Packing Unpacking Quotes

I have packed myself into silence so deeply and for so long that I can never unpack myself using words. When I speak, I only pack myself a little differently.

Friends come and go, clothing is packed and unpacked, households are continually purged of unnecessary items, and as a result, not much sticks. it's hard at times but it makes a kid strongs in ways that most people can't understand. Teaches them that even though people are left behind, new ones will inevitably take their place; that every place has something good and bad to offer. It makes a kid grow up fast.

I opened the bag and packed the boots in; and then, just as I was going to close it, a horrible idea occurred to me.  Had I packed my tooth-brush?  I don’t know how it is, but I never do know whether I’ve packed my tooth-brush. My tooth-brush is a thing that haunts me when I’m travelling, and makes my life a misery.  I dream that I haven’t packed it, and wake up in a cold perspiration, and get out of bed and hunt for it.  And, in the morning, I pack it before I have used it, and have to unpack again to get it, and it is always the last thing I turn out of the bag; and then I repack and forget it, and have to rush upstairs for it at the last moment and carry it to the railway station, wrapped up in my pocket-handkerchief.

But most of the time, we keep memories packed away. I sometimes liken that moment of sudden unpacking to circus clowns pouring out of a miniature car trunk—how did so much fit into such a small space?

One is either packed or unpacked. There is no middle ground.

Sometimes it works out well, and certain household responsibilities fall naturally to those who like doing them. For example, my wife likes to pack suitcases, I like to unpack them. My wife likes to buy groceries, I like to put them away. I do. I like the handling and discovering, and the location assignments. Cans - over there. Fruit - over there. Bananas - not so fast. You go over here. When you learn not to go bad so quickly, then you can stay with the rest of your friends.

[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.

We travel with the same packed bags we’ve always had, until we take the time to unpack them.

Packing the basket was not quite such pleasant work as unpacking the basket. It never is.

These ways we have to settle. Moving house. I hate packing: collecting myself up, pulling myself apart. Stripping the body of the house: the walls, the floors, the shelves. Then I arrive, an empty house. It looks like a shell. How I love unpacking. Taking things out, putting things around, arranging myself all over the walls. I move around, trying to distribute myself evenly around the rooms. I concentrate on the kitchen. The familiar smell of spices fills the air. I allow the cumin to spill, and then gather it up again. I feel flung back somewhere else. I am never sure where the smell of spices takes me, as it had followed me everywhere. Each smell that gathers returns me somewhere; I am not always sure where that somewhere is. Sometimes the return is welcome, sometimes not. Sometimes it is tears or laughter that makes me realize that I have been pulled to another place and another time. Such memories can involve a recognition of how one's body already feels, coming after the event. The surprise when we find ourselves moved in this way or that. So we ask the question, later, and it often seems too late: what is it that has led me away from the present, to another place and another time? How is it that I have arrived here or there?

What happens is just this: Queen Bella packs most of her wardrobe (11 pages) and travels to Guilder (2 pages). In Guilder she unpacks (5 pages), then tenders the invitation to Princess Noreena (1 page). Princess Noreena accepts (1 page). Then Princess Noreena packs all her clothes and hats (23 pages) and, together, the Princess and the Queen travel back to Florin for the annual celebration of the founding of Florin City (1 page). They reach King Lotharon's castle, where Princess Noreena is shown her quarters (1/2 page) and unpacks all the same clothes and hats we've just seen her pack one and a half pages before (12 pages).

I feel that my tendency to acquire books is rather like someone smoking two packs a day: it's a terrible vice that I wish I could shuck. I love my books, and with all their dog-ears and underlinings they are irreplaceable; but I sometimes wish they'd just vanish. ~ Claire Messud, author of The Emperor's Child.

We who live in Hendon now like to imagine ourselves elsewhere. We carry our homeland on our backs, unpacking it where we find ourselves., never too thoroughly nor too well, for we will have to pack it up again one day. Hendon does not exist; it is only where we are, which is the least of all ways to describe us.

Because when all is said and done the setting doesn’t matter: the space, the walls, the light. It makes no difference whether I’m under a clear blue sky or caught in the rain or swimming in the transparent sea in summer. I could be riding a train or traveling by a car or flying in a plane, among the clouds that drift and spread on all sides like a mass of jellyfish in the air. I’ve never stayed still, I’ve always been moving, that’s all I’ve ever been doing. Always waiting either to get somewhere or to come back. Or to escape. I keep packing and unpacking the small suitcase at my feet. I hold my purse in my lap, it’s got some money and a book to read. Is there any place we’re not moving through? Disoriented, lost, at sea, at odds, astray, adrift, bewildered, confused, uprooted, turned around. I’m related to these related terms. These words are my abode, my only foothold. On the Train There are five of them, four men and a woman, all more or less the same age.

Unpacked, you are positively enormous. Your lungs, smoothed out, would cover a tennis court, and the airways within them would stretch nearly from coast to coast. The length of all your blood vessels would take you two and a half times around Earth. The most remarkable part of all is your DNA (or deoxyribonucleic acid). You have a meter of it packed into every cell, and so many cells that if you formed all the DNA in your body into a single strand, it would stretch ten billion miles, to beyond Pluto.

It is difficult for me to wag my finger at you from so very far away, particularly as my heart aches for you but really, darling, you must pack up this nonsensical situation once and for all. It is really beneath your dignity, not your dignity as a famous artist and a glamorous star, but your dignity as a human, only too human being. Curly [the shaven-headed Brynner] is attractive, beguiling, tender and fascinating, but he is not the only man in the world who merits those delightful adjectives?… do please try to work out for yourself a little personal philosophy and DO NOT, repeat DO NOT be so bloody vulnerable. To hell with God damned ‘L’Amour.’ It always causes far more trouble than it is worth. Don’t run after it. Don’t court it. Keep it waiting off stage until you’re good and ready for it and even then treat it with the suspicious disdain that it deserves … I am sick to death of you waiting about in empty houses and apartments with your ears strained for the telephone to ring. Snap out of it, girl! A very brilliant writer once said (Could it have been me?) ‘Life is for the living.’? Well, that is all it is for… …Unpack your sense of humour, and get on with living and ENJOY IT. Incidentally, there is one fairly strong-minded type who will never let you down and who loves you very much indeed. Just try to guess who it is. XXXX.

One day soon he’ll tell her it’s time to start packing, And the kids will yell “Truly?” and get wildly excited for no reason, And the brown kelpie pup will start dashing about, tripping everyone up, And she’ll go out to the vegetable-patch and pick all the green tomatoes from the vines, And notice how the oldest girl is close to tears 5 because she was happy here, And how the youngest girl is beaming because she wasn’t. And the first thing she’ll put on the trailer will be the bottling set she never unpacked from Grovedale, And when the loaded ute bumps down the drive past the blackberry-canes with their last shrivelled fruit, She won’t even ask why they’re leaving this time, or where they’re heading for —she’ll only remember how, when they came 10 here, she held out her hands bright with berries, the first of the season, and said: ’Make a wish, Tom, make a wish.

Harry looked up at his uncle and felt a mixture of exasperation and amusement. Vernon Dursley had been changing his mind every twenty-four hours for the past four weeks, packing and unpacking and repacking the car with every change of heart. Harry’s favorite moment had been the one when Uncle Vernon, unaware that Dudley had added his dumbbells to his case since the last time it had been unpacked, had attempted to hoist it back into the boot and collapsed with roars of pain and much swearing.

ASSIMILATION We never unpacked, dreaming in the wrong language, carrying our mother’s fears in our feet— if he raises his voice we will flee if he looks bored we will pack our bags unable to excise the refugee from our hearts, unable to sleep through the night. The refugee’s heart has six chambers. In the first is your mother’s unpacked suitcase. In the second, your father cries into his hands. The third room is an immigration office, your severed legs in the fourth, in the fifth a uterus—yours? The sixth opens with the right papers. I can’t get the refugee out of my body, I bolt my body whenever I get the chance. How many pills does it take to fall asleep? How many to meet the dead? The refugee’s heart often grows an outer layer. An assimilation. It cocoons the organ. Those unable to grow the extra skin die within the first six months in a host country. At each and every checkpoint the refugee is asked are you human? The refugee is sure it’s still human but worries that overnight, while it slept, there may have been a change in classification.

At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness. Apparently, Jay had been busy. Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them. Violet shook her head, unable to find the words to speak. He led her closer, and Violet followed, amazed. Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake. Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets. “I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.” “Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him. “I’m glad you like it.” He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler. She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed. Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip. For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.

Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect

He’d been toting it, and checking it, and packing and unpacking, all the way since fate was on the river - that’s how long - the Big River” - Fate Marable and his riverboat caliope (Cleo seemed to recall), who hadastonished the landings between New Orleans and St. Louis with the wild, harsh, skirling Gypsy music, and left there, echoing in the young and restless even as it dies off round the bed; to linger with them thereafter, in the pelting roar of November midnights and the clickety-clack of lonesome valley freights, until they up one night and go after it in a battered bus, following the telephone wires that make a zigzag music staff against the evening sky - some variation of that basic beginning could be told for everyone who jazz has touched and altered.

By Bruce Dawe One day soon he'll tell her it's time to start packing and the kids will yell 'Truly?' and get wildly excited for no reason and the brown kelpie pup will start dashing about, tripping everyone up and she'll go out to the vegetable patch and pick all the green tomatoes from the vines and notice how the oldest girl is close to tears because she was happy here, and how the youngest girl is beaming because she wasn't. And the first thing she'll put on the trailer will be the bottling-set she never unpacked from Grovedale, and when the loaded ute bumps down the drive past the blackberry canes with their last shrivelled fruit, she won't even ask why they're leaving this time, or where they're headed for she'll only remember how, when they came here she held out her hands, bright with berries, the first of the season, and said: 'Make a wish, Tom, make a wish.

He drove me home, through all the windy roads of his ranch and down the two-lane highway that eventually led to my parents’ house on the golf course. And when he walked me to the door, I marveled at how different it felt. Every time I’d stood with Marlboro Man on those same front porch steps, I’d felt the pull of my boxes beckoning me to come inside, to finish packing, to get ready to leave. Packing after our dates had become a regular activity, a ritual, an effort, on my part, to keep my plans moving along despite my ever-growing affection for this new and unexpected man in my life. And now, this night, standing here in his arms, the only thing left to do was unpack them. Or leave them there; I didn’t care. I wasn’t going anywhere. At least not for now. “I didn’t expect this,” he said, his arms around my waist. “I didn’t expect it either,” I said, laughing. He moved in for one final kiss, the perfect ending for such a night. “You made my day,” he whispered, before walking to his pickup and driving away.

Looks to me like you could stand to lose a few things,” he said. “Want some help?” “Actually,” I said, smiling ruefully at him, “yes.” “All right, then. Here’s what I want you to do: pack up that thing just like you’re about to hike out of here for this next stretch of trail and we’ll go from there.” He walked toward the river with the nub of a toothbrush in hand—the end of which he’d thought to break off to save weight, of course. I went to work, integrating the new with the old, feeling as if I were taking a test that I was bound to fail. When I was done, Albert returned and methodically unpacked my pack. He placed each item in one of two piles—one to go back into my pack, another to go into the now-empty resupply box that I could either mail home or leave in the PCT hiker free box on the porch of the Kennedy Meadows General Store for others to plunder. Into the box went the foldable saw and miniature binoculars and the megawatt flash for the camera I had yet to use. As I looked on, Albert chucked aside the

Meeting the Prince of Wales Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.”’ The next minute he leapt on me practically and I thought this was very strange, too, and I wasn’t quite sure how to cope with all this. Anyway we talked about lots of things and anyway that was it. Frigid wasn’t the word. Big F when it comes to that. He said: ‘You must come to London with me tomorrow. I’ve got to work at Buckingham Palace, you must come to work with me.’ I thought this was too much. I said: ‘No, I can’t.’ I thought ‘How will I explain my presence at Buckingham Palace when I’m supposed to be staying with Philip?’ Then he asked me to Cowes on Britannia and he had lots of older friends there and I was fairly intimidated but they were all over me like a bad rash. I felt very strange about the whole thing, obviously somebody was talking. I came in and out, in and out, then I went to stay with my sister Jane at Balmoral where Robert [Fellowes, Jane’s husband] was assistant private secretary [to the Queen]. I was terrified--shitting bricks. I was frightened because I had never stayed at Balmoral and I wanted to get it right. The anticipation was worse than actually being there. I was all right once I got in through the front door. I had a normal single bed! I have always done my own packing and unpacking--I was always appalled that Prince Charles takes 22 pieces of hand luggage with him. That’s before the other stuff. I have four or five. I felt rather embarrassed. I stayed back at the castle because of the press interest. It was considered a good idea. Mr and Mrs Parker-Bowles were there at all my visits. I was the youngest there by a long way. Charles used to ring me up and say: ‘Would you like to come for a walk, come for a barbecue?’ so I said: ‘Yes, please.’ I thought this was all wonderful.

My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.

When someone is judging you, it's unlikely that their judgment is actually about you. As I see it, we're all carrying around a bunch of suitcases. We have our insecurities suitcase. We have our stress suitcase. We have our guilt and our worries suitcases. Some suitcases we might have been carrying since our childhood, stories we were told about who we are that aren't even true. They're fiction that we were handed, picked up, believed, and still carry. Sometimes a person comes along with one of their suitcases, with their issues all packed up and ready to go, and they try to hand it to us. Do not pick up that suitcase! Do not pick it up! Because if you pick up their suitcase, you will be up all night, worrying if what they said about you is true, stressing yourself out, questioning yourself, getting bitter, and feeding your insecurities. Over a suitcase that never belonged to you in the first place. So if people keep trying to hand off their suitcases to you like you're a bellhop, you might need to break up with them the same way you would break off an unhealthy relationship with an emotionally abusive boyfriend. And as you go through life, trying to figure out how to ferry around those suitcases that do belong to you (and we all have our own stuff . . . the stuffiest of stuffs!), don't try to hand those off to someone else as a way to try to get rid of your pain. Instead, sit down with a friend or a great therapist and have a big, nonjudgmental "let's unpack these suitcases together" session.

The human facility for perceiving speech begins very young: small babies have been shown to prefer the sounds of speech to nonspeech sounds. It is a fascinating paradox that humans can hear only up to fifteen different non-speech sounds per second, and beyond this they hear unremitting noise. Yet when they decode speech, they hear twenty to thirty distinct sounds per second. Somehow human speakers can pack, and in turn unpack, almost twice as many sounds if those sounds consist of consonants and vowels that are the components of the language they speak.

Mark Gungor runs marriage seminars. He gave a very funny but all-too-true description of the difference between men’s and women’s brains, called “A Tale of Two Brains.” Men’s brains, he said, are composed of many little boxes.There’s a box for the car, a box for money, a box for the kids, a box for the job, a box for the marriage, and so on. The rule, according to Gungor, is that the boxes don’t touch. When a man discusses a particular subject, he pulls that box out, opens it, and discusses only what is in that box. Then he closes the box and puts it away, being very careful not to touch any other box. Gungor added that men have one very special box, which is their favorite, and it’s called the nothing box because there’s nothing in it.That accounts for how they can sit motionless in front of the TV for six hours. In contrast, women’s brains are like a big ball of wire, and everything is connected to everything else. It’s like the Internet superhighway. The job touches the car, which touches the house, which touches the mother-in-law, which touches the job. Women remember everything because everything is connected and is fueled by emotion. When I heard this description, it occurred to me that this quality of emotional interconnection gives women a terrific benefit in business. We can put it all together and figure out solutions while the men are packing and unpacking their individual boxes.

Are we through here, I need to move all my stuff into my new house. Are you coming, Gary?” she walked out of the office. “So it begins,” remarked Gary. “Gary, good luck with her.” remarked Reverend Light. “Thanks, looks like I might need some good luck.” Gary left the office to move all of his stuff to his new house. When he arrived a day later, after packing all of his things into a moving truck, the house looked like a really expensive mansion to him. It was even equipped with gates at the entrance of the driveway. He went inside, was impressed with the size, and also impressed by the very fact that the mansion was already furnished. The mansion was two stories, had a huge kitchen, a dining room, a living room, office space, and bedrooms that were twice as big as his apartment bedroom. He unpacked all of his things, and waited for his new wife to show up with her stuff, which she did six hours later. Once she unpacked all of her stuff, they decided to sit down and talk for a while, so that they could get to know each other.

Do you ever feel like we go through life with these massive ideological suitcases, Percy?" she asks. Percy looks at her and smiles. "The kind without wheels or handles...the really heavy ones that hold all the sights and sounds of everything we are? The ones we drag in and out of all the rooms of our lives...packing and unpacking until we finally decide to put everything away from good?" he asks.

The familiar phrase “the authority of scripture” thus turns out to be more complicated than it might at first sight appear. This hidden complication may perhaps be the reason why some current debates remain so sterile. This kind of problem, though, is endemic in many disciplines, and we ought to be grown-up enough to cope with it. Slogans and clichés are often shorthand ways of making more complex statements. In Christian theology, such phrases regularly act as “portable stories”—that is, ways of packing up longer narratives about God, Jesus, the church and the world, folding them away into convenient suitcases, and then carrying them about with us. (A good example is the phrase “the atonement.” This phrase is rare in the Bible itself; instead, we find things like “The Messiah died for our sins according to the scriptures”; “God so loved the world that he gave his only son,” and so on. But if we are to discuss the atonement, it is easier to do so with a single phrase, assumed to “contain” all these sentences, than by repeating one or more of them each time.) Shorthands, in other words, are useful in the same way that suitcases are. They enable us to pick up lots of complicated things and carry them around all together. But we should never forget that the point of doing so, like the point of carrying belongings in a suitcase, is that what has been packed away can then be unpacked and put to use in the new location. Too much debate about scriptural authority has had the form of people hitting one another with locked suitcases. It is time to unpack our shorthand doctrines, to lay them out and inspect them. Long years in a suitcase may have made some of the contents go moldy. They will benefit from fresh air, and perhaps a hot iron.

Elle set the bags on the floor beside the coffee table. From the first bag she withdrew two notebooks, one black and the other white, and a twelve pack of gel pens. “Facts we can write down in these handy notebooks. I brought gel pens in case you want to color code anything. Because if there’s one thing you should know about me—okay, there are a lot of things you should know about me. But right now, it’s important to know I don’t have much Virgo in my chart. I mean, there’s Jupiter and it’s retrograde and my seventh house is in Virgo, but that’s a whole other story.” And too much to unpack in one night. “However, I aspire to Virgo-level detail orientation and I do it through color-coordinated crafts. Got it?” That was an ultrasimplification, but it was doubtful Darcy wanted details. Elle believed in astrology, believed the cosmos controlled more than met the eye and that was what Darcy needed to know if this was going to work, if this fake relationship of theirs would ever fool a single soul. She needed to know it, and inside it might make her roll her eyes and despair at how silly Elle was, but outwardly Darcy needed to not scoff at it. Even if this entire charade was pretend, Darcy needed to respect Elle’s beliefs. Respect Elle, or no dice.

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They slept the first night on the beach, and he moved into the shack with her the next day. Packing and unpacking within a single tide. As sand creatures do.

She’s been through a lot and thinks that moving to a new place means all the bad stuff gets left behind. But it doesn’t. We travel with the same packed bags we’ve always had, until we take the time to unpack them.

As we stood in a corner of the warehouse unpacking and re-packing boxes at top speed in a postmodernised pastiche of actual production, I put on a tone of mock motivational vigor and exhorted my fellow temp to "think of the managing director's Mercedes parked outside and remember the real reason why we're doing this".

I am a woman . A soul which is always packed with the strings of shyness , weakness and fear but I want to unpack , remove those strings . I want to be the one I am "the real me " . The beauty of a woman do lies in make over but more than that it lies in being bold , independent and fearless .

At seven, Liam runs out to pick up some food for us. Her returns forty minutes later with seventy pounds of Chinese food from Orange Garden. "I didn't know what everyone liked. Plus none of us had lunch." He shrugs, unpacking egg rolls, pot stickers, barbecue ribs, pork lo mein, vegetable fried rice, sesame chicken, beef and broccoli, ma po tofu, cashew chicken, shrimp with peapods and water chestnuts, combination chow fun, and mushroom egg foo young. White rice, plenty of sauces, and about forty-two fortune cookies. A six-pack of Tsingtao beer.

And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is. Chapter 35 [ 1 ] LEE HELPED ADAM and the two boys move to Salinas, which is to say he did it all, packed the things to be taken, saw them on the train, loaded the back seat of the Ford, and, arriving in Salinas, unpacked and saw the family settled in Dessie’s little house.

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He smiles. I sit a few feet away and watch as he unpacks the linen bag. “Torin packed this, not Rayna, so who knows what we’ll find.” “Eye of newt and toe of frog,” I mutter. “Wool of bat and tongue of dog.” He smiles, waiting for me to pick up the next verse. “Sorry. That’s all I know.” He props his arms on his knees. “‘Adder’s fork and blind worm’s sting,’” he continues, affecting a macabre tone, “‘lizard’s leg and howlet’s wing, for a charm of powerful trouble, like a hell-broth, boil and bubble.’” “Yum. Breakfast of champions. Is howlet an owl?” “It is indeed.” “And blind worm must be a snake?” “No. Blind worms are lizards with no legs.” “That makes sense. That’s why those were added separately—the lizard legs.” “No respectable brew is complete without them.” “There should be some soft ingredients in there for flavor balance, like butterfly wings and dove’s feathers.” His eyebrows rise. “You’d eat butterfly wings?” “Never. I don’t know why I said that. I love butterflies.” “A symbol of rebirth and resurrection, I might add.” “Subtle, Samrael. Real subtle.” I catch myself smiling. But if he’s good—if he’s really changed—then smiling is fine. Right?

I cannot impress too strongly upon my readers the importance of ordering their plants and seeds of well-known firms. The best are always the cheapest in the end. Inquiry among friends will generally give the best information as to reliable seedsmen and growers. In ordering shrubs and plants it is important to specify the precise date of delivery, that you may know in advance the day of arrival. The beds or borders should be prepared in advance, so that everything may be set out without delay. Care must be taken that the roots are not exposed to the air and allowed to become dry. It is a good plan, when unpacking a box of plants, to sort them, laying each variety in a pile by itself, covering the roots with the moss [66] and excelsior in which they were packed, and then, if at all dry, to sprinkle thoroughly. Unpacking should, if possible, be done under cover—in the cellar if there be no other place. Great care must also be taken in setting out plants that ample room be given; as the roots should be well spread out and never doubled up. Do not be afraid of having the hole too big; see that the earth is finely pulverized and well packed about the roots; that the plant is thoroughly soaked, and, if the weather is dry, kept watered for a couple of weeks. If the plants have arrived in good condition and are carefully set out, but few should die. I have never lost a deciduous tree, and frequently, in setting out a hundred shrubs at one time, all have lived.

There is grace for everything: grace to come and grace to go, grace to speak and grace to keep silent, grace to mourn and grace to dance, grace to weep and grace to laugh, grace to pack and grace to unpack, grace to be sick and grace to heal, grace to plant and grace to harvest, grace to tear down and grace to build up, grace to love and grace to hate, grace to live and grace to die. From beginning to end, life becomes a rhapsody of grace. Even the desire for grace comes by grace.

Then how did he come to learn that I was back in town?” Buster said. “It’s a small town, Buster,” Mrs. Fang answered. “When you got here, you had a grotesquely swollen face. It attracted attention.” When they first arrived back home, Buster, still adjusting to the high dosage of the medication he had given himself, woke in the van and demanded that they stop for fried chicken. “Buster, I don’t think solid food is a great idea yet,” his mother had told him, but Buster had leaned into the front of the van and reached for the steering wheel, saying, over and over in a strange monotone, “Fer-ide chick-hen.” The Fangs pulled into a Kentucky Fried Chicken ten minutes later and walked inside the restaurant. Buster swayed unsteadily as his parents directed him to a table. “What do you want?” they asked him. “Fer-ide chick-hen,” he said, “all-you-can-eat.” They left the table and returned a few minutes later with a breast, wing, thigh, and leg, a mound of gravy-soaked mashed potatoes, and a biscuit. Everyone in a five-table radius was staring at the Fangs by this point. Buster, oblivious, unpacked some bloodstained gauze from his mouth, picked up the chicken leg, extra crispy, and took a ravenous bite. He felt something come loose inside his mouth, his muscles stretched beyond comfort after so much time in atrophy, and he began to moan, a funeral dirge, dropping the leg back onto the tray. The barely chewed scrap of chicken fell from his mouth, stained a foamy red with Buster’s blood. “Okay,” Mr. Fang said, sweeping the tray off of the table, dumping it into the trash. “This little experiment is over. Let’s go home.” Buster tried to pack the gauze back into his mouth, but his mother and father were already carrying him into the parking lot. “I’m a monster,” Buster bellowed, and his parents did nothing to dissuade him of this belief. “Well, I’m not going to do it,” Buster said. “I think you should,” Annie said. Mr. and Mrs. Fang agreed. Buster did not want to talk about writing. It had been years since his last novel had been published, a spectacular failure at that.