Scary Stories To Tell In The Dark Quotes

Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon's hands, your words suture only the places where blood might flow. We know you can never do it properly - once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief s wide skirt and the stitch that unravels fear's caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.

Most scary stories are, of course, meant to be told. They are more scary that way. But how you tell them is important.

Telling scary stories is something people have done for thousands of years, for most of us like being scared in that way. Since there isn't any danger, we think it is fun.

The Hearse Song Don't you ever laugh as the hearse goes by, For you may be the next to die. They wrap you up in a big white sheet From your head down to your feet. They put you in a big black box And cover you up with dirt and rocks. All goes well for about a week, Then your coffin begins to leak. The worms crawl in, the worms crawl out, The worms play pinochle on your snout. They eat your eyes, they eat your nose, They eat the jelly between your toes. A big green worm with rolling eyes Crawls in your stomach and out your eyes. Your stomach turns a slimy green, And pus pours out like whipping cream. You spread it on a slice of bread, And that's what you eat when you're dead.

But his widow never did get married again. Aaron had seen to that.

The night Ted died, Sam said he looked just like the skeleton.

Women have always been the most important part of monster movies. As I walked home one night, I realized why. Making my way down dark city streets to my apartment in Brooklyn, I was alert and on edge. I was looking for suspicious figures, men that could be rapists, muggers or killers. I felt like Laurie Strode in Halloween. Horror is a pressure valve for society's fears and worries: monsters seeking to control our bodies, villains trying to assail us in the darkness, disease and terror resulting from the consequences of active sexuality, death. These themes are the staple of horror films. There are people who witness these problems only in scary movies. But for much of the population, what is on the screen is merely an exaggerated version of their everyday lives. These are forces women grapple with daily. Watching Nancy Thompson escape Freddy Krueger's perverted attacks reminds me of how I daily fend off creeps asking me to smile for them on the subway. Women are the most important part of horror because, by and large, women are the ones the horror happens to. Women have to endure it, fight it, survive it — in the movies and in real life. They are at risk of attack from real-life monsters. In America, a woman is assaulted every nine seconds. Horror films help explore these fears and imagine what it would be like to conquer them. Women need to see themselves fighting monsters. That’s part of how we figure out our stories. But we also need to see ourselves behind-the-scenes, creating and writing and directing. We need to tell our stories, too.

The telling of this true story is not intended to persuade the reader of its authenticity. Those who believe in the existence of the spirit world will not require convincing; those who do not believe so will likely remain skeptical. It matters that this tale be told with honesty and integrity. Embarking upon the journey has been scary in its own right. For the past forty years the family involved has remained guarded and exclusive about their mutual experience. Delving into the painful memories has proved difficult; rekindling imagery, disturbing emotions long repressed. Exhuming the dead spawned its share of nightmares and yet it is a tale worthy of telling because it is true; a collective memoir worthy of sharing because of the message a family received.

usually the liver or the heart, that he

I thought maybe he was human before, but I could tell then that he wasn’t. He was just blackness, pure, thick blackness, pressed against the glass. Staring at him felt like staring at concentrated evil.

But as I grabbed the light switch and turned it on, I saw a black figure pressed against the glass door. It was a tall man, his face pressed against the glass, his hands above his head, gripping the glass as well and his face was turned towards me like he had been watching me the entire time I was tiptoeing around in the darkness. I thought maybe he was human before, but I could tell then that he wasn’t. He was just blackness, pure, thick blackness, pressed against the glass. Staring at him felt like staring at concentrated evil.

And it was women who took the genre to the political realm, making their ghostly tales much more than just scary stories to tell in the dark.

DON’T EAT THE SEEDS Allison had told Brady not to eat the seeds of the orange... but did he listen to her? No. "I'm telling you, Brady." She told him as he crunched and swallowed the seeds down with the rest of the juicy inside of the orange fruits, "You keep eating the seeds, and one day an orange tree will grow out of you." "As if!" Brady said back with a harsh laugh. Allison looked at him warily... she did not want to see that boy turn into a tree. The two of them were only ten, Allison new to the street. The other kids heeded her warning, Brady was just being stupid. "Where do you think that orange you're eating came from, Brady?" Allison told him as he gobbled down another slice. "From a foolish kid just like you who is now a tree." "No!" Brady yelled back defiantly and Judy only rolled her eyes, giving up. It wasn't until that night that Brady heard a rumble in his stomach. He ran to the bathroom to puke but all that shot out of his mouth was leaves. "HUH?!" He coughed, baffled. He was turning into a tree! He needed Allison's help. He ran out of his house to Allison's down the street... feeling branches shooting from his fingers and causing him agonising grief. As he ran towards Allison's house, he saw her just swinging on a tire on a tree in the front. Smiling to herself in the night. "Allison!" He beckoned. She blinked up, grinning at him as he fell before her and begged. "You were right! You were r-right! Help me! I don't want to be a tree!" "It's your own fault..." Allison just told him straight out. He looked at her astonished at that reply. She got off the wheel and waved for him to follow as she continued. "But I know how to fix it. Follow me." He ran after her, coughing out leaves the whole time till he saw the orange tree in the back where he had snuck an orange one time. He saw a dug up pit and he found it so hard as he felt roots coming out of his toes. "Over here." Allison said, waving him to the pit and he ran over. Suddenly she pushed him into the hole and he looked at her shocked, zap running down his cheeks in replacement of tears. "Why'd you do that?!" "Bad little children deserve a grave like yours." He looked at her in horror but it was too late. The roots from his toes suddenly clawed out of his shoes and dug into the ground. He felt his body tear apart as the tree shot out into the air and spread its leaves and fruit. Allison grinned, picking up a stick from the ground. She waved it around her and in a second turned back into her adult form. A witch. The next day her in her ten year old disguise, called the children of the street over to taste the new fruit of the tree she had in her backyard. As the kids broke open the oranges, they saw it was red inside and urked at the sight. "It's blood!" they screamed and she reassured them. "No. Just blood oranges. A kind of fruit. Try it and see." They tasted it warily, but loved the taste and grinned with red juice all over their teeth. "Mmm! Delicious!" Blood oranges. Now you know the truth.