“
Lets face it, you did steal me. But you saved my life too. And somewhere in the middle, you showed me a place so different and beautiful, I can never get it out of my mind. And I can't get you out of there either. You're stuck in my brain like my own blood vessels.
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
We kiss again. This next kiss is the kind that breaks open the sky. It steals my breath and gives it back. It shows me that every other kiss I've had in my life has been wrong.
”
”
Gayle Forman (Just One Day (Just One Day, #1))
“
Once conform, once do what other people do because they do it, and a lethargy steals over all the finer nerves and faculties of the soul. She becomes all outer show and inward emptiness; dull, callous, and indifferent.
”
”
Virginia Woolf
“
INTO MY OWN
One of my wishes is that those dark trees,
So old and firm they scarcely show the breeze,
Were not, as ’twere, the merest mask of gloom,
But stretched away unto the edge of doom.
I should not be withheld but that some day
Into their vastness I should steal away,
Fearless of ever finding open land,
Or highway where the slow wheel pours the sand.
I do not see why I should e’er turn back,
Or those should not set forth upon my track
To overtake me, who should miss me here
And long to know if still I held them dear.
They would not find me changed from him they knew—
Only more sure of all I thought was true.
”
”
Robert Frost (A Boy's Will)
“
The worst thing we know about other people is that we’re dependent upon them. That their actions affect our lives. Not just the people we choose, the people we like, but all the rest of them: the idiots. You who stand in front of us in every line, who can’t drive properly, who like bad television shows and talk too loud in restaurants and whose kids infect our kids with the winter vomiting bug at preschool. You who park badly and steal our jobs and vote for the wrong party. You also influence our lives, every second.
”
”
Fredrik Backman (Us Against You (Beartown, #2))
“
I therefore hate the corrupt, slaveholding, women-whipping, cradle-plundering, partial and hypocritical Christianity of the land... I look upon it as the climax of all misnomers, the boldest of all frauds, and the grossest of all libels. Never was there a clearer case of 'stealing the livery of the court of heaven to serve the devil in.' I am filled with unutterable loathing when I contemplate the religious pomp and show, together with the horrible inconsistencies, which every where surround me. We have men-stealers for ministers, women-whippers for missionaries, and cradle-plunderers for church members. The man who wields the blood-clotted cowskin during the week fills the pulpit on Sunday, and claims to be a minister of the meek and lowly Jesus. . . . The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave-trade go hand in hand together. The slave prison and the church stand near each other. The clanking of fetters and the rattling of chains in the prison, and the pious psalm and solemn prayer in the church, may be heard at the same time. The dealers in the bodies of men erect their stand in the presence of the pulpit, and they mutually help each other. The dealer gives his blood-stained gold to support the pulpit, and the pulpit, in return, covers his infernal business with the garb of Christianity. Here we have religion and robbery the allies of each other—devils dressed in angels’ robes, and hell presenting the semblance of paradise.
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
I've come to take you with me
even if I must drag you along
But first I must steal your heart
then settle you in my soul.
I've come as a spring
to lay beside your blossoms
To feel the glory of happiness
and spread your flowers around
I've come to show you off
as the adornment in my house
and elevate you to the heavens
as the prayers of those in love.
I've come to take back
the kiss you once stole
Either return it with grace
or i must take it by force
You're my life
You're my soul
Please be my last prayer
My heart must hold you forever
From the lowly earth
to the high human soul
There are a lot more
than a thousand stages
Since I've taken you along
from town to town
no way will I abandon
you halfway down this road
Though you're in my hands
Though i can throw you around
like a child and a ball
I'll always need to chase after you
”
”
Jalal ad-Din Muhammad ar-Rumi
“
A Chief must show no fear, no worry... A Chief is a leader first, and a man second...
”
”
Cressida Cowell (How to Steal a Dragon's Sword (How to Train Your Dragon, #9))
“
Show just a little bit of what you’re working on.
”
”
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
“
Sed Kissed her on the forehead. "You know what I hate about you?"
She scowled, some strange emotion stealing her breath. "What?"
"You know me too well."
"You know what I hate about you?"
"What?"
"Everything."
"Oh yeah?"
She nodded.
He chuckled. "Baby, if that's how you show your hatred, I can't wait to see how you show you care.
”
”
Olivia Cunning (Rock Hard (Sinners on Tour, #2))
“
Listen. You can be anything you want to be. Be careful. It's a spell. It's magic. Listen to the words. You can be anything, you can do anything, you can be anything, you can do anything. Listen to the magic.
You are anything . . . everyone, anyone. Whatever you want. I'm showing you. So long as you stay yourself inside, you can eat dirt and it'll taste good because it's you that's eating it. You can even lick their arses if you have to. You listen to them, teachers, parents, politicians. They're always saying, if you steal you're a thief, if you sleep around you're a slut, if you take drugs you're a junkie. They want to get inside your head and control you with their fear.
Maybe you think your mum and dad love you but if you do the wrong things they'll try and turn you into dirt. It's your punishment for being you. Don't play their game. Nothing can touch you; you stay beautiful.
I've done everything. All of it. You think it, I've done it.
All the things you never dared, all the things you dream about, all the things you were curious about and then forgot because you knew you never would. I did 'em, I did 'em yesterday while you were still in bed,
What about you? When's it going to be your turn?
”
”
Melvin Burgess (Smack (rack))
“
Don't underestimate her ability to talk, it's her superpower.
”
”
Carrie Vaughn (Kitty Steals the Show (Kitty Norville, #10))
“
Ask anybody doing truly creative work, and they’ll tell you the truth: They don’t know where the good stuff comes from. They just show up to do their thing. Every day.
”
”
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
“
I've been learning this kind of thing," Tavi replied. "I can show you later. How did you steal all of that without learning how to open a lock?"
"I stole the keys," Katai said. "Obviously.
”
”
Jim Butcher (Academ's Fury (Codex Alera, #2))
“
There you are!” he shouted at them. “Father has half the castle turned
out looking for you.”
“Us?” Hadrian asked.
“Yes.” Fanen nodded. “He wants to see the two thieves in his chambers
right away.”
“You didn’t steal the silver or anything, did you, Royce?” Hadrian
asked.
“I would bet it has more to do with your flirting with Lenare this afternoon
and threatening Mauvin just to show off,” Royce retorted.
“That was your fault,” Hadrian said, jabbing his finger at him.
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
“
It may be a small part, but you’ll kill it,” Noah promised. “I know you will. Sometimes it’s the smallest part that steals the show.
”
”
Amy Harmon (The Smallest Part)
“
Death’s crude pluck, as always, stealing the show.
”
”
Delia Owens (Where the Crawdads Sing)
“
You'll make bundle of blunders if you consider yourself too clever to look at anothers work.
”
”
Michael Bassey Johnson
“
Sometimes the poor are praised for being thrifty. But to recommend thrift to the poor is both grotesque and insulting. It is like advising a man who is starving to eat less. For a town or country labourer to practise thrift would be absolutely immoral. Man should not be ready to show that he can live like a badly-fed animal. He should decline to live like that, and should either steal or go on the rates, which is considered by many to be a form of stealing.
”
”
Oscar Wilde (The Soul of Man Under Socialism)
“
The important thing is that you show your appreciation without expecting anything in return, and that you get new work out of the appreciation.
”
”
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
“
Tell me what you value and I might believe you,” management guru Peter Drucker once said, “but show me your calendar and your bank statement, and I’ll show you what you really value.
”
”
Steven Kotler (Stealing Fire: How Silicon Valley, the Navy SEALs, and Maverick Scientists Are Revolutionizing the Way We Live and Work)
“
A well-built physique is a status symbol. It reflects you worked hard for it, no money can buy it. You cannot inherit it. You cannot steal it. You cannot borrow it. You cannot hold on to it without constant work. It shows dedication. It shows discipline. It shows self-respect. It shows dignity. It shows patience, work ethic, passion. That is why it's attractive to me.
”
”
Pauline Nordin
“
I'm going back!" I shouted, standing to put some distance between us in case I was yanking her chain too hard and she came after me. "I'll show him," I said, waving an arm. "I'll sneak in. I'll steal his freaking glasses and mail them back to him in a freaking birthday card!
”
”
Kim Harrison (Dead Witch Walking (The Hollows, #1))
“
Nawat grinned. “I was helping to steal soldiers who couldn't keep up.”
“What do you do with them?” she asked, curious. “I haven't heard of bodies being found.”
“Nor will you,” Nawat informed her, sitting on a corner of the worktable. “They were still alive when we gave them to my warriors at the edge of the jungle.”
He picked up Aly's hand and laced his fingers with hers. “My warriors will be able to say they last saw the missing soldiers alive, when the troops went on a visit to the jungle.”
Aly walked her free fingers over their entwined hands. “But why would Crown soldiers visit the jungle?”
“They didn't think they would at first,” Nawat admitted. “So my warriors show them the beauties of the deep jungle. They take away all the things the soldiers have of the civilized world, such as clothes and weapons and armor, so the soldiers will appreciate the jungle with their entire bodies. But my warriors have seen jungle before, so they get bored and leave. The soldiers stay longer.”
“Like the tax collectors,” Aly whispered, awed by the beauty of what he described. “Take away all they have and leave them to survive the jungle. If you're questioned under truthspell, you can say they were alive when you left them. And the only way they could survive naked out there . . .”
Nawat was shaking his head. Aly nodded. “I take it you don't leave them near any trails.”
“They are there to appreciate the jungle that has been untouched by humans,” Nawat told her, a teacher to a student who did not quite understand.
Aly sighed. “I am limp with envy,” she told him. “Simply limp.
”
”
Tamora Pierce (Trickster's Queen (Daughter of the Lioness, #2))
“
The most peaceable way for you, if you do take a thief, is, to let him show himself what he is and steal out of your company.
”
”
William Shakespeare
“
Tell me what you value and I might believe you,” management guru Peter Drucker once said, “but show me your calendar and your bank statement, and I’ll show you what you really value.” So
”
”
Steven Kotler (Stealing Fire: How Silicon Valley, the Navy SEALs, and Maverick Scientists Are Revolutionizing the Way We Live and Work)
“
I could flee to the heath. Show them that they cannot keep me locked up, that I am a thief of time and will steal the hours denied to me!
”
”
Hannah Kent (Burial Rites)
“
When someone out there says that I’m not really human—what are they giving themselves permission to do to me?
”
”
Carrie Vaughn (Kitty Steals the Show (Kitty Norville #10))
“
I choose to steal what you choose to show And you know I will not apologize— You’re mine for the taking. I’m making a career of evil… Blue Öyster Cult, “Career of Evil” Lyrics by Patti Smith
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
When the younger generation seems to step over the wall of the old generation, it's rarely ever because they surpassed them. It's usually because the old generation took a step back and decided let the youngsters steal the show.
”
”
Lionel Suggs
“
It is the unspeakable misery of a life so false as his, that it steals the pith and substance out of whatever realities there are around us, and which were meant by Heaven to be the spirit’s joy and nutriment. To the untrue man, the whole universe is false—it is impalpable—it shrinks to nothing within his grasp. And he himself in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist.
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
The sly ability to steal someone else's experience and recreate it as if it were my own is the only real talent I possess. Really, though, my guile is so bogus as to be offensive. If I were to experience failure upon failure day after day—nothing but total embarrassment—then perhaps I'd develop some semblance of dignity as a result. But no, I would somehow illogically twist even such failures, gloss over them smoothly, so that it would seem like they had a perfectly good theory behind them. And I would have no qualms about putting on a desperate show to do so.
”
”
Osamu Dazai (Schoolgirl)
“
No creativity. Trash? Did she steal that from a Disney show?
”
”
Erin Watt (Paper Princess (The Royals, #1))
“
This conspiracy needs a flow chart,
”
”
Carrie Vaughn (Kitty Steals the Show (Kitty Norville #10))
“
Wow,' said Zaphod Beeblebrox to the Heart of Gold. There wasn't much else he could say.
He said it again because he knew it would annoy the press. 'Wow.'
The crowd turned their faces back toward him expectantly. He winked at Trillian, who raised her eyebrows and widened her eyes at him. She knew what he was about to say and thought him a terrible show-off.
'That is really amazing.' he said. 'That really is truly amazing. That is so amazingly amazing I think I'd like to steal it.'
A marvelous presidential quote, absolutely true to form. The crowd laughed appreciativley, the newsman gleefully punched buttons on their Sub-Etha News-Matics and the President grinned.
As he grinned his heart screamed unbearably and he fingered the small Paralyso-Matic bomb that nestled quietly in his pocket.
Finally he could bear it no more. He lifted his heads up to the sky, let out a wild whoop in major thirds, threw the bomb to the ground and ran forward through the sea of suddenly frozen beaming smiles.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
You look ill,” Matthew observed. “Is it my dancing? Is it me personally?”
“Perhaps I’m nervous,” she said. “Lucie did say you didn’t like many people.”
Matthew gave a sharp, startled laugh, before schooling his face back into a look of lazy amusement. “Did she? Lucie’s a chatterbox.”
“But not a liar,” she said.
“Well, fear not. I do not dislike you. I hardly know you,” said Matthew. “I do know your brother. He made my life miserable at school, and Christopher’s, and James’s.”
“Alastair and I are very different,” Cordelia said. She didn’t want to say more than that. It felt disloyal to Alastair. “I like Oscar Wilde, for instance, and he does not.”
The corner of Matthew’s mouth curled up. “I see you go directly for the soft underbelly, Cordelia Carstairs. Have you really read Oscar’s work?”
“Just Dorian Gray,” Cordelia confessed. “It gave me nightmares.”
“I should like to have a portrait in the attic,” Matthew mused, “that would show all my sins, while I stayed young and beautiful. And not only for sinning purposes—imagine being able to try out new fashions on it. I could paint the portrait’s hair blue and see how it looks.”
“You don’t need a portrait. You are young and beautiful,” Cordelia pointed out.
“Men are not beautiful. Men are handsome,” objected Matthew.
“Thomas is handsome. You are beautiful,” said Cordelia, feeling the imp of the perverse stealing over her. Matthew was looking stubborn. “James is beautiful too,” she added.
“He was a very unprepossessing child,” said Matthew. “Scowly, and he hadn’t grown into his nose.”
“He’s grown into everything now,” Cordelia said.
Matthew laughed, again as if he was surprised to be doing it. “That was a very shocking observation, Cordelia Carstairs. I am shocked.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
I love the little ways he shows he cares, like giving me the last piece from his favorite sushi roll or only stealing a single bite of dessert before handing it over, although I know we both suffer from the same unfortunate sweet tooth.
”
”
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
“
Have you ever seen an anthill?" he said at last. "A machine of tiny marchers. Too much motion, you cannot make out the aims in it. But take something away from that anthill – a stone, a leaf, a dead caterpillar – and the ants scurry. You see which ones you have sabotaged, which ones are disturbed and scuttling to prop something in its place. That is what I do. That is kleptomancy. Divination by theft. Find something that is important, something on which you suspect many plans rely, and remove it. Then sit and watch. That’s why stealing you will help, even if you know nothing. Right now, the people who want to use you and the people who want you dead will be in a race to find you before the other does. People in a hurry often show their hand by mistake.
”
”
Frances Hardinge (A Face Like Glass)
“
This city had been a city for two thousand years, and I could feel that with every step I took. bits of all that time were still here, alive, even if it was just in the form of collective memory.
”
”
Carrie Vaughn (Kitty Steals the Show (Kitty Norville, #10))
“
In the first act, you get your hero up a tree. The second act, you throw rocks at him. For the third act, you let him down."- George Abbott
”
”
Austin Kleon (Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered)
“
How about we really steal Brittany's thunder by giving the London paparazzi an exclusive?"
"What sort of exclusive?"
"Let's show them how much I love Morgan Abbot."
"Love?" Was I really hearing this? "You... are in love with me?"
"Totally. One hundred percent head over heels in love with you, Morg. Have been ever since you led me on that goofy chase around the White House.
”
”
Cassidy Calloway (Secrets of a First Daughter (First Daughter, #2))
“
Typically, in politics, more than one horse is owned and managed by the same team in an election. There's always and extra candidate who will slightly mimic the views of their team's opposing horse, to cancel out that person by stealing their votes just so the main horse can win. Elections are puppet shows. Regardless of their rainbow coats and many smiles, the agenda is one and the same.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
He's not exactly a stranger anymore. He showed Jack how to do a backflip. Someone tipped sand down his shirt. He gave Moxie a leg up over the chain fence on the way home. He's eaten their potato salad and worn their clothes.
The trouble is he stole it all, every moment. And that's the part people don't overlook. They feel betrayed. Betrayed people have the hardest fists.
”
”
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
“
I once believed man was different from other animals, but Yodok showed me that reality doesn't support this opinion. In the camp, there was no difference between man and beast, except maybe that a very hungry human was capable of stealing food from its little ones while an animal, perhaps, was not.
”
”
Kang Chol-Hwan (The Aquariums of Pyongyang: Ten Years in the North Korean Gulag)
“
many of the people who we think of as lone geniuses were actually part of “a whole scene of people who were supporting each other, looking at each other’s work, copying from each other, stealing ideas, and contributing ideas.
”
”
Austin Kleon (Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered (Austin Kleon))
“
My voice softens. “But you’re right; I should have told you where I was going. I’m sorry to make you worry.” “Damn it, Sara.” He twines his fingers in my hair and lowers his mouth one hot breath from mine. “You are the reason I take my next breath,” he whispers. “Why can’t you see that?” His question steals the last of my anger. I soften against him, my fingers curving around his jaw. “Let’s go home, baby.” He kisses my forehead. “I have something to show you.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
There’s something you need to understand, Jonah. For every person who’s stealing and setting fires and turning over police cars, there are three or four others in the same neighborhood who want no part of it, who’re more afraid of lawbreakers than they are of the law.” “Doesn’t look that way.” “Because the TV only shows you the ones who’re doing it. The news isn’t all the news, Jonah. Not by a long shot. It’s just what reporters want to tell you about. Riots come and go, wars come and go, but under the tumult, day after day, century after century, millions of people are doing nice things for one another, making sacrifices, mostly small things, but it’s all those little kindnesses that hold civilization together, all those people who live quiet lives and never make the news.
”
”
Dean Koontz (The City)
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I’ve earned the right to steal a little makeup. Scientists have confirmed that humanity is highly suggestible. If I intend to escape the jaws of consumerism, I have some hard choices ahead. I won’t say that the Devil is behind this, but Gretchen goes to Catholic school, she says the Devil can show up anywhere, and we wouldn’t even recognize him. Last week Gretchen told me, watch carefully to see how one thing connects to another.
”
”
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
“
Humans - a renewable resource.
”
”
Carrie Vaughn (Kitty Steals the Show (Kitty Norville, #10))
“
I was a creature of the night, I wasn't supposed to be afraid of the dark. Not that it was the dark I was afraid of--it was the other creatures of the night.
”
”
Carrie Vaughn (Kitty Steals the Show (Kitty Norville, #10))
“
You mean like some kind of A Midsummer Night’s Dream shtick? For real?
”
”
Carrie Vaughn (Kitty Steals the Show (Kitty Norville #10))
“
I wanna know,” She breathes, “I wanna know what it is that makes the shadows so great. I want you to show me.
”
”
Monty Jay (The Lies We Steal (The Hollow Boys, #1))
“
Statistics show that a narcissistic mother has a 98% chance of raising a narcissistic son. As a result, he will lie, cheat, steal, & in some cases, kill.
”
”
Mitta Xinindlu
“
You were in business making meth? Do you have any idea what that drug does to people?"
We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem."
I shake my head, disgusted. "If you build it, they will come."
If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up."
It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me."
Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read."
It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.
”
”
Jodi Picoult (Vanishing Acts)
“
Place your truth on my hips. Don’t tell me who you are. Show me with your sincerity, let me see the helplessness in your eyes, wrap your irreverence around me. I’ve been afraid. My freedom has been mistaken for frivolousness, my sexuality for carelessness. Double standards imposed with hypocritical fingers and incurious hearts. I’ve relinquished myself to the wrong ideologies. I’m tired of having to cover my vulnerability to protect others from feeling theirs.
Expose me, penetrate me with broad philosophies, let us collide recklessly with freedom. Steal my wild heart, but do not ask me to live under an umbrella when I like being soaked by the rain.
”
”
Jacqueline Simon Gunn
“
You might be scared to start. That’s natural. There’s this very real thing that runs rampant in educated people. It’s called “impostor syndrome.” The clinical definition is a “psychological phenomenon in which people are unable to internalize their accomplishments.” It means that you feel like a phony, like you’re just winging it, that you really don’t have any idea what you’re doing. Guess what: None of us do. Ask anybody doing truly creative work, and they’ll tell you the truth: They don’t know where the good stuff comes from. They just show up to do their thing. Every day.
”
”
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
“
I have proven many times over that the “painted hussy” will steal the show from the more “tasteful” girls. Many years ago, I had my witches
wearing false eyelashes with heavy eye make-up, ** and though they were always criticized by other women as looking “artificial,” they got all the attention from the men. When a man sees a make-up job that is blatantly and obviously make-up, he is automatically flattered, because he knows that the woman is trying to look sexy. Men like to see a sexy -looking woman and it pleases a man to think that a woman is knocking herself out trying to please him
”
”
Anton Szandor LaVey
“
Let's try to find ten good things to say about Albert Belle:
10. So far as we know, he's never killed anyone.
9. He is handsome, and built like a God.
8. He played every game.
7. He has never appeared on the Jerry Springer Show.
6. He was an underrated base runner who was rarely caught stealing.
5. He hasn't been arrested in several years.
4. He is very bright.
3. He works hard.
2. He has never spoken favorably about Adolf Hitler, Saddam Hussein, or any other foreign madman.
1. The man could hit.
”
”
Bill James
“
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
”
”
Joseph Brodsky
“
Disobedience, in the eyes of anyone who has read history, is man's original virtue. It is through
disobedience that progress has been made, through disobedience and through
rebellion. Sometimes the poor are praised for being thrifty. But to
recommend thrift to the poor is both grotesque and insulting. It is like
advising a man who is starving to eat less. For a town and country
laborer to practice thrift would be absolutely immoral. Man should
not be ready to show that he can live like a badly fed animal. He
should decline to live like that, and should either steal or go on
the rates, which is considered by many to be a form of stealing.
As for begging, it is safer to beg than to take, but it is finer to
take than to beg. No: a poor man who is ungrateful, unthrifty, discontented
and rebellious, is probably a real personality, and has much to him.
He is at any rate a healthy protest. As for the virtuous poor, one can pity
them, of course, but one cannot possibly admire them. They have made private
terms with the enemy, and sold their birthright for very bad pottage.
”
”
Oscar Wilde
“
In The Sunset Sky
The sunset sky dazzling with the golden hues,
Taking bow in brilliant sparkle of experience
Is it not a climax, of the story so far, that was today?
Or is it building anticipation of the night yet to come.
Watch the days go,
some proud of their accomplishments
Some leaving sighs of disappointments, Leaving all in awe of its Amaranthine twists and turns
And the fortunate get to see the moon trying to steal the show from setting sun,
Oh she is such a show off, isn't she, basking in reflected glory
Its magical, the sunset sky,Puzzling, sometimes just like a riddle,
Leaving the nature stunned and amazed For it has been filling the canvas whole day with colours
And now the sunset threatens to hide them all
And in dark all the colours will be same
A cue for the wise.
Sunset sky has so much to offer,
is she not a fine exampleof how uncertain a life can be
Often reminding no matter what you planned, there will besome unexpected returns
For End has its own brain, its own script
Charting its own course
So why just the beginning,every moment of the life should be grand,
meted with equal passion and fervor
She has been so clever; the sunset sky
Leaving Twinkling cryptic messages for the night sky
For even the dark has sparkle and hope if you keep your head up,
A constant reminder that exuberance is an attitude of deep,rich, warm hearts
I want my sunset sky to be grand, magical, and full of stories of my life that has been
And its memories to linger on in this world, in the tomorrow and a few more years to come
”
”
Soma Mukherjee
“
I know you are afraid, mon amour," he whispered softly, his hands sliding up her rib cage to her breasts. "But I am no longer a beast. You leashed the demon. There is only me, a man who very much wants to make love to his lifemate." She felt his breath against her nipple. "Let me show you how it is supposed to be. Beautiful. Such pleasure.I can bring you so much pleasure,ma petite." His mouth closed over her breast, hot and moist. The sound of his voice was memerizing, enticing. She could get caught up forever in the mere sound of it. There was no thought in his mind for his own burning body, his own urgent demands; he wanted to show her the beauty and pleasure of true mating.
Flames raced through her blood and licked down her skin at the intensity of the eroticism, the craving his mouth at her breast created. She moaned, low and soft, the note brushing at his soul like the flutter of butterfly wings. Her hands slid over his back, tracing each defined muscle with her fingertips, commiting him to memory. Tears filled her eyes. How could a man be so sensual, so perfect? He was stealing her will as easily as he was stealing her body.
"Want me, Savannah," he whispered softly. "Want me the way I want you.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
It would just mean another night at the kirkyard, and he would steal and sell a thousand bodies if it meant buying her the things that would show her how much he adored her. Let him spend every night in the dirt if it meant getting his mornings with her.
”
”
Dana Schwartz (Anatomy: A Love Story (The Anatomy Duology, #1))
“
The park was the heart of the city. He had come to the city – and with a knowing in his blood – he had established himself at the heart of it. Everyday he looked at the heart of it; every day; he was so stunned and awed and overwhelmed that just to think about it made him sweat. There was something, in the center of the park, that he had discovered. It was a mystery although it was in a glass case for everybody to see and there was a typewritten card over it telling all about it. But there was something the card couldn't say and what it couldn't say was inside him. He could not show the mystery to just anybody; but he had to show it to somebody. Who he had to show it to was a special person. This person could not be from the city but he didn't know why. He knew he would know him when he saw him and that he would have to see him soon or the nerve inside him would grow so big that he would be forced to steal a car or rob a bank or jump out of a dark alley onto a woman.
”
”
Flannery O'Connor (Wise Blood)
“
Of course it was always the people who called themselves enlightened who stole the most. Who picked up the slang the earliest. To show – what? That they were not like the others? That they knew what was worth stealing? They were the guiltiest too. But guilt was not worth anything.
”
”
Patricia Lockwood (No One Is Talking About This)
“
One of my wishes is that those dark trees. So old and firm they scarcely show the breeze. Were not, as 'twere, the merest mask of gloom. But stretched away unto the edge of doom.
I should not be withheld but that some day into their vastness I should steal away. Fearless of ever finding open land, or highway where the slow wheel pours the sand.
I do not see why I should e'er turn back. Or those should not set forth upon my track. To overtake me, who should miss me here. And long to know if still I held them dear.
They would not find me changed from him they knew,-only more sure of all I though was true.
”
”
Robert Frost
“
And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep.
Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky.
'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.
”
”
Jack Kerouac (Maggie Cassidy)
“
Exhaustive celebration of and in and through our suffering, which is neither distant nor sutured, is black study. That continually rewound and remade claim upon our monstrosity—our miracle, our showing, which is neither near nor far, as Spillers shows—is black feminism, the animaterial ecology of black and thoughtful stolen life as it steals away.
”
”
Fred Moten (Black and Blur (consent not to be a single being))
“
My advice for aspiring writers is simply this: NEVER GIVE UP. Do not let anyone tell you that you cannot achieve your dreams. If you want to be a writer, do it! Study hard to show that you have a passion for it. Read as many books as you possibly can. Attend workshops. Take classes that focus on English and writing skills. Research. Write everyday; even if it's on little napkins at restaurants. Every idea starts somewhere. Never let anyone steal your aspirations. You can do this. Just breathe and write. The rest will come to follow.
”
”
Rachel Nicole Wagner
“
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?"
"Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways.
"Oh," Toraf says. "It must be someone I know, then."
"Toraf, I swear by Triton's trident-"
"These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna."
"She's not going to any island with you, Toraf!" Emma yells.
"Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles.
Rayna shakes her head. "It's no use, Emma. I really don't have a choice."
She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you."
Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him.
Toraf shakes his head. "She's not staying with you, Emma."
"We'll see about that, tadpole," she returns.
"Galen, do something," Toraf says, not taking his eyes off Emma.
Galen grins. "Such as?"
"I don't know, arrest her or something," Toraf says, crossing his arms.
Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table.
Everyone gasps except Galen-who laughs so hard he almost upturns his chair.
Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?"
The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?"
Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt.
The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago."
This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly.
She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand."
She laughs and shows him it's empty. "No weapons."
"Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her.
She shrugs. "Survival instinct, maybe?"
He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks.
"Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Is this all the habit you acquired when you studied philosophy, to look to others and to hope for nothing from yourself and your own acts? Lament therefore and mourn, and when you eat be fearful that you will have nothing to eat to-morrow. Tremble for your wretched slaves, lest they should steal, or run away, or die. Live in this spirit, and never cease to live so, you who never came near philosophy, except in name, and disgraced its principles so far as in you lies, by showing them to be useless and unprofitable to those who take them up.
”
”
Epictetus (Discourses, Books 3-4. The Enchiridion (Loeb Classical Library #218))
“
A calendar helps you plan work, gives you concrete goals, and keeps you on track. The comedian Jerry Seinfeld has a calendar method that helps him stick to his daily joke writing. He suggests that you get a wall calendar that shows you the whole year. Then, you break your work into daily chunks. Each day, when you’re finished with your work, make a big fat X in the day’s box. Every day, instead of just getting work done, your goal is to just fill a box. “After a few days you’ll have a chain,” Seinfeld says. “Just keep at it and the chain will grow longer every day. You’ll like seeing that chain, especially when you get a few weeks under your belt. Your only job next is to not break the chain.” Get a calendar. Fill the boxes. Don’t break the chain.
”
”
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
“
I suspect if we were as familiar with our bones as with our skin, we'd never bury dead but shrine them in their rooms, arranged as we might like to find them on a visit; and our enemies, if we could steal their bodies from the battle sites, would be museumed as they died, the steel still eloquent in their sides, their metal hats askew, the protective toes of their shoes unworn, and friend and enemy would be so wondrously historical that in a hundred years we'd find the jaws still hung for the same speech and all the parts we spent our life with titled as they always were - rib cage, collar, skull - still repetitious, still defiant, angel light, still worthy of memorial and affection. After all, what does it mean to say that when our cat has bitten through the shell and put confusion in the pulp, the life goes out of them? Alas for us, I want to cry, our bones are secret, showing last, so we must love what perishes: the muscles and the waters and the fats.
”
”
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
“
He came over to see her, so he said. She didn’t go home last night and he thought she was still here.” She laughed. “He wasn’t surprised at not finding her, though. He said she was always wandering off somewhere, she has dromomania, which comes from a mother fixation and is very interesting. He said Stekel claims people who have it usually show kleptomaniac impulses too, and he’s left things around to see if she’d steal them, but she never has yet that he knows of.
”
”
Dashiell Hammett (The Thin Man)
“
But this is something quite new!" said Mrs. Munt, who collected new ideas as a squirrel collects nuts, and was especially attracted by those that are portable.
"New for me; sensible people have acknowledged it for years. You and I and the Wilcoxes stand upon money as upon islands. It is so firm beneath our feet that we forget its very existence. It's only when we see someone near us tottering that we realize all that an independent income means. Last night, when we were talking up here round the fire, I began to think that the very soul of the world is economic, and that the lowest abyss is not the absence of love, but the absence of coin."
"I call that rather cynical."
"So do I. But Helen and I, we ought to remember, when we are tempted to criticize others, that we are standing on these islands, and that most of the others are down below the surface of the sea. The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June if Helen and Paul Wilcox had been poor people and could not invoke railways and motor-cars to part them."
"That's more like Socialism," said Mrs. Munt suspiciously.
"Call it what you like. I call it going through life with one's hand spread open on the table. I'm tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, and Helen upon the same, and Tibby will stand upon eight, and as fast as our pounds crumble away into the sea they are renewed—from the sea, yes, from the sea. And all our thoughts are the thoughts of six-hundred-pounders, and all our speeches; and because we don't want to steal umbrellas ourselves, we forget that below the sea people do want to steal them, and do steal them sometimes, and that what's a joke up here is down there reality—
”
”
E.M. Forster (Howards End)
“
What's Toraf's favorite color?"
She shrugs. "Whatever I tell him it is."
I raise a brow at her. "Don't know, huh?"
She crosses her arms. "Who cares anyway? We're not painting his toenails."
"I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact.
Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color."
Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before.
When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me.
"Yes, I do," I say, searching Rachel's face for the answer. She shrugs.
Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time.
Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue.
"Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?"
Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted."
Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers.
"Not as much as I missed you," he tells her.
Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish.
If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before."
Rayna slaps her knee in triumph. "Ha!"
Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck.
Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock.
Okay, it looked as bad as I thought it did.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
How is one statute against murder or rape or theft different from any other?” I said, though my mind had careened into a hundred different questions. “They are different in that they come from a god who says we are to show honor of him by honoring others. And so as we feed our hungry neighbor and do not steal from him we honor not our neighbor, but the image of the One who fashioned him. You say our god has no face. This is not true. Yaweh’s face is before us in every person we see, as we are made in his image. Living people who require more kindness and adoration than any idol.
”
”
Tosca Lee (The Legend of Sheba: Rise of a Queen)
“
Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by."
He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin.
"Hello,Lauren.I happened to be in the neighborhood and decided to drop by."
"What do you want,Nick?" she sighed, her blue eyes searching his.
"You."
Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?"
"I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-"
He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you."
She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you."
"Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying.
"Come here and I'll show you just how perverted I can be," he invited smoothly.
Lauren took a cautious step backward. "Absolutely not.
”
”
Judith McNaught (Double Standards)
“
Can you remember, Acte...how much easier our belief in Nero made life for us in the old days? And can you remember the paralysis, the numbness that seized the whole world when Nero died? Didn't you feel as if the world had grown bare and colorless all of a sudden? Those people on the Palatine have tried to steal our Nero from us, from you and me. Isn't splendid to think that we can show them they haven't succeeded? They have smashed his statues into splinters, erased his name from all the inscriptions, they even replaced his head on that huge statue in Rome with the peasant head of old Vespasian. Isn't it fine to teach them that all that hasn't been of the slightest use? Granted that they have been successful for a few years. For a few years they have actually managed to banish all imagination from the world, all enthusiasm, extravagance, everything that makes life worth living. But now, with our Nero, all these things are back again.
”
”
Lion Feuchtwanger (The False Nero)
“
Life is dangerous,Gary," Gregori said softly. "You are Rambo, remember?"
Savannah's laughter rang out, rivaling the jazz quartet playing on the corner. Heads turned to listen to he, then to watch her, stealing away the attention of the audience gathered in a loose semi-circle around the quartet. She moved in the human world, completely comfortable in it,a part of it. Gregori had walked unseen, and that was how he preferred it.She was dragging him into her world. He could hardly believe he was walking down a crowded street with a mortal wwith half the block staring openly at them.
"I didn't know you knew who Rambo was," Savannah said, trying not to giggle. She couldn't imagine Gregori in a theater watching a Rambo movie.
"You saw a Rambo flick?" Gary was incredulous.
Gregori made a sound somewhere between contempt and derision. "I read Gary's memories on the subject. Interesting. Silly,but interesting." He glanced at Gary. "This is your hero?"
Gary's grin was as michievous as Savannah's. "Until I met you, Gregori."
Gregori growled, a low rumble of menace. His two companions just laughed disrespectfully, not in the least intimidated.
"I'll bet he's a secret Rambo fan," Savannah whispered confidentially.
Gary nodded. "He probably sneaks into movie theaters for every old showing.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
in India when you meet a saint you always touch his feet. Touching shows humility, but more importantly it allows you to steal some of the saint’s energy. Generally energy enters the body through the head and
260
261
Aghora III: The Law of Karma
exits through the feet. A true saint is the embodiment of his deity and the en¬ ergy emanating from him is the energy of that deity. By touching a samt s feet you collect a little of that energy, which purifies your own consciousness and makes it more subtle. The saint loses some of his own peace of mind by this, which is unfortunate for the saint; this is how many saints go bad. FirstThey achieve a good state, maybe by doing hard penances in strict seclusion, en when they come back into the world they start absorbing the confiision and attachment of their devotees, and they too become worldly. A sensible saint will never let anyone touch his feet except on special occasions, like uru
PU“Anyone
”
”
Robert E. Svoboda (Aghora III: The Law of Karma)
“
It all suddenly made me nervous, and a little, tiny, baby bit worried. Pulling one of the stools at the island back, I plopped into it and simply stared at that discolored, harsh face in unease. “I just want to know whether I need to steal a bat or make a phone call.”
His mouth had been open and poised to argue with me… until he heard the last thing I said. “What?”
“I need to know—”
“What do you need to steal a bat for?”
“Well, no one I know owns one, and I can’t go buy one at the store and have it caught on videotape.”
“Videotape?”
Did he know nothing?
“Aiden, come on, if you beat the shit out of someone with a bat, they’re going to look for suspects. Once they have suspects, they’ll look through their things or their purchases. They’ll see I bought one recently and know it was premeditated. Why are you looking at me like that?”
His mauve-colored eyelids went heavy over the bright whites of his eyes, and the expression on his face was filled such a vast range of emotions, one after another after another, that I wasn’t sure which one I was supposed to hold on to. He switched the icepack to the other side of his bruised jaw and shook his head. “The amount you know about committing crimes is terrifying, Van.” His mouth twitched under the rainbow of whatever he was thinking. “It scares the hell out of me, and I don’t get scared easily.”
I snorted, pretty pleased with myself. “Calm down. I went through this phase when I was into watching a lot of crime TV shows. I’ve never even stolen a pen in my life.”
Aiden’s careful expression didn’t go anywhere.
“I’m not trying to kill anyone… unless we had to,” I joked weakly.
His nostrils flared so slightly I almost missed it. But what I didn’t miss was the way the corners of his mouth tipped up into a tiny smile.
I smiled at him as innocently as possible. “So do you want to tell me who’s going to get the fists of fury?” I hoped I sounded as harmless as I intended, even though I felt the exact opposite as every second passed.
“Fists of fury?”
“Yep.” I held up my hands just a little so he could see them. He had no idea the number of fights I’d gotten into with my sisters over the years. I didn’t always win—I rarely won if I was going to be honest—but I never gave up.
The sigh that came out of him was so long and drawn out, I kind of prepped myself for the half-assed answer that was going to come out of his mouth.
“It’s nothing.” There it was
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Dear Young Black Males, Please listen to me closely. You have to start making smart choices in your life because, if you don’t, the judge won’t have any problems locking you up and throwing away the key. FYI: They’re charging minors as adults in some cases nowadays. Trust me, they don’t care about your life. They will wash you up in a heartbeat, simply because you’re a black male. Following the crowd will get you caught up. Trying to play the hard role will get you caught up. Trying to show out for others just to make a name for yourself will get you caught up. Stealing, robbing, selling drugs, etc…it will all catch up with you sooner or later. The statics for black males in prison is alarming. Give yourself a chance! Find another way! No matter what upbringing you’ve had, it’s up to you to make a change. You can’t live your life making excuses for why you do what you do. Prove them all wrong! Prove to yourself that you’re better than the life that was dealt to you. Rise up my brothas! You’re much better than that.
”
”
Stephanie Lahart
“
The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June, if Helen and Paul Wilcox had been poor people, and couldn't invoke railways and motor-cars to part them." "That's more like Socialism," said Mrs. Munt suspiciously. "Call it what you like. I call it going through life with one's hand spread open on the table. I'm tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, and Helen upon the same, and Tibby will stand upon eight, and as fast as our pounds crumble away into the sea they are renewed--from the sea, yes, from the sea. And all our thoughts are the thoughts of six-hundred-pounders, and all our speeches; and because we don't want to steal umbrellas ourselves, we forget that below the sea people do want to steal them and do steal them sometimes, and that what's a joke up here is down there reality.
”
”
E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
“
For perfectionists, behavior is an indicator of identity because they’re unable to separate the two; this is true when perfectionists feel good about themselves and when they feel bad about themselves. For example, reading a page of a book perfectly (behavior) means “I am smart” (identity), while mispronouncing a word (behavior) means “I am stupid” (identity); trying to tie your shoe and succeeding the first time (behavior) means “I am great” (identity) while messing up the loops (behavior) means “I am awful” (identity). To help kids with perfectionistic tendencies, then, we want to show them how to separate what they are doing from who they are. This is what gives kids the freedom to feel good in the gray—to feel capable inside after their first attempt at tying shoes doesn’t work or when they’re struggling to read. Perfectionism steals a child’s (and adult’s) ability to feel good in the process of learning because it dictates that goodness only comes from successful outcomes. We need to show perfectionist kids how they can find their good-enough-ness and their worth outside success.
”
”
Becky Kennedy (Good Inside: A Practical Guide to Resilient Parenting Prioritizing Connection Over Correction)
“
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
”
”
John Green (The Fault in Our Stars)
“
I’m crossing our backyard to the Pearces’, trying to juggle the bag and the portable speakers and my phone, when I see John Ambrose McClaren standing in front of the tree house, staring up at it with his arms crossed. I’d know the back of his blond head anywhere.
I freeze, suddenly nervous and unsure. I’d thought Peter or Chris would be here with me when he arrived, and that would smooth out any awkwardness. But no such luck.
I put down all my stuff and move forward to tap him on the shoulder, but he turns around before I can. I take a step back. “Hi! Hey!” I say.
“Hey!” He takes a long look at me. “Is it really you?”
“It’s me.”
“My pen pal the elusive Lara Jean Covey who shows up at Model UN and runs off without so much as a hello?”
I bite the inside of my cheek. “I’m pretty sure I at least said hello.”
Teasingly he says, “No, I’m pretty sure you didn’t.”
He’s right: I didn’t. I was too flustered. Kind of like right now. It must be that distance between knowing someone when you were a kid and seeing them now that you’re both more grown-up, but still not all the way grown-up, and there are all these years and letters in between you, and you don’t know how to act.
“Well--anyway. You look…taller.” He looks more than just taller. Now that I can take the time to really look at him, I notice more. With his fair hair and milky skin and rosy cheeks, he looks like he could be an English farmer’s son. But he’s slim, so maybe the sensitive farmer’s son who steals away to the barn to read. The thought makes me smile, and John gives me a curious look but doesn’t ask why.
With a nod, he says, “You look…exactly the same.”
Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Yes, I'll marry you."
And then his hands were in her hair, scattering her hairpins, and his lips were on hers, stealing her breath, and she was touching him- this remarkable man whom she'd loved for so long and who was finally, finally hers.
Callie sighed into Ralston's mouth- noting that he tasted of scotch and something more exotic, more male- and a feeling of complete and utter elation coursed through her. This was Ralston, her future husband, and he was making her feel so warm and wonderful and alive. And then he was kissing down the column of her neck, whispering her name like a litany as he lifted her arms over his shoulders and set his lips to the expanse of white skin above the neck of her gown. Callie gasped as his strong hands spread wide across her torso, stealing up to cup her breasts in a gesture of complete and utter possession.
"This gown," he said, the words coming thick and liquid, "is sinful."
Callie couldn't help her smile as he leaned back to watch her breasts lift against the satin edge of the dress. "Do you think so?"
"Indeed. It is made to drive men crazy... to reveal all your luscious curves"- he ran a finger beneath the satin lazily, just far enough to graze the edge of a nipple- "without showing off anything. It's a torturous viewing experience," he added, wickedly, as he pulled the edge of the gown lower, exposing the straining tip of one breast to the cool air and his hot mouth. He suckled briefly, until Callie was writhing against him, then, releasing her, he said, "When we are married, I shall buy you one in every color.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.”
“Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.”
“It’s French,” retorted Runny-Nose, before Chloe could speak.
“Then she smells like a French whore.”
“Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.”
“I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.”
I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.”
“How dare you threaten me, you little tart!”
“I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.”
Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“
“I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.”
“What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?”
Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed.
“You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.”
“I’m the one he wants,” I said evenly. “No one’s pretending that.”
I didn’t have to say who.
She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes.
“That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.”
“As if you could,” she scoffed, but there was apprehension behind those tears.
“Try me.”
I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug.
“Cheerio,” I said to them all, and turned around and left.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
The “United States” does not exist as a nation, because the ruling class of the U.S./Europe exploits the world without regard to borders and nationality. For instance, multinational or global corporations rule the world. They make their own laws by buying politicians– Democrats and Republicans, and white politicians in England and in the rest of Europe. We are ruled by a European power which disregards even the hypocritical U.S. Constitution. If it doesn’t like the laws of the U.S., as they are created, interpreted and enforced, the European power simply moves its base of management and labor to some other part of the world. Today the European power most often rules through neocolonial regimes in the so-called “Third World.” Through political leaders who are loyal only to the European power, not to their people and the interests of their nation, the European power sets up shop in Africa, Asia, and Latin America. By further exploiting the people and stealing the resources of these nations on every continent outside Europe, the European power enhances its domination. Every institution and organization within the European power has the purpose of adding to its global domination: NATO, the IMF, the World Bank, the military, and the police. The European power lies to the people within each “nation” about national pride or patriotism. We foolishly stand with our hands over our hearts during the “National Anthem” at football games while the somber servicemen in their uniforms hold the red, white and blue flag, then a military jet flies over and we cheer. This show obscures the real purpose of the military, which is to increase European power through intimidation and the ongoing invasion of the globe. We are cheering for imperialist forces. We are standing on Native land celebrating the symbols of de-humanizing terrorism. Why would we do this unless we were being lied to? The European imperialist power lies to us about its imperialism. It’s safe to say, most “Americans” do not recognize that we are part of an empire. When we think of an empire we think of ancient Rome or the British Empire. Yet the ongoing attack against the Native peoples of “North America” is imperialism. When we made the “Louisiana Purchase” (somehow the French thought Native land was theirs to sell, and the U.S. thought it was ours to buy) this was imperialism. When we stole the land from Mexico, this was imperialism (the Mexican people having been previously invaded by the European imperialist power). Imperialism is everywhere. Only the lies of capitalism could so effectively lead us to believe that we are not part of an empire.
”
”
Samantha Foster (Center Africa / and Other Essays To Raise Reparations for African Liberation)
“
It is considered an honor to be…plucked from the crowd, so to speak. There are fine families in the district who have lived here for generations, none of whom have been so favored with the duke’s attention. Yet I wonder if it’s not truly His Grace himself behind this invitation, but his son.”
“Perhaps there’s a piano aboard.”
Her nostrils flared. “Don’t be pert. This is not a matter of jest, Eleanore. If you go on that yacht, your every move will be scrutinized. Your every word will be dissected. Your manners must be irreproachable, and they must be so at all times, even if you believe you are alone. Do you understand me?”
Do not steal anything. Do not belch or scratch your arse.
“Yes, ma’am.”
“Should Lord Armand choose to favor you with his attention, you will react politely, graciously, but always with an aloof, dignified demeanor. It could be that he believes you to be…less than what you are. You will show him the error of that thought.”
“Yes, ma’am.”
He’d already seen me naked. I supposed everything from there would be a step toward dignified.
“Do you still have the bangle he presented to you?”
The cuff, I wanted to correct her. As if I was going to lose it.
“I do.”
“Wear it. Let him see that you value it, but take my strong advice on this, Eleanore. Do not accept another such gift from him. One is permissible. Two becomes a suggestion.”
“Oh.”
“Do we understand each other?”
“Yes, ma’am. We do.”
A smatter of laughter and applause reached us from beyond the open window. Some of the girls had set up a game of lawn pins, and the sudden crack! of a ball hitting its mark echoed through the room.
“One last thing,” said Westcliffe.
“Yes?”
“Wear your uniform. It won’t hurt to remind everyone of where you belong.”
I puzzled over that for the rest of the bright day.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Cornelius Vanderbilt and his fellow tycoon John D. Rockefeller were often called 'robber barons'. Newspapers said they were evil, and ran cartoons showing Vanderbilt as a leech sucking the blood of the poor. Rockefeller was depicted as a snake. What the newspapers printed stuck--we still think of Vanderbilt and Rockefeller as 'robber barons'. But it was a lie. They were neither robbers nor barons. They weren't robbers, because they didn't steal from anyone, and they weren't barons--they were born poor.
Vanderbilt got rich by pleasing people. He invented ways to make travel and shipping things cheaper. He used bigger ships, faster ships, served food onboard. People liked that. And the extra volume of business he attracted allowed him to lower costs. He cut the New York--Hartford fare from $8 to $1. That gave consumers more than any 'consumer group' ever has.
It's telling that the 'robber baron' name-calling didn't come from consumers. It was competing businessmen who complained, and persuaded the media to join in.
Rockefeller got rich selling oil. First competitors and then the government called him a monopolist, but he wasn't--he had competitors. No one was forced to buy his oil. Rockefeller enticed people to buy it by selling it for less. That's what his competitors hated. He found cheaper ways to get oil from the ground to the gas pump. This made life better for millions. Working-class people, who used to go to bed when it got dark, could suddenly afford fuel for their lanterns, so they could stay up and read at night.
Rockefeller's greed might have even saved the whales, because when he lowered the price of kerosene and gasoline, he eliminated the need for whale oil. The mass slaughter of whales suddenly stopped. Bet your kids won't read 'Rockefeller saved the whales' in environmental studies class.
Vanderbilt's and Rockefeller's goal might have been just to get rich. But to achieve that, they had to give us what we wanted.
”
”
John Stossel (Give Me a Break: How I Exposed Hucksters, Cheats, and Scam Artists and Became the Scourge of the Liberal Media...)
“
We have snacks, everybody!”
“Where’d you get them from, Delaware?” Ben asked. He was glaring behind me, where Sage leaned casually against the wall.
“Practically,” I said. “My fault-I was dying for Red Hots. Pretty much impossible to find. So what movie are we watching?”
Back in the cave, Sage had told me I wasn’t much of an actress, and apparently he was right. I thought I put on a brilliant show, but Ben’s eyes were filled with suspicion, Rayna looked like she was ready to pounce, and Sage seemed to be working very hard to stifle his laughter.
Rayna yawned. “Can’t do it. I’m so tired. I’m sorry, but I have to kick you guys out and get some sleep.”
She wasn’t much better at acting than I was. I knew she wanted to talk, but the idea of being away from Sage killed me.
“No worries,” I said. “I can bring he snacks to the guys’ room. We can watch there and let you sleep.”
“Great!” Ben said.
Rayna gaped, and in the space of ten seconds, she and I had a full conversation with only our eyes.
Rayna: “What the hell?”
Me: “I know! But I want to hang out with Sage.”
Rayna: “Are you insane?! You’ll be with him for the rest of your life. I’m only with you until morning!”
I couldn’t fight that one. She was right.
“Actually, I’m pretty tired too,” I said. I even forced a yawn, though judging from Sage’s smirk, it wasn’t terribly convincing.
“You sure?” Ben asked. He was staring at me in a way that made me feel X-rayed.
“Positive. Take some snacks, though. I got dark chocolate M&Ms and Fritos.”
“Sounds like a slumber party!” Rayna said.
“Absolutely,” Sage deadpanned. “Look out, Ben-I do a mean French braid.”
Ben paid no attention. He had moved closer and was looking at me suspiciously, like a dog whose owner comes from after playing with someone else’s pet. I almost thought he was going to smell me.
“G’night,” he said. He had to brush past Sage to get to the door, but he didn’t say a word to him. Sage raised an amused eyebrow to me.
“Good night, ladies,” he said, then turned and followed Ben out. It hurt to see him go, like someone had run an ice cream scoop through my core, but I knew that was melodramatic. I’d see him in the morning. We had our whole lives to be together. Tonight he could spend with Ben.
I laughed out loud, imagining the two of them actually cheating, snacking, and French braiding each other’s hair as they sat cross-legged on the bed.
Then a pillow smacked me in the side of the head.
“’We can watch there and let you sleep’?” Rayna wailed. “Are you crazy?”
“I know! I’m sorry. I took it back, though, right?”
“You have two seconds to start talking, or I reload.”
Before now, if anyone had told me that I could have a night like tonight and not want to tell Rayna everything, I’d have thought they were crazy. But being with Sage was different. It felt perfectly round and complete. If I said anything about it, I felt like I’d be giving away a giant scoop of it that I couldn’t ever get back.
“It was really nice,” I said. “Thanks.”
Rayna picked up another pillow, then let it drop. She wasn’t happy, but she understood. She also knew I wasn’t thanking her just for asking, but for everything.
“Ready for bed?” she asked. “We have to eat the guys to breakfast so they don’t steal all the cinnamon rolls.”
I loved her like crazy.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Don't worry about me. I'll heal. Come on-"
"Where are we going?" Luce asked.
"The sun's about to rise," Daniel said, taking a small leather satchel from Phil. "And I figure you must be starving."
Luce hadn't realized it, but she was.
"I thought we could steal a moment before anyone else shows up."
There was a sheer, narrow path from the plateau that led to a small ledge down from where they'd landed. They picked their way down the jagged mountain, hand in hand, and when it was too steep for walking, Daniel coasted, always flying very low to the ground, his wings tucked close to his sides.
"Don't want to alarm the hikers," he explained. "Most places on Earth, people aren't willing to let themselves see miracles, angels. If they catch a glimpse of us flying by, they convince themselves their eyes were playing tricks on them. But in a place like this-"
"People can see miracles," Luce finished for him. "They want to."
"Right. And seeing leads to wonder."
"And wonder leads to-"
"Trouble." Daniel laughed a little.
Luce couldn't help grinning, enjoying that at least for a little while, Daniel was her miracle alone.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
So much for Caligula as emperor; we must now tell of his career as a monster....
He lived in habitual incest with all his sisters, and at a large banquet he placed each of them in turn below him, while his wife reclined above.
Many men of honourable rank were first disfigured with the marks of branding-irons and then condemned to the mines, to work at building roads, or to be thrown to the wild beasts; or else he shut them up in cages on all fours, like animals, or had them sawn asunder. Not all these punishments were for serious offences, but merely for criticising one of his shows, or for never having sworn by his genius.
Having asked a man who had been recalled from an exile of long standing, how in the world he spent his time there, the man replied by way of flattery: "I constantly prayed the gods for what has come to pass, that Tiberius might die and you become emperor." Thereupon Caligula, thinking that his exiles were likewise praying for his death, sent emissaries from island to island to butcher them all.
Wishing to have one of the senators torn to pieces, he induced some of the members to assail him suddenly, on his entrance into the House, with the charge of being a public enemy, to stab him with their styles, and turn him over to the rest to be mangled; and his cruelty was not sated until he saw the man's limbs, members, and bowels dragged through the streets and heaped up before him.
He used to say that there was nothing in his own character which he admired and approved more highly than what he called his ἀδιατρεψία, that is to say, his shameless impudence.
He seldom had anyone put to death except by numerous slight wounds, his constant order, which soon became well-known, being: "Strike so that he may feel that he is dying." When a different man than he had intended had been killed, through a mistake in the names, he said that the victim too had deserved the same fate.
He even used openly to deplore the state of his times, because they had been marked by no public disasters, saying that the rule of Augustus had been made famous by the Varus massacre, and that of Tiberius by the collapse of the amphitheatre at Fidenae, while his own was threatened with oblivion because of its prosperity; and every now and then he wished for the destruction of his armies, for famine, pestilence, fires, or a great earthquake.
While he was lunching or revelling capital examinations by torture were often made in his presence, and a soldier who was adept at decapitation cut off the heads of those who were brought from prison.
At a public banquet in Rome he immediately handed a slave over to the executioners for stealing a strip of silver from the couches, with orders that his hands be cut off and hung from his neck upon his breast, and that he then be led about among the guests.
”
”
Suetonius (The Twelve Caesars)
“
So when the pod people come and steal your body, does it hurt, or are you pretty much unconscious for the whole thing?"
"Huh?" I asked.
"I just double-skunked you three times in a row. What's going on with you?"
He lifted an eyebrow. He was in detective mode now, and there was no escaping it. I imagined spilling to him the way I had to Rayna, and almost choked. I'd rather die than describe my fantasies to Ben. I'd never hear the end of it.
Still, I needed to tell him something, and he knew me too well to buy a complete lie.
I thought about the pictures. I could tell him about the pictures without telling him about the dreams. Ben was like Dad-he ate up anything that smacked of the inexplicable. He'd probably love the picture of the man at St. Vitus's Cathedral, standing in midair on nothing.
"You might think I'm crazy...," I started.
"I already think that, so..."
I took a deep breath, then started to explain. I told him about every picture, including the ones that were completely impossible and seemed to prove the man wasn't actually in the shots when I snapped them. By the time I finished, Ben's brow was furrowed, and the concern in his eyes had deepened into alarm.
He really did think I was crazy. I shouldn't have told him.
"Can you stop looking at me like that? I know there's a logical explanation," I assured him. "I just don't know what it is yet, but-"
"You need to show me those pictures," Ben said gravely.
"Um...okay," I said, though I suddenly wasn't positive I wanted to share them. "After Rio I figured I'd open them up again and try to-"
"Now, Clea," he said. "I really need to see them now.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Hymn to Mercury : Continued
71.
Sudden he changed his plan, and with strange skill
Subdued the strong Latonian, by the might
Of winning music, to his mightier will;
His left hand held the lyre, and in his right
The plectrum struck the chords—unconquerable
Up from beneath his hand in circling flight
The gathering music rose—and sweet as Love
The penetrating notes did live and move
72.
Within the heart of great Apollo—he
Listened with all his soul, and laughed for pleasure.
Close to his side stood harping fearlessly
The unabashed boy; and to the measure
Of the sweet lyre, there followed loud and free
His joyous voice; for he unlocked the treasure
Of his deep song, illustrating the birth
Of the bright Gods, and the dark desert Earth:
73.
And how to the Immortals every one
A portion was assigned of all that is;
But chief Mnemosyne did Maia's son
Clothe in the light of his loud melodies;—
And, as each God was born or had begun,
He in their order due and fit degrees
Sung of his birth and being—and did move
Apollo to unutterable love.
74.
These words were winged with his swift delight:
'You heifer-stealing schemer, well do you
Deserve that fifty oxen should requite
Such minstrelsies as I have heard even now.
Comrade of feasts, little contriving wight,
One of your secrets I would gladly know,
Whether the glorious power you now show forth
Was folded up within you at your birth,
75.
'Or whether mortal taught or God inspired
The power of unpremeditated song?
Many divinest sounds have I admired,
The Olympian Gods and mortal men among;
But such a strain of wondrous, strange, untired,
And soul-awakening music, sweet and strong,
Yet did I never hear except from thee,
Offspring of May, impostor Mercury!
76.
'What Muse, what skill, what unimagined use,
What exercise of subtlest art, has given
Thy songs such power?—for those who hear may choose
From three, the choicest of the gifts of Heaven,
Delight, and love, and sleep,—sweet sleep, whose dews
Are sweeter than the balmy tears of even:—
And I, who speak this praise, am that Apollo
Whom the Olympian Muses ever follow:
77.
'And their delight is dance, and the blithe noise
Of song and overflowing poesy;
And sweet, even as desire, the liquid voice
Of pipes, that fills the clear air thrillingly;
But never did my inmost soul rejoice
In this dear work of youthful revelry
As now. I wonder at thee, son of Jove;
Thy harpings and thy song are soft as love.
78.
'Now since thou hast, although so very small,
Science of arts so glorious, thus I swear,—
And let this cornel javelin, keen and tall,
Witness between us what I promise here,—
That I will lead thee to the Olympian Hall,
Honoured and mighty, with thy mother dear,
And many glorious gifts in joy will give thee,
And even at the end will ne'er deceive thee.'
79.
To whom thus Mercury with prudent speech:—
'Wisely hast thou inquired of my skill:
I envy thee no thing I know to teach
Even this day:—for both in word and will
I would be gentle with thee; thou canst reach
All things in thy wise spirit, and thy sill
Is highest in Heaven among the sons of Jove,
Who loves thee in the fulness of his love.
80.
'The Counsellor Supreme has given to thee
Divinest gifts, out of the amplitude
Of his profuse exhaustless treasury;
By thee, 'tis said, the depths are understood
Of his far voice; by thee the mystery
Of all oracular fates,—and the dread mood
Of the diviner is breathed up; even I—
A child—perceive thy might and majesty.
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
robbery by European nations of each other's territories has never been a sin, is not a sin to-day. To the several cabinets the several political establishments of the world are clotheslines; and a large part of the official duty of these cabinets is to keep an eye on each other's wash and grab what they can of it as opportunity offers. All the territorial possessions of all the political establishments in the earth—including America, of course—consist of pilferings from other people's wash. No tribe, howsoever insignificant, and no nation, howsoever mighty, occupies a foot of land that was not stolen. When the English, the French, and the Spaniards reached America, the Indian tribes had been raiding each other's territorial clothes-lines for ages, and every acre of ground in the continent had been stolen and re-stolen 500 times. The English, the French, and the Spaniards went to work and stole it all over again; and when that was satisfactorily accomplished they went diligently to work and stole it from each other. In Europe and Asia and Africa every acre of ground has been stolen several millions of times. A crime persevered in a thousand centuries ceases to be a crime, and becomes a virtue. This is the law of custom, and custom supersedes all other forms of law. Christian governments are as frank to-day, as open and above-board, in discussing projects for raiding each other's clothes-lines as ever they were before the Golden Rule came smiling into this inhospitable world and couldn't get a night's lodging anywhere. In 150 years England has beneficently retired garment after garment from the Indian lines, until there is hardly a rag of the original wash left dangling anywhere. In 800 years an obscure tribe of Muscovite savages has risen to the dazzling position of Land-Robber-in-Chief; she found a quarter of the world hanging out to dry on a hundred parallels of latitude, and she scooped in the whole wash. She keeps a sharp eye on a multitude of little lines that stretch along the northern boundaries of India, and every now and then she snatches a hip-rag or a pair of pyjamas. It is England's prospective property, and Russia knows it; but Russia cares nothing for that. In fact, in our day land-robbery, claim-jumping, is become a European governmental frenzy. Some have been hard at it in the borders of China, in Burma, in Siam, and the islands of the sea; and all have been at it in Africa. Africa has been as coolly divided up and portioned out among the gang as if they had bought it and paid for it. And now straightway they are beginning the old game again—to steal each other's grabbings. Germany found a vast slice of Central Africa with the English flag and the English missionary and the English trader scattered all over it, but with certain formalities neglected—no signs up, "Keep off the grass," "Trespassers-forbidden," etc.—and she stepped in with a cold calm smile and put up the signs herself, and swept those English pioneers promptly out of the country. There is a tremendous point there. It can be put into the form of a maxim: Get your formalities right—never mind about the moralities. It was an impudent thing; but England had to put up with it. Now, in the case of Madagascar, the formalities had originally been observed, but by neglect they had fallen into desuetude ages ago. England should have snatched Madagascar from the French clothes-line. Without an effort she could have saved those harmless natives from the calamity of French civilization, and she did not do it. Now it is too late. The signs of the times show plainly enough what is going to happen. All the savage lands in the world are going to be brought under subjection to the Christian governments of Europe. I am
”
”
Mark Twain (Following the Equator)