β
You never have to change anything you got up in the middle of the night to write.
β
β
Saul Bellow
β
People can lose their lives in libraries. They ought to be warned.
β
β
Saul Bellow
β
Unexpected intrusions of beauty. This is what life is.
β
β
Saul Bellow (Herzog)
β
A great deal of intelligence can be invested in ignorance when the need for illusion is deep.
β
β
Saul Bellow (To Jerusalem and Back)
β
It's usually the selfish people who are loved the most. They do what you deny yourself, and you love them for it. You give them your heart.
β
β
Saul Bellow
β
One thought-murder a day keeps the psychiatrist away.
β
β
Saul Bellow (Herzog)
β
Live or die, but don't poison everything.
β
β
Saul Bellow (Herzog)
β
Boredom is the conviction that you can't change ... the shriek of unused capacities.
β
β
Saul Bellow (The Adventures of Augie March)
β
Everybody needs his memories. They keep the wolf of insignificance from the door.
β
β
Saul Bellow
β
A man is only as good as what he loves.
β
β
Saul Bellow
β
We are funny creatures. We don't see the stars as they are, so why do we love them? They are not small gold objects, but endless fire.
β
β
Saul Bellow (Henderson the Rain King)
β
You can spend the entire second half of your life recovering from the mistakes of the first half.
β
β
Saul Bellow (Seize the Day)
β
A writer is a reader moved to emulation.
β
β
Saul Bellow
β
Readiness to answer all questions is the infallible sign of stupidity.
β
β
Saul Bellow (Herzog)
β
A man should be able to hear, and to bear, the worst that could be said of him.
β
β
Saul Bellow
β
In an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too
β
β
Saul Bellow
β
I want to tell you, don't marry suffering. Some people do. They get married to it, and sleep and eat together, just as husband and wife. If they go with joy they think it's adultery.
β
β
Saul Bellow (Seize the Day)
β
With one long breath, caught and held in his chest, he fought his sadness over his solitary life. Don't cry, you idiot! Live or die, but don't poison everything...
β
β
Saul Bellow (Herzog)
β
I am a phoenix who runs after arsonists.
β
β
Saul Bellow
β
People don't realize how much they are in the grip of ideas. We live among ideas much more than we live in nature.
β
β
Saul Bellow (Conversations with Saul Bellow (Literary Conversations Series))
β
I feel that art has something to do with the achievement of stillness in the midst of chaos. A stillness which characterizes prayer, too, and the eye of the storm. I think that art has something to do with an arrest of attention in the midst of distraction.
β
β
Saul Bellow
β
Associate with the noblest people you can find; read the best books; live with the mighty; but learn to be happy alone.
β
β
Saul Bellow (Ravelstein)
β
I love solitude but I prize it most when company is available.
β
β
Saul Bellow
β
I've discovered that rejections are not altogether a bad thing. They teach a writer to rely on his own judgment and to say in his heart of hearts, "To hell with you.
β
β
Saul Bellow
β
If I'm out of my mind, it's all right with me, thought Moses Herzog.
β
β
Saul Bellow (Herzog)
β
I am a true adorer of life, and if I can't reach as high as the face of it, I plant my kiss somewhere lower down. Those who understand will require no further explanation.
β
β
Saul Bellow (Henderson the Rain King)
β
She was what we used to call a suicide blonde-- dyed by her own hand.
β
β
Saul Bellow
β
Myself is thus and so, and will continue thus and so. And why fight it? My balance comes from instability.
β
β
Saul Bellow
β
You have to fight for your life. That's the chief condition on which you hold it.
β
β
Saul Bellow (Herzog)
β
Bringing people into the here-and-now. The real universe. That's the present moment. The past is no good to us. The future is full of anxiety. Only the present is real--the here-and-now. Seize the day.
β
β
Saul Bellow (Seize the Day)
β
Some people, if they didn't make it hard for themselves, might fall asleep.
β
β
Saul Bellow (The Adventures of Augie March)
β
There is no limit to the amount of intelligence invested in ignorance when the need for illusion runs deep.
β
β
Saul Bellow
β
One must bear in mind the odd angle or slant that the rays of love have to take in order to reach a heart like mine.
β
β
Saul Bellow (Humboldt's Gift)
β
I mean you have been disappointed in love, but don't you know how many things there are to be disappointed in besides love? You are lucky to be still disappointed in love. Later it may be even more terrible.
β
β
Saul Bellow (The Adventures of Augie March)
β
Unless you're completely exploded, there's always something to be grateful for.
β
β
Saul Bellow (Herzog)
β
Conquered people tend to be witty.
β
β
Saul Bellow
β
She's very pretty but she's honey from the icebox, if you know what I mean. Cold sweets won't spread.
β
β
Saul Bellow (Humboldt's Gift)
β
Death is the dark backing that a mirror needs if we are to see anything.
β
β
Saul Bellow (Humboldt's Gift)
β
Saul Bellow: Death is the dark backing that a mirror needs if we are able to see anything.
β
β
Christopher Hitchens (Mortality)
β
Boredom is an instrument of social control. Power is the power to impose boredom, to command stasis, to combine this stasis with anguish. The real tedium, deep tedium, is seasoned with terror and with death.
β
β
Saul Bellow (Humboldt's Gift)
β
It would not be practical for her to hate herself. Luckily, God sends a substitute, a husband.
β
β
Saul Bellow (Herzog)
β
All human accomplishment has this same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination! It converts to actual. It sustains, it alters, it redeems!
β
β
Saul Bellow (Henderson the Rain King)
β
It seems, after all that there are no nonpeculiar people.
β
β
Saul Bellow (Humboldt's Gift)
β
We are always looking for the book it is necessary to read next.
β
β
Saul Bellow
β
Facts always are sensational.
β
β
Saul Bellow (Seize the Day)
β
Ninety per cent of life is a nightmare, do you think I am going to get it rounded up to hundred per cent?
β
β
Saul Bellow (Humboldt's Gift)
Saul Bellow (Seize the Day)
β
As long as I could keep improving my mind, I figured, I was doing okay.
β
β
Saul Bellow (The Adventures Of Augie March)
β
Strict seriousness was far more dangerous than any joke.
β
β
Saul Bellow (Ravelstein)
β
Every treasure is guarded by dragons. That's how you can tell it's valuable.
β
β
Saul Bellow (Herzog)
β
Nobody asks you to love the whole world, only to be honest, ehrlich. Don't have a loud mouth. The more you love people the more they'll mix you up. A child loves, a person respects. Respect is better than love.
β
β
Saul Bellow (The Adventures of Augie March)
β
In every community there is a class of people profoundly dangerous to the rest. I don't mean the criminals. For them we have punitive sanctions. I mean the leaders. Invariably the most dangerous people seek the power. While in the parlors of indignation the right-thinking citizen brings his heart to a boil. (p. 51)
β
β
Saul Bellow (Herzog)
β
I fall upon the thorns of life, I bleed. And then? I fall upon the thorns of life, I bleed. And what next? I get laid, I take a short holiday, but very soon after I fall upon those same thorns with gratification in pain, or suffering in joy - who knows what the mixture is! What good, what lasting good is there in me? Is there nothing else between birth and death but what I can get out of this perversity - only a favorable balance of disorderly emotions? No freedom? Only impulses? And what about all the good I have in my heart - does it mean anything? Is it simply a joke? A false hope that makes a man feel the illusion of worth? And so he goes on with his struggles. But this good is no phony. I know it isn't. I swear it.
β
β
Saul Bellow (Herzog)
β
The flesh would shrink and go, the blood would dry, but no one believes in his mind of minds or heart of hearts that the pictures do stop.
β
β
Saul Bellow
β
Art -- the fresh feeling, new harmony, the transforming magic which by means of myth brings back the scattered distracted soul from its modern chaos -- art, not politics, is the remedy.
β
β
Saul Bellow
β
How should I know why! I didn't invent human beings, Iggy.
β
β
Saul Bellow (The Adventures Of Augie March)
β
He believed that he must, that he could and would recover the good things, the happy things, the easy tranquil things of life. He had made mistakes, but he could overlook these. He had been a fool, but that could be forgiven. The time wasted--must be relinquished. What else could one do about it? Things were too complex, but they might be reduced to simplicity again. Recovery was possible.
β
β
Saul Bellow
β
I am an American, Chicago born β Chicago, that somber city β and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But a man's character is his fate, says Heraclitus, and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.
β
β
Saul Bellow (The Adventures of Augie March)
β
To tell the truth I never had it so good. But I lacked the strength of character to bear such joy.
β
β
Saul Bellow (Herzog)
β
What do women really want? They eat green salad and drink human blood.
β
β
Saul Bellow
β
Is love supposed to ruin you? It seems to me you shouldn't destroy yourself out of life for purposes of love--or what good is it?
β
β
Saul Bellow (The Adventures of Augie March)
β
Of course, in an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too.
β
β
Saul Bellow (Henderson the Rain King)
β
Also, he was smoking a cigar, and when a man is smoking a cigar, wearing a hat, he has an advantage; it is harder to find out how he feels.
β
β
Saul Bellow (Seize the Day)
β
At moments I dislike having a face, a nose, lips, because he has them.
β
β
Saul Bellow (Herzog)
β
Everybody knows there is no fineness or accuracy of suppression; if you hold down one thing you hold down the adjoining.
β
β
Saul Bellow (The Adventures of Augie March)
β
For God's sake,' the dog is saying, 'open the universe a little more!
β
β
Saul Bellow (The Dean's December)
β
A human soul devoid of longing was a soul deformed, deprived of its highest good, sick unto death.
β
β
Saul Bellow (Ravelstein)
β
Fidelity is for phonographs
β
β
Saul Bellow (Humboldt's Gift)
β
The earth is literally a mirror of thoughts. Objects themselves are embodied thoughts. Death is the dark backing that a mirror needs if we are to see anything.
β
β
Saul Bellow (Mr. Sammler's Planet)
β
Sentiment and brutality, never one without the other, like fossils and oil.
β
β
Saul Bellow (Herzog)
β
I see that I've become a really bad correspondent. It's not that I don't think of you. You come into my thoughts often. But when you do it appears to me that I owe you a particularly grand letter. And so you end in the "warehouse of good intentions": "Can't do it now." "Then put it on hold." This is one's strategy for coping with old age, and with death--because one can't die with so many obligations in storage. Our clever species, so fertile and resourceful in denying its weaknesses.
β
β
Saul Bellow
β
Unfortunately for the betterment of mankind it is not always the fair-minded who are in the right.
β
β
Saul Bellow (ΠΠ° ΠΏΠ°ΠΌΡΡΡ ΠΎΠ±ΠΎ ΠΌΠ½Π΅. ΠΠΎΠ²Π΅ΡΡΠΈ ΠΈ ΡΠ°ΡΡΠΊΠ°Π·Ρ)
β
You don't know the meaning of true love if you think it can be deliberately selected. You just love, that's all. A natural force, irresistible.
β
β
Saul Bellow (Henderson the Rain King)
β
I pretended not to understand. One of life's hardest jobs, to make a quick understanding slow. I think I succeeded, thought Herzog.
β
β
Saul Bellow (Herzog)
β
Only self-hatred could lead him to ruin himself because his heart was "broken.
β
β
Saul Bellow (Herzog)
β
But privately when things got very bad I often looked into books to see whether I could find some helpful words, and one day I read, "The forgiveness of sins is perpetual and righteousness first is not required." This impressed me so deeply that I went around saying it to myself. But then I forgot which book it was.
β
β
Saul Bellow (Henderson the Rain King)
β
Guys like you make life easy for some women.
β
β
Saul Bellow (The Adventures of Augie March)
β
I donβt actually take much stock in the collapsing culture bit. Iβm beginning to see it instead as the conduct of life without input from your soul.
β
β
Saul Bellow (A Theft)
β
The physical body is an agent of the spirit and its mirror. It is an engine and a reflection of the spirit. It is the spirit's ingenious memorandum to itself and the spirit sees itself in my body, just as I see my own face in a looking glass. My nerves reflect this. The earth is literally a mirror of thoughts. Objects themselves are embodied thoughts. Death is the dark backing that a mirror needs if we are to see anything.
β
β
Saul Bellow (Humboldt's Gift)
β
In the history of the world many souls have been, are, and will be, and with a little reflection this is marvelous and not depressing. Many jerks are made gloomy about it, for they think quantity buries them alive. That's just crazy. Numbers are very dangerous, but the main thing about them is that they humble your pride. And that's good.
β
β
Saul Bellow (Henderson the Rain King)
β
If you could have confidence in nature you would not have to fear. It would keep you up. Creative is nature. Rapid. Lavish. Inspirational. It shapes leaves. It rolls the waters of the earth. Man is the chief of this. All creations are his just inheritance. You don't know what you've got within you. A person either creates or he destroys. There is no neutrality.
β
β
Saul Bellow (Seize the Day)
β
I am willing without further exercise in pain to open my heart. And this needs no doctrine or theology of suffering. We love apocalypses too much, and crisis ethics and florid extremism with its thrilling language. Excuse me, no. I've had all the monstrosity I want.
β
β
Saul Bellow (Herzog)
β
The challenge of modern freedom, or the combination of isolation and freedom which confronts you, is to make yourself up. The danger is that you may emerge from the process as a not-entirely-human creature.
(Referenced in How to Lose Friends and Alienate People by Toby Young)
β
β
Saul Bellow (Ravelstein)
β
NO MUSE IS GOOD MUSE
To be an Artist you need talent, as well as a wife
who washes the socks and the children,
and returns phone calls and library books and types.
In other words, the reason there are so many more
Men Geniuses than Women Geniuses is not Genius.
It is because Hemingway never joined the P.T.A.
And Arthur Rubinstein ignored Halloween.
Do you think Portnoy's creator sits through children's theater
matinees--on Saturdays?
Or that Norman Mailer faced 'driver's ed' failure,
chicken pox or chipped teeth?
Fitzgerald's night was so tender because the fender
his teen-ager dented happened when Papa was at a story conference.
Since Picasso does the painting, Mrs. Picasso did the toilet training.
And if Saul Bellow, National Book Award winner, invited thirty-three
for Thanksgiving Day dinner, I'll bet he had help.
I'm sure Henry Moore was never a Cub Scout leader,
and Leonard Bernstein never instructed a tricycler
On becoming a bicycler just before he conducted.
Tell me again my anatomy is not necessarily my destiny,
tell me my hang-up is a personal and not a universal quandary,
and I'll tell you no muse is a good muse
unless she also helps with the laundry.
β
β
Rochelle Distelheim
β
I am something of a crank about sleep, for if I get seven and a quarter hours instead of eight I feel afflicted and drag myself around, although there's nothing really wrong with me. It's just another idea. That's how it is with my ideas; they seem to get strong while I weaken.
β
β
Saul Bellow (Henderson the Rain King)
β
But what is the philosophy of this generation? Not God is dead, that point was passed long ago. Perhaps it should be stated Death is God. This generation thinks β and this is its thought of thoughts β that nothing faithful, vulnerable, fragile can be durable or have any true power. Death waits for these things as a cement floor waits for a dropping light bulb. The brittle shell of glass loses its tiny vacuum with a burst, and that is that. And this is how we teach metaphysics on each other. "You think history is the history of loving hearts? You fool! Look at these millions of dead. Can you pity them, feel for them? You can nothing! There were too many. We burned them to ashes, we buried them with bulldozers. History is the history of cruelty, not love as soft men think.
β
β
Saul Bellow (Herzog)
β
In the greatest confusion there is still an open channel to the soul. It may be difficult to find because by midlife it is overgrown, and some of the wildest thickets that surround it grow out of what we describe as our education. But the channel is always there, and it is our business to keep it open, to have access to the deepest part of ourselves.
β
β
Saul Bellow
β
Towards the end of your life you have something like a pain schedule to fill outβa long schedule like a federal document, only it's your pain schedule. Endless categories. First, physical causesβlike arthritis, gallstones, menstrual cramps. New category, injured vanity, betrayal, swindle, injustice. But the hardest items of all have to do with love. The question then is: So why does everybody persist? If love cuts them up so much....
β
β
Saul Bellow (More Die of Heartbreak)
β
And I said to myself that unless you conceive Death to be a violent guerrilla and kidnaper who snatches those you love, and if you are not cowardly and cannot submit to such terrorism as civilized people now do in every department of life, you must pursue and inquire and explore every possibility and seek everywhere and try everything.
β
β
Saul Bellow (Humboldt's Gift)
β
Brother raises a hand against brother and son against father (how terrible!) and the father also against son. And moreover it is a continuity-matter, for if the father did not strike the son, they would not be alike. It is done to perpetuate similarity. Oh, Henderson, man cannot keep still under the blows.... A hit B? B hit C?--we have not enough alphabet to cover the condition. A brave man will try to make the evil stop with him. He shall keep the blow. No man shall get it from him, and that is a sublime ambition.
β
β
Saul Bellow (Henderson the Rain King)
β
In here, the human bosom -- mine, yours, everybody's -- there isn't just one soul. There's a lot of souls. But there are two main ones, the real soul and a pretender soul. Now! Every man realizes that he has to love something or somebody. He feels that he must go outward. 'If thou canst not love, what art thou?' Are you with me?
β
β
Saul Bellow
β
For instance? Well, for instance, what it means to be a man. In a city. In a century. In transition. In a mass. Transformed by science. Under organized power. Subject to tremendous controls. In a condition caused by mechanization. After the late failure of radical hopes. In a society that was no community and devalued the person. Owing to the multiplied power of numbers which made the self negligible. Which spent military billions against foreign enemies but would not pay for order at home. Which permitted savagery and barbarism in its own great cities. At the same time, the pressure of human millions who have discovered what concerted efforts and thoughts can do. As megatons of water shape organisms on the ocean floor. As tides polish stones. As winds hollow cliffs. The beautiful supermachinery opening a new life for innumerable mankind. Would you deny them the right to exist? Would you ask them to labor and go hungry while you yourself enjoyed old-fashioned Values? Youβyou yourself are a child of this mass and a brother to all the rest. or else an ingrate, dilettante, idiot. There, Herzog, thought Herzog, since you ask for the instance, is the way it runs.
β
β
Saul Bellow (Herzog)
β
On Broadway it was still bright afternoon and the gassy air was almost motionless under the leaden spokes of sunlight, and sawdust footprints lay about the doorways of butcher shops and fruit stores. And the great, great crowd, the inexhaustible current of millions of every race and kind pouring out, pressing round, of every race and genius, possessors of every human secret, antique and future, in every face the refinement of one particular motive or essence - I labor, I spend, I strive, I design, I love, I cling, I uphold, I give way, I envy, I long, I scorn, I die, I hide, I want. Faster, much faster than any man could make the tally.
β
β
Saul Bellow (Seize the Day)
β
No, really, Herr Nietzche, I have great admiration for you. Sympathy. You want to make us able to live with the void. Not lie ourselves into good-naturedness, trust, ordinary middling human considerations, but to question as has never been questioned before, relentlessly, with iron determination, into evil, through evil, past evil, accepting no abject comfort. The most absolute, the most piercing questions. Rejecting mankind as it is, that ordinary, practical, thieving, stinking, unilluminated, sodden rabble, not only the laboring rabble, but even worse the "educated" rabble with its books and concerts and lectures, its liberalism and its romantic theatrical "loves" and "passions"--it all deserves to die, it will die. Okay. Still, your extremists must survive. No survival, no Amor Fati. Your immoralists also eat meat. They ride the bus. They are only the most bus-sick travelers. Humankind lives mainly upon perverted ideas. Perverted, your ideas are no better than those the Christianity you condemn. Any philosopher who wants to keep his contact with mankind should pervert his own system in advance to see how it will really look a few decades after adoption. I send you greetings from this mere border of grassy temporal light, and wish you happiness, wherever you are. Yours, under the veil of Maya, M.E.H.
β
β
Saul Bellow (Herzog)
β
I should have written you a letter, it was too late to make the deaths of my brothers an excuse. Since they died, I wrote a book; why not a letter? A mysterious but truthful answer is that while I can gear myself up to do a novel, letters, real-life communications, are too much for me. I used to rattle them off easily enough; why is the challenge of writing to friends and acquaintances too much for me now? Because I have become such a solitary, and not in the Aristotelian sense: not a beast, not a god. Rather, a loner troubled by longings, incapable of finding a suitable language and despairing at the impossibility of composing messages in a playable key--as if I no longer understood the codes used by the estimable people who wanted to hear from me and would have so much to reply if only the impediments were taken away.
β
β
Saul Bellow
β
Every other man spoke a language entirely his own, which he had figured out by private thinking; he had his own ideas and peculiar ways. If you wanted to talk about a glass of water, you had to start back with God creating the heavens and earth; the apple; Abraham; Moses and Jesus; Rome; the Middle Ages; gunpowder; the Revolution; back to Newton; up to Einstein; then war and Lenin and Hitler. After reviewing this and getting it all straight again you could proceed to talk about a glass of water. "I'm fainting, please get me a little water." You were lucky even then to make yourself understood. And this happened over and over and over with everyone you met. You had to translate and translate, explain and explain, back and forth, and it was the punishment of hell itself not to understand or be understood.
β
β
Saul Bellow (Seize the Day)
β
Everyone tries to create a world he can live in, and what he can't use he often can't see. But the real world is already created, and if your fabrication doesn't correspond, then even if you feel noble and insist on there being something better than what people call reality, that better something needn't try to exceed what, in its actuality, since we know it so little, may be very surprising. If a happy state of things, surprising; if miserable or tragic, no worse than what we invent.
β
β
Saul Bellow (The Adventures of Augie March)
β
And this is what mere humanity always does. It's made up of these inventors or artists, millions and millions of them, each in his own way trying to recruit other people to play a supporting role and sustain him in his make-believe. The great chiefs and leaders recruit the greatest number, and that's what their power is. There's one image that gets out in front to lead the rest and can impose its claim to being genuine with more force than others, or one voice enlarged to thunder is heard above the others. Then a huge invention, which is the invention maybe of the world itself, and of nature, becomes the actual world - with cities, factories, public buildings, railroads, armies, dams, prisons, and movies - becomes the actuality. Thatβs the struggle of humanity, to recruit others to your version of whatβs real. Then even the flowers and the moss on the stones become the moss and the flowers of a version.
β
β
Saul Bellow (The Adventures of Augie March)
β
External life being so mighty, the instruments so huge and terrible, the performances so great, the thoughts so great and threatening, you produce a someone who can exist before it. You invent a man who can stand before the terrible appearances. This way he can't get justice and he can't give justice, but he can live. And this is what mere humanity always does. It's made up of these inventors or artists, millions and millions of them, each in his own way trying to recruit other people to play a supporting role and sustain him in his make-believe... That's the struggle of humanity, to recruit others to your version of what's real.
β
β
Saul Bellow (The Adventures of Augie March)
β
She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her.
It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas
burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around
idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.
β
β
Saul Bellow (All Marbles Accounted for)