Cashmere Scarf Quotes

Wear that scarf," he said, pointing to a blue cashmere scarf hanging on a peg. "It matches your eyes." Alec looked at it. Suddenly he was filled with hate - for the scarf, for Magnus, and most of all for himself. "Don't tell me," he said. "The scarf's a hundred years old, and it was given to you by Queen Victoria right before she died, for special services to the Crown or something." Magnus sat up. "What's gotten into you?" Alec stared at him. "Am I the newest thing in this apartment?" "I think that honor goes to Chairman Meow. He's only two." "I said newest, not youngest," Alec snapped.

She reached out and touched the bright colors of the cashmere scarf, her face filled with wonder as much as shock. "This . . .this is Ibrahim's scarf . . .it's a family heirloom. . . " "No, it belongs to this mobster guy named Abe. . . [...] "Mom," I said disbelievingly. "You know Abe." "Yes, Rose. I know him." "Please don't tell me. . ." Oh, man. Why couldn't I have been an illegitimate half-royal like Robert Doru? Or even the mail-man's daughter? "Please don't tell me Abe is my father. . . . " She didn't have to tell me. It was all over her face. "Oh God, " I said. "I'm Zmey's daughter. Zmey Junior. Zmeyette, even." That got her attention. She looked up at me. "What on earth are you talking about?" "Nothing," I said.

He’s not a cashmere scarf, Mercy. He has horns.” “I have a birthmark shaped like Wisconsin.” “I’m leaving.

There are certain levels of sadness that introduce you to parts of yourself you never knew existed, and it’s always a much purer version of you that couldn’t be any you-er than you. You fall in love with it and forget to move on.

I became addicted to the floating nature of nothingness, to the charm of its carefree pauses and to waiting. I magnified waiting. I wrote about waiting. I basked in its warm nook and completely let go of who I am or what I really wanted.

This is what writing does to you: it makes you put everything under a microscope of metaphors and similes, surrounded by memories and reminiscences. It flies you up high and leaves you without gravity, without reference, and absolutely without destination.

You shall learn that reality is a cover, that imagination is our true essence. That a blur is more beautiful than what it hides, that scrutiny is a curse and that those who enjoy it are more miserable than how much happier it makes them think they become!

freeze, so she opted for pants with a thick, nubbly sweater that added substance to her frame. As always, her necklace was in place, and she donned a lovely bright cashmere scarf to keep her neck warm. When she stepped back to appraise herself in the mirror, she felt she looked almost as good as she had before chemotherapy started. Collecting her purse, she took a couple more pills—the pain wasn’t as bad as yesterday, but no reason to risk it—and called an Uber. Pulling up to the gallery a few minutes after closing time, she saw Mark through the window, discussing one of her photographs with a couple in their fifties. Mark offered the slightest of waves when Maggie stepped inside and hurried to her office. On her desk was a small stack of mail; she was quickly sorting through it when Mark suddenly tapped on her open door. “Hey, sorry. I thought they’d make a decision before you arrived, but they had a lot of questions.” “And?” “They bought two of your prints.” Amazing, she thought. Early in the life of the gallery, weeks could go by without the sale of even a single print of hers. And while the sales did increase with the growth of her career, the real renown came with her Cancer Videos. Fame did indeed change everything, even if the fame was for a reason she wouldn’t wish upon anyone. Mark walked into the office before suddenly pulling up short. “Wow,” he said. “You look fantastic.” “I’m trying.” “How do you feel?” “I’ve been more tired than usual, so I’ve been sleeping a lot.” “Are you sure you’re still up for this?” She could see the worry in his expression. “It’s Luanne’s gift, so I have to go. And besides, it’ll help me get into the Christmas spirit.

Furthermore, much of the gift-giving that occurs nowadays is inspired less by noble intentions, and more by aggressive marketing. Around every major holiday, we’re barraged with ads urging us to buy this, that, and the other thing for our loved ones. They promise that happiness will reign if we give our wife the right diamond necklace, our husband the right electronic gadget, our friend the right cashmere scarf, and our children the right trendy toys—and on the flip side, hint at the disappointment they’ll suffer if we don’t. Consequently, our gift-giving often has more to do with fulfilling obligations, satisfying expectations, and avoiding guilt than anything else.

This is what writing does to you: it makes you put everything under a microscope of metaphors and similes, surrounded by memories and reminiscences. It flies you up high and leaves you without gravity, without reference, and absolutely without destination.

I believe stories have a will of their own, one that surpasses in volition that of their teller. In realms of Storytelling, stories control their bearers, and eventually, their hearers as well.

Caroline had not wanted to go to the party at all. That’s something she will fixate on later. She even refused, once or twice. It was too cold. It was too dark. It was the same party. It was the same people. Their hair: the same. Their stories: the same! There was no reason to go, except the one bad reason, which she did not allow herself to consider. But it didn’t matter what she considered or did not consider, because when Elliot came into the bedroom, he was already wearing his coat, and his gloves, and even the cashmere scarf she had given him that he only wore to parties—and anyway, what were they going to do all night if they didn’t go, what would they talk about together all alone, or would they just watch television again on their shared screen, and then separate to watch more television or worse on their individual screens—so she sighed and put her shoes on. She submitted to the party, as she had always known she would, as she always does, as they all do, every time. This is what they do on nights like these.

But as her body moves, all the yarn in the room suddenly gains tension. There's a swift swishing sound as the lines pull taut. She feels everything in the room move at once, from the big ropey lines supporting her weight, down to the tiny interlocking stitches pressed against her skin. "She rests in mid-air, suspended above her bed by the network of yarn slicing around the room. It holds her, and at the same time it caresses her. She feels its touch through the stitches on her arms, her legs, her stomach. It feels as if her weight is held in its giant hand, and it contemplates her like Yorick's skull. Hundreds of strings and lines of yarn, ranging from individual strands up to thick knitted cables now move on her. She is wrapped by long meaty loops that move around her legs, and her arms, and her neck; and thin little strings that slip between her fingers. A loop circles her hair and pulls it gently into a pony tail, and it lifts to supports her head. "She hangs quietly and meditatively for a while, feeling the caress of the yarn, gently tightening and loosening, and sliding over her body. It feels along her body. And as it feels her, she feels it. She can feel its affection through the way the yarn touches her. The caresses slide up and down her arms, her legs, between her fingers, and around her neck. "She can feel all the different textures of the different yarns. The scratchy itch of cheap wool, and the smooth toughness of nylon and polyester strings. In places there's even some slick and soft rayon and silk. And she's sure she can tell just by the touch of it, that her foot has been wrapped in a small scarf she made of an extremely fine cashmere. "But the thing doesn't just want to hold her.

The waiter says, Buy you a farewell cognac? I say thanks and settle in with coat covering my grease-spattered uniform. The waiter downs his own drink. Standing, he slides spare bills across the bar, adding—before he flips his cashmere scarf around his neck Lautrec-style—At least I’ve helped you to master the fish knife. I hold the glass globe in my hand as the dim yellow lights slide off its perimeter, and boy, does that drink slide down like scorched sunshine. I’m just draining it when the manager—no doubt eager to see me leaving—flies up and buys me another. And right before Warren comes, I ponder a third. What the hell, right? I’m unemployed, with school loans I can’t pay, an invalid dad whose nursing I need to start chipping in on.

You don’t hunt something that you can live with, you idiot. You can’t have a challenge for a lifetime, it’ll drain you out. You’ll be dead before you even know it. Someone you go all those miles for, someone you change your own skin for, someone you take pride in having managed to impress; is most probably someone you don’t live with. People you can live with are ones who complete your sentences, ones who are too comforting, ones who don’t really urge you to fall off cliffs for them, rather cheer you on by their mere presence; ones who you can exercise silence with, free and unguarded silence.