“
Calling it a simple schoolgirl crush was like saying a Rolls-Royce was a vehicle with four wheels, something like a hay-wagon. She did not giggle wildly and blush when she saw him, nor did she chalk his name on trees or write it on the walls of the Kissing Bridge. She simply lived with his face in her heart all the time, a kind of sweet, hurtful ache. She would have died for him..
”
”
Stephen King (It)
“
I yearned for everything long gone.
”
”
Osamu Dazai (Schoolgirl)
“
It made me miserable that I was rapidly becoming an adult and that I was unable to do anything about it.
”
”
Osamu Dazai (Schoolgirl)
“
If God has nothing better to do than punish schoolgirls for a bit of tomfoolery, then I've no use for God.
”
”
Libba Bray (The Sweet Far Thing)
“
I am no longer content to be the scared, obedient schoolgirl. Who are you, a stranger, to tell me what I can and cannot do?
”
”
Libba Bray
“
As far as I can tell the only thing worth looking at in most museums of art is all the schoolgirls on daytrips with the art departments.
”
”
Banksy
“
You accused me of murder. Do you make a habit of bringing schoolgirls into an interview room with murder suspects?'
He waved his hand. 'Oh, I was only joking about that. I don't really think you murdered someone. Unless you did, in which case I reserve the right to say I knew it all along.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
Heaven forbid if beauty were to have substance.
”
”
Osamu Dazai (Schoolgirl)
“
Mornings are grey. Always the same. Absolutely empty.
”
”
Osamu Dazai (Schoolgirl)
“
I hope I meet lots of people with lovely eyes.
”
”
Osamu Dazai (Schoolgirl)
“
Fascination with horses predated every other single thing I knew. Before I was a mother, before I was a writer, before I knew the facts of life, before I was a schoolgirl, before I learned to read, I wanted a horse.
”
”
Jane Smiley (A Year at the Races: Reflections on Horses, Humans, Love, Money, and Luck)
“
Good night. I'm Cinderella without her prince. Do you know where to find me in Tokyo? You won't see me again.
”
”
Osamu Dazai (Schoolgirl)
“
I go about saying how pained and tormented, how lonely and sad I feel, but what do I really mean by that? If I were to speak the truth, I would die.
”
”
Osamu Dazai (Schoolgirl)
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
Jake wasn't about to be seduced like some schoolgirl. Not by a man who went by the unlikely name of Tornado, not by anyone. He stood as firmly as he could in the mud and tore his mouth from the kiss, staring into too dark eyes. As his hands made their way into Tor's wet jeans he said, "This doesn't mean I like you, you know.
”
”
Chris Owen (Bareback (Bareback, #1))
“
Flipping to the front, I caught Aiden's gaze and offered a sympathetic smile.
"Skittles?"
"Please."
I dumped some into his open palm, then picked out the green ones. Aiden grinned at me.
"You know I don't like the green ones?"
Shrugging, I popped them in my mouth.
"The few times I've seen you eat them, you leave the green ones behind."
Deacon popped his head between our seats.
"That's true love right there."
"That it is."
Aiden's gaze flicked to the road. I flushed like a little schoolgirl and focused on the remaining pieces of candy until Deacon drifted back into his seat. I handed all the red ones to Aiden.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
They scolded us for not having any real hopes or real ambitions, but if we were to pursue our true ideals, would these people watch and guide us along the way?
”
”
Osamu Dazai (Schoolgirl)
“
To break free from this vexatious and awful never-ending cycle, this flood of outrageous thoughts, and to long for nothing more than simply to sleep--how clean, how pure, the mere thought of it is exhilarating.
”
”
Osamu Dazai (Schoolgirl)
“
Writing in a diary is a really strange experience for someone like me. Not only because I’ve never written anything before, but also because it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year old schoolgirl. Oh well, it doesn’t matter. I feel like writing, and I have an even greater need to get all kinds of things off my chest.
”
”
Anne Frank (The Diary of a Young Girl)
“
It doesn’t matter,” Reagan said. “He already likes you. I think he’s into the nerdy schoolgirl thing. He talks about you like you’re something he found in a natural history museum.
”
”
Rainbow Rowell (Fangirl)
“
They made a major mistake," he blurted out, "the dumb bastards, when they didn't start by killing you first."
"Benjamin Thomas Parish, that was the sweetest and most bizarre compliment anyone's ever given me."
I kissed him on the cheek. He kissed me on the mouth.
"You know," I whispered, "a year ago, I would have sold my soul for that."
He shook his head. "Not worth it." And, for one-ten thousandth of a second, all of it fell away, the despair and grief and anger and pain and hunger, and the old Ben Parish rose from the dead. The eyes that impaled. The smile that slayed. In another moment, he would fade, slide back into the new Ben, the one called Zombie, and I understood something I hadn't before: He was dead, the object of my schoolgirl desires, just as the schoolgirl who desired him was dead.
”
”
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
“
One cringes to hear scientists cooing over the universe or any part thereof like schoolgirls over-heated by their first crush. From the studies of Krafft-Ebbing onward, we know that it is possible to become excited about anything—from shins to shoehorns. But it would be nice if just one of these gushing eggheads would step back and, as a concession to objectivity, speak the truth: THERE IS NOTHING INNATELY IMPRESSIVE ABOUT THE UNIVERSE OR ANYTHING IN IT.
”
”
Thomas Ligotti (The Conspiracy Against the Human Race)
“
I might look like a honey-eyed schoolgirl on the outside, in my skirt with its regulation four-inches-above-the-knee hem. But I'll rip those tassels off your shoes, old man. Just try Googling me.
”
”
Meg Cabot
“
Well, sorry pet, I don't want to be fixed. Whatever your little schoolgirl brain told you about men is absurdly wrong. This isn't a romance. You're not a damsel-in-distress and I'm not the handsome prince come to save you.
”
”
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
“
A mere smile can determine a woman's fate. It is frightening. Fascinatingly so. I have to be careful.
”
”
Osamu Dazai (Schoolgirl)
“
Finally, to hinder the description of illness in literature, there is the poverty of the language. English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. It has all grown one way. The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry. There is nothing ready made for him. He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out. Probably it will be something laughable.
”
”
Virginia Woolf (On Being Ill)
“
And, for one– ten thousandth of a second, all of it fell away, the despair and grief and anger and pain and hunger, and the old Ben Parish rose from the dead. The eyes that impaled. The smile that slayed. In another moment, he would fade, slide back into the new Ben, the one called Zombie, and I understood something I hadn’t before: He was dead, the object of my schoolgirl desires, just as the schoolgirl who desired him was dead.
”
”
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
“
The thought occurred to me as I lay there. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late.
”
”
Osamu Dazai (Schoolgirl)
“
Tomorrow will probably be another day like today. Happiness will never come my way. I know that. But it's probably best to go to sleep believing that it will surely come, tomorrow it will come.
”
”
Osamu Dazai (Schoolgirl)
“
Come, Scarlett, you are no child, no schoolgirl to put me off with foolish excuses about decency and so forth. Say you'll marry me when I come back or, before God, I won't go. I'll stay around here and play a guitar under your window every night and sing at the top of my voice and compromise you, so you'll have to marry me to save your reputation.
”
”
Margaret Mitchell (Gone with the Wind)
“
Heaven forbid if beauty were to have substance. Genuine beauty is always meaningless, without virtue
”
”
Osamu Dazai (Schoolgirl)
“
Whenever I let the slightest thing make me forget myself, I can't help but be disappointed
”
”
Osamu Dazai (Schoolgirl)
“
I want to love everyone', I thought, almost tearfully. If you stare at the sky, it changes little by little. Gradually it turns bluish. [..] I had never seen anything as beautiful as the translucent leaves and grass. Gently, I reached out to the touch of the grass.
”
”
Osamu Dazai (Schoolgirl)
“
By the way, don't 'weep inwardly' and get a sore throat. If you must weep, weep: a good honest howl! I suspect we - and especially, my sex - don't cry enough now-a-days. Aeneas and Hector and Beowulf, Roland and Lancelot blubbered like schoolgirls, so why shouldn't we?
”
”
C.S. Lewis (The Collected Letters of C.S. Lewis, Volume 3: Narnia, Cambridge, and Joy, 1950 - 1963)
“
Tomorrow will probably be another day like today. Happiness will never come my way. I know that. But it's probably best to go to sleep believing that it will surely come, tomorrow it will come. I purposely made a loud thump as I fell into bed. Ah, that feels good. The futon was cool, just the right temperature against my back, and it was simply delightful. Sometimes happiness arrives one night too late. The thought occurred to me as I lay there. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late. Happiness... I
”
”
Osamu Dazai (Schoolgirl)
“
You are an ignorant schoolgirl. You think civilization is a good thing.
”
”
Tom Robbins (Even Cowgirls Get the Blues)
“
It took me a moment. I blinked, and suddenly it swam into focus and I had to frown very hard to keep myself from giggling out loud like the schoolgirl Deb had accused me of being.
Because he had arranged the arms and legs in letters, and the letters spelled out a single small word: BOO.
The three torsos were carefully arranged below the BOO in a quarter-circle, making a cute little Halloween smile.
What a scamp.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
I want to share something Virginia Woolf wrote: 'English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache...The merest schoolgirl when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.' And we're such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn't real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless,inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I'd ask you to frame your mental health around a word other than crazy.
”
”
John Green (Turtles All the Way Down)
“
Tie me up, please..." Chantal said. They looked above at some vines and roots hanging down from the grassy area above the depression in the canal they were standing in. She was in his hands—he had to comply.
A little bit of kink was one of the most delicious of erotic pleasures. Catholic school girls were often the horniest—Brett could hardly contain his elation.
”
”
Jess C. Scott (Catholic School Girls Rule)
“
Well that was decided. This was more than a silly schoolgirl crush. This was a deeply disturbing infatuation.
”
”
S. Walden (Good (Too Good, #1))
“
No one is a greater schoolgirl in spirit than a cynic. Cynics cannot relinquish the rubbish they were taught as children: they hold tight to the belief that the world has meaning and, when things go wrong for them, they consequently adopt the inverse attitude. "Life's a whore, I don't believe in anything anymore and I'll wallow in that idea until it makes me sick" is the very credo of the innocent who hasn't been able to get his way.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
Excessively passionate characters have a tendency to behave poorly.
”
”
Osamu Dazai (Schoolgirl)
“
In the mirror I’m something from a 2AM movie about Catholic Schoolgirl vampires. Revenge-black hair, short and sharp; a face that says she’ll pull you to the dark side and you’ll love every second of it.
”
”
Hannah Capin (Foul Is Fair)
“
no matter how difficult, because I would have a purpose in life, I would have hope.
”
”
Osamu Dazai (Schoolgirl)
“
It takes a lady of a certain age to contain the stuff [whiskey]. Particularly the Irish. No offense but a bit of weathering and experience are required not to go right off the edge with it. I would heisitate to serve Irish to a green schoolgirl. Mixes and vodka are enough for them to go wrong on. I couldn't look at myself shaving if I poured Irish for the young.
”
”
Katherine Dunn
“
A husband is not a headmaster. A wife is not a schoolgirl. Permission and being allowed, when used one-sidedly – and they are nearly only used that way – should never be the language of an equal marriage.
”
”
Chimamanda Ngozi Adichie (Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions)
“
A woman who was a schoolgirl at Hiroshima asked, “Those scientists who invented the atomic bomb, what did they think would happen if they dropped it?
”
”
Jonathan Glover (Humanity: A Moral History of the Twentieth Century)
“
Sometimes happiness arrives one night too late. The thought occurred to me as I lay there. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late.
”
”
Osamu Dazai (Schoolgirl)
“
Sometimes happiness arrives one night too late.
”
”
Osamu Dazai (Schoolgirl)
“
Schoolgirls are not distractions.
They are students.
Teach them something other than misogyny.
”
”
Merlyn Gabriel Miller (Sex, Death, Drugs & Madness (Culture is not your friend, Part one))
“
Is this the end of all the endings?
My broken bones are mending
With all these nights we're spending
Up on the roof with a school girl crush
Drinking beer out of plastic cups
You say you fancy me not fancy stuff.
All at once this is enough.
”
”
Taylor Swift
“
Your coldness has ruined my life. All right, you didn't mean it, all right I was a schoolgirl, but you could have been kinder to someone who said they loved you, you could have been gentle and grateful.
”
”
Iris Murdoch (The Message to the Planet)
“
However, now she was a schoolgirl no longer. She had discovered how to manage her hair, had been to one or two parties and a night club, and laid on lipstick with the idea that each layer was a layer of sophistication.
”
”
Monica Dickens (Mariana)
“
A mere smile can determine a woman's fate.
”
”
Osamu Dazai (Schoolgirl)
“
It seems to me that, later on, neither I nor anyone else will be interested in the chatterings of a 13-year-old schoolgirl…
”
”
Anne Frank
“
A schoolgirl forbidden from school is like a bird forbidden from the sky.
”
”
J.L. Harlow,"Malala Yousafzai"
“
In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone. Some of us, in our daily depressions and rages, were apt to stray, to become corrupted, irreparably so, and then our lives would be forever in disorder. There were even some who would resolve to kill themselves. And when that happened, everyone would say, Oh, if only she had lived a little longer she would have known, if she were a little more grown up she would have figured it out. How saddened they would all be. But if those people were to think about it from our perspective, and see how we had tried to endure despite how terribly painful it all was, and how we had even tried to listen carefully, as hard as we could, to what the world might have to say, they would see that, in the end, the same bland lessons were always being repeated over and over, you know, well, merely to appease us.
”
”
Osamu Dazai (Schoolgirl)
“
Sensing her attention, the Heir to the khaganate signaled, All is well? Nesryn blushed despite the cold, but signaled back, her numbed fingers clumsy over the symbols. All clear. A blushing schoolgirl. That’s what she became around the prince, no matter the fact that they’d been sharing a bed these weeks, or what he’d promised for their future. To rule beside him. As the future empress of the khaganate.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Women are one-half of the world’s people; they do two-thirds of the world’s work; they earn one-tenth of the world’s income; they own one one-hundredth of the world’s property.
”
”
Peggy Orenstein (Schoolgirls: Young Women, Self Esteem, and the Confidence Gap)
“
The sly ability to steal someone else's experience and recreate it as if it were my own is the only real talent I possess.
”
”
Osamu Dazai (Schoolgirl)
“
Theo looked at me with his smoldering Jesus eyes, and the Catholic schoolgirl in me crossed her legs.
”
”
Gabrielle Zevin (In the Age of Love and Chocolate (Birthright, #3))
“
I was no longer troubled when he pulled out a machete in a crowded bar, tried to pick up schoolgirls, or threatened to scalp us, then rip off our heads and scoop out our brains.
”
”
Tahir Shah (House of the Tiger King : The Quest for a Lost City)
“
Do you know, when I am with you I am not afraid at all. It is a magic altogether curious that happens inside the heart. I wish I could take it with me when I leave.
It is sad, my Grey. We are constrained by the rules of this Game we play. There is not one little place under those rules for me to be with you happily. Or apart happily, which is what makes it so unfair.
I have discovered a curious fact about myself. An hour ago I was sure you were dead, and it hurt very much. Now you are alive, and it is only that I must leave you, and I find that even more painful. That is not at all logical.
Do you know the Symposium, Grey? The Symposium of Plato. [He] says that lovers are like two parts of an egg that fit together perfectly. Each half is made for the other, the single match to it. We are incomplete alone. Together, we are whole. All men are seeking that other half of themselves. Do you remember?
I think you are the other half of me. It was a great mix-up in heaven. A scandal. For you there was meant to be a pretty English schoolgirl in the city of Bath and for me some fine Italian pastry cook in Palermo. But the cradles were switched somehow, and it all ended up like this…of an impossibility beyond words.
I wish I had never met you. And in all my life I will not forget lying beside you, body to body, and wanting you.
”
”
Joanna Bourne (The Spymaster's Lady (Spymasters, #1))
“
Our eyes met and his grin stretched another quarter-inch. Another schoolgirl flip--followed by a very un-schoolgirl wave of heat. He leaned even farther over the boards, lips parting to say something.
"Hey, Kris!" someone yelled behind him. "If you want to flirt with Eve, tell her to meet you in the penalty box. You'll be back there soon enough.
”
”
Kelley Armstrong (Haunted (Women of the Otherworld, #5))
“
The sly ability to steal someone else's experience and recreate it as if it were my own is the only real talent I possess. Really, though, my guile is so bogus as to be offensive. If I were to experience failure upon failure day after day—nothing but total embarrassment—then perhaps I'd develop some semblance of dignity as a result. But no, I would somehow illogically twist even such failures, gloss over them smoothly, so that it would seem like they had a perfectly good theory behind them. And I would have no qualms about putting on a desperate show to do so.
”
”
Osamu Dazai (Schoolgirl)
“
This girl sparks my sadistic side.
”
”
Shinjiro (Taboo Tattoo, Vol. 1)
“
It's not as though we only care about the present. If you were to point to a faraway mountain and say, If you can make it there, it's a pretty good view, I'd see that there's not an ounce of untruth to what you tell us. But when you say, Well, bear with it just a little longer, if you can make it to the top of that mountain, you'll have done it, you are ignoring the fact that we are suffering from a terrible stomachache—right now. Surely one of you is mistaken to let us go on this way. You're the one who is to blame.
”
”
Osamu Dazai (Schoolgirl)
“
I didn't know whether it was better to maintain a fierce distinction between yourself and your acquaintances in society in order to deal with and respond properly to things in a pleasant manner, or rather never to hide yourself, to remain true to yourself always, even if they say bad things about you
”
”
Osamu Dazai (Schoolgirl)
“
For some reason, filters on cigarettes seem dirty to me. If you were going to smoke, then it had to be unfiltered. Smoking those Shikishimas throws a person's whole character into question.
”
”
Osamu Dazai (Schoolgirl)
“
When I looked up 'rococo' in the dictionary a while back it was defined as 'an ornamental style emphasizing the florid and the gorgeous, but lacking substance', and I couldn't help but laugh. It was so perfect. How could anything beautiful have 'substance' anyway? Pure beauty is always without meaning or morality.
”
”
Osamu Dazai
“
The days shuffled by like bland schoolgirls. I didn’t notice their individual faces, only their basic uniform: day and night, day and night.
I had no patience for showers or balanced meals. I did a lot of lying on floors — childish certainly, but when one can lie on floors without anyone seeing one, trust me, one will lie on a floor. I discovered, too, the fleeting yet discernible joy of biting into a Whitman’s chocolate and throwing the remaining half behind the sofa in the library. I could read, read, read until my eyes burned and the words floating like noodles in soup.
”
”
Marisha Pessl (Special Topics in Calamity Physics)
“
At that same moment, I became convinced that somewhere another sad and pitiful girl was doing the wash and smiling softly at this very moon.
”
”
Osamu Dazai (Schoolgirl)
“
Let me be natural, let me be genuine.
”
”
Osamu Dazai (Schoolgirl)
“
Man to man, my eye Kipps snorted. It was like seeing two schoolgirls squabbling over a scented pencil. You should have heard the squeals.
”
”
Jonathan Stroud
“
And when the blush of a schoolgirl's cheeks was mistaken for the crimson of a holy man's fingers, it was the schoolgirl who was called hussy, tramp, slut.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
The Catholic schoolgirl in me was scandalized by the thought; I told her we’d been thrown out of Catholic school so she should shut up.
”
”
Gabrielle Zevin
“
Ooh, that sounds great. Better than that book you wrote about those vampires chatting up a bunch of schoolgirls.
”
”
Iain Rob Wright (The Picture Frame)
“
I was the barefoot schoolgirl in my barrio apartment; he was a star flashing past us all, and the glow would disappear with him when he left again.
”
”
Yamile Saied Méndez (Furia)
“
He was, to my mind, a little inbred looking. His ears and nose were more pronounced than they ought to have been, he had a schoolgirl complexion with flushed red cheeks and his thin brown hair was already receding badly. He looked like he would grow up to be a Tory politician.
”
”
Steve Higgs (Blue Moon Investigations Ten Book Bundle)
“
That you could fix me? What’s more, that I could fix you? Well, sorry pet, I don’t want to be fixed. Whatever your little school-girl brain told you about men is absurdly wrong. This isn’t a romance. You’re not a damsel in distress and I’m not the handsome prince come to save you. You ran. I went to collect my property. End of story
”
”
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
“
The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name.
”
”
John Green (Turtles All the Way Down)
“
There was an infinitesimal pause while he watched her face, as though he half expected her to recognise it, before he went on, 'My friends call me Thorn,' and gave her a smile of such devastating charm that she blinked.
Her hand clasped in his, her senses zinging from his touch and that stunning smile, she stared into his dark, handsome face until, realising that she was gawking at him like some overgrown schoolgirl, she withdrew her hand and asked quickly, 'What do your enemies call you?
”
”
Lee Wilkinson (Ruthless! (Romance))
“
Asians love schoolgirls in uniforms. They say the Japanese can buy used schoolgirl panties from vending machines. And from shops hidden away in apartment buildings. Burusera shops, they call them. The smell is very important; it adds value to the commodity. I wonder how Marx would have dealt with that?
”
”
David Cronenberg (Consumed)
“
For all our squinting at the two sexes to blur them into duplicates, few hearts race when passing gaggles of giggling schoolgirls. But any woman who passes a clump of testosterone-drunk punks without picking up the pace, without avoiding the eye contact that might connote challenge or invitation, without sighing inwardly with relief by the following block, is a zoological fool. A boy is a dangerous animal.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
To break free from this vexatious and awful never-ending cycle, this flood of outrageous thoughts, and to long for nothing more than simply to sleep—how clean, how pure, the mere thought of it is exhilarating.
”
”
Osamu Dazai (Schoolgirl)
“
Nobody in the world understood our suffering. In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone.
”
”
Osamu Dazai (Schoolgirl)
“
So: ‘Why did you laugh?’ demanded Philippa, and shook Jerott’s hand off her arm.
‘Oh, that?’ said Lymond. ‘But, my dear child, the picture was irresistible. Daddy, afflicted but purposeful, ransacking the souks of the Levant for one of his bastards, with an unchaperoned North Country schoolgirl aged—what? twelve? thirteen?—to help change its napkins when the happy meeting takes place.… A gallant thought, Philippa,’ said Lymond kindly, sitting down at the table. ‘And a touching faith in mankind. But truly, all the grown-up ladies and gentlemen would laugh themselves into bloody fluxes over the spectacle. Have some whatever-it-is.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Now, even when I make an outfit for myself, I wonder what other people will think. The truth is that I secretly love what seems to be my own individuality, and I hope I always will, but fully embodying it is another matter. I always want everyone to think I am a good girl. Whenever I am around a lot of people, it is amazing how obsequious I can be. I fib and chatter away, saying things I don't want to or mean in any way. I feel like it is to my advantage to do so. I hate it. I hope for a revolution in ethics and morals. Then, my obsequiousness and this need to plod through life according to others' expectations would simply dissolve. Oh,
”
”
Osamu Dazai (Schoolgirl)
“
One of the challenges with pain - physical or psychic - is that we can really only approach it through metaphor. It can't be represented the way a table or a body can. In some ways, pain is the opposite of language (...) English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache... The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.
”
”
John Green (Turtles All the Way Down)
“
An elaborately jointed array of bones landed in my lap, spasming like a broken crab. My cry was every bit as manly as that of a young schoolgirl surprised by a hairy spider. I knocked the thing off me, onto the floor. It
”
”
Dean Koontz (Brother Odd (Odd Thomas, #3))
“
English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. It has all grown one way. The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.
”
”
Virginia Woolf (On Being Ill)
“
It is, after all, far too easy to pinch and kick the bizarre Mormon Church; to say it's ripe for satire and parody is to say a Catholic schoolgirl is ripe for debauchery. It's like shooting polygamist fish in a barrel of coffee.
”
”
Mark Morford
“
For someone like me,
it is a very strange habit to write in a diary.
Not only that I have never written before,
but it strikes me that later neither I,
nor anyone else,
will care for the outpouring
of a thirteen year old schoolgirl.
”
”
Anne Frank
“
Nonsense, no need for that... I'm not a schoolgirl anymore... Always this stupid worrying! I don't need permission to run down for three minutes...
So she hurries downstairs uneasily, as though trying to outrace her own hesitation..
”
”
Stefan Zweig (The Post-Office Girl)
“
Today, girls,' said Miss Renshaw, 'we shall go out into the beautiful Gardens and think about death.
”
”
Ursula Dubosarsky (The Golden Day)
“
I hope for a revolution in ethics and morals. Then, my obsequiousness and this need to plod through life according to others' expectations would simply dissolve.
”
”
Osamu Dazai (Schoolgirl)
“
I felt at the mercy of these waves, a light and beautiful feeling that I would be able to live on this way.
”
”
Osamu Dazai (Schoolgirl)
“
It may require courage to say what they said, but were they really able to take responsibility for the consequences?
”
”
Osamu Dazai (Schoolgirl)
“
The truth is that I secretly love what seems to be my own individuality, and I hope I always will, but fully embodying it is another matter.
”
”
Osamu Dazai (Schoolgirl)
“
Deluded liberal that I am, I persist in thinking that those with a streak of sexual unorthodoxy ought to be more tolerant of their fellows than those who lead an entirely godly, righteous and sober life. Illogically, I tend to assume that if you ( Philip Larkin) dream of caning schoolgirls bottoms, it disqualifies you from dismissing half the nation as work-shy.
”
”
Alan Bennett
“
There were four roses blooming in a corner of the yard. One was yellow, two were white, and one was pink. I sat there agape, looking at the flowers, and thought to myself, there are really good things about human beings. I mean, it's humans who discovered the beauty of flowers, and humans who admire them.
”
”
Osamu Dazai (Schoolgirl)
“
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
”
”
Justin Cronin (The Passage (The Passage, #1))
“
But actually glasses are the worst. Any sense of your face disappears when you put them on. Glasses obstruct whatever emotions that might appear on your face—passion, grace, fury, weakness, innocence, sorrow. And it's curious how it becomes impossible to try to communicate with your eyes.
Glasses are like a ghost.
”
”
Osamu Dazai (Schoolgirl)
“
Beside her the two dozen schoolgirls and debutantes, young married women and waifs and strays whom he had known were so many females, in the word's most contemptuous sense, breeders and bearers, exuding still that faintly odorous atmosphere of the cave and the nursery.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
books. I would scorn the pointless, haughty posturing, scorn its abstracted way of living. There I go again—pondering the purposelessness of my day-to-day life, wishing I had more ambition, and lamenting all the contradictions in myself—when I know it's just sentimental nonsense. All I'm doing is indulging myself, trying to console myself.
”
”
Osamu Dazai (Schoolgirl)
“
Falling asleep is such a strange feeling. It's like a carp or an eel is tugging on a fishing line, or something heavy like a lead weight is pulling on the line that I'm holding with my head, and as I doze off to sleep, the line slackens up a bit. When that happens, it startles me back to awareness. Then it pulls me again. I doze off to sleep. The line loosens a bit again. This goes on three or four times, and then, with the first really big tug, this time it lasts until morning.
”
”
Osamu Dazai (Schoolgirl)
“
In a survey of 494 middle-class
schoolgirls in San Francisco, more than half described themselves as
overweight, while only 15 percent were so by medical standards. Thirtyone
percent of nine-year-olds thought they were too fat, and 81 percent
of the ten-year-olds were dieters.
”
”
Naomi Wolf (The Beauty Myth)
“
I want to love everyone," I thought, almost tearfully. If you stare at the sky, it changes little by little. Gradually it turns bluish. Then, with nothing more than a sigh, I felt the urge to be naked. I had never seen anything as beautiful as the translucent leaves and grass. Gently, I reached out to touch the grass. I want to live beautifully.
”
”
Osamu Dazai (Schoolgirl)
“
Really, I don't know which is the true me. What ever will I do when there aren't any more books to read, or when I can't find another role model to imitate? Probably just wither away, helpless and sniveling profusely. Anyhow, these aimless thoughts I have on the train every day don't do me much good. The unpleasant warmth I still felt in my body was unbearable. I felt I had to do something, somehow, but would I be able to fully grasp what that was? My self-criticisms seem basically pointless to me. I would start to judge, and when I'd get to my negative or weak traits, I'd immediately begin to indulge or wallow in self-pity, and then decide it's no good, why not just leave well enough alone, so I've given up on criticism. It would be best if I just didn't think of anything at all.
”
”
Osamu Dazai (Schoolgirl)
“
English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.
”
”
Virginia Woolf (On Being Ill)
“
The thought occurred to me as I lay there. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late. Happiness...
”
”
Osamu Dazai (Schoolgirl)
“
There are
people everywhere. Lindsay wants to be sick, it's like he can
feel
all their
eyes on him, but he does it anyway and when he finally moves away a
good minute later Valentine seems to have turned from himself into a silly
bashful schoolgirl, blushing and smiling and not quite looking up.
"Oh," he says, like that explains everything.
"Yeah."
"Thank you."
"That's a shit thing to say when somebody's just ripped all his
principles in half to make you feel better."
"Thank you very much?"
"You're welcome.
”
”
Richard Rider (No Beginning, No End (Stockholm Syndrome, #3))
“
The likable weeds and the not likable weeds looked exactly the same but were somehow clearly divided into those that seemed innocuous and those that seemed horrible. It didn't stand to reason. What a girl likes and what she hates seems rather arbitrary to me.
”
”
Osamu Dazai (Schoolgirl)
“
Now, when it was too late, and Life's shops were closed, he regretted not having bought a certain book he had always wanted; never having gone through an earthquake, a fire, a train accident; never having seen Tatsienlu in Tibet, or heard blue magpies chattering in Chinese willows; not having spoken to that errant schoolgirl with shameless eyes, met one day in a lonely glade; not having laughed at the poor little joke of a shy ugly woman, when no one had laughed in the room; having missed trains, allusions, and opportunities; not having handed the penny he had in his pocket to that old street violinist playing to himself tremulously on a certain bleak day in a certain forgotten town.
”
”
Vladimir Nabokov (The Real Life of Sebastian Knight)
“
As you know, I am from a planet that has been engaged in senseless slaughter since the beginning of time. I myself have seen the bodies of schoolgirls who were boiled alive in a water tower by my own countrymen, who were proud of fighting pure evil at the time.” This was true. Billy saw the boiled bodies in Dresden. “And I have lit my way in a prison at night with candles from the fat of human beings who were butchered by the brothers and fathers of those schoolgirls who were boiled. Earthlings must be the terrors of the Universe!
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
Kitap okuma denilen şey benden koparılıp alınırsa, hiçbir hayat deneyimi olmayan ben ağlanacak hâlde olurdum galiba.
”
”
Osamu Dazai (Schoolgirl)
“
I can't stand how poor and pathetic he is, and because of that I am cruel to him.
”
”
Osamu Dazai (Schoolgirl)
“
loneliness or pain like for him? Last night I
”
”
Osamu Dazai (Schoolgirl)
“
I had never seen anything as beautiful as the translucent leaves and grass. Gently, I reached out to touch the grass. I want to live beautifully.
”
”
Osamu Dazai (Schoolgirl)
“
And you were pretty good, too, with the love-crazed schoolgirl bit.
”
”
Suzanne Collins (Catching Fire (Hunger Games, #2))
“
it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year-old schoolgirl.
”
”
Anne Frank (The Diary of a Young Girl: Anne Frank's Heartfelt Testament Amidst Darkness)
“
Were we back in high school or what? We were acting like such schoolgirls, gossiping about boys and crushes.
”
”
Debra Sue Brice (Icing)
“
In other words, this Kage guy must have been made of 100% testosterone, because he had succeeded in making me blush like a schoolgirl. “Oh,
”
”
Maris Black (Kage (Kage Trilogy, #1))
“
I sunk to my knees like the obedient Catholic schoolgirl I was raised to be
”
”
Veronica J. Dantes (The Bondage Virgin (The Bondage Virgin Trilogy, Book 1))
“
Whenever I run up against what's called "instinct," I feel like I want to cry. As I begin to realize from various experiences in my life just how enormous our instincts are and how powerless we are against the force that drives us, sometimes I think I might lose my mind. I become distracted, wondering what I should to do. There is no way to resist or accept the force; it simply feels as if some huge thing has blanketed me whole, from the top of my head, so that it can now drag me around freely. There is a certain satisfaction in being dragged around, as well as a separate sad feeling as I watch it happen. Why is it that we cannot be happy with ourself or love only ourself throughout our life? It is pathetic to watch whatever emotions or sense of reason I have acquired up to that point be devoured by instinct. Whenever I let the slightest thing make me forget myself, I can't help but be disappointed. The clear confirmation that that self—me, that is—is also ruled by instinct makes me think I could cry. It makes me want to call out for Mother and Father. But even more pathetic is that—to my surprise—the truth could be found in aspects of myself that I don't like.
”
”
Osamu Dazai (Schoolgirl)
“
You are not sacrificing me…to anything.” – Abigail
“You started this, babe. The choice is simple. Either you die alone, nobly like a good sport, or the entire world dies with you, which I don’t think they’d appreciate much. So put on your big-girl pants and own up to what you and your stupidity caused. It’s Joe Versus the Volcano time. But in the end, I don’t give a shit what you do. With the exception of the cowboy there and my family, I hate people with a passion that makes your feelings for Jess look like a schoolgirl crush. Lovely thing about my current situation, I’m truly immortal. You annihilate humanity and the world…I’m still good. So whatever you decide, it won’t affect me personally. I would say you’re the one who’ll have to live with the guilt. But either way, you’re dead. Whatever. I delivered my message. My job here is done, and I need to get back to the one that I’m still not sure how I let them talk me into doing – which is even weirder and scarier than the Dark-Hunter gig. Jess, call me if she wusses, and I’ll make sure you survive the holocaust.” – Zarek
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
Extending discipline for the minority to everyone else at the same time seems particularly cruel. As I grow older, I have begun to understand more and more how ethics taught in school and public mores are two different things. Those who insist on keeping ethics in school look like fools. People think they're eccentric. They'll never succeed, they'll always be penniless.
”
”
Osamu Dazai (Schoolgirl)
“
We have a vague notion of the best place we should go, or the beautiful places we should like to see, or the kinds of places that would make us grow as a person. We yearn for a good life. We have real hopes and ambitions. We feel impatient for an unshakable faith that we can rely on. But it would require considerable effort to express such things in our typical life as a girl.
”
”
Osamu Dazai (Schoolgirl)
“
Not only because I've never written anything before, but also because it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year-old schoolgirl
”
”
Anne Frank (The Diary of Anne Frank)
“
When they weren’t praying, they did what schoolgirls everywhere do. They laughed, they shrieked, they burst into hysterical sobs – all for no apparent reason…
The schoolgirls also played the worst Western music imaginable, and they took a surfeit of baths – so many baths that the traditional inn where Wallingford and Evelyn Arbuthnot stayed was repeatedly running out of hot water.
”
”
John Irving (The Fourth Hand)
“
Tomorrow will probably be another day like today. Happiness will never come my way. I know that. But it's probably best to go to sleep, believing that it will surely come, tomorrow it will come
”
”
Osamu Dazai (Schoolgirl)
“
The reason I hate glasses so much is because I think the beauty of your eyes is the best thing about people. Even if they can’t see your nose or if your mouth is hidden, I think all I need are your eyes—the kind eyes that will inspire others, when they are looking into them, to live more beautifully.
”
”
Osamu Dazai (Schoolgirl)
“
My mind was empty. There are times, like this, when something is quite affecting—when you think I would feel awkward or ashamed, but as soon as it passed, it would be like nothing had happened -page 60
”
”
dazai osamu (Schoolgirl)
“
Allow” is a troubling word. “Allow” is about power. You will often hear members of the Nigerian chapter of the Society of Feminism Lite say, “Leave the woman alone to do what she wants as long as her husband allows.” A husband is not a headmaster. A wife is not a schoolgirl. Permission and being allowed, when used one-sidedly—and it is nearly only used that way—should never be the language of an equal marriage.
”
”
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
“
When she spoke of Pauline Hawthorne, her tone was half the adoration of a schoolgirl for a crush, half the adoration of a devotee for a saint. It had not been clear, at first, that it would turn out that way.
”
”
Celeste Ng (Little Fires Everywhere)
“
The war—the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more—the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are—would be fought by men like Richards: men with faces you didn’t notice and couldn’t remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees—the subjects hadn’t changed, they never would, all coming down, after you’d boiled away the bullshit, to somebody’s quarterly earnings report and who got to sit where—but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
”
”
Justin Cronin (The Passage (The Passage, #1))
“
It’s like I have this demon inside of me, and I want it gone, but the idea of removing it via pill is . . . I don’t know . . . weird. But a lot of days I get over that, because I do really hate the demon.” “You often try to understand your experience through metaphor, Aza: It’s like a demon inside of you; you’ll call your consciousness a bus, or a prison cell, or a spiral, or a whirlpool, or a loop, or a—I think you once called it a scribbled circle, which I found interesting.” “Yeah,” I said. “One of the challenges with pain—physical or psychic—is that we can really only approach it through metaphor. It can’t be represented the way a table or a body can. In some ways, pain is the opposite of language.” She turned to her computer, shook her mouse to wake it up, and then clicked an image on her desktop. “I want to share something Virginia Woolf wrote: ‘English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. . . . The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I’d ask you to frame your mental health around a word other than crazy.
”
”
John Green (Turtles All the Way Down)
“
Iosif was particularly fond of the youngest, the sixteen-year-old schoolgirl Nadezhda, who reciprocated his feelings despite the twenty-three-year difference in their ages. To a young woman from a revolutionary family, he must have seemed like the ideal man: a tried-and-true revolutionary, brave and mysterious but also personable. In 1919 Stalin and Nadezhda tied the knot. As to the nature of their relationship before marriage, we can only guess.
”
”
Oleg V. Khlevniuk (Stalin: New Biography of a Dictator)
“
When I was a schoolgirl my safe haven was a place at the uninhabited part of my parents’ house. I used to climb up to the large windowsill that was facing a spreading plum-tree in the garden. Reading books, or penning my own stories, diaries and poems, it was especially fun to rest there during the warmer seasons of the year with an open window, when the tree was all covered with tender, odorous blossom in spring, and with rich purple fruitage in summer.
”
”
Sahara Sanders
“
And just as he had earlier, during their lunch hour, insinuated the problem of innocence to the formalists - which had incensed them and boosted their immaturity a hundredfold - he was now making an issue of my modern legs. And there I was, listening and lapping it all up - his linking the calves of my legs with those of the new generation - and coming to feel the cruelty of youth toward old calves! And there was also a kind of leg camaraderie with the schoolgirl, plus a clandestine, voluptuous collusion of legs, plus leg patriotism, plus the impudence of young legs, plus leg poetry, plus young-blooded pride in the calf of the leg, and a cult of the calf of the leg. Oh, what a fiendish body part!
”
”
Witold Gombrowicz (Ferdydurke)
“
I went away in my head, into a book. That was where I went whenever real life was too hard or too inflexible. I pulled down a handful of my mother's old books, from when she was a girl, and I read about schoolgirls having adventures in the 1930s and 1940s. Mostly they were up against smugglers or spies or fifth columnists,...the girls were always brave and they always knew exactly what to do. I was not brave and I had no idea what to do.
I had never felt so alone.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
Sitting alone with Jean, Avery felt for the first time that he was part of the world, engaged in the same simple happiness that was known to so many and was so miraculous. He wanted to know everything; he did not mean this carelessly. He wanted to know the child and the schoolgirl, what she'd believed in and what she'd loved, what she'd worn and what she'd read -- no detail was too small or insignificant -- so that when at last he touched her, his hands would have this intelligence.
”
”
Anne Michaels (The Winter Vault)
“
Joanna, like her daughters, was neither old nor young, and yet their physical appearances corresponded to their particular talents. Depending on the situation, Freya could be anywhere from sixteen to twenty-three years of age, the first blush of Love, while Ingrid, keeper of the Hearth, looked and acted anywhere from twenty-seven to thirty-five; and since Wisdom came from experience, even if in her heart she might feel like a schoolgirl, Joanna's features were those of an older woman in her early sixties.
”
”
Melissa de la Cruz (Witches of East End (The Beauchamp Family, #1))
“
Leila. Schoolgirls are like sports cars. They're nice to look at, but they're impractical. In the end, they don't do what you need them to do."
I had to stifle my smile, he looked so serious. Then I stole a glance back at the lithe-limbed shadows beneath the tress. "Is that so?"
"It's true. They won't let you take them up the arse. They're rubbish at sucking you. You want to ride them at a hundred miles a hour, but you end up doing forty in the sixty zone because you're too fucking scared of damaging them.
”
”
Lucy V. Morgan (Chairman of the Whored (Whored, #1))
“
Sometimes happiness arrives one night too late. The thought occurred to me as I lay there. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late. Happiness...
”
”
Osamu Dazai (Schoolgirl)
“
Some time later there was a song on all the jukeboxes on the Upper East Side that went "but where is the schoolgirl who used to be me," and if it was late enough at night I used to wonder that. I know now that almost everyone wonders something like that, sooner or later and no matter what he or she is doing, but one of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened to anyone before.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
I’m a little to blame. I had silly thoughts The sky, you know, was gold, and the ground blue, and for a moment he looked like someone in a book.’
‘In a book?’
‘Heroes — gods — the nonsense of schoolgirls.’
‘And then?’
‘But, Charlotte, you know what happened then.
”
”
E.M. Forster (A Room with a View)
“
I’m a little to blame. I had silly thoughts. The sky, you know, was gold, and the ground blue, and for a moment he looked like someone in a book.’
‘In a book?’
‘Heroes — gods — the nonsense of schoolgirls.’
‘And then?’
‘But, Charlotte, you know what happened then.
”
”
E.M. Forster (A Room with a View)
“
Writing in a diary is a really strange experience for someone like me. Not only because I've never written anything before, but also because it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year-old schoolgirl.
”
”
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
“
I wonder why Miss Kosugi's lectures are always so stiff. Is she a fool? It makes me sad. She went on and on, explaining to us about patriotism, but wasn't that pretty obvious? I mean, everyone loves the place where they were born. I felt bored. Resting my chin on my desk, I gazed idly out the window. The clouds were beautiful, maybe because it was so windy. There were four roses blooming in a corner of the yard. One was yellow, two were white, and one was pink. I sat there agape, looking at the flowers, and thought to myself, There are really good things about human beings. I mean, it's humans who discovered the beauty of flowers, and humans who admire them. At
”
”
Osamu Dazai (Schoolgirl)
“
Everybody must pity Desdemona, but I cannot bring myself to like her. Her determination to marry Othello – it was she who virtually did the proposing – seems the romantic crush of a silly schoolgirl rather than a mature affection; it is Othello’s adventures, so unlike the civilian life she knows, which captivate her rather than Othello as a person. He may not have practiced witchcraft, but, in fact, she is spellbound.
Then, she seems more aware than is agreeable of the honor she has done Othello by becoming his wife.
[…]
Before Cassio speaks to her, she has already discussed him with her husband and learned that he is to be reinstated as soon as it is opportune. A sensible wife would have told Cassio this and left matters alone. In continuing to badger Othello, she betrays a desire to prove to herself and to Cassio that she can make her husband do as she pleases.
[…]
Though her relationship with Cassio is perfectly innocent, one cannot but share Iago’s doubts as to the durability of the marriage. It is worth noting that, in the willow-song scene with Emilia, she speaks with admiration of Ludovico and then turns to the topic of adultery. Of course, she discusses this in general terms and is shocked by Emilia’s attitude, but she does discuss the subject and she does listen to what Emilia has to say about husbands and wives. It is as if she had suddenly realized that she had made a mésalliance and that the sort of man she ought to have married was someone of her own class and color like Ludovico. Given a few more years of Othello and of Emilia’s influence and she might well, one feels, have taken a lover.
”
”
W.H. Auden (The Dyer's Hand and Other Essays)
“
She used to recite the poem as a schoolgirl in England until she heard that it derived from the Great Plague of London in 1665. Allegedly, a ring around the rosie was a reference to a rose-colored pustule on the skin that developed a ring around it and indicated that one was infected. Sufferers would carry a pocketful of posies in an effort to mask the smell of their own decaying bodies as well as the stench of the city itself, where hundreds of plague victims dropped dead daily, their bodies then cremated. Ashes, ashes. We all fall down.
”
”
Dan Brown (Inferno (Robert Langdon, #4))
“
Anyway, it's a lie when they say your eyes just blink awake. Bleary and cloudy, then as the starch gradually settles to the bottom and the skim rises to the top, at last my eyes wearily open. Mornings seem forced to me. So much sadness rises up, I can't bear it. I hate it, I really do. I'm an awful sight in the morning. My legs feel so exhausted that, already, I don't want to do a thing. I wonder if it's because I don't sleep well. It's a lie when they say you feel healthy in the morning. Mornings are grey. Always the same. Absolutely empty. Lying in bed each morning, I'm always so pessimistic. It's awful, really. All kinds of terrible regrets converge at once in my mind, and my heart stops up as I writhe in agony.
Mornings are torture.
”
”
Osamu Dazai (Schoolgirl)
“
It's true,' replied Doris with a sniff in Bessy's direction to make her sensible of a victory, even if a minor one. 'It is amazing how so many people go insane. One day a man is a normal, friendly husband and the next he suddenly becomes a raging schizoid and slays his wife and himself as well. The result of what cause? Why, perhaps he chanced to find some schoolgirl treasure of another beau who had been his greatest rival and is stunned to discover that she secretly retains this. But usually the matter is not so simple, you know. Next to nothing may happen, jarring awake some sleeping monstrosity in a man's complex mental machinery and turning him from a sane person to a mentally sick individual. It is wholly impossible to say when a man is sane, for' -she tittered- 'scarce one of us is normal.'
'You mean - it might happen to any of us?'
'Of course,' said Doris, charmed by all this interest. 'One moment we are seated here, behaving normally and the next some tiny thing, a certain voice, a certain combination of thoughts may throw out the balance wheel of our intellects and we become potential inmates for asylums the rest of our lives. No, not one of us knows when the world will cease to be a normal, ordinary place. You know, no one ever knows when he goes insane: He supposes it is the world altering, not himself. Rooms become peopled with strange shapes and beings, sounds distort themselves into awful cries and, poof! we are judged insane.'
'Poof -' said Jacob, feeling weak and ill.
("He Didn't Like Cats")
”
”
L. Ron Hubbard
“
But what all of them were writing about were merely certainties. Impersonal things, things lacking depth. They were far removed from anything like real hopes or ambitions. Basically, uninspired things. They were criticisms, yes, but not actually things that had any positive bearing on my life. There was no introspection. No real self-awareness, self-regard, or self-respect. It may require courage to say what they said, but were they really able to take responsibility for the consequences? They may adapt their lifestyle to their environment, and may be capable of processing this but there's no true attachment to the self or to that particular lifestyle. There's no real sense of humility. A scarcity of creativity. Only mimicry. Any sense of innate "love" was simply lacking. They may put on airs but they had no dignity. Instead, all they did was write. It was really quite startling as I read. There was no denying it.
”
”
Osamu Dazai (Schoolgirl)
“
It's probably true. There definitely is something wrong with me. I have become petty. I am no good at all. I am pathetic. Out of the blue I nearly cried out at the top of my lungs. Pshaw... as if a loud holler was going to cover my gutlessness. I have to do something more. Maybe I am in love. I lay back on the green meadow.
”
”
Osamu Dazai (Schoolgirl)
“
It’s an odd idea for someone like me to keep a diary; not only because I have never done so before, but because it seems to me that neither I — nor for that matter anyone else — will be interested in the unbosomings of a 13-year-old schoolgirl. Still, what does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart.
”
”
Anne Frank
“
Some time later there was a song on all the jukeboxes on the Upper East Side that went "but where is the school-girl who used to be me," and if it was late enough at night I used to wonder that.
”
”
Joan Didion
“
Mañana volvera a ser un día exactamente igual que hoy. Se que nunca en esta vida alcanzare la felicidad. Lo se certeramente. Pero será mejor irme a dormir creyendo que mañana la felicidad llegará
”
”
Osamu Dazai (Schoolgirl)
“
he's going to marry Ellen West after wanting her all his life. If I was Ellen—but then, I'm not, and if she is satisfied I can very well be. I heard her say years ago when she was a schoolgirl that she didn't want a tame puppy for a husband. There's nothing tame about Norman, believe ME." The sun was setting over Rainbow Valley. The pond was wearing a wonderful tissue of purple and gold and green and crimson. A faint blue haze rested on the eastern hill, over which a great, pale, round moon was just floating up like a silver bubble. They were all there, squatted in the little open glade—Faith and Una, Jerry and Carl, Jem and Walter, Nan and Di, and Mary Vance. They had been having a special celebration, for it would be Jem's last evening in Rainbow Valley. On the morrow he would leave for Charlottetown to attend Queen's Academy. Their charmed circle would be broken; and, in spite of the jollity of their little festival, there was a hint of sorrow in every gay young heart. "See—there is a great golden palace over there in the sunset," said Walter, pointing. "Look at the shining tower—and the crimson banners streaming from them. Perhaps a conqueror is riding home from battle—and
”
”
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
“
Lying there as I gazed up with rapture, I purposely avoided looking at the paleness of my body, but I was still vaguely aware of it, somewhere in the periphery of my vision. Yet, still silent, I sensed that it was not the same white body as when I was little. I couldn't stand it. The body had no connection to my mind, it developed on its own accord, which was unbearable and bewildering. It made me miserable that I was rapidly becoming an adult and that I was unable to do anything about it. I suppose there is no choice but to give myself over to what is happening, to wait and see as I become a grown up. I want to have a doll-like body forever. I splashed the bathwater about, trying to imitate a child, but I still felt depressed. I was distressed, like there wasn't any reason left to live.
”
”
Osamu Dazai (Schoolgirl)
“
I don’t mind, as I said, I’m good with my hands.”
Callie caught herself subconsciously twirling her hair like some churlish school-girl, her mind thinking about something else. Thinking about his hands
”
”
J.K. Ellem (No Justice (No Justice #1))
“
Grace was a particularly civic-minded young woman. “When Grace was just a schoolgirl,” a childhood friend of hers wrote, “she planned to be a real citizen when she grew up.”2 Her family was of a political bent; her father Daniel was a delegate to the carpenters’ union, and you couldn’t grow up in his house without picking up his principles. He was out of work rather a lot, as unionism was not popular at that time, but while the family may not have had much money, they did have a lot of love. Grace was one of ten children—she was number four—and she was especially close to her mother, also called Grace; perhaps because she was the eldest girl. There were six boys and four girls in total, and Grace was close to her siblings, especially her sister Adelaide, who was nearest to her in age, and her little brother Art
”
”
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
“
They are afraid of him?’ D’Harcourt raised his comedian’s eyebrows.
Danny Hislop’s bright teeth flashed in his hairless, unremarkable face. ‘If they were afraid, they’d tear him to pieces like schoolgirls. My guess is that he’s gorgeous. A terrible tease and nasty at moments, but oh Maeve, he has such a way with him.… Is he gorgeous, dear Adam?’
Adam Blacklock, thus addressed, said quietly, ‘Undoubtedly gorgeous.
”
”
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
“
That was when I realized that the world is demanding something more of me. That was also when I realized that the world is demanding something more of the church. People like Mavis are watching us and wondering why we remain silent on the critical social issues of our day. Why aren’t we more involved? Why aren’t we pitching in to solve the problems of racial injustice, gender disparity and social inequity in our world? When unarmed young black men are shot and killed in the United States, why are so many Christians silent as we watch these events unfold? When over 200 schoolgirls are abducted in Nigeria or 148 college students are shot to death in Kenya or 43 abducted in Mexico, why is the Christian community not standing in greater solidarity with them? Mavis would have every right, still today, to look us in the eye and demand answers.
”
”
Brenda Salter McNeil (Roadmap to Reconciliation: Moving Communities into Unity, Wholeness and Justice)
“
Mañana volverá a ser un día exactamente igual que hoy. Sé que nunca en esta vida alcanzaré la felicidad. Lo sé certeramente. Pero será mejor irme a dormir creyendo que mañana la felicidad llegará, mañana seguro llega
”
”
Osamu Dazai (Schoolgirl)
“
Seriously. I’ve never seen so many camera flashes. Speaking of which, I don’t suppose there’s any way you guys can be less attractive for the next few minutes?” Livvy asked. “You’re drawing almost as much attention as the efflorescence.” Fitz grinned—and a girl who’d been watching him tripped over her own feet. “You guys have plenty of admirers too,” Sophie had to point out, nudging her chin toward several adults who were snapping pictures of Grady and Livvy as if they thought they were celebrities. “I think Tam’s causing the biggest stir,” Biana said, tilting her head toward an entire busload of schoolgirls who were shamelessly gawking. “Great,” Tam grumbled, pulling his bangs lower over his eyes—which only seemed to make the group swoon more. “Be glad Keefe’s not here,” Fitz told him as they strode deeper into the field. “He’d be calling them over and making you pose for photos.
”
”
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
“
Across from me four or five salarymen who all looked about the same age were just sitting there. They must have been around 30. I didn't like any of them. Their eyes were empty and dull. They had no vigor. But now, if I so much as grinned at them, I could very well be dragged off by one of these men, falling into the chasm of compulsory marriage. A mere smile can determine a woman's fate. It is frightening. Fascinatingly so. I have to be careful.
”
”
Osamu Dazai (Schoolgirl)
“
Almost impersonally he was convinced that no woman he had ever met compared in any way with Gloria. She was deeply herself; she was immeasurably sincere—of these things he was certain. Beside her the two dozen schoolgirls and débutantes, young married women and waifs and strays whom he had known were so many females, in the word’s most contemptuous sense, breeders and bearers, exuding still that faintly odorous atmosphere of the cave and the nursery.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone. Some of us, in our daily depressions and rages, were apt to stray, to become corrupted, irreparably so, and then our lives would be forever in disorder. There were even some who would resolve to kill themselves. And when that happened, everyone would say, Oh, if only she had lived a little longer she would have known, if she were a little more grown up she would have figured it out. How saddened they would all be. But if those people were to think about it from our perspective, and see how we had tried to endure despite how terribly painful it all was, and how we had even tried to listen carefully, as hard as we could, to what the world might have to say, they would see that, in the end, the same bland lessons were always being repeated over and over, you know, well, merely to appease us. And they would see how we always experienced the same embarrassment of being ignored. It's not as though we only care about the present. If you were to point to a faraway mountain and say, If you can make it there, it's a pretty good view, I'd see that there's not an ounce of untruth to what you tell us. But when you say, Well, bear with it just a little longer, if you can make it to the top of that mountain, you'll have done it, you are ignoring the fact that we are suffering from a terrible stomachache—right now. Surely one of you is mistaken to let us go on this way. You're the one who is to blame.
”
”
Osamu Dazai (Schoolgirl)
“
I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?”
“Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen.
“I’ve got this problem,” he continued, in between kisses.
“Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind.
“I’m crazy about you,” he said.
By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Here he became acquainted with an eighteen-year-old schoolgirl named Pelageia Onufrieva, the fiancée of one of his fellow exiles, Petr Chizhikov. The future dictator flirted openly with the girl and gave her a book with the inscription, “To clever, nasty Polya from the oddball Iosif.” When Pelageia left Vologda, Jughashvili sent her facetious cards, such as: “I claim a kiss from you conveyed via Petka [Chizhikov]. I kiss you back, and I don’t just kiss you, but passionately (simple kissing isn’t worth it). Iosif.”7 In his personal files, Stalin kept a photograph of Chizhikov and Onufrieva dating to his time in Vologda: a serious, pretty, round-faced girl in glasses and a serious young man with regular features and a moustache and beard. The jocular cards, presents, and photograph attest to the thirty-three-year-old Jughashvili’s interest in the young woman but do not prove that he was romantically involved with her. We
”
”
Oleg V. Khlevniuk (Stalin: New Biography of a Dictator)
“
Her tone changed from shocked to curious. “How was it? Was it… different?”
Sarah bit her lip, ashamed to be gossiping but feeling the strong urge to tell. “Yes,”
she confided. “He’s nothing like John. Nothing like him at all.”
“Really? What was different? Did he…?” Grace waved a hand as though erasing a
chalkboard. “Oh, forget it. I shouldn’t be asking this. But,” again her voice lowered, “is he tattooed everywhere?”
Sarah knew it was wrong to talk about him like this, but her inner schoolgirl took over and she nodded, eager to share details. “He’s beautiful … like a stained glass window. And he’s really good with his … mouth.” She raised an eyebrow, giving Grace a significant look.
Her friend gasped and giggled. “But isn’t it weird? Touching him?”
“Skin is skin, Grace,” Sarah chided. “The tattoos are only on the surface, you know.
He’s a man.” A sexy, vulnerable, intense, attractive, responsible, sweet, gentle and loving man.
”
”
Bonnie Dee (Bone Deep)
“
Tomorrow will probably be another day like today. Happiness will never come my way. I know that. But it's probably best to go to sleep believing that it will surely come, tomorrow it will come. You wait and wait for happiness, and when finally you can't bear it any longer, you rush out of the house, only to hear later that a marvelous happiness arrived the following day at the home you had abandoned, and now it was too late. Sometimes happiness arrives one night too late. Happiness...
”
”
Osamu Dazai (Schoolgirl)
“
Virginia Woolf wrote: ‘English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. . . . The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain,
”
”
John Green (Turtles All the Way Down)
“
In that sense, “otaku” referred to a sudden, spontaneous, and, to most Japanese, inexplicable eruption of extreme obsessiveness among the country’s youth. One day, Japanese in their teens and twenties were normal, well-adjusted young people. The next day, or so it seemed, they were hopeless geeks who had forsaken all social skills in favor of a deep dive into—whatever. Manga (comics). Anime. Super-hard-core deviant anime porn in which tender young schoolgirls are violated by multi-tentacled octopi. Trains. It could be anything really.
”
”
Frank Rose (The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories)
“
The unnamed narrator of Rebecca begins her story with a dream, with a first sentence that has become famous: Last night I dreamed I went to Manderley again. Almost all the brief first chapter is devoted to that dream, describing her progress up the long winding drive, by moonlight, to Manderley itself. The imagery, of entwined trees and encroaching undergrowth that have “mated,” is sexual; the style is slightly scented and overwritten, that of a schoolgirl, trying to speak poetically, and struggling to impress. Moving forward, with a sense of anticipation and revulsion, the dream narrator first sees Manderley as intact; then, coming closer, she realizes her mistake: she is looking at a ruin, at the shell of a once-great house. With this realization—one of key importance to the novel—the dreamer wakes. She confirms that Manderley has indeed been destroyed, and that the dream was a true one. (“Dreaming true” was a term invented by du Maurier’s grandfather, George du Maurier, author of Trilby; it was a concept that fascinated her all her life. Daphne was aware of Freud and Jung: George was not.)
”
”
Daphne du Maurier (Rebecca)
“
Alex took the train down from Boston on the appointed day. She wore a new navy blue dress and matching coat she had bought to wear to her graduation dinner in six weeks. And in case she was late and had to run through the station to make it in time, she had worn little flat black suede shoes, and she looked more than ever like a schoolgirl with her shining dark straight hair down her back, when she arrived at Rose’s office at two-thirty. She was very nervous and her eyes were huge, as she sat anxiously at the edge of a chair across from Rose’s desk.
”
”
Danielle Steel (The Right Time)
“
I didn't know whether it was better to maintain a fierce distinction between yourself and your acquaintances in society in order to deal with and respond properly to things in a pleasant manner, or rather never to hide yourself, to remain true to yourself always, even if they say bad things about you. I envied those who were able to go through life simply in the midst of all the other wear, kind, and warm people like them. If it were possible to live my life without pain or hardship, then there would be no need to seek it out on my own. That would be best.
”
”
Osamu Dazai (Schoolgirl)
“
I left for the front a materialist. An atheist. I left as a good Soviet schoolgirl, who had been well taught. And there...there I began to pray...the words were simple...my own words...I didn't know any real prayers and didn't read the Bible. No one saw me pray. I did it in secret...Fortunately I didn't see those people, the ones I killed...but...all the same...now I realize that I killed them...I'm old now. I pray for my soul...I keep searching with my eyes, maybe someone was only wounded, badly wounded, but could still be saved. I don't know how to put it...but they're all dead...
”
”
Svetlana Alexievich (War's Unwomanly Face)
“
I would expect such behavior from the children,not from their mother."
She tsked at him, not even a little daunted. "Aren't you the least bit curious?"
"Certainly,but I can wait until-"
"But I can't wait," she cut in passionately. "Come with me, Warren. I'll be careful with it. And if it's nothing more'n a simple gift, albeit a mysterious one, then I'll have the box wrapped up again perfectly, so no one will know we tampered with it."
"You're serious about this?" he asked. "You're actually going to sneak downstairs in the middle of the night like an errant schoolgirl-"
"No,no,we are, like two perfectly sensible adults making a reasonable effort to solve a mystery that has been around far too long."
He chuckled at that point, used to his wife's strange logic, and used to her ignoring any of his attempts at sternness.But then that was the magic of Amy.She was unlike any other woman he'd ever known.
He gave in gracefully with a smile. "Very well,fetch our robes and some shoes.I would imagine the fire has been banked in the parlor, so it will be a mite chilly."
It wasn't that long before they were standing next to The Present, Warren merely curious, Amy finding it hard to contain her excitement, considering what she expected to find beneath the pretty cloth wrapping.The parlor wasn't chilly at all,since whoever had lef the room last had closed the doors to contain the earlier warmth, and Warren had closed them again before he lit several of the lamps.
But the doors opened once more, giving Amy quite a start since she was just reaching for The Present when it happened, and Jeremy said as he entered the room, "Caught in the act,eh? Amy,for shame."
Amy,noticeably embarrassed despite the fact that Jeremy wasn't just her cousin, but one of her closest friends, said stiffly, "And what,pray tell, are you doing down here at this hour?"
He winked at her and said dryly, "Same thing you are, I would imagine."
She chuckled then. "Scamp. Close the door while you're at it."
He started to,but stepped out of the way instead as Reggie sauntered in, barefoot and still in the process of tying her bed robe. When everyone else there just stared at her, she huffed indignantly, "I did not come down here to open The Present-well, maybe I did, but I would have chickened out before actually doing so."
"What a whopper, Reggie," Derek said as he came in right behind her. "Nice try, though. Mind if I borrow that lame excuse? Better than having none a'tall.
”
”
Johanna Lindsey (The Holiday Present)
“
When police arrested a New York bus driver for running down a schoolgirl in a crosswalk… the New York Daily News decried what it saw as mistreatment of one of the city’s bus drivers. The head of the transit union protested this enforcement of the city’s new Right of Way Law as “outrageous, illogical and anti-worker” while branding the head of a city street safety advocacy group “a progressive intellectual jackass.” The same union previously launched a work slowdown when another bus driver faced sanctions for killing a seventy-eight-year-old woman in a crosswalk in December 2014. All this occurred because police sought to enforce _misdemeanor_ charges in cases of pedestrians who were run over in crosswalks where they had the clear right of way.
”
”
Edward Humes (Door to Door: The Magnificent, Maddening, Mysterious World of Transportation)
“
something Virginia Woolf wrote: ‘English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. . . . The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with.
”
”
John Green (Turtles All the Way Down)
“
He went to look closely at the painting, which portrayed a parade of fat white geese strolling past the doorway of a cottage.
"Someday I'll be able to afford real art," Garrett said, coming to stand beside him. "In the meantime, we'll have to make do with this."
Ethan's attention was drawn to the tiny initials in the corner of the work: G.G. A slow smile broke over his face. "You painted it?"
"Art class, at boarding school," she admitted. "I wasn't bad at sketching, but the only subject I could manage to paint adequately was geese. At one point I tried to expand my repertoire to ducks, but those earned lower marks, so it was back to geese after that."
Ethan smiled, imagining her as a studious schoolgirl with long braids. The light of a glass-globe parlor lamp slid across the tidy pinned-up weight of her hair, bringing out gleams of red and gold. He'd never seen anything like her skin, fine and powerless, with a faint glow like a blush-colored garden rose.
"What gave you the idea to paint geese in the first place?" he asked.
"There was a goose pond across from the school," Garrett said, staring absently at the picture. "Sometimes I saw Miss Primrose at the front windows, watching with binoculars. One day I dared to ask her what she found so interesting about geese, and she told me they had a capacity for attachment and grief that rivaled humans. They mated for life, she said. If a goose was injured, the gander would stay with her even if the rest of the flock was flying south. When one of a mated pair died, the other would lose its appetite and go off to mourn in solitude.
”
”
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
“
After we finished the interview Paul thanked me for my time and told me he thought I was great on the radio. He suggested I think about it as a career. I thanked him and said I’d consider it. But really all I was thinking about was Jamie. As soon as I got in my car I looked on my phone and saw I had a Facebook friend request from her. I felt schoolgirl giddy. I accepted the request and immediately called my Army buddy Max. Max is one of the guys who came with me on that first Tough Mudder. We are really close friends, and he’s someone I’ve always confided in. Just a few weeks before I had called and told him, “You know what? I’m done with women for the time being, but the next time I talk to a girl, I’m shooting out of my league.” So now I called Max and said, “I’ve met a girl way out of my league and I’m gonna take a shot.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
LAST FALL
UNIVERSITY OF MERIT
The music was loud enough to shake the pictures on the walls. An angel and a wizard made out on the stairs. Two naughty cats tugged a vampire between them, a guy with yellow contacts howled, and someone spilled a Solo cup of cheap beer near Eli’s feet.
He snagged the horns from a devil by the front door, and set them on top of his head. He’d seen the girl walk in, flanked by a Barbie and a Catholic schoolgirl flaunting numerous uniform infractions, but she was in jeans and a polo, blond hair loose, falling over her shoulders. He’d lost sight of her for only a moment, and now her friends were there, weaving through the crowd with interlocking fingers held over their heads, but she was gone. She should have stood out, the lack of costume conspicuous at a Halloween party, but she was nowhere to be found.
”
”
Victoria Schwab (Vicious (Villains, #1))
“
Come on, Gray,” another sailor called. “Just one toast.”
Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response.
Siren.
“Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.”
The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.”
Her eyes narrowed to slits. The men groaned.
“You’re no fun anymore, Gray,” O’Shea grumbled.
“No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.”
“Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.”
Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed?
Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.”
My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had.
“My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.”
The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.”
“Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.”
“The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks.
“He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.”
“I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.”
That was it. This little scene was at its end.
Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat.
“Put me down, you brute!” She squirmed and pounded his back with her fists.
Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other.
“Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.”
Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin.
With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides.
Oh, bloody hell.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
What?" asked Natalie Blake. She really was too drunk to return to chambers. Her friend Layla was smiling, a little sadly. She was looking at the tablecloth. "Nothing. You're exactly the same." Natalie was in the middle of texting Melanie to warn her she would not be in now until tomorrow morning. "Right. It's not like I have to become another person just because - " "You always wanted to make it clear you weren't like the rest of us. You're still doing it." A waiter came over to ask about dessert. Natalie Blake, though eager for dessert, felt now she could not really order one. She was struck with dread. Her heart beat madly. She had a schoolgirl's impulse to report Layla Dean nee Thompson to the waiter. Layla's being horrible to me! Layla hates me! Outside, a car passed playing "Wanna Be Startin' Something'." Layla did not look up at the waiter and after a moment he went away. She had a thick white napkin she was twisting in both hands. "Even when we used to do those songs you'd be with me but also totally not with me. Showing off. False. Fake. Signaling to the boys in the audience, or whatever." "Layla, what are you talking about?" "And you're still doing it.
”
”
Zadie Smith (NW)
“
I hope you don’t mind that we’re crashing,” Wes says. “I’m trying to escape a hunting expedition. No joke. Dad thinks I’ll be more of a man if I can blow a rabbit’s head off. And my response? ‘Sorry, Dad, but as tempting as it is to obliterate Peter Cottontail first thing on a Sunday morning, I promised Camelia I’d swing by her house, because she’s been begging to abuse my body for weeks.’”
“And speaking of being delusional,” Kimmie segues, “did I mention that my plan to reunite my parents was totally dumb?” She leads us into my bedroom and then closes the door behind her. “They could smell the setup before their water glasses were even filled.”
“How’s that?” I ask, taking a seat on my bed.
“The violinist I arranged to serenade them at the table might have been a tip-off,” she begins. “Either that, or the wrist corsage I ordered for my mom. I handpicked the begonias and had the florist deliver it right to the table.”
“Don’t forget about the oyster appetizer you preordered for the occasion,” Wes adds.
“Because, you know what they say about oysters, right?” An evil grin breaks out across her face. ‘I know, I know.” She sighs, before I can even say anything. “I may have gone a little overboard, but what can I say? I’m a dorkus extremus. Hence my outit du jour.” She’s wearing a Catholic schoolgirl’s uniform, a pair of clunky black glasses (with the requisite amount of tape on the bridge), and a cone-shaped dunce cap.
“Yes, but you’re a dorkus extremus with a nice set of begonias,” Wes teases.
”
”
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
“
QUESTION: Are you suggesting that history is irrelevant, then, and the temporal span of humankind merely the recycling of tropes?
ANSWER: Well, I think it’s two things. It’s always two things, unless it’s three. The first thing is moms and martyrs are the way we will think, just as when we dance we tend to tango. Jung suspected as much, you know, and every story could, I suppose, be seen as such a spyglass. Second, either there is or there isn’t, point-blank, and if there is not, and something besides lead backs our philosophies, then previously Truth flashed its temper like a fictitious schoolgirl showing her panties, then went all cowboy cool in the neonew, barely speaking, keeping mum, despite the fact we’s done forgot dear mammy, savoring the slow satisfying burn of a cigarette before the bonfire of a billion bodies, and still millions more wait their turn, we’re better at keeping our appointments, at any rate, skinny corpses stripped of teeth and hair and skin, difference plucked like daisies, for there is no difference; in ether words, to hear the Great Apes tell it, every plague is one for the pointless and every poppy’s got jack to do with Us. Hoohah! A particularly ballsy bit of business given the most recent nearing too close, we’re singing our rondel with a bellyful of gravy and sourmash, we’re at the highpocked end, and there’s no more to come, come the dawn. Though bear in mind we’ve no pret-a-porter poodle sniffing around here, nossir, we’re not afraid to say stay, still, we’ll stay right here, eating off the apple of your eye, carving the plump of your cheek caught in the family photo, the flash in the pan goes off and so does your head, or so Buttercup says, we’re stuck, that is to say, in the over-brought dawn of this new clearer Age, in which we play patsy to witness just this: everything is beauty-full, in its own way. . . .
”
”
Vanessa Place (La Medusa)
“
I should say goodbye to him in the lounge, perhaps, before we left. A furtive, scrambled farewell, because of her, and there would be a pause, and a smile, and words like 'Yes, of course, do write', and 'I've never thanked you properly for being so kind', and 'You must forward those snapshots', 'What about your address?' 'Well, I'll have to let you know". And he would light a cigarette casually, asking a passing waiter for a light, while I thought, 'Four and a half more minutes to go. I shall never see him again.'
Because I was going, because it was over, there would suddenly be nothing more to say, we would be strangers, meeting for the last and only time, while my mind clamoured painfully, crying 'I love you so much. I'm terribly unhappy. This has never come to me before, and never will again.' My face would be set in a prim, conventional smile, my voice would be saying, 'Look at that funny old man over there; I wonder who he is; he must be new here.' And we would waste the last moments laughing at a stranger, because we were already strangers to one another. 'I hope the snapshots come out well,' repeating oneself in desperation, and he 'Yes, that one of the square ought to be good; the light was just right.' Having both of us gone into all that at the time, having agreed upon it, and anyway I would not care if the result was fogged and black, because this was the last moment, the final goodbye had been attained. 'Well,' my dreadful smile stretching across my face, 'thanks most awfully once again, it's been so ripping..." using words I had never used before. Ripping: what did it mean? - God knows, I did not care; it was the sort of word that schoolgirls had for hockey, wildly inappropriate to those past weeks of misery and exultation. Then the doors of the lift would open upon Mrs Van Hopper and I would cross the lounge to meet her, and he would stroll back again to his corner and pick up a paper.
”
”
Daphne du Maurier (Rebecca)
“
After we finished the interview Paul thanked me for my time and told me he thought I was great on the radio. He suggested I think about it as a career. I thanked him and said I’d consider it. But really all I was thinking about was Jamie. As soon as I got in my car I looked on my phone and saw I had a Facebook friend request from her. I felt schoolgirl giddy. I accepted the request and immediately called my Army buddy Max. Max is one of the guys who came with me on that first Tough Mudder. We are really close friends, and he’s someone I’ve always confided in. Just a few weeks before I had called and told him, “You know what? I’m done with women for the time being, but the next time I talk to a girl, I’m shooting out of my league.” So now I called Max and said, “I’ve met a girl way out of my league and I’m gonna take a shot.”
I wasn’t good at asking women out and felt really nervous. I told Max she had sent me a friend request and he urged me to send her a private message on Facebook.
I typed out a pretty long message and hit SEND. Then I finally put the keys in the ignition and left the radio station parking lot. Every red light I hit, I checked my phone to see if she had responded. She hadn’t. Why wasn’t she responding? Finally, I pulled over and looked again. The message hadn’t gone through! I panicked and called Max back.
“What am I gonna do? What if I send another one and the first one is just floating through the Internet and it eventually goes through? Do I send another one? Do I make it sound exactly the same? I’m gonna look like a crazy person! What do I do? I don’t know what to do!”
Max calmed me down again and I rewrote my original message. This time she responded.
“Jamie, it was great meeting you and Paul today. Sorry you got stuck with a used bracelet. If I run into you again I will hook you up with a new one. You’ll just have to give that one back. They aren’t free. LOL. Take care.”
She responded: “Ha ha. Actually, Noah Galloway, I got the one I wanted ;). Great to meet you, too. Love your story. Tragedy to triumph. I can’t imagine the number of people you inspire every day. Hope to run into you sooner rather than later.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Marlboro Man paused, his eyes piercing through to my marrow. We’d started out watching the sunset over the ranch, sitting on the tailgate of his pickup, legs dangling playfully over the edge. By the time the sun had gone down, we were lying down, legs overlapping, as the sky turned blacker and blacker. And making out wildly. Making out, oh, so very wildly.
I didn’t want to wait for him to bring it up again--the dreaded subject of Chicago. I’d avoided it like the plague for the past several days, not wanting to face the reality of my impending move, of walking away from my new love so soon after we’d found each other. But now the subject wasn’t so scary; it was safe. I’d made the decision, at least for now, to stay--I just had to tell Marlboro Man. And finally, in between kisses, the words bubbled suddenly and boldly to the surface; I could no longer contain them. But before I had a chance to say them, Marlboro Man opened his mouth and began to speak.
“Oh no,” he said, a pained expression on his face. “Don’t tell me--you’re leaving tomorrow.” He ran his fingers through my hair and touched his forehead to mine.
I smiled, giggling inside at the secret I was seconds away from spilling. A herd of cows mooed in the distance. Serenading us.
“Um…no,” I said, finding it hard to believe what I was about to tell him. “I’m not…I’m…I’m not going.”
He paused, then pulled his face away from mine, allowing just enough distance between us for him to pull focus. “What?” he asked, is strong fingers still grasping my hair. A tentative smile appeared on his face.
I breathed in a deep dose of night air, trying to calm my schoolgirl nervousness. “I, umm…” I began. “I decided to stick around here a little while.” There. I’d said it. This was all officially real.
Without a moment of hesitation, Marlboro Man wrapped his ample arms around my waist. Then, in what seemed to be less than a second, he hoisted me from my horizontal position on the bed of his pickup until we were both standing in front of each other. Scooping me off my feet, he raised me up to his height so his icy blue eyes were level with mine.
“Wait…are you serious?” he asked, taking my face in his hands. Squaring it in front of his. Looking me in the eye. “You’re not going?”
“Nope,” I answered.
“Whoa,” he said, smiling and moving in for a long, impassioned kiss on the back of his Ford F250. “I can’t believe it,” he continued, squeezing me tightly.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I breathed in a deep dose of night air, trying to calm my schoolgirl nervousness. “I, umm…” I began. “I decided to stick around here a little while.” There. I’d said it. This was all officially real.
Without a moment of hesitation, Marlboro Man wrapped his ample arms around my waist. Then, in what seemed to be less than a second, he hoisted me from my horizontal position on the bed of his pickup until we were both standing in front of each other. Scooping me off my feet, he raised me up to his height so his icy blue eyes were level with mine.
“Wait…are you serious?” he asked, taking my face in his hands. Squaring it in front of his. Looking me in the eye. “You’re not going?”
“Nope,” I answered.
“Whoa,” he said, smiling and moving in for a long, impassioned kiss on the back of his Ford F250. “I can’t believe it,” he continued, squeezing me tightly.
Our knees buckled under the heat, and before I knew it we were back where we’d been before, rolling around and kissing manically in the bed of his diesel pickup. Occasionally my arm would hit a crowbar and my head would slam against a spare tire or a cattle prod or a jack; I didn’t care, of course. I’d said what I wanted to say that night. Everything else--even minor head injuries--was a piece of cake.
We stayed there a long, long time, the balmy night air giving us no good reason to leave. Under the innumerable stars, amidst all the embraces and kisses and sounds from the surrounding livestock, I suddenly felt more at peace in my decision than I had since my phone call with Rhonda the Realtor that morning. I felt at home, comfortable, nestled in, wonderful. My life had changed that day, changed in a way I never, ever, could have predicted. My big-city plans--plans many months in the making--had all at once been smashed to smithereens by a six-foot cowboy with manure on his boots. A cowboy I’d known, essentially, for less than three weeks. It was the craziest thing I’d ever done, deciding to take an impulsive walk down this new and unexpected path. And while I secretly wondered how long it would take for me to regret my decision, I rested easily, at least for that night, in the knowledge that I’d had the courage to step out on such an enormous limb.
It was late. Time to go. “Want me to drive you home now?” Marlboro Man asked, lacing our fingers together, kissing the back of my hand. “Or, do you…” He paused, considering his words. “Do you want to come stay at my place?
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
After all,” she said, her eyes meeting his, “it’s not as though you lack sufficient charm to woo ladies. And you’re certainly handsome enough, in your own way.”
She bent her head again. “Oh, stop looking s smug. I’m not flattering you, I’m merely stating facts. Privateering was not your only profitable course of action. You might have married, if you’d wished to.”
“Ah, but there’s the snag, you see. I didn’t wish to.”
She picked up a brush and tapped it against her palette. “No, you didn’t. You wished to be at sea. You wished to go adventuring, to seize sixty ships in the name of the Crown and pursue countless women on four continents. That’s why you sold your land, Mr. Grayson. Because it’s what you wanted to do. The profit was incidental.”
Gray tugged at the cuff of his coat sleeve. It unnerved him, how easily she stared down these truths he’d avoided looking in the eye for years. So now he was worse than a thief. He was a selfish, lying thief. And still she sat with him, flirted with him, called him “charming” and “handsome enough.” How much darkness did the girl need to uncover before she finally turned away?
“And what about you, Miss Turner?” He leaned forward in his chair. “Why are you here, bound for the West Indies to work as a governess? You, too, might have married. You come from quality; so much is clear. And even if you’d no dowry, sweetheart…” He waited for her to look up. “Yours is the kind of beauty that brings men to their knees.”
She gave a dismissive wave of her paintbrush. Still, her cheeks darkened, and she dabbed her brow with the back of her wrist.
“Now, don’t act missish. I’m not flattering you, I’m merely stating facts.” He leaned back in his chair. “So why haven’t you married?”
“I explained to you yesterday why marriage was no longer an option for me. I was compromised.”
Gray folded his hands on his chest. “Ah, yes. The French painting master. What was his name? Germaine?”
“Gervais.” She sighed dramatically. “Ah, but the pleasure he showed me was worth any cost. I’d never felt so alive as I did in his arms. Every moment we shared was a minute stolen from paradise.”
Gray huffed and kicked the table leg. The girl was trying to make him jealous. And damn, if it wasn’t working. Why should some oily schoolgirl’s tutor enjoy the pleasures Gray was denied? He hadn’t aided the war effort just so England’s most beautiful miss could lift her skirts for a bloody Frenchman.
She began mixing pigment with oil on her palette. “Once, he pulled me into the larder, and we had a feverish tryst among the bins of potatoes and turnips. He held me up against the shelves and we-“
“May I read my book now?” Lord, he couldn’t take much more of this.
She smiled and reached for another brush. “If you wish.”
Gray opened his book and stared at it, unable to muster the concentration to read. Every so often, he turned a page. Vivid, erotic images filled his mind, but all the blood drained to his groin.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me?
“I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.”
“But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.”
Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…”
“Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door.
Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business.
Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier.
“I think I wore this to the J-bar that night…,” I said. “Do you remember?”
“Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it.
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?”
“Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen.
“I’ve got this problem,” he continued, in between kisses.
“Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind.
“I’m crazy about you,” he said.
By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
(The very next day)
'I am enduring will standing alone bare and yes, I am completely naked to the world outside. So, unprotected by the atmosphere above and around me, so unlike- the day, I was born into this hellish world.'
'My life was not always like this! Still as of now, I stand trembling on top of this cruel land, which I call my hereditary land or my home-town.'
'Some still call me by my name, and that is 'Nevaeh May Natalie.'
'Some of the others, like the kids I go to school within this land, have other titles for me.'
'However, you can identify me by the name of 'Nevaeh.' That is if you want to.'
'I do not think that even matters to you, my name is… it has been replaced and it is not significant anymore. Nor does my name matter to anyone out there for miles around. At least that is the way it seems to me, standing here now as I see the bus come to take me there.'
'Names or not said to me, 'I feel alone!' I whispered to myself.'
'It is like I am living a dream. I didn't think my nightmare of orgasmic, tragic, and drizzling emotions pouring in my mind would last this long.'
('Class, faces, names, done.')
'It like a thunderstorm pounding in my brain, as it is today outside. I have come home from yet another day of hell that would be called- school to you.'
'I don't even go into the house until I have this restricting schoolgirl uniform torn off my body. I feel like my skin is crawling with bugs when it is on my figure.'
(Outside in the fields, next to the tracks)
'It's the middle- September and I am standing in the rain. It is so cold, so lonely, and so loveless! Additionally, this is not usual for me, I am always bare around my house, I have my reason you'll see.'
'The rain has been falling on me like knives ever since the moment, I got off the yellow bus.'
'A thunderbolt clattered, more resonant than anything ever heard previously.'
'All the rain is matting my long brown hair on me as it lies on my backside longer than most girls. Yet I am okay with that at last, I am free.'
(I have freedom)
'To a point! I still feel so trapped by all of them.'
'Ten or twenty minutes have now passed; I am still in the same very spot. Just letting water follow me down. I'm drenched!'
'I can feel the wetness as it lingers in my hair for a while, so unforgivably soaking my body even more as if sinking within me washing me clean.'
'Counting my sanctions, I feel satisfied in a way when I do feel it dropping offends my hair, as if 'God' is still in control of my life, even if I was sent to and damned to hell.'
'Like it is wiping away everything that happened to me today, away from the day of the past too.'
'The wetness is still running down the small of my back thirty minutes must have passed, and it is like my mind is off.'
'Currently, it follows the center point on my back. Then down in-between my petite butt cheeks. Water and bloodstream off my butt to the ground near the heels of my feet. I can feel as if that part of me is washed clean from the day that I had to go through.'
'Some of this shower is cascading off my little face, and it slowly collects on my little boobs, where it beads up and separates into two different watercourses down to my belly button.'
'I eyeball this, as it goes all the way down the front of me. It trickles down on me, to where it turns the color of light pink off my 'Girly Parts.' As they would never be the same.
”
”
Marcel Ray Duriez
“
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.”
'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed.
'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom.
'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
”
”
William H. Gass (The World Within the Word)
“
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t.
She smiled.
Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?”
Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures.
“By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.”
His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes.
“It doesn’t suit you anyway,” she said, loading her brush with paint.
He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…”
“The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.”
“Why not? Is the color wrong?” The sudden seriousness in his tone surprised her.
“No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.”
“Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?”
“Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.”
“Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?”
“No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?”
“If I had my way…I wouldn’t.”
A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.”
He blinked. “He painted a nude study of you?”
“No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.”
Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?”
“Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen.
“I’ve got this problem,” he continued, in between kisses.
“Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind.
“I’m crazy about you,” he said.
By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.”
I’d been afflicted with acute boy-craziness for over half my life. But what I was feeling for Marlboro Man was indescribably powerful. It was a primal attraction--the almost uncontrollable urge to wrap my arms and legs around him every time I looked into his eyes. The increased heart rate and respiration every time I heard his voice. The urge to have twelve thousand of his babies…and I wasn’t even sure I wanted children.
“So anyway,” he continued.
That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe.
“Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window.
I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.”
She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date.
“Well, hello again!” she exclaimed, extending her manicured hand.
He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded.
“Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house.
Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.” My sweaty hands still hid my face.
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet.
“I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?”
It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)