Photos Quotes

We've searched our database for all the quotes and captions related to Photos. Here they are! All 100 of them:

What i like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.
Karl Lagerfeld
Hey," said Jace. who was sitting on an overturned speaker, looking at his cellphone, "do you want to see a photo of Alec and Magnus in Berlin?" "Not really," said Simon. "Magnus is wearing lederhosen." "And yet, still no.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Alec keeps sending me annoying photos. Lots of captions like Wish you were here, except not really.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Look, did you ask me to come all the way uptown just so you could stare at me like I was something in a petri dish? Next time I'll send you a photo." "And I'll frame it and put it on my nightstand," said Jace.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
A photo says, you were happy, and I wanted to catch that. A photo says, you were so important to me that I put down everything else to come watch.
Jodi Picoult
she is no longer the beautiful woman she was. she sends photos of herself sitting upon a rock by the ocean alone and damned. I could have had her once. I wonder if she thinks I could have saved her?
Charles Bukowski (Love Is a Dog from Hell)
The apple tree in the background, just barely visible, was stretching a single limb out to her, as if wanting to be in the photo with her.
Sarah Addison Allen (First Frost (Waverley Family, #2))
If God had a refrigerator, your picture would be on it. If He had a wallet, your photo would be in it. He sends you flowers every spring and a sunrise every morning... Face it, friend. He is crazy about you!
Max Lucado
Taking pictures is savoring life intensely, every hundredth of a second.
Marc Riboud
Ladies and gentlemen of the class of '97: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 p.m. on some idle Tuesday.
Mary Schmich
Books are the mile markers of my life. Some people have family photos or home movies to record their past. I’ve got books. Characters. For as long as I can remember, books have been my safe place.
Kristin Hannah (The Great Alone)
Kai neared his desk again, seeing that the fugitive's profile had been transferred to the screen. His frown deepened. Perhaps not dangerous, but young and inarguably good-looking. His prison photo showed him flippantly winking at the camera. Kai hated him immediately.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Over the last couple of years, the photos of me when I was a kid... well, they've started to give me a little pang or something - not unhappiness, exactly, but some kind of quiet, deep regret... I keep wanting to apologize to the little guy: "I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.
Nick Hornby (High Fidelity)
It's a very frustrated feeling you get when the only people with good photos of you work are the police department.
Banksy
I can feel that photo of Anna staring at me from sixty years ago, and I can’t help myself from wanting to protect her, wanting to save her from becoming what she already is.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
I remember seeing that picture and realizing that photographs weren’t real. There’s no context, just the illusion that you’re showing a snapshot of a life, but life isn’t snapshots, it’s fluid. So photos are like fictions. I loved that about them. Everyone thinks photography is truth, but it’s just a very convincing lie.
V.E. Schwab (The Invisible Life of Addie LaRue)
Photos I’m not in and memories we don’t share, haunt my lonely eyes.
Tyler Knott Gregson
Gotta bone ter pick with yeh. I've heard you've bin givin' out signed photos. How come I haven't got one?
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
But maybe every life looked wonderful if all you saw was the photo albums.
Liane Moriarty (What Alice Forgot)
I took a photo of us, mid-embrace. When I am old and alone I will remember that I once held something truly beautiful.
Joe Dunthorne (Submarine)
recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
David Levithan (The Lover's Dictionary)
I heard you were a player , okay , lets play a game. We'll flirt, play fights, talk 24/7, say goodmorning and goodnight every day, give each other nicknames, hang out, talk on the phone for hours, take cute pictures together, make promises to each other and hold each other. And whoever falls in love first, loses.
Lyla Tyela Belikov
Blacks aren't bigger, it's documented in their tribal photos. (The quote that end's anti-Black racism)
Matthew Edward Hall (San Mateo: Proof of The Divine)
How many times have you tried to talk to someone about something that matters to you, tried to get them to see it the way you do? And how many of those times have ended with you feeling bitter, resenting them for making you feel like your pain doesn't have any substance after all? Like when you've split up with someone, and you try to communicate the way you feel, because you need to say the words, need to feel that somebody understands just how pissed off and frightened you feel. The problem is, they never do. "Plenty more fish in the sea," they'll say, or "You're better off without them," or "Do you want some of these potato chips?" They never really understand, because they haven't been there, every day, every hour. They don't know the way things have been, the way that it's made you, the way it has structured your world. They'll never realise that someone who makes you feel bad may be the person you need most in the world. They don't understand the history, the background, don't know the pillars of memory that hold you up. Ultimately, they don't know you well enough, and they never can. Everyone's alone in their world, because everybody's life is different. You can send people letters, and show them photos, but they can never come to visit where you live. Unless you love them. And then they can burn it down.
Michael Marshall Smith (Only Forward)
People spot a big black lens, and they worry about what they're doing, or how their hair looks. Nobody see the person holding the camera.
Erica O'Rourke (Torn (Torn Trilogy, #1))
Who's the other kid in the photo?' he asked. 'The sandy-haired guy.' Annabeth's expression tightened. Touchy subject. 'That's Luke,' she said. 'He's dead now.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
She knew her place in this family, always had. Knew why she was conceived. And it wasn't for a photo on the mantle.
Kelly Moran (All of Me (Covington Cove, #2))
You two. You can do a cleaning spell." One slurred, "But Nixie, I'm really pre-hung-over." Nix's eyes went wide. "Do it, or the photos go live!" The witch shook her fist to the sky, crying, "Damn you, Valkyrie! Damn you and your digital ways!
Kresley Cole (Kiss of a Demon King (Immortals After Dark, #6))
Because photos are testimony that someone did live. A reminder of past we may have loved or hated. A piece of our lives.
Melina Marchetta (Looking for Alibrandi)
you come home, and everyone talks at once and everyone asks questions, but no one waits for the answers.Instead they talk about themselves, what they've been up to, what they're going to do next,       as if you're a photo on the wall.And then they talk to one another, forgetting you've jsut flown in, forgetting you're in the backseat, forgetting they've already said it all.
Ellen Hopkins (Crank (Crank, #1))
His smugness was annoying. This was the type of man who looked at a picture on the wall and instead of admiring the photo, looked at his own reflection in the glass.
Ruta Sepetys (Salt to the Sea)
In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.
Alice Oseman (Loveless)
But you're a prisoner," said Thorne. "I prefer damsel in distress," she murmured. One side of Thorne's mouth quirked up, into that perfect half smile he'd had in his graduation photo. A look that was a little bit devious, and all sorts of charming. Cress's heart stopped, but if they noticed her melting into her chair, they didn't say anything.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
She even touches Jimmy's face on the photos, and I see what it is to love someone like Milla loved that man. Her fingertips are made of love.
Markus Zusak (I Am the Messenger)
There are two people in every photograph: the photographer and the viewer
Ansel Adams
Rien n’est plus trompeur qu’une photo : on croit fixer un moment heureux pour l’éternité alors qu’on ne crée que de la nostalgie
Guillaume Musso (Sauve-moi)
Ladies and gentlemen of the class of '97: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours. Floss. Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself. Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how. Keep your old love letters. Throw away your old bank statements. Stretch. Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't. Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone. Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's. Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own. Dance, even if you have nowhere to do it but your living room. Read the directions, even if you don't follow them. Do not read beauty magazines. They will only make you feel ugly. Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out. Don't mess too much with your hair or by the time you're 40 it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth. But trust me on the sunscreen.
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet.
Alain de Botton
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
If I feel the urge to burst into flames, I'll let you know," Simon was getting fed up. "Look, did you actually ask me to come all the way uptown just so you could stare at me like I'm something in a petrie dish? Next time I'll send you a photo." "And I'll frame it and put it on my nightstand," Jace said, but he didn't sound as if his heart was in the sarcasm. "Look, I asked you here for a reason, not to stare at you. Much as I hate to admit it, vampire, we have something in common." "Totally awesome hair?" Simon suggested
Cassandra Clare
Everyone queue up!' Malfoy roared to the crowd. 'Harry Potter's giving out signed photos!
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Mistakes are like the memories you hide in an attic: old love letters from relationships that tanked, photos of dead relatives, toys from a childhood you miss. Out of sight is out of mind, but somewhere deep inside you know they still exist. And you also know that you're avoiding them.
Jodi Picoult (Lone Wolf)
There is a shipwreck between your ribs and it took eighteen years for me to understand how to understand your kind of drowning. There are people who cannot be held quietly. There are screams that are never externalized. If I looked at the photo albums of your past twenty years, all I would find are decibel meter graphs of phone calls and the intensity of your silence as you sat smoking cigarettes in the garage. There is a shipwreck between your ribs. You are a box with fragile written on it, and so many people have not handled you with care. And for the first time, I understand that I will never know how to apologize for being one of them.
Shinji Moon
I really wanted to take her photo, so I walked up to the nearest adult and asked, 'Does she belong to you?' Suddenly the music stopped, and I heard: 'I belong to myself!
Brandon Stanton (Humans of New York)
The best writers tend to look the roughest in photos. At least that's the excuse I use for why I look so bad in mine.
R.D. Ronald
We are often taught to look for the beauty in all things, so in finding it, the layman asks the philosopher while the philosopher asks the photographer.
Criss Jami (Killosophy)
I was the girl he had chosen to kiss. He wanted, somehow to set me free. He didn't want to burn my photo or toss it away, but he didn't want to look at me anymore, either.
Alice Sebold (The Lovely Bones)
A problem with living in the twenty-first century..... we are made to feel poor on thirty thousand pounds a year. To feel poorly travelled if we have only been to ten other countries. To feel old if we have a wrinkle. To feel ugly if we aren’t photo shopped and filtered.
Matt Haig (How to Stop Time)
He slid the photo out and raised it. The sun washed out any distinguishable characteristics. All except her eyes. He didn’t need a picture to remember those. As turquoise as the waters near Cozumel, and just as warm.
Kelly Moran (Return to Me (Covington Cove, #1))
I feel a sadness I expected and which comes only from myself. I say I’ve always been sad. That I can see the same sadness in photos of myself when I was small. That today, recognizing it as the sadness I’ve always had, I could almost call it by my own name, it’s so like me.
Marguerite Duras (The Lover)
Stefan, please, get to work.  Take a picture of this. You want a photo? Of this? War in all its ugliness.  A Pulitzer Prize awaits. You want me to document a war crime? Your war crime? Yes.  I do. You understand they can’t be untaken. Proceed.
John Payton Foden (Magenta)
If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.
Werner Herzog
Amy adored both the new look and the new person it allowed her to be. Following the photo shoot, she wore her bruises to the dry cleaner and the grocery store. Most people nervously looked away, but on the rare occasions someone would ask what happened, my sister would smile as brightly as possible, saying, 'I'm in love. Can you believe it? I'm finally, totally in love, and I feel great.
David Sedaris (Me Talk Pretty One Day)
Holy fuck—would somebody please tell him why a massive photo of a penis was sitting front and center in the courtroom?
Julie James (Practice Makes Perfect)
You can make up your own story when you look at a photo.
Brian Selznick (The Invention of Hugo Cabret & Official 'Hugo' Movie Companion)
What's the woman doing there?" he asked. "Covering a scratch on the hood. She was cheaper than a new paint job." He flipped through a few more pages of barely dressed women and classic cars. "Nick used to have magazines like this when we were kids. But without the cars." He rotated a photo sideways. "Or the bathing suits.
Kelley Armstrong (Bitten (Otherworld, #1))
I think, therefore I am, therefore I am photographable.
Kurt Vonnegut Jr. (Cat’s Cradle)
I think people fake that they're having fun a lot of the time in photos, because they want people to think they're having fun. Well, that's not life, is it?
Lara Avery (The Memory Book)
He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.
Jhumpa Lahiri (Unaccustomed Earth)
His frown deepened. Perhaps not dangerous, but young and inarguably good-looking. His prison photo showed him flippantly winking at the camera. Kai hated him immediately.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
You're nothing like your sister," he tells me. "She meant a lot to me, okay? It's true. But the things I like about you have nothing to do with her. You - you are so strong and stubborn it drives me crazy. You're the one going through all this and you still put Laney first every time, instead of throwing yourself the pity party we both know you deserve. You call me out on my shit, and I like that, because sometimes I need someone to call me out on my shit. And you get Johnny Cash, and you take these incredible photos, and everything about you makes me hurt, in a good way, and it blows my mind that someone can be so amazing and not even see it.
Hannah Harrington (Saving June)
She still spoke to Ravi every day. Not the real one, the one who lived in her head. She spoke to him when she was scared or unsure, asked him what he would do if he were there. He sat beside her when she was lonely, and she was always lonely, looking at old photos on her phone. He told her goodnight and kept her company in the dark while she learned how to sleep again.
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
It wasn't only that you didn't see him anymore, meet him anymore. You saw his absence and encountered it as something tangible. His not being there was like the sharply outlined emptiness of a photo with a figure cut out precisely with scissors and now the missing figure is more important, more dominant than all others.
Pascal Mercier (Night Train to Lisbon)
My heart born naked was swaddled in lullabies. Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
John Berger (And Our Faces, My Heart, Brief as Photos)
We overvalue nonessentials like a nicer car or house, or even intangibles like the number of our followers on Twitter or the way we look in our Facebook photos. As a result, we neglect activities that are truly essential, like spending time with our loved ones, or nurturing our spirit, or taking care of our health.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
He remembered something about darkness, about pressure and weighted blankets and silence. Though he had no idea how he was going to get hold of any of those things up on top of a building. "Tell me," Kit said. Tell me what you need. "Put your arms around me," said Ty. His hands were pale blue blurs in the air, as if Kit were looking at a time-lapsed photo. "Hold on to me." He was still rocking. After a moment, Kit put his arms around Ty, not knowing what else to do.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
G.I. Joe boxers!’ Apollo screamed. ‘OH—oh, I can’t even... HAHAHAHAHA!’ ‘Aphrodite,’ Athena giggled. ‘You look simply lovely.’ The gods couldn't stop laughing. Soon they were rolling on the floor, wiping tears from their eyes, taking photos with their phones to post on Tumblr.
Rick Riordan (Percy Jackson's Greek Gods)
I don't think anyone ever remembers what they were really like as kids. Adults think they do, but they don't. Photos and videos don't capture the real you, or bring back to life the person you used to be. You have to return to the past to do that.
Darren Shan (Sons of Destiny (Cirque du Freak, #12))
At the top of his file was a three-dimensional holograph scanned in from his military graduation. Cress preferred it to the infamous prison photo that had become so popular, the one in which he was winking at the camera, because in the holograph he was wearing a freshly pressed uniform with shiny silver buttons and a confident, one-sided grin. Seeing that smile, Cress melted. Every. Time. "Hello again, Mr. Thorne," she whispered to the holograph.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
This phone," he says finally. "I want this phone." She laughs. "No. S'mine." Janie, I don't think you understand. I want it." Sorry." It's got photo caller ID; Internet; video, camera, and digital recorder?! Holy Hannah... It's making me warm all over." Oh yeah?" Janie says in a sexy voice. "Wanna play with my phone, baby?" Hell yes, I do.
Lisa McMann (Fade (Wake, #2))
I rolled over and picked up Us Weekly magazine off the floor. The cover had a picture of Angelina, Brad, and their little Eskimo son, Maddox. I saw staring at the photo, wondering why this little boy looks so pissed off in every picture. At first I thought he was just pissed about his Mohawk, but then I realized he’s probably furious. Maddox must have thought he hit the jackpot when some A-list celebrity rescued him from third-world Cambodia, only to discover that she was going to shuffle him back and for the to EVERY other third-world country in the universe. He’s probably like, 'When the fuck are we gonna get to Malibu, bitch?
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
Anna followed, keeping a sharp eye out for things he might back into or over. She wondered if Isaac did this all the time-and, if so, how he avoided getting photos in the paper with captions like "Local Alpha Trips Over Child" or "Wolf Versus Street Sign, Street Sign Wins.
Patricia Briggs (Fair Game (Alpha & Omega, #3))
[E]verywhere I'm looking at kids, adults mostly don't seem to like them, not even the parents do. They call the kids gorgeous and so cute, they make the kids do the thing all over again so they can take a photo, but they don't want to actually play with them, they'd rather drink coffee talking to other adults. Sometimes there's a small kid crying and the Ma of it doesn't even hear.
Emma Donoghue (Room)
Did you see him? I know the photo was grainy, but he looks like one of those death metal goth heads, or whatever they’re called. All dressed in black with long hair I took umbrage at my mother describing my boyfriend this way. John was the Lord of the Underworld. How else was he supposed to dress?
Meg Cabot (Underworld (Abandon, #2))
Enjoy the power and beauty of your youth; oh nevermind; you will not understand the power and beauty of your youth until they have faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked….You’re not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4pm on some idle Tuesday. Do one thing everyday that scares you Sing Don’t be reckless with other people’s hearts, don’t put up with people who are reckless with yours. Floss Don’t waste your time on jealousy; sometimes you’re ahead, sometimes you’re behind…the race is long, and in the end, it’s only with yourself. Remember the compliments you receive, forget the insults; if you succeed in doing this, tell me how. Keep your old love letters, throw away your old bank statements. Stretch Don’t feel guilty if you don’t know what you want to do with your life…the most interesting people I know didn’t know at 22 what they wanted to do with their lives, some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees, you’ll miss them when they’re gone. Maybe you’ll marry, maybe you won’t, maybe you’ll have children,maybe you won’t, maybe you’ll divorce at 40, maybe you’ll dance the funky chicken on your 75th wedding anniversary…what ever you do, don’t congratulate yourself too much or berate yourself either – your choices are half chance, so are everybody else’s. Enjoy your body, use it every way you can…don’t be afraid of it, or what other people think of it, it’s the greatest instrument you’ll ever own.. Dance…even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do NOT read beauty magazines, they will only make you feel ugly. Get to know your parents, you never know when they’ll be gone for good. Be nice to your siblings; they are the best link to your past and the people most likely to stick with you in the future. Understand that friends come and go,but for the precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle because the older you get, the more you need the people you knew when you were young.
Mary Schmich
It's not one of the posed shots- it's one he didn't even realize had been taken, one he definitely didn't think would be released. He should have given the photographer more credit. He managed to capture the moment right when Henry cracked a joke, a candid, genuine photo, completely caught up in each other, Henry's arm around him and his own hand reaching up to grasp for Henry's on his shoulder. The way Henry's looking at him in the picture is so affectionate, so openly loving, that seeing it from a third person perspective almost makes Alex want to look away, like he's staring into the sun. He called Henry the North Star once. That wasn't bright enough.
Casey McQuiston (Red, White & Royal Blue)
No more photos. Surely there are enough. No more shadows of myself thrown by light onto pieces of paper, onto squares of plastic. No more of my eyes, mouths, noses, moods, bad angles. No more yawns, teeth, wrinkles. I suffer from my own multiplicity. Two or three images would have been enough, or four, or five. That would have allowed for a firm idea: This is she. As it is, I'm watery, I ripple, from moment to moment I dissolve into my other selves. Turn the page: you, looking, are newly confused. You know me too well to know me. Or not too well: too much.
Margaret Atwood (The Tent)
I don't understand why people never say what they mean. It's like the immigrants who come to a country and learn the language but are completely baffled by idioms. (Seriously, how could anyone who isn't a native English speaker 'get the picture,' so to speak, and not assume it has something to do with a photo or a painting?)
Jodi Picoult (House Rules)
If I feel the urge to burst into flames, I'll let you know. " Simon never had much patience with Jace. "Look, did you ask me to come all the way uptown just so you could stare at me like I was something in a petri dish? Next time I'll send you a photo. " "And I'll frame it and put it on my nightstand, " said Jace sarcastically.
Cassandra Clare (The Mortal Instruments (The Mortal Instruments, #1-4))
Feminists do the best Photoshop because they leave the meat on your bones. They don’t change your size or your skin color. They leave in your disgusting knuckles, but they may take out some armpit stubble. Not because they’re denying its existence, but because they understand that it’s okay to make a photo look as if you were caught on your best day in the best light.
Tina Fey (Bossypants)
Wait!” Alex yells up to the driver. “Stop! Stop the car!” Up close, it’s beautiful. Two stories tall. He can’t imagine how somebody was able to put together something like this so fast. It’s a mural of himself and Henry, facing each other, haloed by a bright yellow sun, depicted as Han and Leia. Henry in all white, starlight in his hair. Alex dressed as a scruffy smuggler, a blaster at his hip. A royal and a rebel, arms around each other. He snaps a photo on his phone, and fingers shaking, types out a tweet: Never tell me the odds.
Casey McQuiston (Red, White & Royal Blue)
At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.
Francesca Lia Block (Violet & Claire)
You must not look in that mirror at your doughy legs and flat feet, for today is about dreams and illusions, and unfiltered natural daylight is the enemy of dreams.
Tina Fey (Bossypants)
Listen. I may not be much, but I'm all I've got. Maybe you need a magnifying glass to find my face in my high school graduation photo. Maybe I haven't got any family or friends. Yes, yes, I know all that. But, strange as it might seem, I'm not entirely dissatisfied with life... I feel pretty much at home with what I am. I don't want to go anywhere. I don't want any unicorns behind fences.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
This is us. Our pose. The smush. It’s even how we are in the ultrasound photo they took of us inside Mom and how I had us in the picture Fry ripped up yesterday. Unlike most everyone else on earth, from the very first cells of us, we were together, we came here together. This is why no one hardly notices that Jude does most of the talking for both of us, why we can only play piano with all four of our hands on the keyboard and not at all alone, why we can never do Rochambeau because not once in thirteen years have we chosen differently. It’s always: two rocks, two papers, two scissors. When I don’t draw us like this, I draw us as half-people.
Jandy Nelson (I'll Give You the Sun)
Love was there in my empty bed. It was piled up in the records Lauren bought me when we were teenagers. It was in the smudged recipe cards from my mum in between the pages of cookbooks in my kitchen cabinet. Love was in the bottle of gin tied with a ribbon that India had packed me off with; in the smeary photo-strips with curled corners that would end up stuck to my fridge. It was in the note that lay on the pillow next to me, the one I would fold up and keep in the shoebox of all the other notes she had written before. I woke up safe in my one-woman boat. I was gliding into a new horizon; floating in a sea of love. There it was. Who knew? It had been there all along.
Dolly Alderton (Everything I Know About Love: A Memoir)
[Adam picks up the camera] "I have to get a shot of this." The reaction in the room was swift, and unanimous: every single person except me raised their hands at once to cover their faces. The accompanying utterances, though, were varied. I heard everything from "Please no" (Maggie), to "Jesus Christ" (Wallace), to "Stop it or die" (I'm assuming it's obvious).
Sarah Dessen (Along for the Ride)
You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh.
John Green (Paper Towns)
Everything,' his father said, 'comes down to time in the end--to the passing of time, to changing. Ever thought of that? Anything that makes you happy or sad, isn't it all based on minutes going by? Isn't sadness wishing time back again? Even big things--even mourning a death: aren't you really just wishing to have the time back when that person was alive? Or photos--ever notice old photographs? How wistful they make you feel? ... Isn't it just that time for once is stopped that makes you wistful? If only you could turn it back again, you think. If only you could change this or that, undo what you have done, if only you could roll the minutes the other way, for once.
Anne Tyler (Dinner at the Homesick Restaurant)
I really like the thing called friendship. And I think the most fulfilling kind of friendship is the one that you stumble quite randomly upon. Unexpected and unknown. You can learn a lot about yourself from these kinds of friendships, and some last a long time while others last only for the duration of time that you have together! But then I wonder, is the length of a friendship measured by the time you are given to spend within each others' company? Or is it measured by how long into the future you can look back at the photos you took, look back and replay the adventures and the laughter in your head; still feeling like it was one of the "bestest" times of your life? Because if it's the latter, I have a thousand friends!
C. JoyBell C.
No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy. Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them: ‘We grew up together.
David Nicholls (One Day)
Georgie took out her phone. 'I want to take a picture of you two.' She held up her phone and motioned for us to get together. Darcy and I lined up against the railing. 'No, I need you closer together to get you both in the photo,' she instructed. I had taken countless pictures on the waterfront and I knew that if you were getting the skyline in the background, you didn't need to be that close. Darcy put his arm around my shoulder and we leaned in. I slipped my arm around his waist and I noticed how easily I fit into the little nook on his side. 'Oh, hold on, I'm having problems.' Georgie played with her phone for a few moments while we just stood there in our posed embrace. 'Georgie...' She looked up at her brother and blushed. 'Um, I think it works now.
Elizabeth Eulberg (Prom & Prejudice)
Value versus Cost Economists tend to focus on cost, and, as economists, we are as guilty of that as anyone. The entire premise of our first book, Prediction Machines, was that AI advances were going to dramatically reduce the cost of prediction, leading to a scale-up of its use. However, while that book suggested that the initial uses of AI would be where prediction was already occurring, either explicitly in, say, forecasting sales or the weather, or implicitly in classifying photos and language, we were mindful that the real opportunity would be the new applications and uses that were enabled when prediction costs fell low enough.
Ajay Agrawal (Power and Prediction: The Disruptive Economics of Artificial Intelligence)
I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.
Jandy Nelson (The Sky Is Everywhere)
The best part about best friends is that you can maintain a relationship at any distance. In this day and age, we have Skype, FaceTime, text messages, audio messages, photo messages, and every social media site you can think of. With my friends, I send little photo updates almost daily and do a video call every week. It’s really not that difficult. We talk about anything and everything. I can confide my deepest, darkest secrets with my best friends and fear no judgment. It’s actually the best. And when we have the luxury of being in the same location, we pick things up like we were never separated. It really doesn’t matter where we go or what we do; it’s honestly just so nice to be in each other’s presence that the rest doesn’t matter.
Connor Franta (A Work in Progress)
You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them." "Oh,sure.You killed my mother. You can imagine I'm dying to help you out." Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?" I shake my head. "Never seen him before." Thomas clicks the remote. Another photo pops up. "How about this one?" "Nope." Another photo. "How about this?" "Nope." Yet another stranger pops up on the wall. "Seen this girl before?" "Never seen her in my life." More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground.
Marie Lu (Legend (Legend, #1))
You go through life thinking there's so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don't want to forget. You need your bedspread, white with black diamonds. You need your pillow - it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The dream catcher hanging above your bed. The dozens and dozens of shells in glass jars... You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self. It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them! Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight. You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.
Yuval Noah Harari (21 Lessons for the 21st Century)
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
Elle Kennedy (The Goal (Off-Campus, #4))