Punctuation After Quotes

Thurber was asked by a correspondent: "Why did you have a comma in the sentence, 'After dinner, the men went into the living-room'?" And his answer was probably one of the loveliest things ever said about punctuation. "This particular comma," Thurber explained, "was Ross's way of giving the men time to push back their chairs and stand up.

Hermione slid out of her bunk and moved like a sleepwalker towards Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half-raised his arms. Hermione launched herself forwards and started punching every inch of him that she could reach. 'Ouch — ow — gerroff! What the — ? Hermione — OW!' “You — complete — arse — Ronald — Weasley!” She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced. “You — crawl — back — here — after — weeks — and — weeks — oh, where’s my wand?” She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively. “Protego!

The correct way to punctuate a sentence that states: "Of course it is none of my business, but -- " is to place a period after the word "but." Don't use excessive force in supplying such a moron with a period. Cutting his throat is only a momentary pleasure and is bound to get you talked about.

I use a whole lot of half-assed semicolons; there was one of them just now; that was a semicolon after 'semicolons,' and another one after 'now.

My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“ Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity. "May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?” More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir." A number of people in the class laughed outright. "Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“ The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named. "Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?

Academics love the semicolon; their hankering after logic demands a division which is more emphatic than a comma, but not quite as absolute a demarcation as a full stop.

When I am feeling dreary, annoyed and generally unimpressed by life, I imagine what it would be like to come back to this world for just a day after having been dead. I imagine how sentimental I would feel about the very things I once found stupid, hateful or mundane. Oh, there’s a light switch! I haven’t seen a light switch in so long! I didn’t realize how much I missed light switches! Oh! Oh! And look – the stairs up to our front porch are still completely cracked! Hello cracks! Let me get a good look at you. And there’s my neighbor, standing there, fantastically alive, just the same, still punctuating her sentences with you know what I’m saying? Why did that bother me? It’s so… endearing.

What were they going to do after killing the president, declare themselves king?

At this moment, in this place, the shifting action potential in my neurons cascade into certain arrangements, patterns, thoughts; they flow down my spine, branch into my arms, my fingers, until muscles twitch and thought is translated into motion; mechanical levers are pressed; electrons are rearranged; marks are made on paper. At another time, in another place, light strikes the marks, reflects into a pair of high-precision optical instruments sculpted by nature after billions of years of random mutations; upside-down images are formed against two screens made up of millions of light-sensitive cells, which translate light into electrical pulses that go up the optic nerves, cross the chiasm, down the optic tracts, and into the visual cortex, where the pulses are reassembled into letters, punctuation marks, words, sentences, vehicles, tenors, thoughts. The entire system seems fragile, preposterous, science fictional.

The correct way to punctuate a sentence that states: "Of course it is none of my business, but -- " is to place a period after the word "but".

They were waiting for me in the books and in stories, after all, hiding inside the twenty six characters and a handful of punctuation marks. These letters and words, when placed in the right order, would conjure all manner of exotic beasts and people from the shadows, would reveal the motives and minds of insects and of cats. They were spells, spelled with words to make worlds, waiting for me, in the pages of books.

In France, we leave a single space before and after most punctuation marks. In England, there are generally no spaces before punctuation, and one inserts a double space between sentences.

Sometimes you know that you are destined to die, but somehow you are given a parenthesis after the punctuation mark: more years, more time that wasn’t meant for you but still was meant for you, a bridge stretching out into the stars, a confidence built of invisible threads, a miracle.

Using all three forms of communication creates a natural, conversational style. Description combined with occasional instruction, and punctuated with sound effects or exclamations: It’s how people talk.

Saint-Just read for the next two hours his report on the plots of the Dantonist faction. He had imagined, when he wrote it, that he had the accused man before him; he had not amended it. If Danton were really before him, this reading would be punctuated by the roars of his supporters from the galleries, by his own self-justificatory roaring; but Saint-Just addressed the air, and there was a silence, which deepened and fed on itself. He read without passion, almost without inflection, his eyes on the papers that he held in his left hand. Occasionally he would raise his right arm, then let it fall limply by his side: this was his only gesture, a staid, mechanical one. Once, towards the end, he raised his young face to his audience and spoke directly to them: “After this,” he promised, “there will be only patriots left.

But after a moment, Bella’s eyes began to drift over Jacob’s body and the nature of her thoughts changed significantly, punctuated by a sexy, mischievous smile. “Want to make love to a basketball?” she invited. Jacob threw back his head and laughed, all painful memories banished in an instant, minimal feelings in the face of his beloved’s wink and smile.

As children, we fear the dark. Anything might be out. here. The unknown troubles us. Ironically, it is our fate to live in the dark. This unexpected finding of science is only about three centuries old. Head out from the Earth in any direction you choose, and—after an initial flash of blue and a longer wait while the Sun fades—you are surrounded by blackness, punctuated only here and there by the faint and distant stars. Even after we are grown, the darkness retains its power to frighten us. And so there are those who say we should not inquire too closely into who else might be living in that darkness. Better not to know, they say. There are 400 billion stars in the Milky Way Galaxy. Of this immense multitude, could it be that our humdrum Sun is the only one with an inhabited planet? Maybe. Maybe the origin of life or intelligence is exceedingly improbable. Or maybe civilizations arise all the time, but wipe themselves out as soon as they are able. Or, here and there, peppered across space, orbiting other suns, maybe there are worlds something like our own, on which other beings gaze up and wonder as we do about who else lives in the dark…Life is a comparative rarity. You can survey dozens of worlds and find that on only one of them does life arise and evolve and persist… If we humans ever go to these worlds, then, it will be because a nation or a consortium of them believes it to be to its advantage—or to the advantage of the human species… In our time we’ve crossed the Solar System and sent four ships to the stars… But we continue to search for inhabitants. We can’t help it. Life looks for life.

(An) Analogy has been drawn between the metaphysical experience of prayer and an ordinary human friendship. This may progress from initial civility, through engagement in common business, to conversations of mutual interest punctuated with companionable silences; after that meetings may become occasions for sudden outbursts of passionate conviction or declarations of love.

The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.

Thank you for cracking open the barrier, by the way. I’ve been meaning to stop by for ages but never had the chance until now. It’s such a shame I have to kill you. You would have made an excellent villain. After all, you’ve caused more damage in one afternoon than most henchmen do in a lifetime. And I didn’t touch your parents. The blame for their loss lies squarely on your shoulders.” She punctuated the your by pointing the mirror in my direction.

But we would do well to meditate daily, rather as the religious do on their God, on the 9.5 trillion kilometres which comprise a single light year, or perhaps on the luminosity of the largest known star in our galaxy, Eta Carinae, 7,500 light years distant, 400 times the size of the sun and 4 million times as bright. We should punctuate our calendars with celebrations in honour of VY Canis Majoris, a red hypergiant in the constellation Canis Major, 5,000 light years from earth and 2,100 times bigger than our sun. Nightly – perhaps after the main news bulletin – we might observe a moment of silence in order to contemplate the 200 to 400 billion stars in our galaxy, the 100 billion galaxies and the 3 septillion stars in the universe. Whatever their value may be to science, the stars are in the end no less valuable to mankind as solutions to our megalomania, self-pity and anxiety. To answer our need to be repeatedly connected through our senses to ideas of transcendence, we should insist that a percentage of all prominently positioned television screens on public view be hooked up to live feeds from the transponders of our extraplanetary telescopes. We would then be able to ensure that our frustrations, our broken hearts, our hatred of those who haven’t called us and our regrets over opportunities that have passed us by would continuously be rubbed up against, and salved by, images of galaxies such as Messier 101, a spiral structure which sits towards the bottom left corner of the constellation Ursa Major, 23 million light years away, majestically unaware of everything we are and consolingly unaffected by all that tears us apart.

It was not long after that Ganesh saw a big new notice in the shop, painted on cardboard. ‘Is Leela self who write that,’ Ramlogan said. ‘I didn’t ask she to write it, mind you. She just sit down quiet quiet one morning after tea and write it off.’ It read: NOTICE NOTICE, IS. HEREBY; PROVIDED: THAT, SEATS! ARE, PROVIDED. FOR; FEMALE: SHOP, ASSISTANTS! Ganesh said, ‘Leela know a lot of punctuation marks.’ That is it, sahib. All day the girl just sitting down and talking about these puncturation marks. She is like that, sahib.

My father." I don't even know what punctuation mark to put after those two words. Lots of exclamation points!!! One lonely question mark? I need a cartoon balloon with every symbol available in it. Something that stands for stunned/terrified/pissed off/excited/depressed/happy/mad.

Every act of communication is a miracle of translation. At this moment, in this place, the shifting action potentials in my neurons cascade into certain arrangements, patterns, thoughts; they flow down my spine, branch into my arms, my fingers, until muscles twitch and thought is translated into motion; mechanical levers are pressed; electrons are rearranged; marks are made on paper. At another time, in another place, light strikes the marks, reflects into a pair of high precision optical instruments sculpted by nature after billions of years of random mutations; upside-down images are formed against two screens made up of millions of light-sensitive cells, which translate light into electrical pulses that go up optic nerves, cross the chasm, down the optic tracts, and into the visual cortex, where the pulses are reassembled into letters, punctuation marks, words, sentences, vehicles, tenors, thoughts. The entire system seems fragile, preposterous, science fictional. Who can say if the thoughts you have in your mind as you read these words are the same thoughts I had in my mind as I typed them? We are different, you and I, and the qualia of our consciousnesses are as divergent as two stars at the ends of the universe. And yet, whatever has been lost in translation in the long journey of my thoughts through the maze of civilization to your mind, I think you do understand me, and you think you do understand me. Our minds managed to touch, if but briefly and imperfectly.

Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.

One way to make sense of the biodiversity crisis would simply be to accept it. The history of life has, after all, been punctuated by extinction events, both big and very big. The impact that brought an end to the Cretaceous wiped out something like seventy-five percent of all species on earth. No one wept for them, and eventually, new species evolved to take their place. But for whatever reason--call it biophilia, call it care for God's creation, call it heart stopping fear--people are reluctant to be the asteroid.

Had she been able to listen to her body, the true Virginia would certainly have spoken up. In order to do so, however, she needed someone to say to her: “Open your eyes! They didn’t protect you when you were in danger of losing your health and your mind, and now they refuse to see what has been done to you. How can you love them so much after all that?” No one offered that kind of support. Nor can anyone stand up to that kind of abuse alone, not even Virginia Woolf. Malcolm Ingram, the noted lecturer in psychological medicine, believed that Woolf’s “mental illness” had nothing to do with her childhood experiences, and her illness was genetically inherited from her family. Here is his opinion as quoted on the Virginia Woolf Web site: As a child she was sexually abused, but the extent and duration is difficult to establish. At worst she may have been sexually harassed and abused from the age of twelve to twenty-one by her [half-]brother George Duckworth, [fourteen] years her senior, and sexually exploited as early as six by her other [half-] brother… It is unlikely that the sexual abuse and her manic-depressive illness are related. However tempting it may be to relate the two, it must be more likely that, whatever her upbringing, her family history and genetic makeup were the determining factors in her mood swings rather than her unhappy childhood [italics added]. More relevant in her childhood experience is the long history of bereavements that punctuated her adolescence and precipitated her first depressions.3 Ingram’s text goes against my own interpretation and ignores a large volume of literature that deals with trauma and the effects of childhood abuse. Here we see how people minimize the importance of information that might cause pain or discomfort—such as childhood abuse—and blame psychiatric disorders on family history instead. Woolf must have felt keen frustration when seemingly intelligent and well-educated people attributed her condition to her mental history, denying the effects of significant childhood experiences. In the eyes of many she remained a woman possessed by “madness.” Nevertheless, the key to her condition lay tantalizingly close to the surface, so easily attainable, and yet neglected. I think that Woolf’s suicide could have been prevented if she had had an enlightened witness with whom she could have shared her feelings about the horrors inflicted on her at such an early age. But there was no one to turn to, and she considered Freud to be the expert on psychic disorders. Here she made a tragic mistake. His writings cast her into a state of severe uncertainty, and she preferred to despair of her own self rather than doubt the great father figure Sigmund Freud, who represented, as did her family, the system of values upheld by society, especially at the time.   UNFORTUNATELY,

Human history is a long saga of people learning to harness ever-increasing amounts of energy to maintain ever more complex, ordered systems, punctuated by periodic collapses—the Romans, the Maya—when civilizations became more complex than they could maintain, with the energy and technologies they had, in the face of changing conditions. At that point, small stresses sent overstretched social systems into a rapid downward spiral, which ended with major losses of people and social organization, as one stable complex system made a rapid nonlinear descent to a less complex one. But after a setback, humanity always innovated and rebuilt, a little bigger and more complex than before.

No,” she whispered. “No more.” His breath came hot and heavy against her ear as his arm crept back around her waist. “Why not?” For a moment her mind was blank. What reason could she give that would make sense to him? If she protested that they weren’t married, he would simply put an end to that objection by marrying her, and that would be disastrous. Then she remembered Petey’s plan. “Because I’ve already promised myself to another.” His body went still against hers. An oppressive silence fell over them both, punctuated only by the distant clanging of the watch bell. But he didn’t move away, and at first she feared he hadn’t heard her. “I said—” she began. “I heard you.” He drew back, his face taught with suspicion. “What do you mean ‘another?’ Someone in England?” She considered inventing a fiancé in London. But that would have no weight with him, would it? “Another sailor. I . . . I’ve agreed to marry one of your crew.” His expression hardened until it looked chiseled from the same oak that formed his formidable ship. “You’re joking.” She shook her head furiously. “Peter Hargraves asked me to . . . to be his wife last night. And I agreed.” A stunned expression spread over his face before anger replaced it. Planting his hands on either side of her hips, he bent his head until his face was within inches from her. “He’s not one of my crew. Is that why you accepted his proposal—because he’s not one of my men? Or do you claim to have some feeling for him?” He sneered the last words, and shame spread through her. It would be too hard to claim she had feelings for Petey when she’d just been on the verge of giving herself to Gideon. But that was the only answer that would put him off her. Her ands trembled against his immovable chest. “I . . . I like him, yes.” “The way you ‘like’ me?” When she glanced away, uncertain what to say to that, he caught her chin and forced her to look at him. Despite the dim light, she could tell that desire still held him. And when he spoke again, his voice was edged with the tension of his need. “I don’t care what you agreed to last night. Everything has changed. You can’t possibly still want to marry him after the way you just responded to my touch.” “That was a mistake,” she whispered, steeling herself to ignore the flare of anger in his eyes. “Petey and I are well suited. I knew him from before, from the Chastity. I know he’s an honorable man, which is why I still intend to marry him.” A muscle ticked in Gideon’s jaw. “He’s not a bully, you mean. He’s not a wicked pirate like me, out to ‘rape and pillage.’” He pushed away from the trunk with an oath, then spun towards the steps. “Well, he’s not for you, Sara, no matter what you may think. And I’m going to put a stop to his courtship of you right now!

One was the moon that had always been there, and the other was a far smaller, greenish moon, somewhat lopsided in shape, and much less bright. It looked like a poor, ugly, distantly related child that had been foisted on the family by unfortunate events and was welcomed by no one. But it was undeniably there, neither a phantom nor an optical illusion, hanging in space like other heavenly bodies, a solid mass with a clear-cut outline. Not a plane, not a blimp, not an artificial satellite, not a papier-mâché moon that someone made for fun. It was without a doubt a chunk of rock, having quietly, stubbornly settled on a position in the night sky, like a punctuation mark placed only after long deliberation or a mole bestowed by destiny.

Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.

One way to make sense of the biodiversity crisis would simply be to accept it. The history of life has, after all, been punctuated by extinction events, both big and very, very big. The impact that brought an end to the Cretaceous wiped out something like seventy-five percent of all species on earth. No one wept for them, and, eventually, new species evolved to take their place. But for whatever reason—call it biophilia, call it care for God’s creation, call it heart-stopping fear—people are reluctant to be the asteroid. And so we’ve created another class of animals. These are creatures we’ve pushed to the edge and then yanked back. The term of art for such creatures is “conservation-reliant,” though they might also be called “Stockholm species” for their utter dependence on their persecutors.

My grandfather built Darling House five years after he'd arrived from Scotland. He knew by then that the climate was going to require something different from what he'd been used to as a boy." "She's a grand old lady," Matt said of the house. "Dressed up in an iron-lace shawl, looking out over her harbor." Nora smiled. "That's exactly what she is. It's the reason she and I get on so well together. We're two of a kind." Nora had lived in Darling House all her life and was as much a part of the building as the pair of lions guarding its entrance gate and the brick chimneys punctuating the sparkling blue sky. It was almost impossible to imagine her anywhere else. Jess had only to close her eyes now to invoke a vivid picture of her grandmother standing on the wide concrete steps that led to the front door, both arms lifted in welcome.

This preternatural love of rules almost for their own sake punctuates German finance as it does German life. As it happens, a story had just broken that a German reinsurance company called Munich Re, back in June 2007, or just before the crash, had sponsored a party for its best producers that offered not just chicken dinners and nearest-to-the-pin golf competitions but a blowout with prostitutes in a public bath. In finance, high or low, this sort of thing is of course not unusual. What was striking was how organized the German event was. The company tied white and yellow and red ribbons to the prostitutes to indicate which ones were available to which men. After each sexual encounter the prostitute received a stamp on her arm to indicate how often she had been used. The Germans didn’t just want hookers: they wanted hookers with rules.

You squeeze and crinkle the toothpaste tube even though you know it bothers your spouse. You complain about the dirty dishes instead of putting them in the dishwasher. You fight for your own way in little things, rather than seeing them as an opportunity to serve. You allow yourself to go to bed irritated after a little disagreement. Day after day you leave for work without a moment of tenderness between you. You fight for your view of beauty rather than making your home a visual expression of the tastes of both of you. You allow yourself to do little rude things you would never have done in courtship. You quit asking for forgiveness in the little moments of wrong. You complain about how the other does little things, when it really doesn’t make any difference. You make little decisions without consultation. You quit investing in the friendship intimacy of your marriage. You fight for your own way rather than for unity in little moments of disagreement. You complain about the other’s foibles and weaknesses. You fail to seize those openings to encourage. You quit searching for little avenues for expressing love. You begin to keep a record of little wrongs. You allow yourself to be irritated by what you once appreciated. You quit making sure that every day is punctuated with tenderness before sleep takes you away. You quit regularly expressing appreciation and respect. You allow your physical eyes and the eyes of your heart to wander. You swallow little hurts that you would have once discussed. You begin to turn little requests into regular demands. You quit taking care of yourself. You become willing to live with more silence and distance than you would have when you were approaching marriage. You quit working in those little moments to make your marriage better, and you begin to succumb to what is.

Journaling Tips -Try to write every day. Set aside a special time--perhaps right before you go to bed--to reflect on what happened during that day. Writing things down soon after they happen will help you to be honest and objective. If you wait, you may not remember the details as well, and maladaptive thinking patterns may cloud your interpretations. -Record the date and time for every entry. Also, give each entry a title that reflects what you wrote about. This will help when you search for old entries about a particular day or topic. -Don’t worry about spelling, grammar, and punctuation, or organization. Being a perfectionist will lead to frustration. You aren’t going to be graded on your journal--just write whatever comes to mind. -Leave blank space for future comments. Reflecting on entries weeks, months, or even years after you wrote them will help you record your progress. -Keep the journal in a safe place. Journal writing is most effective when you are completely honest. This may be hard if you are afraid your parents or siblings might read it.

Don’t be upset that you can’t attain constant happiness. It’s the quickest way to feel like a failure in life. If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it’s brief—showing up when it’s needed and filling tired paragraphs with breaks. Being content is a more attainable constant state. To love your fate without being drunk on euphoria. Brave, determined acceptance removed of bitterness. Be gentle with yourself. Embrace the lows so that you can more effectively enjoy the highs. Love the fight. Love it so much, and let it save you when your emotional muscles have become soft. Kit and I have that. Sometimes, so much joy our hearts ache from it. Sometimes, we have sadness when we’re away from Annie or Port Townsend. We feel torn between all the things we love. We fight; we make love. I don’t see Muslim again. And after one phone call, I never speak to him again. I hear plenty about him, and I remember our time. And I wonder if you have space in your heart for more than one person. I think you do.

Hermione!” She stirred, then sat up quickly, pushing her hair out of her face. “What’s wrong? Harry? Are you all right?” “It’s okay, everything’s fine. More than fine. I’m great. There’s someone here.” “What do you mean? Who--?” She saw Ron, who stood there holding the sword and dripping onto the threadbare carpet. Harry backed into a shadowy corner, slipped off Ron’s rucksack, and attempted to blend in with the canvas. Hermione slid out of her bunk and moved like a sleepwalker toward Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half raised his arms. Hermione launched herself forward and started punching every inch of him that she could reach. “Ouch--ow--gerroff! What the--? Hermione--OW!” “You--complete--arse--Ronald--Weasley!” She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced. “You--crawl--back--here--after--weeks--and--weeks--oh, where’s my wand?” She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively. “Protego!” The invisible shield erupted between Ron and Hermione: The force of it knocked her backward onto the floor. Spitting hair out of her mouth, she leapt up again. “Hermione!” said Harry. “Calm--” “I will not calm down!” she screamed. Never before had he seen her lose control like this; she looked quite demented. “Give me back my wand! Give it back to me!” “Hermione, will you please--” “Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!” She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps. “I came running after you! I called you! I begged you to come back!” “I know,” Ron said, “Hermione, I’m sorry, I’m really--” “Oh, you’re sorry!” She laughed, a high-pitched, out-of-control sound; Ron looked at Harry for help, but Harry merely grimaced his helplessness. “You come back after weeks--weeks--and you think it’s all going to be all right if you just say sorry?” “Well, what else can I say?” Ron shouted, and Harry was glad that Ron was fighting back. “Oh, I don’t know!” yelled Hermione with awful sarcasm. “Rack your brains, Ron, that should only take a couple of seconds--” “Hermione,” interjected Harry, who considered this a low blow, “he just saved my--” “I don’t care!” she screamed. “I don’t care what he’s done! Weeks and weeks, we could have been dead for all he knew--” “I knew you weren’t dead!” bellowed Ron, drowning her voice for the first time, and approaching as close as he could with the Shield Charm between them. “Harry’s all over the Prophet, all over the radio, they’re looking for you everywhere, all these rumors and mental stories, I knew I’d hear straight off if you were dead, you don’t know what it’s been like--” “What it’s been like for you?” Her voice was now so shrill only bats would be able to hear it soon, but she had reached a level of indignation that rendered her temporarily speechless, and Ron seized his opportunity. “I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!” “A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years.

So Marxism, for all its plurality, has been marked by the interplay of theoretical and political preoccupations. It has also been punctuated by widely perceived moments of internal crisis – starting in the late 1890s with the publication of Eduard Bernstein’s Preconditions of Socialism, but again during the First World War, in the 1930s, and at the end of the 1970s. Indeed, one of us has written, “Marxism is constitutively, from Marx’s contribution onwards, . . . crisis theory” (Kouvelakis 2005, 25). Perhaps there are two main reasons for this succession of crises. First, Marxism is inherently tied to capitalism, at once the object of the critique of political economy and an enemy to be vanquished. But since, as Marx and Engels showed in the Communist Manifesto, it is also a dynamic system constantly transforming itself, Marxism constantly falls victim to the anxiety that it is not adequate to its Protean antagonist, that it must run to keep up with the metamorphoses of bourgeois society. This is then connected to a second source of anxiety, namely that capitalism continues to exist, and that therefore the communist project remains unrealized, two centuries now after Marx’s birth.

Back to Copper Cliff: on the eastern limit of the town, really not a defined edge, the town ended, and a few feet later the smelter—the the heart of Inco’s operations in the Sudbury area—rose up. Huge buildings humming and whining, acre after acre of industrial devastation, hot metal and slag cars to-ing and fro-ing. Row upon row of blast furnaces, molten metal being carried in giant ladles the size of small submarines by overhead moving cranes, with bits of white-hot crap falling out of them, and the mind-numbing hiss of mighty industrial production, punctuated by warning horns, and all viewed through a smog of sulphur dioxide so potent that it would sting your eyes, nose and throat to the point of tears. Workers wore “gas masks” that were little more than cloth nose and mouth covers, dipped in some solution intended to neutralize the paralyzing acidity of sulphur dioxide. They did not work. My dad worked here, and when he later became a shift boss in the Orford building and I was a summer student at Inco, he showed me through this inferno (not Dante’s; that’s only in fiction). This was the real deal and the guys who worked there pretty much all succumbed to some form of lung disease—emphysema, cancer, COPD, you name it—anything you can get from inhaling eight hours a day, five days a week, concentrated S02 and S03, not to mention the particulate crap that filled the air.

Rockton is no more Oliver than Churchgrove is Lord Kirkwood,” Lady Minerva said stoutly. “Then why did you steal my name for him?” Oliver asked. “It’s not quite your name, old chap,” Lord Gabriel said. “And you know perfectly well that Minerva likes to tweak your nose from time to time.” “Stop calling me ‘old,’ blast it,” Oliver grumbled. “I’m not some doddering fool.” “How old are you, anyway?” Maria asked him, amused by his vanity. “Thirty-five.” Mrs. Plumtree had said little until now, but apparently the conversation had piqued her interest. “That’s long past the age when a man should marry, don’t you think, Miss Butterfield?” Aware of Oliver’s gaze on her, Maria chose her words carefully. “I suppose it depends on the man. Papa didn’t marry until he was nearly that age. He was too busy fighting in the Revolutionary War to court anyone.” When the blood drained from Mrs. Plumtree’s face, Oliver’s eyes held a glint of triumph. “Ah, yes, the Revolutionary War. Did I forget to mention, Gran, that Mr. Butterfield was a soldier in the Continental Marines?” The table got very quiet. Lady Minerva focused on eating her soup. Lady Celia took several sips of wine, one after another, and Lord Jarret stared into his soup bowl as if it contained the secret to life. The only real sound punctuating the silence was Lord Gabriel’s muttered “bloody hell.” Clearly, there was some undercurrent here that Maria didn’t understand. Oliver was watching his grandmother again like a wolf about to pounce, and Mrs. Plumtree was clearly contemplating which weapon would best hold the wolf at bay. “Uncle Adam was a hero,” Freddy put in, oblivious as usual to undercurrents of any kind. “At the Battle of Princeton, he held off ten of the British until help could arrive. It was just him and his bayonet, slashing and stabbing-“ “Freddy,” Maria chided under her breath, “our hosts are British, remember?

Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame

Whether you are a good or bad writer is an irrelevancy when you first begin. What's important is that you write, you get up in the morning and you say, "I'm going to treat this like a job and I'm not going to just do this when I feel like it. I'm going to really get to work on making this the best I can make it, and work hard to achieve something". You can't sit around waiting for inspiration to strike like lightning, cause you'll wait around for a long time. Maybe once every blue moon a piece of lightning will strike, but most of the time you'll wait around twiddling your thumbs. What you have to do is just get on with it, and write whatever comes out and not worry over much about whether the punctuation is right or the spelling is right or even if the order of the words is right, but just get on with it. "You have to go after, seek after the things which are truthful to you. And I mean truthful. If you don't believe in Christ, then don't have a hero whipping out holy water when it suits him, because you're not telling the truth about what you believe about the world. If you don't believe that the image of Christ is ethicasy in the world, then don't have your hero use it in such a way. All you doing is accessing a series of cliches from somebody else's work. If you're gay, write about gay characters. If you're straight, write about straight characters. If you're straight and confused, write about straight and confused characters. If your passion is about painting and football, write about painting and football. Write about your mother, write about your father, write about things you know, and then let your imagination lurk on those things and develop them into something new and fresh even for you. Surprise yourself, astonish yourself, and tell the truth.

Life has been reduced to a series of long periods of boredom in the office punctuated by high-octane “experiences” which you can rack up on your list of things to do before you die. That’s not really living: that is slavery with the occasional circus thrown in.

The students’ love of punctuation is boundless. To form the possessive of plural nouns that don’t end in s, add an apostrophe and s: The men’s love of punctuation is boundless. If two or more people possess the same thing, you need only put the apostrophe after the last one of the two mentioned: Len and Barry’s seminar teaches a love of punctuation. if two people own items individually, you must show your respect by giving them each an ’s: Len’s and Barry’s wives love punctuation. The possessive form of it is spelled its: The level of a civilization is measured by the precision of its punctuation.

It was as if humans' lives didn't end per se, but kind of trailed off with punctuating ellipses. After that third dot it was open-ended, brilliantly poised for anything one could imagine. Earth was warm with potential like that.

From that day onwards I spent a lot of time on Park Bridge, and soon became aware of other boys with similar interests leaning out over the engines as they slowed down on their way into the goods yard, or cruised at speed further out on their way up the East Coast main line between Edinburgh and London. For Edinburgh was a rail centre, and I lived at the eastern end of a great loop of lines punctuated by stations, depots, tunnels, repair yards and goods terminals. I could watch the flagship engines of the London and North Eastern Railway rush by, a long procession of carriages drawn after them as they headed for Edinburgh Waverley - the company's very own station and a mecca for train lovers - or catch the smaller, older engines at the head of suburban and country trains. They were all trains, and that was enough for now.

The Ekarv method, named after Margareta Ekarv of the Swedish Postal Museum, is a proven set of guidelines, the effectiveness of which has been substantiated by research and has been widely adopted. 1. Use simple language to express complex ideas. 2. Use normal spoken word order. 3. One main idea per line, the end of the line coinciding with the natural end of the phrase. "The robbers were sentenced to death by hanging" is short and to the point. 4. Lines of about 45 letters; text broken into short paragraphs of four or five lines. 5. Use the active form of verbs and state the subject early in the sentence. 6. Avoid: subordinate clauses, complicated constructions, unnecessary adverbs, hyphenating words and the end of lines. 7. Read texts aloud and note natural pauses. 8. Adjust wording and punctuation to reflect the rhythm of speech. 9. Discuss texts with colleagues and consider their comments. 10. Pin draft texts in their final positions to assess affect. 11. Continually reverse and refine the wording. 12. Concentrate the meaning to an "almost poetic level".

It’s funny that this school is called Happily Ever After because there is rarely a happy ending. Usually it’s a series of happy things punctuated with new beginnings caused by something that is not so happy. You see, no one ever starts over because everything is okay. Without beginnings, there are no new chapters in the storybook.

The city rises up around them. It has been described as a place through which we move - travelling towards, away from or past one another. Even endings are moved through as if they were punctuation rather than conclusion. But the city is also a place of arrest. We have to negotiate its traffic and its architecture as well as each other. And there are always too many of us, moving too slowly, encumbered, perhaps lost. An ending is built after the fact, just like the beginning. It can take years. Detail has to pass into memory, feeling into story, so that what we recall is brightly painted, sturdily constructed, accessible, predictable and satisfactory. We can point it from far away and others can see it clearly. Like the tallest towers in the city, from a distance, our beginnings and endings are all that can be seen.

I could be genius but an after math has my due Respect.

I set a fast pace back towards the House and their footsteps followed close behind me, punctuated with hissed fragments of conversation as they tried to figure out what to do. As we closed in on the glass building, the boy declared that he was going to seek out Darcy and left us, his feet hitting the path at a thumping pace as he ran. I ignored them both and kept going all the way back to the House, taking the stairs two at a time before striding through the common room. I received several curious glances as we passed but most people had headed to their rooms already and the look I threw the others was enough to stop them from taking photographs or asking questions. I made it to my bedroom door before Sofia caught up to me again and she was even brave enough to grab my arm to halt me. “What?” I asked, lacing my voice with a bit of threat. Sofia blanched at my tone but didn’t back down and I found myself equally surprised and impressed by the devotion of this nothing little Fae to the girl in my arms. “Why are you taking her to your room?” she demanded. “I’ve got her bag right here with her key and-” “And while she’s in this state she could lose control again and burn the whole House down,” I replied. “I’ll have to stay with her tonight until she sleeps off the alcohol you watched her consume.” There was more than a hint of accusation in my tone but the girl didn’t even flinch this time. “And that’s all you’re going to do?” Sofia demanded. “You’re not going to play some trick on her or hurt her or...” She didn’t finish that accusation but her gaze flickered to the point where my hand was gripping Roxy’s bare thigh as I held her. “I’m not a fucking rapist,” I snapped. “I can have any girl I want in my bed any night of the week, why would I want to molest an unconscious one who hates me?” Sofia backed off instantly, seeming satisfied by whatever she’d seen in my eyes as her shoulders sagged a little. “Okay, I didn’t mean to imply...just...look after her,” she said, frowning at Roxy again with concern as she passed me her bag and backed up. I made to turn away from her then an idea occurred to me. “Wait…Sofia, right?” I asked, trying to sound vaguely friendly. It wasn’t something I attempted often and the frown she gave me said I was terrible at it. “Yes…” “I er, have this… cousin. Third cousin actually, who just emerged as a Pegasus…” “Good for her. Why are you telling me this?” she asked suspiciously. “It’s a him. He’s called…Phillip.” “Phillip?” She looked at me like no one in the world was actually called Phillip and I had to admit I’d never met one. Dammit. Why did I pick that fucking name? “Yeah. Well, as you can imagine in a family of pure blooded Dragons, Phillip isn’t coping so well with the shame of-” “Shame of what?” she asked, a clear challenge in her eyes for me to dare to finish that sentence. And in hindsight implying her Order was shameful probably wasn’t the best way to get her to help me. I shifted Roxy in my arms and sighed, wondering if I should just abandon this idea. But this girl had impressed me tonight despite her weakness and I didn’t really have anyone else to ask so I barrelled on. “I’ll level with you. Me calling your Order shameful is about the closest to a compliment he’d get from a member of my family on the subject. He’s been locked in his house, hidden away from the world, his father has actually considered killing him to conceal his true nature. He’s…alone. And he could really use someone of his Order to talk to…” My throat felt tight, I didn’t know if this was a terrible idea but Xavier had sounded so broken on the phone earlier, so desperate, I just wanted to try and help him. And maybe having another Pegasus to talk to would help him see some good in what he was. (Darius POV)

I fitted my front so close to her back that we became one thing, like a man and wife should be. I set my warm palm on her shoulder (before it could turn cold on me). I drew her curtain of hair away to reveal the pink shell of her ear. Her boots put my mouth within easy whispering range, and I took full advantage. “I will always be fair with you. I will always be square with you . . . I will always take care of you.” I punctuated with a moist kiss to the sensitive spot behind her ear and felt her melt a little.

But I won’t apologize for years of lusting after you,” I murmured. Her eyes flew wide, and I drank in her shock. “Years of wondering what you would look like under those proper suits.” I punctuated my words with a slow pass of my nose up her neck. “Months of wondering how best to make you come on my tongue. Days in that shared office wondering what would happen if I kissed you.” “Now, I see your desire and I would make you beg for it.

Through the Fire by Raj Lowenstein Trafford Publishing reviewed by Anita Lock "Beware the Abomination." After initially treating Michael Braun for wounds resulting from a brutal attack, David and Kelly Hartman—a physician and nurse respectively, as well as a gay, married couple—feel that the best place for her (yes, a she despite the masculine name) to recover is at the condo of David's twin brother, Dan. Dan, an overworked detective, ignores David's frantic texts and is shocked when he wakes to find a stunningly beautiful but battered woman sleeping upstairs. Michael is also a mute who communicates through American Sign Language (ASL), a language in which Dan happens to be an expert. Although the two eventually fall in love, there is more to Michael's past that Dan is aware of until he receives information from none other than Michael's abuser. Raj Lowenstein presents a romantic thriller that appears more disturbingly real than fiction. Set largely in Texas, Lowenstein's plot has a bit of a Law and Order feel to it—minus the court and prison scenes. Laced with gender-related issues and replete with a tight cast, Lowenstein's storyline zeroes in on Dan and his unexpected romance with Michael amid peculiar situations. Lowenstein punctuates her thought-provoking, third-person narrative with the sinister and hideous presence of Catfish, whose persona is a paradox to say the least. Key to Lowenstein's writing style is the use of engaging dialogue to generate dynamic characters who are developing their relationships and facing life's challenges. Lowenstein aptly fashions her well-developed cast within cliff-hanging chapters that alternate between unanticipated character scenes. Scenes are filled with back stories, steamy romantic episodes, investigations, the evil machinations of Catfish, and are all used in the deliberate build-up to the novel's intense and unnerving apogee. Kudos to Lowenstein for creating an edgy and eye-opening debut! RECOMMENDED by the US Review

1.1M    ./scripts 58M     ./cloud9 74M     . You can also use tee to write the output to several files at the same time, as shown in this example: root@beaglebone:/opt# du ‐d1 ‐h | tee /tmp/1.txt /tmp/2.txt /tmp/3.txt Filter Commands (from sort to xargs) There are filtering commands, each of which provides a useful function: sort: This command has several options, including (‐r) sorts in reverse; (‐f) ignores case; (‐d) uses dictionary sorting, ignoring punctuation; (‐n) numeric sort; (‐b) ignores blank space; (‐i) ignores control characters; (‐u) displays duplicate lines only once; and (‐m) merges multiple inputs into a single output. wc (word count): This can be used to calculate the number of words, lines, or characters in a stream. For example: root@beaglebone:/tmp# wc < animals.txt  4  4 18 This has returned that there are 4 lines, 4 words, and 18 characters. You can select the values independently by using (‐l) for line count; (‐w) for word count; (‐m) for character count; and (‐c) for the byte count (which would also be 18 in this case). head: Displays the first lines of the input. This is useful if you have a very long file or stream of information and you want to examine only the first few lines. By default it will display the first 10 lines. You can specify the number of lines using the ‐n option. For example, to get the first five lines of output of the dmesg command (display message or driver message), which displays the message buffer of the kernel, you can use the following: root@beaglebone:/tmp# dmesg | head ‐n5   [    0.000000] Booting Linux on physical CPU 0x0   [    0.000000] Initializing cgroup subsys cpuset   [    0.000000] Initializing cgroup subsys cpu   [    0.000000] Initializing cgroup subsys cpuacct   [    0.000000] Linux version 3.13.4-bone5(root@imx6q-sabrelite-1gb-0) tail: This is just like head except that it displays the last lines of a file or stream. Using it in combination with dmesg provides useful output, as shown here: root@beaglebone:/tmp# dmesg | tail ‐n2   [   36.123251] libphy: 4a101000.mdio:00 - Link is Up - 100/Full   [   36.123421] IPv6:ADDRCONF(NETDEV_CHANGE): eth0:link becomes ready grep: A very powerful filter command that can parse lines using text and regular expressions. You can use this command to filter output with options, including (‐i) ignore case; (‐m 5) stop after five matches; (‐q) silent, will exit with return status 0 if any matches are found; (‐e) specify a pattern; (‐c) print a count of matches; (‐o) print only the matching text; and (‐l) list the filename of the file containing the match. For example, the following examines the dmesg output for the first three occurrences of the string “usb,” using ‐i to ignore case: root@beaglebone:/tmp# dmesg |grep ‐i ‐m3 usb   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb You can combine pipes together. For example, you get the exact same output by using head and displaying only the first three lines of the grep output: root@beaglebone:/tmp# dmesg |grep ‐i usb |head ‐n3   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb xargs: This is a very powerful filter command that enables you to construct an argument list that you use to call another command or tool. In the following example, a text file args.txt that contains three strings is used to create three new files. The output of cat is piped to xargs, where it passes the three strings as arguments to the touch command, creating three new files a.txt, b.txt,

For the gaming fishermen there was the Whatoosie River and its native cocka-snoek, the main game fish of the resident Skegg’s Valley Dynamite Fishing Club. Cocka-snoek were wily and tough and rather too bright for mere fish. You wouldn’t catch much with a rod around here. Many inexperienced visitors would find the bait stolen from their hooks, which punctuated the discovery that their lines had somehow got snagged and tangled irretrievably around some underwater obstruction – sometimes tied together with neat little bows. Often, several direct hits with hand grenades were needed to stun the creatures long enough just to catch them, gut them and fry them, but these former military types had become experts at it. For a modest fee, tours could be arranged via the booking office, which included an overnight stay on the banks of the river where one could drop off to a great night’s sleep after a satisfying meal of cocka-snoek done on an open fire, and the sound the bits of shrapnel made rattling in your stomach.

I consider it for a moment. I could consider it for a lot of moments, if left unchecked. Not just the kiss in the hall outside the auditorium, but the ones in the parking lot afterward and at the cast party and on the street outside after the cast party. Gideon with his cheeks flushed and his eyes bright, close enough that he was blurry saying I like you, you know. Like so much, so much, so much— each one punctuated by a kiss to a different place.

Right! Yes!” I take one of those deep breaths Daphne suggested because I’m speaking like I’ve mainlined cocaine after drinking seventeen Red Bulls and everything I say is punctuated with an exclamation mark. “Calming myself before I get more excited,” I mutter as I open the flaps. That calm lasts about a quarter of a second and then I’m back to excited freak-out.

UNCONVENTIONAL DESTINATION WEDDING LOCALES Destination Wedding Jan 6 This wedding season, fall in love with endearing unconventional destination wedding locales Theme Weavers Designs Since all the travel restrictions have been lifted, destination weddings are back in vogue. However, the pandemic has led to a major paradigm shift. In this case, Indian couples are looking into hidden gems to take on as their wedding destination, instead of opting for an international location. With the rich cultural heritage and a myriad of local traditions, it has been observed by industry insiders that couples feel closer to their past and history after getting married in a regional wedding destination. At the same time, it is a very cumbersome task to find the perfect wedding destination - it has to be perfectly balanced in terms of the services it offers as well as having breathtaking views. This wedding season, choose something offbeat, by opting for an unexplored destination, that is both visually appealing and has a romantic vibe to them. Start off your wedding journey with an auspicious location. Rishikesh, on the banks of the holy river Ganges is one of the most sacred places a couple can tie the knot. This tiny town’s interesting traditions, picturesque locales, and ancient customs make this one of the most underrated places to get married in india. Perfect for a riverside wedding in extravagant outdoor tents, this wedding season, it is high time Rishikesh gets the hype it deserves. “The Glasshouse on the Ganges,” is one of the most stunning places to get married. While becoming informed travellers, this place is interred with a vast and vibrant cultural history. It offers an extremely unique experience as it revitalises ruined architectural wonders for the couple to tour or get married in, making it a heartwarming and wonderful experience for all those who are involved. Steep your wedding party in the lap of nature, in Naukuchiatal, Nainital, Uttarakhand. This place is commonly referred to as “treasure of natural beauty,” where it offers mesmerising natural spectacles for a couple to get married in a gorgeous outdoor ceremony. Away from the hustle and bustle of the urban jungles that have slowly been taking over the Indian subcontinent, this location provides a much needed breath of fresh air. This location also provides much needed reprieve from the fast paced lifestyle that we live, making a wedding a truly relaxing affair. As this is a quaint hill station, surrounded with lush greens, there are numerous ideas to create a natural and sustainable wedding. The most distinguishing feature of this location is the nine-cornered lake, situated 1,220 m above sea level. There is something classic and timeless about the Kerala backwaters. This location is enriching and chock full of unique cultural traditions. With spectacular and awe-inspiring views of the backwaters, Kumarakom in Kerala easily qualifies as one of the top wedding destinations in india. Just like Naukuchiatal, this space is a study in serenity, where it is far away from the noisy streets and bazaars. Perfect for a cozy and intimate wedding, the Kerala backwaters are a gorgeous choice for couples who are opting for a socially distant wedding, along with having a lot of indigenous flora and fauna. Punctuated with the salty sea and the sultry air, the backwaters in Kerala are an underrated gem that presents couples with a unique wedding location that is perfect for a historical and regal wedding. The beaches of Goa and the forts of Rajasthan are a classic for a reason, but at the same time, they can get boring. Couples have been exploring more underrated wedding locations in order to experience the diverse local cultures of India that can also host their weddings

William Caxton, for example, England's first printer, recorded for us in 1484 the following account of a reptilian monster in medieval Italy. I have modernised the spelling and punctuation: “There was found within a great river [i.e. the Po in Italy] a monster marine, or of the sea, of the form or likeness which followeth. He had the form or making of a fish, the which part was in two halves, that is to wit double. He had a great beard and he had two wonderfully great horns above his ears. Also he had great paps and a wonderfully great and horrible mouth. And at the both [of] his elbows he had wings right broad and great of fish's armour wherewith he swimmed and only he had but the head out of the water. It happed then that many women laundered and washed at the port or haven of the said river [where] that this horrible and fearful beast was, [who] for lack or default of meat came swimming toward the said women. Of the which he took one by the hand and supposed to have drawn her into the water. But she was strong and well advised and resisted against the said monster. And as she defended herself, she began to cry with an high voice, "Help, help!" To the which came running five women which by hurling and drawing of stones, killed and slew the said monster, for he was come too far within the sound, wherefore he might not return to the deep water. And after, when he rendered his spirit, he made a right little cry. He was of great corpulence more than any man's body. And yet, saith Poge [Pogius Bracciolini of Florence] in this manner, that he, being at Ferrara, he saw the said monster and saith yet that the young children were accustomed for to go bathe and wash them within the said river, but they came not all again. Wherefore the women [neither] washed nor laundered their clothes at the said port, for the folk presumed and supposed that the monster killed the young children which were drowned.

The ability to concentrate effectively is limited to about twenty minutes for the human race, after that our efficiency reduces and productivity diminishes. Yet, our work routine often requires eight to ten hours of solid attention, punctuation only by an hour (if we are lucky) at lunch time.

From his headquarters in Los Angeles, Bob Lorsch had entered the prepaid calling card space and built SmarTalk into a success. I was a VP at Salomon at the time and had heard stories about how crazy and fascinating Lorsch was, so I agreed to work with my colleague Mark Davis on a SmarTalk equity offering a year or so after the company’s IPO. We met at their Los Angeles offices at lunchtime. Lorsch burst into the room like a bad caricature of Danny DeVito, and even though I’d been warned that he was an unconventional CEO, I still wasn’t prepared for the encounter. We had put together the standard detailed presentation that analyzed the state of the public equity markets, how the SmarTalk stock had been performing, who owned it, et cetera. A young Salomon analyst who had been pulling all-nighters to assemble the books sat in a chair near the door. Mark and I passed around the presentation books. “So we’ve prepared a—” I started. “Just tell me,” Lorsch interjected. “Do we have Grubman or not?” Jack Grubman, Salomon’s famed equity analyst, had previously endorsed the SmarTalk IPO with a buy rating. “Yes,” Mark said. “We have Jack. We talked to him prior to the meeting and confirmed that he’ll continue to cover the company and support the offering.” “Then you’re hired,” Lorsch said with a smile, pushing his unopened book to the center of the table. “Let’s eat.” It seemed reckless to have made his decision on so little information, and I could only imagine how the analyst kid near the door felt, sleep-deprived and probably proud of his hard work, only to see the book tossed aside without so much as a cracking of the spine. While we ate the catered lunch that was delivered to the conference room, Mark mentioned that I was in the midst of planning my wedding for that summer. “Don’t get married!” Lorsch advised me. “Terrible, terrible idea.” He described a few of his own ill-fated unions, dropping in crude one-liners to punctuate the stories: “Why buy when you can rent? . . . If it flies, floats, or fucks, don’t buy it! . . .” Despite

It's a fact that men don't need words, but women do. We have penises, after all. Who needs words when you have a penis? Whereas with women there are two breasts, which invites conversation, just as a good behind presents perfect punctuation, something every man knows. What's wrong with the world? You ask a man and he says, 'Don't ask.' Ask a woman and you'll be dead of old age before she's finished.

Don't be upset that you can't attain constant happiness. It's the quickest way to feel like a failure in life. If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it's brief-showing up when it's needed and filling tired paragraphs with breaks. Being content is a more attainable constant state. To love your fate without being drunk on euphoria. Brave, determined acceptance removed of bitterness. Be gentle with yourself. Embrace the lows so that you can more effectively enjoy the highs. Love the fight. Love it so much, and let it save you when your emotional muscles have become soft. Kit and I have that. Sometimes, so much joy our hearts ache from it. Sometimes, we have sadness when we're away from Annie or Port Townsend. We feel torn between all the things we love. We fight; we make love. I don't see Muslim again. And after one phone call, I never speak to him again. I hear plenty about him, and I remember our time. And I wonder if you have space in your heart for more than one person. I think you do.

Naturally, reading led to writing. The opposite side of the same coin. I created words with my pen where people didn't giggle and point when I spoke. Where my parents tucked me in. Where I didn't stutter. Where I had chores assigned by a chart on the wall with my name on it. Where the seat at the table was mine and I was missed if the bell rang and I didn't fill it. Where I was always the prince who rescued the princess, the Hobbit who destroyed the ring, the boy who saved Narnia. Where I was Pip. Sometimes I wrote all night. Filling pad after pad. True or make believe mattered little. Life was in the telling. In the exhale. Writing became the outlet for the one-sided conversation inside my head. The only place I knew complete expression. A thought encapsulated. A breath deep enough to fill me. Punctuation with certainty. Writing was how I worked out the goings on the inside. The act of making story made sense of what I couldn't make sense of. Like being an orphan and never being adopted.

It’s a fact that men don’t need words, but women do. We have penises, after all. Who needs words when you have a penis? Whereas with women there are two breasts, which invites conversation, just as a good behind presents perfect punctuation, something every man knows . What’s wrong with the world? You ask a man and he says, ‘Don’t ask.’ Ask a woman and you’ll be dead of old age before she’s finished. Hah. Hah ha.

Sì. Yearned. I have yearned for you. Sono debole. Sono debole. Sono così, così debole.” I am weak, he said, I am so, so weak. He breathed the words into my cleavage, punctuating them with kisses on my breasts. This was awkward. I had promised myself Marco’s freedom if he came to me, bent-kneed and supplicant, primed for fornication. In the days we’d spent together, his conduct was so professional as to be nearly imperious. In truth, he’d been kind of a prick. Marco’s reigning supreme in his empire of meat didn’t make me an underling, yet his behavior toward me verged on bossy. If this was how he treated women on the regular, he didn’t deserve to draw breath, much less be allowed to enter my body. Day after day, as Marco withheld, as he swanned about—as he lorded and puffed his chest and kept referring to me as “la piccola scrittrice,” the little writer, as if I didn’t have decades of experience, two bestselling books, and fluency in Italian—the more I felt he was sealing his own fate. His death was his doing.

Me,” Lenora says, punctuating the word with a sip of wine and a hard swallow. “My father. The real Miss Baker. After what we did, the only surprise is that she didn’t kill us all.

First, you never want to have three or more long paragraphs one after another. That style of writing has been dead for years, and anyone writing that way on the internet is clinging to a way things were but no longer are. Second, if you are going to have long paragraphs one after another, you want to find ways to change up their internal rhythm so they don’t feel or sound exactly the same. One way of doing this is by using punctuation. Have one paragraph with a lot of short, strong sentences. Have the next paragraph be one long, winding sentence. This is what makes them seem “different.” Lastly, notice how before and after both long paragraphs in the above excerpt there are single, declarative sentences. This is very intentional. Again, you want to subtly tell the reader, “I’m going to tell you a quick story—this will only take a second,” before giving them their next mile marker. There’s something about reading a single sentence after a long paragraph that gives a reader the same feeling a listener gets hearing a chord resolve on the piano. Let your chords resolve.

Description: A man walks into a bar. Instruction: Walk into a bar. Exclamation (onomatopoeia): Sigh. Most fiction consists of only description, but good storytelling can mix all three forms. For instance, “A man walks into a bar and orders a margarita. Easy enough. Mix three parts tequila and two parts triple sec with one part lime juice, pour it over ice, and—voilà—that’s a margarita.” Using all three forms of communication creates a natural, conversational style. Description combined with occasional instruction, and punctuated with sound effects or exclamations: It’s how people talk. Instruction addresses the reader, breaking the fourth wall. The verbs are active and punchy. “Walk this way.” Or, “Look for the red house near Ocean Avenue.” And they imply useful, factual information—thus building your authority.

No comma no commas ever a world without punctuation fences gates trespassing signs for a time that’s where I lived there a borderless world there with stunned gratitude there After a time these feelings faded. I fell from the sky. Commas returned, full stops. And with them fences, partitions, borders, the razor wire of relationships. But the memory stayed. The memory never left. Life thrills to life.

In The Success System That Never Fails, W. Clement Stone advises that to sound enthusiastic you must act enthusiastic. If you act enthusiastic your emotions will follow and soon enough you will feel enthusiastic. He offers the following specific advice from his own experience: Talk loudly! This is particularly helpful if you are emotionally upset or if you have “butterflies in your stomach” when you stand before an audience. Talk rapidly! Your mind functions more quickly than you do. Emphasize! Stress words that are important to you or your listeners—a word like you, for example. Hesitate! Talk rapidly, but hesitate where there would be a period, comma, or other punctuation mark in the written words. When you employ the dramatic effect of silence, the mind of the person who is listening catches up with the thoughts you have expressed. Hesitation after a word you wish to emphasize accentuates the emphasis. Keep a smile in your voice! This eliminates gruffness as you talk loudly and rapidly. You can put a smile in your voice by putting a smile on your face, a smile in your eyes. Modulate! This is important if you are speaking for a long period. Remember, you can modulate both pitch and volume. You can speak loudly, but intermittently change to a conversational tone and a lower pitch if you wish. [This is the end of the excerpt from The Success System That Never Fails. The following resumes from How to Sell Your Way Through Life.]

To this end there are three levels of on-site information I am after. The first is actually seeing fish. Sometimes you can’t miss them: they jump or break the surface, or they’re right there in front of you. But normally you have to look. Looking into water takes practice. The surface acts as a partial mirror, which means a lot of interference from reflected light. So I wear polarizing sunglasses to block the worst of this surface glare. Blocking out the sky from my field of view also helps, either with a hand or a peaked hat. This lets my pupils open up, which allows more light, and hence more information, to reach the light-sensitive cells in my retina. I can now see much more detail in the water. But still, in places, the surface is a psychological barrier. This is because our eyes automatically focus on what is most obvious, which may be surface debris or whatever is reflected in the surface. But it’s possible to train our eyes to override this tendency. One of my many short-term jobs was unloading stuff from delivery trucks for a big auto accessories shop. At the back of the shop, there was a two-way mirror, behind which was the manager’s office. This mirror was the old-fashioned type, with vertical strips of clear glass punctuating the silver. Looking at it from the brightly lit shop, customers would see themselves reflected. But if you made your eyes defocus, you would suddenly see into the darker office behind. And once your focus had latched on to something at this deeper level, it was easy to keep it there. (Modern half-silvered mirrors are more difficult.

I walk down to the river to see what it looks like in the rain. Cold drizzle punctuates the smooth green sheet of serene jade in an insistent pizzicato that leaves a succession of ring prints - like many time wet glasses quickly set down and then plucked off a coffee table without coasters. I bring an umbrella, but don't use it. The rain, I finally decide after careful consideration, doesn't mean me any harm. And so I give in to it.

Ouch — ow — gerroff! What the — ? Hermione — OW!” “You — complete — arse — Ronald — Weasley!” She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced. “You — crawl — back — here — after — weeks — and — weeks — oh, where’s my wand?” She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively. “Protego!” The invisible shield erupted between Ron and Hermione: The force of it

Lennon’s behaviour became ever more unpredictable. In the first week of May, with Cynthia on holiday abroad, he spent an evening with Shotton in his music room at Kenwood. Both took LSD, smoked cannabis and made some experimental recordings. Shortly before dawn they fell into silence, which was eventually punctuated by Lennon’s solemn announcement: ‘Pete, I think I’m Jesus Christ.’ Shotton was more than familiar with his friend’s bizarre flights of fancy, but this was a revelation too far. He attempted to pour cold water on Lennon’s sudden eagerness to tell the world of his new identity, perhaps mindful of the ‘More popular than Jesus’ controversy of 1966. ‘They’ll fucking kill you,’ he told Lennon. ‘They won’t accept that, John.’ Lennon grew agitated, telling Shotton that it was his destiny, and that he would inform the other Beatles at Apple. A board meeting was hastily convened that day, attended by the Beatles, Shotton, Taylor and Aspinall. Lennon opened the meeting by solemnly telling the others that he was the second coming of Jesus. ‘Paul, George, Ringo and their closest aides stared back, stunned,’ Shotton said. ‘Even after regaining their powers of speech, nobody presumed to cross-examine John Lennon, or to make light of his announcement. On the other hand, no specific plans were made for the new Messiah, as all agreed that they would need some time to ponder John’s announcement, and to decide upon appropriate further steps.’ The meeting came to an abrupt close, and all agreed to go to a restaurant. As they waited to be seated, a fellow diner recognised Lennon and exchanged pleasantries. ‘Actually,’ Lennon told him, ‘I’m Jesus Christ.’ ‘Oh, really,’ the man replied, seemingly unfazed by the news. ‘Well, I loved your last record. Thought it was great.’328

word in Chinese can consist of one character (e.g. 中 zhōng , central), two characters ( 中国 Zhōngguó , China) or three characters ( 中国人 zhōngguórén , Chinese person/people). In Chinese texts, there is no spacing between characters. Traditionally there was no punctuation either, but this has since been adopted. There is no obvious correlation between how characters are written and how they are pronounced. For example, the following three characters, made up of very different strokes, are all pronounced jing , albeit with different tones: 京 (1st tone) means ‘capital’; 井 (3rd tone) means ‘well’ (as in a water well); and 净 (4th tone) means ‘clean’. 1.5 Simplified and traditional forms of Chinese characters In this section you will learn about traditional and simplified characters and work on some activities. After the founding of the People’s Republic of China in 1949, the Chinese government introduced a range of ‘simplified characters’ ( 简体字 jiăntĭ zì) in an effort to improve the literacy level in the population. About 2,000 characters have been simplified and the rest of the characters remain the same. It is useful to be aware of traditional forms (sometimes

Raging inwardly I go on climbing, dragging my brute after me, punctuating my 'Khaidas' --come on-- with every curse I have ever known, in every language. Not yet being acquainted with Arabic, exceedingly helpful in such cases I am told, German-Swiss seems at the moment endowed with remarkable properties.

No" he concedes. "Being human has made me experience time much differently". After a moment he adds, "I used to hate it. Each minute felt like an eternity, and the only thing to punctuate the monotony of my existence was the chopping off my horse's hooves. I thought I might go mad. "But then things changed once I found you. Now I am absurdly grateful when the sun takes its time setting or rising. I've come to savor it like I do your skin, kismet. Every minute that drags on is one more spent with you and I cannot imagine life ever returning to the way it once was.