Rafting Love Quotes

It is important not to suppress your feelings altogether when you are depressed. It is equally important to avoid terrible arguments or expressions of outrage. You should steer clear of emotionally damaging behavior. People forgive, but it is best not to stir things up to the point at which forgiveness is required. When you are depressed, you need the love of other people, and yet depression fosters actions that destroy that love. Depressed people often stick pins into their own life rafts. The conscious mind can intervene. One is not helpless.

I love the friends I have gathered together on this thin raft...

As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better-an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn't care. "I'm coming back for you, Calypso," he said to the night wind. "I swear it on the River Styx.

It's lovely to live on a raft. We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made or only just happened.

I live in two worlds. One is a world of books. I've been a resident of Faulkner's Yoknapatawpha County, hunted the white whale aboard the Pequod, fought alongside Napoleon, sailed a raft with Huck and Jim, committed absurdities with Ignatius J. Reilly, rode a sad train with Anna Karenina and strolled down Swann's Way. It's a rewarding world, but my second one is by far superior. My second one is populated with characters slightly less eccentric, but supremely real, made of flesh and bone, full of love, who are my ultimate inspiration for everything.

Life was the gift that you were given the day you were born, and in turn you are the gift to life. Only in the moments of being alone in the darkness on the raft, will you have the space to speak, listen, and to act from the heart.

Only in the moments of being alone in the darkness on the raft, will you have the space to speak, listen, and to act from the heart. Only in the moments of pain, do we begin to empathize with humankind. Only when you are lost, you will find new meaning. Float on.

It's lovely to live on a raft. We had the sky, up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made, or only just happened- Jim he allowed they was made, but I allowed they happened; I judged it would have took too long to make so many.

Acknowledge and accept that there will be chaotic times while being on your raft from being lost in true freedom. Engulfed by darkness at sea, we are consumed by a great loneliness that has consistently existed even when people surrounded us, and that is when we must throw all that is heavy into the water, and float independently through to the present.

Freedom from stress, freedom from anxiety, freedom from depression; freedom is autonomy from all that stagnates growth in this ever complex and noisy world. By the fear of being in the unknown, we often overlook and forget the serene view of being on the raft: the glowing virgin stars, the gentle ways that the waves moves, and the endless possibilities that exist under the sun. The fundamental principle of freedom is to be lost and our state of mind never differs too far from this analogy of being stranded in the middle of the ocean.

Hope was a dangerous thing, I knew, but it didn’t stop your heart from latching on to it like a life raft.

What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword,. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get u feeling brisk and go out and break some lances, then pick a like wench for my droit du seigneur--I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin. I wanted Prestor John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be--instead of the tawdry, lousy, fouled-up mess it is.

There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame. The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love. The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love. The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.

You'll skydive, and hang into ravines by thin ropes, and go rafting in the rapids, but you won't... what? Get crazy and reckless with an amazing girl? You won't fall madly out-of-your-brains in love? Let your world as you know it be blown into bits because you fall heart-crushingly head-over-heels for someone?

In love madly, traveling though the life-raft's unraveling in a beautiful tragedy, but gladly i'm still paddling through the ocean of your anatomy.

In some aspects losing a child is like a wall, but instead of getting over it, you must carry the wall with you, wherever you go, for as long as you live. The wall is immovable. You can’t go anywhere until you learn to move the wall. You are just stuck in the same place, forever. You can tug and tug all you want, there are days that the wall will not move. And there are days that it moves ever so slightly. Over time I have realized that in order to move forward, knowing that I must bring this wall with me, that the best way to do so is to metaphorically flood the soil near the wall with water, and have the wall float with me, instead of me having to carry it. Every act of love and kindness turns to water. Water and love can penetrate and move anything. It just takes time. I need to turn my wall into a raft.

The Romantic vision of marriage stresses the importance of finding the “right” person, which is taken to mean someone in sympathy with the raft of our interests and values. There is no such person over the long term. We are too varied and peculiar. There cannot be lasting congruence. The partner truly best suited to us is not the one who miraculously happens to share every taste but the one who can negotiate differences in taste with intelligence and good grace. Rather than some notional idea of perfect complementarity, it is the capacity to tolerate dissimilarity that is the true marker of the “right” person. Compatibility is an achievement of love; it shouldn’t be its precondition.

a raft or a scow, you know; and maybe you could hear a fiddle or a song coming over from one of them crafts. It's lovely to live on a raft. We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them,

It's funny. Friendships are Catch twenty-twos when you're single and in your thirties. Friends are your life rafts. You try to help each other meet people, you confide in each other, you spend Thanksgiving, Valentine's Day, all those emotional land-mine holidays together. But sooner or later one of you is going to meet someone and be gone into the world of couples.

The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.

FOR THE DYING May death come gently toward you, Leaving you time to make your way Through the cold embrace of fear To the place of inner tranquillity. May death arrive only after a long life To find you at home among your own With every comfort and care you require. May your leave-taking be gracious, Enabling you to hold dignity Through awkwardness and illness. May you see the reflection Of your life’s kindness and beauty In all the tears that fall for you. As your eyes focus on each face, May your soul take its imprint, Drawing each image within As companions for the journey. May you find for each one you love A different locket of jeweled words To be worn around the heart To warm your absence. May someone who knows and loves The complex village of your heart Be there to echo you back to yourself And create a sure word-raft To carry you to the further shore. May your spirit feel The surge of true delight When the veil of the visible Is raised, and you glimpse again The living faces Of departed family and friends. May there be some beautiful surprise Waiting for you inside death, Something you never knew or felt, Which with one simple touch, Absolves you of all loneliness and loss, As you quicken within the embrace For which your soul was eternally made. May your heart be speechless At the sight of the truth Of all belief had hoped, Your heart breathless In the light and lightness Where each and everything Is at last its true self Within that serene belonging That dwells beside us On the other side Of what we see.

Loving you feels like I found a life raft in the middle of a raging ocean.

I don't understand this," I said softly. "I wanted to fuck you that first night on the raft, but that was just because I wanted to get off and you were there. I still want to fuck you, but the reasons are all different. I've never felt like this after sleeping with someone...or during it...shit. This didn't feel like I was fucking you...it was something else. I don't know what it is. I want to be with you, and touch you, and hold you. I have this overwhelming desire to protect you and make sure you're safe. Every time I look at you, it's like my chest gets crushed, and I just want to stare at you and hold on to you and tell you everything is going to be all right. I don't know what this is, Raine. I don't understand what you're doing to me." I felt her fingers against my jaw and glanced down into her opened eyes. Fuck. She hadn't been asleep after all. Her mouth turned up into a beautiful smile, and her response ended me. I love you too, Bastian.

Love doesn't save, it raises you up and makes you bigger, it lights you up from inside and carves out that light like wood in the forest. It nestles in the hollows of empty days, of thankless tasks, of useless hours, it doesn't drift along on golden rafts or sparkling rivers, it doesn't sing or shine and it never proclaims a thing. But at night, once the room's been swept and the embers covered over and the children are asleep -- at night between the sheets, with slow gazes, not moving or speaking -- at night, at last, when we're weary of our meager lives and the trivialities of our insignificant existance, each of us becomes the well where the other one can draw water ...

The women I love are like a life raft I didn’t know I was looking for before I got on it. But my friendships are not just about being nice. My people push me to do better. They listen, but not in a quiet, passive way. They’re always on point for correcting me when I put myself down or fall into the trap of thinking things are my fault when they aren’t. My friends are brilliant, funny, fearless, wise, and generous. We champion each other in e-mails, in texts, in congratulatory flowers, or simply by saying how much we trust each other.

The love you knew, the love you dreamed of, the love you grew and created together, that is what will get you through. It’s a vast, wide raft that can’t be broken or depleted. You might forget it’s there sometimes, but you can always come back to it.

Hope is magic. Hope is a gift. Hope is a raft we cling to in the midst of a storm. Hope by nature is an independent of logic. Hope is power outside of the facts. The human mind longs for something better. Hope is not rational. Yet who need rationality when God is on our side? The capacity of hope is the most significant fact in life.

I love you. I loved you then, and I love you now. Looking back, I knew on the raft. I knew if I was going to die, if you were in my arms, I would die in peace.

In the ocean of life, a mother is a raft that keeps you afloat.

Loving you is like the first day of spring after a harsh winter. Loving you feels like I found a life raft in the middle of a raging ocean.

One hundred years ago you'd have a child surrounded by other women: your mother, her mother, sisters, cousins, sisters-in-law, mother-in-law. And you'd be a teenager, too young to have had any kind of life yourself. You'd share childcare with a raft of women. They'd help you, keep you company, show you how. Then you'd do the same. Not just people to share in the work of raising children, but people to share in the loving of children.

Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.

My love, I walked for thirty years under the sky without ever doubting that I lived in glory; I never wavered; I never stumbled; I was a reveler and a loudmouth, if ever there was one, as stupid and useless as the sparrows and the peacocks; I wiped my mouth on the cuff of my sleeve, tramped into the house with mud on my feet and burped many's a time amid the laughter and the wine. But I always held my head high in the storm because I loved you and you loved me back, and our love mightn't have been all silk and poetry but we could look at each other and know we'd drown all our woes. Love doesn't save, it raises you up and makes you bigger, it lights you up from inside and carves out that light like wood in the forest. It nestles in the hollows of empty days, of thankless tasks, of useless hours, it doesn't drift along on golden rafts or sparkling rivers, it doesn't sing or shine and it never proclaims a thing. But at night, once the room's been swept and the embers covered over and the children are asleep - at night between the sheets, with slow gazes, not moving or speaking - at night, at last, when we're weary of our meager lives and the trivialities of our insignificant existence, each of us becomes the well where the other can draw water, and we love each other and learn to love ourselves.

the anti-gun urban liberals are really not that much more evolved. They have an equal and opposite fanaticism about guns—that to own one is to be a latent murderer. But worse than that, it’s to be tasteless. There is a raft of assumptions that go with gun ownership.

What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur - I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is. I had had one chance - for ten minutes yesterday afternoon. Helen of Troy, whatever your true name may be - and I had known it and I had let it slip away. Maybe one chance is all you ever get.

It was about loving the men who were with you, while they were with you, and valuing every last one of them. It was, in the end, about love. The love of a lover, of friends, and of partners, of people that I never wanted to lose, and wanted to wake up beside every damn day. It was about home. Home wasn’t a place, or a building, or a tropical night full of flowers and rain. Love made home not out of boards and walls and furniture, but of hands to hold, and smiles to share, and the warmth of that body cuddled around you in the dark. I swam in the darkness of the ocean on a raft of hands, and bodies, and giving a damn what happened to them all.

Toward the end of her life these memories intermingle with memories of the stories she has loved: homesick Ulysses abandoning his raft in the storm and swimming toward the island of the Phaeacians, Aethon-the-donkey wrapping his soft lips around a stinging nettle, all times and all stories being one and the same in the end.

Sometimes we'd have that whole river all to ourselves for the longest time. Yonder was the banks and the islands, across the water; and maybe a spark-- which was a candle in a cabin window... It's lovely to live on a raft. We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made or only just happened; Jim he allowed they was made, but I allowed they happened; I judged it would have took too long to make so many. Jim said the moon could 'a' laid them; well, that looked kind of reasonable... because I've seen a frog lay most as many, so of course it could be done. We used to watch the stars that fell, too, and see them streak down. Jim allowed they'd got spoiled and was hove out of the nest. Once or twice of a night we would see a steamboat slipping along in the dark, and now and then she would belch a whole world of sparks up out of her chimbleys, and they would rain down in the river and look awful pretty; then she would turn a corner and her lights would wink out and her powwow shut off and leave the river still again; and by and by her waves would get to us, a long time after she was gone, and joggle the raft a bit, and after that you wouldn't hear nothing for you couldn't tell how long, except maybe frogs or something.

Home wasn’t a place, or a building, or a tropical night full of flowers and rain. Love made home not out of boards and walls and furniture, but of hands to hold, and smiles to share, and the warmth of that body cuddled around you in the dark. I swam in the darkness of the ocean on a raft of hands, and bodies, and giving a damn what happened to them all.

We hurt one another. We go through life dressing up in new clothes and covering up our true motives. We meet up lightly, we drink rosé wine, and then we give each other pain. We don't want to! What we want to do, what one really wants to do is put out one's hands—like some dancer, in a trance, just put out one's hands—and touch all the people and tell them: I'm sorry. I love you. Thank you for your e-mail. Thank you for coming to see me. Thank you. But we can't. We can't. On the little life raft of Mark only one other person could fit. Just one! And so, thwarted, we inflict pain. That’s what we do. We do not keep each other company. We do not send each other cute text messages. Or, rather, when we do these things, we do them merely to postpone the moment when we'll push these people off, and beat forward, beat forward on our little raft, alone.

Though gay men have begun to understand it is something in themselves these upright men so fear, too many of us have internalized their self-hatred as shame. That the flesh and the spirit are one in love is none of the business of the celibate men of God, especially those who believe they rule the province of love. But the mission of the homophobe is more pernicious even than his morality. He wants every one of us to be all alone, never to find the beloved friend. A man ought to be free to find his reason. Not that freedom alone will serve it up: it requires the gods’ own fury of luck to get two people to meet. But when it finally happens, two men in love can’t rejoice out loud—joy of the very thing everyone burns for—without bracing for the rant of prophets, the schoolyard bully, and Rome’s “intrinsic evil.” I try to remember that we fight as a ragged people to outlast the calamity so that others can sleep as safe as my friend and I, like a raft in the tempest.

That isn't love, it's a fever... At your age it's chemically impossible to tell the difference. Mother Nature brings on these tricks to repopulate the planet by injecting hormones and a raft of idiocies into young people's being so there's enough cannon fodder available for them to reproduce like rabbits and at the same time sacrifice themselves in the names of whatever is parroted by bankers, clerics, and revolutionary visionaries in dire need of idealists, imbeciles, and other plagues that will prevent the world from evolving and make sure it always stays the same.

And I did nothing, nothing but try to hide from the horror of dying." He stopped, for saying the truth aloud was unendurable. It was not shame that stopped him, but fear, the same fear. He knew now why this tranquil life in sea and sunlight on the rafts seemed to him like an after-life or a dream, unreal. It was because he knew in his heart that reality was empty: without life or warmth or color or sound: without meaning. There were no heights or depths. All this lovely play of form and light and color on the sea and in the eyes of men, was no more than that, a playing of illusions on the shallow void.

If Colonel Lowe doesn’t treat you like a goddess, he’ll have me to answer to,” he said gruffly. She mustered a little laugh. “Please, no basket of fish on his desk.” “Trust me, I’ll be far more creative if he hurts you.” The diamond powder weighed in his hands. “You will want this,” he said as he extended the sack to her. “Zack, I don’t want any gifts.” He picked up her hand and pressed it into her palm. “It’s diamond powder. I heard you were in short supply, and Caleb Magruder has a mill that can produce it.” Her eyes widened in surprise, and she peeked inside. It looked as if she was about to cry as she pulled the drawstrings closed. “Zack, I can’t accept this. It wouldn’t be right.” “Take it. What would I do with diamond powder?” He tried to sound light-hearted, as if this glorious woman had not just trampled on the dreams he had been building for three years. She still looked hesitant, which was insane because he knew she craved that diamond powder like a drowning man craved a life raft. He sighed impatiently. “If you don’t take it, I’ll throw it in the lake. You know I will.” She must have believed him, because she relented and accepted the gift. “Thank you,” she said quietly. “Thank you for everything, Zack.” “You deserve it,” he said bluntly. “I’ve never seen anyone work as hard as you.” “Don’t be nice to me,” she said. “I’ll start bawling like a watering pot if you do.” His hand looked big and clumsy against her delicate cheek. He was such a sap where this woman was concerned. Had been from the first time he ever clapped eyes on her. “Don’t shed any tears over me. I’m not worth it.” He had to get out of there before he made a complete fool of himself. Before he fell to his knees and begged her not to fling herself at a man who would never feel a fraction of the soaring love he had for her. Stepping aside and letting Richard Lowe court his woman made his gut tie itself into knots, but it had to be done.

I Have Seen Bengal’s Face - Poem by Jibanananda Das Autoplay next video I have seen Bengal’s face, that is why I do not seek Beauty of the earth any more: I wake up in the dark And see the dawn’s magpie-robin perched under the parasol-like huge leaf Of the fig tree – on all sides I see mounds of leaves of Black plum – banyan – jackfruit – oak – pipal lying still; Their shadows fall on the spurge bushes on zedoary clumps; Who knows when Chand near Champa from his madhukar boat Saw such oaks – banyans – gamboge’s blue shades Bengal’s beauty incomparable. Behula too someday floating on raft on Gangur’s water – When the fullmoon of the tenebrous twelfth night died on the river’s shoal – Saw countless pipals and banyans beside the golden corn, Alas, heard the tender songs of shama – and one day going to Amara. When she danced like a torn wagtail in Indra’s court Bengal’s river field, wild violets wept at her feet like anklet bells.

It comes down to what is language? Up to now, until this age of mass literacy, language has been something spoken. In utterance there’s a minimum of slowness. In trying to treat words as chisel strokes, you run the risk of losing the quality of utterance, the rhythm of utterance, the happiness. A phrase out of Mark Twain—he describes a raft hitting a bridge and says that it “went all to smash and scatteration like a box of matches struck by lightning.” The beauty of “scatteration” could only have occurred to a talkative man, a man who had been brought up among people who were talking and who loved to talk himself. I’m aware myself of a certain dryness of this reservoir, this backlog of spoken talk. A Romanian once said to me that Americans are always telling stories. I’m not sure this is as true as it once was. Where we once used to spin yarns, now we sit in front of the tv and receive pictures. I’m not sure the younger generation even knows how to gossip. But, as for a writer, if he has something to tell, he should perhaps type it almost as fast as he could talk it. We must look to the organic world, not the inorganic world, for metaphors; and just as the organic world has periods of repose and periods of great speed and exercise, so I think the writer’s process should be organically varied. But there’s a kind of tautness that you should feel within yourself no matter how slow or fast you’re spinning out the reel.

I soon found my feet, and was much less homesick than I was at prep school. Thank God. I learned that with plenty of free time on our hands, and being encouraged to fill the time with “interests,” I could come up with some great adventures. A couple of my best friends and I started climbing the huge old oak trees around the grounds, finding monkey routes through the branches that allowed us to travel between the trees, high up above the ground. It was brilliant. We soon had built a real-life Robin Hood den, with full-on branch swings, pulleys, and balancing bars high up in the treetops. We crossed the Thames on the high girders above a railway bridge, we built rafts out of old Styrofoam and even made a boat out of an old bathtub to go down the river in. (Sadly this sank, as the water came in through the overflow hole, which was a fundamental flaw. Note to self: Test rafts before committing to big rivers in them.) We spied on the beautiful French girls who worked in the kitchens, and even made camps on the rooftops overlooking the walkway they used on their way back from work. We would vainly attempt to try and chat them up as they passed. In between many of these antics we had to work hard academically, as well as dress in ridiculous clothes, consisting of long tailcoats and waistcoats. This developed in me the art of making smart clothes look ragged, and ever since, I have maintained a lifelong love of wearing good-quality clothes in a messy way. It even earned me the nickname of “Scug,” from the deputy-headmaster. In Eton slang this roughly translates as: “A person of no account, and of dirty appearance.

-§ But just because we grew up in that kind of a culture does not mean we need to keep creating it in our present relationship. I recommend we ask different questions, like, “How could I make your life more wonderful?” and “Would you like to know how you could make my life more wonderful?” and “What are your needs right now?” and “Would you like to know what I need right now?” Now if none of this appeals to you because you prefer a relation-dinghy to a relationship, here are some suggestion to help you prevent your relation-dinghy from growing into a relationship: 1. Keep your attention focused at all times on who is right or wrong in a discussion, fair or unfair in a negotiation, selfish or unselfish in giving (it helps to keep a list of who has done what for whom), kind or cruel in their tone of voice, rude or polite in their mannerisms, sloppy or neat in their dress, and so on. Be careful not to realize that your attempt to be right is really an attempt to protect yourself from thinking you are wrong and then feeling shame. 2. If you need some support for this I recommend certain selfhelp groups who can give you the latest scoops on the most powerful, politically correct labels with which to overpower and confuse your partner. Members of these groups will collude with you in validating that your partner really is a man or woman who is commitment-phobic, emotionally unavailable, counterdependant, needy, spiritually unevolved, dysfunctional, immature, judgmental, sinful, bi-polar, OCD, clinically depressed, or adult-onset ADD. It is important to keep your consciousness filled with such terminology to prevent any fondness from developing. This also helps in keeping you caught in the “paralysis of analysis” and clueless about what you or your partner are needing from each other. 3. Adopt this test for love: If your partner really loves you, he or she will always know what you want even before you know—and then give it to you without your having to go through the humiliation of actually asking for it. And your partner will do this regardless of the sacrifice it requires. If your partner does not give you what you want, choose to believe it means he or she does not love you. 4. Ask for what you do not want instead of what you do want. I heard of a man who asked his wife to stop spending so much money shopping. She took up gambling on the internet. 5. In case your relationdinghy starts to grow, here are a few torpedoes guaranteed to sink it again: “It hurts me when you say that.” “I feel sad because you…fill in the blank (won’t say ‘I love you,’ or ‘I’m sorry,’ or won’t have sex, or won’t marry me, etc.)” If you really want to choke the life out of any relationship meditate on “I need you.” Then you will know how I felt for about thirtyfive years of my life. I felt like a drowning swimmer and I would grab hold of anyone who came near me and try to use them as a life raft. Now I want relationships to be flowers for my table instead of air for my lungs. When I Come Gently To You by Ruth Bebermeyer When I come gently to you I want you to see It’s not to get myself from you, it’s just to give you me. I know that you can’t give me me, no matter what you do. All I ever want from you is you. I know your fear of fences, your pain from prisons past. I’m not the first to sense it and I’m plainly not the last. The hawk within your heart’s not bound to earth by fence of mine, Unless you aren’t aware that you can fly. When I come gently to you I’d like you to know I come not to trespass your space, I want to touch and grow. When your space and my space meet, each is not less but more. We make our space that wasn’t space before. Chapter HEALING THE BLAME THAT BLINDS

Mark Twain wrote that “a Southerner talks music.” This is Huck Finn describing life on the river: It’s lovely to live on a raft. We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss whether they was made or only just happened — Jim he allowed they was made, but I allowed they happened: I judged it would have took too long to make so many. Jim said the moon could a laid them; well that looked kind of reasonable, so I didn’t say nothing against it because I’ve seen a frog lay most as many, so of course it could be done. We used to watch the stars that fell, too, and see them streak down. Jim allowed they’d got spoiled and was hove out of the nest.

I am not your mother. “No one in this world can love that girl like her mother,” they told me, the day I tore out my hair to hold you. My hair, the raft lashed with pitch darts that kept you. My hair, the mantle against less honourable creatures who blow kisses with crusted lips. They measure you for marvelous coffins. My dead hair was never your shroud.   My hair is the hundred thousand wires of my love and it holds you safe. In its jungle, you are queen. In it, you learned that ink and blood and salt, these three, grow the truest trees.   I

We loved it. We loved how slow it was. We love that it took forever. Actually, we never wanted it to end. We loved the jungle, the rafts, the ridiculous armor and helmets. . .I think most of all we loved that it didn't have a happy ending for anyone. The whole time we were sort of expecting that someone would survive because that's how stories work: Even if everything is a total disaster, someone lives to tell the tale. But not with Aguirre, the Wrath of God. Hell no. Everyone dies. That's awesome.

didn’t sit and listen to Ryan go on about hockey so that I could earn his affections or appear to be a good girlfriend. I did it because I love watching people talk about the things that make their hearts thrum.

time. A new interdisciplinary community of scientists, environmentalists, health researchers, therapists, and artists is coalescing around an idea: neuroconservation. Embracing the notion that we treasure what we love, those concerned with water and the future of the planet now suggest that, as we understand our emotional well-being and its relationship to water, we are more motivated to repair, restore, and renew waterways and watersheds. Indeed, even as water is threatened, or perhaps because of the threat, public interest in water is very high. We treasure it—or, perhaps more accurately, we spend our treasure to access water for pleasure, recreation, and healing. Wealthy people pay a premium for houses on water, and the not so wealthy pay extra for rentals and hotel rooms sited at the oceanfront, on rivers, or at lakes. Those into outdoor sports, especially fishers and hunters, are fiercely protective of it and have founded numerous environmental organizations designed to protect water habitats for fish, birds, and animals. Over the last two decades, spas have become a sort of modern equivalent to ancient healing wells. As an industry, spas are a global business worth about $60 billion, and they generate another $200 billion in tourism. In 2013, there were 20,000 (up from 4,000 in 1999) spas in the United States producing an annual revenue of over $14 billion (a figure that has grown every year for fifteen years, including those of the recession), and tallying 164 million spa visits by clients.12 Ecotourism provides water adventures and guided trips, often in kayaks, rafts, or canoes. Ocean and river cruises are big business. Cities are creating urban architectures focused on waterscapes, happiness, and sustainability. Museums and public memorials of all sorts often feature water to foster reflection and meditation. And many communities are working to transform industrialized and polluted waterfronts into spaces that are pleasant, environmentally sound, and livable.

I am so spiteful. I see recollective Sunday brunches among friends, and I want to walk up to them and ask, You’re all best buds? Really? You’re all ready and willing to bear the weight of love’s deep and diffuse obligations? Oh, word? It’s not just that you’ve self-selected from this sinking ship the people most amenable to your personal brand of resentment and narcissism—your mimetic desire—to float on in a life raft together over bitter water for at least as long as supplies last? Then I chokeslam myself through their table.

More desirable women have more bargaining power on the mating market, and they can elevate their standards. They want higher levels of resources, education, and intelligence; higher social status; good parenting skills; and raft of other traits. American men with resources are more likely to marry physically attractive women. Most men can obtain a much more desirable mate if they are willing to commit to a long-term relationship because women typically desire lasting commitment, and highly desirable women are in the best position to get what they want. Men are preoccupied with a woman's youth. Men want wives who are pretty, attractive, beautiful, gorgeous, comely, lovely, ravishing, and glamorous. Men seek attractive women as mates not simply for their reproductive value but also as signals of status to same sex competitors and to other potential mates. Although most men place a premium on beauty, it is clear that not all men success in satisfying their desires. Men who lack the status and resources that women want, for example, generally have the most difficult time attracting good looking young women and must settle for less than their ideal. Indeed, a man's occupational status seems to be the best predictor of the attractiveness of the woman he marries. Men who are in a position to get what they want often partners up with a young, attractive woman. As a man's income goes up, he seeks younger partners.

Jesus calls us to reach out to people in troubled water. We have the ability to help. We can throw a line and work to hoist them onto the raft, but we can’t help people who do not realize they must be an active participant in their own rescue.

It may seem strange, and it may in fact be impossible for anyone else to understand, but until that very moment I’d had no real comprehension of the wrong I’d done, and the life I’d lost. While I’d committed the armed robberies, I was on drugs, addicted to heroin. An opiate fog had settled over everything that I thought and did and even remembered about that time. Afterwards, during the trial and the three years in prison, I was sober and clear-headed, and I should’ve known then what the crimes and punishments meant, for myself and my family and the people I’d robbed at the point of a gun. But I didn’t know or feel anything of it then. I was too busy being punished, and feeling punished, to put my heart around it. Even with the escape from prison, and the flight, running and hiding as a wanted man, a hunted man with a price on my head—even then, there was no final, clear, encompassing grasp of the acts and the consequences that made up the new, bitter story of my life. It was only there, in the village in India, on that first night, adrift on the raft of murmuring voices, and my eyes filled with stars; only then, when another man’s father reached out to comfort me, and placed a poor farmer’s rough and calloused hand on my shoulder; only there and then did I see and feel the torment of what I’d done, and what I’d become—the pain and the fear and the waste; the stupid, unforgivable waste of it all. My heart broke on its shame and sorrow. I suddenly knew how much crying there was in me, and how little love. I knew, at last, how lonely I was.

You think the amount of days I’ve been alive on this planet has any real bearing on how well I can fuck you? You think the date on my driver’s license means I won’t be able to make you come? That I won’t be able to love you? That I won’t be able to make you happy? If that’s the case, then you are the child here, not me. You’re clinging to this age bullshit like it’s a life raft that’s saving you from drowning, Sasha, when it’s the only thing dragging you under. This moment, here, right now…this is the only time when our ages will ever really matter. You’re eleven years older than me. Accept it. Let it go. You’re fighting an unstoppable force, Sasha.

Being an adult means knowing that there is more than having the love of your life, or the other bullshit that filled magazine pages: doing well, living your passions, being a big success. Because there's also time, death, and the endless war that life wages against you. Being in a couple is clinging to a life raft teetering at the edge of the abyss.

What is it about the chemistry of sickness and a mother’s love? We return to the ones who carried us when we can no longer carry ourselves, our histories erased, and our scores settled. Perhaps not forever, but for a time. And then, beneath the weight of too much truth, I reached for her and she caught me, her resolve without cracks, her body like a life raft.

I cannot help but remind myself that all that time, you knew the truth. You allowed yourself to slowly make terms with your decision, while I was kept in the dark - sensing the instability of your delicate ship, but desperately tugging at the sails anyhow. You quietly become acquainted with your little white lie, while I was building my entire life around it. So when it was time for you to jump ship, you were safe. Held securely by the life raft you spent those months building, that I wasn't even able to see. While I was left stranded on a ship that was sinking. My life drowning in water, eyes frantically searching for your hands to say goodbye.

I wrapped my arms around her neck, holding onto her tight–my life raft in this crazy storm.

I had two great passions at the time: one magical and ethereal, which was reading, and the other mundane and predictable, which was pursuing silly love affairs. Concerning my literary ambitions, my successes went from slender to nonexistent. During those years I started a hundred woefully bad novels that died along the way, hundreds of short stories, plays, radio serials, and even poems that I wouldn't let anyone read, for their own good. I only needed to read them myself to see how much I still had to learn and what little progress I was making, despite the desire and enthusiasm I put into it. I was forever rereading Carax's novels and those of countless authors I borrowed from my parent's bookshop. I tried to pull them apart as if they were transistor radios, or the engine of a Rolls-Royce, hoping I would be able to figure out how they were built and how and why they worked. I'd read something in a newspaper about some Japanese engineers who practiced something called reverse engineering. Apparently these industrious gentlemen disassembled an engine to its last piece, analyzing the function of each bit, the dynamics of the whole, and the interior design of the device to work out the mathematics that supported its operation. My mother had a brother who worked as an engineer in Germany, so I told myself that there must be something in my genes that would allow me to do the same thing with a book or with a story. Every day I became more convinced that good literature has little or nothing to do with trivial fancies such as 'inspiration' or 'having something to tell' and more with the engineering of language, with the architecture of the narrative, with the painting of textures, with the timbres and colors of the staging, with the cinematography of words, and the music that can be produced by an orchestra of ideas. My second great occupation, or I should say my first, was far more suited to comedy, and at times touched on farce. There was a time in which I fell in love on a weekly basis, something that, in hindsight, I don't recommend. I fell in love with a look, a voice, and above all with what was tightly concealed under those fine-wool dresses worn by the young girls of my time. 'That isn't love, it's a fever,' Fermín would specify. 'At your age it is chemically impossible to tell the difference. Mother Nature brings on these tricks to repopulate the planet by injecting hormones and a raft of idiocies into young people's veins so there's enough cannon fodder available for them to reproduce like rabbits and at the same time sacrifice themselves in the name of whatever is parroted by bankers, clerics, and revolutionary visionaries in dire need of idealists, imbeciles, and other plagues that will prevent the world from evolving and make sure it always stays the same.

For us, and for the fur children. What if the raft on which we travel with Charon is made of our own sins, and of our own generosity? What if we pay all our silver coins for that? If it is, for us the River Styx will be thick with muddy despair and our raft a rotten carcass……but for our fur children it shall be a gentle drift across a summer borne stream. A friend's rowboat….warmest sunshine…laughter…for we have many sins to build a boat with, but our fur children have none.

All I wanted was to be alone on a sea of unconsciousness, slipping away as the bed became a raft and my mind let go of itself.

Then he cradled me against his body—cherishing me, protecting me—and I clung to him. My life raft in the torrid wake of existence. I realized then I’d been waiting my entire life to find him.

I don't know why, but it feels like a whole separate breakup. Accepting, now, the truth: That he's moved on. That all these moments I cling to, like little mental life rafts, are just memories for him.

Music, my first love, my self-indulgence, my life raft—it was, in one breath, no longer enough.

I tried to shake him off, but he was strong. He clung to me like I was a raft and he was at sea. “I love you so much,” he said, his whole body shaking. “It’s always been you, Belly.

I knew why I loved that painting. I was on that raft. Dante was on that raft. My mother and Dante's mom and dad and Cassandra and Susie and Gina and Danny and Julio and Mr. Blocker. And Mrs. Livermore and Mrs. Alvidrez, they were on that raft too. And those who had died too soon-- my dad and my aunt Ophelia and Cassandra's brother, and Emma's son and Rico, and Camila, all the lost people that the world had thrown away- they were there with us on that raft, and their dreams and desires too. And if the raft collapsed, we would dive into the waters of that stormy sea- and swim our way to shore.

When you were real little your dad used to scoop you up and tell you he loved you from your heart to the sun. Fish couldn’t remember it, but he could see it somehow, and when he did, he saw sunlight. He’d point to your heart, and then he’d point at the sun, and you’d smile and laugh and make him say it again. And he always would, as many times as you asked him.

Even though I didn't have a clue of how to stop running myself ragged, to be still and know myself, or treat my body as one of those sanctuaries, I had my sacred spots. And in them, despite my utter ignorance of how to self-love, I knew that love existed. That knowledge was the life raft that saved me from floating away into The Sea of Lost Causes.

This was Remi’s first time in Nigeria, and Enitan was surprised at how suddenly and urgently she wanted Remi to love the country. As if she hadn’t left Nigeria voluntarily for a whole raft of reasons.

Heart-dented and wiser, I avoid the hot-shot guys around town. No rugby players in the summer. No snow-boarders in the winter. No bartenders. No white water rafting guys or fly-fishermen. No guides. Definitely no cowboys.

People with BPD continually feel a dark hole of emptiness inside them. This symptom is hard to explain if you haven’t experienced it. So try this. Close your eyes. Imagine you’re about to move to an unfamiliar city where you don’t know anyone, and where everyone speaks a different language. You’re going by yourself because you have no family. Now, take away all of your spiritual or religious beliefs. Then ponder what makes your life meaningful. Now pretend you can’t do or have any of those meaningful things anymore. From now on, you’ll be living without meaning. That’s how people with BPD feel, more or less all the time. This is why they may grab onto you like you’re a life raft on the Titanic. Being alone leaves them without a sense of who they are—or causes them to feel like they do not exist. They have faith that you will fill that deep, empty hole for them. But, of course, you can’t. No one can do that. One man with BPD said it was like trying to fill the Grand Canyon using an eyedropper. This emptiness is behind the chaos that people with BPD routinely cause. Your loved one gets so angry because you cannot fill that hole. And they believe that the reason you can’t is because you aren’t trying hard enough. You didn’t spend every moment with them. You didn’t fulfill their every need. You tried to have a life of your own.

Buddhist writings (including this book) can be likened to a raft. A raft is a very handy thing to carry you across the water, from one shore to another. But once you’ve reached the other shore, you no longer need the raft. Indeed, if you wish to continue your journey beyond the shore, you must leave the raft behind. Our problem is that we tend to fall in love with the raft.

Deep inside the coast of Desires And the hand of departure setting out to free me. I never stumbled upon anything so pure: A brilliant star profound with more than this. I never wished to see so much: Daughter of the four winds to breathe my air. As I thought to call upon her name- The fragrance of my long-lost hopes- I realized that I was more than this: Myself, I was myself again. Never shall I deem this day Aghast to sleep beyond the slay of a young raft- I saw the menace of my deepest joys Despite the dangling of my spirit Crying for the somber dreams I once had. But forever in the darkness with which I professed, - These words so true as to be revered- The love which I hold dear still shines before my crying eyes. What must I do to see her again? How must I reach to grasp my loving realms abreast. Against the ocean blue to seek their own vengeance And from where I stay in the lands of doubt To tell myself that none is more than she That I recall her once declaring joy in my arms. Why must I sit upon or with The semblance of a raft Or what I seemed to take towards this place; I stand upon firm ground today to spell the words of my deepest ambition And for those whom wish to come along, I never burned the bridge to common ecstacy. Demise of a youthful man: As a dagger in the heart of a young and lonesome prince Left to die in the woods without friend or kin In the lands of the damned where I savoured his life; I did see him in time and reveal to him that There was nothing to fear from the death of himself. In the hours that passed he would feel so detach'd From the burdens of life and to never return For the freedom he'd sense in the leaving of life Was enough to live happily into the night Where he'd see deprivation and sing to the light, "I have died, I am here to seek wisdom", in fact If it weren't for me in the woods on that day He'd have slipped down to hell in the fearing of death. He'd have clung onto life and much worsened his case; I did not wish to see such a devilish sight And I wish for myself that a king come along To my corpse when I've fallen and set off to die In the woods in my heart where the dagger did stab. As to be so inguiring to ask such desperate guestions I intend to do so little as to be unreported. When the time urges that we all seek provision May I be in the comfort of home without dismay. We may never know the true organ of temperance Nor can we ever deliver such abnormal devisions. Time was never known to be visible as it may now stand But for such lengths how did a civil regard itself?

The second element to why the show has worked is undoubtedly my team. And guess what? I am not alone out there. I work with a truly brilliant, small tight-knit crew. Four or five guys. Heroes to a man. They work their nuts off. Unsung. Up to their necks in the dirt. Alongside me in more hellholes than you could ever imagine. They are mainly made up of ex-Special Forces buddies and top adventure cameramen--as tough as they come, and best friends. It’s no surprise that all the behind-the-scenes episodes we do are so popular--people like to hear the inside stories about what it is really like when things go a little “wild.” As they often do. My crew are incredible--truly--and they provide me with so much of my motivation to do this show. Without them I am nothing. Simon Reay brilliantly told me on episode one: “Don’t present this, Bear, just do it--and tell me along the way what the hell you are doing and why. It looks amazing. Just tell me.” That became the show. And there is the heroic Danny Cane, who reckoned I should just: “Suck an earthworm up between your teeth, and chomp it down raw. They’ll love it, Bear. Trust me!” Inspired. Producers, directors, the office team and the field crew. My buddies. Steve Rankin, Scott Tankard, Steve Shearman, Dave Pearce, Ian Dray, Nick Parks, Woody, Stani, Ross, Duncan Gaudin, Rob Llewellyn, Pete Lee, Paul Ritz, and Dan Etheridge--plus so many others, helping behind the scenes back in the UK. Multiple teams. One goal. Keeping one another alive. On, and do the field team share their food with me, help collect firewood, and join in tying knots on my rafts? All the time. We are a team.

This wonderful hill station in Karnataka, often called the Scotland of India is one of the most alluring places to begin your love. Walk over the rolling hills or just sit and relax at the Alps of nature at Coorg. What should you do at Coorg? • Walk over the bamboo bridge to the island of Cauvery Nisargadhama, located at the heart of the river or enjoy an elephant safari through the 64 acres’ bamboo groves of Cauvery Nisargadhama. • Wash away all stress and be joyful at the Abbey Waterfalls; inhaling the aroma of spice plantations and pepper vines. • Play with baby elephants at the Dubare Elephant Camp, trek through the jungles, boost your adrenaline with river rafting or enjoy fishing. • Witness the beauty of Islamic architecture at the Omkareshwara Temple; the temple is dedicated to Lord Shiva.

As a child, crisp spring afternoons were spent wading along Reedy Creek just beyond the field. Then came the heavy breeze in the autumn, pushing off the almond, auburn, sugar-yellow and apple-red leaves into the creek, providing rafts for dragonflies. In winter, the snow upon the wood became an eerie deep, and the occasional gliding of an owl would be spotted from our bedroom. Then, to spend an afternoon walking in a snowy wood and find a scarlet red cardinal perched on a white limb, you would think God arranged that picture just for you.

I wish I could figure out the rules that the universe follows for catching you when you jump off a cliff. There seems to be some sort of caveat that the life rafts won’t line up until after you’re hurtling through the air spread out for a belly flop.

but enough to remind them that their mother had been a life raft to anyone and everyone but them. The dredges of society had found sanctuary with Rosa yet her own offspring had been held to impossible standards, expected to be righteous and pure, selfless and sacrificial. They had grown inside her, so she’d expected them to be exactly what she’d anticipated—beautiful woman; loving daughter; caretaker of the family matriarch.

He stopped, for saying the truth aloud was unendurable. It was not shame that stopped him, but fear, the same fear. He knew now why this tranquil life in sea and sunlight on the rafts seemed to him like an afterlife or a dream, unreal. It was because he knew in his heart that reality was empty: without life or warmth or color or sound: without meaning. There were no heights or depths. All this lovely play of form and light and color on the sea and in the eyes of men, was no more than that: a playing of illusions on the shallow void.

Lost boys, broken boys, dishonest boys, unavailable boys…I’ve spent way too much time in my life chasing after the wrong guys. Guys who didn’t know or love themselves enough to ever possibly know or love me. Guys who were so hopelessly, desperately lost they used parts of my soul as bread crumbs to try and find their way back. Guys who were drowning in their own lives and grasping for a life raft. But you know what happens to girls who allow themselves to become life rafts? They sink themselves. They get dragged into whirling, swirling cesspools of drama and chaos and dysfunction. They start to mistake mirages for the real deal. They start to question why they seem to never be ENOUGH. So the next time a lost boy tries to take your hand and lead you down his path of confusion, politely say no. Or even impolitely say no. But say no. You are not a life raft, you are not a compass, you are not bread crumbs, you are not a flashlight, you are not a Band-Aid, and you are not a stop along the way as he attempts to “find himself.” You are a destination. A whole, complete person who deserves another whole, complete person. You are wonderfully, beautifully ENOUGH. Too enough for someone who can’t see what he has standing right in front of his face. Maybe you’re saying, “Hey, I’m a little lost right now, too.” And that’s okay. But find your own way. Chart your own course. And never use another human being and their feelings and emotions as your GPS. Never look to another person to rescue you. Rescue yourself. Then you won’t even attract the lost boys anymore. You’ll attract the found ones.

Oh, Maxy Poo, are you drowning your sorrows?” I fluttered my eyes at him.  He turned to look at me and laughed. “Unless you’ve got a raft.”  “I can be your raft.” I winked at him. “I come equipped with floatation devices.”  The moment the words came out of my mouth, I realized I might have had too much to drink.  Max laughed even louder. “Hm, I feel so much safer now. Shall we go for a swim?”  “Might want to check for leaks first.” I nearly choked on my drink as I laughed around my words.  “Is that an invitation?” Max leaned toward me, flexing his hands.  “Max!” I leaned back in reaction to his approaching hands. Of course I’d forgotten that my feet were on the rung of his bar stool. I tipped the whole thing over and Max landed in the arms of the woman sitting on the other side of him.  “Oops, sorry!” Max grinned at her.  “Oh no!” I tried to be horrified, but I was laughing too hard.  “I think your girlfriend is drunk.” The woman shook her head.  “She’s not my girlfriend, she’s my floatation device!