants. Sick = thin guy in bed, “X”s for eyes. Weak = guy in desert, trying to reach water glass, failing. Oppressor = tall guy with monster face sticks stick into body of weak as, in four HandiPics in row, weak gets more weak with each poke. Why do oppressors wish to poke weak? I say. They’re bad, says Jer. Have to be stopped. From doing that, I say. Correcto, says Jer. And you’re a big part of the solution. What the what! as Jer might say. Never have I felt being me to be so worth it so far.

Maye tells the story of Elon playing outside one night with his siblings and cousins. When one of them complained of being frightened by the dark, Elon pointed out that “dark is merely the absence of light,” which did little to reassure the scared child. As a youngster, Elon’s constant yearning to correct people and his abrasive manner put off other kids and added to his feelings of isolation. Elon genuinely thought that people would be happy to hear about the flaws in their thinking. “Kids don’t like answers like that,” said Maye. “They would say, ‘Elon, we are not playing with you anymore.’ I felt very sad as a mother because I think he wanted friends. Kimbal and Tosca would bring home friends, and Elon wouldn’t, and he would want to play with them. But he was awkward, you know.” Maye urged Kimbal and Tosca to include Elon. They responded as kids will. “But Mom, he’s not fun.

Please, Isolde. I want to see you happy." My brows lowered, confused by his words. "I am happy with you." He studied me for a moment, and I watched his lips as he strung his explanation together. "I have never seen you smile at me the way you did with Killian last night in the great hall." I could not imagine that was true, but I felt as though he believed what he was saying, which made me sad. Did I scowl at him so much he forgot when I smiled? "I want to be the reason for that smile," he said. "Let me try today.

The party?” She gave a sad little laugh. “I guess … I guess I wanted the attention.” The sentence hung in the air between them, an ugly little confession that was also somehow graceful in its honesty.

I’m starting to think the Watch isn’t a real place, like Hogwarts, or Dr. X’s academy for mutants,” Adam said. “Tell the truth, you’re just living in the desert getting high all the time and spinning these elaborate fairy tales about psychopathic Gen Zs.” “Don’t be jealous,” Archer said, blowing him a kiss. “You can come visit whenever you want.” “He’s just sad he didn’t get his owl,” Noah said, patting Adam on the head like a puppy.

All around us there are other women, seemingly not hurt, making small talk, acting normal, which means happy, not discontent, certainly not devastated. Girls are still being socialized not to identify with - feel empathy for - other females: she got hurt because she did x, y, z - I didn’t, so I didn’t get hurt; she’s at fault, I’m not; the punishment fits her crime; blame her, exonerate him. This continuing, culturally applauded socialisation of women not to empathize with other women is a malignant part of the culture of men, dead white ones or not. Women are perceived to be appalling failures when we are sad. Women are pathetic when we are angry. Women are ridiculous when we are militant. Women are unpleasant when we are bitter, no matter what the cause. Women are deranged when women want justice. Women are man-haters when women want accountability and respect from men. Women are trash when women let men do what men want Women are shrews or puritans when we do not.

neither my fury nor the sadness of the girl registered for her. Scholars call what I saw a “microaggression,” a term coined by eminent Harvard psychiatrist Chester Pierce in 1970. Pierce employed the term to describe the constant verbal and nonverbal abuse racist White people unleash on Black people wherever we go, day after day.

My bike leaned into his, both of them held in the embrace of heavy-duty locks that we'd threaded through the wheels and frames. It occurred to me - sadly, pathetically - that those bikes looked romantic. They touched and bumped without hesitation, without thought. They'd shared in so many adventures; they had history. They belonged together.

Continuing her mysterious route, she saw an angel seated sadly on the curb of a well.” Who is that angel ?” she asked of her guide.” It is, “ he replied, “the angel-guardian of the sinner in whose lot you are interested. His soul is in this well, where it has a special Purgatory.” At these words, Lidwina cast an inquiring glance at her angel; she desired to see that soul which was dear to her, and endeavour to release it from that frightful pit. Her angel, who understood her, having taken off the cover of the well, a cloud of flames, together with the most plaintive cries, came forth. “ Do you recognise that voice ?” said the angel to her. “Alas! Yes, “ answered the servant of God. “Do you desire to see that soul?” he continued. On her replying in the affirmative, he called him by his name; and immediately our virgin saw appear at the mouth of the pit a spirit all on fire, resembling incandescent metal, which said to her in a voice scarcely audible, “O Lidwina, servant of God, who will give me to contemplate the face of the Most High ?” The sight of this soul, a prey to the most terrible torment of fire, gave our saint such a shock that the cincture which she wore around her body was rent in twain; and, no longer able to endure the sight, she awoke suddenly

We believe that Donald Trump is the most dangerous man in the world, a powerful leader of a powerful nation who can order missiles fired at another nation because of his (or a family member’s) personal distress at seeing sad scenes of people having been gassed to death.

Human consciousness has grown highly complex. And because of that our pleasures are immense, as are our sadnesses. Our breadth of emotion is the greatest among all living things because of our high level of consciousness. But in the end we will die. Even though we've known such great pleasures in this world, we will die. Trillions of humans have died. Trillions more will probably die.

The difference between a basic orientation toward the love of learning and one toward the love of spectacle is that between two kinds of basic restlessness. The one sort, exemplified by Augustine's own journey as he describes it, unceasingly moves past the surfaces of things to what is more real. The second flees unceasingly from object to object, all on the same level—never culminating in anything further, never achieving anything beyond the thrill of experience. It is the bare existence of a human possibility that inspires the exercise of the love of spectacle. The lovers of spectacle seek no good of the kind Malcolm X, André Weil, or Irina Ratushinskaya sought—indeed, it is the bad, the sad, and the ugly as such that hold special fascination for them. The love of learning always wants more; the love of spectacle is satisfied at the surface, like someone scratching an itch rather than trying to heal a wound.

Margaux looks around the table; this is not working. All of a sudden she's thinking about a safe room, something she's only heard of but suddenly wants: water, oxygen, bulletproof door, dead bolts, a thousand books. Utterly quiet. Completely silent. No girls she barely knows in saggy leather pants, no girls in mesh strippers' gloves and jeans sanded thin as a bee's wing, and no girls who can't stay home one night a year because they are always and forever out. On their way to. Coming from. And then her heart open. Just a little, but it does. Because she remembers all that. How she felt then: the self-reproach, the utter confusion... That's why her heart opens. For those girls at the table who always feel baffled and sad, tender and malign, repulsive and desirable, innocent and contemptuous of innocence. So she cries. For them, mostly. For herself a little... everything hesitates. So that for a second there's no sound in the enormous room but that of Margaux sobbing.

Some of these images intricately make me feel that I know these places. I see them like I've lived them...a stirring that is so real. A longing a sadness a connection that pulls fully and really

And yet the chance is worth it…isn’t it?” Tyche smiled, a little sad, and said, “That is hope. The greatest enemy of man.

He gave the impression, even in newsprint, of X-raying Harry, whose sadness mingled with a sense of humiliation.

have this idea in my mind that you don’t care about me. I’m feeling sad and afraid about that. I’m not saying it’s necessarily true, but it’s what I experience when you say X and do Y.