Crooked Teeth Smile Quotes

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Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle. “ Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Perhaps you should consider your difficulty in getting past Wendlyn's naval defences to be a sign that you should stop playing at being a god." "Playing?" The King smiled, his crooked teeth glowing yellow in the firelight. "I am not playing. And this is not a game.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
His two front teeth are slightly crooked, veer just a tiny bit to the right, as if they've decided perfection is overrated. His smile is like unlocking a riddle. How does an imperfection make him seem more perfect?
Julie Buxbaum (Tell Me Three Things)
Have I told you about the tension of opposites? he says. The tension of opposites? Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted. A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.Sounds like a wrestling match, I say. A wrestling match. He laughs. Yes, you could describe life that way. So which side wins, I ask? Which side wins? He smiles at me, the crinkled eyes, the crooked teeth. Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
She smiles.Her teeth are crooked. If I knocked them out,I might be doing her a favor.
Veronica Roth (Divergent (Divergent, #1))
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
Just before you went into the ICU, I started to feel this ache in my hip.” “No,” I said. Panic rolled in, pulled me under. He nodded. “So I went in for a PET scan.” He stopped. He yanked the cigarette out of his mouth and clenched his teeth. Much of my life had been devoted to trying not to cry in front of people who loved me, so I knew what Augustus was doing. You clench your teeth. You look up. You tell yourself that if they see you cry, it will hurt them, and you will be nothing but A Sadness in their lives, and you must not become a mere sadness, so you will not cry, and you say all of this to yourself while looking up at the ceiling, and then you swallow even though your throat does not want to close and you look at the person who loves you and smile. He flashed his crooked smile, then said, “I lit up like a Christmas tree, Hazel Grace. The lining of my chest, my left hip, my liver, everywhere.
John Green (The Fault in Our Stars)
I think they know we're talking about them," I say. "So? They already know I hate them." "They do? How?" Christina fakes a smile at them and waves. I look down, my cheeks warm. I shouldn't be gossiping anyway. Gossiping is self-indulgent. Will hooks a foot around one of Al's legs and yanks back,knocking Al to the ground. Al scrambles to his feet. "Because I've told them," she says, through the gritted teeth of her smile. Her teeth are straight on top and crooked on the bottom.She looks at me. "We try to be pretty honest about our feelings in Candor. Plenty of people have told me that they don't like me.And plenty of people haven't. Who cares?" "We just...weren't supposed to hurt people," I say. "I like to think I'm helping them by hating them," she says. "I'm reminding them that they aren't God's gift to humankind.
Veronica Roth (Divergent (Divergent, #1))
Jason and Ferrin turned. Aram, face shiny with sweat, pulled a small pair of pants over his skinny legs. His shrunken hands trembled. Ferrin struggled not to smile. He was unsuccessful. Ferrin's involuntary grin forced Jason to bite his lip to keep from laughing. Ferrin noticed and began to shake, eyes watering. Aram hastily pulled on a shirt. Then he folded his arms, glaring grumpily up at the others. "Go ahead, let it out, have a good laugh." They did. Feeding off each other, magnified by the knowledge that their laughter was so inappropriate, their mirth was uncontrollable. Ferrin buried his face, attempting to compose himself. Jason stared at the ground, trying to summon sober thoughts. "We need to go," Aram said indignantly, clambering up onto his suddenly oversized horse. Atop the huge stallion, he looked like a little jockey. Jason coughed out a final laugh. Ferrin shook quietly, wiping tears from flushed cheeks. "Finished?" Aram asked. "You two are ruthless." He looked down at himself. "I guess it's quite a contrast." "We don't mean to rub it in," Jason apologized. "We've already seen you both ways. It isn't that big of a deal." "It doesn't help that you're so shy about it," Ferrin tried to explain. "It was more your expression than anything." "Let's leave it behind us," Aram said, nudging his horse with his heels. The stallion didn't respond. Ferrin buried his face in the crook of his arm. Jason ground his teeth.
Brandon Mull (Seeds of Rebellion (Beyonders, #2))
She noticed this time that his eyes weren't really gray, but green, and that perhaps they were set too close together. His forehead was awfully high, and when he smiled, his teeth were slightly crooked. And there was something cocky in his manner, but that might just be the salesman in him, she thought. Honora laid these flaws aside as one might overlook a small stain on a beautifully embroidered tablecloth one wanted to buy, only later to discover, when it was on the table and all the guests were seated around it, that the stain had become a beacon, while the beautiful embroidery lay hidden in everybody's laps.
Anita Shreve
A wrestling match.. Yes, you could describe life that way." So which side wins, I ask? He smiles at me, the crinkled eyes, the crooked teeth. "Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
He leaned toward me and said his name like he was sharing a secret and it made me think he probably kept a lot of secrets. His smile was sweet and his teeth the tiniest bit crooked.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
Coffee Girl." She smiles. One of her front teeth is crooked at the slightest, most life-ruining angle. August feels every intelligent thought exit her skull. "Subway Girl," she manages.
Casey McQuiston (One Last Stop)
A wrestling match." He laughs. "Yes, you could describe life that way." So which side wins, I ask? " Which side wins?" He smiles at me, the crinkled eyes, the crooked teeth. "Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
He wasn’t actually physically perfect, but he came close. He had a scar cutting through the center of his right eyebrow; I made a mental note to ask him about the story behind that. One ear was slightly larger than the other, and his nose was bent, just a whisper, to the left. His hairline wasn’t even, and his hair was too thick; it needed to be cut and thinned. His bottom teeth were slightly crooked, but I didn’t notice or see them unless he smiled his full-on one-thousand-watt smile. I loved that when I looked at him, I didn’t see the blinding McHotpants façade of perfection any more. I saw a frustratingly bossy, hilariously funny, irritatingly teasing, captivatingly intelligent, seriously sexy good guy.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.” Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way. ” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An old man, a young man, and life's greatest lesson)
Have I told you about the tension of opposites?" he says. "The tension of opposites? "Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted. "A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle." Sounds like a wrestling match, I say. "A wrestling match." He laughs. "yes, you could describe life that way." So which side wins, I ask? "Which side wins?" He smiles at me, the crinkled eyes, the crooked teeth. "Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
I turn my head, and you may go where you want. I turn it again, you will stay till you rot. I have no face, but I live or die by my crooked teeth—who am I?” Door took a step forward. She licked her lips and half closed her eyes. “I turn my head . . .” she said, puzzling to herself. “Crooked teeth . . . go where you . . .” Then a smile spread over her face. She stared up at Brother Fuliginous. “A key,
Neil Gaiman (Neverwhere)
I wiped the blade against my jeans and walked into the bar. It was mid-afternoon, very hot and still. The bar was deserted. I ordered a whisky. The barman looked at the blood and asked: ‘God?’ ‘Yeah.’ ‘S’pose it’s time someone finished that hypocritical little punk, always bragging about his old man’s power…’ He smiled crookedly, insinuatingly, a slight nausea shuddered through me. I replied weakly: ‘It was kind of sick, he didn’t fight back or anything, just kept trying to touch me and shit, like one of those dogs that try to fuck your leg. Something in me snapped, the whingeing had ground me down too low. I really hated that sanctimonious little creep.’ ‘So you snuffed him?’ ‘Yeah, I’ve killed him, knifed the life out of him, once I started I got frenzied, it was an ecstasy, I never knew I could hate so much.’ I felt very calm, slightly light-headed. The whisky tasted good, vaporizing in my throat. We were silent for a few moments. The barman looked at me levelly, the edge of his eyes twitching slightly with anxiety: There’ll be trouble though, don’tcha think?’ ‘I don’t give a shit, the threats are all used up, I just don’t give a shit.’ ‘You know what they say about his old man? Ruthless bastard they say. Cruel…’ ‘I just hope I’ve hurt him, if he even exists.’ ‘Woulden wanna cross him merself,’ he muttered. I wanted to say ‘yeah, well that’s where we differ’, but the energy for it wasn’t there. The fan rotated languidly, casting spidery shadows across the room. We sat in silence a little longer. The barman broke first: ‘So God’s dead?’ ‘If that’s who he was. That fucking kid lied all the time. I just hope it’s true this time.’ The barman worked at one of his teeth with his tongue, uneasily: ‘It’s kindova big crime though, isn’t it? You know how it is, when one of the cops goes down and everything’s dropped ’til they find the guy who did it. I mean, you’re not just breaking a law, your breaking LAW.’ I scraped my finger along my jeans, and suspended it over the bar, so that a thick clot of blood fell down into my whisky, and dissolved. I smiled: ‘Maybe it’s a big crime,’ I mused vaguely ‘but maybe it’s nothing at all…’ ‘…and we have killed him’ writes Nietzsche, but—destituted of community—I crave a little time with him on my own. In perfect communion I lick the dagger foamed with God’s blood.
Nick Land (The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (An Essay in Atheistic Religion))
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.” Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
The man standing in the booth placing the tickets into her hands for the fun-house loomed largely in front of her with arms comprised of iron muscle. She remembered the gray cataract that covered over one of his eyes and the terrified feeling it gave her. She had been too young to understand the malady. To her; his eye looked as though it belonged to a creature from the sea. A frightening creature composed of reptilian and fish like attributes, which would pull unsuspecting prey underneath the darkest oceans. The smile on his face, with the crooked teeth, the cigar, contrasting with the bald head and unshaven face increased her sense of panic.
Jaime Allison Parker (River at the World's Dawn (The Louhi Chronicles Book 2))
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.” Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.” Taking Attendance I flew to London a few weeks later.
Mitch Albom (Tuesdays with Morrie)
Have I told you about the tension of opposites?” he says. The tension of opposites? “Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.” Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie)
If our eyebrows are too bushy, or if our pores are too large, or if our under-eye bags are too noticeable, or if our teeth are too yellow, or too crooked, or if our wrinkles are too deep, or if our body parts are too large, or too soft, or too ripply, or vein-y, we're essentially supposed to go in for a day procedure before leaving the house. Or, at the very least, we're expected to become masters at hiding such unfortunate "humanities" behind all manner of makeup, clothing, falsely confident body language, hyaluronic acids, glycolic acids, virtual filters, collagen fillers, witty one-liners, blinding smiles, and carefully selected accessories, because these aren't seen as positive indicators of the fact of being alive, rather than dead.
Madeleine Ryan (A Room Called Earth)
One afternoon, I am complaining about the confusion of my age, what is expected of me versus what I want for myself. “Have I told you about the tension of opposites?” he says. The tension of opposites? “Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.” Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
It took the sun a long while to come over the mountains and until it did my vision was bound to the few gray yards around the trailer. It was day but not day, dim but not night, a fugue of half-thoughts and disconnected images, pulsing with power beyond easy meaning—a crow flapping, glowing black against the gray—a shadow like a man crouched with a knife—parking lots aching with pink blur—so overwhelmed by thought I’d have to sit back, set down the pen, set down my coffee, and it goes on—glass towers gleaming out of gray cityscapes, blinding silver—an old man with a red guitar—the booming flame of rockets trailing smoke—a girl’s face, her freckled cheek downy with fine hairs, fleshy lips spread in a smile over crooked teeth. I sink in reverie—and what, what does it mean?—then scrape a few more lines with my pen. Nothing even approximate. Another failure.
Roy Scranton (War Porn)
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
Ballad" Oh dream, why do you do me this way? Again, with the digging, again with the digging up. Once more with the shovels. Once more, the shovels full of dirt. The vault lid. The prying. The damp boards. Mother beside me. Like she’s an old hat at this. Like all she’s got left is curiosity. Like curiosity didn’t kill the red cat. Such a sweet, gentle cat it was. Here we go again, dream. Mother, wearing her take-out-the-garbage coat. I haven’t seen that coat in years. The coat she wore to pick me up from school early. She appeared at the back of the classroom, early. Go with your mother, teacher said. Diane, you are excused. I was a little girl. Already a famous actress. I looked at the other kids. I acted lucky. Though everyone knows what an early pick-up means. An early pick-up, dream. What’s wrong, I asked my mother. It is early spring. Bright sunlight. The usual birds. Air, teetering between bearable and unbearable. Cold, but not cold enough to shiver. Still, dream, I shiver. You know, my mother said. Her long garbage coat flying. There was a wind, that day. A wind like a scurrying grandmother, dusting. Look inside yourself, my mother said. You know why I have come for you. And still I acted lucky. Lucky to be out. Lucky to be out in the cold world with my mother. I’m innocent, I wanted to say. A little white girl, trying out her innocence. A white lamb, born into a cold field. Frozen almost solid. Brought into the house. Warmed all night with hair dryers. Death? I said. Smiling. Lucky. We’re barely to the parking lot. Barely to the car ride home. But the classroom already feels like the distant past. Long ago, my classmates pitying me. Arriving at this car full of uncles. Were they wearing suits? Death such a formal occasion. My sister, angry-crying next to me. Me, encountering a fragment of evil in myself. Evilly wanting my mother to say it. What? I asked, smiling. My lamb on full display at the fair. He’s dead! my sister said. Hit me in the gut with her flute. Her flute case. Her rental flute. He’s dead! Our father. Our father, who we were not supposed to know had been dying. He’s dead! The flute gleaming in its red case. Here, my mother said at home. She’d poured us each a small glass of Pepsi We normally couldn’t afford Pepsi. Lucky, I acted. He’s no longer suffering, my mother said. Here, she said. Drink this. The little bubbles flew. They bit my tongue. My evil persisted. What is death? I asked. And now, dream, once more you bring me my answer. Dig, my mother says. Pry, she says. I don’t want to see, dream. The lid so damp it crumbles under my hands. The casket just a drawerful of bones. A drawerful. Just bones and teeth. That one tooth he had. Crooked like mine.
Diane Seuss
She heard nothing but experienced a sensation that prickled along her spine like a warm touch caressing her skin. Slowly, with the care of prey beneath a predator's survey, she turned her head- and met the gaze of the elegant gentleman lounging at the door. In her travels, she had seen many a striking and charming man, but none had been as handsome as this- and all had been more charming. This man was a statue in stark black and white, hewn from rugged granite and adolescent dreams. His face wasn't really handsome; his nose was thin and crooked, his eyes heavy lidded, his cheekbones broad, stark and hollowed. But he wielded a quality of power, of toughness, that made Eleanor want to huddle into a shivering, cowardly little ball. Then he smiled, and she caught her breath in awe. His mouth... his glorious, sensual mouth. His lips were wide, too wide, and broad, too broad. His teeth were white, clean, strong as a wolf's. He looked like a man seldom amused by life, but he was amused by her, and she realized in a rush of mortification that she remained standing on the stool, reading one of his books and lost to the grave realities of her situation. The reality that stated she was an imposter, sent to mollify this man until the real duchess could arrive. Mollify? Him? Not likely. Nothing would mollify him. Nothing except... well, whatever it was he wanted. And she wasn't fool enough to think she knew what that was. The immediate reality was that she would somehow have to step down onto the floor and of necessity expose her ankles to his gaze. It wasn't as if he wouldn't look. He was looking now, observing her figure with an appreciation all the more impressive for its subtlety. His gaze flicked along her spine, along her backside, and down her legs with such concentration that she formed the impression he knew very well what she looked like clad only in her chemise- and that was an unnerving sensation.
Christina Dodd (One Kiss From You (Switching Places, #2))
Just above Tommy’s face were the Maiden and the Troll, two of his oldest wall people. The troll lived in a cave deep in the woods. He was big (Tommy knew the troll was even bigger than his daddy, and if the troll told his daddy to sit down and shut up, he would in a second), and he looked scary, with his little eyes and crooked teeth like fangs, but he had a secret. The secret was that he wasn’t scary at all. He liked to read, and play chess by mail with a gnome from over by the closet wall, and he never killed anything. The troll was a good troll, but everyone judged him by his looks. And that, Tommy knew, was a mean thing to do, though everyone did it. The maiden was very beautiful. Even more beautiful than Tommy’s mommy. She had long blonde hair that fell in heavy curls to her waist, and big blue eyes, and she always smiled even though her family was poor. She came into the woods near the troll’s cave to get water from a spring, for her family. The spring bubbled out of Tommy’s wall right next to where his hand lay when he was asleep. Sometimes she only came and filled her jug and left. But other times she would sit awhile, and sing songs of love lost, and sailing ships, and the kings and queens of Elfland. And the troll, so hideous and so kind, would listen to her soft voice from the shadows just inside the entrance of his cave, which sat just below the shelf where Tommy kept his favorite toys and books. Tommy felt bad for the troll. He loved the maiden who came to his spring, but she would never love him. He knew from listening to his parents and the stuff they watched on television when he was supposed to be asleep that beautiful people didn’t love ugly people. Ugly people were either to laugh at or to be frightened of. That was how the whole world worked. Tommy rolled over on his side, just a small seven year old boy in tan cargo shorts and a plain white T-shirt. He let his eyes drift over the bedroom wall, which was lumpy in some places and just gone in others. There was a part of the wall down near the floor where he could see the yellow light of the naked bulb down in the basement, and sometimes he wondered what might live down there. Nothing good, of that he was sure.
Michael Kanuckel (Small Matters)
Again she heard that crackling hiss, and her nose filled with the smell of burning sugar. It was stronger this time, a sweet, dense cloud of perfume. Suddenly, she was back at the Menagerie, a thick hand grasping her wrist, demanding. Inej had gotten good at anticipating when a memory might seize her, bracing for it, but this time she wasn’t prepared. It came at her, more insistent than the wind on the wire, sending her mind sprawling. Though he smelled of vanilla, beneath it, she could smell garlic. She felt the slither of silk all around her as if the bed itself were a living thing. Inej didn’t remember all of them. As the nights at the Menagerie had strung together, she had become better at numbing herself, vanishing so completely that she almost didn’t care what was done to the body she left behind. She learned that the men who came to the house never looked too closely, never asked too many questions. They wanted an illusion, and they were willing to ignore anything to preserve that illusion. Tears, of course, were forbidden. She had cried the first night. Tante Heleen had used the switch on her, then the cane, then choked her until she’d passed out. The next time, Inej’s fear was greater than her sorrow. She learned to smile, to whisper, to arch her back and make the sounds Tante Heleen’s customers required. She still wept, but the tears were never shed. They filled the empty place inside her, a well of sadness where, each night, she sank like a stone. The Menagerie was one of the most expensive pleasure houses in the Barrel, but its customers were no kinder than those who frequented the dollar houses and alley girls. In some ways, Inej came to understand, they were worse. When a man spends that much coin, said the Kaelish girl, Caera, he thinks he’s earned the right to do whatever he wants. There were young men, old men, handsome men, ugly men. There was the man who cried and struck her when he could not perform. The man who wanted her to pretend it was their wedding night and tell him that she loved him. The man with sharp teeth like a kitten who had bitten at her breasts until she’d bled. Tante Heleen added the price of the blood-speckled sheets and the days of work Inej missed to her indenture. But he hadn’t been the worst.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I know the value of details. But where shirts are concerned…” He hesitated. “I’ve made a point of wearing the kind that I sell, so that customers know they have the same quality as the store’s owner.” “That sounds like a clever sales strategy.” “It is. I sell more shirts than any other store in London. But it didn’t occur to me that the upper class pays close attention to buttonholes.” It had chafed his pride, she thought, to realize that he had put himself at a disadvantage when mingling with social superiors. “I’m sure they shouldn’t,” Helen said apologetically. “There are far more important things for them to worry about.” His gaze turned quizzical. “You speak as if you’re not one of them.” She smiled slightly. “I’ve lived away from the world for so much of my life, Mr. Winterborne, that I sometimes wonder who I am, or if I belong anywhere.” Winterborne studied her. “Trenear plans to take you and your sisters to London when you’ve finished mourning.” Helen nodded. “I haven’t been to town since I was a child. I remember it as a very large and exciting place.” She paused, vaguely surprised that she was confiding in him. “Now I think I might find it…intimidating.” A smile tugged at the corners of his mouth. “What happens when you’re intimidated? Run to the nearest corner and hide, do you?” “I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.” Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly. Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
What happens when you’re intimidated? Run to the nearest corner and hide, do you?” “I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.” Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly. Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated. Her desperate gaze settled upon the battered pianoforte in the corner. “Shall I play something for you?” She stood without waiting for a reply. It was the only alternative to bolting from the room. Out of the periphery of her vision, she saw Winterborne automatically grip the arms of his chair in preparation to rise, before he remembered that he was in a leg cast. “Yes,” she heard him say. “I’d like that.” He maneuvered the chair a few inches so that he could see her profile as she played. The pianoforte seemed to offer a small measure of protection as she sat at the keyboard and pushed up the hinged fallboard that covered the keys. Taking a slow, calming breath, Helen arranged her skirts, adjusted her posture, and placed her fingertips on the keys. She launched into a piece she knew by memory: the allegro from Handel’s Piano Suite in F Major. It was full of life and complexity, and challenging enough to force her to think about something besides blushing. Her fingers danced in a blur over the keys, the exuberant pace unfaltering for two and a half minutes. When she finished, she looked at Winterborne, hoping he had liked it. “You play with great skill,” he said. “Thank you.” “Is that your favorite piece?” “It’s my most difficult,” Helen said, “but not my favorite.” “What do you play when there’s no one to hear?” The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen’s stomach to tighten pleasurably.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Being the model child that I was, I loved going to the dentist. Well, at least to “the Flipper King.” Child actors were required to wear “flippers”—false teeth—that covered the mangy condition all developing mouths go through. A flipper was a kid-sized denture that fit in the mouth to fill in the missing teeth or to make teeth appear straight if they were naturally crooked. It was molded to fit perfectly to each specific mouth and give the wearer a smile that would make Joel Osteen jealous
Kirk Cameron (Still Growing: An Autobiography)
No names. I didn’t know people. I grabbed whatever characteristics I could: crooked or fluorescent teeth, tattoos, accents, lipsticks, I even recognized some people by their gait. It’s not that my trailers were withholding information. I was just so stupid that I couldn’t learn table numbers and names at the same time….Everyone had been there years. There were senior servers who would never leave. Debutante-Smile, Guy-with-Clark-Kent-Glasses, Guy-with-Long-Hair-and-Bun, Overweight-Gray-Hair-Guy. Even the backwaiters had been there at least three years. There was Mean-Girl, and Russian-Pouty-Lips, and my first trailer, whom I called Sergeant because of the way he ordered me around.
Stephanie Danler (Sweetbitter)
Lumineers may be the perfect solution for you if you're unhappy with your smile. Lumineers are a type of veneer that can give you a beautiful, natural-looking smile in just two visits to the dentist. Lumineers are made of porcelain and are very thin so that they can be fitted over your existing teeth without any drilling or alteration. This blog post will discuss the benefits of Lumineers and how they can help you achieve the perfect smile! What is A Lumineers? Lumineers are a type of veneer that can give you a beautiful, natural-looking smile in just two visits to the dentist. Lumineers are made of porcelain and are very thin so that they can be fitted over your existing teeth without any drilling or alteration. Lumineers can be used to correct a wide variety of dental problems, including: -Gaps in your teeth -Crooked or misshapen teeth -Discolored or stained teeth -Chipped or cracked teeth -Worn down teeth Lumineers are an excellent solution for people who want to improve their smile but don't want to go through traditional braces or veneers. Lumineers are also a perfect option for people who have sensitive teeth or gums. What are the benefits of Lumineers? Lumineers offer many benefits, including: -They are fragile and can be fitted over your existing teeth without drilling or alteration. -They are made of porcelain, so they look natural and realistic. -They are stain resistant and will not yellow over time. -They are solid and durable, so you can expect them to last for many years. -They require no special care or cleaning products. You can brush and floss them just like your natural teeth. Lumineers are an excellent way to improve your smile without going through traditional braces or veneers. Lumineers are also a perfect option for people who have sensitive teeth or gums. If you're considering Lumineers, we encourage you to schedule a consultation with our office. We will be happy to answer any questions you may have and help you decide if Lumineers are suitable for you. Contact us today to get started!
Primera Dental
The tension of opposites? “Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.” Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way. ” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
Mitch Albom (Tuesdays with Morrie: An old man, a young man, and life's greatest lesson)
I have a thurprithe guaranteed to make the time thpeed by,’ said Mr Clare, holding up a booklet entitled Blackout Fun! and smiling to reveal teeth like old toenails, grey ridges flaring into yellow. ‘They’ve been thelling like hot thauthageth. What shall we thtart with?’ A
Lissa Evans (Crooked Heart)
I guess there’s nothing else to say.” “Oh, I don’t know about that,” he said, crooking a finger. “Come here.” Her throat went dry, and her heart gave a thud. On instinct, she shook her head. His expression turned ruthlessly intent. “Maddie, I’ve been thinking about that mouth of yours for almost twenty-four hours straight. You don’t think I’m going to let you go without touching you, do you?” Had it only been one day? How was that even possible? It seemed as though a lifetime had passed since she’d run out on her wedding. “Um . . .” She swallowed hard and squeaked out, “Yes?” A long pause filled with sexual awareness so thick it practically coated the air. How did he do it, flip the mood? Only moments ago, she’d felt bereft, but with one wicked glance she’d forgotten everything dogging her. “I’ll tell you what.” He smiled, and it was so filled with cunning that the fine hairs on her neck rose in anticipation. “Tell me you won’t regret it and we can end things right here with a friendly pat on the back.” “I-I d-don’t know what you mean,” she lied, loving and hating the direction the conversation had taken. “Do I need to spell it out?” “No?” The word was a question instead of the statement she’d intended. “You want to take care of yourself, right?” She nodded, sensing a trap but unable to stop playing into his hands. He leaned close, placing his elbow on the console, taking up every spare inch of breathing room. “You’re ready to ditch the good Catholic girl and start doing what you want?” The strange mixture of lust and irritation he evoked pulled in her stomach. “Well, when you put it that way.” The curve of his lips held a distinct sexual tilt. “If you get out of this car untouched, tell me you won’t lie in bed late at night and regret it. Tell me you won’t wonder and wish you’d done things differently.” Her pulse hammered and her throat dried up, leaving her unable to breathe, let alone speak. He stroked a path over the line of her jaw, and Maddie forced her eyes to stay open instead of fluttering closed from sheer desire. Why did it feel like an eternity since he’d touched her? Even more troubling, why did his hands feel so right? The slightly rough pads of his fingers trailed down the curve of her neck, leaving an explosion of tingles coursing through her. “And remember, Princess,” he said, in a deep rumble of a voice that vibrated through her as though he were her own personal tuning fork. “Lying is a sin.” She gasped, sucking in the last available bit of air left in the car. “That’s a low blow.” He gave a seductive laugh, filled with heat and promise and the kind of raw passion she’d always dreamed about. “I’m not above playing dirty.” A sly smirk as he rubbed a lazy circle over skin she hadn’t known was sensitive. “In fact, I think you prefer it that way.” “I do not!” Her heart beating far too fast, she clutched at the credit card hard enough to snap it in two. “Liar.” He slipped under the collar of her T-shirt to wrap a possessive hand around the nape of her neck. “I’m waiting.” She gritted her teeth to keep from moaning. How did one man feel so good? Hot and sinful. Irresistible. She whispered, “For what?” “My answer,” he said, inching closer. Their mouths mere inches away. She swallowed hard. The truth sat on the tip of her tongue, and for once in her life, she decided to speak it instead of stuffing it back down. “I’d regret it.” “Exactly,” he said, the word a soft breath against her skin. The pad of his thumb brushed over her bottom lip, sliding over the dampness until it felt swollen. Needy. “I can’t live with myself unless I’ve tasted this mouth.” This
Jennifer Dawson (Take a Chance on Me (Something New, #1))
It was the character's job that swung my heart. He was a dentist who fell in love with a girl with crooked teeth." Nahida smiles, her eyes glistening. "He didn't try and fix her. In the story, he just loved her.
Rajdeep Paulus (Seeing Through Stones)
Molly gave him a questioning smile, revealing two slightly crooked front teeth.
Jayne Ann Krentz (Absolutely, Positively)
Lucinia," Hemlock says, and I look back at him. He flashes me his crooked teeth, his black eyes shining. He is, in this moment, the most beautiful I've ever seen him. "Thank you..." Sorrel jerks me out of the room. The last I see of Hemlock is his slowly fading smile.
Linden A. Lewis (The Last Hero (The First Sister Trilogy, #3))
Beyond the possibility of disturbing the monks within the chapel, he said, “It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
His hands, deliberate now, on a mission not to reassure but to arouse, roamed her body with shocking skill; his fingers knew where to stroke and linger, how to tease soft moans from her, to make her beg. He found and savored the curves of her breasts, the peaks of her nipples, cupped and explored the warmth between her legs, until she was supple and boneless, clinging to him. And then wantonly nearly climbing him. Time dropped away. They sank together to their knees, mouths joined, his fingers twisting in her hair and plucking out pins as it loosened; he pulled her head back to take his kisses deeper, his fingers roving her hair. Her hands on him were careful, tender, over the bruises of his chest, over his arm where the knife had slashed him. Kit closed his eyes when she touched him, as though he could hardly believe the wonder of it, and then folded his arms around her and pulled her down over him, lowering himself to his back. "Now," he urged on a soft rasp against her mouth. "I need you, Susannah. Please let it be now." "Yes." A breath of a word. He rolled over with her in his arms, covering her. She cradled him with her thighs, pulling him closer, and he lifted his torso up, fitted himself to her, slid into her waiting heat. There was a quick bite of pain; Susannah took her lower lip in her teeth to stifle a gasp. But then came the extraordinary feel of him filling her, and in so doing somehow touching her body everywhere. She watched Kit's eyes close when he was deeply seated; the intensity of his pleasure seemed akin to pain. He was still, hovering over her; for a moment they savored together the miracle of being joined at last. He opened his eyes. So blue. Smiled down at her, crookedly, with quiet, rueful amazement. Pulled back, and thrust forward again, dipped to touch his lips to hers.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
I turn away to follow Sorrel. “Lucinia,” Hemlock says, and I look back at him. He flashes me his crooked teeth, his black eyes shining. He is, in this moment, the most beautiful I’ve ever seen him. “Thank you . . .” Sorrel jerks me out of the room. The last I see of Hemlock is his slowly fading smile.
Linden A. Lewis (The Last Hero (The First Sister Trilogy, #3))
The woman smiled, and Valencia saw that her teeth behind the perfect lipstick were quite crooked, like someone had pushed them all to the front of her mouth. “I’m Grace,” she said. She didn’t seem to mind that her teeth were crooked. Her confident smile said, I like them like this
Suzy Krause (Valencia and Valentine)
I ate a coconut crisp and the whole thing shriveled in my mouth, evaporating into nothing but pure taste. I held another up to the golden light as someone sat down across from me. "I can't figure out this cooking technique. Do you think it's a meringue?" I asked. "Actually, I believe it's freeze-dried." My gaze leaped from the coconut crisp to the source of the foreign-sounding voice, smoother and younger than Michael Saltz's agitated lisp. Pascal Fox. His black hair was slightly matted and spiked, hair that was- amazingly- a bit like mine, thick and straight in places, wispy and fine in others. He wore a cobalt-blue button-down shirt with the sleeves rolled up, exposing his tattoos. In the semi-dark, I made out a mural of forks and knives, cows and pigs, carrots and eggplants and squashes and melons, like a super-hot, toned supermarket. He seemed to be showing off the whole mural to me. "Oh, hi!" I said. "I remember you. You came to my restaurant about three weeks ago, right?" "Wow," I said. "You have a good memory." I couldn't stop blushing and I regretted eating all that food. It was hard to feel pretty when I felt nine months pregnant. "I don't remember everyone. Just the special people." He nudged his body an inch toward mine and my breath caught in my throat. Up close, I noticed he had a slightly crooked smile and somewhat stained teeth. I liked that he wasn't the perfect model he appeared to be in all the magazines. He was almost a regular person.
Jessica Tom (Food Whore)
I've lived away from the world for so much in my life, Mr. Winterborne, that I sometimes wonder who I am, or if I belong anywhere." Winterborne studied her. "Trenear plans to take you and your sisters to London when you've finished mourning." Helen nodded. "I haven't been to town since I was a child. I remember it as a very large and exciting place." She paused, vaguely surprised that she was confiding in him. "Now I think I might find it... intimidating." A smile tugged at the corners of his mouth. "What happens when you're intimidated? Run to the nearest corner and hide, do you?" "I should say not," she said primly, wondering if she were being teased. "I do what has to be done, no matter what the situation." Winterborne's smile widened until she saw the flash of white teeth against that deep bronze complexion. "I suppose I know that better than most," he said softly. Understanding that he was referring to how she had helped him through the fever... and remembering how she had held that black head in the crook of her arm, and bathed his face and neck... Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
The alligator carved onto the column nearest him seemed to be smiling through its crooked teeth. Normal doesn't belong, it reminded Blue. Not in this place.
Cassie Beasley (Tumble & Blue)
The cat had begun to clean its whiskers. Sophie caressed its back again, drawing her fingers along until they met the sharp furry crook where the tail turned up. The cat’s back rose convulsively to press against her hand. She smiled, wondering how often, if ever before, the cat had felt a friendly human touch, and she was still smiling as the cat reared up on its hind legs, even as it struck her with extended claws, smiling right up to that second when it sank its teeth into the back of her left hand and hung from her flesh so that she nearly fell forward, stunned and horrified, yet conscious enough of Otto’s presence to smother the cry that arose in her throat as she jerked her hand back from that circle of barbed wire. She pushed out with her other hand, and as the sweat broke out on her forehead, as her flesh crawled and tightened, she said, “No, no, stop that!” to the cat, as if it had done nothing more than beg for food, and in the midst of her pain and dismay she was astonished to hear how cool her voice was. Then, all at once, the claws released her and flew back as though to deliver another blow, but then the cat turned—it seemed in mid-air—and sprang from the porch, disappearing into the shadowed yard below.
Paula Fox (Desperate Characters)
Trenear plans to take you and your sisters to London when you’ve finished mourning.” Helen nodded. “I haven’t been to town since I was a child. I remember it as a very large and exciting place.” She paused, vaguely surprised that she was confiding in him. “Now I think I might find it…intimidating.” A smile tugged at the corners of his mouth. “What happens when you’re intimidated? Run to the nearest corner and hide, do you?” “I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.” Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly. Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
The sea dragons. Far below, the dragons danced on the surface of the ocean, tiny, glimmering worms on a gray floor. Their voices rang through the air, across the great distance and over the roar of Fingap Falls. The dragon song mingled with Leeli’s, and the music pulsed with joy and then sadness. Janner blinked with wonder when he focused again on the images swirling before him. He no longer saw Nugget but a spray of giant waves, then something red and gold—the dragons. He had only ever seen the creatures from the heights of the cliff, but now he could see them as if he floated just above the surface of the sea, a stone’s throw away. They were as beautiful as they were fearsome. Their bodies shimmered with metallic scales that swirled with color. The dragon closest to him glittered orange and gold, like the strikes of a thousand matchsticks, but its winglike fins cycled between shades of blue. Its head was sleek and graceful, perfect for slicing through the water, and its eyes—big and deep and serene—sent a chill down to Janner’s toes, because it was suddenly clear the dragon knew it was being watched. The eyes rolled back, and translucent lids slid over them as the dragon opened its mouth and sang. Teeth lined its mouth, but not in the crooked, yellow way of the Fangs or the toothy cows; these were straight and bright and sharp as needles. Janner pushed his mind through the image and looked again at his brother and sister. Leeli’s eyes were closed, and though she smiled, tears wet her cheeks while she played. Wind stirred Tink’s hair, and he stared at the empty air before him; his eyes flicked back and forth as if studying a drawing that hung a few feet before his face. The song changed to a gentle hum, and Janner turned his mind again to the floating image. A dragon rose from the waves bearing something
Andrew Peterson (North! or Be Eaten)