Hendrix Love Quotes

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I'm the one that's got to die when it's time for me to die, so let me live my life the way I want to.
Jimi Hendrix (The Jimi Hendrix Experience - Axis: Bold as Love | Guitar TAB Sheet Music Collection | Note-for-Note Transcriptions for Electric Guitar Players | Classic Psychedelic Rock Solos)
When the power of love overcomes the love of power, the world will know peace.
Jimi Hendrix
The day the power of love overrules the love of power, the world will know peace.
Mahatma Gandhi
The story of life is quicker than the wink of an eye, the story of love is hello and goodbye...until we meet again
Jimi Hendrix
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Jimi Hendrix
You have to forget about what other people say, when you're supposed to die, or when you're supposed to be loving. You have to forget about all these things. You have to go on and be crazy. Craziness is like heaven.
Jimi Hendrix
I love you, Gretchen Lang. You are my reflection and my shadow and I will not let you go. We are bound together forever and ever! Until Halley’s Comet comes around again. I love you dearly and I love you queerly and no demon is bigger than this!
Grady Hendrix (My Best Friend's Exorcism)
those times i burned my guitar it was like a sacrifice. we all burn things we love. i love my guitar
Jimi Hendrix
WHEN THE POWER OF LOVE IS STRONGER THAN THE LOVE OF POWER, THE WORLD WILL KNOW PEACE—JIMI HENDRIX.
Stephen King (Under the Dome)
These stuffed animals were how she had first learned to love something that couldn’t always love you back.
Grady Hendrix (How to Sell a Haunted House)
When the power of love overpowers the love of power the world will know peace
Jimmi Cdpham 653442 Hendrix
The problem with book club these days is too many men. They don’t know how to pick a book to save their lives and they love to listen to themselves talk. It’s nothing but opinions, all day long.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
Books can inspire you to love yourself more, it said. By listening to, writing out, or verbally expressing your feelings.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
No one loves me! Boo hoo! Guess what? We play fucking metal! I don't want to sing about your sad feelings! I want dragons.
Grady Hendrix (We Sold Our Souls)
So, do you, like, talk pirate?” GG raises his brows. “No, love.” “Well that’s no fun. I think I need to introduce that to ye scallywags.” They all burst out laughing. … I turn and grin up at Hendrix. “Aye cap’n, I took ye advice and joined in this party.” He raises his brows. “Seriously?
Bella Jewel (Enslaved by the Ocean (Criminals of the Ocean, #1))
Romantic Love delivers us into the passionate arms of someone who will ultimately trigger the same frustrations we had with our parents, but for the best possible reason! Doing so brings our childhood wounds to the surface so they can be healed.
Harville Hendrix (Making Marriage Simple: Ten Relationship-Saving Truths)
When the power of love overcomes the love of power the world will see peace.
Jimi Hendrix
I will be dead in five years' time, but while I am here, I will travel many highways and I will, of necessity, die at a time when my message of love, peace, and freedom can be shared with people all over the world.
Jimi Hendrix
Viviré en París y no comeré nada que no sea chocolate; además fumaré puros, me inyectaré heroína y solo escucharé a Jimi Hendrix y The Doors.
Audrey Niffenegger (The Time Traveler's Wife)
Where are you supposed to stay?” He ground out... “Hendrix, are you kidding me?” “By me, Reagan. Always, by me,” he answered, ignoring my sarcasm.
Rachel Higginson (Love and Decay, Episode One (Love and Decay, #1))
When we were babies, we didn’t smile sweetly at our mothers to get them to take care of us. We didn’t pinpoint our discomfort by putting it into words. We simply opened our mouths and screamed. And it didn’t take us long to learn that, the louder we screamed, the quicker they came. The success of this tactic was turned into an “imprint,” a part of our stored memory about how to get the world to respond to our needs: “When you are frustrated, provoke the people around you.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
When the power of love overcomes the love of power, there will be peace.
Jimi Hendrix
Faith, without action, is no faith at all. Love, without sacrifice, is no love at all.
John Hendrix (The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler)
In literature, as in love, we are astonished at what is chosen by others. —ANDRÉ MAUROIS
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Well I walk right on up to your rebel roadside The one that rambles on for a million miles Yes I walk down this road searchin' for your love And my soul too When I find ya I ain't gonna let go.
Jimi Hendrix
I want my love to be the most extravagant gift I ever give you,” he whispers, his voice deep and reverent. “I want it to be outrageously unconditional. I want it to overflow and spill into every crevice of your life, every corner of your heart because that’s what you do for me. You overwhelm me, Hendrix.
Kennedy Ryan (Can't Get Enough (Skyland, #3))
The story of life is quicker than the blink of an eye. The story of love is Hello and Goodbye. Until we meet again.......
Jimi Hendrix
Peace, Love, and Happiness. --- Jimi Hendrix ---
Jimi Hendrix
What good is free love if nobody showers?” Maryellen asked.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
FROM ECSTASY TO AGONY Romantic Love sticks around long enough to bind two people together. Then it rides off into the sunset. And seemingly overnight, your dream marriage can turn into your biggest nightmare.
Harville Hendrix (Making Marriage Simple: Ten Relationship-Saving Truths)
He thought he was in love with a person, when in fact he was in love with an image projected upon that person. Cheryl was not a real person with needs and desires of her own; she was a resource for the satisfaction of his unconscious childhood longings. He was in love with the idea of wish fulfillment and--like Narcissus--with a reflected part of himself.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
A man who attended a recent workshop said that “falling in love with my wife made me feel loved and accepted for who I was for the very first time. It was intoxicating.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
And remember this, Jimi’s music was originally Mississippi Delta blues. His influences were blues giants Muddy Waters and Albert King. But he fell head-over-heels in love with British rock. And so you have a guy who just didn’t fit in AT ALL
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Helen and I like to think of two people in a conscious love relationship as companion stars. Each person is a unique individual ablaze with potential. One is just as important as the other, and each has a unique and equally valid view of the universe. Yet, together, they form a greater whole, kept connected by the pull of mutual love and respect. They mirror the interconnected universe.     New
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
My husband has no more consideration for me than a dog, she said. He goes off and screws little girls with the other men and we sit home like good little women and wash their shirts and pack their bags for their sex trips. We keep their houses warm and clean for when they’re ready to come home and shower off some other woman’s perfume before tucking their children into bed. For years I’ve pretended I don’t know where he goes, or who those girls are on the phone, but every time he comes home, I lie there in bed beside my husband, who doesn’t touch me, who doesn’t talk to me, who doesn’t love me, and I pretend I can’t smell some twenty-year-old’s body on him
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
You don’t remember?” Hendrix asked with narrowed eyes. “Then we’ll talk about it later. I’ll help you remember.” His voice was smooth sex appeal as it washed over my body and I shivered involuntarily.
Rachel Higginson (Love and Decay, Episode One (Love and Decay, #1))
In the words of Wordsworth, we come into the world “trailing clouds of glory,” but the fire is soon extinguished, and we lose sight of the fact that we are whole, spiritual beings. We live impoverished, repetitious, unrewarding lives and blame our partners for our unhappiness.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Being loved didn't mean you were alive. People loved lots of inanimate things: stuffed animals, cars, puppets. Being alive meant something else. "Because you're real, Pupkin," Louise said. "And nothing real can last forever. That's how you know you're real. Because one day you die.
Grady Hendrix (How to Sell a Haunted House)
Hooray, I wake from yesterday, Alive but the war is here to stay, So my love Katherina and me Decide to take our last walk through the noise to the sea, Not to die but to be reborn, Away from a land so battered and torn… Forever…
Jimi Hendrix
Dr. Hendrix, why do couples have such a hard time staying together?” I thought for a moment and then responded. “I don’t have the foggiest notion. That is a great question and I think I’ll spend the rest of my career trying to find out.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Of course, all of the coolest icons overdosed and died years ago, which is just as well. How depressing would it be to see a gray-haired Jimi Hendrix wearing a cardigan sweater and reminiscing about the soundtrack of the Summer of Love?
Wally Lamb (We Are Water)
Is this who I married?! Something is terribly wrong. Let us reassure you, nothing has gone wrong. Romantic Love is just the first stage of couplehood. It’s supposed to fade. Romantic Love is the powerful force that draws you to someone who has the positive and negative qualities of your parents or caregiver (this includes anyone responsible for your care as a child, for example: a parent, older sibling, grandparent, or babysitters.).
Harville Hendrix (Making Marriage Simple: Ten Relationship-Saving Truths)
and like every guitar duo in metal, they were a little bit in love and a little bit in hate all at the same time. For Kris, Scottie was the brother she'd always wanted and the marriage she'd never had, and she suspected that if she ever did get married it would ba a shallow thing compared to what she'd shared for eleven years on the road with Scottie Rocket.
Grady Hendrix (We Sold Our Souls)
Out beyond ideas of wrong doing and right doing, there is a field. I will meet you there.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
What is this?” Hendrix demanded next to me. “A pool noodle?” I looked over at the long foam purple noodle and burst into more laughter.
Rachel Higginson (Love and Decay, Volume One (Love and Decay #1-6))
When The Power Of Love Overcomes The Love Of Power,,World Will Know Peace.
Jimi Hendrix
When the power of love overcomes the love of power the world will know peace.
Jimi Hendrix
Helen LaKelly Hunt, Ph.D.   The world is not comprehensible, but it is embraceable: through the embracing of one of its beings. —MARTIN BUBER
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Diana wept a tear after we made love and said, My Earthly darling, I must bid you farewell… She could have been my wife, But her time, I didn't dare wish to waste.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
Ironically, for reasons we will explore in later chapters, fusers (who experienced neglectful caretaking) and isolators (who experienced intrusive parenting) tend to grow up and marry each other, thus beginning an infuriating game of push and pull that leaves neither partner satisfied.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
People believe that separation opens their eyes to their self-defeating behaviors and gives them an opportunity to resolve those problems with a new partner. But unless they under- stand the unconscious desires that motivated their dysfunctional behavior in the first relationship and learn how to satisfy those desires with the new partner, the second relationship is destined to run aground on the same submerged rocks.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Negativity is any thought, word, or deed that tells your partner, “You’re not OK when you think what you think or act the way that you act.” In essence, you are rejecting your partner’s “otherness.” We sometimes feel the need to negate our partners when they do or say something that makes us uncomfortable. Usually, they are just being themselves. But from our point of view, they are threatening an image that we have of them, or they are failing to meet an unspoken need of our own.
Harville Hendrix;Helen Hunt (Getting the Love You Want: A Guide for Couples)
Experiencing empathy, the freedom to explore, trust, and insight can reset your default reactions to a more curious, tolerant, and confident stance. Because our brains are plastic, consistently positive experiences do stimulate existing neurons to adapt and connect in different pathways. Nurturing relationships help us grow psychologically and neurally in ways that are not possible in nonnurturing relationships. As adults, our most important opportunity for a nurturing relationship comes through committed partnership. It’s a breakthrough to realize that the purpose of committed relationship is not to be happy, but to heal. And then you will be happy!
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
Whatever you say, Grace," Kitty said, thrusting mugs of wine into everyone's hands. "Five children live in this house and it's eight years before the oldest one moves out. If I don't get some adult conversation tonight I'm going to blow my brains out." "Hear, hear," Maryellen said. "Three girls: seven, five, and four." "Four is such a lovely age," Slick cooed. "Is it?" Maryellen asked, eyes narrowing.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
We have learned over the years of helping couples that just spending quality time talking about each other’s pasts can be very helpful. We’ve seen how effective this can be in our couples’ workshops. Years ago, we devoted half the workshop time to helping couples learn more about each other’s pasts. Now, we spend a fraction of that time and get the same results. There is a concept informally called woundology, where couples spend too much time dwelling on the past, which should be avoided. Nonetheless, spending some time sharing your childhood experiences is vital because it gives you a better understanding of your partner’s inner reality and helps you shift from judgment to curiosity and empathy.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
500,000 halos outshined the mud and history. We washed and drank in God's tears of joy, And for once…and for everyone…the truth was not a mystery. Love called to all…music is magic. As we passed over and beyond the walls of Nay, Hand in hand as we lived and made real the dreams of peaceful men— We came together…danced with the pearls of rainy weather, Riding the waves of music and space…music is magic…magic is life… Love as never loved before… Harmony to son and daughter…man and wife…
Jimi Hendrix (Cherokee Mist: The Lost Writings)
Fifteen years ago, the cultural critic Greil Marcus wrote of Jimi's performance of our national anthem as "his great NO to the war, to racism, to whatever you or he might think of and want gone. But then that discord shattered, and for more than four and a half long, complex minutes Hendrix pursued each invisible crack in a vessel that had once been whole, feeling out and exploring and testing himself and his music against anguish, rage, fear, hate, love offered, and love refused. When he finished, he had created an anthem that could never be summed up and that would never come to rest. In the end it was a great YES, both a threat and a beckoning, an invitation to America to match its danger, glamour, and freedom." … In late 1969, Jimi Hendrix wrote a poem celebrating Woodstock, saying with words what his music had in August: "500,000 halos outshined the mud and history. We washed and drank in God's tears of joy. And for once, and for everyone, the truth was not still a mystery.
Michael Lang (The Road to Woodstock)
Turns out quality time was the love language we both craved. That and the filthy words of affirmation he came up with when I was pinned beneath him weren’t bad either.
Lena Hendrix (One Look (The Sullivan Family, #1))
They may be a little lost, a little broken, but they’d welcomed me with open arms. They’d chosen me, accepted and loved me, and claimed me as one of their own.
Lena Hendrix (One Look (The Sullivan Family, #1))
When a door shuts, great love finds a window.
Lena Hendrix (One Chance (The Sullivan Family, #3))
Trust me, Prim, I wasn’t planning on falling in love with you!
Lena Hendrix (Just This Once (King Family, #1))
When the power of love overcomes the love of power, they will ind peace.
Jimi Hendrix
When the power of love overcomes the love of power, they will find peace.
Jimi Hendrix
When the power of love overpowers the love of power, the world will know peace.
Jimi Hendrix
When the power of love overcomes the love of power, then the world will know peace.
Jimi Hendrix
Sticks and stones can't break my soul But words, they seem to sometimes harm me— Maybe it's because I'm forever hungry— ...for the truth of love.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
doubted banging the brooding grump just to see if he’d crack a smile was part of the performance. But seriously, who doesn’t love a grumpy DILF?
Lena Hendrix (One Look (The Sullivan Family, #1))
We love them to death, but we don’t like them.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
I love you," her mom said without opening her eyes. Louise froze. "I know," she said after a moment. "No," her mom said. "You don't.
Grady Hendrix (How to Sell a Haunted House)
No one likes their children,” Maryellen said. “We love them to death, but we don’t like them.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
the unconscious is trying to resurrect the past is not a matter of habit or blind compulsion but of a compelling need to heal old childhood wounds.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
I choose you over anyone else, in any circumstance, for the rest of my life. You will always know what it means to be loved by a man like me. I promise.
Lena Hendrix (One Night (The Sullivan Family, #4))
Amanda, True love is putting someone else, Before yourself. Which is why I thought, You should walk across that ice, Before me.
Grady Hendrix
From our view, these scars are very active in adult intimate relationships and show up constantly when a partner turns away or shows a still face when the other is trying to engage.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Online dating,” he mumbled dryly. “Oh, like before? That makes sense then. It’s actually kind of sweet you still have each other through all this craziness.” It was like an ah-ha moment. They were gay. “I was kidding,” his eyes snapped up to mine again and flashed with annoyance. “I’m not judging you,” I quickly said. “I think it’s great. Seriously!” “We’re not gay,” he growled. “We’re brothers.
Rachel Higginson (Love and Decay, Episode One (Love and Decay, #1))
Through Jimi Hendrix's music you can almost see the assassinations of President John F. Kennedy and of Martin Luther King Junior, the beginnings of the Berlin Wall, Yuri Gagarin in space, Fidel Castro and Cuba, the debut of Spiderman, Martin Luther King Junior’s ‘I Have a Dream’ speech, Ford Mustang cars, anti-Vietnam protests, Mary Quant designing the mini-skirt, Indira Gandhi becoming the Prime Minister of India, four black students sitting down at a whites-only lunch counter in Greensboro North Carolina, President Johnson pushing the Civil Rights Act, flower children growing their hair long and practicing free love, USA-funded IRA blowing up innocent civilians on the streets and in the pubs of Great Britain, Napalm bombs being dropped on the lush and carpeted fields of Vietnam, a youth-driven cultural revolution in Swinging London, police using tear gas and billy-clubs to break up protests in Chicago, Mods and Rockers battling on Brighton Beach, Native Americans given the right to vote in their own country, the United Kingdom abolishing the death penalty, and the charismatic Argentinean Marxist revolutionary Che Guevara. It’s all in Jimi’s absurd and delirious guitar riffs.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
LOVE HEALS ALL” is a well-known sentiment. And it can. It can even heal the deepest emotional wound of all—the ruptured connection between you and your parents. But it needs to be a specific kind of love. It needs to be a mature, patient love that is free of manipulation and distortion, and it needs to take place within the context of an intimate relationship. Receiving empathy from a friend may be very moving, but it does not reach all the way down into your psyche. In order to heal the painful experiences of the past, you need to receive love from a person whom your unconscious mind has merged with your childhood caregivers.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Every kid has the same question for their parents: who do you love more? Your parents could dodge that question all their lives, they could avoid it for years, but eventually, one way or another, the answer came out.
Grady Hendrix (How to Sell a Haunted House)
One minute you’re involved in your life as you know it, when suddenly you see the one. Your eyes meet (perhaps across a crowded room). Heart palpitations start. And the fairy tale of romance begins. Flowers, batting eyelashes, shared meals, laughter. Sunset walks and little love gifts to each other. You spend hours looking forward to your next time together. Maybe you’ll see a movie or simply hang out—talking about everything and nothing.
Harville Hendrix (Making Marriage Simple: Ten Relationship-Saving Truths)
When rudely awakened from the dazzling dream of compatibility, people can get very grumpy. Desperate to end the pain and disappointment Romantic Love leaves behind, many couples get divorced. Others who decide not to do the mind-numbing work of dividing up the stuff may stay together. But they wind up living parallel lives, without any true connection. They assume this is as good as it gets. But secretly they think something must be terribly wrong.
Harville Hendrix (Making Marriage Simple: Ten Relationship-Saving Truths)
His makeup was running down his face, and he looked so vulnerable. He was just a little boy in love with himself, making deals without ever asking the price, thinking he'd never have to pay. She saw him, not evil, not good, just another boy who thought he was the only person in the world who mattered. So she did him a final kindness, and in her hour of truth she didn't say that he'd cut the track, she didn't mention the betrayal that still hurt after all these years, the way he'd just taken her baby away from her and mutilated it, and instead she said: "We, um, lost the tracks, they got damaged so it never made it onto the album." And like a little boy, Terry gave her a grateful grin.
Grady Hendrix (We Sold Our Souls)
He was just a little boy in love with himself, making deals without ever asking the price, thinking he’d never have to pay. She saw him, not evil, not good, just another boy who thought he was the only person in the world who mattered.
Grady Hendrix (We Sold Our Souls)
Why did you come back for me? You could have died, Hendrix. He could have killed you." He squeezed me against him until it was almost painful. I loved it. "I will always come back for you, Reagan. Nothing will stop me from getting to you.
Rachel Higginson (Love and Decay 3, Episode Two (Love and Decay 3, #2))
Whoa! The idea that your partner is really a composite of your parents can be a bit upsetting at first. Though we love our parents, most of us got over (consciously) wanting to marry them when we turned five or six. Then, when we hit our teenage years, all we wanted was our freedom. But the fact is, we’re unconsciously drawn to that special someone with the best and worst character traits of all of our caregivers combined. We call this our “Imago”—the template of positive and negative qualities of your primary caregivers.
Harville Hendrix (Making Marriage Simple: Ten Relationship-Saving Truths)
I miss the books we used to read where at least there was a murder,” Maryellen said. “The problem with book club these days is too many men. They don’t know how to pick a book to save their lives and they love to listen to themselves talk. It’s nothing but opinions, all day long.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
From the middle of a tomb whose lights burn only for survival…our tired bodies finally understand and obey our beating hearts. Meet me in the country, Meet me in the country, The city's breath is getting way too evil to breathe. Meet us in the country, Leave the pigs and rats in the city— Under the gypsy sun, we all will clearly reach the grace of living—…to give and receive with love and ease. We'll dance to the drums of the open life… love is the rhythm of man and wife… faith in the beat for everyone. God breathes music…through the life of the Gypsy Sun…
Jimi Hendrix (Cherokee Mist: The Lost Writings)
In each of my friends there is something that only some other friend can fully bring out. By myself I am not large enough to call the whole man into activity... Hence true friendship is the least jealous of loves ... we possess each friend not less but more as the number of those with whom we share him increases.
John Hendrix
Stay groovy/To keep the axis turning so that love follows music as the night the day/You hypnotize people to where they go right back to their natural state,like in childhood when you get natural highs.And when they come down off,they see clearer,feel different things.It’s all spiritual/The idea is to get your own self together/What you do is your religion" 《Starting at Zero》
Jimi Hendrix
People believe that separation opens their eyes to their self-defeating behaviors and gives them an opportunity to resolve those problems with a new partner. But unless they under- stand the unconscious desires that motivated their dysfunctional behavior in the first relationship and learn how to satisfy those desires with the new partner, the second relationship is destined to run aground on the same submerged rocks.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
I'm traveling a speed unknown to man and I carry love for all in the mirror of my hand. I say love for all…don't try to run away... look at the mirrors of your heart. Face the truth today— I am what I am, thank God. Some people don't understand, Help them, God— I say find yourself first, and then your tool. I say find yourself first, don't you be no fool. Here comes a woman, sweat all down her back. For birth or for pleasure, she's on the right track… But for being free, she ain't supposed to plea. And don't rely on no man to try and understand. I say find yourself first and then your talent. Work hard in your mind for it to come alive. And then prove to the man that you're as strong as him. 'Cause in the eyes of God… you're both children to him… You are what you are, thank God. You gonna shine like a star with the help of God— But we find ourselves first and then our tool… Find yourself, don't be no fool.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
What’s your point?” he asked. The point was that he crushed all of her oil pastels into her bedroom carpet. The point was that he’d kicked a hole in her parents’ bedroom wall and they hadn’t made him pay to get it fixed. The point was that her mom had a whole tough-love thing for Louise and let Mark do whatever he wanted and never face any consequences. The point was that she was supposed to look after him and give him everything and never complain, but no one was looking after her. That was the point.
Grady Hendrix (How to Sell a Haunted House)
There are times in most relationships when one partner is mystified by the other’s behavior: “You’re crazy. You keep doing the same things over and over, and it’s totally unproductive!” Or, “I am totally confused by you. You make no sense.” “I’m surprised that you’re going to accept that promotion. You are far too busy already.” There are also times when you are triggered by something your partner does or by your partner’s repetitive behavior. Knowing something about your childhoods will help you understand that.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
generally speaking, there are two simplified categories that parenting falls into: intrusive or neglectful caretaking. Parents were either overinvolved—telling us what to do, think, and feel—or they were underinvolved—physically or emotionally absent. These challenges are across the spectrum from subtle to severe. As a response, we become anxious and self-absorbed, losing our capacity for empathy. We become the walking wounded in a battlefield of injured soldiers. For the child who experienced intrusive parents, in later years, she becomes an isolator, a person who unconsciously pushes others away. She keeps people at a distance because she needs to have “a lot of space” around her; she wants the freedom to come and go as she pleases; she thinks independently, speaks freely, processes her emotions internally, and proudly dons her self-reliant attitude. All the while underneath this cool exterior is a two-year-old girl who was not allowed to satisfy her natural need for independence. When she marries, her need to be a distinct “self” will be on the top of her hidden agenda.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
When Harville awakened, he looked at the same scene with a loud and appreciative exclamation. I was tempted to explain to him that I had already seen the beautiful view and was now working on an important email. But I recalled the “Still Face” video and moved to the window to join Harville’s enthusiasm for the rising sun and shining beach, rather than be a still face. If I had not joined him, his excitement would have had no echo. The power of this experience led us to include it as a technique we recommend to couples in our workshops and therapy, to cultivate curiosity and wonder by echoing the joy (or the sadness) in their partners. THE
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
She played for the fallen, the forgotten, the footnotes. The people with an eternal gnawing in their bellies, the ones who died hungry, the ones who wanted it so bad but never got a place at the table. She played for the people who worried about the change in their pockets, who had no crumbs on their counters or cans in their cupboards. She played for the people who believed in themselves long after everyone else wised up and moved on. The ones who died still living in hope. She played for the people who made themselves too hard to love, the ones who never read the fine print, who never listened to good advice, the ones who just wanted to play. She played for Scottie.
Grady Hendrix (We Sold Our Souls)
How about this?” he said. “For years Mom invested Pupkin with attention and focus and time, and like in The Velveteen Rabbit, love brings things to life. She put all her emotional energy into Pupkin, and some of it bled into the others, and as I believe a great man of science once said, energy can be neither created nor destroyed.” “The Velveteen Rabbit is not a compelling theoretical framework for the physical universe,” Louise said. “It’s a children’s story.” “So’s the Bible,” Mark said. “But you got people making laws and killing each other over it every day.” “That’s a false equivalency,” Louise said. “I don’t subscribe to your Velveteen Rabbit theory of the universe.
Grady Hendrix (How to Sell a Haunted House)
Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways.
Bruce Springsteen (Bruce Springsteen -- Born to Run: Piano/Vocal/Chords)
Helen’s research in the field of epistemology, the science of “how we know what we know,” helps explain why. There are two different types of knowing: “Separate Knowing” and “Connected Knowing.” Here’s an illustration of the differences between the two. You have a “separate” or intellectual knowing of an apple if you can recognize a picture of the fruit, understand that it contains the seeds of the plant, or talk about its health benefits. You have a “connected” or more experiential knowing of an apple when you hold one in your hand, feel the waxy texture of the skin, smell it, and taste it. Separate knowing is abstract. Connected knowing is concrete. Combining these two ways of knowing can give you a more comprehensive level of understanding. You learn about the apple and you taste it.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Achild acquires stuffed animals throughout their life, but the core team is usually in place by the time they’re five. Louise got Red Rabbit, a hard, heavy bunny made of maroon burlap, for her first Easter as a gift from Aunt Honey. Buffalo Jones, an enormous white bison with a collar of soft wispy fur, came back with her dad from a monetary policy conference in Oklahoma. Dumbo, a pale blue hard rubber piggy bank with a detachable head shaped like the star of the Disney movie, had been spotted at Goodwill and Louise claimed him as “mine” when she was three. Hedgie Hoggie, a plush hedgehog Christmas ornament, had been a special present from the checkout girl after Louise fell in love with him in the supermarket checkout line and would strike up a conversation with him every time they visited. But Pupkin was their leader.
Grady Hendrix (How to Sell a Haunted House)
Reagan,” he breathed and my chest swelled from the pure devotion of my name on his lips. I waited for him to say more but for a while he was just silent and serious. Finally, a small smirk played at the corners of his lips and in a lighter tone, he said, “It was close today, though, wasn’t it?” “Yes,” I agreed. He seemed to gather confidence and said impishly, “Makes you realize what you could have lost.” I nodded but didn’t speak- I had been thinking that for hours now. “Makes you realize that you have things to do before you die.” I laughed a little at that. I had given up all those dreams a long time ago, and I was surprised Hendrix hadn’t too. “Like what? Go sky-diving?” Without missing a beat, without taking his eyes off me, or changing his reverent tone he said, “Like kiss you.” And his soft lips were on mine and I stopped breathing. Sensation and desire flooded me as his mouth moved over mine- consuming me, breaking me, making me whole again. His beard scratched and tickled my face but I reveled in the feel of his body moving against mine. His tongue swept across my bottom lip and I opened my mouth on instinct. His lips were so perfect they were otherworldly, they didn’t even belong in the dark world we lived in. Nothing this amazing did. And yet here he was. With me. He deepened the kiss and I felt him everywhere. I felt his hands as they clutched my waist and dragged me against his firm, unyielding body. I felt his body heat as he drew me into him and wrapped his arms around me. I felt his tongue, the hot wetness of his mouth, his beard as it abraded my skin. I felt his happiness call to mine, his soul drink mine in, his essence consume me until I was entirely captivated by him and his kiss.
Rachel Higginson (Love and Decay, Volume One (Love and Decay #1-6))
surrounded the camp and crept through the perimeter. After that, it was all pitchforks through the chest, people impaled on pokers, arrows through the throat, and harpoon guns in the eye. He crushed her boyfriend’s skull in a work clamp in the woodshop studio. They’d been dating for three weeks. “We’d been dating for six weeks,” I told her. “Who?” she asked, chin resting on her knees, feet on the passenger seat. “Tommy,” I said. It was the first time I’d said his name outside group in over a decade. “I was a cheerleader. He was a football player.” “That’s so Jack and Diane,” she said. “Were you in love?” I think about that sometimes, too. “We weren’t dating long enough to know,” I told her. “I feel like I was, but if I’m going to be honest we never got a chance to find out. I was planning to go all the way with him when Ricky Walker rang the doorbell.” “I
Grady Hendrix (The Final Girl Support Group)
Translating how that latter fact came to life in the studio, engineer Chuck Zwicky explained from his own observations during the recording of the album that “the way that Prince’s music comes together has everything to do with how he views the individual instruments, and for example, when he’s sitting down at the drums, he’s derivatively thinking about Dave Gerbaldi, the drummer from Tower of Power, and that’s a real fascile and funky drummer; and when he plays keyboards, he’s thinking about James Brown’s horn player, on one aspect; and when he’s playing guitar, other elements creep in, because he loves Carlos Santana, and Jimi Hendrix, and this other guitar player named Bill Nelson, a rock guitar player from the 70s. And so these aspects all come together to make this unique sound that is Prince, and it’s not rock, it’s not funk, it’s not jazz, it’s not blues—it’s just his own kind of music. I remember there was one particular moment when he started playing this keyboard line, and I’m thinking ‘He can’t play that, that’s Gary Newman.’ And at that moment, he stops the tape, and turns and looks at me and asks ‘Do you like Gary Newman?’ And I said ‘You know, the album Replica never left my turntable in Jr. High School after my sister bought it for me. I listened to it until it wore out.’ And he said ‘There are people still trying to figure out what a genius he is.
Jake Brown (Prince "In the Studio" 1975 - 1995)
I couldn’t wait to follow through. I couldn’t wait to end this. “Your revenge?” Matthias laughed. “You’re revenge? What could you possibly do that would make any difference to me?” I looked up at Kane and he looked down at me. I smiled at him sweetly and he smiled back. I leaned in and he mirrored me. I tilted my face up to kiss him and he gladly reciprocated. Then I pulled back and swiveled my gaze to Matthias. “I will take your family away. Just like you took mine. I will pluck them from you one by one and make them suffer until they beg for death. Or, I will simply rescue them and give them a better life than you ever could.” Matthias barked out a louder laugh. “That’s sweet. It sounds like you’ve put thought into all that, but you can’t. It’s just not possible. “Sure it is,” I told him. “I’ve already gotten two of your children. Tyler isn’t here.” I gestured at Tyler. “Tyler will never be here. Unless you count that. Which being a self-respecting person, I wouldn’t. But who knows about you. And Miller isn’t here either. Miller is worse than Tyler. Look! You got Tyler to come to breakfast, but I seem to have forgotten Miller’s excuse. Could you remind me?” He stayed quiet. Which was a miracle in itself. So I continued, “I’m waiting for the right opportunity for Linley. I’ve been waiting for it for a while now. I’ve been watching her and watching her and just waiting. I cannot wait until I get her alone. I cannot wait until it’s just the two of us. It will be so fun. It’s what helps get me through these long days. Just thoughts of Linley. Just thoughts of what I will do to her and how slowly I will make those last painful moments last. And Kane? I could take him in a second. I could rip him out of your hands so fast you would blink and he would be gone. He might deny that if you ask him. But I know better. I hear everything else he says. I feel everything else he means. Kane is mine. You’re a smart man, Matthias, so don’t think for a second he isn’t. Right?” I turned to Kane. He leaned down again and kissed me. Point proved. I relaxed into Kane and let my threats soothe my soul and settle over the man I wanted to watch burn in hell. His reply was an arrogant smirk and hard eyes. “Little girl, you just asked for trouble, I’m-” “Do it,” I hissed. “Do whatever it is you want to do and see if I’m bluffing. Try me! Hurt someone I love. Hurt me. Take something away from me and see how painfully and how permanently I take something away from you.” I stood up and pushed aggressively away from the table. I stared him down the entire time. Kane let me go without even an attempt to restrain me. I was beyond that. I was beyond all of this. I was leaving. Today. Because without a doubt I would follow through with every single one of my threats. I stomped from the warehouse. I could feel Kane behind me, but he still didn’t try to slow me down. And I knew he wouldn’t. He really was mine. Matthias, Hendrix, nobody could take him from me. And he would do whatever I wanted as long as he thought we could survive. I hoped both of us could survive what I was about to ask him to do.
Rachel Higginson (Love and Decay Omnibus: Season Two (Episodes 1-12) (Love and Decay, A Novella Series Book 2))
The heart of rock will always remain a primal world of action. The music revives itself over and over again in that form, primitive rockabilly, punk, hard soul and early rap. Integrating the world of thought and reflection with the world of primitive action is *not* a necessary skill for making great rock 'n' roll. Many of the music's most glorious moments feel as though they were birthed in an explosion of raw talent and creative instinct (some of them even were!). But ... if you want to burn bright, hard *and* long, you will need to depend on more than your initial instincts. You will need to develop some craft and a creative intelligence that will lead you *farther* when things get dicey. That's what'll help you make crucial sense and powerful music as time passes, giving you the skills that may also keep you alive, creatively and physically. The failure of so many of rock's artists to outlive their expiration date of a few years, make more than a few great albums and avoid treading water, or worse, I felt was due to the misfit nature of those drawn to the profession. These were strong, addictive personalities, fired by compulsion, narcissism, license, passion and an inbred entitlement, all slammed over a world of fear, hunger and insecurity. That's a Molotov cocktail of confusion that can leave you unable to make, or resistant to making, the lead of consciousness a life in the field demands. After first contact knocks you on your ass, you'd better have a plan, for some preparedness and personal development will be required if you expect to hang around any longer than your fifteen minutes. Now, some guys' five minutes are worth other guys' fifty years, and while burning out in one brilliant supernova will send record sales through the roof, leave you living fast, dying young, leaving a beautiful corpse, there *is* something to be said for living. Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways. Plus, to those you've received so much from, so much joy, knowledge and inspiration, you wish life, happiness and peace. These aren't easy to come by.
Bruce Springsteen (Born to Run)
I have been in love with you my whole life ... I will make up for every moment we missed out on. I will fight for you and for this love, because it is everything. You are everything.
Lena Hendrix (One Chance (The Sullivan Family, #3))
When we look at love relationships in more detail, it is clear that the simple word love cannot adequately describe the wide variety of feelings two individuals can have for each other. In the first two stages of a love relationship, romantic love and the power struggle, love is reactive; it is an unconscious response to the expectation of need fulfillment. Love is best described as eros, life energy seeking union with a gratifying object. When both partners in an intimate relationship make a decision to create a more satisfying relationship, they enter a stage of transfor- mation, and love becomes infused with consciousness and will; love is best de- fined as agape, the life energy directed toward the partner in an intentional act of healing. Now, in the final stage of a conscious partnership, reality love, love takes on the quality of spontaneous oscillation, words that come from quantum physics and describe the way energy moves back and forth between particles. When part- ners learn to see each other without distortion, to value each other as highly as they value themselves, to give without expecting anything in return, to commit themselves fully to each other’s welfare, love moves freely between them without apparent effort. The word that best describes this mature kind of love is not eros, not agape, but yet another Greek word, philia,² which means “love between friends.” The partner is no longer perceived as a surrogate parent or as an enemy but as a passionate friend. It is where we experience the original connecting, when the initial rupture is repaired, and we feel fully safe, relaxed, loved, joyful, and pro- foundly connected. When couples are able to love in this selfless manner, they experience a release of energy. They cease to be consumed by the details of their relationship or to need to operate within the artificial structure of exercises; they spontaneously treat each other with love and respect. What feels unnatural to them is not their new way of relating but the self-centered, wounding interactions of the past. Love becomes automatic, much as it was in the earliest stage of the relationship, but now it is based on the truth of the partner, not on illusion. One characteristic of couples who have reached this advanced stage of con- sciousness is that they begin to turn their energy away from each other toward the woundedness of the world. They develop a greater concern for the environment, for people in need, for important causes. The capacity to love and heal that they have created within the relationship is now available for others.
Harville Hendrix
She was so goddamn cute, and I was scared to death. I was falling in love with the mother of my child, and I had absolutely no clue what to do about it.
Lena Hendrix (One Night (The Sullivan Family, #4))
I hope he will be just like you. I pray he has your laugh, the kind that carries into the next room and radiates warmth. I hope he won’t lose hope for his dreams and he’ll let his imagination grow wild. I hope he is as strong as you and that his emotions will run deep. I hope he is exactly like you and loving him will be the easiest thing I have ever done.
Lena Hendrix (One Night (The Sullivan Family, #4))
Don’t cry, baby. I’m trying to tell you that I love you—that I have loved you for far too long without telling you. Before we ever got pregnant, I fell in love with your smile, your humor, your heart. I used to imagine a world where Outtatowner didn’t exist and I could flirt with you, sweep you off your feet, and take you for coffee. Show you off to my family. I don’t care what your last name is as long as it eventually becomes Sullivan.
Lena Hendrix (One Night (The Sullivan Family, #4))
You’ve had my heart for a long time, Sylvie. Before the baby—hell, even before the beach, I was so fucking gone for you. I have loved you for a long time. It’s always been you, but I was too afraid to say it. Afraid that if I said the words out loud, I’d somehow wake up from this dream, and it would all disappear. I wanted to tell you tonight over candlelight and with flowers just the two of us—but here in this moment, I feel it. I want to go with you to Savannah, and I don’t want to keep that from you for a second longer. I love you. I have always loved you. You’re it for me, and I can’t live this life without you.
Lena Hendrix (One Night (The Sullivan Family, #4))
The guardian goddess Ginikanwa, who was said to have vanquished evil with nothing but her pure heart and a song of love, sounded about as believable as the missionaries' promises of riches for those who did as they were told. The shrine had been pretty and full of flowers, but ultimately useless.
Isi Hendrix (Adia Kelbara and the Circle of Shamans (Adia Kelbara #1))
Instead, you will begin to see that you are partners suffering from past hurts and also partners in the project of helping each other create safety in your relationship and respond to each other’s needs.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Sadie’s heart expanded so large in her chest that it ached when she realized that she was in love with Novah, with Hendrix, and with Novah and Hendrix.
Rilzy Adams (Treble)
Don’t you ever feel like we’re just settling, Hendrix? Almost like we’re together because we’re comfortable, not because we’re in love with one another?
A.E. Valdez (All I've Wanted All I've Needed)
For my mother, the experience was emotional. When my music was evolving, I hadn’t allowed her to hear it. For years up on Cloverdale, I had always locked myself in my room, not letting anybody hear what I was doing. Then, after I moved out, I never invited her to hear me working in the studios. So, when Let Love Rule was released, she was completely shocked. She could hear how everything that I had experienced on my journey came alive in that album: Tchaikovsky; the Jackson 5; James Brown; the Harlem School of the Arts; Stevie Wonder; Gladys Knight and the Pips; Earth, Wind & Fire; Miles Davis; Jimi Hendrix; Led Zeppelin; KISS; the California Boys’ Choir; Prince; David Bowie; Miss Beasley’s orchestra; the Beverly Hills High jazz band; the magical spark between me and Lisa; the spirit of our daughter. More than anyone, Mom knew that I had poured every aspect of my life into this effort. That was enough to make her proud. But what blindsided her—and me as well—was the sight of thousands of fans singing lyrics that I had written—and most of those fans didn’t even speak English.
Lenny Kravitz (Let Love Rule)
You can see how symbiosis is related to projection. Projection is the means by which symbiosis is achieved: I ascribe to you things that are true about me, and that makes you an extension of me.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
One clue that it’s a projection rather than an objective assessment is if it’s veracity is asserted repeatedly with intense emotion.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
Symbiosis is the unconscious assumption that other people share your subjective states, thoughts, and feelings. When two people are symbiotic, they have an inability to function on their own as individuals and still be in a relationship. They cannot operate with clear boundaries and be connected. Their connected knowing is so overly emphasized that it has become fused knowing. They think, or act as if they think, that when you love someone and that person loves you back, you must think, feel, and act alike.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
A good relationship also has four distinct stages: attraction, romance, power struggle, and mature love.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
The person we are most attracted to will very likely share some significant traits or characteristics with the parent who gave us the most trouble in childhood.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
Each of us comes into the world whole and able to receive love and nurturing from our parents as naturally as we breathe. We are connected to our social context, to all parts of ourselves, to the universe, and to the Divine.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
When we say or do things that other people don’t approve of, we learn to hide certain parts of ourselves in order to avoid negative feedback.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
Unfortunately, a child often has the experience of being injured when one or both parents do not support her normal developmental needs and impulses. When we talk about needs, what are we talking about? An important example would be the need to stay connected or attached to the caretaker. Besides all the impulses a child has to make to maintain this attachment, the child also has impulses toward exploring, creating an identity, and becoming competent in the world. When these needs and impulses develop, our caretakers can support them or they can not support them, totally or partially.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
If the need is met—the parents attend to it, support it, and help the child be successful at integrating it—then it will become a natural and wholesome part of the child’s self. If the need is not met, then the child’s frustration will lead to pain. In human beings, including children, our primitive, or “old,” brains interpret this pain as a sign of danger. The perception of danger causes fear, and fear results in resistance to whatever is seen as dangerous.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
The infant is born with many million more neurons than she can use. Gradually, she loses the brain connections she doesn’t need and begins to strengthen those that will help her survive and thrive in her particular environment. In a parallel process, the infant soon learns which of her actions are greeted with smiles and which cause frowns or, equally frightening, indifference.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
As a result, not all of our inborn traits, tendencies, and talents cross into adulthood with us. Parts of ourselves are left behind on the road to maturity. What is left is a joylessness and emptiness we try to fill with things that can’t possibly give us what we’re looking for.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
Our personal relationships are tainted by our own self-hatred, and our social attitudes are formed by it. Our private wounds produce ripples of dis-ease all around us.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
WHEN THE POWER OF LOVE IS STRONGER THAN THE LOVE OF POWER, THE WORLD WILL KNOW PEACE—JIMI HENDRIX
Stephen King (Under the Dome)
And why’s Janis Joplin’s life read as a downward spiral into self-destruction? Everything she did is filtered through her death. Roger Gilbert-Lecomte, Kurt Cobain, Jimi Hendrix, River Phoenix all suicided too but we see their deaths as aftermaths of lives that went too far. But let a girl choose death—Janis Joplin, Simone Weil—and death becomes her definition, the outcome of her “problems.” To be female still means being trapped within the purely psychological. No matter how dispassionate or large a vision of the world a woman formulates, whenever it includes her own experience and emotion, the telescope’s turned back on her. Because emotion’s just so terrifying the world refuses to believe that it can be pursued as discipline, as form. Dear Dick, I want to make the world more interesting than my problems. Therefore, I have to make my problems social.
Chris Kraus (I Love Dick)
Being a teenager isn’t a number,” Maryellen said. “It’s the age when you stop liking them.” “You don’t like the girls?” Patricia asked. “No one likes their children,” Maryellen said. “We love them to death, but we don’t like them.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
What good is free love if nobody showers?
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
When the power of love overcomes the love of power, the world will know peace.
the immortal Jimi Hendrix
When the power of love overcomes the love of power, the world will know peace." -Jimi Hendrix 1969
Scott Stoffregen (Deadly H2O)
Shit,” Kane muttered just as a face came into view. “That’s the wrong cavalry.” Hendrix lowered the muzzle of his gun through the opening. He looked back and forth between us before he said, “You might finally be right about something, Allen.
Rachel Higginson (Love and Decay 2, Episode Seven (Love and Decay 2, #7))
When do you think they're going to learn, Reagan? It's not you they should be afraid of. It's me.
Rachel Higginson (Love and Decay 3, Episode Seven (Love and Decay 3, #7))
The couples counselor Harville Hendrix has written that the entire experience of falling in love can be distilled down to just four characteristic emotions. The first, he says, is a feeling of recognition—the thing that makes you say to your newfound love (the quotes are his), “I know we’ve just met, but somehow I feel as though I already know you.” The second is a feeling of timelessness: “Even though we’ve only been seeing each other for a short time, I can’t remember when I didn’t know you.” The third is a feeling of reunification: “When I’m with you, I no longer feel alone; I feel whole, complete.” The fourth is a feeling of necessity: “I can’t live without you.” This is Aristophanes all over again. We speak of our partners as if they were a long-lost part of ourselves—and, accordingly, we are certain that they will be with us forever. We know they will never cheat on us. We know that we will never cheat on them. We say that we have never felt so understood; we say that nothing has ever felt so right. What is remarkable about this idea of love is how deeply entrenched it is—in our hearts as well as our culture—even as it utterly fails to correspond to reality. We fall out of love left and right. We question whether we were really in it in the first place. We cheat and are cheated on. We leave and are left. We come to believe that we never truly knew our lover after all. We look back on our passion in the chilly dawn of disenchantment—in the after-afterglow—and are so baffled by our conduct that we chalk it up to something like temporary insanity.
Kathryn Schulz (Being Wrong: Adventures in the Margin of Error)
I remember the summer of 1996, at a drunken wedding with one of my professors, a Hendrix-freak baby boomer, when he was complaining about the 'bullet-in-the-head rock and roll' the kids were listening to today, and he asked Renée, 'What does rock and roll have today that it didn't have in the sixties?' Renée said, ‘Tits’, which in retrospect strikes me as not a bad one-word off-the-dome answer at all. The nineties fad for indie rock overlapped precisely with the nineties fad for feminism. The idea of a pop culture that was pro-girl, or even just not anti-girl - that was a 1990s mainstream dream, rather than a 1980s or 2000s one, and it was real for a while. Music was not just part of it but leading the way - hard to believe, hard even to remember. But some of us do.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Jody screamed at him: a high, explosive, unintelligible expulsion of pure inhuman frustration--a Hendrix high note sampled and sung by a billion suffering souls in Hell's own choir.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
When the power of love overcomes the love of power thw world will know peace
Jimi Hendrix
And I was next to a boy I'd started thinking of as more than a stranger, more than a friend. He was somewhere in between my future and my present, I just didn't have a word for him yet. Other than safe. He was my safety. He was what made me feel protected.
Rachel Higginson (Love and Decay, Episode Two (Love and Decay, #2))
Holy hell, Hendrix was going to get eaten by my crotch that had evolved into a man-eating gorilla sometime over the last two years!
Rachel Higginson (Love and Decay, Volume Two (Love and Decay #7-12))
For the sake of clarity, I would like to reduce the discussion in these first five chapters to its simplest form. First of all, we choose our partners for two basic reasons: 1. They have both the positive and the negative qualities of the people who raised us. 2. They compensate for positive parts of our being that were cut off in childhood. We enter the relationship with the unconscious assumption that our partner will become a surrogate parent and make up for all the deprivation of our childhood. All we have to do to be healed is to form a close, lasting relationship. After a time we realize that our strategy is not working. We are “in love,” but not whole. We decide that the reason our plan is not working is that our partners are deliberately ignoring our needs. They know exactly what we want, and when and how we want it, but for some reason they are deliberately withholding it from us. This makes us angry, and for the first time we begin to see our partners’ negative traits. We then compound the problem by projecting our own denied negative traits onto them. As conditions deteriorate, we decide that the best way to force our partners to satisfy our needs is to be unpleasant and irritable, just as we were in the cradle. If we yell loud enough and long enough, we believe, our partners will come to our rescue. And, finally, what gives the power struggle its toxicity is the underling unconscious belief that, if we cannot entice, coerce, or seduce our partners into taking care of us, we will face the fear greater than all other fears – the fear of the death.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
[T]here is really very little difference between romantic love and the power struggle. On the surface, these first two stages of the love relationship appear to be worlds apart. A couple’s delight in each other has turned to hatred, and their goodwill has degenerated into a battle of wills. But what’s important to note is that the underlying themes remain the same. Both individuals are still searching for a way to regain their original wholeness, and they are still holding on to the belief that their partners have the power to make them healthy and whole. The main difference is that now the partner is perceived as withholding love. This requires a switch in tactics, and husbands and wives begin to hurt each other, or deny each other pleasure and intimacy, in hopes of having their partners respond with warmth and love.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Because you were willing to risk a creative response to anger, you have suddenly become a trusted confidant, not a sparring partner. Once you become skilled in this non-defensive approach to criticism, you will make an important discovery: in most interactions with your spouse, you are actually safer when you lower your defenses than when you keep them engaged, because your partner becomes and ally, not an enemy.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
A conscious partnership is a relationship that fosters maximum psychological and spiritual growth; it’s a relationship created by becoming conscious and cooperating with the fundamental drives of the unconscious mind: to be safe, to be healed, and to be whole.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
A conscious partnership is a relationship that fosters maximum psychological and spiritual growth; it’s a relationship created by becoming conscious and cooperating with the fundamental drives of the unconscious mind: to be safe, to be healed, and to be whole.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Isolators often have a difficult time which this exercise. ... What they are really doing is hiding behind the psychic shield they erected as children to protect themselves from overbearing parents. They discovered early in life that one way to maintain a feeling of autonomy around their intrusive parents was to keep their thoughts and feelings to themselves. When they deprived their parents of this information, their parents were less able to invade their space. After a while, many isolators do the ultimate disappearing act and hide their feelings from themselves. In the end, it is safest not to know.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
It is often the case, as I have mentioned before, that isolators unwittingly recreate the struggle of their childhood by marrying fusers, people who have an unsatisfied need for intimacy. This way, they perpetuate the conflict that consumed them as children, not as an idle replay of the past or as a neurotic addiction to pain, but as an unconscious act aimed at the resolution of fundamental human needs.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
The fact of the matter is that both individuals (fusers and isolators) have the identical need to be loved and cared for. It’s just that one of them happens to be more in touch with those feelings than the other.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
To the casual observer, it appears that the isolator is a self-sufficient individual with few needs, and the fuser has limitless desires. The fact of the matter is that both individuals have the identical need to be loved and cared for. It’s just that one of them happens to be more in touch with those feelings than the other.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
I have witnessed this phenomenon of two-way healing so many times in my work with couples that I can now say with confidence that most husbands and wives have identical needs, but what is openly acknowledged in one is denied in the other. When the partners with the denied need are able to overcome their resistance and satisfy the other partners' overt need, a part of the unconscious mind interprets the caring behavior as self-directed. Love of the self is achieved through love of the other.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Not allowing ourselves to be congratulated, celebrated, appreciated, nourished, or loved by people and events outside ourselves is a defense designed to protect us from psychic pain. Barriers to love are erected in our unconscious as it acts on behalf of our own survival. In fact, a barrier to receiving is often the capstone of all our defenses. Connecting
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
is easier to go without love than to accept a form of love that reawakens our fears of loss. In fact, to receive love feels far more dangerous than to be without it.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
For the purposes of my work with couples, I was keenly interested in the fact that changing your thoughts can change your brain. In a type of therapy called Behavior Change Therapy, or BCT, people are trained in how to use their rational minds to challenge the thoughts and beliefs that can cause depression.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
When people use their rational minds to defeat depression, the part of the brain that is linked with rumination and excessive thinking calms down. ... Once again, thinking, alone, has been shown to alter the physiology of the brain.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
We are formed from every important relationship we’ve ever had. Look into the Between of any marriage, and you will find ghosts from each partner’s past. Mothers, fathers, former lovers, best friends, coaches, and special teachers occupy the Between of every marriage and influence the way individuals become partners. These old ghosts are remnants from both positive and negative experiences—times you were truly loved and times you were hurt, times you were empathically understood and times you were grossly misjudged. All have left their mark.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
But we can only be evolved in the same context in which we were lost—that is, in relationship. We are born into relationship. Our personalities are formed by relationship. And, we are healed in relationship. Relationship holds both the evidence of our injuries and the means of our salvation. It’s the way we become who we are.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
As we know, human memory is notoriously unreliable when it comes to recalling facts. But when it comes to matters of the psyche, the way we feel about what happened can be as significant as the facts of the case.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
In a healthy relationship, two people gradually transition from moving within a single orbit to moving in two separate, but overlapping, orbits. They are able to have their own friends, their own interests, their own schedules, and—most important—their own opinions, feelings, and thoughts, while still enjoying and preferring each other’s company.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
In fact, you chose him or her, in part, because he or she recreated the same difficulties you had in childhood.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
Self-rejection is the most universal and least recognized problem in our lives. It is the source of all our difficulties in giving and receiving love.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
The partners have learned how to balance the requirements of closeness and separateness, how to create a sexual life that satisfies them both, how to solve problems effectively together, and how to talk and listen to each other so their differing points of view are understood and honored.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
Whenever their partner’s behavior looks or sounds like the real threats they’ve experienced in the past, they activate the defenses they used back then. Their defensive arsenal is ready to be deployed at the slightest provocation. An unsuspecting or well-intentioned partner can stumble over a tripwire and never know what they did to set off the attack.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
one partner’s defense quickly becomes the source of the other partner’s wound. Wounds don’t cause damage; defenses cause damage. When defensive partners lash out or retreat in an effort to protect themselves from pain or intrusion, they wound the other partner, who responds with a defense, which, in turn, wounds the partner who was defensive in the first place. A cycle of unconscious wounding and defending gets established that is hard to break.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
looked up at Hendrix with a furrowed brow and concerned eyes. He just smiled down at me, all goofy and big and gave me a kiss on the forehead, another kiss on the forehead. I was starting to be concerned that he was confused about where my lips were located.
Rachel Higginson (Love and Decay, Volume One (Love and Decay #1-6))
I kept my mouth closed but continued to stretch out across Hendrix. I scratched my fingernails lightly up his side and arched my back, pressing my body into his. I was mostly trying to irritate him, but he grabbed my waist with two hands and flipped me over so that he loomed above me. “Are you trying to kill me, Reagan?” he demanded in a husky morning voice that revealed he was just waking up, too. I shook my head and pressed my lips together. Someone would have to threaten to shoot me before I spoke to this man without brushing my teeth first. “Then what are you doing with your body?” Hendrix demanded sounding a bit strangled. His hands lightened their grasp and his fingers brushed against my hipbones. He lowered his forehead to mine and rubbed his nose along my nose. “We’re in a room full of people. Reagan. I haven’t even kissed you yet. Probably it’s better not to turn me on violently first thing in the morning.” My stomach jolted awake, followed by the thousands of butterflies that had apparently fallen asleep in my stomach. His leg slipped between my thighs and his whole rigid, glorious body pressed down on mine. His breath was stale from sleep, but oddly I found it even more endearing. I had to close my eyes against all of the sensations flooding my body. Vaguely, I remembered those other people with us in the freezer, but just barely. He leaned down and kissed my cheek before he pulled back and moved away from me. I heard him groan into his hands. I tilted my head and watched as he scrubbed his face with his hands roughly. He noticed me watching him and shot me an evil scowl. I smiled. This boy was more than any girl was capable of resisting. I was falling for him, despite my better judgment.
Rachel Higginson (Love and Decay, Volume One (Love and Decay #1-6))
It started up from the skies. Hello…wait, don't run away. I won't touch you…don't run away. I just want to talk to you. I won't do you no harm—I just want to know about your different lives on this here people farm. I heard you have your families living in cages tall and cold. And some live there past the day of old—is this true? Please let me talk to you. I just want to know about the rooms behind your minds. Do I see a vacuum there or am I going blind, or is it remains of vibrations from echoes long ago, age-old whisper things like Love the world and let your fancy flow…the way you want to let me talk to you.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
Hell to Heaven Heaven to Hell Please send Devil or Angel To love me now. To Hell with Heaven To Heaven with Hell. Unless you send me somebody to love...the truth of you both I'm gonna tell.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
Anger, he smiles, towering in shiny metallic purple armor. Queen Jealousy Envy waits behind him—her fire green gown sneers at the grassy ground. Blue are the life-giving waters taken for granted, they quietly understand. Once-happy turquoise armies lay opposite ready, But wondering why the fight is on. But they're all bold as love...just ask the Axis. Red, so confident, he flashes trophies of war and ribbons of euphoria. Orange is young, full of daring, But very unsteady for the first go-round. Yellow in this case is not so mellow, In fact, I'm trying to say, it's frightened like me. And all these emotions of mine keeps holding me back from giving my life to rainbow you.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
As you work your way step by step through Imago Therapy, you will be creating a zone of safety between you—a sacred space we call the Space Between—that is essential for getting the love you want. You might liken this zone to a river that runs between you. You both drink from the river and bathe in it, so it’s important that it be free from garbage and toxins. Your interactions in the Space Between determines what you experience inside. To keep the water running clean and pure, you must stop filling it with criticisms
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
and hurtful comments and replace them with respectful, safe interactions. You must move from self-care to caring for this Space Between.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Oh, love is nice if it's understood, It's even nicer when you're feeling good. You got me flipping like a flag on a pole, Come on, sugar, let the good times roll.
Jimi Hendrix
envision to be our birthright. Stubbornly, we want what we need without having to change who we are, but that is impossible, for what we need is ourselves—our lost wholeness— which is attainable only through changing what we have become.
Harville Hendrix (Keeping the Love You Find: A Personal Guide)
FOR THE SAKE of clarity, I would like to reduce the discussion in these first five chapters to its simplest form. First of all, we choose our partners for two basic reasons: (1) they have both the positive and the negative qualities of the people who raised us, and (2) they compensate for positive parts of our being that were cut off in childhood. We enter the relationship with the unconscious assumption that our partner will become a surrogate parent and make up for all the deprivation of our childhood. All we have to do to be healed is to form a close, lasting relationship. After a time we realize that our strategy is not working. We are “in love,” but not whole. We decide that the reason our plan is not working is that our partners are deliberately ignoring our needs. They know exactly what we want, and when and how we want it, but for some reason they are deliberately withholding it from us. This makes us angry, and for the first time we begin to see our partners’ negative traits. We then compound the problem by projecting our own denied negative traits onto them. As conditions deteriorate, we decide that the best way to force our partners to satisfy our needs is to be unpleasant and irritable, just as we were in the cradle. If we yell loud enough and long enough, we believe, our partners will come to our rescue. And, finally, what gives the power struggle its toxicity is the underlying unconscious belief that, if we cannot entice, coerce, or seduce our partners into taking care of us, we will face the fear greater than all other fears—the fear of death.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
The outside shapes the inside
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Imago match, that chemical reaction occurs, and love ignites. All other bets, all other ideas about what we want in a mate, are off. We feel alive and whole, confident that we have met the person who will make everything all right. Unfortunately, since we've almost surely chosen someone with negative traits similar to those of the parents who wounded us in the first place, the chance of a more positive outcome this time around are slim indeed.
Harville Hendrix (Keeping the Love You Find: A Personal Guide For Singles)
We embrace the knowledge that affirmations and negativity cannot travel the same neural pathways at the same time.
Harville Hendrix (Getting the Love You Want: A Guide for Couples)
Your partner may not look like your parents, and on the surface they may not act like your parents. But you will end up feeling the same feelings you had as a child when you were with your parents. This includes the sense of belonging and the love you felt. But it also includes the experience and upset of not getting all your needs met.
Harville Hendrix (Making Marriage Simple: Ten Relationship-Saving Truths)
When the power of love overcomes the love of power, the world will know peace.” The quote was credited to an Earther named Jimi Hendrix.
S.H. Jucha (Clone Crisis (Gate Ghosts, #2))
During the day, I have conversations in my mind about what a wonderful husband and father he is, and then he comes home. He walks through the door and something happens. I feel a physical shift happen inside of me, and I either get quiet or I sometimes get irritable or angry or distant.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
People enter relationships with varying degrees of self-awareness. Everyone is aware to some extent of the important people and events that have made them who they are. But most of us do not know the extent to which we continue to be influenced by our previous experiences. We are formed from every important relationship we’ve ever had. Look into the Between of any marriage, and you will find ghosts from each partner’s past. Mothers, fathers, former lovers, best friends, coaches, and special teachers occupy the Between of every marriage and influence the way individuals become partners.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
These old ghosts are remnants from both positive and negative experiences—times you were truly loved and times you were hurt, times you were empathically understood and times you were grossly misjudged. All have left their mark.
Harville Hendrix (Receiving Love: Transform Your Relationship by Letting Yourself Be Loved (A Guide to Love and Relationships))
I love you," her mom said without opening her eyes. Louise froze. "I know," she said after a moment. "No," her mom said, "you don't.
Grady Hendrix (How to Sell a Haunted House)
You think I sat around and sang ‘Kumbaya’ in prison after writing your pretty redhead a love letter?
M.J. Hendrix (Untamed (Redford Ranch, #1))
The Velveteen Rabbit confused masochism with love, it wallowed in loneliness, and what kind of awful thing was a Skin Horse, anyway?
Grady Hendrix (How to Sell a Haunted House)
They approached, lights blinding Fern, telling them not to move, telling them help was on the way, asking if they were all right, and Fern knew that the witches had shown her what no one else in her life had ever shown her before. Always, she had been loved, she had been protected, she had been given so many things, but the witches had shown her something different in the backyard of Wellwood House that night. The witches had shown her mercy.
Grady Hendrix (Witchcraft for Wayward Girls)
Hendrix pulled back from me and stared down with a deeper intensity than I had ever seen from him. “Save me from this,” he pleaded with a rough voice. “I can’t,” I sniffled. “But I can walk through it with you.
Rachel Higginson (Love and Decay 3, Episode Eleven (Love and Decay 3, #11))
Ten shockingly arty events What arty types like to call a ‘creative tension’ exists in art and music, about working right at the limits of public taste. Plus, there’s money to be made there. Here’s ten examples reflecting both motivations. Painting: Manet’s Breakfast on the Lawn, featuring a group of sophisticated French aristocrats picnicking outside, shocked the art world back in 1862 because one of the young lady guests is stark naked! Painting: Balthus’s Guitar Lesson (1934), depicting a teacher fondling the private parts of a nude pupil, caused predictable uproar. The artist claimed this was part of his strategy to ‘make people more aware’. Music: Jump to 1969 when Jimi Hendrix performed his own interpretation of the American National Anthem at the hippy festival Woodstock, shocking the mainstream US. Film: In 1974 censors deemed Night Porter, a film about a love affair between an ex-Nazi SS commander and his beautiful young prisoner (featuring flashbacks to concentration camp romps and lots of sexy scenes in bed with Nazi apparel), out of bounds. Installation: In December 1993 the 50-metre-high obelisk in the Place Concorde in the centre of Paris was covered in a giant fluorescent red condom by a group called ActUp. Publishing: In 1989 Salman Rushdie’s novel Satanic Verses outraged Islamic authorities for its irreverent treatment of Islam. In 2005 cartoons making political points about Islam featuring the prophet Mohammed likewise resulted in riots in many Muslim cities around the world, with several people killed. Installation: In 1992 the soon-to-be extremely rich English artist Damien Hirst exhibited a 7-metre-long shark in a giant box of formaldehyde in a London art gallery – the first of a series of dead things in preservative. Sculpture: In 1999 Sotheby’s in London sold a urinoir or toilet-bowl-thing by Marcel Duchamp as art for more than a million pounds ($1,762,000) to a Greek collector. He must have lost his marbles! Painting: Also in 1999 The Holy Virgin Mary, a painting by Chris Ofili representing the Christian icon as a rather crude figure constructed out of elephant dung, caused a storm. Curiously, it was banned in Australia because (like Damien Hirst’s shark) the artist was being funded by people (the Saatchis) who stood to benefit financially from controversy. Sculpture: In 2008 Gunther von Hagens, also known as Dr Death, exhibited in several European cities a collection of skinned corpses mounted in grotesque postures that he insists should count as art.
Martin Cohen (Philosophy For Dummies, UK Edition)
Onstage, Hendrix was trying to get a young couple to engage in a dialogue sequence. The pair sat in armchairs facing each other, and Hendrix old the man, Michael, to pay his wife of three months, Tara, a compliment. 'What I appreciate most about you is that you're a good cook,' Michael said. 'So what I'm hearing you saying is that you appreciate that I'm a good cook,' Tara said, She seemed bored. To prompt Michael, Hendrix began, 'When I think about you as a good cook, I feel--' 'When I think about you as a good cook,' Michael said, 'I feel full, sleepy, and-- sexy.' 'Really?' asked Tara, a little annoyed. The woman sitting next to me groaned. Hendrix jumped in, 'When I think about you as a good cook, it reminds me of... try to find something from your childhood.' 'When I think about you as a good cook, I--' Michael stopped, then started over. 'When the house smells good, it reminds me of home and when my mom cooked and I feel loved.' Tara repeated him, her eyes now glassy with affection. Unprompted, she spoke the next line in the sequence: 'Is there anything more to that?' There wasn't. They hugged for sixty seconds as the rest of us watched. Hendrix told the crowd that the length of the average hug is three to nine seconds, but that a good hug, one that 'pushes the boundaries of relationship,' takes a whole minute.
Jessica Weisberg (Asking for a Friend: Three Centuries of Advice on Life, Love, Money, and Other Burning Questions from a Nation Obsessed)
Eventually McCartney grew tired of the low moods he experienced during comedowns. ‘I’d been in a club in London and somebody there had some and I’d snorted it. I remember going to the toilet, and I met Jimi Hendrix on the way. “Jimi! Great, man,” because I love that guy. But then as I hit the toilet, it all wore off! And I started getting this dreadful melancholy. I remember walking back and asking, “Have you got any more?” because the whole mood had just dropped, the bottom had dropped out, and I remember thinking then it was time to stop it. ‘I thought, this is not clever, for two reasons. Number one, you didn’t stay high. The plunge after it was this melancholy plunge which I was not used to. I had quite a reasonable childhood so melancholy was not really much part of it, even though my mum dying was a very bad period, so for anything that put me in that kind of mood it was like, “Huh, I’m not paying for this! Who needs that?” The other
Joe Goodden (Riding So High: The Beatles and Drugs)
Promise me you’ll always be my friend,” she said. “DBNQ,” Abby replied. It was their shorthand for “I love you.” Dearly But Not Queerly.
Grady Hendrix (My Best Friend's Exorcism)
baby boy. She made contact but it didn’t go well. Her mother told her, “What did you expect from a bastard?” and Carol told her mother to go to Hell. “I’ll wait for him,” Carol told me. “I’m just happy he’s out there and alive and he knows I love him. When he stops being angry, he’ll reach back out. I know he will.
Grady Hendrix (Witchcraft for Wayward Girls)
Some of us can see beauty in what others would call trash. Even something broken can be loved.
Lena Hendrix (Just My Luck (King Family, #2))
And for the love of cheese crackers,
M.J. Hendrix (Seeing Double (Good Ol' Boys, #2))
After all the jacks are in their boxes And the clowns have all gone to bed You can hear happiness staggering on down the street Footprints dressed in red And the wind whispers, "Mary" A broom is drearily sweeping Up the broken pieces of yesterday's life Somewhere, a queen is weeping Somewhere, a king has no wife And the wind, it cries, "Mary" The traffic lights, they turn blue tomorrow And shine their emptiness down on my bed The tiny island sags downstream 'Cause the life that lived is dead And the wind screams, "Mary" Will the wind ever remember The names it has blown in the past? And with this crutch, its old age and its wisdom It whispers, "No, this will be the last" And the wind cries, "Mary
Jimi Hendrix (The Wind Cries Mary Sheet Music)
He got up and began to walk circles in the room, still talking on and on about James Harris, escrow accounts, missing money, and principal investments, and Patricia realized she didn’t recognize this man anymore. The quiet boy from Kershaw she’d fallen in love with was dead. In his place stood this resentful stranger. “Carter,” she said. “I want a divorce.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
I have loved a girl for eleven years, two months, twenty-four days, and a handful of hours.
Gabriela Mália (Ambivalent)
I loved her when I was nine, and I love her now at nineteen. At this point, I feel like my heart no longer belongs to me, but to this girl sitting right next to me.
Gabriela Mália (Ambivalent)
Every writer and artist I love was a drunk or an addict.” I know that Nic uses drugs because he feels cleverer and less introverted and insecure, and he also carries the dangerous—and fallacious—idea that debauchery leads to the greatest art, whether by Hemingway, Hendrix, or Basquiat.
David Sheff (Beautiful Boy)