Handwriting Day Quotes

A postcard. Neat handwriting fills the rectangle. Half my days I cannot bear to touch you. The rest of my time I feel like it doesn’t matter if I will ever see you again. It isn’t the morality, it’s how much you can bear. No date. No name attached.

For the first forty days a child is given dreams of previous lives. Journeys, winding paths, a hundred small lessons and then the past is erased.

November 20. Andrius's birthday. I had counted the days carefully. I wished him a happy birthday when I woke and thought about him while hauling logs during the day. At night, I sat by the light of the stove, reading Dombey and Son. Krasivaya. I still hadn't found the word. Maybe I'd find it if I jumped ahead. I flipped through some of the pages. A marking caught my eye. I leafed backward. Something was written in pencil in the margin of 278. Hello, Lina. You've gotten to page 278. That's pretty good! I gasped, then pretened I was engrossed in the book. I looked at Andrius's handwritting. I ran my finger over this elongated letters in my name. Were there more? I knew I should read onward. I couldn't wait. I turned though the pages carefully, scanning the margins. Page 300: Are you really on page 300 or are you skipping ahead now? I had to stifle my laughter. Page 322: Dombey and Son is boring. Admit it. Page 364: I'm thinking of you. Page 412: Are you maybe thinking of me? I closed my eyes. Yes, I'm thinking of you. Happy birthday, Andrius.

I think the day handwriting disappears for good is the day humanity is really and truly fucked.

Sergeant Colon owed thirty years of happy marriage to the fact that Mrs. Colon worked all day and Sargent Colon worked all night. They communicated by means of notes. They had three grown-up children, all born, Vimes had assumed, as a result of extremely persuasive handwriting.

I will never have a photograph of her to carry around in my pocket. I will never have a letter in her handwriting, or a scrap-book of everything we've done. I will never share an apartment with her in the city. I will never know if we are listening to the same song at the same time. We will not grow old together. I will not be the person she calls when she's in trouble. She will not be the person I call when I have stories to tell. I will never be able to keep anything she's given to me.

Fear of seeing a police car pull into the drive. Fear of falling asleep at night. Fear of not falling asleep. Fear of the past rising up. Fear of the present taking flight. Fear of the telephone that rings in the dead of night. Fear of electrical storms. Fear of the cleaning woman who has a spot on her cheek! Fear of dogs I've been told won't bite. Fear of anxiety! Fear of having to identify the body of a dead friend. Fear of running out of money. Fear of having too much, though people will not believe this. Fear of psychological profiles. Fear of being late and fear of arriving before anyone else. Fear of my children's handwriting on envelopes. Fear they'll die before I do, and I'll feel guilty. Fear of having to live with my mother in her old age, and mine. Fear of confusion. Fear this day will end on an unhappy note. Fear of waking up to find you gone. Fear of not loving and fear of not loving enough. Fear that what I love will prove lethal to those I love. Fear of death. Fear of living too long. Fear of death. I've said that.

I'm a pretty forgetful guy, but everything she says, I remember. I remember what colour her hair ribbon was when we met on the first day of fifth grade. I remember that she loves orchids because they look delicate but aren't, really. From a single postcard she sent me when traveling with her family two summers ago. I remember what my name looks like in her handwriting.

My sweetheart, my love, my love, my love—do you know what—all the happiness of the world, the riches, power and adventures, all the promises of religions, all the enchantment of nature and even human fame are not worth your two letters. It was a night of horror, terrible anguish, when I imagined that your undelivered letter, stuck at some unknown post office, was being destroyed like a sick little stray dog . . . But today it arrived—and now it seems to me that in the mailbox where it was lying, in the sack where it was shaking, all the other letters absorbed, just by touching it, your unique charm and that that day all Germans received strange wonderful letters—letters that had gone mad because they had touched your handwriting. The thought that you exist is so divinely blissful in itself that it is ridiculous to talk about the everyday sadness of separation—a week’s, ten days’—what does it matter? since my whole life belongs to you. I wake at night and know that you are together with me,—I sense your sweet long legs, your neck through your hair, your trembling eyelashes—and then such happiness, such simmering bliss follows me in my dreams that I simply suffocate . . .

In Paris the swaying lanterns are lit in the streets; lights shine through water, fuzzy, diffuse. Saint-Just sits by an insufficient fire, in a poor light. He is a Spartan after all, and Spartans don’t need home comforts. He has begun his report, his list of accusations; if Robespierre saw it now, he would tear it up, but in a few days’ time it will be the very thing he needs. Sometimes he stops, half-glances over his shoulder. He feels someone has come into the room behind him; but when he allows himself to look, there is nothing to see. It is my destiny, he feels, forming in the shadows of the room. It is the guardian angel I had, long ago when I was a child. It is Camille Desmoulins, looking over my shoulder, laughing at my grammar. He pauses for a moment. He thinks, there are no living ghosts. He takes hold of himself. Bends his head over his task. His pen scratches. His strange letterforms incise the paper. His handwriting is minute. He gets a lot of words to the page.

The life of Shakespeare is a fine mystery and I tremble every day lest something turn up.

That must have been some serious Island voodoo: the ending I saw in the cave came true. The next day we went back to the United States. Five months later I got a letter from my ex-baby. I was dating someone new, but Magda’s handwriting still blasted every molecule of air out of my lungs. It turned out she was also going out with somebody else. A very nice guy she’d met. Dominican, like me. Except he loves me, she wrote. But I’m getting ahead of myself. I need to finish by showing you what kind of fool I was. When I returned to the bungalow that night, Magda was waiting up for me. Was packed, looked like she’d been bawling. I’m going home tomorrow, she said. I sat down next to her. Took her hand. This can work, I said. All we have to do is try.

One day when I woke up I found him reading my papers. It was as though he were violating my body. Maybe if he had violated my body it would have been less painful. I said: ‘Those are my papers and you have no right to read them.’ His answer was to pick up the pile of papers and throw them out of the window. I jumped out of the window thinking I would be able to save them from being lost. I would have killed myself, broken my head on the tarmac road. It was not a moment of madness. I was perfectly aware of what I was doing. I had worked on my novel day and night for months, and then had covered three hundred pages with my handwriting. To me, rescuing the novel was like saving my life.

I wish I could stop caring. And the day after that, scrawled in the margin in jagged, shaky letters almost entirely unlike his usual handwriting: I know how to do that.

The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.

She recognizes the cramped handwriting, the internecine, slashing script. She has studied it under the gaze of the Institute Librarian, in locked rooms -- she even, in the early, giddy days of her conversion, practiced Fulton's handwriting for hours. Knows the ink. . . . Here it is now, on the familiar notebook paper Fulton preferred. She tracked down the manufacturer once; they have a plant across the river where they still turn out the Fontaine line.

He pointed to the board where the word 'alliteration' had been written in handwriting far better than mine, which on good days looks like it came from the hand of a blind doctor writing his own morphine scripts in an earthquake.

Anne had wandered down the the Dryard's Bubble and was curled up among the ferns at the root of the n=big white birch where sher and Gilbert had so often sat ion summers gone by. Hew had gone into the newspaper office again when college was closed, and Avonlea seemed very dull without him. He never wrote to her, and Anne missed the letters that neer came. To be sure, Roy wrote twice a week; his letters were exquisite compositions which would have read beautifully in a memoir or biography. Anne felt herself more deeply in love with him that ever when she read the; but her heart never game that queer, quick, painful bound at sight of his letters which had given one day when Mrs. Hiram Sloane had handed her out an envelope addressed in Gilbert's black, upright handwriting. Anne had hurried home to the east gable and opened it eagrly--to find a typewritten copy of some college society report--"only that and nothing more." Anne flung the harmless screed across her room and sat down to write and especially nice epistle to Roy

Did I ever tell you that my mother and father started out as pen pals? They wrote these long, unabashedly affectionate love letters to one another, peppered with clichés and pie-in-the-sky proclamations of eternal devotion. Despite my father’s eventual dishonesty and unfaithfulness, I have to believe he meant every word he wrote at that time, and it was admittedly romantic, uncovering my parents’ yellowed letters, all soft, crumbling corners and black ink stains, one rainy afternoon. Because how can anyone scrawl lies, really, in their own handwriting, the evidence of your own betrayal right in front of you? I sat cross-legged on the floor, holding my breath as I unfolded each letter, fragile and expectant, like a little girl opening her presents on Christmas morning. I sat there and soaked up my parents’ love for each other, and then I wondered where all those feelings had escaped to. I wondered where love went when it was lost—did it travel far, across miles and oceans and forests and deserts, or did it linger somewhere nearby, just waiting for a chance to be summoned again? Wherever it was, I could only hope it had ended up settling somewhere quieter, safer.

There was a girl, and her uncle sold her, wrote Mr. Ibis in his perfect copperplate handwriting. That is the tale; the rest is detail. There are stories that are true, in which each individual’s tale is unique and tragic, and the worst of the tragedy is that we have heard it before, and we cannot allow ourselves to feel it too deeply. We build a shell around it like an oyster dealing with a painful particle of grit, coating it with smooth pearl layers in order to cope. This is how we walk and talk and function, day in, day out, immune to others’ pain and loss. If it were to touch us it would cripple us or make saints of us; but, for the most part, it does not touch us. We cannot allow it to. Tonight, as you eat, reflect if you can: there are children starving in the world, starving in numbers larger than the mind can easily hold, up in the big numbers where an error of a million here, a million there, can be forgiven. It may be uncomfortable for you to reflect upon this or it may not, but still, you will eat. There are accounts which, if we open our hearts to them, will cut us too deeply. Look—here is a good man, good by his own lights and the lights of his friends: he is faithful and true to his wife, he adores and lavishes attention on his little children, he cares about his country, he does his job punctiliously, as best he can. So, efficiently and good-naturedly, he exterminates Jews: he appreciates the music that plays in the background to pacify them; he advises the Jews not to forget their identification numbers as they go into the showers—many people, he tells them, forget their numbers, and take the wrong clothes, when they come out of the showers. This calms the Jews: there will be life, they assure themselves, after the showers. And they are wrong. Our man supervises the detail taking the bodies to the ovens; and if there is anything he feels bad about, it is that he still allows the gassing of vermin to affect him. Were he a truly good man, he knows, he would feel nothing but joy, as the earth is cleansed of its pests. Leave him; he cuts too deep. He is too close to us and it hurts.

Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I'm crushed when the day ends and I haven't said anything to you that isn't coated in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if this were an essay, here's the thesis statement: I'm in love with you, Rowan Roth. Please don't make too much fun of me at graduation? Yours, Neil P. McNair

Writing with a biro is the emotional equivalent of giving your loved one a plastic rose on Valentine’s Day.

Are you saying people aren’t interested in the truth?” “Listen, what’s true to a lot of people is that they need the money for the rent by the end of the week. Look at Mr. Ron and his friends. What’s the truth mean to them? They live under a bridge!” She held up a piece of lined paper, crammed edge to edge with the careful looped handwriting of someone for whom holding a pen was not a familiar activity. “This is a report of the annual meeting of the Ankh-Morpork Caged Birds Society,” she said. “They’re just ordinary people who breed canaries and things as a hobby. Their chairman lives next door to me, which is why he gave me this. This stuff is important to him! My goodness, but it’s dull. It’s all about Best of Breed and some changes in the rules about parrots which they argued about for two hours. But the people who were arguing were people who mostly spend their day mincing meat or sawing wood and basically leading little lives that are controlled by other people, do you see? They’ve got no say in who runs the city but they can damn well see to it that cockatoos aren’t lumped in with parrots. It’s not their fault. It’s just how things are. Why are you sitting there with your mouth open like that?

Leather spines, cracked with age. Yellowed pages with preservation spells wearing off. Plus, witches have terrible handwriting, making their scrawled spells uneven and almost illegible on the parchment. Give me an eBook any day.

Have you heard from his lordship lately?” I asked. “Oh no! About six months ago I had indeed one little note, but I gave it to Macara by mistake, and really I don’t know what became of it afterwards.” “Did Macara express hot sentiment of incipient jealousy on thus accidentally learning that you had not entirely dropped all correspondence with the noble Earl?” “Yes. He said he thought the note was very civilly expressed, and wished me to answer it in terms equally polite.” “Good! And you did so?” “Of course. I penned an elegant billet on a sheet of rose-tinted note-paper, and sealed it with a pretty green seal bearing the device of twin hearts consumed by the same flame. Some misunderstanding must have occurred, though, for in two or three days afterwards I received it back unopened and carefully enclosed in a cover. The direction was not in his lordship’s hand-writing: Macara told me he thought it was the Countess’s.

I found, tucked between two books, two envelopes, our names in his handwriting. I opened my envelope, my heart thrumming, and saw my name - Dear Harold - and read his note from decades ago, from the day of his adoption and cried, sobbed, really, and then I slipped the disc into the computer and heard his voice, and although I would have cried anyway for its beauty, I cried more because it was his. And then Julia came home and found me and read her note and we cried all over again.

As the days grew longer our father began spending more and more time alone in his room. He stopped reading the newspaper. He no longer listened to Dr. IQ. with us on the radio. "There's already enough noise in my head," he explained. The handwriting in his notebook grew smaller and fainter and then disappeared from the page altogether. Now whenever we passed by his door we saw him sitting on the edge of his bed with his hands in his lap, staring out through the window as though he were waiting for something to happen. Sometimes he'd get dressed and put on his coat but he could not make himself walk out the front door. In the evening he often went to bed early, at seven, right after supper - 'Might as well get the day over with' - but he slept poorly and woke often from the same recurring dream: It was five minutes past curfew and he was trapped outside, in the world, on the wrong side of the fence. "I've got to get back,' he'd wake up shouting. 'You're home now,' our mother would remind him. 'It's all right. You can stay.

The house was inherited. Death had furnished it for her. She trod in the dining-room on the Turkey carpet of her fathers; she regulated her day by the excellent black clock on the mantelpiece which she remembered from childhood; her walls were entirely covered by the photographs her illustrious deceased friends had either given herself or her father, with their own handwriting across the lower parts of their bodies, and the windows, shrouded by the maroon curtains of all her life, were decorated besides with the selfsame aquariums to which she owed her first lessons in sealore, and in which still swam slowly the goldfishes of her youth.

The odd sensation I had while cooking would often last through the meal, then dissolve as I climbed the stairs. I would enter my room and discover the homework books I had left on the bed had disappeared into my backpack. I’d look inside my books and be shocked to find that the homework had been done. Sometimes it had been done well, at others it was slapdash, the writing careless, my own handwriting but scrawled across the page. As I read the work through, I would get the creepy feeling that someone was watching me. I would turn quickly, trying to catch them out, but the door would be closed. There was never anyone there. Just me. My throat would turn dry. My shoulders would feel numb. The tic in my neck would start dancing as if an insect was burrowing beneath the surface of the skin. The symptoms would intensify into migraines that lasted for days and did not respond to treatment or drugs. The attack would come like a sudden storm, blow itself out of its own accord or unexpectedly vanish. Objects repeatedly went missing: a favourite pen, a cassette, money. They usually turned up, although once the money had gone it had gone for ever and I would find in the chest of drawers a T-shirt I didn’t remember buying, a Depeche Mode cassette I didn’t like, a box of sketching pencils, some Lego.

It was our passion for words and our ardent desire to write that drew me and Michael together, and the same that drove us apart. Michael wanted to be a great playwright, like the former master Molière. He had high ambitions and scorned what I wrote as frivolous and feminine. ‘All these disguises and duels and abductions,’ he said contemptuously, one day a year or so after our affair began, slapping down the pile of paper covered with my sprawling handwriting. ‘All these desperate love affairs. And you wish me to take you seriously.’ ‘I like disguises and duels.’ I sat bolt upright on the edge of my bed. ‘Better than those dreary boring plays you write. At least something happens in my stories.’ ‘At least my plays are about something.’ ‘My stories are about something too. Just because they aren’t boring doesn’t mean they aren’t worthy.’ ‘What are they about? Love’ He clasped his hands together near his ear and fluttered his eyelashes.’ ‘Yes, love. What’s wrong with writing about love? Everyone longs for love.’ ‘Aren’t there enough love stories in the world without adding to them? ‘Isn’t there enough misery and tragedy?’ Michael snorted with contempt. ‘What’s wrong with wanting to be happy? ‘It’s sugary and sentimental.’ ‘Sugary? I’m not sugary.’ I was so angry that I hurled my shoes at his head.

Most people don’t get (or want) to look at old news footage, but we looked at thirty years of stories relating to motherhood. In the 1970s, with the exception of various welfare reform proposals, there was almost nothing in the network news about motherhood, working mothers, or childcare. And when you go back and watch news footage from 1972, for example, all you see is John Chancellor at NBC in black and white reading the news with no illustrating graphics, or Walter Cronkite sitting in front of a map of the world that one of the Rugrats could have drawn–that’s it. But by the 1980s, the explosion in the number of working mothers, the desperate need for day care, sci-fi level reproductive technologies, the discovery of how widespread child abuse was–all this was newsworthy. At the same time, the network news shows were becoming more flashy and sensationalistic in their efforts to compete with tabloid TV offerings like A Current Affair and America’s Most Wanted. NBC, for example introduced a story about day care centers in 1984 with a beat-up Raggedy Ann doll lying limp next to a chair with the huge words Child Abuse scrawled next to her in what appeared to be Charles Manson’s handwriting. So stories that were titillating, that could be really tarted up, that were about children and sex, or children and violence–well, they just got more coverage than why Senator Rope-a-Dope refused to vote for decent day care. From the McMartin day-care scandal and missing children to Susan Smith and murdering nannies, the barrage of kids-in-jeopardy, ‘innocence corrupted’ stories made mothers feel they had to guard their kids with the same intensity as the secret service guys watching POTUS.

Late in the day, she found a folded piece of paper in her pocket. She recognized August’s handwriting. A fragment for my friend— If your soul left this earth I would follow and find you Silent, my starship suspended in night She’d never seen his poetry before and was impossibly moved by it. “Thank you,” she said when she saw him next. He nodded.

Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I"m crushed when the day ends and I haven't said anything to you that isn't cloaked in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if it were an essay, here's the thesis statement. I am in love with you, Rowan Roth Please don't make too much fun of me at graduation? Yours, Neil P. McNair

The alternation of day and night is merely a physical phenomenon, time is a question of being human and, frankly, how could I consider myself a human being, I who have only known thirty-nine people and all of them women? I think that time must have something to do with the duration of pregnancies, the growth of children, all those things that I haven’t experienced. If someone spoke to me, there would be time, the beginning and end of what they said to me, the moment when I answered, their response. The briefest conversation creates time. Perhaps I have tried to create time through writing these pages. I begin, I fill them with words, I pile them up, and I still don’t exist because nobody is reading them. I am writing them for some unknown reader who will probably never come—I am not even sure that humanity has survived that mysterious event that governed my life. But if that person comes, they will read them and I will have a time in their mind. They will have my thoughts in them. The reader and I thus mingled will constitute something living, that will not be me, because I will be dead, and will not be that person as they were before reading, because my story, added to their mind, will then become part of their thinking. I will only be truly dead if nobody ever comes, if the centuries, then the millennia go by for so long that this planet, which I no longer believe is Earth, no longer exists. As long as the sheets of paper covered in my handwriting lie on this table, I can become a reality in someone’s mind. Then everything will be obliterated, the suns will burn out and I will disappear like the universe.

I pick up the tattoo gun, comfortable with the weight of it in my hand these days. “You never told me what you want me to put on you.” Flippantly, Nick says, “It’ll be easy. No templates. No drawings. I just want two letters in your own handwriting.” His fingertips trace over the area. “L.B.” Face growing hotter, I realize, “For Little Bird.” His eyes hold mine for a heartbeat, the muscle in the back of his jaw ticcing. “Yeah, for Little Bird.

From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.

But it still hurt anyway. You know a guy a long time, and I mean really know him, you don’t get used to the idea that he’s dead just overnight. Johnny was something more than a buddy to all of us. I guess he had listened to more beefs and more problems from more people than any of us. A guy that’ll really listen to you, listen and care about what you’re saying, is something rare. And I couldn’t forget him telling me that he hadn’t done enough, hadn’t been out of our neighborhood all his life—and then it was too late. I took a deep breath and opened the book. A slip of paper fell out on the floor and I picked it up. Ponyboy, I asked the nurse to give you this book so you could finish it. It was Johnny’s handwriting. I went on reading, almost hearing Johnny’s quiet voice. The doctor came in a while ago but I knew anyway. I keep getting tireder and tireder. Listen, I don’t mind dying now. It’s worth it. It’s worth saving those kids. Their lives are worth more than mine, they have more to live for. Some of their parents came by to thank me and I know it was worth it. Tell Dally it’s worth it. I’m just going to miss you guys. I’ve been thinking about it, and that poem, that guy that wrote it, he meant you’re gold when you’re a kid, like green. When you’re a kid everything’s new, dawn. It’s just when you get used to everything that it’s day. Like the way you dig sunsets, Pony. That’s gold. Keep that way, it’s a good way to be. I want you to tell Dally to look at one. He’ll probably think you’re crazy, but ask for me. I don’t think he’s ever really seen a sunset. And don’t be so bugged over being a greaser. You still have a lot of time to make yourself be what you want. There’s still lots of good in the world. Tell Dally. I don’t think he knows. Your buddy, Johnny.

The same mode of symbolising the justification by works had evidently been in use in Babylon itself; and, therefore, there was great force in the Divine handwriting on the wall, when the doom of Belshazzar went forth: "Tekel," "Thou art weighed in the balances, and art found wanting." In the Parsee system, which has largely borrowed from Chaldea, the principle of weighing the good deeds over against the bad deeds is fully developed. "For three days after dissolution," says Vaux, in his Nineveh and Persepolis, giving an account of Parsee doctrines in regard to the dead, "the soul is supposed to flit round its tenement of clay, in hopes of reunion; on the fourth, the Angel Seroch appears, and conducts it to the bridge of Chinevad. On this structure, which they assert connects heaven and earth, sits the Angel of Justice, to weigh the actions of mortals; when the good deeds prevail, the soul is met on the bridge by a dazzling figure, which says, "I am thy good angel; I was pure originally, but thy good deeds have rendered me purer;' and passing his hand over the neck of the blessed soul, leads it to Paradise. If iniquities preponderate, the soul is met by a hideous spectre, which howls out, 'I am thy evil genius; I was impure from the first, but thy misdeeds have made me fouler; through the we shall remain miserable until the resurrection;' the sinning soul is then dragged away to hell, where Ahriman sits to taunt it with its crimes." Such is the doctrine of Parseeism.

In a dream I sometimes have, I am frantically trying to save as much as I can from my childhood home before I am forced to leave forever because of some disaster. In this dream, from which I awake with my jaw clenched like a fist, I grab whatever I can reach, take whatever I can carry. Always my childhood books and our family photo albums, but sometimes also the silver candlesticks, the things on my father's desk, the paintings on the walls. Maybe it comes from the speed with which my family changed shape one day, maybe it comes from moving, maybe it comes from my grandmother's hinted horror of losing everything in the Holocaust, but I cannot part with a dented pot that I remember my mother putting on the stove each week. Or the sofa my father bought with his first pay cheque, which was never comfortable when I was growing up and is not comfortable now. I cannot part with the lipstick I found softly rolling in an empty drawer months after my mother left. Or a shopping list on an envelope in her handwriting. In a world that changes so quickly, and where everyone eventually leaves, our stuff is the one thing we can trust. It testifies, through the mute medium of Things, that we were part of something greater than ourselves.

As Mollie said to Dailey in the 1890s: "I am told that there are five other Mollie Fanchers, who together, make the whole of the one Mollie Fancher, known to the world; who they are and what they are I cannot tell or explain, I can only conjecture." Dailey described five distinct Mollies, each with a different name, each of whom he met (as did Aunt Susan and a family friend, George Sargent). According to Susan Crosby, the first additional personality appeared some three years after the after the nine-year trance, or around 1878. The dominant Mollie, the one who functioned most of the time and was known to everyone as Mollie Fancher, was designated Sunbeam (the names were devised by Sargent, as he met each of the personalities). The four other personalities came out only at night, after eleven, when Mollie would have her usual spasm and trance. The first to appear was always Idol, who shared Sunbeam's memories of childhood and adolescence but had no memory of the horsecar accident. Idol was very jealous of Sunbeam's accomplishments, and would sometimes unravel her embroidery or hide her work. Idol and Sunbeam wrote with different handwriting, and at times penned letters to each other. The next personality Sargent named Rosebud: "It was the sweetest little child's face," he described, "the voice and accent that of a little child." Rosebud said she was seven years old, and had Mollie's memories of early childhood: her first teacher's name, the streets on which she had lived, children's songs. She wrote with a child's handwriting, upper- and lowercase letters mixed. When Dailey questioned Rosebud about her mother, she answered that she was sick and had gone away, and that she did not know when she would be coming back. As to where she lived, she answered "Fulton Street," where the Fanchers had lived before moving to Gates Avenue. Pearl, the fourth personality, was evidently in her late teens. Sargent described her as very spiritual, sweet in expression, cultured and agreeable: "She remembers Professor West [principal of Brooklyn Heights Seminary], and her school days and friends up to about the sixteenth year in the life of Mollie Fancher. She pronounces her words with an accent peculiar to young ladies of about 1865." Ruby, the last Mollie, was vivacious, humorous, bright, witty. "She does everything with a dash," said Sargent. "What mystifies me about 'Ruby,' and distinguishes her from the others, is that she does not, in her conversations with me, go much into the life of Mollie Fancher. She has the air of knowing a good deal more than she tells.

...[T]hough the whole point of his "Current Shorthand" is that it can express every sound in the language perfectly, vowels as well as consonants, and that your hand has to make no stroke except the easy and current ones with which you write m, n, and u, l, p, and q, scribbling them at whatever angle comes easiest to you, his unfortunate determination to make this remarkable and quite legible script serve also as a Shorthand reduced it in his own practice to the most inscrutable of cryptograms. His true objective was the provision of a full, accurate, legible script for our noble but ill-dressed language; but he was led past that by his contempt for the popular Pitman system of Shorthand, which he called the Pitfall system. The triumph of Pitman was a triumph of business organization: there was a weekly paper to persuade you to learn Pitman: there were cheap textbooks and exercise books and transcripts of speeches for you to copy, and schools where experienced teachers coached you up to the necessary proficiency. Sweet could not organize his market in that fashion. He might as well have been the Sybil who tore up the leaves of prophecy that nobody would attend to. The four and six-penny manual, mostly in his lithographed handwriting, that was never vulgarly advertized, may perhaps some day be taken up by a syndicate and pushed upon the public as The Times pushed the Encyclopaedia Britannica; but until then it will certainly not prevail against Pitman.

One letter was addressed to me personally in large, shaky handwriting with little circles over the i's instead of dots. [...] It was from Sid. Dear Debbie [Nancy's mother], Thank you for phoning me the other night. It was so comforting to hear your voice. You are the only person who really understands how much Nancy and I love each other. Every day without Nancy gets worse and worse. I just hope that when I die I go the same place as her. Otherwise I will never find peace. Frank [Nancy's father] said in the paper that Nancy was born in pain and lived in pain all her life. When I first met her, and for about six months after that, I spent practically the whole time in tears. Her pain was just too much to bear. Because, you see, I felt Nancy's pain as though it were my own, worse even. But she said that I must be strong for her or otherwise she would have to leave me. So I became strong for her, and she began to stop having asthma attacks and seemed to be going through a lot less pain. [Nancy had had asthma since she was a child.] I realized that she had never known love and was desperately searching for someone to love her. It was the only thing she really needed. I gave her the love that she needed so badly and it comforts me to know that I made her very happy during the time we were together, where she had only known unhappiness before. Oh Debbie, I love her with such passion. Every day is agony without her. I know now that it is possible to die from a broken heart. Because when you love someone as much as we love each other, they become fundamental to your existence. So I will die soon, even if I don't kill myself. I guess you could say that I'm pining for her. I could live without food or .water longer than I'm going to survive without Nancy. Thank you so much for understanding us, Debbie. It means so much to me, and I know it meant a lot to Nancy. She really loves you, and so do I. How did she know when she was going to die? I always prayed that she was wrong, but deep inside I knew she was right. Nancy was a very special person, too beautiful for this world. I feel so privileged to have loved her and been loved by her. Oh Debbie, it was such a beautiful love. I can't go on without it. When we first met, we knew we were made for each other, and fell in love with each other immediately. We were totally inseparable and were never apart. We had certain telepathic abilities, too. I remember about nine months after we met, I left Nancy for a while. After a couple of weeks of being apart, I had a strange feeling that Nancy was dying. I went straight to the place she was staying and when I saw her, I knew it was true. I took her home with me and nursed her back to health, but I knew that if I hadn't bothered she would have died. Nancy was just a poor baby, desperate for love. It made me so happy to give her love, and believe me, no man ever loved a woman with such burning passion as I love Nancy. I never even looked at others. No one was as beautiful as my Nancy. Enclosed is a poem I wrote for her. It kind of sums up how much I love her. If possible, I would love to see you before I die. You are the only one who understood. Love, Sid XXX.

Elizabeth?” Ian said in a clipped voice. She whirled around, her heart slamming against her ribs, her hand flying to her throat, her knees turning to jelly. “What’s wrong?” he asked. “You-you startled me,” she said as he strolled up to her, his expression oddly impassive. “I didn’t expect you to come here,” she added nervously. “Really?” he mocked. “Whom did you expect after that note-the Prince of Wales?” The note! Crazily, her first thought after realizing ti was from him, not Valerie, was that for an articulate man his handwriting verged on the illiterate. Her second thought was that he seemed angry about something. He didn’t keep her long in doubt as to the reason. “Suppose you tell me how, during the entire afternoon we spent together, you neglected to mention that you are Lady Elizabeth?” Elizabeth wondered a little frantically how he’d feel if he knew she was the Countess of Havenhurst, not merely the eldest daughter of some minor noble or knight. “Start talking, love. I’m listening.” Elizabeth backed away a step. “Since you don’t want to talk,” he bit out, reaching for her arms, “is this all you wanted from me?” “No!” she said hastily, backing out of his reach. “I’d rather talk.” He stepped forward, and Elizabeth took another step backward, exclaiming, “I mean, there are so many interesting topics for conversation, are there not?” “Are there?” he asked, moving forward again. “Yes,” she exclaimed, taking two steps back this time. Snatching at the first topic she could think of, she pointed to the table of hyacinths beside her and exclaimed, “A-Aren’t these hyacinths lovely?” “Lovely,” he agreed without looking at them, and he reached for her shoulders, obviously intending to draw her forward. Elizabeth jumped back so swiftly that his fingers merely grazed the gauze fabric of her gown. “Hyacinths,” she babbled with frantic determination as he began stalking her step for step, pas the table of potted pansies, past the table of potted lilies, “are part of genus Hyacinthus, although the cultivated variety, which we have here, is commonly called the Dutch hyacinth, which is part of H. orientalis-“ “Elizabeth,” he interrupted silkily, “I’m not interested in flowers.” He reached for her again, and Elizabeth, in a frantic attempt to evade his grasp, snatched up a pot of hyacinths and dumped it into his outstretched hands. “There is a mythological background to hyacinths that you may find more interesting than the flower itself,” she continued fiercely, and an indescribable expression of disbelief, amusement, and fascination suddenly seemed to flicker across his face. “You see, the hyacinth is actually named for a handsome Spartan youth-Hyacinthus-who was loved by Apollo and by Zephyrus, god of the west wind. One day Zephyrus was teaching Hyacinthus to throw the discus, and he accidentally killed him. It is said that Hyacinthus’s blood caused a flower to spring up, and each petal was inscribed with the Greek exclamation of sorrow.” Her voice trembled a little as he purposefully set the pot of hyacinths on the table. “A-Actually, the flower that sprang up would have been the iris or larkspur, not the modern hyacinth, but that is how it earned its name.” “Fascinating.” His unfathomable eyes locked onto hers. Elizabeth knew he was referring to her and not the history of the hyacinth, and though she commanded herself to move out of his reach, her legs refused to budge.

My greetings and constant love to Emory and my grandchildren. I am well and continue to make my rounds with the news of the day and as always am well-received in the towns of which we have more than a few now as the Century grows older and the population increases so that large crowds come to hear reportage of distant places as well as those nearby. I enjoy good health as always and hope that Emory is doing well using his left hand now and look forward to an example of his handwriting. It is true what Elizabeth has said about employment for a one-armed man but that concerns manual labor only and at any rate there should be some consideration for a man who has lost a limb in the war. As soon as he is adept with his left I am sure he will consider Typesetting, Accounting, Etc. & Etc. Olympia is I am sure a steady rock to you all. Olympia’s husband, Mason, had been killed at Adairsville, during Johnston’s retreat toward Atlanta. The man was too big to be a human being and too small to be a locomotive. He had been shot out of the tower of the Bardsley mansion and when he fell three stories and struck the ground he probably made a hole big enough to bury a hog in. The Captain’s younger daughter, Olympia, was in reality a woman who affected helplessness and refinement and had never been able to pull a turnip from the garden without weeping over the poor, dear thing. She fluttered and gasped and incessantly tried to demonstrate how sensitive she was. Mason was a perfect foil and then the Yankees went and killed him. Olympia was now living with Elizabeth and Emory in the remains of their farm in New Hope Church, Georgia, and was quite likely a heavy weight. He put one hand to his forehead. My youngest daughter is in reality a bore. There was a pounding on the wall: Kep-dun! Kep-dun!

DEAR YOUNG DEMIGOD, Your destiny awaits. Now that you have discovered your true parentage, you must prepare yourself for a difficult future—fighting monsters, adventuring across the world, and dealing with temperamental Greek and Roman gods. I don’t envy you. I hope this volume will help you on your journeys. I had to think long and hard before publishing these stories, as they were given to me in the strictest confidence. However, your survival comes first, and this book will give you an inside look at the world of demigods—information that may help keep you alive. We’ll begin with “The Diary of Luke Castellan.” Over the years, many readers and campers at Camp Half-Blood have asked me to tell the story of Luke’s early days, adventuring with Thalia and Annabeth before they arrived at camp. I have been reluctant to do this, as neither Annabeth nor Thalia likes to talk about those times. The only information I have is recorded in Luke’s own handwriting, in his original diary given to me by Chiron. I think it’s time, though, to share a little of Luke’s story. It may help us understand what went wrong for such a promising young demigod. In this excerpt you will find out how Thalia and Luke arrived in Richmond, Virginia, chasing a magic goat, how they were almost destroyed in a house of horrors, and how they met a young girl named Annabeth. I have also included a map of Halcyon Green’s house in Richmond. Despite the damage described in the story, the house has been rebuilt, which is very troubling. If you go there, be careful. It may still contain treasures. But it most assuredly contains monsters and traps as well. Our second story will definitely get me in trouble with Hermes. “Percy Jackson and the Staff of Hermes” describes an embarrassing incident for the god of travelers, which he hoped to solve quietly with

The next morning I told Mom I couldn’t go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I’m sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What’s everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry—” “Who’s Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no raison d’être, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper . . . ” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn’t leave while I was still going. “ . . . domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity at school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years—

THE THING THAT ENTRANCED ME about Chicago in the Gilded Age was the city’s willingness to take on the impossible in the name of civic honor, a concept so removed from the modern psyche that two wise readers of early drafts of this book wondered why Chicago was so avid to win the world’s fair in the first place. The juxtaposition of pride and unfathomed evil struck me as offering powerful insights into the nature of men and their ambitions. The more I read about the fair, the more entranced I became. That George Ferris would attempt to build something so big and novel—and that he would succeed on his first try—seems, in this day of liability lawsuits, almost beyond comprehension. A rich seam of information exists about the fair and about Daniel Burnham in the beautifully run archives of the Chicago Historical Society and the Ryerson and Burnham libraries of the Art Institute of Chicago. I acquired a nice base of information from the University of Washington’s Suzallo Library, one of the finest and most efficient libraries I have encountered. I also visited the Library of Congress in Washington, where I spent a good many happy hours immersed in the papers of Frederick Law Olmsted, though my happiness was at times strained by trying to decipher Olmsted’s execrable handwriting. I read—and mined—dozens of books about Burnham, Chicago, the exposition, and the late Victorian era. Several proved consistently valuable: Thomas Hines’s Burnham of Chicago (1974); Laura Wood Roper’s FLO: A Biography of Frederick Law Olmsted (1973); and Witold Rybczynski’s A Clearing in the Distance (1999). One book in particular, City of the Century by Donald L. Miller (1996), became an invaluable companion in my journey through old Chicago. I found four guidebooks to be especially useful: Alice Sinkevitch’s AIA Guide to Chicago (1993); Matt Hucke and Ursula Bielski’s Graveyards of Chicago (1999); John Flinn’s Official Guide to the World’s Columbian Exposition (1893); and Rand, McNally & Co.’ s Handbook to the World’s Columbian Exposition (1893). Hucke and Bielski’s guide led me to pay a visit to Graceland Cemetery, an utterly charming haven where, paradoxically, history comes alive.

I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.' 'They're all there the notes the things, places, events, and even smalls, maybe spelled incorrectly, but there regardless, all have gone in this book of life I call- Sh-h as if making the most long-spun book in the world, with all my pages, are thick; all pasted, shoved and slammed together, furthermore mismatched, yet all has been said, in my enchanting written long run-ons of memories, the way I fancy to remember.

Brain waves are like personal handwriting.

Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student. The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day. She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what. The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter. “Wow. Thanks! This is the coolest!” “I didn’t think anyone even noticed me!” “Someone thinks I’m beautiful?” Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful. About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them. Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes. Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.” Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home.

Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student. The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day. She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what. The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter. “Wow. Thanks! This is the coolest!” “I didn’t think anyone even noticed me!” “Someone thinks I’m beautiful?” Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful. About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them. Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes. Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.” Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home. Helen the teacher was a “people builder.” She instinctively found ways to build up her students. Being a people builder means you consistently find ways to invest in and bring out the best in others. You give without asking for anything in return. You offer advice, speak faith into them, build their confidence, and challenge them to go higher. I’ve found that all most people need is a boost. All they need is a little push, a little encouragement, to become what God has created them to be. The fact is, none of us will reach our highest potential by ourselves. We need one another. You can be the one to tip the scales for someone else. You can be the one to stir up their seeds of greatness.

Sergeant Colon owed thirty years of happy marriage to the fact that Mrs. Colon worked all day and Sergeant Colon worked all night. They communicated by means of notes. He got her tea ready before he left at night, she left his breakfast nice and hot in the oven in the mornings. They had three grown-up children, all born, Vimes had assumed, as a result of extremely persuasive handwriting.

We're supposed to stick a thermometer in our ear every day before school, and get our guardians to sign it, to prove that we aren't going into school while we're sick, as if this is something any kid would do. Most of us fake a number between thirty-six and thirty-seven degrees Celsius on the school bus in the morning, and sign it in a sloppy imitation of our parents' handwriting, often with their blessing.

I suppose the family claimed that the balance of her mind had been disturbed, that there had been undue influence?” “I think probably it might have come to that,” said Spence. “But the lawyers, as I say, got on to the forgery sharply. It was not a very convincing forgery, apparently. They spotted it almost at once.” “Things came to light to show that the opera girl could have done it quite easily,” said Elspeth. “You see, she wrote a great many of Mrs. Llewellyn-Smythe’s letters for her and it seems Mrs. Llewellyn-Smythe had a great dislike of typed letters being sent to friends or anything like that. If it wasn’t a business letter, she’d always say ‘write it in handwriting and make it as much like mine as you can and sign it with my name.’ Mrs. Minden, the cleaning woman, heard her say that one day, and I suppose the girl got used to doing it and copying her employer’s handwriting and then it came to her suddenly that she could do this and get away with it. And that’s how it all came about. But as I say, the lawyers were too sharp and spotted it.

[It] strikes me that my morning walks are like Post-it Notes to myself, the kind my mom put on my bathroom mirror when I was a kid. Unlike hers, they convey no information—no went to Star Market, no clean up your room. They just say: look around, go slowly, feel yourself a part of something bigger than yourself. Such a Post-it on my bathroom mirror would make me cringe. But to write and read it by walking just feels practical. Without the walk, I feel as though I’ve forgotten to do something important, something without which the rest of my day will go sideways. At bottom, maybe that’s what prayer is. A kind of note to yourself, with your God looking on, written in your religion’s handwriting, to remind you of whatever you think you need to be reminded of—to remind you how to live a better life. Maybe all the major religions knew that how you started your day would effectively be a prayer anyway, that whatever you do every morning, whatever frame you give to your day, effectively becomes what you worship.

. Someone wrote: ‘Who is the most beautiful girl in school?’ in permanent marker in the boys’ bathrooms outside the geography classes and within a few days, ‘Holly Lawson’ was written around it in a bunch of other pens by hundreds of different people! (Someone also wrote ‘Jennifer Hunds’ in small, neat handwriting near the bottom, but everyone knows that was written by Kyle Williams who has had a crush on her since Kindergarten, so that doesn’t count.)

Write your routine, Ronan. Now. While I watch. I want to see it." 7:45 A.M.: The most important meal of the day. 8:00 A.M.: Feed animals. 9:30 A.M.: Repair barns or house. 12:00 P.M.: Lunch @ that weird gas station. 1:30 P.M.: Ronan Lynch's marvelous dream emporium. "What does this one mean, Ronan?" It meant practice makes perfect. It meant ten thousand hours to mastery, if at first you don't succeed, there is no try only do. Ronan had spent hours over the last year dreaming ever more complex and precise objects into being, culminating in an intricate security system that rendered the Barns largely impossible to find unless you knew exactly where you were going. After Cambridge, though, it felt like all the fun had run out of the game. "I don't ask what you do at work, Declan." 6:00 P.M.: Drive around. 7:15 P.M.: Nuke some dinner, yo. 7:30 P.M.: Movie time. 11:00 P.M.: Text Parrish. Adam's most recent text had said simply: $4200. It was the amount Ronan had to send to cover the dorm room repairs. *11:30 P.M.: Go to bed. *Saturday/Sunday: Church/DC *Monday: Laundry & Grocery *Tuesday: Text or call Gansey These last items were in Declan's handwriting, his addendums subtly suggesting all the components of a fulfilling grown-up life Ronan had missed when crafting it. They only served to depress Ronan more. Look how you can predict the next forty-eight hours, seventy-two hours, ninety-six hours, look how you can predict the rest of your life. The entire word routine depressed Ronan. The sameness. Fuck everything. Gansey texted: Declan told me to tell you to get out of bed. Ronan texted back: why He watched the morning light move over the varied black-gray shapes in his bedroom. Shelves of model cars; an open Uilleann pipes case; an old scuffed desk with a stuffed whale on it; a metal tree with wondrously intricate branches; heaps of laundry curled around beet-read wood shavings. Gansey texted back: don't make me get on a plane I'm currently chained to one of the largest black walnut trees in Oregon

Write your routine, Ronan. Now. While I watch. I want to see it." 7:45 A.M.: The most important meal of the day. 8:00 A.M.: Feed animals. 9:30 A.M.: Repair barns or house. 12:00 P.M.: Lunch @ that weird gas station. 1:30 P.M.: Ronan Lynch's marvelous dream emporium. "What does this one mean, Ronan?" It meant practice makes perfect. It meant ten thousand hours to mastery, if at first you don't succeed, there is no try only do. Ronan had spent hours over the last year dreaming ever more complex and precise objects into being, culminating in an intricate security system that rendered the Barns largely impossible to find unless you knew exactly where you were going. After Cambridge, though, it felt like all the fun had run out of the game. "I don't ask what you do at work, Declan." 6:00 P.M.: Drive around. 7:15 P.M.: Nuke some dinner, yo. 7:30 P.M.: Movie time. 11:00 P.M.: Text Parrish. Adam's most recent text had said simply: $4200. It was the amount Ronan had to send to cover the dorm room repairs. *11:30 P.M.: Go to bed. *Saturday/Sunday: Church/DC *Monday: Laundry & Grocery *Tuesday: Text or call Gansey These last items were in Declan's handwriting, his addendums subtly suggesting all the components of a fulfilling grown-up life Ronan had missed when crafting it. They only served to depress Ronan more. Look how you can predict the next forty-eight hours, seventy-two hours, ninety-six hours, look how you can predict the rest of your life. The entire word routine depressed Ronan. The sameness. Fuck everything. Gansey texted: Declan told me to tell you to get out of bed. Ronan texted back: why He watched the morning light move over the varied black-gray shapes in his bedroom. Shelves of model cars; an open Uilleann pipes case; an old scuffed desk with a stuffed whale on it; a metal tree with wondrously intricate branches; heaps of laundry curled around beet-red wood shavings. Gansey texted back: don't make me get on a plane I'm currently chained to one of the largest black walnut trees in Oregon

Papi and well loved master. My heart is sighing next to your immense father's heart. You have brought a lot of peace to me. I am happy about the lovely family that you have formed and have allowed me to join. I think you equally for the promise of better days. I feel very good at being at your side to be one of your children and to live simply but fully. It feels wonderful to realise we were all of one body that is are condemned to die, and before finishing I would like to tell you again what I told you when I had the impression of losing my breath the other night. I am slime, I am less than nothing and I beg your pardon for all of the errors of my flesh. I love you Papi and I will be returning to work. PS. Please excuse my handwriting.

Dina hummed to herself as she pulled out an empty jam jar from a busy cupboard. It was still labeled "Apricot Jam" from the batch her mum had made for her last year--- jam that tasted like bottled sunshine. There wasn't an exact science to the magic, but Dina often found that the best tea blends were ones she put into secondhand jars, ones that had been full of delicious, wonderful things. She clipped her curls out of her face and headed into the pantry. The walls were lined floor-to-ceiling with all manner of jars and boxes, all individually labeled in Dina's messy handwriting. She kept her spices together, along with other baking essentials like fish vanilla, cake flour, and a tin that was labeled "Eye of Newt" but actually contained nutmeg. Her tea selection had several shelves dedicated to it. Aside from the specialty blends she made for the shop, Dina kept a collection of tea and tisane ingredients, which she could mix into more personal blends at a moment's notice. Dina never felt more in her element as a kitchen witch than when she was looking through her pantry. Scott's tea blend needed to be something that encapsulated his energies yet also helped him in some way. A tea to drink in the middle of a long work day, Dina decided. She twirled a curl around her finger as she focused. She hadn't met any of his fellow curators yet, but from what Scott had told her they could be a bit of a handful. So the kind of tea that would help him get through a long meeting. Something to sharpen a tired mind. Dina knew just the thing for it. She scooped up several jars and laid them out on the counter before her. Black tea--- a full-bodied assam, cacao nibs, dried ginger and... it was missing something. Dina stepped back into the pantry and surveyed her shelves with her hands on her hips. She knew that this would need one more ingredient to be perfect for Scott. Lion's mane mushroom? Perhaps a little too earthy. Clove? Too heavy. It would overpower the other flavors. As her eyes skirted over the rows of jars, she spotted it. A small glass jar with a dark red powder in it. Dried beetroot! Perfect! Energizing yet slightly sweet and smooth, and it would make Scott look like he was drinking some kind of red-velvet-themed drink. Which was also his favorite cake flavor.

Ahmed, who regarded himself as an expert on the works and handwriting of Borges, had accepted the book because he was confident that sooner or later he'd find a buyer: a learned fool or a swindler, in either case, a snob. Maybe he would sell it for a fortune one day. Maybe not. And maybe one day Severina will tear out some of her hair and scatter it over my body.

Campers handwrite letters on a form that is scanned into Walden’s computer as PDF files and e-mailed home three days later. Parents can e-mail Walden with notes for their child, and these are printed and delivered to campers three days after being received. The delay of three days on either end was designed to intentionally mimic the same lag that Canada Post experiences, which is crucial, according to Birenbaum, to preserve something he referred to as “the transfer of authority.” “Let’s say a kid is getting bullied in a cabin by another camper,” he said, using a recent example. “If she writes an e-mail home on her phone, her mother reacts immediately, advising action to her daughter, and contacting me to remedy the problem. The mother retains authority. But with a six-day delay from the time the daughter sends her letter to the mother’s response, the camper has to deal with the problem of the bully. Eventually, the camper realizes that ‘Hey, maybe this eighteen-year-old staff member taking care of me is someone who I should talk with,’” and you suddenly achieve that transfer of authority from parent to counselor that is crucial for Walden’s social cohesion.

At the end of his life, suffering from gout and no longer able to walk, he set down the How to Show the Gardens of Versailles, a manuscript that exists in six versions...The fourth version is particularly touching, as it is an autograph copy. It is humanizing to see the marble king's handwriting and I find it amusing to note the royal spelling errors - which were numerous in the days before standardization...I almost feel a twinge of tenderness toward the king who couldn't spell...

He didn’t know what to do with his hands as he looked down at the sleeping general. Arin thrust them into his pockets before they went for the throat. He reminded himself why he had come. He ripped open the man’s jacket. Arin reached for the inside breast pocket, located exactly where the man had tried to touch his chest as he had lain bleeding on the road. Arin’s fingers met paper. He pulled it out, its texture suede-soft from having been handled so much. It had been unfolded and folded many times. It was sheet music. At first, Arin didn’t understand what he looked at. Kestrel’s handwriting. Herrani script. Musical notation in crisp black. His own name leaped off the page. Dear Arin. Then he recognized the music as the sonata Kestrel had been studying when he’d entered her music room at the imperial palace in late spring. It had been the last time he’d seen her before the tundra. He had thought it would be the last time he would ever see her. Arin hastened from the tent. He couldn’t read the letter here. But he didn’t know if he could read it anywhere, if any place would be private enough, because being alone meant he’d still be with himself, and he hated to remember how he’d left Kestrel that day, and what had befallen her after. He was desperate to read it. He couldn’t bear to read it. He resented that her father had kept it. He wondered what it meant that her father had kept it. Arin was only vaguely aware of having stumbled through the noisy camp and into the woods. The thought of reading the letter felt like a violation, like he’d be reading a letter meant for someone else. Yet it had been addressed to him. Dear Arin. Arin read.

Artoo, I’m switching back to regular handwriting. Calligraphy is hard, and I didn’t bring my good pens. Or I need more practice. Right now you’re sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I’m just going to do it. First of all, I need you to know I’m not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It’s the last day of school, and therefore my last chance. “Crush” is too weak a word to describe how I feel. It doesn’t do you justice, but maybe it works for me. I am the one who is crushed. I’m crushed that we have only ever regarded each other as enemies. I’m crushed when the day ends and I haven’t said anything to you that isn’t cloaked in five layers of sarcasm. I’m crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you’re nervous, as though you’re worried they look bad. (They never do.) You’re ambitious, clever, interesting, and beautiful. I put “beautiful” last because for some reason, I have a feeling you’d roll your eyes if I wrote it first. But you are. You’re beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You’re looking at me like you can’t believe I’m not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if it were an essay, here’s the thesis statement: I am in love with you, Rowan Roth. Please don’t make too much fun of me at graduation? Yours, Neil P. McNair

Heidi Schindler is Heidi Klauss now. Forty-one years old, she lives in a suburb of Frankfurt with a husband and four children, and is reasonably happy, certainly happier than she expected to be at twenty-three. The paperback copy of Howards End is still on the shelf in the spare bedroom, forgotten and unread, with the letter tucked neatly just inside the cover, next to an inscription in small, careful handwriting that reads: To dear Dexter. A great novel for your great journey. Travel well and return safely with no tattoos. Be good, or as good as you are able. Bloody hell, I’ll miss you. All my love, your good friend Emma Morley, Clapton, London, April 1990

do it over again if their handwriting isn’t perfect.” Mrs. Jewls tried very hard to ignore the voice. She didn’t like giving busy work. Instead she tried to teach the children three new things every day. She believed that if they learned three new things every day, they would eventually learn everything there is to know. There are some classes where the teachers give so much busy work that the children never learn anything. “What do you care if the children learn anything?” asked the mean and rotten voice. “It’s not your job to teach them. It’s your job to punish them. Keep them in at recess. Hit them with your yardstick!” The bell rang and all the kids scurried to their desks. “We are going to learn three new things today,” Mrs. Jewls announced.

Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.

Later that day it was revealed that James C. Melton, age fifty-one, had murdered Ms. Singletary. He was her live-in boyfriend, an abusive man with an explosive temper. Sheriffs detectives who learned about his whereabouts through a phone call he’d made raided a hotel where Melton was holed up. Melton saw them coming, and before the deputies could do anything, he put the gun he’d killed Phyllis with to his head and pulled the trigger, killing himself instantly. The deputies found a note in the hotel room in Melton’s handwriting. In it, he admitted to killing Phyllis—saying he had shot her twice in the chest over “domestic disagreements.

I'm bored. Any sparks yet? ... No, you snoop. Don't you have important things to do? ... I'm watching Cassian and Nesta get into it again over their tea. Something you subjected me to when you kicked me off training. I thought this was our day off. ... Poor baby High Lord. Life is so hard. ... Life is better when you're around. And look at how lovely your handwriting is. ... You're a shameless flirt.

Handwriting in a journal can offer a wealth of self-care benefits. James Pennebaker, a psychologist at the University of Texas, researched the effects of daily journaling by hand. He discovered that journaling, even just for a few minutes a day, built up T-lymphocytes, cells in the immune system, and reduced the symptoms of arthritis and asthma. Further research suggests that writing in a diary about life events also relieves stress and promotes emotional well-being.

I don't like you anymore," she announced. "You don't like anything, Natasha." It was true. One day, as a challenge, she set herself the task of writing down everything she didn't like. She filled an entire copybook with her tiny, hateful handwriting.

When Sarah prayed for people, she wrote their name down and what she asked God to give them.” He handed a journal to me, and I opened it to see the bubbles of her handwriting. Again and again, leafing through it, I saw my name. “Sarah prayed for you every day,” he said. “Every single day, she put your name down.” Even now, I burst into tears. I had grown up so lonely. Not always alone, but always lonely. And that whole time, Sarah had thought of me with love every day, possibly at the very moments when I felt the most lost. That realization—that I was never truly alone all that time—changed how I thought about heaven, it wasn’t some place in the sky. It was with Sarah, and Sarah was with me. What had seemed like blind faith when we lost Sarah, the naive thought that we were protected, was real. I was never alone, and everything was going to be okay. I stayed up late to read through the journals, seeing for myself how Sarah was always thinking of ways to help people and be of service. As I read, I began to feel an overwhelming sense of purpose, and I realized that I had inherited Sarah’s. I would keep her work alive through my life. Those are pretty big shoes to fill, I remember thinking. Just as quickly, I pushed away my fears: Well, they’re the only ones you’ve got.

If the ‘heathen’ — that is, the German and the French teachers — were regarded with little respect, the teacher of writing, Ebert, who was a German Jew, was a real martyr. To be insolent with him was a sort of chic amongst the pages. His poverty alone must have been the reason why he kept to his lesson in our corps. The old hands, who had stayed for two or three years in the fifth form without moving higher up, treated him very badly; but by some means or other he had made an agreement with them: ‘One frolic during each lesson, but no more’ — an agreement which, I am afraid, was not always honestly kept on our side. One day, one of the residents of the remote peninsula soaked the blackboard sponge with ink and chalk and flung it at the calligraphy martyr. ‘Get it, Ebert!’ he shouted, with a stupid smile. The sponge touched Ebert’s shoulder, the grimy ink spirted into his face and down on to his white shirt. We were sure that this time Ebert would leave the room and report the fact to the inspector. But he only exclaimed, as he took out his cotton handkerchief and wiped his face, ‘Gentlemen, one frolic — no more to-day! The shirt is spoiled,’ he added in a subdued voice, and continued to correct someone’s book. We looked stupefied and ashamed. Why, instead of reporting, he had thought at once of the agreement! The feelings of the whole class turned in his favour. ‘What you have done is stupid,’ we reproached our comrade. ‘He is a poor man, and you have spoiled his shirt! Shame!’ somebody cried. The culprit went at once to make excuses. ‘One must learn, sir,’ was all that Ebert said in reply, with sadness in his voice. All became silent after that, and at the next lesson, as if we had settled it beforehand, most of us wrote in our best possible handwriting, and took our books to Ebert, asking him to correct them. He was radiant, he felt happy that day. This fact deeply impressed me, and was never wiped out from my memory. To this day I feel grateful to that remarkable man for his lesson.

Ortega 12th April, 2014 I am writing this as fast as I can. The doors on the Phaedra don’t lock, and Mom could walk in any moment. I have no privacy. I am the only twelve-year-old girl I know who has to share a room with her mom. I have pointed out how unfair it is, the way the jellyfish equipment takes up the whole front of the boat, but Mom won’t listen. Typical – the jellyfish get their own room and I don’t. I’m not trying to make excuses for my handwriting or anything, but if it is all scrawly that’s because my arm’s so trembly I can hardly hold the pen. I think it’s from gripping on to the tractor for so long. The entire way home I had to cling to the wheel arch, sitting up there behind Annie like a parrot perched on a pirate’s shoulder. The way she drove along those rutted jungle tracks, I was petrified I was going to lose hold and fall beneath the wheels. By the time we reached the bay and I could see the Phaedra, my body had been shaken up like a can of fizzy drink. There was no sign of Mom as the tractor lumbered over the dunes and down the beach towards the sea. I was kind of relieved, to tell the truth. The whole time at Annie’s house I had been desperate to get back to the boat, but now that I was home I felt sick at the thought of facing Mom. She would be furious with me. I had been gone for two whole days…

Roume learned of the agreement nonetheless and warned Louverture that he was veering dangerously close to high treason. Louverture’s retaliation was swift. Within days, Stevens wrote, Roume was “no better than a dignified prisoner at the Cap.” From then on, Louverture only kept him as agent so that he could sign his decrees in France’s name and write sycophantic reports to Paris. In case his forceful advocacy on behalf of Louverture seemed suspicious, Roume’s reports ended with mentions that he had written them “entirely in my hand,” with “my handwriting,” and “my signature.

The handwriting was in giant loops, as this was written back in the day when men actually practiced the ancient art form known as cursive writing.

Prompts (for High School Teachers Who Write Poetry)" Dante Di Stefano Write about walking into the building as a new teacher. Write yourself hopeful. Write a row of empty desks. Write the face of a student you’ve almost forgotten; he’s worn a Derek Jeter jersey all year. Do not conjecture about the adults he goes home to, or the place he calls home. Write about how he came to you for help each October morning his sophomore year. Write about teaching Othello to him; write Wherein of antres vast and deserts idle, rough quarries, rocks and hills whose heads touch heaven. Write about reading his obituary five years after he graduated. Write a poem containing the words “common” “core,” “differentiate,” and “overdose.” Write the names of the ones you will never forget: “Jenna,” “Tiberious,” “Heaven,” “Megan,” “Tanya,” “Kingsley” “Ashley,” “David.” Write Mari with “Nobody’s Baby” tattooed in cursive on her neck, spitting sixteen bars in the backrow, as little white Mike beatboxed “Candy Shop” and the whole class exploded. Write about Zuly and Nely, sisters from Guatemala, upon whom a thousand strange new English words rained down on like hail each period, and who wrote the story of their long journey on la bestia through Mexico, for you, in handwriting made heavy by the aquís and ayers ached in their knuckles, hidden by their smiles. Write an ode to loose-leaf. Write elegies on the nub nose of a pink eraser. Carve your devotion from a no. 2 pencil. Write the uncounted hours you spent fretting about the ones who cursed you out for keeping order, who slammed classroom doors, who screamed “you are not my father,” whose pain unraveled and broke you, whose pain you knew. Write how all this added up to a life. -- Dante Di Stefano. Originally published in Poem-a-Day on May 4, 2019, by the Academy of American Poets.

It was impossible to contradict them. Impossible to close the book and ignore the homework that had to be handed in the next day, with good handwriting and spelling. It was impossible to go to the teacher and demand: Fräulein, stop teaching my daughter this garbage.

Like email, the handwritten note can't be replaced. Given the huge swing toward digital and automated messages, its stock is up these days. We'll bypass the robotic, automated handwriting services designed to make people think you actually took the time to write it yourself (don't get me started) and observe two specific benefits of a truly handwritten note: I made this just for you. I cared enough to spend the time. My personality is on the page. Through my handwriting, I'm expressing thoughts and feelings in a way that's completely unique to

Hearing their stories made me sadder, somehow, because these people weren’t strangers any more – they had names, did important jobs, had exciting futures ahead. One of them was only five days old. Like the people in that miserable newsreel, they all had yellow badges sewn on to the left breast of their coats. They were star-shaped, the word Jude written in handwriting clumsier than Cliff’s. They weren’t badges to be proud of like the ones we got at school for good work. Their only purpose, it seemed, was to make sure people know: you were one of those ‘types’ Hitler loathed. How could these people be made to feel ashamed of who they were? I hadn’t thought I could hate the Nazis more than I already did. Now, though, I really understood why Sukie was so distraught at what was happening in Europe. We weren’t Jewish, but we were human beings and that was more than enough reason to be outraged.

Career inflection points are commonplace. A story comes to mind. It so happens that it was related to me by a business journalist who had interviewed me when this book was first published. This man used to be a banker. He was happily and productively employed until one day he went to work and learned that his employer had been acquired by another, larger bank. In short order he was out of a job. He decided to change careers and become a stockbroker. He knew that he would have to pay his dues. While he was comfortable with financial matters, he knew that a banker’s skills are not the same as those required of a stockbroker. So he went to stockbroker school and eventually started working as a full-fledged broker. For a while, things went well and the future looked promising. However, a short time before we met, on-line brokerage firms started to appear. Several of this man’s clients left him, preferring to do their business with low-cost on-line firms. The handwriting was on the wall. This time, our man decided to make his move early. He had always had an interest in, and aptitude for, writing. Building on the financial knowledge that he had first acquired as a banker, and that was reinforced

Ponyboy, I asked the nurse to give you this book so you could finish it. It was Johnny’s handwriting. I went on reading, almost hearing Johnny’s quiet voice. The doctor came in a while ago but I knew anyway. I keep getting tireder and tireder. Listen, I don’t mind dying now. It’s worth it. It’s worth saving those kids. Their lives are worth more than mine, they have more to live for. Some of their parents came by to thank me and I know it was worth it. Tell Dally it’s worth it. I’m just going to miss you guys. I’ve been thinking about it, and that poem, that guy that wrote it, he meant you’re gold when you’re a kid, like green. When you’re a kid everything’s new, dawn. It’s just when you get used to everything that it’s day. Like the way you dig sunsets, Pony. That’s gold. Keep that way, it’s a good way to be. I want you to tell Dally to look at one. He’ll probably think you’re crazy, but ask for me. I don’t think he’s ever really seen a sunset. And don’t be so bugged over being a greaser. You still have a lot of time to make yourself be what you want. There’s still lots of good in the world. Tell Dally. I don’t think he knows. Your buddy, Johnny.

she could sell in the café provisions she baked in her own time with a shelf life longer than pastries. When she thought of it there had been a rush of certainty she could do it, and a prickling of pride in having conceived a way to make money on her own. It would double at least what she was making now. Without Nicholas it might never had occurred to her. The other day he had stuck a label, which he had found in the junk drawer, on a plastic-wrapped loaf of banana bread. He wrote on the label with a marker, "From the Summer Kitchen Bakery." She had found the gesture adorable at the time and hugged him, but something about it had evidently started percolating in the recesses of her mind, and now she was lapping at the brew like someone tasting it for the first time and wondering how she had never before tasted such ambition. She was thinking of cellophane-packaged chocolate brownies and caramel blondies and orange-and-almond biscotti and pear and oat slices and butter shortbread and Belgian chocolate truffles, marmalades, chutney, relishes, and jellies beautified in jars with black-and-white gingham hats and black-and-white ribbon tied above skirted brims. She could even sell a muesli mix she had developed, full of organic cranberries and nuts and the zest of unwaxed lemons. And she wouldn't change Nicholas's label at all. A child's handwriting impressed that the goods were homemade. She would have his design printed professionally, in black and white, too, old world, like the summer kitchen itself.

When she got home there was a letter lying in the hall. She recognized Maurice’s handwriting on the envelope. He suggested that they should meet for lunch one day. ‘I do feel’, he wrote, ‘that we should remain friends, and it could be such a pleasant relationship—you’ve no idea how I sometimes long to have somebody to tell my troubles to, and if she were a charming and sympathetic woman, so much the better!’ Dulcie stood for a moment with the letter in her hand, remembering other letters in that extravagant writing, and then rejected the idea of herself in this role.

If it was her diary, it would be wrong to open it. More wrong than leaving her dead in the hallway for the better part of a day? I shrugged my shoulders as I opened the black cardboard cover. It was all relative. It wasn’t a diary—not really. Carefully pasted onto the pages of notebook paper were magazine pictures of different houses. There was a picture of a wide, green lawn with a house perched way off in the distance and a family having a picnic on a postage-stamp-sized blanket. There were dining rooms with long tables where people could linger after a meal and talk about politics or sports. A bedroom with a white canopy bed big enough for a mom and kids to curl up on a Sunday morning and read the newspaper. Every now and then on the page would be something written very carefully in her sprawling handwriting.

is to certify that someone so far unidentified wrote deliberate errors into the corrected final proofs of this book after they left my hands, then stole the proofs and the typescript, presumably to avoid detection from their hand-writing.     These errors were picked up by me in the advance copies and I immediately phoned the publishers, Canongate, and wrote the same day, July 18, 1980, giving details for an errata slip, which they promised to post out to everyone who had received a review copy.     The most dangerous errors were that a Seumas MacNeill's name had been given three incorrect spellings, which, as I feared, appeared to incense him, as he deeply resented any mis-spelling of his name, indicating the person responsible well knew of him.     He maturely retaliated in his Piping Times (Nov, 1980), at the age of 63, by mis-spelling my name five different ways and also mis-spelled the publisher's name in a "book review" signed Seumas MacNeill, He then distributed his magazine throughout the U.K., Europe, the Commonwealth and the U.S.A., asserting to the piping world the book was totally inaccurate, an allegation he was also permitted to make on BBC,

and thought to tart it up with a few Shakespeare quotations, having a vague recollection from my undergraduate days that the Bard was fond of joking about the great pox. I dusted off my battered copy of the Riverside Shakespeare and started leafing through it. Holy crap, I thought, there is a lot of stuff here on syphilis. My curiosity was piqued, and I did some more digging. Was there a connection between Shakespeare’s syphilitic obsession, contemporary gossip about his sexual misadventures, and the only medical fact known about him with certainty—that his handwriting became tremulous in late middle age? I wrote an article that appeared in Clinical Infectious Diseases, supposing it to be of scant interest beyond its immediate specialty audience. To my surprise, it generated a fair amount of Internet buzz, and inspired a segment on The Daily Show. I began to think that there might be interest in a book on the topic of writers and disease, written from a medical perspective.

Later, after Abby had lugged Fred back inside and was taking off his jacket, she heard a crinkling sound and reached into the pocket of her coat. Her hand closed around an envelope. She pulled it out and saw her name in neat printing. ABIGAIL. She waited until she was alone in her room to open it, and inside she found a card showing a girl and boy joyfully riding a giant bumblebee, the words Valentine, I’m abuzz over you trailing in the wake of the bee. She flipped the card open. Zander had written BEE MINE, ZANDER in the same neat handwriting. Abby frowned, then smiled, and added the card to the ones she’d received from Rose and Sarah the day before. She hadn’t dared to give Zander a Valentine.

Tata's handwriting in Kannada was almost illegible. Therefore, he began to 'dictate' his books to 'scribes' who took dictation in longhand. Tata then corrected the drafts in red ink, and the scribe would prepare a final clean copy for publication. That was it: within a week or ten days the novel would be ready for print.