Quartz Watches Quotes

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And time is something we made up. Digital clocks, quartz watches, atomic clocks don’t measure ‘time’ they are just devices that exhibit change. Clocks are navigational devices that we morphed into devices that somehow allow us to control time. However no matter how you ‘change’ a clock or a watch - you can make a clock slower or faster, put it ahead or back – it doesn’t affect the sunrise, or the galaxy speed, or death (or taxes). It’s just a game. Change is a constant. Whatever you do – change happens. Time Control
Martin Gover (Time Control - Taking Control and Achieving Goals)
And everything soon must change. Men would set their watches by other suns than this. Or time would vanish. We would need no personal names of the old sort in the sidereal future, nothing being fixed. We would be designated by other nouns. Days and nights would belong to the museums. The earth a memorial park, a merry-go-round cemetery. The seas powdering our bones like quartz, making sand, grinding our peace for us by the aeon. Well, that would be good - a melancholy good.
Saul Bellow (Mr. Sammler's Planet)
By probing questions such as these, the Swiss watch company Swatch, for example, was able to arrive at a cost structure some 30 percent lower than any other watch company in the world. At the start, Nicolas Hayek, chairman of Swatch, set up a project team to determine the strategic price for the Swatch. At the time, cheap (about $75), high-precision quartz watches from Japan and Hong Kong were capturing the mass market. Swatch set the price at $40, a price at which people could buy multiple Swatches as fashion accessories. The low price left no profit margin for Japanese or Hong Kong–based companies to copy Swatch and undercut its price. Directed to sell the Swatch for that price and not a penny more, the Swatch project team worked backwards to arrive at the target cost, a process that involved determining the margin Swatch needed to support marketing and services and earn a profit. Given
W. Chan Kim (Blue Ocean Strategy, Expanded Edition: How to Create Uncontested Market Space and Make the Competition Irrelevant)
This is about my crucifixion watch,” Dr. Lecter said. “They won’t give me a patent, but they advise me to copyright the face. Look here.” He put a drawing the size of a dinner napkin in the carrier and Starling pulled it through. “You may have noticed that in most crucifixions the hands point to, say, a quarter to three, or ten till two at the earliest, while the feet are at six. On this watch face, Jesus is on the cross, as you see there, and the arms revolve to indicate the time, just like the arms on the popular Disney watches. The feet remain at six and at the top a small second hand revolves in the halo. What do you think?” The quality of the anatomical sketching was very good. The head was hers. “You’ll lose a lot of detail when it’s reduced to watch size,” Starling said. “True, unfortunately, but think of the clocks. Do you think this is safe without a patent?” “You’d be buying quartz watch movements—wouldn’t you?—and they’re already under patent. I’m not sure, but I think patents only apply to unique mechanical devices and copyright applies to design.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
Here, one wants to create the Paris of the Far West. Evening traffic on Hollywood Boulevard attempts to mimic Parisian boulevard life. However, life on the Boulevard is extinct before midnight, and the seats in front of the cafes, where in Paris one can watch street life in a leisurely manner, are missing. . . . At night the illuminated portraits of movie stars stare down from lampposts upon crowds dressed in fake European elegance – a declaration that America yearns to be something other than American here. . . . Yet, in spite of the artists, writers and aspiring film stars, the sensibility of a real Montmartre, Soho, or even Greenwich Village, cannot be felt here. The automobile mitigates against such a feeling, and so do the new houses. Hollywood lacks the patina of age.75
Mike Davis (City of Quartz: Excavating the Future in Los Angeles (The Essential Mike Davis))
I think I change the colour of my hair in grey now.
Petra Hermans (Voor een betere wereld)
This time, he didn’t follow, but I sensed him watching me until I disappeared inside my world of quartz and feathers.
Olivia Wildenstein (Feather (Angels of Elysium, #1))
You are the explosion of carnations in a dark room. Or the unexpected scent of pine miles from the woods of Maine. You are a full moon that gives midnight it's meaning. And the explanation of water For all living things. You are a compass, a sapphire, a bookmark. A rare coin, a smooth stone, a marble. You are an old lore, a small shell, a saved silver dollar. You are a fine quartz, a feathered quill, and a fob from a favorite watch. You are a valentine tattered and loved and reread a hundred times. You are a medal found in the drawer of a once sung hero. You are honey, and cinnamon and West Indies spices, lost from the boat that was once Marco Polo's. You are a pressed rose, a pearl ring, and a red perfume bottle found near the Nile. You are an old soul from an ancient place a thousand years, and centuries and millenniums ago. And you have traveled all this way just so I could love you. I do.
James Patterson (Suzanne's Diary for Nicholas)
The timekeeping element inside a digital watch or computer clock uses this effect: it contains a tiny piece of quartz shaped like a tuning fork that vibrates at a precise frequency in response to electric pulses.
Randall Munroe (How To: Absurd Scientific Advice for Common Real-World Problems)
I had a vision, one day, someone saw it All in a quite different way. I decided to change the day in a week and the week was longer than the day. In years, the message of words was fallen to pieces, no one could understand the tale in her story. It is a new way of watching, it ticks every morning and when the Sun goes down, when you listen carefully, it sounds like a whisper through your night!
Petra Hermans