Screw It All Quotes

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I feel like everyone fakes who they really are, when deep down we're all equal amounts of screwed up. Some of us are just better at hiding it than others.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Or maybe a person is just made up of a lot of people,” I say. “Maybe we’re accumulating these new selves all the time.” Hauling them in as we make choices, good and bad, as we screw up, step up, lose our minds, find our minds, fall apart, fall in love, as we grieve, grow, retreat from the world, dive into the world, as we make things, as we break things.
Jandy Nelson (I'll Give You the Sun)
So what do we do? Anything. Something. So long as we just don't sit there. If we screw it up, start over. Try something else. If we wait until we've satisfied all the uncertainties, it may be too late. - Lee Iacocca
Lee Iacocca
And the Clave wants to meet Clarissa. You know that, Jace." "The Clave can screw itself." "Jace," Maryse said, sounding genuinely parental for a change. "Language." "The Clave wants a lot of things," Jace amended. "It shouldn't necessarily get them all.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when other’s cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, ‘that’s her’, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleep…..you marry him all over again.
Shannon L. Alder
I'm sorry your pretty little world got all screwed up, but everybody's does, and you go on. It's how you go on that defines you.
Karen Marie Moning (Bloodfever (Fever, #2))
We all screw up. Everyone makes mistakes. That’s what she did. It was bad judgment, that’s all. You don’t cut off the people you love for mistakes like that.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Girls get screwed. Not that kind of screwed, what I mean is, they're always on the short end of things. The way things work, how guys feel great, but make girls feel cheap for doing exactly what they beg for. The way they get to play you, all the while claiming they love you and making you believe it's true. The way it's okay to gift their heart one day, a backhand the next, to move on to the apricot when the peach blushes and bruises. These things make me believe God's a man after all.
Ellen Hopkins (Crank (Crank, #1))
You ever get the feeling the world's filling up with bastards? I do. What I want to know is what happens when all the bastards run out of people to crap on? What happens when all that's left in the world is bastards? . . . The golden rule. Screw unto others before they screw unto you.
William Hoffman (A Place For My Head)
His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although it‘s none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like V‘lane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped. "Sometimes it‘s over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldn‘t find you. You‘ll have to choose a new bedroom, too. And I‘m sorry your pretty little world got all screwed up, but everybody‘s does, and you go on. It‘s how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
Karen Marie Moning (Bloodfever (Fever, #2))
She winced and covered her ears as Eric,onstage, wrestled with his microphone. "Sorry about that, guys!" he yelled. "All right. I'm Eric, and this is my homeboy Matt on the drums. My first poem is called 'Untitled.'" He screwed up his face as if in pain, and wailed into the mike. "Come my faux juggernaut, my nefarious loins! Slather every protuberance with arid zeal!" Simon slid down in his seat. "Please don't tell anyone I know him." Clary giggled. "Who uses the word 'loins'?" "Eric," Simon said grimly. "All his poems have loins in them." 'Turgid is my torment!" Eric wailed. "Agony swells within!" "You bet it does," Clary said.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You don't have to pick me up," I said in a rush. "Considering you have no idea where we're going and I have no intention of telling you, I'm quite sure that I do." "I can meet you somewhere centrally located." Noah sounded amused. "I promise to press my trousers before meeting your family. I'll even bring flowers for the occasion." "Oh, God. Please don't." I said. Maybe honesty is the best policy. "My family is going to screw with my life if you come over." I knew them far too well. "Congratulations-- you just made the prospect all the more enticing. What is your address?
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
I’m sorry for screwing everything up. I hurt you again, and for that I’m sorry. I’m so sorry. I don’t want to do that anymore. So … I’m not going to stay for the wedding. I’m just going to take off now. I won’t see you again, not for a long time. Probably for the best. Being near you like this, it hurts. And Jere”—Conrad cleared his throat and stepped backward, making space between us—“he’s the one who needs you.” Hoarsely, he said, “I need you to know that no matter what happens, it was worth it to me. Being with you, loving you. It was all worth it
Jenny Han (We'll Always Have Summer (Summer #3))
Where is the bane of my existence?" "In the shower, freshening up." Damn it all to hell. "Oh God, who did Ascanio screw now?" "No, no, he's covered in blood." "Oh good." Wait a minute. "The kid is covered in blood and we're relieved. There is something wrong with us.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
This flirting is all well and good, but I mean it when I tell you, I cant have you leaving me again. It almost broke me." My ribs seemed to squeeze all of the air out of my lungs at the thought. "I don't think I could. I don't want to be away from you again either." "But you need to give me a chance to fix things when I screw up. You know I'm an ass sometimes." "Sometimes?" Growling, he whispered, "And I tear lingerie." I pushed a curl off his forehead, "And hoard it. Don't forget the creepy hoarding.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
I need you to know I never meant it. I said it because I thought that’s what you’re supposed to say, but it didn’t mean anything. And it’s different with you. This is the first time I’ve been scared. Scared you’ll change your mind. Scared I’ll screw it up. Aces, Cress, I’m terrified of you.” Her stomach fluttered. He didn’t look terrified. “Here’s the thing.” Thorne crawled over her legs and lay down beside her, boots and all. “You deserve better than some thief who’s going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I’m actually a decent guy who’s halfway worthy of you. So, what scares me most”—he twisted a lock of her hair between his fingers—“is that someday even you will realize that you can do better.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
So I was thinking we should skip tomorrow, stay right here and watch shitty movies all day." My first response was to say I couldn't skip a whole day's worth of classes, but as I met Cam's mischievous gaze, I said screw it. "That's a brilliant idea." "I know, right?" He tapped his head. "I'm full of great shit." "Yeah, you're definitely full of it..." "Ha.
J. Lynn (Wait for You (Wait for You, #1))
The good news is that you may have created my past and screwed up my present, but you have no control over my future. You don't know me at all.
David Klass (You Don't Know Me)
Glory: I look around at this world you're so eager to be a part of and all I see is six billion lunatics looking for the fastest ride out. Who's not crazy? Look around, everyone's drinking, smoking, shooting up, shooting each other, or just plain screwing their brains out 'cause they don't want 'em anymore. I'm crazy? Honey, I'm the original one-eyed chicklet in the kingdom of the blind, 'cause at least I admit the world makes me nuts.
Doug Petrie
I love you, but why must you love the law? 'Tis plain for all to see that she's a whore...that virtuous persons have no need to woo; that villains screw, then studiously ignore.
Alan Moore (V for Vendetta)
I'll wager I would have screwed things up regardless. But. . .can you imagine those poor bastards grappling their prey, leaping over the rails, swords in hand, screaming, 'Your cats! Give us all your gods-damned cats!
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
I’ve come to the conclusion that there are no set rules in life. You do what you have to do to survive. If that means running away from the love of your life to preserve your sanity, you do it. If it means breaking someone’s heart so yours doesn’t break; do it. Life is complicated — too much so for there to be absolutes. We are all so broken. Pick up a person, shake them around and you’ll hear the rattling of their broken pieces. Pieces our fathers broke, or our mothers, or our friends, strangers, or our loves. Olivia has stopped rattling quite as much as she used to. Love is a God-given tool, she tells me. It screws things back in place that were loose, and it cleans out all the broken pieces that you don’t need anymore. I believe her. Our love has been fixing each other. I hope to only hear a tiny jingle when I shake her in a few years
Tarryn Fisher (Thief (Love Me with Lies, #3))
But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
Kathleen Glasgow (Girl in Pieces)
Funny how mishearing things-or not hearing them at all-can really screw things up
Heather Brewer (Twelfth Grade Kills (The Chronicles of Vladimir Tod, #5))
Honestly? I don’t want people around me for two reasons – they ultimately betray you or they die on you. Either way, you’re screwed and you spend all your time obsessing on why you didn’t see it coming. Or that you did something or didn’t do something to cause it. No offense, but I don’t like to be hurt and I’d rather just avoid it.(Ravyn)
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
The one thing I have absolute faith in is mankind's capacity to make things worse. No matter how bad it gets, we're all happy to screw each other over. It's enough to make me wonder if we should have let the zombies win.
Mira Grant (Deadline (Newsflesh, #2))
I feel like everyone fakes who they are, when deep down we're all equal amounts of screwed up. Some of us are just better at hiding it than others
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
No matter what you do, no matter how hard you try, you're screwed because it's all fixed and rigged. There is a club and you ain't in it.
George Carlin
Because he's Cameron. And you’re Lucy. You're team Luca. You guys are forever. If you two can't make it work, then we're all screwed.
Jay McLean (More Than Forever (More Than, #4))
Failure is just part of the process, and it's not just okay; it's better than okay. God doesn't want failure to shut us down. God didn't make it a three-strikes-and-you're-out sort of thing. It's more about how God helps us dust ourselves off so we can swing for the fences again. And all of this without keeping a meticulous record of our screw-ups.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
Fleet kept running,” Kaladin growled, getting back under Elhokar’s arm. “What?” “He couldn't win, but he kept running. And when the storm caught him, it didn't matter that he’d died, because he’d run for all he had.” “Sure. All right.” The king sounded groggy, though Kaladin couldn't tell if it was the alcohol or the blood loss. “We all die in the end, you see,” Kaladin said. “So I guess what truly matters is just how well you've run. And Elhokar, you've kept running since your father was killed, even if you screw up all the storming time.” “Thank you?” the king said, drowsy.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Love is a Godgiven tool, she tells me. It screws things back in place that were loose, and it cleans out all the broken pieces that you don't need anymore.
Tarryn Fisher (Mud Vein)
Rose, I have all sorts of reasons to want you. I haven't been able to stay away from you since I saw you at the ski lodge." I shifted closer to Adrian on the bed and pressed my head against his chest. "We can make this work. I know we can. If I screw up again, you can leave." "If only it were that easy," he laughed. "You forget: I have an addictive personality. I'm addicted to you. Somehow I think you could do all sorts of bad things to me, and I'd still come back to you. Just keep things honest, okay? Tell me what you're feeling. If you're feeling something for Dimitri that's confusing you, tell me. We'll work it out.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
You know what I think? I think you should stop all this nonesense and screw the shit out of him until he passes out from exhaustion...you'll have to feed him, of course, to keep his energy level up, but make sure you hide his clothes so he can't get dressed. Men can't run when they're naked.
Tina Reber (Love Unscripted (Love, #1))
If everyone does as I’ve instructed, then things should work out the way they’re meant to. (Acheron) And if we don’t? (Talon) We’re all screwed. (Acheron) Gee, Ash, you’re just so damn comforting. (Nick) I try to be anyway. (Acheron) You fail admirably. (Nick)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
Without Mona, Hanna felt like a great outfit without matching accessories, a screw-driver that was all orange juice and no vodka, and an iPod without headphones. She just felt wrong.
Sara Shepard
I’m not putting my faith or life in anyone’s hands. All that ever got me was screwed, and my ass is currently sore from it. (Wren) Nice imagery there, tiger. Graphic. Ever think of writing children’s books? (Fury)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
we all have too many wheels, screws and valves to judge each other on first impressions or one or two pointers. I don't understand you, you don't understand me and we don't understand ourselves.
Anton Chekhov (Ivanov (Plays for Performance Series))
We all screw up. We all wish we were stronger than we are, and not one of us will get through this life without regret.
Swati Avasthi (Split)
If someone’s takeaway from this story is “Felicia Day said don’t study!,” I’ll punch you in the face. But I AM saying don’t chase perfection for perfection’s sake, or for anyone else’s sake at all. If you strive for something, make sure it’s for the right reasons. And if you fail, that will be a better lesson for you than any success you’ll ever have. Because you learn a lot from screwing up. Being perfect . . . not so much.
Felicia Day (You're Never Weird on the Internet (Almost))
Aren't I supposed to be brave, fearless? Isn't that what the world expects?" "Screw what the world expects. Think about all the things you've faced. You cracked, but you didn't break. You're still standing. I'd call that fearless. You've already conquered so much.
Myra McEntire (Hourglass (Hourglass, #1))
...he hopes that maybe it'll make people a little less scared of two boys kissing than they were before, and a little more welcoming to the idea that all people are, in fact, born equal, no matter who they kiss or screw, no matter what dreams they have or love they give.
David Levithan (Two Boys Kissing)
Why can't I go to Idris with you, then? Because it's not safe for you there O and it's safe for me here? I've been nearly killed almost a dozen times in the past month. That's because Valentine has been concentrating on the two Mortal Instruments that were here. He's going to shift his focus to Idris now. We all know it-- We're hardly as certain of anything as all that. And the Clave wants to meet Clarissa. You know that, Jace. The Clave can screw itself.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
We’re all in this together. It’s okay to be honest. It’s okay to ask for help. It’s okay to say you’re stuck, or that you’re haunted or that you can’t begin to let go. We can all relate to those things. Screw the stigma that says otherwise. Break the silence and break the cycle, for you are more than just your pain. You are not alone. And people need other people.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
Listen to me: die after me, all right? I don't care what else you do, where you go, how you screw up your life, just... survive. Outlive me, please.
Tracy Letts (August: Osage County)
If taking a pill makes you different, like, if it changes the way-down you . . . that's just a screwed up idea, you know? Who's deciding what me means--me or the employees of the factory that make Lexapro?
John Green (Turtles All the Way Down)
Now that was a kiss,” Grandma Frida said from the doorway behind me. I jumped. “How long have you been there?” “Long enough. That man means business.” All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!” “Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
I haven't left my house in days. I watch the news channels incessantly. All the news stories are about the election; all the commercials are Viagra and Cialis. Election, erection, election, erection! Either way we're screwed!
Bette Midler
What the hell? We’re all screwed up some way. At least you bathe and I don’t have to fight you for chicks. In my book, that makes you all right.
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
He can’t play when someone is watching him,” Justin almost sang into my ear. “Totally screws up then.” “But you all are watching him,” I pointed out. At the back of the room, someone laughed. “Yeah, but we’re not girls.
Piper Shelly (Play With Me (Grover Beach Team, #1))
Also, screw you—maybe you can be all stealthy and break into their building to get the woman out, but I can get us there and back safely. I did this for months and never got a second glance from anyone, including PSFs.” “Probably because your ugly-ass face blinded them on the first look,” she muttered.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
I couldn't help noticing how all the best Marxist analyses are always analyses of a failure ... Like, why did Paris Commune go wrong? Trotskyites. Why did the October Revolution go wrong? And so on ... OK, we screwed it up, but we can give the best theory why it had to happen.
Slavoj Žižek
It’s good to see your friends happy, isn’t it? (Nick) How would I know? I have no friends. People basically suck and all friends will screw you over in the end. Take my word for it. (Savitar) Then why am I here? (Nick) Hell if I know. (Savitar)
Sherrilyn Kenyon (Unleash the Night (Dark Hunter, #8; Were-Hunter, #2))
All right ... anyone who gets into one of these cars outside is in it for the long haul … If you even think you’re not ready to put your life on the line for everyone here, then you stay behind. If you screw us out there, I will end you.” He flashed a rather charming smile. “And I will probably enjoy it.
Jennifer L. Armentrout (Origin (Lux, #4))
Depends on the dog. Big country dogs like these? Yeah. It's the fancy city ones that give me trouble. Overbred, Dad says. Makes them skittish and screws up their wiring. I had a Chihuahua attack me last year." He showed me a faint scar on his hand. "Took a good chunk out." I sputtered a laugh. "A Chihuahua?" "Hey, that thing was more vicious than a pit bull. I was at a park with Simon, kicking around a ball. All of a sudden, this little rat dog comes tearing out of nowhere, jumps up, and clamps down on my hand. Wouldn't let go. I'm shaking it, and the owner's yelling at me not to hurt little Tito. I finally get the dog off. I'm bleeding all over that place and the guy never even apologizes.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich (Original Fire)
I mean, okay, let's say we're all going to get better. Let's just pretend we will. Fine. Where are we going to go after we get better? What are we going to do with all of our newfound healthy behaviors? Back out into the world that screwed us up and screwed us over. This does not sound promising.
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out. “Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either. “That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it. “He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it. “He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer. “Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything. “Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver. “The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.” I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.” There was a moment of stunned silence. “What?” Hespe asked incredulously. “His ass fell off.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
He had no memory of ever being hugged like this, as though by a mother. The full weight of everything he had seen that night seemed to fall in upon him as Mrs. Weasley held him to her. His mother's face, his father's voice, the sight of Cedric, dead on the ground all started spinning in his head until he could hardly bear it, until he was screwing up his face against the howl of misery fighting to get out of him.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I had a daddy, didn't I? He wasn't perfect and he certainly wasn't the one I'd dreamed he would have been, but I had one all the same. And I'd love him as much as I'd hated him, hadn't I? All that distance, all that time wasted, but the fact that he'd inspired such passion in me meant something in itself. I can honestly say now that I think that's special. Screwed up and turned inside out, we were special him and me, and I am so thankful that I can say that I had a daddy and that he mattered. All his faults and failures mean nothing to me now.
Melodie Ramone (After Forever Ends)
I was helpless in trying to return people's kindness, but also helpless to resist it. Kindness is a scarier force than cruelty, that's for sure. Cruelty isn't that hard to understand. I had no trouble comprehending why the phone company wanted to screw me over; they just wanted to steal some money, it was nothing personal. That's the way of the world. It made me mad, but it didn't make me feel stupid. If anything, it flattered my intelligence. Accepting all that kindness, though, made me feel stupid. Human benevolence is totally unfair. We don't live in a kind or generous world, yet we are kind and generous. We know the universe is out to burn us, and it gets us all the way it got Renee, but we don't burn each other, not always. We are kind people in an unkind world, to paraphrase Wallace Stevens. How do you pretend you don't know about it, after you see it? How do you go back to acting like you don't need it? How do you even the score and walk off a free man? You can't. I found myself forced to let go of all sorts of independence I thought I had, independence I had spent years trying to cultivate. That world was all gone, and now I was a supplicant, dependent on the mercy of other people's psychic hearts.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
--and then you're in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it's the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it's you, the Substance has devoured or replaced and become you, and the puke-, drool- and Substance-crusted T-shirt you've both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest's center and centerless eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you've been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It's your enemy and your worst personal nightmare and the trouble It's gotten you into is undeniable and you still can't stop. Doing the Substance now is like attending Black Mass but you still can't stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around.
David Foster Wallace (Infinite Jest)
Archer, Jenna, and I weren’t exactly clutching each other and sobbing, but we were pretty shaken as we formed a little huddle. “Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?” “Agreed,” they said in unison. “Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?” “Well, we can’t use magic,” Archer said. “And if we try to leave, we get eaten by Monster Fog,” Jenna added. “Right. So no plans at all, then?” Jenna frowned. “Other than rocking in the fetal position for a while?” “Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered. I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
The Kissing Game goes like this, Shortcake. Press, retreat, tilt, breathe, repeat. Use your hands to angle just right. Loosen up until it’s a slow, wet slide. Hear the drum of blood in your own ears? Survive on tiny puffs of air. Do not stop. Don’t even think about it. Shudder a sigh, pull back, let your opponent catch you with lips or teeth and ease you back into something even deeper. Wetter. Feel your nerve endings crackle to life with each touch of tongue. Feel a new heaviness between your legs. The aim of the game is to do this for the rest of your life. Screw human civilization and all it entails. This elevator is home now. This is what we do now. Do not fucking stop. He
Sally Thorne (The Hating Game)
The problem is we don’t notice the years pass, he thought. Screw the years—we don’t notice things change. We know that things change, we’ve been told since childhood that things change, we’ve witnessed things change ourselves many a time, and yet we’re still utterly incapable of noticing the moment that change comes—or we search for change in all the wrong places.
Arkady Strugatsky (Roadside Picnic)
There’s an opening at Mom’s campaign,” I say. “She needs all the help she can get now that she’s totally distracted by Clay Tucker.” “Who the hell’s Clay Tucker?” “The…” Nan lowers her voice, even though all she says is: “…younger man Samantha’s mother’s dating.” “Your ma’s dating?” Tim looks shocked. “I thought she pretty much confined herself to a vibrator and the shower nozzle since your dad screwed her over.
Huntley Fitzpatrick (My Life Next Door)
The summer had turned, the summer had gone; the autumn had dropped upon Bly and had blown out half our lights. The place, with its gray sky and withered garlands, its bared spaces and scattered dead leaves, was like a theater after the performance--all strewn with crumpled playbills.
Henry James (The Turn of the Screw)
Say it" "Say what?" I asked "Tell me what you told me earlier" My heart leaped into my throat. I'd told him a lot of things, but I knew what he wanted to hear. "I love you". His eyes darkened a second before he kissed me until I was ready to say screw the whole doing-right-by-me thing. "That's all I wanted to hear" "Those three words?" "Always those three words.
Jennifer L. Armentrout
You mustn't get so upset about what you feel, Spud. No one's a hundred per cent consistent all the time. We might like to be. We can plan our lives along certain lines. But you know, there's no future in screwing down all the pressure valves and smashing in the gauge. You can do it for a bit and then something goes. Sometimes it gets that the only thing is just to say, 'That's what I'd like to feel twenty-four hours a day; but, the hell with it, this is how I feel now.
Mary Renault (The Charioteer)
Awkward interests me, he said. At least when you are feeling awkward you are always thinking. When you are feeling fabulous, for example, rare occurrence that it may be, you stop thinking altogether. Which gets you into all kinds of trouble. Hence, you are for the better off feeling awkward. Just the sound of it on your tongue. Like chewing on screws.
Elizabeth Brundage (The Doctor's Wife)
Rose," Alberta said, leaning toward me. "I'm going to be blunt with you. I'm not going to give you lectures or demand any explanations. Honestly, since you aren't my student anymore, I don't have the right to ask or tell you anything." "You can lecture," I told her. "I've always respected you and want to hear what you have to say." The ghost of a smile flashed on her face. "All right, here it is. You screwed up." "Wow. You weren't kidding about bluntness." "The reasons don't matter. You shouldn't have left. You shouldn't have dropped out. Your education and training are too valuable—no matter how much you think you know—and you are too talented to risk throwing away your future." I almost laughed. "To tell you the truth? I'm not sure what my future is anymore." "Which is why you need to graduate." "But I dropped out." She snorted. "Then drop back in!" "I—what? How?" "With paperwork. Just like everything else in the world.
Richelle Mead (Blood Promise (Vampire Academy, #4))
Or maybe a person is just made up of a lot of people,” I say. “Maybe we’re accumulating these new selves all the time.” Hauling them in as we make choices, good and bad, as we screw up, step up, lose our minds, find our minds, fall apart, fall in love, as we grieve, grow, retreat from the world, dive into the world, as we make things, as we break things. He grins. “Each new self standing on the last one’s shoulders until we’re these wobbly people poles?” I die of delight. “Yes, exactly! We’re all just wobbly people poles!
Jandy Nelson (I'll Give You the Sun: Jandy Nelson)
Hey, Tate. Do you just screw in the locker room or do you do blowjobs as well?” Hannah Forrest, queen bee of the mean girls, shouted to my back while I walked to Calculus. Her drones laughed with her. I spun around to face them and held my hand to my heart. “And steal all of your business?” I took the time to enjoy their dumbstruck looks before I twisted on my heel and headed to class.
Penelope Douglas (Bully (Fall Away, #1))
Our eyes collided as heat rushed up my arm. The tingling between my legs intensified, the need in my gut moaned with want. All I could see was Braden, all I could smell was Braden, and his body was so close I imagined I could almost feel all of his hard strength pressing against me. Right then I wanted nothing more than to pull him into the ladies restroom and let him screw me hard against the wall.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life. And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends. When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her. Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know: I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be. When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail. So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
John Green (Looking for Alaska)
Because the purpose of feminism isn’t to make a particular type of woman. The idea that there are inherently wrong and inherently right “types” of women is what’s screwed feminism for so long — this belief that “we” wouldn’t accept slaggy birds, dim birds, birds that bitch, birds that hire cleaners, birds that stay at home with their kids, birds that have pink Mini Metros with POWERED BY FAIRY DUST! bumper stickers, birds in burkas or birds that like to pretend, in their heads, that they’re married to Zach Braff from Scrubs and that you sometimes have sex in an ambulance while the rest of the cast watch and, latterly, clap. You know what? Feminism will have all of you. What is feminism? Simply the belief that women should be as free as men, however nuts, dim, deluded, badly dressed, fat, receding, lazy and smug they might be. Are you a feminist? Hahaha. Of course you are.
Caitlin Moran (How to Be a Woman)
That was the big joke, wasn't it? The answer to the riddle: There was no one up there in Heaven, making sure the accounts came out right. I'd solved it, hadn't I? Cracked the code? It was all just a joke. The god inside my brother's head was just his disease. My mother had knelt every night and prayed to her own steepled hands. Your baby died because of ... because of no particular reason at all. Your wife left you because you sucked all the oxygen out of the room, so you pretended she was the one in bed with you while you screwed your girlfriend and her boyfriend hid in the closet, watching.
Wally Lamb (I Know This Much Is True)
The truth is, everyone wants to believe they’re in love but no one really is. So to all the girls out there who are stuck between two minds about some stupid crush, I have news for you. If you have to wonder, if you have to question what you feel, then deep down you actually don’t give a shit. As for the rest of you who do get it, welcome to the club. If you know what it’s like to want someone so much you would kill for them. If you know what it’s like to feel someone so deep under your skin you would sacrifice everything to protect them—even if it screws up your own moral compass so you can’t see right from wrong. If you’re like me, then let me leave you with this: That’s what love is. Don’t let them tell you any different. Don’t tell yourself otherwise.
Lang Leav (Sad Girls)
When you stop to examine the way in which our words are formed and uttered, our sentences are hard-put to it to survive the disaster of their slobbery origins. The mechanical effort of conversation is nastier and more complicated than defecation. That corolla of bloated flesh, the mouth, which screws itself up to whistle, which sucks in breath, contorts itself, discharges all manner of viscous sounds across a fetid barrier of decaying teeth—how revolting! Yet that is what we are adjured to sublimate into an ideal. It's not easy. Since we are nothing but packages of tepid, half-rotted viscera, we shall always have trouble with sentiment. Being in love is nothing, its sticking together that's difficult. Feces on the other hand make no attempt to endure or grow. On this score we are far more unfortunate than shit; our frenzy to persist in ourpresent state—that's the unconscionable torture. Unquestionably we worship nothing more divine than our smell. All our misery comes from wanting at all costs to go on being Tom, Dick, or Harry, year in year out. This body of ours, this disguise put on by common jumping molecules, is in constant revolt against the abominable farce of having to endure. Our molecules, the dears, want to get lost in the universe as fast as they can! It makes them miserable to be nothing but 'us,' the jerks of infinity. We'd burst if we had the courage, day after day we come very close to it. The atomic torture we love so is locked up inside us by our pride.
Louis-Ferdinand Céline (Journey to the End of the Night)
Ryan held out his hands. "What the hell is this? Beat The Shit Out Of Ryan Week?" "I didn't think you'd mind, since you're always insisting upon getting yourself hospitalized,"Claire said. Ryan's face screwed into disgust. "That was uncalled for." "The truth hurts, baby." He smiled. "If you're going to talk to me like that, you can insult me all day long." Claire pulled her car keys from her pocket, and then pulled on Ryan's hand. "I meant that you're a baby. It wasn't a term of endearment." "Yeah, right.
Jamie McGuire (Eden (Providence, #3))
Miley Cyrus made some chinky eyes Standing behind an Asian guy I don’t know if this should fly As if there wasn’t enough to despise I wasn’t necessarily a fan of Her, her dad, or Hannah Montana I tend to prefer the songs of Rihanna Racism against Asians is simply bananas! Oh Miley! Chinky eyes make you look wily prejudice isn’t thought of so highly it doesn’t make us all smiley Why is there nothing that Asians can do? To make fun of other races as easily as you Why isn’t racism against Asians taboo? Why are we always so racially screwed! All you have to do is pull at your face To make your eyelids resemble our race This kind of joke has no proper place Miley Cyrus is a disgrace!
Margaret Cho
Look, you're small-town. I've had over 50 jobs, maybe a hundred. I've never stayed anywhere long. What I am trying to say is, there is a certain game played in offices all over America. The people are bored, they don't know what to do, so they play the office-romance game. Most of the time it means nothing but the passing of time. Sometimes they do manage to work off a screw or two on the side. But even then, it is just an offhand pasttime, like bowling or t.v. or a New Year's Eve party. You've got to understand that it doesn't mean anything and then you won't get hurt. Do you understand what I mean?" I think that Mr. Partisan is sincere." You're going to get stuck with that pin, babe, don't forget what I told you. Watch those slicks. They are as phony as a lead dime.
Charles Bukowski (Post Office)
We love each other because we can't help it. We don't work at it and we don't sacrifice for it. It is easy and all the sweeter to me because it is so undeserved. I discover within a second context that when something just won't work, moving heaven and earth often won't make it work -- and similarly, there are some things that you just can't screw up. I know that I could live without him: I have my own work, my own mission, and my own money. But I don't want to. I really don't want to. We make plans: he will share his strength with me and I will share my imagination with him...
Hope Jahren (Lab Girl)
What?” I cut him off. “That’s not true—I do take this seriously—” “Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now. You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I wanted to destroy everything beautiful I’d never have. Burn the Amazon rain forests. Pump chlorofluorocarbons straight up to gobble the ozone. Open the dump valves on supertankers and uncap offshore oil wells. I wanted to kill all the fish I couldn’t afford to eat, and smother the French beaches I’d never see. I wanted the whole world to hit bottom. I really wanted to put a bullet between the eyes of every endangered panda that wouldn’t screw to save its species and every whale and dolphin that gave up and ran itself aground. I wanted to burn the Louvre. I’d do the Elgin Marbles with a sledge-hammer and wipe my ass with the Mona Lisa. This is my world, now.
Chuck Palahniuk (Fight Club)
The Other" She had too much so with a smile you took some. Of everything she had you had Absolutely nothing, so you took some. At first, just a little. Still she had so much she made you feel Your vacuum, which nature abhorred, So you took your fill, for nature's sake. Because her great luck made you feel unlucky You had redressed the balance, which meant Now you had some too, for yourself. As seemed only fair. Still her ambition Claimed the natural right to screw you up Like a crossed out page, lossed into a basket. Somebody, on behalf of the gods, Had to correct that hubris. A little touch of hatred steadied the nerves. Everything she had won, the happiness of it, You collected As your compensation For having lost. Which left her absolutely Nothing. Even her life was Trapped in the heap you took. She had nothing. Too late you saw what had happened. It made no difference that she was dead. Now that you had all she had ever had You had much too much. Only you Saw her smile, as she took some. At first, just a little.
Ted Hughes
There was this other apocalypse this one time. And, well, I took off. But this time, I don't... I don't know." "Well, what's different?" "Well, I guess I was kinda new to being around humans before. And now I've seen a lot more, gotten to know people, seen what they're capable of and I guess I just realize how amazingly... screwed up they all are. I mean, really, really screwed up in a monumental fashion." "Oh." "And they have no purpose that unites them, so they just drift around, blundering through life until they die. Which they-they know is coming, yet every single one of them is surprised when it happens to them. They're incapable of thinking about what they want beyond the moment. They kill each other, which is clearly insane, and yet, here's the thing. When it's something that really matters, they fight. I mean, they're lame morons for fighting. But they do. They never... They never quit. And so I guess I will keep fighting, too.
Joss Whedon
God damn it, don’t you do this. You have no idea how badly I want you right now. I’d love nothing more than to bury myself inside you, and feel you lose yourself around me as you scream my name; the very idea of fucking the woman I love, finally, after ten thousand years – of having you feel just what it is you mean to me – is so hard to bear I’m all but fallen at your feet. But I’ll be damned if it happens here of all places. I’m not going to screw you in Hell, Mary. I gave in and took your blood, and God knows you have the power to bring me to my knees, but when I love-fuck you, I want to do it in my home. So do you think you could humour me just a little longer?” She gaped at him. “Did you just say, ‘love-fuck’?
Dianna Hardy (The Demon Bride (The Witching Pen series, #3))
Talent can be a nice thing to have sometimes. You look good, attract attention, and if you’re lucky, you make some money. Women flock to you. In that sense, having talent’s preferable to having none. But talent only functions when it’s supported by a tough, unyielding physical and mental focus. All it takes is one screw in your brain to come loose and fall off, or some connection in your body to break down, and your concentration vanishes, like the dew at dawn. […] If talent’s the foundation you rely on, and yet it’s so unreliable that you have no idea what’s going to happen to it the next minute, what meaning does it have?
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
Talent is everything. If you've got talent, nothing else matters. You can screw up your personal life something terrible. So what. If you've got talent, it's there in reserve. Anybody who has talent they know they have it and that's it. It's what makes you what you are. It tells you you're you. Talent is everything; sanity is nothing. I'm convinced of it. I think I had something once. I showed promise, didn't I? But I was too sane. I couldn't make the leap out of my own soul into the soul of the universe. That's the leap they all made. From Blake to Rimbaud. I don't write anything but checks. I read science fiction. I go on business trips to South Bend and Rochester. The one in Minnesota. Not Rochester, New York. Rochester, Minnesota. I couldn't make the leap.
Don DeLillo (Américana)
Nick... I hope one day you find you a woman who loves you like my Melissa loved me. Whatever you do, boy, don't turn your back on her. If she says she needs you for something, don't matter how stupid it sounds or what deadline you got, you go to her and you do it. Screw work or whatever else. In the end, the only things that matter are the people in your life. The ones who make your life worth living and whose smiles light up your world. Don't ever push them aside for fair-weather friends. Everything else is just cheap window dressing that you can replace. But once them people are gone..." He winced. "You can't buy back time, Nick. Ever. It's the only thing in life you can't get more of, and it's the one thing that will mercilessly tear you up when it's gone. It takes pity on no soul and no heart. And all those fools who tell you it gets easier in time are lying dumb-asses. Losing someone you really love don't never get easier. You just go a few hours longer without breaking down. That's all... that's all. - Bubba
Sherrilyn Kenyon
I bought you something" Willows blurts out. "You bought...What?" Willow closes her eyes for a second. She's a little surprised she's going to give it to him after all, but there's no going back now. She has to. "At the bookstore." She reaches into her bag again, and pushes the package across the table towards him. Guy takes the book out of the bag slowly, Willow waits for him to look disappointed, to look confused that she would buy him such a battered, old- "I love it when used books have notes in the margins, it's the best," Guy says as he flips through the pages. "I always imagine who read it before me." He pauses and looks at one of Prospero's speeches. "I have way too much homework to read this now, but you know what? Screw it. I want to know why it's your favorite Shakespeare. Thank you, that was really nice of you. I mean, you really didn't have to." "But I did anyway," Willow says so quietly she's not even sure hears her. Hey," Guy frowns for a second. "You didn't write anything in here." "Oh, I didn't even think...I, well, I wouldn't even know what to write," Willow says shyly. "Well, maybe you'll think of something later," he says. Willow watches Guy read the opening. There's no mistaking it. His smile is genuine, and she can't help thinking that if she can't make David look like this, at least she can do it for someone.
Julia Hoban (Willow)
Intensive mothering is the ultimate female Olympics: We are all in powerful competition with each other, in constant danger of being trumped by the mom down the street, or in the magazine we're reading. The competition isn't just over who's a good mother--it's over who's the best. We compete with each other; we compete with ourselves. The best mothers always put their kids' needs before their own, period. The best mothers are the main caregivers. For the best mothers, their kids are the center of the universe. The best mothers always smile. They always understand. They are never tired. They never lose their temper. They never say, "Go to the neighbor's house and play while Mommy has a beer." Their love for their children is boundless, unflagging, flawless, total. Mothers today cannot just respond to their kids' needs, they must predict them--and with the telepathic accuracy of Houdini. They must memorize verbatim the books of all the child-care experts and know which approaches are developmentally appropriate at different ages. They are supposed to treat their two-year-olds with "respect." If mothers screw up and fail to do this on any given day, they should apologize to their kids, because any misstep leads to permanent psychological and/or physical damage. Anyone who questions whether this is the best and the necessary way to raise kids is an insensitive, ignorant brute. This is just common sense, right?
Susan J. Douglas
Indeed ... but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right ... and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it ... howling through a turn to the right, then to the left and down the long hill to Pacifica ... letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge ... The Edge ... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed." I pressed my face against his neck, breathing him in. "I know." "So what do we do?" Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again." His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?" I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?" He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you." I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for. "Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards." His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again. "Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?" He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I’M SORRY I am developing a new board game. It’s called “I’m Sorry.” It’s also a form of “Self-Help Psychological Therapy!” You take turns moving around the board like Monopoly. But if you land on a Yellow or Green “I’m Sorry Space”… you have to make a Phone call. Both green and yellow cards are labeled- the same with things like: Your Ex, Parental figure, friend, co-worker, boss, children, etc. You get the point… If you land on the yellow space, the game stops, everyone gets quiet and you have to call that person up – on speakerphone. You apologize for something you’ve done in your past. Come on you know you are not perfect and you probably screwed up, hurt or disappointed everyone in your past at one time or another. So you call and you apologize. You explain what you did to them wrong if they forgive you, you move forward 10 places and everyone cheers! No forgiveness back- you move back to the beginning. If you land on the green space- it’s similar. But you call the person up and you try to explain to them how, in someway, they hurt you in the past. If they apologize… cheers and you move forward 10 spaces. No apology… move backward ten spaces. They curse at you- game over. In the original packaging of the yellow and green cards, are mixed in a set of “I’m Sorry Cards.” If you are lucky enough to get to pick up an “I’m Sorry Card,” it’s like a Get Out of Jail Free Card, and you don’t have to make the call. The only catch is that the cards come hermetically sealed. After opening up the package, and the cards are exposed to air, all of the “I’m Sorry Cards,” magically turn into “Deal With it Cards!” And so, you really never get a free ride. In reality, every time you pick up a yellow or green card, you have to- Deal with It! Of course you can always order a new factory set of sealed of “I’m Sorry Cards.” But they only last about 30 minutes and are very expensive, so you’ll have to play fast. Cute Game? Hey, don’t steal my idea!!!
José N. Harris (Mi Vida)
STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years. Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away. Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate. 'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
Ruby and Aaron are both crazy patient; they’re good parents.” “I could be a good dad,” Ivan whispered, still feeding Jess. I could have told him he’d be good at anything he wanted to be good at, but nah. “Do you want to have kids?” he asked me out of the blue. I handed Benny another block. “A long time from now, maybe.” “A long time… like how long?” That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?” “Because of figure skating?” “Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.” Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.” I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.” Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything. All he said was, “Hmm.” A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?” “I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.” I frowned, the feeling in my stomach getting more intense. He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.” It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?” Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.” I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.” “Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.” I blinked. “I hope you get abducted by aliens.” Ivan laughed, and the sound of it made me smile. “You would miss me.” All I said, while shrugging was, “Meh. I know I’d get to see you again someday—” He smiled. “—in hell.” That wiped the look right off his face. “I’m a good person. People like me.” “Because they don’t know you. If they did, somebody would have kicked your ass already.” “They’d try,” he countered, and I couldn’t help but laugh. There was something wrong with us. And I didn’t hate it. Not even a little bit.
Mariana Zapata (From Lukov with Love)