Radio Announcer Quotes

I didn't want any degrees if all the ill-read literates and radio announcers and pedagogical dummies I knew had them by the peck.

I despise my own past and that of others. I despise resignation, patience, professional heroism and all the obligatory sentiments. I also despise the decorative arts, folklore, advertising, radio announcers' voices, aerodynamics, the Boy Scouts, the smell of naphtha, the news, and drunks. I like subversive humor, freckles, women's knees and long hair, the laughter of playing children, and a girl running down the street. I hope for vibrant love, the impossible, the chimerical. I dread knowing precisely my own limitations.

I'm Chip Martin," he announced in a deep voice, the voice of a radio deejay. Before I could respond, he added, "I'd shake your hand, but I think you should hold on damn tight to that towel till you can get some clothes on.

Looking for consciousness in the brain is like looking Inside a radio for the announcer.

There was something about her mouth that made me feel possibilities...the way a train ticket holds possibilities, the way a boat docked at sunset does, the way a voice on the radio announcing victory does. A mouth can have that it can seem brave, and bold. Finite and infinite. After a war, you need both of those things. "Why don't you kiss me, she said. "Celebrate a new world." And so I did. I could not forget that kiss. I still cannot. I put my fingertips to her face. Indeed,changed that day, but the change in life was no smaller or less significant. The moment took my sorrow and made it swarm the streets in victory, shouting in joy and rightness, and from that I have never quite recovered.

so I told him jokes. “Do you know why radio announcers have tiny hands?” “Huh?” “Wee paws for station identification,” I would whoop.

NPR faded from the radio in a string of announcements of corporate supporters, replaced by a Christian station that alternated pabulum preaching and punchy music. He switched to shit-kicker airwaves and listened to songs about staying home, going home, being home and the errors of leaving home.

Looking for consciousness in the brain is like looking inside a radio for the announcer

I was a proper snob in college, as only an old Wise Child alumnus and future lifetime English-major can be, and I didn’t want any degrees if all the ill-read literates and radio announcers and pedagogical dummies I knew had them by the peck.

The retirement age for Greek jobs classified as "arduous" is as early as fifty-five for men and fifty for women. As this is also the moment when the state begins to shovel out generous pensions, more than six hundred Greek professions somehow managed to get themselves classified as arduous: hairdressers, radio announcers, writers, musicians, and on and on and on.

Sell them their dreams,' a woman radio announcer urged a convention of display men in 1923. 'Sell them what they longed for and hoped for and almost despaired of having. Sell them hats by splashing sunlight across them. Sell them dreams – dreams of country clubs and proms and visions of what might happen if only. After all, people don’t buy things to have things. They buy things to work for them. They buy hope – hope of what your merchandise will do for them. Sell them this hope and you won’t have to worry about selling them goods.

Zachary notified the local newspapers and all pertinent radio and television stations. He called a press conference at the home of his client, Jennifer Tracey, to announce the filing of a major multimillion-dollar lawsuit against a major religious institution. The dye had been cast. A long, tough road lay ahead. For Zachary, Jennifer, Kenny, and Jake, there was no turning back.

Skip Caray was my favorite announcer as I grew up listening to the Braves on TBS and on the radio. One night, listening to a game that was headed into extra-innings, the broadcast was just breaking away to commercial when Skip said, 'Free baseball in Atlanta!' One of the best lines I’ve ever heard.

Oh, Haifa. City of glistering grime, smog hovering over foamy sea. Of blocky apartment buildings facing the coast, topped with white water tanks crowded together like flocks of squat storks. Of palm trees and pine trees and electric wires, twisting green and black toward the chalky beachfront and rows of factory smokestacks. The way you put it once, Laith, your voice warped to mimic a radio announcer: 'Welcome to Haifa: you may die an early and also agonizing carcinogenic death, but at least you'll have a killer view from your hospital room.

In the background, classical music plays from a paint-splattered radio, the New York station with the ancient announcer more frequently heard in doctors’ waiting rooms and other places where signs prohibit the use of cell phones – the last bastions of Beethoven or Chopin or, on racier days, Shostakovich.

In both runs, Curtain Time attempted to play to the same sizable audience that had made The First Nighter Program a radio powerhouse. It had a theater setting, announcements that the curtain was “about to go up,” and the same fare, generally bubbly boy-girl romances. There was an usher in the later run, who called out “Tickets, please, thank you, sir,” and escorted “theatergoers” to their imaginary seats in “seventh row center, seats seven and eight.” The announcer, Myron Wallace, became famous decades later as the tough TV reporter on 60 Minutes.

But he survived, that radio announcer. His ship and five others out of the flotilla of ten came through, a bit radioactive, but otherwise unharmed. And I understand that the first thing that happened to him when he reported back to his office after treatment was a reprimand for the use of overcolloquial language which had given offense to a number of listeners by its neglect of the Third Commandment.

Alex was right in front of the mantel now, bent forward, his nose mere inches from a picture of me. "Oh,God. Don't look at that!" It was from the year-end recital of my one and only year of ballet class. I was six: twig legs, a huge gap where my two front teeth had recently been, and a bumblebee costume. Nonna had done her best, but there was only so much she could do with yellow and black spandex and a bee butt. Dad had found one of those headbands with springy antennai attached. I'd loved the antennae. The more enthusiastic my jetes, the more they bounced. Of course, I'd also jeted my flat-chested little self out of the top of my costume so many times that, during the actual recital itself,I'd barely moved at all, victim to the overwhelming modesty of the six-year-old. Now, looking at the little girl I'd been, I wished someone had told her not to worry so much, that within a year, that smooth, skinny, little bare shoulder would have turned into the bane of her existence. That she was absolutely perfect. "Nice stripes," Alex said casually, straightening up. That stung. It should't have-it was just a photo-but it did. I don't know what I'd expected him to say about the picture. It wasn't that. But then, I didn't expect the wide grin that spread across his face when he got a good look at mine, either. "Those," he announced, pointing to a photo of my mulleted dad leaning against the painted hood of his Mustang "are nice stripes. That-" he pointed to the me-bee- "Is seriously cute." "You're insane," I muttered, insanely pleased. "Yeah,well, tell me something I don't know." He took the bottle and plate from me. "I like knowing you have a little vanity in there somewhere." He stood, hands full, looking expectant and completely beautiful. The reality of the situation hadn't really been all that real before. Now, as I started up the stairs to my bedroom, Alex Bainbridge in tow, it hit me. I was leading a boy, this boy, into my very personal space. Then he started singing. "You're so vain, I bet you think this song is about you. You're sooo vain....!" He had a pretty good voice. It was a truly excellent AM radio song. And just like that, I was officially In Deep

At the time of the 1 996 terror bombing in Oklahoma City, I heard a radio commentator announce: "Lenin said that the purpose of terror is to terrorize." U.S. media commentators have repeatedly quoted Lenin in that misleading manner. In fact, his statement was disapproving of terrorism. He polemicized against isolated terrorist acts which do nothing but create terror among the populace, invite repression, and isolate the revolutionary movement from the masses. Far from being the totalitarian, tight-circled conspirator, Lenin urged the building of broad coalitions and mass organizations, encompassing people who were at different levels of political development. He advocated whatever diverse means were needed to advance the class struggle, including participation in parliamentary elections and existing trade unions. To be sure, the working class, like any mass group, needed organization and leadership to wage a successful revolutionary struggle, which was the role of a vanguard party, but that did not mean the proletarian revolution could be fought and won by putschists or terrorists.

Reporting tonight’s news on April 9, 1940, German troops invade Denmark and Norway,” the radio announcer said. Emil shook his head. “Hitler’s a madman. They shouldn’t prat about. Someone should just kill him.” He turned to stare at Peter. “Why haven’t your people turned against him? Some people don’t have the courage, I guess.” Peter clenched his fists, but he held them tightly to his sides, his nails digging into his skin. He glared at Emil and Maude. “It’s not about courage. It’s about power. When someone controls everything you do, it can be a prison even if you aren’t confined.

She looked over at the clock. The afternoon update would come on soon. She never missed it. She told herself she wanted to know what was happening out there, but the truth was more simple. What she really wanted to hear was news of one person: David Vale. But that report never came, and it probably wouldn’t. There were two ways out of the tombs in Antarctica—through the ice entrance there in Antarctica or via the portal to Gibraltar. Her father had closed the Gibraltar exit permanently, and the Immari army was waiting in Antarctica. They would never let David live. Kate tried to push the thought away as the radio announcer came on.

Anne Frank kept a diary from June 12, 1942, to August 1, 1944. Initially, she wrote it strictly for herself. Then, one day in 1944, Gerrit Bolkestein, a member of the Dutch government in exile, announced in a radio broadcast from London that after the war he hoped to collect eyewitness accounts of the suffering of the Dutch people under the German occupation, which could be made available to the public. As an example, he specifically mentioned letters and diaries. Impressed by this speech, Anne Frank decided that when the war was over she would publish a book based on her diary. She began rewriting and editing her diary, improving on the text, omitting passages she didn’t think were interesting enough and adding others from memory.

1973 was the year of the OPEC oil embargo, the year Richard Nixon announced he was not a crook, the year Edward G. Robinson and Noel Coward died. It was Devin Jones’s lost year. I was a twenty-one-year-old virgin with literary aspirations. I possessed three pairs of bluejeans, four pairs of Jockey shorts, a clunker Ford (with a good radio), occasional suicidal ideations, and a broken heart.

Only then, after all these things had been accomplished within the first couple of hours of the coup, could the messages, which had been drawn up and filed, be sent out by radio, telephone and telegraph to the commanders of the Home Army in other cities and to the top generals commanding the troops at the front and in the occupied zones, announcing that Hitler was dead and that a new anti-Nazi government had been formed in Berlin. The revolt would have to be over—and achieved—within twenty-four hours and the new government firmly installed. Otherwise the vacillating generals might have second thoughts. Goering and Himmler might be able to rally them, and a civil war would ensue. In that case the fronts would cave in and the very chaos and collapse which the plotters wished to prevent would become inevitable.

After these walk-ons, she would banter with announcer Ken Niles and perhaps indulge in more stargazing. In her memoir, radio actress Mary Jane Higby recalls working the show. The “underpaid radio actors” soon took to calling themselves “the Gay Ad-Libbers.” They “would circle the microphone, trying to simulate people having a marvelous time. ‘What fun to be here!’ they would cry. ‘My, doesn’t Myrna Loy look gorgeous! Whoops, there’s Bette Davis!

The Martin and Lewis Show was developed by NBC in the wake of the stinging CBS talent raids that lured Jack Benny and others to the younger network. NBC announced a talent hunt: the network was searching for rising young performers for radio and television. Soon thereafter a network executive caught the nightclub act of Dean Martin and Jerry Lewis, who had been performing together for several years and had developed some name recognition within the industry while remaining largely unknown to the general public.

In his low-key, taciturn, winning way, Lindbergh told the airfield crowds and the radio listeners who he was and what he’d done, and by the time he climbed back aboard his plane to take off for his next stop, he could have announced that, following the von Ribbentrop White House dinner, the First Lady would be inviting Adolf Hitler and his girlfriend to spend the Fourth of July weekend as vacation guests in the Lincoln bedroom of the White House and still have been cheered by his countrymen as democracy’s savior.

When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall. After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing.

Wrote the veteran Congressman DP Mishra: “…Soon after, I heard Nehru’s voice on All India Radio at Nagpur, committing the Government of India to the holding of plebiscite in Kashmir. As from my talk with Patel, I had received the impression that the signature of the Maharaja had finally settled the Kashmir issue. I was surprised by Nehru’s announcement. When I visited Delhi next, I pointedly asked Patel whether the decision to hold a plebiscite in Kashmir was taken at a meeting of the Cabinet. He sighed and shook his head. It was evident that Nehru had acted on Mountbatten’s advice, and had ignored his colleagues.” It seems

can’t listen to this!” I smacked the radio off. “I know it’s horrific,” Mom said. “But you’re old enough. We live a life of privilege in Seattle. That doesn’t mean we can literally switch off these women, whose only fault was being born in the Congo during a civil war. We need to bear witness.” She turned the radio back on. I crumpled in my seat and fumed. “The war in Congo rages on with no end in sight,” the announcer said. “And now comes word of a new campaign by the soldiers, to find the women they have already raped and re-rape them.” “Holy Christ on a cross!” Mom said. “I draw the line at re-raping.” And she turned off NPR.

Nevertheless, the radio continued to blare forth statistics demonstrating how under the visionary leadership of the gifted agronomist Krushchev, Soviet agriculture was overcoming the errors of Stalin and producing ever-larger quantities of meat, milk, butter, bread and other foodstuffs. If we have so much bread, why am I standing in line at four A.M., hoping I can buy some before it runs out? And Milk! There has been no milk in all Rubtsovsk for five days and no meat for two weeks. Well, as they say, if you want milk, just take your pail to the radio. But why does the radio keep announcing something which anybody with eyes knows is not true?

The BBC announcer’s voice changed. “The news,” he said, “has just been received that Japanese aircraft have raided Pearl Harbor, the American naval base in Hawaii. The announcement of the attack was made in a brief statement by President Roosevelt. Naval and military targets on the principal Hawaiian island of Oahu have also been attacked. No further details are yet available.” At first, there was confusion. “I was thoroughly startled,” Harriman said, “and I repeated the words, ‘The Japanese have raided Pearl Harbor.’ ” “No, no,” countered Churchill aide Tommy Thompson. “He said Pearl River.” U.S. ambassador John Winant, also present, glanced toward Churchill. “We looked at one another incredulously,” Winant wrote. Churchill, his depression suddenly lifted, slammed the top of the radio down and leapt to his feet. His on-duty private secretary, John Martin, entered the room, announcing that the Admiralty was on the phone. As Churchill headed for the door, he said, “We shall declare war on Japan.” Winant followed, perturbed. “Good God,” he said, “you can’t declare war on a radio announcement.” (Later Winant wrote, “There is nothing half-hearted or unpositive about Churchill—certainly not when he is on the move.”) Churchill stopped. His voice quiet, he said, “What shall I do?” Winant set off to call Roosevelt to learn more. “And I shall talk with him too,” Churchill said. Once Roosevelt was on the line, Winant told him that he had a friend with him who also wanted to speak. “You will know who it is, as soon as you hear his voice.

those manufacturing companies: America! With our pocket money we bought flat packets of chewing gum, beautifully wrapped, that included a picture of a movie star – we collected those – and it all smelled strange and rosy: America! On short-wave radio an army station crackled into the room, with an announcer who might start talking right over a swing band: America! Lionel Hampton came to the Netherlands in September 1953 and his saxophonist lay on his back onstage and carried on playing. Hampton abandoned his vibraphone to play drums for a while and to do an improvised dance to ‘Hey-Ba-Ba-Re-Bop’. De Gelderlander, our provincial newspaper, wrote: ‘How vast must be the emptiness of those hearts that have lost any longing for values more exalted than those of Negro moaning.’ But

Count all these sufferings from here to the end of the endless sky which is no sky and see how many you can add together to make a figure to impress the Boss of Dead Souls in the Meat Manufactory in city City CITY everyone of them in pain and born to die, milling in the streets at 2 A M underneath those imponderable skies”—their enormous endlessness, the sweep of the Mexican plateau away from the Moon—living but to die, the sad song of it I hear sometimes on my roof in the Tejado district, rooftop cell, with candles, waiting for my Nirvana or my Tristessa—neither come, at noon I hear “La Paloma” being played on mental radios in the fallways between the tenement windows—the crazy kid next door sings, the dream is taking place right now, the music is so sad, the French horns ache, the high whiney violins and the deberratarra-rabaratarara of the Indian Spanish announcer. Living but to die, here we wait on this shelf, and up in heaven is all that gold open caramel, ope my door—Diamond Sutra is the sky.

If talking pictures could be said to have a father, it was Lee De Forest, a brilliant but erratic inventor of electrical devices of all types. (He had 216 patents.) In 1907, while searching for ways to boost telephone signals, De Forest invented something called the thermionic triode detector. De Forest’s patent described it as “a System for Amplifying Feeble Electric Currents” and it would play a pivotal role in the development of broadcast radio and much else involving the delivery of sound, but the real developments would come from others. De Forest, unfortunately, was forever distracted by business problems. Several companies he founded went bankrupt, twice he was swindled by his backers, and constantly he was in court fighting over money or patents. For these reasons, he didn’t follow through on his invention. Meanwhile, other hopeful inventors demonstrated various sound-and-image systems—Cinematophone, Cameraphone, Synchroscope—but in every case the only really original thing about them was their name. All produced sounds that were faint or muddy, or required impossibly perfect timing on the part of the projectionist. Getting a projector and sound system to run in perfect tandem was basically impossible. Moving pictures were filmed with hand-cranked cameras, which introduced a slight variability in speed that no sound system could adjust to. Projectionists also commonly repaired damaged film by cutting out a few frames and resplicing what remained, which clearly would throw out any recording. Even perfect film sometimes skipped or momentarily stuttered in the projector. All these things confounded synchronization. De Forest came up with the idea of imprinting the sound directly onto the film. That meant that no matter what happened with the film, sound and image would always be perfectly aligned. Failing to find backers in America, he moved to Berlin in the early 1920s and there developed a system that he called Phonofilm. De Forest made his first Phonofilm movie in 1921 and by 1923 he was back in America giving public demonstrations. He filmed Calvin Coolidge making a speech, Eddie Cantor singing, George Bernard Shaw pontificating, and DeWolf Hopper reciting “Casey at the Bat.” By any measure, these were the first talking pictures. However, no Hollywood studio would invest in them. The sound quality still wasn’t ideal, and the recording system couldn’t quite cope with multiple voices and movement of a type necessary for any meaningful dramatic presentation. One invention De Forest couldn’t make use of was his own triode detector tube, because the patents now resided with Western Electric, a subsidiary of AT&T. Western Electric had been using the triode to develop public address systems for conveying speeches to large crowds or announcements to fans at baseball stadiums and the like. But in the 1920s it occurred to some forgotten engineer at the company that the triode detector could be used to project sound in theaters as well. The upshot was that in 1925 Warner Bros. bought the system from Western Electric and dubbed it Vitaphone. By the time of The Jazz Singer, it had already featured in theatrical presentations several times. Indeed, the Roxy on its opening night in March 1927 played a Vitaphone feature of songs from Carmen sung by Giovanni Martinelli. “His voice burst from the screen with splendid synchronization with the movements of his lips,” marveled the critic Mordaunt Hall in the Times. “It rang through the great theatre as if he had himself been on the stage.

CAST: Barry Fitzgerald as Judge Bernard Fitz of the Vincent County District Court. Bill Green as Sheriff McGrath, “Vincent County’s own little Hitler,” a frequent antagonist of the kind-hearted judge. Barbara Fuller as Susan, the judge’s lovely young niece. Leo Cleary as the bailiff. Dawn Bender as little Mary Margaret McAllister. WRITER-PRODUCER-DIRECTOR: Carlton E. Morse. ANNOUNCER: Frank Martin. ORCHESTRA: Opie Cates. This show bore many of the trademarks that writer Carlton E. Morse had established on One Man’s Family: stories containing-the breath of life, realistic conflicts, and a character who, as Time put it, was “surefire for cornfed philosophizing.” Before his election to the bench, Judge Fitz had been the barber of a small (pop. 3,543) community in the county. At times, when his legal career tried his patience, he longed again for that simpler life. He was staunchly Irish (what else, with Barry Fitzgerald in the lead?) and could be painfully sentimental. One reviewer noted that “he criticizes the law as much as he enforces it, and slyly finds a loophole when he thinks a culprit needs a helping of simple kindness.” The sheriff, on the other hand, had a “lock ’em up and throw away the key” mentality.

The last refuge of the Self, perhaps, is “physical continuity.” Despite the body’s mercurial nature, it feels like a badge of identity we have carried since the time of our earliest childhood memories. A thought experiment dreamed up in the 1980s by British philosopher Derek Parfit illustrates how important—yet deceiving—this sense of physical continuity is to us.15 He invites us to imagine a future in which the limitations of conventional space travel—of transporting the frail human body to another planet at relatively slow speeds—have been solved by beaming radio waves encoding all the data needed to assemble the passenger to their chosen destination. You step into a machine resembling a photo booth, called a teletransporter, which logs every atom in your body then sends the information at the speed of light to a replicator on Mars, say. This rebuilds your body atom by atom using local stocks of carbon, oxygen, hydrogen, and so on. Unfortunately, the high energies needed to scan your body with the required precision vaporize it—but that’s okay because the replicator on Mars faithfully reproduces the structure of your brain nerve by nerve, synapse by synapse. You step into the teletransporter, press the green button, and an instant later materialize on Mars and can continue your existence where you left off. The person who steps out of the machine at the other end not only looks just like you, but etched into his or her brain are all your personality traits and memories, right down to the memory of eating breakfast that morning and your last thought before you pressed the green button. If you are a fan of Star Trek, you may be perfectly happy to use this new mode of space travel, since this is more or less what the USS Enterprise’s transporter does when it beams its crew down to alien planets and back up again. But now Parfit asks us to imagine that a few years after you first use the teletransporter comes the announcement that it has been upgraded in such a way that your original body can be scanned without destroying it. You decide to give it a go. You pay the fare, step into the booth, and press the button. Nothing seems to happen, apart from a slight tingling sensation, but you wait patiently and sure enough, forty-five minutes later, an image of your new self pops up on the video link and you spend the next few minutes having a surreal conversation with yourself on Mars. Then comes some bad news. A technician cheerfully informs you that there have been some teething problems with the upgraded teletransporter. The scanning process has irreparably damaged your internal organs, so whereas your replica on Mars is absolutely fine and will carry on your life where you left off, this body here on Earth will die within a few hours. Would you care to accompany her to the mortuary? Now how do you feel? There is no difference in outcome between this scenario and what happened in the old scanner—there will still be one surviving “you”—but now it somehow feels as though it’s the real you facing the horror of imminent annihilation. Parfit nevertheless uses this thought experiment to argue that the only criterion that can rationally be used to judge whether a person has survived is not the physical continuity of a body but “psychological continuity”—having the same memories and personality traits as the most recent version of yourself. Buddhists

Roger snapped on the large, battery-powered radio. He rolled the dial around, but all he got was static. Finally, he heard a signal, and he tuned it in. A badly modulated voice droned through the interference. It sounded as if it were a war correspondent sending a signal from very far away. Steve clicked off the TV set so that they would better be able to hear the announcer: “. . . Reports that communications with Detroit have been knocked out along with Atlanta, Boston and certain sections of Philadelphia and New York City . . .” “Philly . . .” Roger said almost to himself. “I know WGON is out by now,” Steve said with animation. “It was a madhouse back there . . . people are crazy . . . if they’d just organize. It’s total confusion. I don’t believe it’s gotten this bad. I don’t believe they can’t handle it.” He looked around the room proudly. “Look at us. Look at what we were able to do today.” A few feet away, still in a slumped position by the pyramid of cartons, Peter’s eyes blinked open. He had been listening to what he wanted to hear, and now this statement by the kid really made him take notice. His eyes moved slightly to the side so that he could watch Stephen. The young man was gesturing wildly with his hands, going on and on about their exploits as a team. The other two didn’t realize Peter was awake. Roger nodded his head, but it didn’t seem as if he were really listening to Steve’s ramblings. “We knocked the shit out of ’em, and they never touched us,” Steve exclaimed. “Not really,” he said in a quieter tone. The rumbling voice erupted from the other side of the room. “They touched us good, Flyboy. We’re lucky to get out with our asses. You don’t forget that!

The fight spilled out into the press. Allen blasted the censors. “They are a bit of executive fungus that forms on a desk that has been exposed to conference. Their conferences are meetings of men who can do nothing but collectively agree that nothing can be done.” The thin-skinned network reacted again, cutting Allen off in the middle of a barb. Now other comics joined the fray. That week Red Skelton said on his show that he’d have to be careful not to ad-lib something that might wound the dignity of some NBC vice president. “Did you hear they cut Fred Allen off on Sunday?” That’s as far as he got—the network cut him off. But Skelton went right on talking, for the studio audience. “You know what NBC means, don’t you? Nothing but cuts. Nothing but confusion. Nobody certain.” When the network put him back on the air, Skelton said, “Well, we have now joined the parade of stars.” Bob Hope, on his program, was cut off the air for this joke: “Vegas is the only town in the world where you can get tanned and faded at the same time. Of course, Fred Allen can be faded anytime.” Allen told the press that NBC had a vice president who was in charge of “program ends.” When a show ran overtime, this individual wrote down the time he had saved by cutting it off: eventually he amassed enough time for a two-week vacation. Dennis Day took the last shot. “I’m listening to the radio,” he said to his girlfriend Mildred on his Wednesday night NBC sitcom. “I don’t hear anything,” said Mildred. “I know,” said Dennis: “Fred Allen’s on.” On that note, the network gave up the fight, announcing that its comedians were free to say whatever they wanted. It didn’t matter, said Radio Life: “They all were anyway.” Allen took a major ratings dive in 1948. Some

John Doerr, the legendary venture capitalist who backed Netscape, Google, and Amazon, doesn’t remember the exact day anymore; all he remembers is that it was shortly before Steve Jobs took the stage at the Moscone Center in San Francisco on January 9, 2007, to announce that Apple had reinvented the mobile phone. Doerr will never forget, though, the moment he first laid eyes on that phone. He and Jobs, his friend and neighbor, were watching a soccer match that Jobs’s daughter was playing in at a school near their homes in Palo Alto. As play dragged on, Jobs told Doerr that he wanted to show him something. “Steve reached into the top pocket of his jeans and pulled out the first iPhone,” Doerr recalled for me, “and he said, ‘John, this device nearly broke the company. It is the hardest thing we’ve ever done.’ So I asked for the specs. Steve said that it had five radios in different bands, it had so much processing power, so much RAM [random access memory], and so many gigabits of flash memory. I had never heard of so much flash memory in such a small device. He also said it had no buttons—it would use software to do everything—and that in one device ‘we will have the world’s best media player, world’s best telephone, and world’s best way to get to the Web—all three in one.’” Doerr immediately volunteered to start a fund that would support creation of applications for this device by third-party developers, but Jobs wasn’t interested at the time. He didn’t want outsiders messing with his elegant phone. Apple would do the apps. A year later, though, he changed his mind; that fund was launched, and the mobile phone app industry exploded. The moment that Steve Jobs introduced the iPhone turns out to have been a pivotal junction in the history of technology—and the world.

In Uganda, I wrote a questionaire that I had my research assistants give; on it, I asked about the embalasassa, a speckled lizard said to be poisonous and to have been sent by Prime minsister Milton Obote to kill Baganda in the late 1960s. It is not poisonous and was no more common in the 1960s than it had been in previous decades, as Makerere University science professors announced on the radio and stated in print… I wrote the question, What is the difference between basimamoto and embalasassa? Anyone who knows anything about the Bantu language—myself included—would know the answer was contained in the question: humans and reptiles are different living things and belong to different noun classes… A few of my informants corrected my ignorance… but many, many more ignored the translation in my question and moved beyond it to address the history of the constructs of firemen and poisonous lizards without the slightest hesitation. They disregarded language to engage in a discussion of events… My point is not about the truth of the embalasassa story… but rather that the labeling of one thing as ‘true’ and the other as ‘fictive’ or ‘metaphorical’—all the usual polite academic terms for false—may eclipse all the intricate ways in which people use social truths to talk about the past. Moreover, chronological contradictions may foreground the fuzziness of certain ideas and policies, and that fuzziness may be more accurate than any exact historical reconstruction… Whether the story of the poisionous embalasassa was real was hardly the issue; there was a real, harmless lizard and there was a real time when people in and around Kampala feared the embalasassa. They feared it in part because of beliefs about lizards, but mainly what frightened people was their fear of their government and the lengths to which it would go to harm them. The confusions and the misunderstandings show what is important; knowledge about the actual lizard would not.

The Israeli border police guarding the central region near the Jordanian border had been told to take all measures necessary to keep order that evening. The local colonel, Issachar Shadmi, decided that this meant setting a curfew for Palestinian Arab villages, from five p.m. to six a.m. The news of the curfew was broadcast over the radio the same day it went into force. The border police unit commanders in the region were informed of the order by their commanding officer, Major Shmuel Malinki. Malinki implied that, in the event of anyone breaking the curfew, the police could shoot to kill. Several platoons were charged with informing villagers in person. At the village of Kfar Kassem (or Kafr Qasim), close to the border with the Jordanian-controlled West Bank, a platoon arrived to announce the news—but too late in the day. They were told that many of the village’s agricultural workers were already out at work, mostly picking olives. After five p.m., the villagers returned as expected: a mixed crowd of men and women, boys and girls, riding on bicycles, wagons, and trucks. Even though he knew these civilians would not have heard about the curfew through no fault of their own, the unit commander Lieutenant Gabriel Dahan determined that they were in violation of it and therefore should be shot. Out of all the unit commanders given this order, Dahan was the only one to enforce it.16 As each small group of villagers arrived, the border police opened fire. Forty-three civilians were killed and thirteen injured. The dead were mostly children aged between eight and seventeen: twenty-three of them, plus fourteen men and six women. It was said that one nine-year-old girl was shot twenty-eight times. Another little girl watched as her eleven-year-old cousin was shot. He was dragged indoors and died in his grandfather’s arms, blood pouring from the bullet wound in his chest. Laborers were ordered off their trucks in small groups, lined up, and executed. There were clashes between Arabs and border police that evening in which six more Arabs were killed. The order to kill had not come from the top. It was traced back conclusively only as far as Major Malinki. When Ben-Gurion heard about the massacre, he was furious, telling his cabinet that the officers who had shot civilians should be hanged in Kfar Kassem’s town square.17 Yet the Israeli government covered the incident up with a press blackout lasting two months.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my mind. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' comming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms", not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember abouut the fifth time I ever went on `Wise Child'. I subbbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I sais they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio goin full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.

I was getting my knife sharpened at the cutlery shop in the mall,” he said. It was where he originally bought the knife. The store had a policy of keeping your purchase razor sharp, so he occasionally brought it back in for a free sharpening. “Anyway, it was that day that I met this Asian male. He was alone and really nice looking, so I struck up a conversation with him. Well, I offered him fifty bucks to come home with me and let me take some photos. I told him that there was liquor at my place and indicated that I was sexually attracted to him. He was eager and cooperative so we took the bus to my apartment. Once there, I gave him some money and he posed for several photos. I offered him the rum and Coke Halcion-laced solution and he drank it down quickly. We continued to drink until he passed out, and then I made love to him for the rest of the afternoon and early evening. I must have fallen asleep, because when I woke up it was late. I checked on the guy. He was out cold, still breathing heavily from the Halcion. I was out of beer and walked around the corner for another six-pack but after I got to the tavern, I started drinking and before I knew it, it was closing time. I grabbed my six-pack and began walking home. As I neared my apartment, I noted a lot of commotion, people milling about, police officers, and a fire engine. I decided to see what was going on, so I came closer. I was surprised to see they were all standing around the Asian guy from my apartment. He was standing there naked, speaking in some kind of Asian dialect. At first, I panicked and kept walking, but I could see that he was so messed up on the Halcion and booze that he didn’t know who or where he was. “I don’t really know why, Pat, but I strode into the middle of everyone and announced he was my lover. I said that we lived together at Oxford and had been drinking heavily all day, and added that this was not the first time he left the apartment naked while intoxicated. I explained that I had gone out to buy some more beer and showed them the six-pack. I asked them to give him a break and let me take him back home. The firemen seemed to buy the story and drove off, but the police began to ask more questions and insisted that I take them to my apartment to discuss the matter further. I was nervous but felt confident; besides, I had no other choice. One cop took him by the arm and he followed, almost zombie-like. “I led them to my apartment and once inside, I showed them the photos I had taken, and his clothes neatly folded on the arm of my couch. The cops kept trying to question the guy but he was still talking gibberish and could not answer any of their questions, so I told them his name was Chuck Moung and gave them a phony date of birth. I handed them my identification and they wrote everything down in their little notebooks. They seemed perturbed and talked about writing us some tickets for disorderly conduct or something. One of them said they should take us both in for all the trouble we had given them. “As they were discussing what to do, another call came over their radio. It must have been important because they decided to give us a warning and advised me to keep my drunken partner inside. I was relieved. I had fooled the authorities and it gave me a tremendous feeling. I felt powerful, in control, almost invincible. After the officers left, I gave the guy another Halcion-filled drink and he soon passed out. I was still nervous about the narrow escape with the cops, so I strangled him and disposed of his body.

In 1898, Tesla announced his latest invention: a way to remotely control machines with radio technology. Skepticism was widely expressed and quickly diffused thanks to his Madison Square Garden demonstration of remotely driving a small metal boat through an indoor pond. Many spectators believed that he was

enter your mind, in which case a two-stage inference chain is assembled, governed by two probabilistic parameters, P(False alarm) and P(Prank call). Later, when the possibility of an earthquake enters consideration, the parameter P(False alarm) undergoes a partial explication; a fragment of knowledge is brought over from the remote frame of earthquake experiences and is appended to the link Burglary → Alarm as an alternative cause or explanation. The catchall hypothesis All other causes shrinks (to exclude earthquakes), and its parameters are readjusted. The radio announcement strengthens your suspicion in the earthquake hypothesis and permits you to properly readjust your decisions without elaborating the mechanics of the pressure transducer used in the alarm system. The remote possibility of having forgotten to push the reset button will

On November 8, 1960, Abigail ‘Dear Abby’ Van Buren printed a letter from ‘Jeanette,’ reading: Dear Abby: If you are interested in teenagers, you will print this story. I don’t know whether it’s true or not, but it doesn’t matter because it served its purpose for me: A fellow and his date pulled into their favourite ‘lovers lane’ to listen to the radio and do a little necking. The music was interrupted by an announcer who said there was an escaped convict in the area who had served time for rape and robbery. He was described as having a hook instead of a right hand. The couple became frightened and drove away. When the boy took his girl home, he went around to open the car door for her. Then he saw—a hook on the door handle! I don’t think I will ever park to make out as long as I live. I hope this does the same for other kids. (qtd. in Brunvand, 1981: 48-9)

The retirement age for Greek jobs classified as “arduous” is as early as fifty-five for men and fifty for women. As this is also the moment when the state begins to shovel out generous pensions, more than six hundred Greek professions somehow managed to get themselves classified as arduous: hairdressers, radio announcers, waiters, musicians, and on and on and on.

In 2009 I was sitting about thirty feet away from Barack Obama at the launch of Desoto Solar as he announced massive funding for the "Smart Grid". I had no idea that I would later become a victim of the "Smart Grid". Yes, they knew in 2009 that these devices were harming people and continued to fund the program.

Promotional or "promo" records were free records sent to radio or television stations (and others) to announce a new release that would be coming soon from the record company. They were identified by the label (often plain white in colour) and were marked “Promotional”, “Audition” or "Demonstration". Most promo labels also state “Not for Sale.

the middle of the day, about noon, the radio announced Poland's proclamation denying Germany's ultimatum. Hitler had prepared some provocation on the German-Polish border, wherein they faked an attack by Poles against Germans. Hitler wanted to make sure that the war broke out on that day, September 1. When I think of it now, 50 years later, it reminds me of the fact that our younger generation often ask: "Where were you when you heard that President Kennedy was shot?" People of my generation think of September 1, 1939 and ask one another this same question. Of course, my generation also asks: "Where were you during the war?" and "Where were you at the end of the war?

would listen to the radio on Sundays as the announcer read the comics aloud, and he would follow along on his own until he had

February 12: Walter Winchell announces on his radio program that Marilyn has become the “sweetheart of the left intelligentsia which includes among its members, Communist militants.

On Friday morning, September 1, the young butcher’s lad came and told us: There has been a radio announcement, we already held Danzig and the Corridor, the war with Poland was under way, England and France remained neutral,” Victor Klemperer wrote in his diary on September 3. “I said to Eva [that] a morphine injection or something similar was the best thing for us; our life was over.”1

CONCERT CHECKLIST 1. Secure a date on the calendar. Be sure it is listed on the official school calendar to protect it. 2. Reserve a performance venue for the concert and for final rehearsals. 3. Have tickets printed if they are to be used. 4. Plan the printed program and get it to the printer by the deadline date. 5. Plan the publicity. The following types of publicity can be utilized to draw a sizable concert audience: Radio releases Television releases Newspaper releases Online listings School announcements Notices to other schools and/or organizations in the area Posters for public placement 6. Send complimentary tickets to: Civic leaders Board of Education Superintendent People who have helped in some way Key supporters Key people to stimulate their interest 7. Have the president of the choir send personal letters of invitation to people that are special to the music program (newspaper editor, Board of Education, Superintendent, civic club presidents, supporters etc.). 8. Appoint a stage manager. He should be someone who can control the stage lighting, pull curtains, shut off air circulation fans that are noisy, and see that the stage is ready for the concert. 9. Arrange for ushers. 10. Check wearing apparel. Be sure that all singers have the correct accessories (same type and color of shoes, no gaudy jewelry for girls, etc.). 11. Post on bulletin board and tell students the time they will meet for a pre-concert warm-up. High school students will perform best if they meet together at least forty-five minutes before the concert.

At 5.30 a.m. Washington time, the Moscow News radio channel announced Gagarin’s successful landing and recovery. An alert journalist called NASA’s launch centre in Florida to ask if America could catch up. Press officer John ‘Shorty’ Powers was trying to catch a few hours’ rest in his cramped office cot. He and many other NASA staffers were working 16-hour days in the lead-up to astronaut Alan Shepard’s first flight in a Mercury capsule. When the phone at his side rang in the pre-dawn silence, he was irritable and unprepared. ‘Hey, what is this!’ he yelled into the phone. ‘We’re all asleep down here!’ Next morning the headlines read: ‘SOVIETS PUT MAN IN SPACE. SPOKESMAN SAYS US ASLEEP.

The retirement age for Greek jobs classified as “arduous” is as early as fifty-five for men and fifty for women. As this is also the moment when the state begins to shovel out generous pensions, more than six hundred Greek professions somehow managed to get themselves classified as arduous: hairdressers, radio announcers, waiters, musicians, and on and on and on. The Greek public health-care system spends far more on supplies than the European average—and it is not uncommon, several Greeks tell me, to see nurses and doctors leaving the job with their arms filled with paper towels and diapers and whatever else they can plunder from the supply closets.

Franklin strolled toward the tent trying to bite the apple without getting the sugary coating on his face. None of the dozen or so men looked up when he approached. All eyes were fixed on the radio as if they could see inside it. The announcer’s voice didn’t rise and fall as usual. Every word was tension filled: “Reports of the Japanese attack began coming in early this afternoon, Eastern time. What we know now is that several battleships have been hit, one already at the bottom, with enormous loss of life.” The candied apple dropped to the sawdust.

Until he had run for Governor three years before, W. (for Wilbert) Lee O’Daniel had never had the slightest connection with politics—not as a candidate, not as a campaign worker, not even as a voter; he had never cast a ballot. He was a flour salesman and a radio announcer. He had turned to radio—in 1927—to sell more flour. At the time, newly arrived in Texas, he was the thirty-seven-year-old sales manager for a Fort Worth company that manufactured Light Crust Flour. An unemployed country-and-western band asked him to sponsor it on a local radio station. The Light Crust Doughboys were not notably successful until one day the regular announcer was unable to appear, and O’Daniel substituted for him; finding that he liked the job, he decided to keep it.

When Ronald Reagan was a radio announcer, he used to call baseball games that he did not physically attend by reading the terse descriptions that trickled in over the telegraph wire and were printed out on a paper tape. He would sit there, all by himself in a padded room with a microphone, and the paper tape would creep out of the machine and crawl over the palm of his hand printed with cryptic abbreviations. If the count went to three and two, Reagan would describe the scene as he saw it in his mind’s eye: “The brawny left-hander steps out of the batter’s box to wipe the sweat from his brow. The umpire steps forward to sweep the dirt from home plate,” and so on. When the cryptogram on the paper tape announced a base hit, he would whack the edge of the table with a pencil, creating a little sound effect, and describe the arc of the ball as if he could actually see it. His listeners, many of whom presumably thought that Reagan was actually at the ballpark watching the game, would reconstruct the scene in their minds according to his descriptions. This is exactly how the World Wide Web works: the HTML files are the pithy description on the paper tape, and your web browser is Ronald Reagan. The same is true of graphical user interfaces in general.

Not adult, but on the crisp cusp of it, burgeoning with masculinity. It shocked us. We hadn’t heard a male voice in days except for Al Green’s over the radio and that white man at the gas station a half day’s drive back. It was like a predator had suddenly announced its presence in our new safe haven.

no newspaper article or radio announcement would tell them that Germany was to blame. That was not what the people were meant to believe, although they must have known, in their hearts, what the truth of the matter was. Or perhaps they didn’t; they might know, or only want to know, what they were fed by the regime.

One of the things which offends us about radio and TV commercials is that it is often perfectly evident from the tone of voice that the announcer is “putting on,” playing a role, saying something he doesn’t feel. This is an example of incongruence. On the other hand each of us knows individuals whom we somehow trust because we sense that they are being what they are, that we are dealing with the person himself, not with a polite or professional front. It is this quality of congruence which we sense which research has found to be associated with successful therapy. The more genuine and congruent the therapist in the relationship, the more probability there is that change in personality in the client will occur.

Laidback Luke mentioned that he had his own record label, Mixmash Records, and if Tim continued to evolve at this pace, it was not impossible that he would one day release a song by Avici. Now attention was coming from England as well. The DJ and radio host Pete Tong had played the hottest house music on his BBC radio show since the early 90s and in April 2008 he announced a competition for young producers. Tim sent his song ‘Manman’, which to his great surprise was voted the winner by the listeners.

At 1:11 a.m. on Sunday, August 13, the East German radio service interrupted their Night-time Melodies show for a special announcement: “The government of the States of the Warsaw Pact appeal to the parliament and government of the GDR and suggest that they ensure that the subversion against the countries of the Socialist Bloc is effectively barred and a reliable guard is set up around the whole area of Berlin.” The message was clear, but many in the West didn’t hear it, as tuning into East German radio programs for enjoyment was unheard of. The

But in the years leading to this moment, it had begun to spread on talk radio and cable television that the white share of the population was shrinking. In the summer of 2008, the U.S. Census Bureau announced its projection that, by 2042, for the first time in American history, whites would no longer be the majority in a country that had known of no other configuration, no other way to be.

The wind and breaking waves are drowned by a dull symphony of locker doors and hidden stores swaying and banging in the surging waters within Rose-Noëlle’s hull—gush-ding-thump-bump-claptack-thump-crack-slosh-ding-ting-glump-bumpbump. . . . The noises create what we call audio mirages. Voices spring from our subconscious, lulling us into daydreams and slumber in which the clamor of our prison becomes background conversations, soft sweet singing, announcers on the radio, the beat of reggae.

that he was about to black out and he was glad: at that moment there was nothing he wanted more than oblivion. CHAPTER 36 Even though he was following the news closely on the radio, Dinu had trouble understanding exactly what was under way in northern Malaya. The bulletins mentioned a major engagement in the region of Jitra but the reports were inconclusive and confusing. In the meantime, there were other indications of the way the war was going, all of them ominous. One of these was an official newspaper announcement listing the closing of certain post offices in the north. Another was the increasing volume of southbound traffic: a stream of evacuees was pouring down the north–south highway in the direction of Singapore. One day, on a visit to Sungei Pattani, Dinu had a glimpse of this exodus. The evacuees seemed to consist mainly of the families of planters and mining engineers. Their cars and trucks were filled with household objects—furniture, trunks, suitcases. He came across a truck that was loaded with a refrigerator, a dog and an upright piano. He spoke to the man who was driving the truck: he was a Dutchman, the manager of a rubber plantation near Jitra. His family was sitting crowded in the truck’s cab: his wife, a newborn baby and two girls. The Dutchman said he’d managed to get out just ahead of the Japanese. His advice to Dinu was to leave as soon as possible—not to make the mistake of waiting until the last minute. That night, at Morningside, Dinu told Alison exactly what the Dutchman had said. They looked at each other in silence: they had been over the subject several times before. They knew they had very few choices. If they went by road, one of them would have to stay behind—the estate’s truck was in no shape to make the long journey to Singapore and the Daytona would not be able to carry more than two passengers over the

dlaurent The Ballad of Johnny Jihad (Down Desert Storm Way). © c. 2001 During the Gulf War (1990-1991), American Pro-Taliban Jihadist John Philip Walker Lindh was captured while serving with the enemy forces. Here is his tale in song and legend. My nowex at the time did not want me to run to the radio station with this, thought I’d look singularly ridiculii. The following, 'The Ballad of Johnny Jihad' is sung to the tune of 'The Ballad of Jed Clampett' (1962), commonly known as 'The Beverly Hillbillies' song, the theme tune for the TV show series starring Buddy Ebsen. (Lyrics, Paul Henning, vocals Jerry Scoggins, Lester Flatt; master musicians of the art of the ballad and bluegrass ways, Lester Flatt and Earl Scruggs). The Ballad of Johnny Jihad (Sung) Come and listen to the story of Johnny Jihad, Who left home and country to study his Islam, And then one day he was shooting at our troops, So down through the camp did the government swoop. (Voice Over): ‘Al Que-da that is, Af-ghani Tali-ban, Terror-ist . . .’ (Sung) Well, the first thing you know ol’ John from ’Frisco roamed, The lawman said ‘he’s a lad misunderstood very far from home.’ Said, ‘Californee is the place he oughta be,’ So they request his trial be moved to Berkeley . . . (Voice Over): ‘Liberals that is, group-ies, peace-activists . . .’ Announcer: The Johnny Jihad Show! (Intense bluegrass banjo pickin’ music) . . . (Sung) Now its time to say goodbye to John and all his kin, Hope ya don’t think of him as a fightin’ Taliban, You’re all invited back again to this insanity, To get yourself a heapin’ helpin’ of this travesty . . . Johnny Jihad, that’s what they call ’im now Nice guy; don’t get fooled now, y’hear? (Voice Over): ‘Lawyerin’ that is, O.J.ism, media-circus . . .’ (Music) . . . end

Listen to Mr. Thompson’s report on the world crisis, November 22!” It was the first acknowledgment of the unacknowledged. The announcements began to appear a week in advance and went ringing across the country. “Mr. Thompson will give the people a report on the world crisis! Listen to Mr. Thompson on every radio station and television channel at 8 P.M., on November 22!” First, the front pages of the newspapers and the shouts of the radio voices had explained it: “To counteract the fears and rumors spread by the enemies of the people, Mr. Thompson will address the country on November 22 and will give us a full report on the state of the world in this solemn moment of global crisis. Mr. Thompson will put an end to those sinister forces whose purpose is to keep us in terror and despair. He will bring light into the darkness of the world and will show us the way out of our tragic problems—a stern way, as befits the gravity of this hour, but a way of glory, as granted by the rebirth of light. Mr. Thompson’s address will be carried by every radio station in this country and in all countries throughout the world, wherever radio waves may still be heard.” Then the chorus broke loose and went growing day by day. “Listen to Mr. Thompson on November 22!” said daily headlines. “Don’t forget Mr. Thompson on November 22!” cried radio stations at the end of every program. “Mr. Thompson will tell you the truth!” said placards in subways and buses—then posters on the walls of buildings—then billboards on deserted highways. “Don’t despair! Listen to Mr. Thompson!” said pennants on government cars. “Don’t give up! Listen to Mr. Thompson!” said banners in offices and shops. “Have faith! Listen to Mr. Thompson!” said voices in churches. “Mr. Thompson will give you the answer!” wrote army airplanes across the sky, the letters dissolving in space, and only the last two words remaining by the time the sentence was completed. Public loud-speakers were built in the squares of New York for the day of the speech, and came to rasping life once an hour, in time with the ringing of distant clocks, to send over the worn rattle of the traffic, over the heads of the shabby crowd, the sonorous, mechanical cry of an alarm-toned voice: “Listen to Mr. Thompson’s report on the world crisis, November 22!”—a cry rolling through the frosted air and vanishing among the foggy roof tops, under the blank page of a calendar that bore no date. On the afternoon of November 22, James Taggart told Dagny that Mr. Thompson wished to meet her for a conference before the broadcast.

Curt Gowdy, the Red Sox radio and television announcer, who sounds like everybody’s brother-in-law, delivered a brief sermon, taking the two words pride and champion as his text.

Then writing letters doesn’t help you to feel less lonely either. It doesn’t make any difference; afterwards you still hear your own footsteps in the empty at. The radio announcers boosting dog food, baking powder or what have you, and then suddenly falling silent after wishing you good-bye ‘till tomorrow morning at 6 o’clock’. And now it’s only two o’clock.

Then writing letters doesn’t help you to feel less lonely either. It doesn’t make any difference; afterwards you still hear your own footsteps in the empty flat. The radio announcers boosting dog food, baking powder or what have you, and then suddenly falling silent after wishing you good-bye ‘till tomorrow morning at 6 o’clock’. And now it’s only two o’clock.

Shepard waited for another stop in the countdown—this time it was to wait for some clouds to pass over the launch area—and he announced his problem over the closed radio circuit. He said he wanted to relieve his bladder. Finally they told him to go ahead and “do it in the suit.” And he did. Because his seat, or couch, was angled back slightly, the flood headed north, toward his head, carrying consternation with it. The flood set off a suit thermometer, and the Freon flow jumped from 30 to 45. On swept the flood until it hit his left lower chest sensor, which was being used to record his electrocardiogram, and it knocked that sensor out partially, and the doctors were nonplused. The news of the flood rushed through the worlds of the Life Science specialists and the suit technicians, like the destruction of Krakatoa, west of Java. There was no stopping it now. The wave rolled on, over rubber, wire, rib, flesh, and ten thousand baffled nerve endings, finally pooling in the valley up the middle of Shepard’s back. Gradually it cooled, and he could feel a cool lake of urine in the valley. In any case, the discomfort in his bladder was gone and everything was still. They had not scratched the flight because of the dam break. He had not fucked up.

the edge of the mattress. “Hello,” said a man’s voice. He didn’t sound monstrous. He sounded like a radio announcer. His tone was gentle and tinged with

At the major market level, competition among radio stations is fierce. Battling program directors create format narratives that sometimes instruct announcers to chime like puppets during tailored and precise talk segments. Marionettes don’t win Oscars, but when you are hired as a talent, you are expected to be able to implement this level of precision.

At the major market level, competition among radio stations is fierce. Battling program directors create format narratives that sometimes instruct announcers to chime like puppets during tailored and precise talk segments. Marionettes don’t win Oscars, but when you are hired as a talent, you are expected to be able to implement this level of precision.

Avalanche As if they weren’t suffering enough, on the morning of 29 October an avalanche suddenly cascaded down the steep rocky slopes above them and engulfed the fuselage as the survivors slept. They remained entombed in the tiny space for three days until they managed to poke a hole in the roof of the fuselage with a metal pole. By the time they got out, eight more people had died under the snow. Three more were to die in the following weeks. Hiking out After they had heard the radio news about the search being called off, many passengers knew that they would have to get themselves out of the mountains if they were to survive. The avalanche expressed that fact even more plainly. During the flight they had heard the co-pilot announce that they had passed Curicó. That meant that the Chilean countryside ought to be just a few kilometres away to the west. Probably just over the high peak they were on. Several survivors made brief scouting missions, but their weakened state and the altitude combined to make it gruelling work. There was no way that all of them would be able to walk over and out of the mountains.

A memorial on the crash site. Behind the memorial is the mountain that Parrado and Canessa climbed for the final push to reach rescue. That evening, as Parrado gathered firewood, Canessa looked up and saw a man on a horse on the other side of the river. Parrado dropped his sticks and, although he was utterly exhausted, he galloped down to the water’s edge. The world knew first For the fourteen people still at the crash site it was the most joyous radio broadcast they ever heard: the national news announced that Parrado and Canessa had successfully found help and rescue teams were on their way. Parrado guided two helicopters back to the site and by the morning of 23 December 1972 the fourteen remaining passengers of Flight 571 had been plucked from the mountain.

It was really disturbing to see Lieutenant Kazi Bayzidul Islam in 10 East Bengal. He was a former officer of 32 Punjab, the unit that carried out the genocide in Dacca on the night of March 25/26. Islam served the Pakistanis loyally throughout the liberation war. After the gruesome killings on March 25/26, Islam was the person who read the Bengali announcements on the radio to the population in Dacca. 32 Punjab was moved to the Rajshahi area sometime after March and two of its companies including the battalion headquarters were in Chapai Nawabganj. This unit fought against us in the battle of Chapai Nawabganj. Now, Islam and we freedom fighters were in the same army! I found this absurd and a cruel joke to say the least. What could be bigger collaboration than participating or assisting in the killing of Bengalis in Dacca on March 25? Who cleared him? Islam never revealed how he was cleared but it was not hard to guess. If the Director General of Razakars could be the Secretary in the Prime Minister's Secretariat, Islam was no aberration.

Our Wordy World OVER THE LAST few decades we have been inundated by a torrent of words. Wherever we go we are surrounded by words: words softly whispered, loudly proclaimed, or angrily screamed; words spoken, recited, or sung; words on records, in books, on walls, or in the sky; words in many sounds, many colors, or many forms; words to be heard, read, seen, or glanced at; words which flicker off and on, move slowly, dance, jump, or wiggle. Words, words, words! They form the floor, the walls, and the ceiling of our existence. It has not always been this way. There was a time not too long ago without radios and televisions, stop signs, yield signs, merge signs, bumper stickers, and the ever-present announcements indicating price increases or special sales. There was a time without the advertisements which now cover whole cities with words.

Look at The King’s Speech. For one thing, you can look at it: no lens caps left on there. What’s more, the story is simple. The world’s most important man can’t speak properly, so he gets taught to speak properly. But then disaster strikes! It looks like he might not be able to speak properly after all. Finally, in a triumphant climax, he speaks properly. It’s a feelgood ending for everybody, apart from the 450,000 Britons killed in the war he just announced on the radio.

Mildred Elizabeth Sisk later named Mildred Elizabeth Gillars was born in Portland, Maine on November 29, 1900. In 1929, Gillars left the United States for France, where she worked as an artist's model in Paris. During World War II she was employed as a radio announcer with RRG, Reichs-Rundfunk-Gesellschaftm, the official German State Radio Station. In 1941, the US State Department advised American nationals to return to the United States however, she voluntarily stayed in Germany because her fiancé, Paul Karlson, said he would never marry her if she returned to the United States. Shortly afterwards, Karlson, was killed in action on the Eastern Front. She remained in Germany broadcasting propaganda to the US forces in Europe and became known as Axis Sally. From Christmas Eve in 1942, until the end of the war she broadcast the Home Sweet Home Hour from Berlin. During these broadcasts she talked about the infidelity of soldiers' wives and sweethearts, while they were fighting in Europe. Midge-at-the-Mike broadcast American songs and GI's Letter-box and Medical Reports was directed towards the United States in which Gillars used information on wounded and captured US airmen, with the intent of causing fear and anxiety for their families.

The radio announced that western Poland would be “Jew free” by December 1942. The occupation government in Holland pledged to deport all Jews by June of the following year.

Others who found their way to the air via Atwater-Kent were Frances Alda, Josef Hoffman, Louise Homer, and Albert Spalding. Fees to the Met alone ran $25,000 a year. By 1930 Frances Alda was the regular soloist. That year, the first that reliable ratings were compiled, Atwater-Kent had a 31.0, finishing third behind Amos ’n’ Andy and The Rudy Vallee Hour. An offshoot of sorts was Atwater-Kent Auditions, the first talent scout show, heard in 1927 and culminating in December that year. Local competitions were initiated around the country: the five winners from each division (male and female) competed for $5,000 prizes in the finale. Donald Novis and Thomas L. Thomas came out of Atwater-Kent Auditions, but Kenny Baker—who also went on to a notable radio career—never got past the local level. Graham McNamee announced the show.

One of my most favored day fancies creates a fool drama that goes something like this: It is evening. We have had our supper and the dishes have been washed and put away. Ima Dean and Romey are in chairs in the sitting room reading books. Though there is candy in the sack on the table they have remembered we cannot afford trips to the dentist and are munching fruit. The pages which so absorb them are taking them to faraway borders and on the way they are being introduced to great men and great women. They have come around to my way of thinking. We do not need television. It’s fare is pretty dull and slovenly compared to the excitement and order there is to be found in the written word. I go to my room and open the door and look in. The sewing machine is gone. During our day’s absence somebody has come and swiped it. I go back to the sitting room and make my spooky announcement. “The sewing machine is gone. Somebody has swiped it.” “I’m glad,” says Ima Dean, throwing her legs over the arm of her chair. “Old no-account hunk of garbage. Mrs. Connell knew it was on its last legs when she gave it to us for five dollars. I thank whoever took it. The only thing makes me mad is it didn’t happen sooner. Nobody should have to drive themselves crazy learning how to sew after they’ve worked all day at making a living. Don’t fret, Mary Call. I don’t need any new dresses. When I start to school again if people don’t like the way I look in my old ones they can look the other way. We don’t owe anybody anything and this is a free country. If I went to school in a gunnysack wouldn’t be anybody’s business but yours and mine. Clothes aren’t important, it’s brains that count. My, this is a good book. When I grow up I think I’m going to be a medical missionary and go somewheres far off and work. I don’t want to waste my life. I want it to count for something and be of some good to humanity.” “I have decided either to become an explorer or an archaeologist,” says Romey. “I haven’t settled on which yet but either way I won’t be wasting my life either. I’ll be working for the good of humanity too. You are raising Ima Dean and me right, Mary Call, and we will always be grateful to you for the way you have sacrificed yourself for us.” End of dream. The sewing machine has not been swiped. Ima Dean and Romey have not forgotten we don’t have television. They don’t give a whoop or a holler about the great men and great women in our history. Or about humanity or what sacrifices I might be making for their good. Distant shores do not beckon them. They spend their evenings wrangling with each other and listening to radio music. Sometimes, when they feel kind toward each other, they dance. I love these two but can hardly stand them.

Marconi dreamed of a system for harnessing the intangible forces of the ether. Evidence that he did not dream in vain may be found in every radio and television set in the world. It may interest you to know that Marconi’s “friends” had him taken into custody, and examined in a psychopathic hospital, when he announced he had discovered a principle through which he could send messages through the air, without the aid of wires or other direct physical means of communication. The dreamers of today fare better.

Each passenger was given a boarding card that was also a radio receiver, and all the announcements about particular shuttle or spaceship flights were made only to those passengers who had the corresponding receiver-cards.

composition in dissarythm, the new quarter-tone dance music in which chorded woodwinds provided background patterns for the mad melodies pounded on tuned tomtoms. Between each number and the next a frenetic announcer extolled the virtues of a product. Munching a sandwich, Roger listened appreciatively to the dissarhythm and managed not to hear the commercials. Most intelligent people of the nineties had developed a type of radio deafness which enabled them not to hear a human voice coming from a loudspeaker, although they could hear and enjoy the then-infrequent intervals of music between announcements. In an age when advertising competition was so keen that there was scarcely a bare wall or an unbillboarded lot within miles of a population center, discriminating people could retain normal outlooks on life only by carefully-cultivated partial blindness and partial deafness which enabled them to ignore the bulk of that concerted assault upon their senses. For that reason a good part of the newscast which followed the dissarhythm program went, as it were, into one of Roger’s ears and out the other before it occurred to him that he was not listening to a panegyric on patent breakfast foods. He thought he recognized the voice, and after a sentence or two he was sure that it was that of Milton Hale, the eminent physicist whose new theory on the principle of indeterminacy had recently occasioned so much scientific controversy. Apparently, Dr.

If Reagan’s story were fiction, it would seem absurdly pat and overdetermined, the irony too heavy-headed. Out of college during the Depression, he went straight to work for the new fantasy-industrial complex. In a Des Moines radio studio, he regularly pretended he was at Wrigley Field in Chicago, performing fake play-by-play broadcasts of Cubs games based on real-time wire-service descriptions. He visited Hollywood and got his first movie role — playing a radio announcer. During World War II he was an officer in the army — serving in the First Motion Picture Unit, stationed in Burbank and Culver City, where he starred in "This Is the Army," a movie in which he played a corporal who stages a piece of musical theater called "This Is the Army.

Radio is a good music teacher and sometimes it also teaches me dance while I am doing my radio programs.

Instead, nationalist forces under Chiang Kai-shek and Communist armies under Mao Zedong battled for supremacy until 1949, when the Communists emerged victorious and the Nationalists withdrew to Taiwan. That same year Radio Beijing announced: ‘The People’s Liberation Army must liberate all Chinese territories, including Tibet, Xinjiang, Hainan and Taiwan.’ Mao centralised power to an extent never seen in previous dynasties. He blocked Russian influence in Inner Mongolia and extended Beijing’s influence into Mongolia. In 1951 China completed its annexation of Tibet (another vast non-Han territory), and by then Chinese school textbook maps were beginning to depict China as stretching even into the Central Asian republics. The country had been put back together; Mao would spend the rest of his life ensuring it stayed that way and consolidating Communist Party control in every facet of life, but turning away from much of the outside world. The country remained desperately poor, especially away from the coastal areas, but unified.

A notorious broadcast occurred on St. Patrick’s Day, March 17, 1949, when an attempt was made to do a remote from the Shamrock Hotel in Houston. As Taylor recalled, reservations were oversold, and when the doors opened, some 1,600 people “were in near-mortal combat for the possession of 1,000 seats.” The bedlam extended to the booth and became critical when guests began shortcutting across the soundstage. Again, from Taylor’s recollection: “One hefty matron grabbed a microphone and, before I could intervene, announced, ‘I don’t give a goddamn about your broadcast—I want my dinnertable seat!’” In a moment of despair, an NBC engineer uttered the most-dreaded four-letter expletive, which was carried coast-to-coast before the show was cut off the air. A transcription survives at SPERDVAC, the radio historical society of Southern California.

Find the Stickers Materials: Use commercially bought stickers. Children love stickers, which make wonderful, surprise gifts. Preparation and Instructions: Before you see the child, take four or five of the stickers and hide them on your head. At the beginning, make sure the stickers can be easily found. You may want to put one sticker on each earlobe, like earrings, and one sticker on your forehead, under your hair if possible. Be creative! The Game: Begin the game by saying to the child, “I have hidden four stickers on my face. See if you can find them.” As the child begins to look for them, use the skill of tracking. (Tracking is simply saying out loud what the child is doing. It is similar to the radio announcer at a ball game. You may say, “You are looking over by my ears, Aha! You found one. Now you are taking it off very gently and handing it to me.”) As the child hands you the stickers, put one sticker on each finger of one hand as a holding place. From this holding place you are ready to play the game again or to play a variation of the game. Variations: Once the child has located all the stickers, you can begin to play the “sticker-swap game” by saying, “I am going to take this sticker off my thumb and put it on my chin.” You proceed to do so. Then tell the child, “Take the sticker off my chin and put it on your nose.” From this point, you begin a turn-taking game in which you remove the sticker from the child’s face and place it on your face. The child then removes the sticker from your face and puts it on his or her face. Each movement of the sticker is noted out loud. You speak for yourself and for the child, unless the child catches on and begins to speak for himself or herself. Your observations may sound like this: “I am going to take the sticker off your chin and put it on my nose. Now you are taking it off my nose and putting it on your [wait for the child’s selection] ear.” Find

Anand was on tour in a distant village when the shattering news of the Chinese invasion was announced. Within hours, there was an astonishing metamorphosis in the prevailing atmosphere. Except for the lone troubled voice that came from the radio, there was a numbed silence all around. Every citizen was in the grip of an indescribable mixture of anger, anguish, a sense of disappointment, and above all, a feeling of unity with every other Indian. Just when Anand was about to leave, a lad of about ten came forward. He put his hand in his shirt pocket and produced a twenty-five paise coin. He held it out tentatively and stammered, "This is my contribution to defeat China..." Anand accepted the coin and hugged the boy. He controlled his emotion with some difficulty. The gesture electrified the atmosphere. For the first time faces brightened somewhat. "Why not raise a fund in the village?", said the Sarpanch. "Yes!" interjected the villagers. "We must give and give and give until it hurts! Each a little more than he can afford to." God! Does this country need the threat of external aggression to unite it internally? wondered Anand, as his car turned into the highway.

It is interesting to note that in announcing the formation of the National Broadcasting Company, the Radio Corporation of America published a newspaper advertisement on September 14, 1926 which contained the following significant statements: Any use of radio transmission which causes the public to feel that the quality of programs is not the highest, that the use of radio is not the broadest and best use in the public interest, that it is used for political advantage or selfish power will be detrimental to the public interest in radio and, therefore, to the Radio Corporation of America. The purpose of the (National Broadcasting) Company will be to provide the best programs available for broadcasting in the United States. In order that the National Broadcasting Company may be advised as to the best type of program, that discrimination may be avoided, the the public may be assured that the broadcasting is being done in the fairest and best way, always allowing for human frailties and human performance, it has created an Advisory Council.

Nobody knew why the market was down that day. But it didn’t stop everyone from having a theory. “Worries over Spain’s role in the EU brought the market down today,” said a woman on the radio. “The market had an off day today, due to uncertainty in oil futures,” announced a man on television. “Market Slightly Down as Health Care Details Come into Focus” wrote a newspaper writer. The truth was no one knew why the market was down. It started the day, just … down. It stayed down most of the day. It had an up moment for a little bit around lunch, but was still, just, down. Why