Fossil Sad Quotes

«Like a fossil tree From which we gather no flowers Sad has been my life Fated no fruit to produce.» Death poem composed by Minamoto Yorimasa immediately before his act of seppuku in the Byodo-in temple of Uji.

Periods in the wilderness or desert were not lost time. You might find life, wildflowers, fossils, sources of water. I wish there were shortcuts to wisdom and self-knowledge: cuter abysses or three-day spa wilderness experiences. Sadly, it doesn’t work that way. I so resent this.

[L]et us not overlook the further great fact, that not only does science underlie sculpture, painting, music, poetry, but that science is itself poetic. The current opinion that science and poetry are opposed is a delusion. ... On the contrary science opens up realms of poetry where to the unscientific all is a blank. Those engaged in scientific researches constantly show us that they realize not less vividly, but more vividly, than others, the poetry of their subjects. Whoever will dip into Hugh Miller's works on geology, or read Mr. Lewes's “Seaside Studies,” will perceive that science excites poetry rather than extinguishes it. And whoever will contemplate the life of Goethe will see that the poet and the man of science can co-exist in equal activity. Is it not, indeed, an absurd and almost a sacrilegious belief that the more a man studies Nature the less he reveres it? Think you that a drop of water, which to the vulgar eye is but a drop of water, loses anything in the eye of the physicist who knows that its elements are held together by a force which, if suddenly liberated, would produce a flash of lightning? Think you that what is carelessly looked upon by the uninitiated as a mere snow-flake, does not suggest higher associations to one who has seen through a microscope the wondrously varied and elegant forms of snow-crystals? Think you that the rounded rock marked with parallel scratches calls up as much poetry in an ignorant mind as in the mind of a geologist, who knows that over this rock a glacier slid a million years ago? The truth is, that those who have never entered upon scientific pursuits know not a tithe of the poetry by which they are surrounded. Whoever has not in youth collected plants and insects, knows not half the halo of interest which lanes and hedge-rows can assume. Whoever has not sought for fossils, has little idea of the poetical associations that surround the places where imbedded treasures were found. Whoever at the seaside has not had a microscope and aquarium, has yet to learn what the highest pleasures of the seaside are. Sad, indeed, is it to see how men occupy themselves with trivialities, and are indifferent to the grandest phenomena—care not to understand the architecture of the universe, but are deeply interested in some contemptible controversy about the intrigues of Mary Queen of Scots!—are learnedly critical over a Greek ode, and pass by without a glance that grand epic... upon the strata of the Earth!

The science that we are doing is a threat to the world’s most powerful and wealthiest special interests. The most powerful and wealthiest special interest that has ever existed: the fossil fuel industry. They have used their immense resources to create fake scandals and to fund a global disinformation campaign aimed at vilifying the scientists, discrediting the science, and misleading the public and policymakers. Arguably, it is the most villainous act in the history of human civilisation, because it is about the short-term interests of a small number of plutocrats over the long-term welfare of this planet and the people who live on it.

Could I weep my soul Into one precious pearl Deep in the sea I'd let it lie Lost, where no waves curl. - Lament

Look at the longing, the anguish of a sad fossil world / that cannot find the accent of its first sob.

I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me. Alive in the galaxy. Alive in the stars. Alive in the sky. Alive in the sea. Alive in the palm trees. Alive in feathers. Alive in birds. Alive in the mountains. Alive in the coyotes. Alive in books. Alive in sound. Alive in mom. Alive in dad. Alive in Bobby. Alive in me. Alive in soil. Alive in branches. Alive in fossils. Alive in tongues. Alive in eyes. Alive in cries. Alive in bodies. Alive in past, present and future. Alive forever.

The sad truth is that, within the public sphere, within the collective consciousness of the general populace, most of the history of Indians in North America has been forgotten, and what we are left with is a series of historical artifacts and, more importantly, a series of entertainments. As a series of artifacts, Native history is somewhat akin to a fossil hunt in which we find a skull in Almo, Idaho, a thigh bone on the Montana plains, a tooth near the site of Powhatan’s village in Virginia, and then, assuming that all the parts are from the same animal, we guess at the size and shape of the beast. As a series of entertainments, Native history is an imaginative cobbling together of fears and loathings, romances and reverences, facts and fantasies into a cycle of creative performances, in Technicolor and 3-D, with accompanying soft drinks, candy, and popcorn. In the end, who really needs the whole of Native history when we can watch the movie?

He was putting on his old clothes, and as he pulled the shirt over his head he saw the doctor stuff the blue and yellow "sleeping clothes" into the "trash" bin. Shevek puased, the collar still over his nose. He emerged fully, knelt, and opened the bin. It was empty. "The clothes are burned?" Oh, those are cheap pajamas, service issue- wear 'em and throw 'em away, it costs less than cleaning." "It costs less," Shevek repeated meditatively. He sad the words the way a paleontontologist looks at a fossil, the fossil that date a whole stratum.

Jamie guessed he wasn’t sure if calling it a homeless shelter when it was filled with homeless people was somehow offensive. He’d had two complaints lodged against him in the last twelve months alone for the use of ‘inappropriate’ language. Roper was a fossil, stuck in a by-gone age, struggling to stay afloat. He of course wouldn’t have this problem if he bothered to read any of the sensitivity emails HR pinged out. But he didn’t. And now he was on his final warning. Jamie left him to flounder and scanned the crowd and the room for anything amiss.  People were watching them. But not maliciously. Mostly out of a lack of anything else to do. They’d been there overnight by the look of it. Places like this popped up all over the city to let them stay inside on cold nights. The problem was finding a space that would house them. ‘No, not the owner,’ Mary said, sighing. ‘I just rent the space from the council. The ceiling is asbestos, and they can’t use it for anything, won’t get it replaced.’ She shrugged her shoulders so high that they touched the earrings. ‘But these people don’t mind. We’re not eating the stuff, so…’ She laughed a little. Jamie thought it sounded sad. It sort of was. The council wouldn’t let children play in there, wouldn’t let groups rent it, but they were happy to take payment and let the homeless in. It was safe enough for them. She pushed her teeth together and started studying the faded posters on the walls that encouraged conversations about domestic abuse, about drug addiction. From when this place was used. They looked like they were at least a decade old, maybe two. Bits of tape clung to the paint around them, scraps of coloured paper frozen in time, preserving images of long-past birthday parties. There was a meagre stage behind the coffee dispenser, and to the right, a door led into another room. ‘Do you know this boy?’ Roper asked, holding up his phone, showing Mary a photo of Oliver Hammond taken that morning. The officers who arrived on scene had taken it and attached it to the central case file. Roper was just accessing it from there. It showed Oliver’s face at an angle, greyed and bloated from the water.  ‘My God,’ Mary said, throwing a weathered hand to her mouth. It wasn’t easy for people who weren’t exposed to death regularly to stomach seeing something like that.  ‘Ms Cartwright,’ Roper said, leaning a little to his left to look in her eyes as she turned away. ‘Can you identify this person? I know it’s hard—’ ‘Oliver — Ollie, he preferred. Hammond, I think. I can check my files…’ She turned and pointed towards the back room Jamie had spotted. ‘If you want—’ Roper put the phone away.

A thread of light leaked through the window, which was ajar, and he was able to make out the wide bed in which his father had died and his mother had slept every night since she was married. It was carved in black wood, with a canopy of angels in relief and a few scraps of red brocade that were frayed with age. His mother was propped up in a half-seated position. She was a block of solid flesh, a monstrous pyramid of fat and rags that came to a point in a tiny bald head with a pair of eyes that were sweet, blue, innocent, and surprisingly alive. Arthritis had transformed her into a monolithic being. She could no longer bend any of her joints or turn her head. Her fingers were clawed like the feet of a fossil, and in order to sit up in bed she had to be supported by a pillow at her back held in place by a wooden beam that, in turn, was propped against the wall. The passage of time could be read by the marks the beam had cut into the plaster: a path of suffering, a trail of pain. “Mama,” Esteban murmured, and his voice broke in his chest, exploding into a contained sobbing that erased in a single stroke his sad memories, the rancid smells, frozen mornings, and greasy soup of his impoverished childhood, his invalid mother and absent father, and the rage that had been gnawing at him ever since the day he first learned how to think, so that he forgot everything except those rare, luminous moments in which this unknown woman who now lay before him in her bed had rocked him in her arms, felt his forehead for fever, sung him lullabies, bent over to read the pages of a favorite book with him, had wept with grief to see him leave for work so early in the morning when he was still a boy, wept with joy when he returned at night, had wept. Mother, for me.

Jeeter?" Grace whispered into her walkie-talkie. "Are you awake?" She waited. A few weeks ago, she and Jeeter had started chatting on their walkie-talkies late at night when she couldn't sleep. He always answered her call no matter how late it was. "I'm here," his voice echoed back. "Trouble sleeping again?" "Yeah." "Another bad dream?" "Uh-huh," she sniffed, unexpected tears flooding her eyes. My dad was calling for me, but I couldn't find him." She couldn't believe she'd said it. She'd never told anyone what she saw in her dreams. But Jeeter understood. He'd told her before that he had bad dreams too, since his mom had died.

Only where all these strategies fall short should we consider burning wood or fossil fuels to generate more warmth. Sadly most of us still have to, because we’ve inherited badly designed buildings that face the road more often than they face the sun.

It would be sad if we used up fossil fuels before we realized the potential energy from the Sun!

I see you in the scattered fossils I see you in fear and sadness I feel you in faraway mountains I feel you in human kindness