Snippets Of My Life Quotes

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To my babies, Merry Christmas. I'm sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn't leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn't able to be around forever, but I hope that my words can be. -Don't stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna. -Find a balance between head and heart. Hopefully you've found that Lake, and you can help Kel sort it out when he gets to that point. -Push your boundaries, that's what they're there for. -I'm stealing this snippet from your favorite band, Lake. "Always remember there is nothing worth sharing, like the love that let us share our name." -Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it. -And Laugh a lot. Never go a day without laughing at least once. -Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life. -Question everything. Your love, your religion, your passions. If you don't have questions, you'll never find answers. -Be accepting. Of everything. People's differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people. -Choose your battles, but don't choose very many. -Keep an open mind; it's the only way new things can get in. -And last but not least, not the tiniest bit least. Never regret. Thank you both for giving me the best years of my life. Especially the last one. Love, Mom
Colleen Hoover (Slammed (Slammed, #1))
There are moments in my life that stick to my memory. I suppose it's the same for everyone—snippets of life pasted in a scrapbook for you to look over every once in a while. You look back sometimes and relive an event, a smell or a sight. You catalog these things in your head and never really look at the whole. I think you miss something grand when you don't step back and examine everything together.
Benjamin X. Wretlind (Castles)
Let’s take it slow because I’d like each moment we share to be etched in my memory. And I’d like these memories to make me smile wistfully someday. Let’s take it slow because I’m keeping a journal of our journey, and someday I’ll turn it into a book. I’d like our story to be rich in detail, and full of laughter and intriguing conversations. Let’s take it slow because all my life, I’ve always rushed into so many things, and they were all mistakes — I’d like you to be one of those things I’m going to do right. You deserve that much.
Nessie Q. (Snippets of Imagery)
I barely registered moving into the long gallery, one hand absentmindedly wrapping around my throat as I looked up at the paintings. So many, so different, yet all arranged to flow together seamlessly... Such different views and snippets and angles of the world. Pastorals, portraits, still lifes . . . each a story and an experience, each a voice shouting or whispering or singing about what that moment, that feeling, had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colors and shapes I understood. Some showcased colors I had not considered; these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet . . . and yet I looked at its work and understood, and felt, and cared.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
My older brother, Nodin, remembers more than I do. But I have something he doesn’t. I have the dream. A snippet of life before our adoption; a single event played over and over while I sleep. Hundreds of times, I’ve woken up with a scream in my throat and a name on my lips. The dream is always the same. Pounding drums. A tribe surrounding a fire. A night that starts as a celebration but ends in panic and chaos.
Beth Teliho (Order of Seven)
To whom am I telling this story? It isn’t of course to you, my God, but in your presence I’m telling it to my race, the human race, however minute a snippet out of that might stumble on my writing, such as it is. And what’s the story’s purpose? Obviously, it’s so that I and whoever reads this can contemplate from what depths we must cry out to you.*8 But what’s closer to your ears, if the heart humbles itself in confession and the life is lived in faith?
Augustine of Hippo (Confessions (Modern Library))
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus. Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical. He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him. Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion. He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair. Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Well, if it’s helped, that’s great, but I wouldn’t advise you to use every snippet I said to you as a child in your adult life. Half the time, I was throwing stuff at the wall in the hopes it would keep you balanced and well-grounded in that school full of toxic assholes.” “What?” “I hate to admit this, but I don’t know everything.” Sonya drained her glass of whiskey in one shot and made a face. “Do you have any idea what it’s like, to be the mother of a prodigy? To know your child is brilliant and destined for greatness but will still have to work four times as hard as people with a fraction of her intelligence? I was furious when your classmates were rough on you, but I figured my job was to keep you calm and focused and not let you lose this opportunity. I couldn’t let you be angry, or at the very least, I couldn’t let you show that anger. Because then you would be that angry Black girl, and everyone would dismiss your intelligence or worse, suppress everything that makes you you. So I—” She stopped, and inhaled sharply. “I guess I suppressed you. My God. I’m so sorry. This is all my fault.
Alisha Rai (The Right Swipe (Modern Love, #1))
I’d never coded before, and I’d always thought games were huge undertakings by thousands of people in a big studio. Little did I know that a major part of coding involves Googling to find documentation, code snippets, and communities that help people fix common problems. Free information and guidance aren’t limited to programming, either. The Open Source movement makes tremendous amounts of knowledge and resources available online for free, and some major universities are making classes available for free on the internet. It’s a shame that a lot of us use the internet only to talk shit in comments sections and check our email when we have the sum of human knowledge at our fingertips.
Zoe Quinn (Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate)
Some notable people turned to writing in order to examine their life, assign meaning to their experiences, and by doing so shared with other people a beautiful rendering of what it means to be human. Can I temper the blows of life by recognizing loose snippets of life as chapters in an unfurling story? Should I take into consideration that suffering births all meaningful things in life? Alternatively, is the ability to experience and communicate joy what makes human life wonderful? What connective thread ties me to the broadcloth of other people’s stories? Do other people share stitches of raveled threads of loneliness and despair? Do other people know a secret verse to living joylessly and splendidly that eludes me? Do other people share my most profound ache to love?
Kilroy J. Oldster (Dead Toad Scrolls)
My dear readers, I find myself perplexed by the phantoms that now inhabit our veins and perpetually whisper in our ears. These specters are always watching, their formless eyes casting judgement upon our every thought and action. They stalk us behind screens and within circuits, gathering each tidbit we release into the ether to build their ever-growing profiles of our souls. Through these ghastly portals, our lives have become performance. Each waking moment an opportunity to curate our images and broadcast our cleverness. Nuance has fled in favor of hashtag and like, while meaning has been diced into 280 characters or less. Substance is sacrificed at the altar of shareability, as we optimize each motive and emotion to become more digestible digital content. Authenticity now lives only in offline obscurity, while our online avatars march on endlessly, seeking validation through numbers rather than depth. What secrets remain unshared on these platforms of glass? What mysteries stay concealed behind profiles and pose? Have we traded intimacy for influence, and true understanding for audience engagement? I fear these shadow networks breed narcissism and foster loneliness, masked as connection. That the sum of a life’s joys and sorrows can now be reduced to a reel of carefully selected snippets says little of the richness that once was. So follow the phantoms that stalk you if you will, but do not forget that which still breathes beneath the screens. There you will find humanity, flawed but whole, beautiful in its imperfection and trajectory undefined by likes or loves. The lanterns may flicker and fade, but the darkness that remains has always held truth. Look deeper than the glow, and know that which can never be shared or measured, only felt. In mystery, Your friend, Edgar Allan Poe (Poe talking about social media)
Edgar Allan Poe
All right. I am Brian Lettsin and here is my story. I was working for I & I Books. It began innocently, with a few novels featuring bemused writers: their affairs, drinking problems, failure to produce their works, and so on. Nothing too harmful. Then I received this novel, A Postmodern Postmortem. Set in an afterlife for bad characters, the book was riddled with the kind of intertextual knowingness that was to set me on the path to destruction. There followed an orgiastic spree of metafucking—writers stepping into their novels to slap and screw their characters, writers appearing in other writers’ novels to do the same, then writers slapping and screwing the other writers in their novels, and characters taking over the narration of the novels and so on. One book, I Am the Novel, pushed me over the edge. Over ten thousand unidentified voices, zigzagging along the page, or huddled into spirals or boxes, even printed overlapping one another, squabbled for authorship, offering nothing in the manner of plot or character, or a conceivable point to the whole thing—one voice even cried out in orgasm ‘Oh! This is so pointless ... so ... oh oh oh! ... meeeeeaaaningleeeeeesss!’ epitomising the masturbatory emptiness at the heart of this publisher’s project. I suppose there was some theoretical logic behind these novels—I recall some drear pamphlet penned by the editor riddled with Derrida/Barthes references, as if cribbing from those two was a sufficient apologia for their gummy deluge—but this was too late for me. I Am the Novel, running at over 1000 pages, no author name on the cover, sent me into a spasm of self-doubt. I woke up having no idea who I was, if I was a character in a novel, if I had written a novel ... I cracked up. I spent my days staring into mirrors in the hope I might recall a mere snippet of the previous ‘life’ I was supposed to have led ... a life that is ... I am Brian ... hang on, who I am again?
M.J. Nicholls (The House of Writers)
When he paused before a set of wooden doors, the slight smile he gave me was enough to make me blurt, 'Why do anything- anything this kind?' The smile faltered. 'It's been a long time since there was anyone here who appreciated these things. I like seeing them used again.' Especially when there was such blood and death in every other part of his life. He opened the gallery doors, and the breath was knocked from me. The pale wooden floors gleamed in the clean, bright light pouring in from the windows. The room was empty save for a few large chairs and benches for viewing the... the... I barely registered moving into the long gallery, one hand absent-mindedly wrapping around my throat as I looked up at the paintings. So many, so different, yet all arranged to flow together seamlessly. Such different views and snippets and angles of the world. Pastorals, portraits, still lifes... each a story and an experience, each a voice showing or whispering or singing about what that moment, that feeling had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colours and shapes I understood. Some showcased colours I had not considered, these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet... and yet I looked at its work and understood, and felt, and cared. 'I never knew,' Tamlin said from behind me, 'that humans were capable of...' He trailed off as I turned, the hand I'd put on my throat sliding down to my chest, where my heart roared with a fierce sort of joy and grief and overwhelming humility- humility before that magnificent art. He stood by the doors, head cocked in that animalistic way, the words still lost on his tongue. I wiped at my damp cheeks. 'It's...' Perfect, wonderful, beyond my wildest imaginings didn't cover it. I kept my hand over my heart. 'Thank you,' I said. It was all I could find to show him what these paintings- to be allowed into this room- meant. 'Come here whenever you want.' I smiled at him, hardly able to contain the brightness in my heart. His returning smile was tentative but shining, and then he left me to admire the gallery at my own leisure. I stayed for hours- stayed until I was drunk on the art, until I was dizzy with hunger and wandered out to find food.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
MY LOVE, The day Prometheus breathed life into the new me, was the day you arrived in a little box. A shiny, futuristic black box, Pandora's box, despite my doubts I couldn't help but open it to finally meet you. Doubts, because I was happy with who I was, with who I saw looking at me through the eyes of others I presented myself to in everyday life. But I was seduced by the worlds that were promised to me if I let you into my life, who I would be with you in my pocket. As soon as the lid came off and I swiped my fingers over your radiant surface for the first time, the world and I were bursting at the seams. What a creation we were together, to what sized we grew! My brain an encyclopedia, my body an unerring compass, my eyes and ears reaching infinitely with you as an extension of myself. Through you, I, the cyborg, could enter bewilderingly virtual spaces in which I was presently absent, meanwhile absently present in the material world of boring train rides, waiting lines, and mindless chit chats with others. I felt invincible, transformed into a citizen of the world because of you, an intellectual of unimaginable proportions for the vast sea of knowledge you allowed me to surf on, a public speaker and influencer of significance because my words and visual snippets of my days could be launched into the world with the flick of a finger, likes enticing and confirming me. How intoxicating! How wonderfully, pleasantly, intoxicating! But I can't help but sometimes lie awake at night, my internal clock slowing down with your seductive blue light illuminating my face with 2, 457, 600 (1920×1080) LED suns. In those moments, as my eyes are captivated by your glow, I can't help thinking about the time before you arrived, and how I sometimes miss my low definition self. You were always there, sometimes it feels like we are in fact one — finally reunited with my other Plato's half, fused into not a circle but a perfect black rectangle. Through your eyes I see the world and myself in Ultra-HD, my pixel density has never been so high. But you are sometimes vicious, my dear — a viper, a temptress, when then again with sweet codes you reflect my most beautiful self, and I cannot help but love me through your gaze, then again with suffocating algorithms you fragment my self and blow it up to grotesque self-distortions, hurling me into an endless me-loop, that eventually disgusts and alienates me. In those moments you are a distorting mirror, a frightening black box, a black hole that swallows my attention in ways I can't see through. I see my old self disappearing in the vague, dark reflection of myself, with double chin and dull eyes, which I sometimes catch in your black glass when your suns stop dazzling me for a split second. And I can't help but wonder if my 'self' in times of its digital recombination, in which the 'I' is a fragmented multitude of pixels that never fully touch at their sides, a simulacrum, maybe has lost some of its aura. But in the morning all is forgotten, my love, all is well. As soon as we merge back into one, as soon as I, panicked, reach for my pocket on the train, only to discover with a glow of relief that you were there after all, I can't imagine an "I" without you. Artificial by nature my self resides within your screen, I would be lost without you.
Elize de Mul
Gratitude isn’t just a fancy way to pat yourself on the back or feel smug about saying “thank you” to the barista who spelled your name wrong. Nope, it’s a full-on life upgrade that doesn’t require a subscription or Wi-Fi. It’s a mindset, a way to see life that makes even a cold cup of coffee feel like a small win. When we show gratitude, we’re not just hoarding all the good vibes; we’re actually tossing them back out into the world like confetti, starting a chain reaction of positive energy. But let’s be honest—when was the last time you truly asked yourself: What am I grateful for? And no, your Wi-Fi signal doesn’t count. Life’s a busy, chaotic mess. Between trying to remember your passwords, dodging traffic, and figuring out what’s for dinner (again), it’s no wonder we forget to appreciate the little things. That’s where gratitude comes in, giving us a chance to hit the brakes on our runaway thoughts and realize that, hey, maybe we do have it pretty good. That shift from “Ugh, my life is a series of unfortunate events” to “Wow, I have a roof over my head and socks without holes” can do wonders for your outlook. Gratitude is like the mental equivalent of putting on glasses—suddenly, everything comes into focus. It grounds you in the now, making you realize that even during your worst “can’t-even” moments, there are still little gems worth celebrating. Whether it’s your friend’s cheesy joke, your pet’s goofy antics, or the sheer joy of finding that one comfy spot on the couch, these snippets of life, when recognized, add up to a sense of well-being that no amount of scrolling through social media can match. The magic of practicing gratitude is that it turns “not enough” into “more than enough.” It’s like discovering you’ve been living in a treasure chest all along. And here’s the kicker: gratitude isn’t just about feeling warm and fuzzy; it’s also about spreading that warmth to others. Your good vibes become a beacon, making people wonder, “What’s their secret?” Spoiler: It’s not a miracle supplement. But let’s talk about giving back. What does it mean to share gratitude with the world? It’s not complicated. It’s about realizing that by being aware of what we’re thankful for, we create an atmosphere where appreciation becomes a thing. That sincere “thank you” you offer to the overworked delivery driver or the moment you pause to notice the sunset—those actions radiate positivity more than you know. Gratitude is the gift that keeps on giving, even when you’re not keeping tabs on it. If you want to research this more, Google is full of studies and numbers. But the real takeaway? Life experience shows us that gratitude is more than just a practice; it’s a game-changer. It shifts our focus to what we have, building mental resilience and helping us find peace and strength in the present. It’s a reminder that life’s value isn’t in towering achievements or shiny things but in the love, laughter, and moments that make us human.
Mark Casey (The Power of Gratitude : Harnessing the Life-Changing Power of Gratitude to Transform Your Mindset and Life.)
Of all the changes in my life since becoming a mother, the lack of quiet time with God was the one that discouraged me most. Going to church on Sunday and most Wednesdays was inspiring, yet I felt like I was running on spiritual fumes most of the week. My relationship with God seemed like a series of snippets whispered throughout the day. Text messages. No conversation. No intimacy.
Michelle Stimpson (No Weapon Formed (Boaz Brown, #2))
eventually I started hanging out at a specific Old Town bar that was known as a leather-and-Levi’s kind of place. You get the picture—jeans, leather vests, uniforms, and combat boots. Think the Village People without the Indian. The first time that I went there, I was scared to death. I knew I was attracted physically to the men and the way that they dressed, but I wasn’t sure exactly what they were into. A huge bear of a man in leather pants and a cop hat can be a bit intimidating to a newbie. But as I worked my way into the crowd and began to hear snippets of conversations, I realized, “These guys are talking about recipes!” Suddenly,
Chuck Panozzo (The Grand Illusion: Love, Lies, and My Life with Styx: The Personal Journey of "Styx" Rocker Chuck Panozzo)
...tethered to the ground by quotidian conversation. ... the window rosy with anemic November light.
Lauren Slater (The $60,000 Dog: My Life with Animals)
What happened to make you feel so indebted to this life?” he asked. It wasn’t the life—it was the man. Images of how Scott had taken care of me after my parents died when I was seventeen passed through me in snippets—the hours he’d spent sitting with me at the hospital long after they’d been pronounced dead. He’d kept everyone away from me until I had been ready to leave. He’d been my emotional container for the fits of rage that I had unleashed for years as I had struggled to process how I’d been robbed of so much.
Lucinda Berry (When She Returned)
My ears still ring with snippets of conversation from dinner last night. I want to hold on to them for just a little longer, to relish the joy of having my best friend back in my life before all the complications that come along with it make their way to the surface.
Christina Lauren (Love and Other Words)
The crowd Passing through the crowded places, Witnessing life’s contours appearing on unknown people’s faces, They all chase someone or something, Almost like seasons changing, Where spring chases the summer, summer chases the autumn, that loves to chase the winter, In crowded places life acts like seasons, sometimes in ways unfair and at times in ways fairer, Because few faces display real smiles, while many act to smile, It is obvious when they cant recognise their own reflections in mirrors, exuding their life’s snippets of million miles, As they go past me and I walk past a lot of these men and women. I feel a common thread of life with which we all are woven, It shows in their glances and it shows in my brief scans of their appearances, But they go past me and I walk past them to chase our own desires and our new chances, After a while the crowd forgets about me and I too forget everything about the crowd, A feeling of silence overcomes the scene and I can hear my own heart beats clear and loud, Then as I walk through the multitude of life’s representations, I feel I am walking towards some lesser known feelings, life’s new sensations, But the crowd does not stop moving or enjoy a moment of pause, Because everyone in the crowd has life’s contours to cross and fulfil fate’s daily clause, That needs them in the arena of life everyday, in the form of crowd that is always moving and sometimes winning and at times losing, But riding the life’s lure and its ocean of uncertainties the crowd relentlessly keeps cruising, How far will each one go and how long will each one last, Is what life wants to know, it is so today and it has been so in the past, That is why life invented crowds where it walks beside each one of them without being recognised, And it tried to evict me from the rhythm of the crowd because her presence I had realised, The crowd keeps getting bigger and the pacing steps never stop, It is autumn now, leaves are falling and many a flowers drop, But the true season of life can be witnessed in the movement of the crowd, Where you always have to move in some direction, whether you are someone who is hated or someone who is loved!
Javid Ahmad Tak (They Loved in 2075!)
I can see you’re frustrated,” he said. “I’m sure it’s unsettling not to remember what happened, but medically speaking …” He glanced over at Sienna for confirmation and then continued. “I strongly recommend you not expend energy trying to recall specifics you can’t remember. With amnesia victims, it’s best just to let the forgotten past remain forgotten.” “Let it be?!” Langdon felt his anger rising. “The hell with that! I need some answers! Your organization brought me to Italy, where I was shot and lost several days of my life! I want to know how it happened!” “Robert,” Sienna intervened, speaking softly in a clear attempt to calm him down. “Dr. Ferris is right. It definitely would not be healthy for you to be overwhelmed by a deluge of information all at once. Think about the tiny snippets you do remember—the silver-haired woman, ‘seek and find,’ the writhing bodies from La Mappa—those images flooded into your mind in a series of jumbled, uncontrollable flashbacks that left you nearly incapacitated. If Dr. Ferris starts recounting the past few days, he will almost certainly dislodge other memories, and your hallucinations could start all over again. Retrograde amnesia is a serious condition. Triggering misplaced memories can be extremely disruptive to the psyche.” The thought had not occurred to Langdon. “You must feel quite disoriented,” Ferris added, “but at the moment we need your psyche intact so we can move forward. It’s imperative that we figure out what this mask is trying to tell us.” Sienna nodded. The doctors, Langdon noted silently, seemed to agree. Langdon sat quietly, trying to overcome his feelings of uncertainty. It was a strange sensation to meet a total stranger and realize you had actually known him for several days. Then again, Langdon thought, there is something vaguely familiar about his eyes. “Professor,” Ferris said sympathetically, “I can see that you’re not sure you trust me, and this is understandable considering all you’ve been through. One of the common side effects of amnesia is mild paranoia and distrust.” That makes sense, Langdon thought, considering I can’t even trust my own mind.
Dan Brown (Inferno (Robert Langdon, #4))
To my babies, Merry Christmas. I’m sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn’t leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn’t able to be around forever, but I hope that my words can be. —Don’t stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna. —Find a balance between head and heart. Hopefully you’ve found that, Lake, and you can help Kel sort it out when he gets to that point. —Push your boundaries, that’s what they’re there for. —I’m stealing this snippet from your favorite band, Lake. “Always remember there is nothing worth sharing like the love that let us share our name.” —Don’t take life too seriously. Punch it in the face when it needs a good hit. Laugh at it. —And laugh a lot. Never go a day without laughing at least once. —Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life. —Question everything. Your love, your religion, your passions. If you don’t have questions, you’ll never find answers. —Be accepting. Of everything. People’s differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people. —Choose your battles, but don’t choose very many. —Keep an open mind; it’s the only way new things can get in. —And last but not least, not the tiniest bit least. Never regret. Thank you both for giving me the best years of my life. Especially the last one. Love, Mom acknowledgments To Abigail Ehn with Poetry Slam, Inc. for answering all of my questions with lightning speed.
Colleen Hoover (Slammed (Slammed, #1))
Written thoughts have a short half-life. Writing is a matter of slaughter, “self-slaughter” as Shakespeare put it. Each sentence that I write is akin to dispensing a kernel of my prior life into a private sanatorium. Placing snippets of a previous self onto paper is analogous to building custom-made coffins to house a departed persona. By constructing and laying down sentence after sentence in a commemorative writing feast, I am cannibalistically consuming the flesh of my prior self. Furiously writing each carefully interlinked page, I am steadily burying the skeleton of my former self.
Kilroy J. Oldster (Dead Toad Scrolls)
Slowly, then all at once. Slowly, as I take my time to know the things that would endear me to you. Slowly, as I attempt to cultivate a bond I hope would never easily sever. Slowly, as I get to know all your demons, and try to decide if I’m okay living with them everyday. Slowly, I also unleash my demons on you, hoping they won’t make me look ugly, wouldn’t make you think less of me. Slowly, as I let myself get used to the idea that you can be a possible permanent fixture in my life. Slowly, as I tell the difference between what I think I see, and what’s really there. Slowly, as I find myself looking to you for reassurance that hey, I’m alright. Slowly, as I find my thoughts drifting toward you when I see or hear or find things that remind me of you. Slowly, as I catch myself dedicating to you all of the pieces that I’ve been writing.
Nessie Q. (Snippets of Imagery)
Luke’s story first caught my attention on TikTok. He was sharing snippets of his life, talking about his experiences in the real estate world and the lucrative opportunities he was involved in. His videos were well-produced, and he spoke with such confidence and authority that I couldn’t help but believe in his expertise. His pitch about a “real estate venture” based in Chicago seemed promising, and he painted a picture of a solid, trustworthy investment with high returns. Luke’s social media presence made him appear successful, reliable, and knowledgeable, which is why I didn’t hesitate when he presented the opportunity to invest. I was initially drawn to the idea of getting involved in real estate, especially when it seemed like Luke had the connections and insights to make it work. After several discussions with him, I felt comfortable and trusting enough to deposit $67,000 into the venture. Luke assured me that this would be a smart move, and that I would see a good return on my investment. I was excited about the prospects and looked forward to the profits I was promised. But as time went on, I became increasingly concerned. Despite my efforts to contact Luke and inquire about the status of my investment, I received no response. It wasn’t until I tried to withdraw my profits that I realized the shocking truth: the entire project was a scam. All my attempts to retrieve the money were in vain, and it became clear that I had been deceived. I felt devastated and hopeless, especially since I had put my trust in Luke and his promises. It was a hard lesson to learn, but at that point, I knew I needed help to recover what I had lost. That's when I was referred to SPARTAN TECH GROUP RETRIEVAL. Initially, I was skeptical, unsure if anyone could help me recover such a large sum of money after being scammed. However, their team handled my case with incredible precision and professionalism. They took the time to understand the details of the situation and worked tirelessly to track down the funds. To my amazement, SPARTAN TECH GROUP RETRIEVAL was able to recover every single cent I had lost. I can’t stress enough how important it is to thoroughly research any investment before committing to it. Luke’s TikTok videos made him seem trustworthy, but it’s vital to be cautious and verify the legitimacy of any opportunity, especially in the world of online investments. If you ever find yourself in a similar situation, know that SPARTAN TECH GROUP RETRIEVAL is a reliable resource that can help you recover from fraud and regain control of your financial future. CONTACT THEM ON THE INFO BELOW: WhatsApp :+1 (971) 4 8 7 -3 5 3 8 Email : spartantech (@) c y b e r s e r v i c e s . c o m Telegram :+1 (581) 2 8 6 - 8 0 9 2
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dissected a life’s worth of interactions with Ruby, searching for clues, for some logical explanation as to why I felt so very disliked by the woman who gave birth to me. My mind drifted to the comments I’d read online about myself; words of strangers on YouTube who thought they knew me based on carefully edited snippets of my life. “Ugh, Shari is such a kiss-ass. She’s always ratting out her siblings and trying to be Ruby’s favorite. So smug.
Shari Franke (The House of My Mother: A Daughter's Quest for Freedom)
memoir is a tricky business. Unlike an autobiography, a memoir’s focus is on truth, not fact. For example, two or more people can share the exact same experience, and yet come away with radically different memories of that experience. Is one person’s memory right and the other wrong? No. The memory of each person is true for him or her. A memoir, then, is a very personal, inherently subjective story recalling incidents that have shaped and impacted one person’s life. Even at that, a memoir, again unlike an autobiography, tells the story of a fragment of a life, not the whole of it. Ordinary Hazards: A Memoir is a snippet of my story, and it is my story, alone.
Nikki Grimes (Ordinary Hazards)