Sappy Quotes

Minho looked at Thomas, a serious expression on his face. "If I don't see you on the other side," he said in a sappy voice, "remember that I love you.

I think about you much more than any self-respecting man would like to admit, and I'm insanely jealous of Tucker - something I never thought I'd say. Moving on after you is impossible. No other girl can keep me on my toes the way you can. No one else makes me WANT to embarrass myself by writing sappy letters like this one. Only you.

I am not one of those weak-spirited, sappy Americans who want to be liked by all the people around them. I don’t care if people hate my guts; I assume most of them do. The important question is whether they are in a position to do anything about it. My affections, being concentrated over a few people, are not spread all over Hell in a vile attempt to placate sulky, worthless shits.

He wasn't the type for displays of affection, either verbal or not. He was disgusted by couples that made out in the hallways between classes, and got annoyed at even the slightest sappy moments in movies. But I knew he cared about me: he just conveyed it more subtly, as concise with expressing this emotion as he was with everything else. It was in the way he'd put his hand on the small of my back, for instance, or how he'd smile at me when I said something that surprised him. Once I might have wanted more, but I'd come around to his way of thinking in the time we'd been together. And we were together, all the time. So he didn't have to prove how he felt about me. Like so much else, I should just know.

I want neither a terrorist spirituality that keeps me in a perpetual state of fright about being in right relationship with my heavenly Father nor a sappy spirituality that portrays God as such a benign teddy bear that there is no aberrant behavior or desire of mine that he will not condone. I want a relationship with the Abba of Jesus, who is infinitely compassionate with my brokenness and at the same time an awesome, incomprehensible, and unwieldy Mystery.

Maybe that’s the definition of nostalgia: getting sappy about things that are supposed to be insignificant.

The point is, when you ask, “What do you want for dinner?” we’re thinking about screwing you on the kitchen counter. When you’re telling us about the sappy film you watched with your girlfriends last week, we’re thinking about the porno we saw on cable last night. When you show us the designer shoes you bought on sale, we’re thinking how nice they would look on our shoulders. I just thought you’d want to know. Don’t shoot the messenger

Now I understand all those chick flicks I made fun of. 'Cause now I'm the sappy dork willing to risk it all for the girl. Estoy enamorado...I'm in love.

Minho looked at Thomas, a serious expression on his face, "if I don't see you on the other side," he said in a sappy voice, "remember that I love you." Snickering at Thomas's eye roll, he went through the doors and they closed.

Young man, sometimes in life there are a few sappy things one must say.” “What?” Jin Ling asked. ”’Thank you’ and ‘I’m sorry’,” Wei Wuxian replied “there’ll come a day when you’ll say them through tears.

I have this -- here’s this thing where it’s going to sound sappy to you. I have this unbelievably like five-year-old’s belief that art is just absolutely magic. And that good art can do things that nothing else in the solar system can do. And that the good stuff will survive, and get read, and that in the great winnowing process, the shit will sink and the good stuff will rise.

There is a point. I don't know what it is, but everything I've had, and everything I've lost, and everything I felt-it meant something. Maybe there isn't a meaning to life. Maybe there's only a meaning to living. That's what I've learned. That's what I'm going to be doing from now on. Living. And loving, as sappy as it sounds

I feel liquefied, like a cucumber forgotten in the crisper drawer, and I want to hold myself at arm's length and carry me to the trash. Who is this sack of slush masquerading as me? It's intolerable.

What happened to romance? sappy soppy longhand love letters.

It was hard to hear him, but she turned around, and when she faced him again he was smiling broadly. He pulled his glove off and held up three fingers, then kissed his palm and pressed it to the glass. She pressed her hand against his, and said, “Good luck.” Shea skated off with a nod. “Oh. My. God. Y’all disgust me. That was straight out of some sappy love story,” Harper complained.

Love is the spice of life!" Aunt Lydia picked up her glass and took a long drink before setting it down again. "Did it end in heartache, dear?" "Well, yes...but it was the good kind of heart ache, Aunt Lydia. The kind where you'll always think fondly of each other, even though you know your love could never be." My aunt squealed with delight. "Ooh, I just love stories that end that way! Those happy, sappy endings in romance novels aren't realistic at all. But if you can gaze up at the stars at night and think fondly of your lost love, then it's worth falling in love and losing him." "You're absolutely right.

I still couldn’t stop the sick feeling rising in my stomach. “This could be a disaster.” “How? If anyone even finds it—and it’s not just sitting under a table right now—they’ll just have a good laugh at our sappy talk. No one’s going to be like, ‘Aha! Proof of an illicit human-and-vampire affair.

I love you, Eve.” She looked away from the sun, the ocean, and into his eyes. And it was wonderful, and for the moment, it was simple. “I missed you.” She pressed her cheek to his and held him tightly. “I really missed you. I wore one of your shirts.” She could laugh at herself now because he was here. She could smell him, touch him. “I actually went into your closet and stole one of your shirts—one of the black silk ones you have dozens of. I put it on, then snuck out of the house like a thief so Summerset wouldn’t catch me.” Absurdly touched, he nuzzled her neck. “At night, I’d play your transmissions over, just so I could look at you, hear your voice.” “Really?” She giggled, a rare sound from her. “God, Roarke, we’ve gotten so sappy.” “We’ll keep it our little secret.” “Deal.” She leaned back to look at his face.

If you could invite any fictional character to a picnic who would it be?” I instantly smile. Noah’s random questions are definatley great ice-breakers. “Augustus Waters from The Fault In Our Stars.” I say, “So i could bring him back to life.” “Great Answer”, Noah says “I’d bring that sappy guy from Twilight- So i could kill him.

I'm not really putting this very well. My point is this: This book contains precisely zero Important Life Lessons, or Little-Known Facts About Love, or sappy tear-jerking Moments When We Knew We Had Left Our Childhood Behind for Good, or whatever. And, unlike most books in which a girl gets cancer, there are definitely no sugary paradoxical single-sentence-paragraphs that you're supposed to think are deep because they're in italics. Do you know what I'm talking about? I'm talking about sentences like this: The cancer had taken her eyeballs, yet she saw the world with more clarity than ever before. Barf. Forget it. For me personally, things are in no way more meaningful because I got to know Rachel before she died. If anything, things are less meaningful. All right?

I can't help it, Kate. And I'm laughing at me. I feel like one of those sappy men who run around with a big grin on his face all the time. I feel like grinning all the time around you, and it's so idiotic.

Happiness when sustained too long in print can rightly be construed as sappiness...

The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.

I turned to face Audrey, and everything I loved was right there in her eyes, the memories tangible: the schooldays and sleepovers, the cheap bottles of wine and sappy chick flicks. She was there for my mother’s drunken relapses, there to hold me until I fell asleep the first time the ex from Seattle hit me. It was all there, and my God, each memory was suddenly sacred and the sun rose and set upon it.

Once, in a spasm of sappiness, you asked Q-Jo if she thought your dreams would ever come true. 'You aren't talking about dreams,' she corrected you, 'you're referring to your pathetic bourgeoisie ambitions. Dreams don't come true. Dreams are true.

Seventeen years. That's how long I've known him. That's how long I've loved him. Seventeen years later and he still makes my heart feel giddy and weightless. Seventeen years later and my favorite place in the world is still the safety of his arms. Seventeen years later and I'm still a sappy idiot. Go figure.

This is supposed to be a touch-feely conversation where we tell you, ‘Don’t worry, you’ll always have a family here with us.’ And then we may or may not have sappy music piped in.” Ted rolled his eyes. “That was tactful, Eve. Wonderful.

Until I met you," she said, "I never realized how precious each day could be. When I was working, each day was over before I knew it, and then a week just flew by, and then a whole year...What have I been doing all this time? Why didn't I meet you before? If I had to choose a whole year in the past, or a day with you-I'd choose a day with you...

I need you, Jess, with everything in me I need you, not just now or tonight, but forever. You're my North Star and Safe Harbor and all those other sappy clichés, but above all else, you are my dragon slayer. I need you tonight. I need you in my arms where I can feel your heart beating in time with mine. Just hold me and… and let me hold you in return.

I didn't want to chase you," he says, and I wince. Did he finally realize I'm not worth chasing? "I wanted to run with you.

How long you been staring at me, Boss Man?” she mutters. “Since day one,” I whisper in her ear. “Take the sappy shit somewhere else, Vaughn.” I snort. “There she is.

I want to go into the sympathy card business. . . Forget sappy messages about overcoming. I want ones that say NOW YOU’LL BE A LESSER PERSON THAN YOU WERE or WE CANNOT POSSIBLY UNDERSTAND or I CAN UNDERSTAND BECAUSE SOMEONE I KNOW DIED TOO or maybe something about how grief can make your skin feel sore and bruised and electric because that’s how my skin has felt ever since, except for my hands.

Suddenly, Kat turned to face him again. “Oh, and Howard?” “Yes?” “FYI—my number is listed.” With her parting shot, she sashayed off, hips swinging, leaving him with his mouth hanging open. Slowly, a big, sappy grin spread across his face.He scores! Nothin’ but net.

Rex?” He freezes and when he looks at me I can see the uncertainty he’s trying to cover up with his motions. “I think you’re perfect. I mean, shit, that sounded sappy, but, I mean perfect in my opinion.” Ugh, how do I explain what I mean? That all those things that he is came together like the perfect recipe. “For you?” he says. “Hmm?” “Perfect for you, maybe?” He looks shy and pleased. All I can do is nod. He hoists me up onto the counter and kisses me silly.

How had she gone from the most feared prisoner in Endovier to this sappy mess?

Love. Fucking love. Love feels like tingles and sunrays. It’s a tightness in my chest and an extra beat of my heart. Love is completeness—sappiness. Better than the best chocolate ever.

Zylas spun on his chair to face me. “Payilas. I will not harm your allies.” I resisted an unexpected sting of tears. “Thank you, Zylas.” “If you were not so weak, you would not need any allies but me.” My sappy gratitude evaporated. “Every time you say something nice, you ruin it.” “We talked about nice.

I squint. “Married?” Lily nods enthusiastically. “At the Drive-Through Wedding Chapel. We took some great pictures. And now I’m Mrs. Billy Warren.” Nope, still can’t wrap my head around it. “Married? Really?” Warren’s expression goes from sappy to annoyed. “Yeah, Long Duck Fuckin’ Dong—married. What’s your problem?

He'd discovered that his memories of that summer were like bad movie montages - young lovers tossing a Frisbee in the park, sharing a melting ice-cream cone, bicycling along the river, laughing, talking, kissing, a sappy score drowning out the dialogue because the screenwriter had no idea what these two people might say to each other.

How long you been staring at me, Boss Man?” “Since say one.” “Take the sappy shit somewhere else, Vaughn.” I snort. “There she is.

I try to hide my sappiness, but Gray sees all, like a business-casual Eye of Sauron.

Remember your math: an anecdote is not a trend. Remember your history: the fact that something is bad today doesn't mean it was better in the past. Remember your philosophy: one cannot reason that there's no such thing as reason, or that something is true or good because God said it is. And remember your psychology: much of what we know isn't so, especially when our comrades know it too. Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don't confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas. Finally, drop the Nietzsche. His ideas may seem edgy, authentic, baad,while humanism seems sappy, unhip, uncool But what's so funny about peace, love, and understanding?

I want to have slow, sappy vanilla sex for a change.” “I think it’s called making love,” Roman said, nudging Luke’s nose with his own. “Yeah,” Luke murmured, grinning against Roman’s lips. “Let’s make love.” “Let’s,” Roman said and kissed his sweet lips, greedy and possessive. No one will take you away from me. No one. Let them try.   The

Your sappiness will kill me faster than Queen Tempest will,” the Earth Wolf snapped. “You three are so obnoxious. Zip it and let me think.” Well. Apparently, that was the end of that heartfelt moment.

«Ti dirò questo» mi aggredisce. «Esci pure da quella porta. Vattene. Va’ da lui. Torna a soffrire. Io non verrò a cercarti. Non ti inseguirò. Vuoi scappare da me? Fallo. Ma sappi che è inutile. Tempo una settimana, e tu tornerai da me. Perché tu mi ami. Perché io ti amo. E perché io» mi prende il viso tra le mani «sono il tuo futuro.»

Forgive me for my sappiness, but it’s the only means I have to convey the molecular destruction I experienced caught in the vision of his smile.

Everyone thinks of romantic comedies as being these sappy, unrealistic stories where love conquers all and everyone ends up happy at the end. But that's not what her movies were at all. Like, in Sleepless in Seattle, you can't really get any sadder that Tom Hanks missing his dead wife. And in You've Got Mail, Meg Ryan misses her mom and loses her store. None of that gets resolved by the end. It's not like Tom's wife comes back to life, and Meg Ryan still loses the business her mom built.

When we met, we were two injured souls. Both keeping the real out of our lives for fear of what we might find. But nothing could have kept us apart. I never believed in destiny. Thought that was a bunch of crap for people who read too many books. Until I met you. You’re it for me, Babe. I didn’t even know I was missing something until I found you, but now I don’t know how I got through a day without what you’ve given me. You’re my soul mate. As sappy as it sounds, it’s god damn true. Nothing has ever been truer in my life. So no, I’m not worried about this fight not helping me heal from my past, because it’s you who does that for me. You’ve filled all the cracks in my heart and made me better. I never thought I’d say this after what I went through, but I’m the luckiest bastard on this earth.

Like I finally get the sentiment behind all those sappy power ballads, where the music in them actually comes from: not from some burst of creative genius or some big, sweeping feeling. But from the moments in between. The sneaky ones. The ones where you look up at someone and your heart understands something before the rest of you does.

If she survives this, Jude is going to punish her, Gage is going to do something sappy, Ezekiel will do something pathetic, and I’m going to fuck her into a coma so that she can’t do it again any time soon.

Really good work probably comes out of a willingness to disclose yourself, open yourself up in spiritual and emotional ways that risk making you look banal or melodramatic or naive or unhip or sappy, and to ask the reader really to feel something. To be willing to sort of die in order to move the reader, somehow. Even now I’m scared about how sappy this’ll look in print, saying this. And the effort actually to do it, not just talk about it, requires a kind of courage I don’t seem to have yet.

Love is kisses and touches and all the little things that make your body flood with emotions such as need, want, protectiveness, jealousy, hurt, and anger. It can take your breath away, or smother you at times, and make you feel like you can't go on. Your heart may race a thousand miles per minute, then slow down, and then race again, just with a simple look. Love is deadly and can kill you from the inside out if you let it. It makes you do stupid, ridiculous things, and say senseless sappy words, or listen to silly love songs, jazz, or dance in the streets, or laugh, or smile. Love is a weapon, or a drug, and can drive a person mad. I know what love is...

Remember him, April. Even when you can’t picture his face anymore, you owe each other prayers. And I’m not talking about sappy, sentimental stuff. Or fantasy, either. You pray for the hardest moments in his life, years down the line, when he’s in a foxhole, or his child is sick, or he finds he has cancer. No one escapes calamity, but a kiss like that can last you your whole life. She looks up at April. I’m not saying that you think about it all the time. It just leaves you different than it found you.

She came upon a bankside of lavender crocuses. The sun was on them for the moment, and they were opened flat, great five-pointed, seven-pointed lilac stars, with burning centres, burning with a strange lavender flame, as she had seen some metal burn lilac-flamed in the laboratory of the hospital at Islington. All down and oak-dry bankside they burned their great exposed stars. And she felt like going down on her knees and bending her forehead to the earth in an oriental submission, they were so royal, so lovely, so supreme. She came again to them in the morning, when the sky was grey, and they were closed, sharp clubs, wonderfully fragile on their stems of sap, among leaves and old grass and wild periwinkle. They had wonderful dark stripes running up their cheeks, the crocuses, like the clear proud stripes on a badger’s face, or on some proud cat. She took a handful of the sappy, shut, striped flames. In her room they opened into a grand bowl of lilac fire.

AN INCOMPLETE LIST: THINGS I LOVE ABOUT HRH PRINCE HENRY OF WALES 1. The sound of your laugh when I piss you off. 2. The way you smell underneath your fancy cologne, like clean linens but somehow also fresh grass (what kind of magic is this?) 3. That thing you do where you stick out your chin to try to look tough. 4. How your hands look when you play piano. 5. All he things I understand about myself now because of you. 6. How you think Return of the Jedi is the best Star Wars (wrong) because deep down you're a gigantic, sappy, embarrassing romantic who just wants the happily ever after. 7. Your ability to recite Keats. 8. Your ability to recite Bernadette's "Don't let it drag you down" monologue from Priscilla, Queen of the Desert. 9. How hard you try. 10. How hard you've always tried. 11. How determined you are to keep trying. 12. That when your shoulders cover mine, nothing else in the entire stupid world matters. 13. The goddamn issue of Le Monde you brought back to London with you and kept and have on your nightstand (yes, I saw it). 14. The way you look when you first wake up. 15. Your shoulder-to-waist ratio. 16. Your huge, generous, ridiculous, indestructible heart. 17. Your equally huge dick. 18. The face you just made when you read that last one. 19. The way you look when you first wake up (I know I already said this, but I really, really love it). 20. The fact that you loved me all along.

Bad sex is a fuckin' myth, like a goddamned legendary creature in some fuckin' sappy fairytale.

Sometimes I worry that I have poetry in me, the kind that makes you sentimental and sappy and vulnerable.

We all know starry-eyed romantics like love stories, but few would argue early and intense exposure to sappy melodrama causes a romantic temperament.

Maybe that's the definition of nostalgia: getting sappy about things that are supposed to be insignificant.

That was the sappy shit that I felt in my bones as I slowed to let a scooter zip past me. Because I was obsessed with the possibilities of this place.

Bianca, Since you keep running away from me at school, and, if I remember correctly, the sound of my voice causes you to have suicidal thoughts, I decided a letter might be the best way to tell you how I feel. Just hear me out. I’m not going to deny that you were right. Everything you said the other day was true. But my fear of being alone is not the reason I’m pursuing you. I know how cynical you are, and you’re probably going to come up with some snarky reply when you read this, but the truth is, I’m chasing you because I really think I am falling in love with you. You are the first girl who has ever seen right through me. You’re the only girl who has ever called me on my bullshit. You put me in my place, but, at the same time, you understand me better than anyone ever has. You are the only person brave enough to criticize me. Maybe the only person who looks close enough to find my faults—and, clearly, you’ve found many. I called my parents. They’re coming home this weekend to talk to Amy and me. I was afraid to do this at first, but you inspired me. Without you, I never could have done that. I think about you much more than any self-respecting man would like to admit, and I’m insanely jealous of Tucker—something I never thought I’d say. Moving on after you is impossible. No other girl can keep me on my toes the way you can. No one else makes me WANT to embarrass myself by writing sappy letters like this one. Only you. But I know that I’m right, too. I know you’re in love with me, even if you are dating Tucker. You can lie to yourself if you want, but reality is going to catch up with you. I’ll be waiting when it does… whether you like it or not. Love, Wesley p.s.: I know you’re rolling your eyes right now, but I don’t care. Honestly, it’s always been kind of a turn-on.

This is a sappy way to put it, but the Winthrop who warns Williams is the Winthrop I fell in love with, the Winthrop Cotton Mather celebrates for sharing his firewood with the needy, the Winthrop who scolds Thomas Dudley for overcharging the poor, the Winthrop of 'Christian Charity,' who called for 'enlargement toward others' and 'brotherly affection,' admonishing that 'if thy brother be in want and thou canst help him...if thou lovest God thou must help him.

I’m Tekchin,” he said, exchanging an empty gourd for a full one. “The handsomest and most skilled of the Galantians.” This brought an immediate and loud moan from the other Fhrey. “That scar suggests otherwise,” Moya replied. “On both counts.” More laughter, louder this time. “Pretty and smart,” Tekchin said to the others in Fhrey. Persephone was thankful Moya couldn’t understand their language. A comment like that would have been tantamount to putting torch to tinder. “This?” Tekchin returned to Rhunic and touched his cheek. “Naw, this is a beauty mark given to me by a special friend. He’s dead now, of course, but he was a gifted opponent and aiming for my throat. I can assure you it proves my skill. So what’s your name, or shall I call you Doe-Eyes?” “Doe-Eyes? Seriously?” Moya rolled her same-said eyes in disbelief. “I would have expected something less sappy from a god. My name is Moya. Call me anything else and you’ll receive a second beauty mark.” Tekchin struggled but failed to resist smiling. Behind him, the rest of the Fhrey laughed once more. “God, eh?” Tekchin said. “Don’t get too excited. Apparently it’s only a rumor.” “I like you, Moya.” “Most people do,” she replied.

Maybe there isn’t a meaning to life. Maybe there’s only a meaning to living. That’s what I’ve learned. That’s what I’m going to be doing from now on. Living. And loving, sappy as it sounds.

I got a letter from a sappy woman a while back - she knew I was sappy too, which is to say a lifelong Democrat. She was pregnant, and she wanted to know if I thought it was a mistake to bring a little baby into a world as troubled as this one is. And I replied, what made being alive almost worthwhile for me was the saints I met. They could be almost anywhere. By saints I meant people who behaved decently and honorably in societies which were so often obscene. Perhaps many of us here, regardless of our ages or power or wealth, can be saints for her child to meet.

You're sweet," I said. "Sweet on you." I groaned at the cheesiness of that line, giving him a playful swat. But the truth was that it wormed its way into my heart regardless. It made me dream, for one night at least, of something I hadn't even dared to as a young girl lying in this same bed--- that all the pink heart valentine, sappy love song stuff might be real, and be something I could have.

Sure, occasionally a certain sappy song or romantic movie would come on, and you’d wonder what he or she was up to, but there was no way to know. Of course, you could always pick up the phone (and more recently, text or e-mail), but that would require that person’s knowing you were thinking of him or her. Where’s the fun in that? You never want them to know you’re thinking of them, so you refrain. Before long the memories start to fade. One day, you realize you can’t quite remember how she smelled or the exact color of his eyes. Eventually, without ever knowing it, you just forget that person altogether. You replace old memories with new ones, and life goes on. It was the clean break you needed to move forward.

Fece una mezza risata mentre mi assicurava le garze con del nastro adesivo medico. «Se avesse voluto prenderti, Aleksandra, lo avrebbe fatto. E quando lo farà, sappi che non potrai fare niente per fermarlo».

(Ibid. on using the verb to be in this culturally envenomed way, too, as in ‘I’ll Be There For You,’ which has become the sort of empty spun-sugar shibboleth that communicates nothing except a certain unreflective sappiness in the speaker.

So I drank every night after work, alone, up at my place and I had enough left for a day at the track on Saturday, and life was simple and without too much pain. Maybe without too much reason, but getting away from pain was reasonable enough.

My pathetic heart couldn't be clearer on the issue of Jefferson. This song is a confession and a condemnation in one; regretting something that was over before it even began. But I know, I know, it would have been big. It would have been real and true and sappy as hell.

I like that you’re jealous.” “Rogan, put the car back.” “Come to dinner with me tonight and I’ll consider it.” Yes! “No. I don’t negotiate with terrorists.” “If you don’t go to dinner with me, I’ll have to do something drastic like stand by your window with a boom box blasting some idiotically sappy song.

Late in life, after his mother had died, his father cried at baptisms and funerals and sappy movies on TV, age stripping away a final protective layer. Now Henry could feel the same softening taking place inside him, a helpless grief for the past and boundless pity for the world, and that was right too. No fool like an old fool.

Well, sometimes small dreams had grandeur, he thought with dignity. Sometimes, the small dreams were all a person needed to live.

But it could never be wrong with her, no matter what they did together, because she had nothing evil in her, and he would give his life away to make her happy.

There was a drugged sanctimoniousness about the sappy-looking birds seated in the lobby. Studs felt that there wasn't a man or a regular guy among them.

Teamwork Makes the Dream Work, Blah, Blah, Unicorn Farts and All That Sappy Stuff

SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.

For a fairy boy who dreams of nice men and sappy romance, you sure like it rough,” Roman said. Luke flushed. “For a homophobic man, you sure like groping me. Are you sure you aren’t a ‘fairy’ too?” When

Omg this is like one of those sappy romance movies but I don’t care! Jake is holding my hand! I looked back up at him and we slowly rose staring into each other’s eyes. Ok, where the heck is my awesome music saying he’s the one?! What about a breeze that blows my hair in all directions making me look hot? C’mon Cupid! Give me something!!! A weak chilly breeze blew. It barely even moved my hair. Oh c’mon!!!!

An optimist isn’t necessarily a blithe, slightly sappy whistler in the dark of our time. To be hopeful in bad times is not just foolishly romantic. It is based on the fact that human history is a history not only of cruelty, but also of compassion, sacrifice, courage, kindness. What we choose to emphasize in this complex history will determine our lives. If we see only the worst, it destroys our capacity to do something. If we remember those times and places—and there are so many—where people have behaved magnificently, this gives us energy to act, and at least the possibility of sending this spinning top of a world in a different direction.

...but she wrote out some extra words on a piece of paper so Rain could practice reading. "Is this a magic spell?" the girl asked her. "Don't let me get sappy on you, but when you get right down to it, every collection of letters is a magic spell, even if it is a moronic proclamation by the Emperor.  Words have their impact, girl.  Mind your manners.  I may not know how to fly but I know how to read, and that's almost the same thing." -Out of Oz

candor could not be more crucial to our creative process. Why? Because early on, all of our movies suck. That’s a blunt assessment, I know, but I make a point of repeating it often, and I choose that phrasing because saying it in a softer way fails to convey how bad the first versions of our films really are. I’m not trying to be modest or self-effacing by saying this. Pixar films are not good at first, and our job is to make them so—to go, as I say, “from suck to not-suck.” This idea—that all the movies we now think of as brilliant were, at one time, terrible—is a hard concept for many to grasp. But think about how easy it would be for a movie about talking toys to feel derivative, sappy, or overtly merchandise-driven. Think about how off-putting a movie about rats preparing food could be, or how risky it must’ve seemed to start WALL-E with 39 dialogue-free minutes. We dare to attempt these stories, but we don’t get them right on the first pass.

Risk "no." Risk the double-text. Risk being unlikeable and being perceived as unreasonable and risk being called a fucking bitch. Risk "being a bitch." Risk "bad" words. Risk mistakes and risk being corrected and risk losing those who won't forgive. Risk refusal. Risk acknowledgement. Risk trouble. Risk the question. Risk demanding care. Risk a voice that doesn't demure, a voice that is difficult, unaesthetic, charged, forthright, sappy. Risk it, or risk living a half-a-person life.

I guess you think you know this story. You don't. The real one's much gorier. The phony one, the one you know Was cooked up years and years ago And made to sound all soft and sappy Just to keep the children happy.” -Ronald Dahl's Revolting Rhymes

Se un giorno diventassi ricca al punto di non aver niente da desiderare, se un giorno possedessi il mondo e l'autorità dei Cesari, sappi che per me niente di tutto ciò peserà più dell'ala di un moscerino, se i miei occhi non avranno la tua persona da guardare!

I could feel the threads from that world, threatening to pull me in, and I'd take whatever anchor I could get. Even if he was a blond nightmare. I lifted my head to look at him "How did you find me?" "Just lucky." The answer was smooth, but it felt like he blurted it out a litle too easily. I narrowd my eyes,but he continued."Why did you lie about the trolls?" "I didn't." We sat there looking at each other, two seasoned liars,until i couldn't take it anymore."Jack?" "Hmm?" "Thanks." My voice cracked a little. "If you hadn't shown up..." "If I hadn't shown up,you would have been fine.No need to get sappy on me when I've decided you mmight be some decent fun after all.Now,you happen to be wearing my nicest coat. I'll like very much to get it back, so let's take you home,shall we?

all the while trying not to think of the golden eyed idiot from the bar, not how his voice sounded, low and velvety or how the moon light gave little reflections on his hair or the shining in his eyes. I’m like a sappy girl from a book, she thought hiding her face under her purple pillows.

Jesus Christ is not a cosmic errand boy. I mean no disrespect or irreverence in so saying, but I do intend to convey the idea that while he loves us deeply and dearly, Christ the Lord is not perched on the edge of heaven, anxiously anticipating our next wish. When we speak of God being good to us, we generally mean that he is kind to us. In the words of the inimitable C. S. Lewis, "What would really satisfy us would be a god who said of anything we happened to like doing, 'What does it matter so long as they are contented?' We want, in fact, not so much a father in heaven as a grandfather in heaven--a senile benevolence who as they say, 'liked to see young people enjoying themselves,' and whose plan for the universe was simply that it might be truly said at the end of each day, 'a good time was had by all.'" You know and I know that our Lord is much, much more than that. One writer observed: "When we so emphasize Christ's benefits that he becomes nothing more than what his significance is 'for me' we are in danger. . . . Evangelism that says 'come on, it's good for you'; discipleship that concentrates on the benefits package; sermons that 'use' Jesus as the means to a better life or marriage or job or attitude--these all turn Jesus into an expression of that nice god who always meets my spiritual needs. And this is why I am increasingly hesitant to speak of Jesus as my personal Lord and Savior. As Ken Woodward put it in a 1994 essay, 'Now I think we all need to be converted--over and over again, but having a personal Savior has always struck me as, well, elitist, like having a personal tailor. I'm satisfied to have the same Lord and Savior as everyone else.' Jesus is not a personal Savior who only seeks to meet my needs. He is the risen, crucified Lord of all creation who seeks to guide me back into the truth." . . . His infinity does not preclude either his immediacy or his intimacy. One man stated that "I want neither a terrorist spirituality that keeps me in a perpetual state of fright about being in right relationship with my heavenly Father nor a sappy spirituality that portrays God as such a benign teddy bear that there is no aberrant behavior or desire of mine that he will not condone." . . . Christ is not "my buddy." There is a natural tendency, and it is a dangerous one, to seek to bring Jesus down to our level in an effort to draw closer to him. This is a problem among people both in and outside the LDS faith. Of course we should seek with all our hearts to draw near to him. Of course we should strive to set aside all barriers that would prevent us from closer fellowship with him. And of course we should pray and labor and serve in an effort to close the gap between what we are and what we should be. But drawing close to the Lord is serious business; we nudge our way into intimacy at the peril of our souls. . . . Another gospel irony is that the way to get close to the Lord is not by attempting in any way to shrink the distance between us, to emphasize more of his humanity than his divinity, or to speak to him or of him in casual, colloquial language. . . . Those who have come to know the Lord best--the prophets or covenant spokesmen--are also those who speak of him in reverent tones, who, like Isaiah, find themselves crying out, "Woe is me! for I am undone; because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the King, the Lord of hosts" (Isaiah 6:5). Coming into the presence of the Almighty is no light thing; we feel to respond soberly to God's command to Moses: "Put off thy shoes from off thy feet, for the place whereon thou standest is holy ground" (Exodus 3:5). Elder Bruce R. McConkie explained, "Those who truly love the Lord and who worship the Father in the name of the Son by the power of the Spirit, according to the approved patterns, maintain a reverential barrier between themselves and all the members of the Godhead.

I wasn’t sure when he’d moved closer, but his hand on the back of my neck made me startle. I looked up into his unspeakably fond eyes. I could look into those eyes forever. Sappy. Oh, God, the sap is thick enough to choke on. My lips curved upward slightly as even my inner romantic gagged. Guess I’d been suppressing my feelings for him for a long time. I should be forgiven for being sappy enough to make good maple syrup. It didn’t seem to matter whether he returned those feelings or not. Without the animosity and jealousy, I’d found there was just…Ethan. And that was the very best excavation I’d ever done.

The old oak, quite transfigured, spreading out a canopy of sappy dark-green foliage, stood rapt and slightly trembling in the rays of the evening sun. Neither gnarled fingers nor old scars nor old doubts and sorrows were any of them in evidence now. Through the hard century-old bark, even where there were no twigs, leaves had sprouted such as one could hardly believe the old veteran could have produced. ‘Yes, it is the same oak,’ thought Prince Andrei, and all at once he was seized by an unreasoning spring-time feeling of joy and renewal. All the best moments of his life suddenly rose to his memory. Austerlitz with the lofty heavens, his wife’s dead reproachful face, Pierre at the ferry, that girl thrilled by the beauty of the night, and that night itself and the moon, and … all this rushed suddenly to his mind. ‘No, life is not over at thirty-one!’ Prince Andrei suddenly decided finally and decisively. ‘It is not enough for me to know what I have in me—everyone must know it: Pierre, and that young girl who wanted to fly away into the sky, everyone must know me, so that my life may not be lived for myself alone while others live so apart from it, but so that it may be reflected in them all, and they and I may live in harmony.

Too often we sit back and speak platitudes of the nitty-gritty bits of writing; the editing, the story structure, the verbal sparring vs. banter, the character development, the world-building become more important to us than the tune rhythm of the tale. And when you lose the music of the story, all the footwork in the world is not going to make up for the loss of continuity and heart. We need to take a step back in our souls and conjure the image of what this story is: the notes and beats and things woven into it's fullness. See, that's what is so easy to lose sight of as we write. We forget that, in a way, this story is a full story in itself. We tend to try to build the story piece by piece, line upon line, precept upon precept, but that--as any true writer knows--is not entirely practical. A story does have its own identity. To some extent, the story exists in your mind as a whole. Its own being. To chance sounding sappy: Your story is a full piece of music waiting for you to dance it into existence. Don't make the mistake of leaving out all the music. It is tempting to want to have everything arranged to perfection so that little editing will be done. But if you are keeping in mind the way your story needs to run--feeling it and dwelling in the beauty of its passion and color and vibe--the footwork will take care of itself. Certainly it will require practice and your technicalities will need a little work--everyone's does. But you will have captured the essence and blood of the tale, and really that's the prettiest part of a dance.

I don't know what I'm trying to say. I don't know what any of this is really about. Why we bother. Why we're here. Why we love. ... There is a point, I don't know what it is, but everything I've had, and everything I've lost, and everything I've felt—it meant something. Maybe there isn't a meaning to life. Maybe there's only a meaning to living. That's what I've learned. That's what I'm going to be doing from now on. Living. And loving, sappy as it sounds. I'm not falling anymore. That's what L says, and she's right. I guess you could say I'm lying. We both are. And I'm pretty sure somewhere up there in the real blue sky and carpenter bee greatness, Amma is flying too. We all are, depending on how you look at it. Flying or falling, it's up to us. Because the sky isn't really made of blue paint, and there aren't just two kinds of people in this world, the stupid and the stuck. We only think there are. Don't waste your time with either—with anything. It's not worth it. You can ask my mom, if it's the right kind of starry night. The kind with two Caster moons and a Northern and a Southern Star. At least I know I can.

A critic can call any poem 'doggerel.' That is no more than a slur. 'Doggerel' or 'maudlin' or 'sappy' or 'sentimental' is in the ear of the listener. By the by, 'sentimental' is okay as it is defined as 'marked or governed by feeling, sensibility, or emotional idealism.' It is 'sentimentality' that is to be avoided, like the fiddleback spider, being as it is 'the quality or state of being sentimental to excess or in affectation.' Again we are faced with a judgement call and must keep a sharp eye on our outpourings to insure they are not overly gooey. The intellectual elite probably believe that most of the lyrics songwriters create are 'doggerel' of one kind or another--that is to say 'trivial"......the young songwriter has now been warned about the implacable nature of the enemy. Under a rather large umbrella, preferred twentieth-century taste in art of all kinds has been characterized by a kind of detachment, or sangfroid. It is simply not chic to be carried away in one's emotional reaction to a subject. All serious communication or complaint must be carefully wrapped in a protective coating of irony and/or satire.

E sappi che tutte le storie sono delle belle storie. Che siano tristi o divertenti, felici o fastidiose, meravigliose o noiose, sconvolgenti o drammatiche. Tutte le storie sono magnifiche a modo loro. Non sempre si concludono con un sorriso, talvolta danno delle lezioni, delle lezioni di vita. Certe fanno piangere, altre fanno ridere. Ma il risultato dopo tutte queste emozioni è lo stesso: si amano queste storie per il loro contenuto, qualunque sia la fine. Allora, lasciami dire che mi spiace tantissimo che la nostra si concluda con le lacrime, avrei preferito un finale hollywoodiano, in cui saresti venuto a bussare alla mia porta, in cui ti sarei saltato tra le braccia e avremmo scopato come delle bestie nell’ingresso di casa mia. Sì, avrei amato quel finale…

Ro giggled. “The adorable obliviousness strikes again!” Keefe rolled his eyes and tugged on the hem of his tunic—which was still inside out, Sophie realized. “Fine. Now that you and Fitz are dating—” “We’re not,” she interrupted. “I know, I know—not officially. But come on, Foster. You guys are totally a ‘thing.’ Fitz told me the whole sappy story about his big confession. And yours.” He kicked one of his shoes across the room. “That’s ten minutes of my life I’ll never get back,” Ro added as Sophie’s cheeks reached nuclear levels of heat. “Though I did enjoy the part where you bailed on Pretty Boy right before all the smooching.” “I didn’t bail on him,” Sophie mumbled, refusing to look at anybody. “Silveny went into labor, and we had to go save her and the babies.” “Don’t you just hate when that happens?” Ro teased. “And that doesn’t explain why you and Swoony Boy still haven’t…” She puckered her lips and made horrifyingly loud kissy sounds. “Or have you?” They… hadn’t—but no way was Sophie answering that question.

Tu... tu sei così... così un...” “Sì?” “Un pezzo di merda?” Si avvicinò ancora di un passo, a occhio e croce restava al massimo un centimetro tra di noi. “Vedi ecco qual è la differenza tra Charlotte e te: lei non avrebbe mai detto una cosa del genere”. All'improvviso avevo il fiato corto. “Forse perché tu non gliene dai mai motivo.” “No, non è per questo. Credo semplicemente che sia più educata.” “Già, e ha anche i nervi più saldi” aggiunsi. Per qualche motivo non riuscivo a togliere gli occhi dalla bocca di Gideon. “Nel per caso tu dovessi provarci un'altra volta, quando siamo ad annoiarci in un confessionale, sappi che non mi farò cogliere di sorpresa una seconda volta da te!” “Vuoi dire che non ti farai baciare da me una seconda volta?” “Esatto” bisbigliai incapace di muovermi. “Peccato” disse Gideon, avvicinando così tanto la bocca alla mia, che sentivo il suo respiro sulle labbra. Ero consapevole che non mi stavo comportando esattamente come se volessi tener fede per davvero al proposito che avevo appena espresso. Non ne avevo proprio l'intenzione. Era già tanto se mi trattenevo dal gettare le braccia al collo di Gideon. E ormai era passato da tempo il momento giusto per voltarmi o allontanarlo da me. Evidentemente anche Gideon era giunto alla medesima conclusione. La sua mano cominciò ad accarezzarmi i capelli, poi finalmente avertii il morbido contatto delle sue labbra.

Keep doing this even if he doesn’t reciprocate in an immediately obvious way. I have to give while expecting nothing in return; otherwise, the gestures are empty. I hope I won’t be the only one here trying. One morning after Nicholas’s shower, I draw a heart in the steamy bathroom mirror. He ducks back into the bathroom to brush his teeth and after he’s left it again I find another heart he’s drawn, interlocked in mine. It’s the world’s smallest start. Inside his lunchbox, I leave a note. I hope you have a good day! I’m thinking about you. Reflecting on it, I die a bit because we haven’t been genuinely sappy with each other in ages, so the barest of pleasantries is saccharine. We’re in a sap drought. We’ve been complete idiots when it comes to understanding when a partner needs something they won’t ask for.

the Blank Slate had, and has, a dark side. The vacuum that it posited in human nature was eagerly filled by totalitarian regimes, and it did nothing to prevent their genocides. It perverts education, childrearing, and the arts into forms of social engineering. It torments mothers who work outside the home and parents whose children did not turn out as they would have liked. It threatens to outlaw biomedical research that could alleviate human suffering. Its corollary, the Noble Savage, invites contempt for the principles of democracy and of “a government of laws and not of men.” It blinds us to our cognitive and moral shortcomings. And in matters of policy it has elevated sappy dogmas above the search for workable solutions. The Blank Slate is not some ideal that we should all hope and pray is true. No, it is an anti-life, anti-human theoretical abstraction that denies our common humanity, our inherent interests, and our individual preferences.

It would be really wonderful if all this could be a dream,” I said. “Come now, you’ll get there. Focus on one aura at a time; that helps. What do you see when you look at me?” I took a breath. “A kind of idiosyncratic bluish with a happy patch of crimson right around your middle. You’re a bit dark—but also very light in funny little ways.” I blinked. “There are also notes of a sort of rosy color hanging all around both you and Jenny. No, not rosy, exactly. How would you describe it—a buoyant sort of flush?” “Buoyant is not a color,” said Jackaby. “You sound ridiculous. But an excellent start! The sight will take time to understand. I’m here to help.” “I’m here for you, too, Abigail,” Jenny assured me, putting a hand on Jackaby’s shoulder as she glided forward to join us. “We can practice together and take it slow. It’s the least I could do after everything you’ve done to help me figure out my own abilities.” I nodded. “It’s nice to see that you’re not having any more trouble in that area,” I said. Jenny’s hand was still on Jackaby’s shoulder. The flush around their auras increased when I mentioned it. “I’m not even sure how it happened,” Jenny said. “I just needed it to happen, and it did.” “Not surprised about it at all,” said Jackaby. “Not surprised?” Jenny said. “Yesterday I couldn’t so much as brush a hair out of your eyes, but today I reached inside your chest and held your heart in my hands—and you’re not surprised?” “Not at all. My heart was always yours,” said Jackaby. Jenny leaned back and looked at him, startled. “That is about the sweetest thing I think you’ve ever said.” “Was it good?” He gave her a goofy grin. “I was trying to work out how to phrase it the whole ride over.” “Not good at all, no,” she said, trying unsuccessfully to keep a smile off her face. “It was sappy and maudlin and positively terrible. Sweet, though. Excellent effort.” “You’re just jealous because we’re both technically undead now, and I’m clearly so much better at it.” “Jealous? I’m not jealous. For the first time since I’ve known you, I have the power to shut you up.” She leaned in and kissed him right on the lips.