Serenity Film Quotes

film crew up there, enraptured by the charming rodents. The crew had come to shoot a documentary about the massacre; they had expected teen angst and American social Darwinism. They were seduced by the tranquillity—less than a hundred yards from the school. They shot hours of footage of the twelve-inch prairie dogs. The Japanese crew saw this place somewhat differently than Americans did. Their depiction was by turns tumultuous, brutal, explosive, and serene.

And then there was Joss. I met him in a dimly lit office, where he regaled me with tales of adventure, swashbuckling, shootings, spaceships, and narrow escapes. Um, where do I sign? He gave me a new identity, a costume, a gun, and a long brown duster for a cape. I remember that meeting so well; it was like a superhero "origin" issue. I remember Joss looking at Polaroid photos of my first costume fitting, holding up the one with the duster and gun saying, "Action figure, anyone?" Never in my wildest. Like some sort of super-team benefactor, Joss made superheroes out of all of us, complete with a super-hideout spaceship. During filming, we'd all retreat to our dressing room trailers and emerge like Supermen with our alter egos. The boots, the suspenders, gun holstered low on my hip... with a flick and a spin of that wicked awesome coat over my shoulders, I became someone else.

Rivers perhaps are the only physical features of the world that are at their best from the air. Mountain ranges, no longer seen in profile, dwarf to anthills; seas lose their horizons; lakes have no longer depth but look like bright pennies on the earth's surface; forests become a thin impermanent film, a moss on the top of a wet stone, easily rubbed off. But rivers, which from the ground one usually sees only in cross sections, like a small sample of ribbon -- rivers stretch out serenely ahead as far as the eye can reach. Rivers are seen in their true stature. They tumble down mountain sides; they meander through flat farm lands. Valleys trail them; cities ride them; farms cling to them; roads and railroad tracks run after them -- and they remain, permanent, possessive. Next to them, man's gleaming cement roads which he has built with such care look fragile as paper streamers thrown over the hills, easily blown away. Even the railroads seem only scratched in with pen-knife. But rivers have carved their way over the earth's face for centuries and they will stay.

It was like having two children in the car with her. Okay, one child and a young adult that kept backsliding. Hal, of course, was attempting to prove he was really only eight years old. Taggart could resist the taunting part of the time. Nigel was the senile grandmother who never noticed that the children were fighting. He sat in the backseat, smiling serenely at the passing landscape. What made things worse was that Taggart called shotgun so he could film through the front window. That made it so she couldn't reach Hal to swat him into silence. She found herself tempted to hit Taggart just because he was beside her. And because he'd changed into a dark blue silk shirt and cologne that smelled so good she just wanted to roll in it. "I can kill us all," Jane growled, gripping the wheel tightly, and resisted the urge to drive the production truck into the ditch to prove her point. Somehow they reached downtown without her killing anyone.

As much as we try to corral it via rigorous religious tradition (for good and faithful reasons), prayer also takes place beyond the boundary waters, in places and ways we might not expect. This human instinct to reach out in praise or lament or supplication or confession to the divine does not take place only in church, guided by liturgy and pastors. It isn't limited to early morning devotions, in that serene space before silence gives way to the day. It isn't strictly the domain of dinner tables, where families gather to recite familiar words. And it isn't an instinct shared only by Christians. Prayer can be expressed by anyone and can take place anywhere.

In serenely enjoying the rain together, in planting acorns that hold the potential for new growth, and in sitting among the branches of the resulting tree to observe the stars, Totoro teaches them how to cultivate prayerful joy in their own lives. Even in the midst of the emotional upheaval their family is experiencing, they experience and express deep-seated delight. I like to think that Totoro has shared with them a secret, a key to the universe: the knowledge that all can be endured, because one day their joy will be complete.

You still want to know, don’t you? You’re still curious. I mean, I don’t blame you. Here’s the thing: does it matter exactly what happened and why those girls were excluded? It’s irrelevant. It happened. Done. Over. I’d rather not go into it. We don’t have to reveal everything to each other. That’s another thing I’ve learned in therapy: it’s OK to be private. It’s OK to say no. It’s OK to say, “I’m not going to share that.” So, if you don’t mind, let’s just leave it there. I mean, I appreciate your interest and concern, I really do. But you don’t need to pollute your brain with that stuff. Go and, like, listen to a nice song instead. MY SERENE AND LOVING FAMILY—FILM TRANSCRIPT INTERIOR.

No. She'd already canceled and rescheduled this lunch three times. She had to go. "Oh, well, maybe I'll learn something," she thought philosophically as she handed her keys to the valet. She imagined herself smoking serenely on a pipe and gazing off to sea and saying, "Well, yeah, sure, he was an asshole, but he wasn't your typical asshole. I really learned something that day at the Hamburger Hamlet. [...] "You're not blond," Al Hawkins said, fixing her with his intense glare. "No, I never was," said Suzanne. "Well, you've never been blond in any of your films, but..." Al Shrugged. "I know a lot of girls who, after a while, just... go blond." "Spontaneously?" asked Suzanne. "No, they decide to do it after... Oh, I see. A joke." Al smiled. "Shall we order?

No. She'd already canceled and rescheduled this lunch three times. She had to go. "Oh, well, maybe I'll learn something," she thought philosophically as she handed her keys to the valet. She imagined herself smoking serenely on a pipe and gazing off to sea and saying, "Well, yeah, sure, he was an asshole, but he wasn't your typical asshole. I really learned something that day at the Hamburger Hamlet. [...] "You're not blond," Al Hawkins said, fixing her with his intense glare. "No, I never was," said Suzanne. "Well, you've never been blond in any of your films, but..." Al Shrugged. "I know a lot of girls who, after a while, just... go blond." "Spontaneously?" asked Suzanne. "No, they decide to do it after... Oh, I see. A joke." Al smiled. "Shall we order?” [...] She wondered if she was in the midst of an anecdote that, for reasons of proximity, she was not yet able to perceive.

Personally, I think we all need the uplift provided by films that inspire, encourage, affirm, and celebrate the human spirit—and if we ever needed home-grown serenity and heaping portions of comfort it’s now.