Pack Up And Move Away Quotes

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Thump “Oh, God” Thump Thump Unbelievable… I woke up faster this time, because I knew what I was hearing I sat up in bed, glaring behind me. The bed was still pulled safely away from the wall, so I felt no movement. But there sure as hell something moving over there. Then I heard ……hissing? I looked down at Clive, whose tail was at full puff. He arched his back and paced back and forth at the foot of the bed. “Hey, mister. It’s cool. We just got a noisy neighbor, that’s all,” I soothed, stretching my hand out to him. That’s when I heard it. “Meow” I cocked my head sideways, listening more intently. I studied Clive, who looked back at me as if to say “T’weren’t me”. “Meow! Oh, God. Me -Yow!” The girl next door was meowing. What in the world was my neighbor packing to make that happen? Clive, at this point, went utterly bonkers and launched himself at the wall. He was literally climbing it, trying to get where the noise was coming from, and adding his own meows to the chorus. “Oooh yes, just like that, Simon…Mmmm….Meow, meow, Meow!” Sweet Lord, there were out-of-control pussies on both sides of this wall tonight.
Alice Clayton (Wallbanger (Cocktail, #1))
We packed our trunks and suitcases, prepared for our natural and necessary moves away from home. Outwardly, we breathed sighs of relief at the somber comfort of growing up. Inwardly, we held our breath and tried to stand as still as possible, afraid we might be the only ones who didn’t yet feel the promised call of adulthood.
Hannah Pittard (The Fates Will Find Their Way)
There aren't any rules to running away from your problems. No checklist of things to cross off. No instructions. Eeny, meeny, pick a path and go. That's how my dad does it anyway because apparently there's no age limit to running away, either. He wakes up one day, packs the car with everything we own, and we hit the road. Watch all the pretty colors go by until he finds a town harmless enough to hide in. But his problems always find us. Sometimes quicker than others. Sometimes one month and sometimes six. There's no rule when it comes to that, either. Not about how long it takes for the problems to catch up with us. Just that they will—that much is a given. And then it's time to run again to a new town, a new home, and a new school for me. But if there aren't any rules, I wonder why it feels the same every time. Feels like I leave behind a little bit of who I was in each house we've left empty. Scattering pieces of me in towns all over the place. A trail of crumbs dotting the map from everywhere we've left to everywhere we go. And they don't make any pictures when I connect dots. They are random like the stars littering the sky at night.
Brian James (Zombie Blondes)
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course. I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze. The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine. And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too. How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me. But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it. Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—” Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me. When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?” “Nothing—” “Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!” His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.” Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.” “Lee—” “I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.” “We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me. He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late. "Your hands," I croak. "My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering. What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth. "Tris," he says, speaking against my fingers. "I'm all right." "Why were you there?" I ask, letting my hand drop. "I was coming back from the control room. I heard a scream." "What did you do to them?" I say. "I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say." "He's in bad shape?" "He'll live," he replies. He adds bitterly, "In what condition, I can't say." It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm. "Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead. Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful. "I could report this," he says. "No," I reply. "I don't want them to think I'm scared." He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that." "You think it would be a bad idea if I sat up?" "I'll help you." Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan. He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
Veronica Roth (Divergent (Divergent, #1))
These ways we have to settle. Moving house. I hate packing: collecting myself up, pulling myself apart. Stripping the body of the house: the walls, the floors, the shelves. Then I arrive, an empty house. It looks like a shell. How I love unpacking. Taking things out, putting things around, arranging myself all over the walls. I move around, trying to distribute myself evenly around the rooms. I concentrate on the kitchen. The familiar smell of spices fills the air. I allow the cumin to spill, and then gather it up again. I feel flung back somewhere else. I am never sure where the smell of spices takes me, as it had followed me everywhere. Each smell that gathers returns me somewhere; I am not always sure where that somewhere is. Sometimes the return is welcome, sometimes not. Sometimes it is tears or laughter that makes me realize that I have been pulled to another place and another time. Such memories can involve a recognition of how one's body already feels, coming after the event. The surprise when we find ourselves moved in this way or that. So we ask the question, later, and it often seems too late: what is it that has led me away from the present, to another place and another time? How is it that I have arrived here or there?
Sara Ahmed (Queer Phenomenology: Orientations, Objects, Others)
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it. My right hand was faster, was not mine. Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry. The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression. I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again. I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face. This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised. Did that mean pass or fail? The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration. In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole. I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real. Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed. 'No one's betrayed you, stupid,' I railed at her. 'How could he? How?' she ranted, ignoring me. We sobbed beyond control. One word snapped us back from the edge of hysteria. From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?" "Mel?" he asked again, the hope he didn't want to feel colouring his tone. My breath caught in another sob, an aftershock. "You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it." "If you're in there, Mel..." He paused. Melanie hated the "if". A sob burst up through my lungs and I gasped for air. "I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
Stephenie Meyer (The Host (The Host, #1))
and then she said, apologetically, “You do not look Cuban.” “Pues, lo soy,” I said haughtily. (“Well, I am.”) Luisa nodded and packed up her lunch, moving on to change the bed linens. I sat at that table for at least a half hour, reeling. I kept thinking, How dare she try to take my own identity away from me? But as I looked around my house, seeing no pictures of my family, not a single Latin-American book, stray blond hairs in my hairbrush, not even a jar of cumin in my spice rack, I realized Luisa hadn’t done that to me. I had done it to me. I’d made the choice to be different from my true self.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
First I need to do something.’ He pulled me closer towards him until our lips were almost touching. ‘What might that be?’ I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn’t come. I opened my eyes. Alex had jumped to his feet. ‘Swim,’ he said, grinning at me. ‘Come on.’ ‘Swim?’ I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me. Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest – which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn’t a six-pack but actually a twelve-pack. My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex’s hands dropped to his shorts and he started undoing his belt. I reassessed the swimming option. I could definitely do swimming. He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn’t doing a fly-by. The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn’t resist because I’d forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water. I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn’t reattach. His resolve was as solid as a nuclear bunker’s walls. Alex had said there were always chinks. But I couldn’t seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression. ‘I’m just trying to protect your honour,’ he said, guessing it anyway. I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?
Sarah Alderson (Losing Lila (Lila, #2))
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
Human nature is such that when we are suddenly taken up by someone whom we consider superior and admirable, we accept his attentions calmly, whereas when we are dropped we cannot rest until we feel we have got to the bottom of the person's profound irrationality. Nor can we easily accept the verdict sent down to us through the mortifying silence of someone who has found us wanting and has packed up and moved on. We protest it, each in our way - our futile way, since the more effective is our protest the more surely do we drive away the person whose love we have lost not because of anything we did, but because of who we are.
Janet Malcolm (In the Freud Archives)
As soon as the period of mourning for Dona Ester was over and the big house on the corner was finished, Esteban Trueba and Clara del Valle were married in a modest ceremony. Esteban gave his wife a set of diamond jewelry, which she thought beautiful. She packed it away in a shoe box and quickly forgot where she had put it. They spent their honeymoon in Italy and two days after they were on the boat. Esteban was as madly in love as an adolescent, despite the fact that the movement of the ship made Clara uncontrollably ill and the tight quarters gave her asthma. Seated by her side in the narrow cabin, pressing cold compress to her forehead and holding her while she vomited, he felt profoundly happy and desired her with unjust intensity considering the wretched state to which she was reduced. On the fourth day at sea, she woke up feeling better and they went out on deck to look at the sea. Seeing her with her wind-reddened nose, and laughing at the slightest provocation, Esteban swore that sooner or later she would come to love him as he needed to be loved, even if it meant he had to resort to extreme measures. He realized that Clara did not belong to him and that if she continued living in her world of apparitions, three-legged chairs that moved of their own volition, and cards that spelled out the future, she probably never would. Clara's impudent and nonchalant sensuality was also not enough for him. He wanted far more than her body; he wanted control over that undefined and luminous material that lay within her and that escaped him even in those moments when she appeared to be dying of pleasure. His hands felt very heavy, his feet very big, his voice very hard, his beard very scratchy, and his habits of rape and whoring very deeply ingrained, but even if he had to turn himself inside out like a glove, he was prepared to do everything in his power to seduce her.
Isabel Allende (The House of the Spirits)
When we consider the major themes of Venezuelan socialism, we can see right away that every one of them parallels the themes of the American left. American leftists are wannabe Maduros pretending to take their cues from Sven. If we continue to move in the direction that the left is taking us, we are going to end up not where the Scandinavians are but where the Venezuelans are. Pack your bags, and make sure you label them correctly. It’s not “Stockholm, here we come” but “Caracas, here we come.” It won’t be pretty.
Dinesh D'Souza (United States of Socialism: Who's Behind It. Why It's Evil. How to Stop It.)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
Oh, she had been some kind of fine-looking, all right, with that dynamite body and that gorgeous fall of red wavy hair. But she was weak . . . weak somehow. It was as if she was sending out radio signals which only he could receive. You could point to certain things—how much she smoked (but he had almost cured her of that), the restless way her eyes moved, never quite meeting the eyes of whoever was talking to her, only touching them from time to time and then leaping nimbly away; her habit of lightly rubbing her elbows when she was nervous; the look of her fingernails, which were kept neat but brutally short. Tom noticed this latter the first time he met her. She picked up her glass of white wine, he saw her nails, and thought: She keeps them short like that because she bites them. Lions may not think, at least not the way people think . . . but they see. And when antelopes start away from a waterhole, alerted by that dusty-rug scent of approaching death, the cats can observe which one falls to the rear of the pack, maybe because it has a lame leg, maybe because it is just naturally slower . . . or maybe because its sense of danger is less developed. And it might even be possible that
Stephen King (It)
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
Elena was strangely calm now, her mind a humming blank. She said no, of course she didn’t mind, and watched Caroline move away, a symphony in auburn and gold. Stefan went with her. There was a circle of faces around Elena; she turned from them and came up against Matt. “You knew he was coming with her.” “I knew she wanted him to. She’s been following him around at lunchtime and after school, and kind of forcing herself on him. But …” “I see.” Still held in that queer, artificial calm, she scanned the crowd and saw Bonnie coming towards her, and Meredith leaving her table. They’d seen, then. Probably everyone had. Without a word to Matt, she moved towards them, heading instinctively for the girls’ rest room. It was packed with bodies, and Meredith and Bonnie kept their remarks bright and casual while looking at her with concern. “Did you see that dress?” said Bonnie, squeezing Elena’s fingers secretly. “The front must be held on with superglue. And what’s she going to wear to the next dance? Cellophane?” “Cling film,” said Meredith. She added in a low voice, “Are you OK?” “Yes.” Elena could see in the mirror that her eyes were too bright and that there was one spot of colour burning on each cheek. She smoothed her hair and turned away.
L.J. Smith (The Awakening and The Struggle (The Vampire Diaries, #1-2))
Hold your tongue!’ said the Queen, turning purple. ‘I won’t!’ said Alice. ‘Off with her head!’ the Queen shouted at the top of her voice. Nobody moved. ‘Who cares for you?’ said Alice (she had grown to her full size by this time). ‘You’re nothing but a pack of cards!’ At this the whole pack rose up into the air, and came flying down upon her; she gave a little scream, half of fright and half of anger, and tired to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. ‘Wake up, Alice dear!’ said her sister. ‘Why, what a long sleep you’ve had!’ So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. Lewis Carroll, Alice’s Adventure in Wonderland, 1865
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
As engine vibrated under him, he tried to tell himself it was all going to work out. It had to. Now that he’d found The One, there was no way in hell he was letting her get away. If that meant he had to move heaven and earth to find a good life for her and her pack mates here in the city, he’d do it. If being with Jayna meant he had to empty out his bank account and sell everything he owned, he was okay with that too. He had friends in other places he could turn to, Family too. His parents owned a huge house and a lot of land outside of Denver. If he showed up with Jayna, her pack, and no job, his family would welcome them with open arms. Okay, maybe his mom would be a little shocked when she found out his girlfriend came with an extended family, but she’d overlook it if there was a possibility of a grandchild in the near future. Becker was still daydreaming about kids with Jayna someday when headlights suddenly appeared in his rear- view mirror. He glanced over, swearing when he saw two vehicles speeding up behind him and closing fast.
Paige Tyler (In the Company of Wolves (SWAT: Special Wolf Alpha Team, #3))
It’s time to pack your gear, Kicker,” her father announced, forcing a boisterous grin. “We’re moving to South Korea!” Yup. There it was. Megan went into free fall. Her internal organs turned weightless and started floating around inside her body cavity. She clutched the arms on the chair so tightly her knuckles turned white, just to keep from throwing up. “What?” Megan blurted. Her voice sounded very far away. “It’s been a while since we were transferred, hasn’t it?” her father said matter-of-factly. “This should be exciting.” Exciting? Had he been testing gas masks over at the base today?
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
Good-bye!" she whispered. Then she summoned all her strength and waved one of her front legs at him. She never moved again. Next day, as the Ferris wheel was being taken apart and the race horses were being loaded into vans and the entertainers were packing up their belongings and driving away in their trailers, Charlotte died. The Fair Grounds were soon deserted. The sheds and buildings were empty and forlorn. The infield was littered with bottles and trash. Nobody, of the hundreds of people that had visited the Fair, knew that a grey spider had played the most important part of all. No one was with her when she died.
E.B. White
Do I get to come in?” he asked. She shrugged and stood aside. “I’m just packing.” “Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.” “Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!” “It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.” “I didn’t need watching!” “You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile. She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked. “To your stepfather?” he drawled. That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?” He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.” “Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.” “And you don’t know why?” he asked curtly, letting her go. She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.” He chuckled. “How do you see through me so easily? Even my mother can’t do that.” If he thought about it, he’d know, she thought miserably.
Diana Palmer (Paper Rose (Hutton & Co. #2))
sandy-haired, friendly, smiling, small-town attorney of Pennington, had been born in 1950 in a roach-infested Newark slum. His father had been a construction worker fully employed through World War II and Korea creating new factories, dockyards and government offices along the Jersey Shore. But with the ending of the Korean War, work had dried up. Cal was five when his mother walked out of the loveless union and left the boy to be raised by his father. The latter was a hard man, quick with his fists, the only law on many blue-collar jobs. But he was not a bad man and tried to live by the straight and narrow, and to raise his toddler son to love Old Glory, the Constitution and Joe DiMaggio. Within two years, Dexter Senior had acquired a trailer home so that he could move where the work was available. And that was how the boy was raised, moving from construction site to site, attending whichever school would take him, and then moving on. It was the age of Elvis Presley, Del Shannon, Roy Orbison and the Beatles, over from a country Cal had never heard of. It was also the age of Kennedy, the Cold War and Vietnam. His formal education was fractured to the point of near nonexistence, but he became wise in other ways: streetwise, fight-wise. Like his departed mother, he did not grow tall, topping out at five feet eight inches. Nor was he heavy and muscular like his father, but his lean frame packed fearsome stamina and his fists a killer punch. By seventeen, it looked as if his life would follow that of his father, shoveling dirt or driving a dump truck on building sites. Unless . . . In January 1968 he turned eighteen, and the Vietcong launched the Têt Offensive. He was watching TV in a bar in Camden. There was a documentary telling him about recruitment. It mentioned that if you shaped up, the Army would give you an education. The next day, he walked into the U.S. Army office in Camden and signed on. The master sergeant was bored. He spent his life listening to youths doing everything in their power to get out of going to Vietnam. “I want to volunteer,” said the youth in front of him. The master sergeant drew a form toward him, keeping eye contact like a ferret that does not want the rabbit to get away. Trying to be kindly, he suggested
Frederick Forsyth (The Cobra)
And it came to him then, as clearly and as certainly as if he had been watching it on the big screen at the Odeon, Leicester Square: the rest of his life. He would go home tonight with the girl from Computer Services, and they would make gentle love, and tomorrow, it being Saturday, they would spend the morning in bed. And then they would get up, and together they would remove his possessions from the packing cases, and put them away. In a year, or a little less, he would marry the girl from Computer Services, and get another promotion, and they would have two children, a boy and a girl, and they would move out to the suburbs, to Harrow or Croydon or Hampstead or even as far away as distant Reading. And it would not be a bad life. He knew that, too. Sometimes there is nothing you can do.
Neil Gaiman (Neverwhere (London Below, #1))
The bathroom was last, and Valerie was very aware that Anders was standing a foot away, waiting patiently. She would have liked to ask him to leave, but she was a grown-up, he was a grown-up and old enough to know about the physiology of the female body, so she took a deep breath, knelt to open the cupboard under the sink and pulled out tampons and pads. Her period should come in the next week or so and she didn’t know how long she’d have to stay at Leigh’s house. Valerie set the feminine items on the counter, and then moved to the other end of the cupboard to gather some makeup and moisturizer from a drawer there. When she turned back with the new items, Anders was calmly packing her feminine hygiene products away in the duffel with her clothes. “Thank you,” she murmured self-consciously as she dumped the new items in.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
I started to grin until I heard laughing and sensed we were on display. Glancing at them, I tightened my grip on Judd as if to say, “So what? He’s mine. Suck it.” Judd though wasn’t interested in their laughter. He glared hard at them and literally growled like a dog. While I giggled at the sound, the men shut up and moved away. When Vaughn saw this display, he yelled out, “Whipped is a good look on you, brother.” “I’m packing, Outlaw. Don’t make me pull it out.” At the same moment, Judd, Vaughn, and I thought of the same thing and started laughing. “Yeah, don’t pull it out here, baby,” I said, giggling. “I’m the only one who should be looking at it.” Judd leaned his head back and sighed. “It’s not my fault, you know. All of the blood left my brain the minute you sat on my lap.” “Poor bastard,” I whispered in his ear as I nibbled on the lobe.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
The World At Large Ice-age heat wave, can't complain. If the world's at large, why should I remain? Walked away to another plan. Gonna find another place, maybe one I can stand. I move on to another day, to a whole new town with a whole new way. Went to the porch to have a thought. Got to the door and again, I couldn't stop. You don't know where and you don't know when. But you still got your words and you got your friends. Walk along to another day. Work a little harder, work another way. Well uh-uh baby I ain't got no plan. We'll float on maybe would you understand? Gonna float on maybe would you understand? Well float on maybe would you understand? The days get shorter and the nights get cold. I like the autumn but this place is getting old. I pack up my belongings and I head for the coast. It might not be a lot but I feel like I'm making the most. The days get longer and the nights smell green. I guess it's not surprising but it's spring and I should leave. I like songs about drifters - books about the same. They both seem to make me feel a little less insane. Walked on off to another spot. I still haven't gotten anywhere that I want. Did I want love? Did I need to know? Why does it always feel like I'm caught in an undertow? The moths beat themselves to death against the lights. Adding their breeze to the summer nights. Outside, water like air was great. I didn't know what I had that day. Walk a little farther to another plan. You said that you did, but you didn't understand. I know that starting over is not what life's about. But my thoughts were so loud I couldn't hear my mouth. My thoughts were so loud I couldn't hear my mouth. My thoughts were so loud.
Modest Mouse
I know he’s had his problems in the past… “He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!” “I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.” “What does he get for a reward?” he asked insolently. She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.” “Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!” “You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why. He searched her enthusiastic eyes. “You really do love Native American history, don’t you?” She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.” “Most whites never come close to understanding us, no matter how hard they try.” “I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.” He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before. Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him. He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard. “Now, isn’t that interesting?” he said to himself in a low, deep whisper. “Wh…what?” she stammered. His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period. He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her. “Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here? When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy. I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too. Dad spoke first. “Son, are you ready to change?” Everything else seemed to go silent and fade away, and all I heard was my dad’s voice. “I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.” He paused for a second then went on, a little quieter. “Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.” I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment. My breath left me in a rush, and I fell to my knees in front of them all and started crying. “Dad, what took y’all so long?” I burst out. I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too. I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord. Suddenly, I felt guilty. “Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.” “No, son,” he answered. “You’ve told me enough.” I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.” “I know. I want to come back home,” I said. I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found. By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.” “My prodigal son has returned,” Dad said, with tears of joy streaming down his face. It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness. A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment. That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment. “Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Saying goodbye to everyone, I picked up my bag and began walking away as a deep husky voice called my name. I didn’t stop walking, but looked over my shoulder in time to see Brandon walking around the table toward me, and Chase holding the brunette’s head away from his as he watched us, she just continued onto his neck. Falling into step with me, he held out a hand, “We haven’t met yet, I’m Brandon Taylor.” Dear Lord that voice could warm me on the coldest day of the year. “Harper Jackson, nice to meet you.” He smiled as he held the door open for me, “You too. You seem to know the rest of the guys pretty well though we’re just meeting, they said you’re Bree’s roommate?” “Uh, yeah. I am, but I don’t really know them well. I’ve only talked to them for a total of about ten minutes before today.” “Really?” The corners of his mouth twitched up, “You seem to make quite an impression in a short amount of time then.” “Oh I definitely made an impression with them.” I muttered. He looked at me quizzically but I shook my head so he wouldn’t push it. We stopped walking when we got to the path that would take me to the dorms and him to his next class. I turned towards him and shamelessly took in his worn jeans resting low on his narrow hips and fitted black shirt before going back to his face. I hadn’t realized how tall he was when we were walking out, but he had to be at least a foot taller than me. His height and muscled body made me want to curl up in his arms, it looked like I’d fit perfectly there. I nervously bit my bottom lip while I watched his cloudy eyes slowly take in my small frame. It didn’t feel like the guys at the party, looking at me like I was something to eat. His eyes made me feel beautiful, and it thrilled me that they were on me. Thrilled me that they were on me? Get a grip Harper you just met him two seconds ago. “Come on PG, let’s go.” Chase grabbed my arm and started dragging me away. “Chase! Stop!” I yanked my arm out and shot him a dirty look. “What is your problem?” “I’m taking you and Bree to the house, and you need to pack for the weekend so let’s go.” He grabbed for me again but I dodged his hand. “The weekend, what?” “You’re staying with me, go pack.” I narrowed my eyes and started to turn towards Brandon, “Fine, hold on.” “Harper.” “Go away Chase, I’ll meet you in the room in a minute. Go find Bree.” He moved to stand closer behind me so I just sighed and gave Brandon a lame smile. “Sorry, apparently I have to go. I’ll see you tonight?” I don’t know why I asked, he actually lived there. A sexy smile lit up his face as his hand reached out to quickly brush against my arm, “See you then.” With a hard nod directed towards Chase, he turned and walked away.
Molly McAdams (Taking Chances (Taking Chances, #1))
next adventure.  She’d been stupid to think, to hope, otherwise.  What that night meant to him was satisfaction of a need and acceptance of her offer of her body as the price for his forgiveness.  She thought he’d forgiven her now, which was a relief, but he certainly didn’t want her.  Her heart would eventually get over the silly attachment it had formed with him and she’d move on too. “I am going back with or without you.  I’d feel safer with you, but that’s your decision,” Fallon said, peeling his fingers back to step away.  “I’m sure the FBI will provide me with protection if you don’t go with me.” She walked toward the hallway to go pack her things, but felt Jax following hot on her heels as she entered the bedroom. The door slammed behind her and she spun.  The look in Jaxson’s eyes scared her as he stalked two steps to grab her shoulders, turn her to push her back into the door.  “I won’t let you go get yourself killed,” he growled, his head already in motion toward hers.   Fallon’s body melted when his lips touched hers, but his hips pinned her to the door as he ravaged her mouth, not seeming to care that she couldn’t even respond because he was kissing her so fast and hard.  She tried to move her hands up to his shoulders but couldn’t, because they were trapped between their bodies.  His heart pounded against her palms, almost as hard as her own drummed. Jax shoved his hand under her shirt, scorched a path up to her bra and shoved it aside to cup her breast.  Her nipple
Becky McGraw (SEALed Fate (Hot SEALs; Deep Six Security, #0.5))
Now the muted setting made sense: a neutral setting, soothing light, a book. The deep magic fed the beast within him. It took a monumental effort of will to restrain it. With the flare so close, Curran was a powder keg with a short fuse. I had to be careful not to light that fuse. Nobody outside the Pack, except for Andrea, knew I was here. He could kill me right now and they would never find my body. We shared a silence for a long moment. Magic blossomed, filling me with giddy energy. The short waves again. They would ebb in a minute, and then I’d be exhausted. Guilt gnawed at me. He could control himself in my presence, but I apparently couldn’t control myself in his. “Curran, up on the roof . . . That is, my brakes don’t work sometimes.” He leaned forward, suddenly animated. “Do I smell an apology?” “Yes. I said things I shouldn’t have. I regret saying them.” “Does this mean you’re throwing yourself at my feet?” “No. I pretty much meant that part. I just wish I could’ve put it in less offensive terms.” I glanced at him and saw a lion. He didn’t change, his face was still fully human, but there was something disturbingly lionlike in the way he sat, completely focused on me, as if ready to pounce. Stalking me without moving a muscle. The primordial urge to freeze shackled my limbs. I just sat there, unable to look away. A slow, lazy, carnivorous smile touched Curran’s lips. “Not only will you sleep with me, but you will say ‘please.’” I stared at him, shocked. The smile widened. “You will say ‘please’ before and ‘thank you’ after.” Nervous laughter bubbled up. “You’ve gone insane. All that peroxide in your hair finally did your brain in, Goldilocks.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
I spin around in a circle and sing, “Do you want to build a snowman?” And then we’re both giggling again. “You’re going to get us kicked out of here,” he warns. I grab his hands and make him spin around with me as fast as I can. “Quit acting like you really belong in a nursing home, old man!” I yell. He drops my hands and we both stumble. Then he grabs a fistful of snow off the ground and starts to pack it into a ball. “Old man, huh? I’ll show you an old man!” I dart away from him, slipping and sliding in the snow. “Don’t you dare, John Ambrose McClaren!” He chases after me, laughing and breathing hard. He manages to grab me around the waist and raises his arm like he’s going to put the snowball down my back, but at the last second he releases me. His eyes go wide. “Oh my God. Are you wearing my grandma’s nightgown under your coat?” Giggling, I say, “Wanna see? It’s really racy.” I start to unzip my coat. “Wait, turn around first.” Shaking his head, John says, “This is weird,” but he obeys. As soon as his back is turned, I snatch a handful of snow, form it into a ball, and put it in my coat pocket. “Okay, turn around.” John turns, and I lob the snowball directly at his head. It hits him in the eye. “Ouch!” he yelps, wiping it with his coat sleeve. I gasp and move toward him. “Oh my God. I’m so sorry. Are you okay--” John’s already scooping up more snow and lunging toward me. And so begins our snowball fight. We chase each other around, and I get in another great hit square in his back. We call a truce when I nearly slip and fall on my butt. Luckily, John catches me just in time. He doesn’t let go right away. We stare at each other for a second, his arm around my waist. There’s a snowflake on his eyelashes. He says, “If I didn’t know you were still hung up on Kavinsky, I would kiss you right now.” I shiver. Up until Peter, the most romantic thing that ever happened to me was with John Ambrose McClaren, in the rain, with the soccer balls. Now this. How strange that I’ve never even dated John, and he’s in two of my most romantic moments. John releases me. “You’re freezing. Let’s go back inside.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
After the Grand Perhaps” After vespers, after the first snow has fallen to its squalls, after New Wave, after the anorexics have curled into their geometric forms, after the man with the apparition in his one bad eye has done red things behind the curtain of the lid & sleeps, after the fallout shelter in the elementary school has been packed with tins & other tangibles, after the barn boys have woken, startled by foxes & fire, warm in their hay, every part of them blithe & smooth & touchable, after the little vandals have tilted toward the impossible seduction to smash glass in the dark, getting away with the most lethal pieces, leaving the shards which travel most easily through flesh as message on the bathroom floor, the parking lots, the irresistible debris of the neighbor’s yard where he’s been constructing all winter long. After the pain has become an old known friend, repeating itself, you can hold on to it. The power of fright, I think, is as much as magnetic heat or gravity. After what is boundless: wind chimes, fertile patches of the land, the ochre symmetry of fields in fall, the end of breath, the beginning of shadow, the shadow of heat as it moves the way the night heads west, I take this road to arrive at its end where the toll taker passes the night, reading. I feel the cupped heat of his left hand as he inherits change; on the road that is not his road anymore I belong to whatever it is which will happen to me. When I left this city I gave back the metallic waking in the night, the signals of barges moving coal up a slow river north, the movement of trains, each whistle like a woodwind song of another age passing, each ambulance would split a night in two, lying in bed as a little girl, a fear of being taken with the sirens as they lit the neighborhood in neon, quick as the fire as it takes fire & our house goes up in night. After what is arbitrary: the hand grazing something too sharp or fine, the word spoken out of sleep, the buckling of the knees to cold, the melting of the parts to want, the design of the moon to cast unfriendly light, the dazed shadow of the self as it follows the self, the toll taker’s sorrow that we couldn’t have been more intimate. Which leads me back to the land, the old wolves which used to roam on it, the one light left on the small far hill where someone must be living still. After life there must be life.
Lucie Brock-Broido (A Hunger)
You’re still holding my arm.” “I know.” So this was it, she thought, and struggled to keep her voice. “Should I ask you to let go?” “I wouldn’t bother.” She drew a deep, steadying breath. “All right. What do you want, Roman?” “To get this out of the way, for both of us.” He rose. Her step backward was instinctive, and much more surprising to her than to him. “I don’t think that’s a good idea.” “Neither do I.” With his free hand, he gathered up her hair. It was soft, as he’d known it would be. Thick and full and so soft that his fingers dived in and were lost. “But I’d rather regret something I did than something I didn’t do.” “I’d rather not regret at all.” “Too late.” He heard her suck in her breath as he yanked her against him. “One way or the other, we’ll both have plenty to regret.” He was deliberately rough. He knew how to be gentle, though he rarely put the knowledge into practice. With her, he could have been. Perhaps because he knew that, he shoved aside any desire for tenderness. He wanted to frighten her, to make certain that when he let her go she would run, run away from him, because he wanted so badly for her to run to him. Buried deep in his mind was the hope that he could make her afraid enough, repelled enough, to send him packing. If she did, she would be safe from him, and he from her. He thought he could accomplish it quickly. Then, suddenly, it was impossible to think at all. She tasted like heaven. He’d never believed in heaven, but the flavor was on her lips, pure and sweet and promising. Her hand had gone to his chest in an automatic defensive movement. Yet she wasn’t fighting him, as he’d been certain she would. She met his hard, almost brutal kiss with passion laced with trust. His mind emptied. It was a terrifying experience for a man who kept his thoughts under such stringent control. Then it filled with her, her scent, her touch, her taste. He broke away-for his sake now, not for hers. He was and had always been a survivor. His breath came fast and raw. One hand was still tangled in her hair, and his other was clamped tight on her arm. He couldn’t let go. No matter how he chided himself to release her, to step back and walk away, he couldn’t move. Staring at her, he saw his own reflection in her eyes. He cursed her-it was a lack quick denial-before he crushed his mouth to hers again. It wasn’t heaven he was heading for, he told himself. It was hell.
Nora Roberts (Golden Shores: Treasures Lost, Treasures Found / The Welcoming)
I turned and entered the airport with my escort. Suddenly, I had a horrible realization: in order to return to the flight line I needed to move through a modern international airport complete with metal detectors and X-ray machines and I had a loaded pistol in my fanny pack. And, because of the ongoing civil war, security was beefed up and the guards were extra wary. Before we reached the first checkpoint, I pretended that I needed to use the restroom and told my escort to go on ahead. I needed to think. One option was to drop my pistol in a trash can and exit the airport, later claiming I lost the gun somehow. The lost-gun option had serious flaws. I couldn’t ditch my pistol because I had signed it out by serial number. Police could easily trace the gun back to me. My personal interpretation of the, “no weapons” order would probably not be an effective defense at my court marshal. My other option was to try and sneak through the airport onto the flight line, somehow avoiding a gauntlet of security checkpoints. This was the ninja option. This daunting course of action was fraught with serious danger. If guards confronted me and caught me with a loaded pistol I knew I would not have a pleasant day. There was no telling where that situation would lead; there was a real possibility I could spend time in a Yemeni prison. Despite the risks I decided on the ninja option. I figured I might have one slim advantage. Maybe the guards would remember me coming through the airport from the flight-line side with the embassy official and not pay me much attention. I was sweating bullets as I approached the first checkpoint. I tried to act casual and confident, not furtive and suspicious like a criminal. I waited until the guard looked away, his attention elsewhere and boldly walked behind him past the checkpoint. When I approached the X-ray and metal detectors I strode right past the line of people, bypassing the machines. I had to play it that way. I could not hang out near the detectors waiting for guards to look the other way and then sneak past; there were just too many. As I brazenly strode around each checkpoint I feared to hear a sudden barked command, rushing feet behind me, and hands spinning me around to face angry guards with drawn weapons. The last part of my mission to get on the airfield was tricky and nerveracking. Imagine being at an American airport in the gate area where people board the airplanes. Then imagine trying to sneak out a Jetway or access door without being stopped. I remembered the door I had used to enter the terminal and luckily it was unlocked. I picked my moment and quickly slipped out the door onto the airfield. I boldly strode across the airfield, never looking behind me until I reached my plane. Finally, I turned and looked back the way I came and saw … nothing. No one was pursuing me. I was in the midst of an ongoing civil war, surrounded by fresh bomb craters and soldiers carrying soviet rifles, but as scary situations go, so far Tiger Rescue was a relaxing walk in the park compared to Operation Ninja Escape.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Experiment: To replace negative character labels, try the following steps: 1. Pick a new, positive character label that you would prefer. For example, if your old belief is “I’m incompetent,” you would likely pick “I’m competent.” 2. Rate how much you currently believe the old negative character label on a scale of 0 (= I don’t believe it at all) to 100 (= I believe it completely). Do the same for the new positive belief. For example, you might say you believe “I’m incompetent” at level 95 and believe “I’m competent” at level 10 (the numbers don’t need to add up to 100). 3. Create a Positive Data Log and a Historical Data Log. Strengthening your new, positive character label is often a more helpful approach than attempting to hack away at the old, negative one. I’m going to give you two experiments that will help you do this. Positive Data Log. For two weeks, commit to writing down evidence that supports your new, positive character belief. For example, if you are trying to boost your belief in the thought “I’m competent” and you show up to an appointment on time, you can write that down as evidence. Don’t fall into the cognitive trap of discounting some of the evidence. For example, if you make a mistake and then sort it out, it’s evidence of competence, not incompetence, so you could put that in your Positive Data Log. Historical Data Log. This log looks back at periods of your life and finds evidence from those time periods that supports your positive character belief. This experiment helps people believe that the positive character quality represents part of their enduring nature. To do this experiment, split your life into whatever size chunks you want to split it into, such as four- to six-year periods. If you’re only in your 20s, then you might choose three- or four-year periods. To continue the prior example, if you’re working on the belief “I’m competent,” then evidence from childhood might be things like learning to walk, talk, or make friends. You figured these things out. From your teen years, your evidence of general competency at life might be getting your driver’s license (yes, on the third try still counts). Evidence from your early college years could be things like successfully choosing a major and passing your courses. Evidence for after you finished your formal education might be related to finding work to support yourself and finding housing. You should include evidence in the social domain, like finding someone you wanted to date or figuring out how to break up with someone when you realized that relationship wasn’t the right fit for you. The general idea is to prove to yourself that “I’m competent” is more true than “I’m incompetent.” Other positive character beliefs you might try to strengthen could be things like “I’m strong” (not weak), “I’m worthy of love” (not unlovable), and “I’m worthy of respect” (not worthless). Sometimes the flipside of a negative character belief is obvious, as in the case of strong/weak, but sometimes there are a couple of possible options that could be considered opposites; in this case, you can choose. 4. Rerate how much you believe the negative and positive character labels. There should have been a little bit of change as a result of doing the data logs. For example, you might bow believe “I’m incompetent” at only 50 instead of 95, and believe “I’m competent” at 60 instead of 10. You’ve probably had your negative character belief for a long time, so changing it isn’t like making a pack of instant noodles.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
REACHING GAMES To encourage your baby to reach and to expand her horizons, try holding attractive toys just out of her reach: above her head, in front of her, to the sides. See how close you have to get the toy before she makes her move. Remember, the object here is not to tease or torture the baby, it’s to have fun. You can add another layer of complexity by putting the out-of-reach object on a blanket or towel. Then slowly pull the blanket and show her how it gets closer. Will she try that herself? TOUCHING GAMES Try this: let your baby play with a small toy without letting her see it (you could do this in the dark or with her hands in a paper bag). Then put that toy together with several other toys she’s never played with. Many babies this age will pick up the familiar toy. Although this may sound fairly easy, it isn’t. You’re asking your baby to use two senses—touch and vision—at the same time, and to recognize by sight something she’s touched but not seen. If your baby isn’t ready for this one, don’t worry. Just try it again in a few weeks. It’s a concept that can take a while to develop. IF … THEN … GAMES There are thousands of things you can do to reinforce cause-and-effect thinking. Rattles, banging games, rolling a ball back and forth, and splashing in the pool are excellent. So is blowing up your cheeks and having the baby “pop” them with her hands. Baby gyms—especially the kind that make a lot of noise when smacked—are also good, but be sure to pack them up the moment your baby starts trying to use the gym to pull herself up; they’re meant to be used while sitting or lying down and aren’t sturdy enough to support much weight. OBJECT PERMANENCE GAMES When your baby is about six or seven months old, the all-important idea that objects can exist even when they’re out of sight finally starts sinking in. • Object permanence develops in stages. If you’re interested in seeing how, try this: Show your baby a toy. Then, while she’s watching, “hide” it under a pillow. If you ask her where the toy is, she’ll probably push the pillow out of the way and “find” it. But if you quickly move the toy to another hiding place when she’s not looking, she’ll continue to look for it in the first hiding place. • Peek-a-boo and other games that involve hiding and finding things are great for developing object permanence. Peek-a-boo in particular teaches your baby an excellent lesson: when you go away, you always come back. This doesn’t sound like much, but making this connection now lets her know she can count on you to be there when she needs you and will help her better cope with separation anxiety (see page 222).
Armin A. Brott (The New Father: A Dad's Guide to the First Year (New Father Series Book 2))
Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.
Lawrence Bransby (Two Fingers On The Jugular)
They had almost come to the tree's central trunk when Pouncer froze, tail erect with the tip cocked forward. She had learned that signal meant freeze and she did. T'suuz, some ten meters behind him, froze as well. Very slowly Pouncer pointed down. For a long moment Cherenkova saw nothing, and then movement on the jungle floor caught her eye. It was a rapsari sniffer, small and round bodied, proboscis swinging back and forth as it searched for familiar scents. It had sensed something, but it was confused. It advanced slowly, circling first left, then right. Its handler came behind it, riding one of the reptilian raiders and wearing full mag armor. He snarled something quietly into his comlink. Cherenkova held her breath. A second raider-mounted Tzaatz came up beside the handler. The two conferred momentarily in muted snarls. A gravcar whined overhead. The handler sniffed suspiciously and Cherenkova held her breath. The second Tzaatz looked up, searching the branches. He seemed to be looking right at her and she wanted to scream, her pulse pounding in her ears. It seemed impossible that he didn't see her. Slowly he raised his binoptics to his eyes and started methodically scanning overhead. He hadn't seen her, but he would any second. The rapsar sniffer had circled back. Two more Tzaatz moved through her field of view, one of the reptillian raiders grunting. How many were there? Suddenly she found herself eye to eye with kzinti binoptics. The Tzaatz snarled and pointed right at her and cold fear shot through her system. They were caught, and she was acutely aware that the Tzaatz were under no obligation not to eat her. The sniffer handler looked up and snarled as well. She started to climb away. They hadn't spotted Pouncer or T'suuz. If she could lead the hunters away they might be able to ambush the Tzaatz. At least they wouldn't all be taken together. She looked down to see the warrior raising a crossbow. There was a scream, suddenly cut off, and the warrior looked away from her. She saw him startle and fire at something she couldn't see, and then a rapsar raider ran past without its rider, and both Tzaatz spun their mounts to run. The ground shook under heavy impacts and then something appeared out of nowhere and bit the closer Tzaatz in half. It was easily twenty meters long, and amazingly fast for that bulk, long necked and sinuous, like a wingless dragon. The other Tzaatz turned to face it, drawing his variable sword in an act of undeniable courage. Before he could swing at it another of the beasts thundered in and snapped him up, impaling him on half-meter fangs and shaking him like a wolf with a rabbit, decapitating his raider rapsar almost accidentally in the process. The other Tzaatz had fled, but distant, heavy footfalls shook the jungle floor, followed by a deep, rumbling call. The grlor hunted in packs, Pouncer had said.
Paul Chafe (Destiny's Forge (Man-Kzin Wars))
I went into the bar and sank into a leather bar seat packed with down. Glasses tinkled gently, lights glowed softly, there were quiet voices whispering of love, or ten per cent, or whatever they whisper about in a place like that. A tall fine-looking man in a gray suit cut by an angel suddenly stood up from a small table by the wall and walked over to the bar and started to curse one of the barmen. He cursed him in a loud clear voice for a long minute, calling him about nine names that are not usually mentioned by tall fine-looking men in well cut gray suits. Everybody stopped talking and looked at him quietly. His voice cut through the muted rhumba music like a shovel through snow. The barman stood perfectly still, looking at the man. The barman had curly hair and a clear warm skin and wide-set careful eyes. He didn’t move or speak. The tall man stopped talking and stalked out of the bar. Everybody watched him out except the barman. The barman moved slowly along the bar to the end where I sat and stood looking away from me, with nothing in his face but pallor. Then he turned to me and said: “Yes, sir?” “I want to talk to a fellow named Eddie Prue.” “So?” “He works here,” I said. “Works here doing what?” His voice was perfectly level and as dry as dry sand. “I understand he’s the guy that walks behind the boss. If you know what I mean.” “Oh. Eddie Prue.” He moved one lip slowly over the other and made small tight circles on the bar with his bar cloth. “Your name?” “Marlowe.” “Marlowe. Drink while waiting?” “A dry martini will do.” “A martini. Dry. Veddy, veddy dry.” “Okay.” “Will you eat it with a spoon or a knife and fork?” “Cut it in strips,” I said. “I’ll just nibble it.” “On your way to school,” he said. “Should I put the olive in a bag for you?” “Sock me on the nose with it,” I said. “If it will make you feel any better.” “Thank you, sir,” he said. “A dry martini.” He took three steps away from me and then came back and leaned across the bar and said: “I made a mistake in a drink. The gentleman was telling me about it.” “I heard him.” “He was telling me about it as gentlemen tell you about things like that. As big shot directors like to point out to you your little errors. And you heard him.” “Yeah,” I said, wondering how long this was going to go on. “He made himself heard—the gentleman did. So I come over here and practically insult you.” “I got the idea,” I said. He held up one of his fingers and looked at it thoughtfully. “Just like that,” he said. “A perfect stranger.” “It’s my big brown eyes,” I said. “They have that gentle look.” “Thanks, chum,” he said, and quietly went away. I saw him talking into a phone at the end of the bar. Then I saw him working with a shaker. When he came back with the drink he was all right again.
Raymond Chandler (The High Window (Philip Marlowe #3))
He nearly scored the equaliser and he set you up too! “Shame you couldn’t score when we needed you to.” Surprised by Joe’s tone, Adam instinctively took a step back. Joe, by now, had become red-faced with anger and the thug was very wary of the big burly goalkeeper. Lee, a small lad with brown spiky hair and a missing front tooth, sneakily moved around Joe and began poking fun at Charlie’s filthy strip. “Ha. “Old Charles has pooed his pants after missing that sitter! “Look at the state of his kit!” Several of the team sniggered at Lee’s childish taunt. Charlie blushed at the pathetic insult but still remained silent. He had spent years being taunted by Adam and the pack of schoolyard bullies. He had always preferred to keep quiet rather than risk making them angry – and face further public humiliation. He couldn’t wait to start senior school in the autumn and get away from this bunch of idiots for good. Joe, though, wouldn’t let it drop. He grabbed Lee’s shirt and pushed him roughly away.
Martin Smith (The Football Boy Wonder (Charlie Fry Series))
Stop doubting my amazing stripping skills, dude,” Roxy teased as she continued to struggle with her buttons. I was about to force my eyes away from her when she cursed and yanked on her shirt hard enough to rip every button off of it. Beneath it she was wearing a gold push up bra which accentuated her perfect tits and made her look like something out of a Dragon’s wet dream. She tossed her head back with laughter, taking a playful bow for her friends but her foot slipped and she tumbled off of the table instead. I took a few running steps towards her before I could stop myself but the guy had leapt up to catch her before she could hit the ground. “Tory?” he asked as she slumped against him, seeming to have fallen unconscious. “Oh, shit! Help me.” The girl Roxy had called Sofia scrambled to help him with her and they struggled to move her towards one of the cushioned chairs close to where they’d been sitting. I shook my head to clear it of the image of her in that gold bra and spun on my heel, striding towards the exit and quite possibly a cold shower. Just as I made it to the door, a loud scream halted me. I turned back to see Roxy’s friends backing away from her in a panic as a thick sheet of ice spread across the ground away from her, tinting everything in its path a frosty blue. “Wake up, Tory!” Sofia yelled desperately. “Maybe you should run for a teacher,” the boy said. “I’ll try to get through to her.” Sofia turned to run for the exit and her eyes widened in panic as she found me striding towards her instead. “What’s wrong with her?” I asked, my tone clipped. “She err...” Sofia hesitated, clearly not wanting to trust me with her friend’s condition while battling against the inclination to do whatever I told her. “She passed out and now she’s using magic in her sleep and we can’t get close to help her.” Roxy whimpered behind her and I stepped around Sofia to inspect the damage for myself. I’d dealt with this kind of thing with the other Heirs once or twice when our powers had first been Awakened. We were just so powerful that if we got too drunk, sometimes we’d lose control over our magic in our sleep and Roxy had seemed wasted to me. “It’s fine, we’ll look after her,” the boy said firmly but I ignored him as I walked closer to Roxy where she was slumped in the chair. Ice crunched loudly beneath my boots while the temperature around me plummeted and I hadn’t even gotten close to her yet. I drew on my fire magic, pushing it against the ice and melting some of it but Roxy’s power fought back as she whimpered again. “Roxy,” I growled as I made it to stand before her. The ice was still spreading and thickening. She was trembling in the chair and I noticed a few tears sailing down her cheeks. “Not again,” she breathed, her fists balling as she curled in on herself. “Roxy, wake up!” I snapped, moving forward to grab her arm and shake her. She didn’t wake but the ice around me thickened even more and her friends cried out as they were forced to back up again. My breath rose before me and I dropped the six pack beside her chair, crouching down before her so that I could shake her more firmly. She started coughing and water burst from her mouth like she’d been drowning. I pulled her forward, slapping her back to help her get it all up and the tremors rocking her body reverberated through mine as she pressed against my chest. More cold water flooded from her, drenching her as she cried out in panic and I pulled her against me more firmly. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
People changed and they didn’t. People evolved and they didn’t. Alice imagined a graph that showed how much people’s personalities shifted after high school on one axis and on the other, how many miles away from home they had moved. It was easy to stay the same when you were looking at the same walls. Layered on top would be how easy your life was along the way, how many levels of privilege surrounded you like a tiny glass object in a sea of packing peanuts.
Emma Straub (This Time Tomorrow)
We proudly erect our new three-man tent and learn a new rule about camping. Once you take a tent out of its bag you can throw the bag away. This is because, unless you happen to have a PhD in origami, you will never be able to fold the tent up into a small enough bundle to go back into the bag. Tents are packed by an elite group of super folders in a trade whose secrets are passed down from generation to generation. Somehow they can get all the air out of the tent as they roll it up. As we pack there is always a small pocket of air somewhere in the fabric that moves around like a trapped hamster. You can chase it all you like, but it’s always there; the tent has no chance of ever going back in.
John D. Burns (The Last Hillwalker: A sideways look at forty years in Britain's Mountains)
Don’t move,” he said, his eyes flashing green. She didn’t, but not because she had a sudden mesmerizing compulsion to stand still. If the vampire thought mind-control tricks worked on her, she might stand a better chance of escaping. The vampire freed her wrist, making a band of hope arc through Kira. He was buying it! Now just walk away and leave me alone while you rifle through my purse . . . He didn’t, but Kira kept her face from showing her disappointment as he pulled out her gun and checked the clip. “You really do have silver bullets in this,” the vampire said musingly. “And you were trying to steal Jenny away. Who put you up to this?” “No one,” Kira replied, attempting to fix a glazed expression on her face even though her heart hammered with fear. Those ghouls had gutted her in a second. This vampire could do the same. Any moment, she might be looking down at a horrible lethal wound before she’d even realized the vampire moved. The vampire frowned, grasping her chin in a grip hard enough to make her jaw creak. “I said, who put you up to this? Only another vampire would know to send you here packing silver bullets. Whose pet are you, hmmm? Give me a name.” “No vampire sent me. I’m a private investigator. Jennifer’s parents hired my firm,” Kira replied in as much of a monotone as she could manage.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she
Peter May (Coffin Road)
Where is he?” “Gabby.  Before you do anything else, I’d like two minutes of your time.  You need to hear what I have to say.” My anger at Sam still lay in a dark, dormant pool inside me.  I didn’t want to listen to anything he had to say.  Some of my anger and frustration collapsed in on itself as I acknowledged the truth.  Sam’s dishonesty bothered me, but my brush with freedom, to have it so close and then ripped away in the last few seconds, hurt more.  Besides, if I didn’t hear him out, I’d wonder what he had wanted to tell me.  Defeated, I agreed. “Fine, but please hurry.” Sam turned and walked back to his bed.  I followed. “His name is Clay,” Sam said, sitting on the lumpy mattress.  “Clayton Michael Lawe.”  He looked up at me as I moved closer and eyed me from head to toe. In the brighter light of the living area, I really did look like I’d been dragged, or at least rolled, in mud.  How had I slept through someone carrying me for miles? “He’s twenty-five and completely alone.  His mother died when he was young.  An accident.  Shot by a hunter while she was in her fur.  His dad took him to the woods.” That meant he’d been raised more wolf than boy.  Sam had explained much of the recent pack history to me when we’d first started coming to the Compound.  They’d only maintained enough of the original buildings to keep up appearances and used the 360 acres that came with it to live as wolves.  Charlene’s arrival had brought about huge changes, mostly in the social aspect of the pack.  Afterward, most pack members started acclimating to their skin.  Only a few of the old school werewolves still preferred their fur. “His father died a few years back,” Sam continued, pulling me from my own thoughts.  “Clay’s been on his own ever since, still choosing to live in his fur more than his skin.  He’s quiet and has never been trouble.  He comes when an Elder calls for him but still claims no pack as his own.  So, by pack law, he’s considered Forlorn.” Forlorn.
Melissa Haag (Hope(less) (Judgement of the Six #1))
Maddie woke to the sound of loud, angry voices. Her head pounded, her nose was stuffy, and her swollen eyes hurt. She’d finally gotten to sleep, and now this. What was going on down there? She climbed out of bed and ran down the stairs to find her living room filled with people. They were all yelling. “Hey!” she called out, but nobody heard. She squinted. Was that Gracie? She must be dreaming. Suddenly, she was grabbed at the waist and a hand was clamped over her mouth. “Don’t distract them.” Mitch. She sagged with relief. He’d come for her. She hadn’t thought he would, but couldn’t deny that she’d hoped. With one big hand still pressed against her lips, he dragged her to the first closed door he saw and pulled it open, letting out a snarl when it was a packed closet. He shut it and moved down the dark hallway. She pointed to the left and he yanked them into the powder room, slamming the door closed behind them. He spun her around, hauled her to him by the shoulders and kissed her. It was a hot, wet, desperate kiss that left her dizzy. She grabbed for his shirt, tugging him close, sinking into his embrace. She savored each moment, not knowing if it would be their last. He tore away and shook her. “Don’t you ever do that to me again. Do you understand?” She blinked at him, then shoved him away. “You told me to leave.” “You weren’t supposed to listen!” he yelled, wrenching her back for another punishing kiss. When he released her, she said breathlessly, “How was I supposed to know?” There was a loud banging on the bathroom door. “Maddie, open up!” It was Sophie. Mitch growled. “For God’s sake.” “Go away, Soph!” Maddie yelled, pressing her finger to her temple. “Are you okay?” came Penelope’s soft but firm voice. “Something tells me I’m not their favorite person.” Mitch plastered a hand against the bathroom door as if he expected them to break it down. Maddie shrugged. “I might have cried a little.” “I’m sorry, Princess.” He brushed a finger over her cheek. “Forgive me.” “Leave
Jennifer Dawson (Take a Chance on Me (Something New, #1))
You’re such an ass.” I growled and took another step back, “I just don’t understand why we can’t be friends all the time. I don’t want to be your friend on Sunday and the girl you don’t acknowledge every other day of the week. I want the same thing every day. So you decide what that is and let me know.” I moved to walk around him, but he put his arm up against the wall of the hallway, blocking me in. “I’ll tell you, if you tell me.” “Tell you what?” “I feel like I’m just one in a group of Harper’s many guys, but I’m not getting the benefits. So tell me, if I act like your friend, will I get to fuck you too?” My fist was aiming straight for that perfectly shaped nose but Chase was slammed into the wall before I could connect. Brandon’s forearm was pressed against Chase’s throat and his tan face was turning red with anger. “What the hell did you just say to her?” He growled and pressed Chase harder into the wall. Chase’s only response was to spit in Brandon’s face. Brandon’s other hand grabbed Chase’s shirt to bring him forward while the arm that had been against his throat delivered a hard blow to Chase’s stomach. Chase swung and hit the wall when Brandon moved, but he’d moved right into Chase’s left hook. I started yelling at them to stop and somehow they ended up on the floor with Chase on top. Just as the other housemates came out of their rooms, Brandon knocked Chase’s head to the side and Chase spit again on Brandon’s face, this time it was full of blood. “Shit, again?” Brad huffed as he ran past me and grabbed Chase’s arms to pin them back. Derek kept Brandon on the floor while Zach helped Brad haul Chase towards a hall on the opposite side of the living room. “Holy Crap Princess,” Drew slung his arm around my shoulders and I shook it off, “you really drive guys crazy don’t you? This has been the most entertaining two months we’ve ever had in this house, and it all seems to come back to you.” “Drew.” “Yeah Princess?” “If you want to have kids at some point in life, I suggest you leave.” He tsked at me, but wisely moved away, “So touchy. Hey B, you uh, got a little something on your face.” “I’m about to let him up.” Derek warned and Drew took off for the back yard. As soon as Derek let go, Brandon was up and stalking toward his bathroom, not saying a word to me. Derek handed me Brandon’s back pack and nodded toward his bedroom. “Wait for him in there, I’m gonna go talk to him though I’m positive I already know what he’s gonna say. Just give him a few minutes, and Harper?” “Hmm?” “Stay away from Chase. It’ll make all of this a lot easier.” I
Molly McAdams (Taking Chances (Taking Chances, #1))
What is it ye hope to gain from sharing my bed?” His voice stopped her. “You already have a bairn.” The creak of a stall door followed his question. Footsteps whispered on the packed-dirt floor. With her eyes adjusted to the dark, she saw him as a towering shadow emerging into the broad aisle of the barn. He must have been checking on Rand. She frowned at his question. He made it sound like she had some ulterior motive besides being attracted to him. “I’m not sure what you mean,” she hedged. “You want to couple with me. Why?” She rolled her eyes; she’d understood that much of the question. It was the part where he seemed to have a problem with “sharing a bed” with her she didn’t get. Tamping down her offense was getting old. If he was going to be bold, she would be, too. “You’re easy on the eyes,” she clipped. “I’m attracted to you, and we’re married, so why not, right? Am I missing something here? Shouldn’t I be the one asking you why you don’t want to ‘couple’? Oh, wait, I did. And you wouldn’t give me a straight answer.” He moved closer, stopping a foot away, which meant his voice now came from high above her. “Are you a wanton woman?” The question had been dark. Dangerous. And it kicked her offense into full-on anger. “I’m knocked up and I want sex with my husband. If that makes a girl wanton, then I suppose I am. What of it?” She lifted her chin in challenge. “I’ll ask again. What is it ye hope to gain? The truth, Melanie.” Her heart sank to hear him call her by her given name, and this sudden edge of hostility confused her. It felt like he was accusing her of something, but what? She was also insanely aroused. Not only had her eyes adjusted to the dark well enough to see his serious and seriously handsome face, but his looming presence filled her with an irrational sense of security. Add to that his scent of leather and man, and her lips trembled for another kiss. She didn’t want to lash out any more. Anger released itself to the night like steam from a mug of cocoa. “Pleasure,” she whispered, her breasts reaching for him with her quickening breath. “That’s the truth. I want to feel your body under my hands. I want to feel you inside me as you make me your wife in more than just name. And I want pleasure for you, too. Especially for you. You’ve given up almost everything for me. Giving you pleasure is the only way I can think of to thank you.” He blinked with surprise. “I dinna expect your thanks. ’Tis not why I stole ye away from Steafan.” She rolled her eyes, but this time with affection instead of annoyance. “Duh, I know that. You’re so darned honorable you’d never do anything for something as paltry as my thanks. It’s not just about thanks. I love you, you stubborn Highlander.” She cupped her hand over her mouth. The ornery thing had just blurted that which she had yet to fully admit to herself. Considering how much it hurt to have Darcy reject her physical advances, she was in no mood to bear his inevitable rejection of her heart. Mortified, she turned to run away. But his arms went around her. He hadn’t lied when he’d claimed to be quicker. “Do ye mean that, lass?” he asked, bending over her back, holding her. “No,” she lied, trying to pry his arms away. “I’m out of my mind. Don’t listen to a thing I say. Let me go.” “No. I willna. And I think a confession spoken in ire is more trustworthy than one spoken in calm.” He turned her around and lifted her face to his. “I love you, too, lass.” He kissed her.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
The New England wilderness March 1, 1704 Temperature 10 degrees She had no choice but to go to him. She set Daniel down. Perhaps they would spare Daniel. Perhaps only she was to be burned. She forced herself to keep her chin up, her eyes steady and her steps even. How could she be afraid of going where her five-year-old brother had gone first? O Tommy, she thought, rest in the Lord. Perhaps you are with Mother now. Perhaps I will see you in a moment. She did not want to die. Her footsteps crunched on the snow. Nobody spoke. Nobody moved. The Indian handed Mercy a slab of cornmeal bread, and then beckoned to Daniel, who cried, “Oh, good, I’m so hungry!” and came running, his happy little face tilted in a smile at the Indian who fed him. “Mercy said we’d eat later,” Daniel confided in the Indian. The English trembled in their relief and the French laughed. The Indian knelt beside Daniel, tossing aside Tommy’s jacket and dressing Daniel in warm clean clothing from another child. Nobody in Deerfield owned many clothes, and if she permitted herself to think about it, Mercy would know whose trousers and shirt these were, but she did not want to think about what dead child did not need clothes, so she said to the Indian, “Who are you? What’s your name?” He understood. Putting the palm of his hand against his chest, he said, “Tannhahorens.” She could just barely separate the syllables. It sounded more like a duck quacking than a real word. “Tannhahorens,” he said again, and she repeated it after him. She wondered what it meant. Indian names had to make a picture. She smiled carefully at the man she had thought was going to burn her alive as an example and said, “I’ll be right back, Tannhahorens.” She took a few steps away, and when he did nothing, she ran to her family. Her uncle swept her into his arms. How wonderful his scratchy beard felt! How strong and comforting his hug! “My brave girl,” he whispered, kissing her hair. “Mercy, they won’t let me help you.” In a voice as childish and puzzled as Daniel’s, he added, “They won’t let me help your aunt Mary, or Will and Little Mary either. I tried to help your brothers and got whipped for it.” He stammered: Uncle Nathaniel, whose reading choices from the Bible were always about war, and whose voice made every battle exciting. He needed her comfort as much as she needed his. “Uncle Nathaniel,” she said, “if I had done better, Tommy and Marah--” “Hush,” said her uncle. “The Lord set a task before you and you obeyed. Daniel is your task. Say your prayers as you march.” In a tight little pack behind Uncle Nathaniel stood her three living brothers. How small and cold they looked. Sam lifted his chin to encourage his sister and said, “At least we’re together. Do the best you can, Mercy. So will we.” They stared at each other, the two closest in age, and Mercy thought how proud their mother would be of Sam. “Mercy,” cried her brother John, panicking, “you have to go! Go fast,” he said urgently. “Your Indian is pointing at you.” Tannhahorens was watching her but not signaling. He isn’t angry, thought Mercy. I don’t have to be afraid, but I do have to return. “Find out your Indian’s name,” she said to her brothers. “It helps. Call him by name.” She took the time to hug and kiss each brother. How narrow their little shoulders; how thin the cloth that must keep them from freezing. She had to go before she wept. Indians did not care for crying. “Be strong, Uncle Nathaniel,” she said, touching the strange collar around his neck. “Don’t tug it,” he said wryly. “It’s lined with porcupine quill tips. If I don’t move at the right speed, the Indians give my leash a twitch and the needles jab my throat.” The boys laughed, pantomiming a hard jerk on the cord, and Mercy said, “You’re all just as mean as you ever were!” “And alive,” said Sam. When they hugged once more, she felt a tremor in him, deep and horrified, but under control.
Caroline B. Cooney (The Ransom of Mercy Carter)
They spent three more long days in the whitened mountain ash trees on the whitened bay. Tatiana baked pies in Nellie’s big kitchen. Alexander read all the papers and magazines from stem to stern and talked post-war politics to Tatiana and Jimmy, and even to indifferent Nellie. In Nellie’s potato fields, Alexander built snowmen for Anthony. After the pies were in the oven, Tatiana came out of the house and saw six snowmen arrayed like soldiers from big to little. She tutted, rolled her eyes and dragged Anthony away to fall down and make angels in the snow instead. They made thirty of them, all in a row, arrayed like soldiers. On the third night of winter, Anthony was in their bed restfully asleep, and they were wide awake. Alexander was rubbing her bare buttocks under her gown. The only window in their room was blizzarded over. She assumed the blue moon was shining beyond. His hands were becoming very insistent. Alexander moved one of the blankets onto the floor, silently; moved her onto the blanket, silently; laid her flat onto her stomach, silently, and made love to her in stealth like they were doughboys on the ground, crawling to the frontline, his belly to her back, keeping her in a straight line, completely covering her tiny frame with his body, clasping her wrists above her head with one hand. As he confined her, he was kissing her shoulders, and the back of her neck, and her jawline, and when she turned her face to him, he kissed her lips, his free hand roaming over her legs and ribs while he moved deep and slow! amazing enough by itself, but even more amazingly he turned her to him to finish, still restraining her arms above her head, and even made a brief noise not just a raw exhale at the feverish end...and then they lay still, under the blankets, and Tatiana started to cry underneath him, and he said shh, shh, come on, but didn’t instantly move off her, like usual. “I’m so afraid,” she whispered. “Of what?” “Of everything. Of you.” He said nothing. She said, “So you want to get the heck out of here?” “Oh, God. I thought you’d never ask.” “Where do you think you’re going?” Jimmy asked when he saw them packing up the next morning. “We’re leaving,” Alexander replied. “Well, you know what they say,” Jim said. “Man proposes and God disposes. The bridge over Deer Isle is iced over. Hasn’t been plowed in weeks and won’t be. Nowhere to go until the snow melts.” “And when do you think that might be?” “April,” Jimmy said, and both he and Nellie laughed. Jimmy hugged her with his one good arm and Nellie, gazing brightly at him, didn’t look as if she cared that he had just the one. Tatiana and Alexander glanced at each other. April! He said to Jim, “You know what, we’ll take our chances.” Tatiana started to speak up, started to say, “Maybe they’re right—” and Alexander fixed her with such a stare that she instantly shut up, ashamed of questioning him in front of other people, and hurried on with the packing. They said goodbye to a regretful Jimmy and Nellie, said goodbye to Stonington and took their Nomad Deluxe across Deer Isle onto the mainland. In this one instant, man disposed. The bridge had been kept clear by the snow crews on Deer Isle. Because if the bridge was iced over, no one could get any produce shipments to the people in Stonington. “What a country,” said Alexander, as he drove out onto the mainland and south.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
We made it, guys” Nathan whispers, turning back to us. The vault wasn’t very big; it probably cannot hold more than 50,000 dollars. “Grab the bags and start packing it in. Radio Tommy we are in; he can get ready to move. Tell limp we’re ready; be on the watch, with engine on.” “I heard that”, we hear over our earpieces. It’s Adrian. “Hehe, ya, I know.” We put the money in the bags and get to the door. We turn off the alarm for 60 more seconds; enough for all of us to get away and take the camera footage with us. We run to the street and jump in the dark green van that’s waiting at the corner of 5th with 10th. Adrian drives calmly, just like any soccer mom on her way to pick up her kids
Andrei Daniel Proca (Six Fellows: A Story of Friendship and Survival)
Gareth!  Thank God you're up and about. I was just coming to get you —" "What is it?" "Lucien, the bastard!  He's sent her away!" "'Dammit, Andrew, why the hell didn't you come get me earlier?!" Andrew vaulted down the stairs after him. "I just learned of it this second!  Nerissa went to Miss Paige's room and found her gone, and one of the servants told her Lucien sent her packing back to Boston on the morning stage!  You've got to find her, Gareth, before it's too late!" I'll kill him, Gareth vowed, striding angrily through the Gold Parlour, the Red Drawing Room, the Tapestry Room and toward the Great Hall. "Where is he?" "Outside, on the west lawn." The report of a pistol cracked the mid-morning quiet. Then another. Andrew didn't need to say anything more, for there was only one thing that Lucien ever used the west lawn for. Dueling practice. Another pistol shot banged out in the distance. Gareth saw a footman standing rigidly near the door, pretending not to notice the drama unfolding beneath his nose. "Gallagher? Send word to the stables. I need Crusader saddled immediately." "Yes, my lord." "And get a message to Lord Brookhampton, telling him to summon the Den and have them waiting for me on the green in twenty minutes. Move, man!" Another
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
I appreciate how hard it is to throw such things away, and harder still to pack them up and move them with you, but other people’s condiments are depressing.
Abigail Thomas (A Three Dog Life)
I should be dead. But I’m not human, am I?” She swiped a tear of frustration off her face. “Whatever I am makes me stronger, faster, and scary as hell when fighting. I changed, scaled the top of a moving truck, and fought a guy shooting a gun at me.” She ran her hand across her face to wipe away the tears. “I’m a mess. The mud in that ravine got in all the cracks, even my underwear. But the injuries are already almost gone, and somehow, I know all this will heal. Based on you being all pissy, I assume your meeting didn’t go well.” “It took an unanticipated turn.” His tone was odd as he continued to stare at her. “What exactly do you do that involves secrecy and the Crown?” “I can’t tell you.” Something about how he looked at her was different. Her skin tingled like it had before she’d shifted. Survival instinct flared. “Did they order you to…kill me?” It came out of her on a fatigued exhale. Her shoulders drooped. His face remained remote as if trying to wall off emotion. He neither confirmed nor denied, which might as well have been a screaming affirmative. She dropped her chin. He said nothing, so she looked up. He stared intently at her, making her almost shrink in place under the gaze of those thunderous eyes. “Is this when you tell me to leave again?” she asked. “Would you go?” “If they ordered you to kill me, wouldn’t you be forced to come after me? To hunt me down? So, what’s the point in me running unless you like the hunt?” He pushed his hand through his dark hair and stepped away from her. Frustration oozed from him. Seeing him start to lose some of his composure made him less threatening. He wasn’t the robot assassin. She wanted to run her fingers through his thick hair and down his scruff-roughened chiseled jawline to soothe him. Would her touch, if done in comfort, affect him the way she suspected his touch would destroy her? From the way he simply stared at her, she guessed yes. The silence was killing her. “What’s going on here?” “No idea.” He muttered something under his breath that she couldn’t make out. He stepped toward her and slid a finger under her chin to tilt her face upward. Their eyes met and held. “I’m sorry someone hurt you. That you had to fight for your life and went through a windshield.” In a whisper, he added, “I should’ve been there.” The grit in his voice, the despair, as if he’d let her down, packed one hell of a punch. What was she supposed to do with that? Oh dear…God. His hold on her face, how his thumb gently stroked over the skin on her jaw… How he moved in so she could feel the hard surfaces of his body, the concrete chest and abs… All of it swirled together, turning her mind to mush, which was bad when she needed to remain alert. Death… her death was on the line. But she was about to make a very bad decision to let him do whatever the hell he wanted after that declaration. “I made a promise to erase Dom’s kiss. To make you forget. I never go back on my promises.” Like his promise to help her get answers? He didn’t lower his head, but stood there, hesitant. “You’re too hurt right now.” “Oh, for heaven’s sake.” She slid her good hand up his shoulders and neck. His muscles twitched under her touch, and his chest rose and fell more rapidly. Feeling how much just her hand on him affected him encouraged her to continue. Cradling the back of his head, she pressed her body into his. As she pulled him toward her mouth, his incredible size and power registered but didn’t intimidate. Didn’t scare her. Her mouth touched his. Warmth on warmth. Once… Twice… Three times. His lips were a lot softer than they appeared. The roughness of his facial scruff scratched her skin.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
In his world, people didn’t just up and move house with barely any warning. They had employers to give at least a month’s notice to, family members popping in to help them pack, and scores of friends to throw them tearful going-away parties. They didn’t pack up their possessions in a single morning, say “I’ll be off, then,” and just go.
Sangu Mandanna (The Very Secret Society of Irregular Witches)
Dorian bowed to her, opened the door, and they went inside. Let Ress and the guards think what they wanted. She unfastened the mask from her face, tossing it onto the table in the center of the foyer, and sighed as the cool air met her flushed skin. “Well?” she asked, leaning against the wall beside the door to her bedroom. Dorian approached her slowly, halting only a hand’s breath away. “You left the ball without saying good-bye,” he said, and braced an arm against the wall beside her head. She raised her eyes, examining the black detail on the sleeve that fell just above her hair. “I’m impressed you got up here so quickly—and without a pack of court ladies hounding after you. Perhaps you should try your hand at being an assassin.” He shook the hair out of his face. “I’m not interested in court ladies,” he said thickly, and kissed her. His mouth was warm, and his lips were smooth, and Celaena lost all sense of time and place as she slowly kissed him back. He pulled away for a moment, looked into her eyes as they opened, and kissed her again. It was different this time—deeper, full of need. Her arms were heavy and light all at once, and the room twirled round and round. She couldn’t stop. She liked this—liked being kissed by him, liked the smell and the taste and the feel of him. His arm slipped around her waist and he held her tightly to him as his lips moved against hers. She put a hand on his shoulder, her fingers digging into the muscle that lay beneath. How
Sarah J. Maas (Throne of Glass)
I watched her packed up and walking away. I moved to the window and sat there admiring the garden. As soon as I heard the door open, Raniel entered. "Emily?" What brings you here, Raniel? "I wanted to check on you," the she said. "Thank you, I'm OK." She gave me a teary-eyed look. "Emily, why are you acting so distant from me when I genuinely want to be with you?" "RanieI... I apologize if I'm not behaving like the characters in fairy tales. It's not like me at all." "So your not at least going to try?" “I'll try to love you, but I need some time, I swear.
Rifa Coolheart
If you find your daughter steeping in a tea of gender ideology with all of her peers, do what it takes to lift her out and take her away. If she is still living with you, a move seems incredibly effective, especially if it’s early in her trans identification. If she is already at college, bring her home. A family sabbatical incorporating a year of travel was very helpful in one case. Of the parents I talked to, the few who packed up their families despite the considerable inconvenience were among the most successful. In almost every case, the young woman desisted. Not one of the families regretted it.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Hey!” It was Sukey, at the base of the tree. Others. Umbrellas and hooded ponchos and raincoats. Upturned faces. Rafe, Terry, Dee, Low, Juicy. “We’re moving out here!” shouted Sukey. “You don’t want to,” I called down. “It’s cold and wet!” “Don’t care!” yelled Low. “It’s vile in there!” THEY STRAPPED UP the tarps from the beach to extend our roof cover. They found a stash of paint-spattered groundsheets and swarmed over the canopy, lashing the bright-blue vinyl to the treehouse posts. They stretched them between platforms, over nets and ladders. I felt restless. If they didn’t want to go back to the house, whatever, but I did. I wanted the fireplace and the cabinets packed with snack cakes and miniature powdered donuts. The indoor plumbing. I asked Dee, then Terry, then Rafe what the deal was, but they refused to talk about it. It was only when Sukey finished setting up her sleeping bag, weighing it down with rocks, that I got a straight answer: during the night the older generation had dosed itself with Ecstasy. No one knew if it had been a plan or covert action, but they’d promptly ascended new heights of repulsive. It was true Juicy and Terry had watched them fool around from behind slatted doors at the beginning—even Low had done it. Out of a sense of desperate boredom, soon after the phones were taken away. Also vengeance. And scorn. Now they regretted it. Maybe they’d had had stronger stomachs, back then. “Plus that was just like, normal old-people sex,” said Juicy. “How would you know?” said Rafe. “Like, couples,” said Juicy. “This is . . . like, everything.” “They’re walking around butt naked,” said Low. “I saw two fathers and Dee’s mother in a three—” started Juicy.
Lydia Millet (A Children's Bible)
Time is a circus, always packing up and moving away.
Susan Mac Nicol (Living on Air)
a shrewd and tawdry city, shining like toyland between the swamps and the sea. The night was weighted with derelicts and dancers, terminal breathing in wards, clenched fists of women as they pushed each time the pains came, chips in perfect alignment on green felt as men thumbed up the corners of the hole cards just enough to read the news, giggling young men in a chickenwire apartment painting the body of one of their chums a lovely gold, ambulances and tow trucks moving away in separate directions with a load of torn flesh or a load of ripped metal, thousands and thousands of picture tubes all telling the same jokes at the same instant to a hundred thousand living rooms, frantic rumps ram-packing the beach sand under the spread towelling, the simultaneous squirts of red tomato and yellow mustard in a hundred different places to disguise the flannelly taste of fried meat, a thousand simultaneous sobbings, thrashings, swallowings, vomitings, ejaculations, coughings, scratchings, cursings, shy touchings, whisperings, kickings. . . . He had never considered himself particularly imaginative. Never before had he felt this way about a city, and he knew that it could only be possible in a strange city, and at a time when grief and uncertainty and introspection had sharpened and heightened awareness. This great Gold Coast became a gigantic cruise ship moving through time rather than space, constantly assimilating the foods, the newborn, the gadgetry, spewing aft the unending tonnage of garbage and waste and dead bodies and broken toys, rolling imperceptibly in the slow tides of history, the passengers unaware that no city is forever, that it will end one day and the eternality of time will cover it in a silence of dust, sand and vines.
John D. MacDonald (The Last One Left (Murder Room Book 672))
We soon arrive at the sandy trail that leads to the caretaker’s cabin, and the red wolf intern directs people to the parking area. People file out of their cars silently and gather around Kim. She waits till everyone is there and then explains that she is going to walk about a quarter of a mile down the trail to Sandy Ridge, where she’ll howl at the wolves inside. She tells us that sometimes it takes a few howls to get them interested, but we should hold tight and hope that they’ll howl back. Last week, she says, people heard one of the pups howl back. She sets off down the dark path with her flashlight aimed at the ground so as not to spook the wolves. We stand in a pool of weak, wobbly light cast from people’s flashlights and head lamps. The forest darkness encircles us. A few minutes later, we hear Kim’s call pierce the night air. The buzz and drone of insects create a background of uneven noise that I strain to filter out. I hear Kim howl again, and everyone around me seems to be holding their breath and trying not to move. We listen and wait for an answer. Nothing. Kim tries again. No response. I wonder what the people in the crowd are thinking. Is this all just a sham? Just another tourist attraction? Kim makes a fourth howl, and then it starts. A lone howl rises, forlorn and low. It meanders through a few octaves and claws higher and higher. It trails into a thin high-pitched note, and then a second and a third howl pick up at lower pitches. People in the crowd gasp, some lean forward straining to hear. Within thirty seconds, a parade of howls sings loudly from the dark woods. It is hard to believe the wolves are a few hundred yards away. They sound much closer, perhaps less than a hundred feet. Kim walks back to the crowd, flashlight downturned on the ground. Howls waft from somewhere behind her, persistent but not aggressive. The wolves sing. They sing to each other as much as they sing to us. One pitch stands out from the others, higher, thinner, and much lighter. It must be the pup. I imagine him standing next to his parents, watching them throw their heads back and open their jaws wide, letting loose with a call that says, “Here we are! Where are you? Here we are!” And the pup joins in, calling, “I’m here too! I’m here too!” I don’t know exactly what these wolves are saying, of course, but it is difficult to imagine the howling being anything other than a communication to locate other packs or individuals, a way to call out to the night and exclaim: I am here, and I know how to take care of myself so well that I’m going to let you know that I’m here! And my mate is here, and my kids are here. We are all here together in this place that is ours.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Ihung up with Josh, and the switch flipped in my head. Sloan called it my velociraptor brain because it made me fierce and sharp. Something big had to trigger it, and when it did, my compulsive, laser-focused, primal side activated. The one that got me a near perfect score on my SATs and got me through college finals and Mom. The one that made me clean when I was stressed and threatened to launch into full-scale manic OCD if left unchecked—that kicked in. Emotion drained away, the tiredness from staying up all night crying dissipated, and I became my purpose. I didn’t do hysterics. Never had. When in crisis, I became systematic and efficient. And the transition was now complete. I weighed only for a second whether to call Sloan and tell her or go pick her up. I decided to pick her up. She would be too upset to drive properly, but knowing her, she would try anyway. From Josh’s explanation of the situation, Brandon wouldn’t be out of the hospital anytime soon. Sloan wouldn’t leave Brandon, and I wouldn’t leave her. She would need things for the stay. People would need to be called. Arrangements made. I began to compile a list in my head of things to do and things to pack as I quickly but methodically drove to Sloan’s. Phone charger, headphones, blanket, change of clothes for Sloan, toiletries, and her laptop. It took me twenty minutes to get to her house, and I got out of my car ready for a surgical extraction. I stood there, surrounded by the earthy smell of Sloan’s just-watered potted porch flowers. The door opened, and I took in her blissfully ignorant face one more time. “Kristen?” It wasn’t unusual for me to stop by. But she knew me well enough to instantly know something was wrong. “Sloan, Brandon has been in an accident,” I said calmly. “He’s alive, but I need you to get your purse and come with me.” I knew immediately that I’d been right to come get her instead of calling. One look at her and I knew she wouldn’t have been able to put a foot in front of the other. While I mobilized and became strong under stress, she froze and weakened. “What?  ” she breathed. “We have to hurry. Come on.” I pushed past her and systematically executed my checklist. I gave myself a two-minute window to grab what was needed. Her gym bag would be in the laundry room, already filled with toiletries and her headphones. I grabbed that, pulled a sweater from her closet, selected a change of clothes for her, and stuffed her laptop inside the bag. When I came out of the room, she had managed to grab her purse as instructed. She stood by the sofa looking shaken, her eyes moving back and forth like she was trying to figure out what was happening. Her cell phone sat by her easel and I snatched it, pulling the charger from the wall. I grabbed her favorite throw blanket from the sofa and stuffed that in the bag and zipped it. List complete. Then I took her by the elbow, locked her front door, and dragged her to the car. “Wha…what happened? What happened!” she screamed, finally coming out of her shock. I opened up the passenger door and put her in. “Buckle yourself up. I’ll tell you what I know on the way.” When I got around to the driver’s side, she had her phone to her ear. “He’s not answering. He’s not answering! What happened, Kristen?!” I grabbed her face in my hands. “Listen to me. Look at me. He is alive. He was hit on his bike. Josh went on the call. He was unconscious. It was clear he had some broken bones and a possible head injury. He’s at the ER, and I need to get you to the hospital to be with him. But I need you to be calm.” Her brown eyes were terrified, but she nodded. “Right now your job is to call Brandon’s family,” I said firmly. “Relay what I just said to you, calmly. Can you do that for Brandon?” She nodded again. “Yes.” Her hands shook, but she dialed.
Abby Jimenez
He felt like the gravestones. Rooted in the earth. Here he was, packed and ready to move hours away for a fresh start. However, he felt like his heart was being left behind--lodged into the ground right next to her headstone.
Catherine Brusk (What Grace Washed Up (Finding Faith Book 2))
When you’re in need of a rescue the approaching thump-thump-thump of rapidly rotating blades is a joyous sound. To give the helicopter rescue the greatest chance of success, a suitable landing zone will have to be found. The ideal landing zone should not require a completely vertical landing or takeoff, both of which reduce the pilot’s control. The ground should slope away on all sides, allowing the helicopter to immediately drop into forward flight when it’s time to take off. Landings and liftoffs work best when the aircraft is pointed into the wind because that gives the machine the greatest lift. The area should be as large as possible, at least 60 feet across for most small rescue helicopters, and as clear as possible for obstructions such as trees and boulders. Clear away debris (pine needles, dust, leaves) that can be blown up by the wash of air, with the possibility of producing mechanical failure. Light snow can be especially dangerous if it fluffs up dramatically to blind the pilot. Wet snow sticks to the ground and adds dangerous weight. If you have the opportunity, pack snow flat well before the helicopter arrives—the night before would be ideal—to harden the surface of the landing zone. Tall grass can be a hazard because it disturbs the helicopter’s cushion of supporting air and hides obstacles such as rocks and tree stumps. To prepare a landing zone, clear out the area as much as possible, including removing your equipment and all the people except the one who is going to be signaling the pilot. Mark the landing zone with weighted bright clothing or gear during the day or with bright lights at night. In case of a night rescue, turn off the bright lights before the helicopter starts to land—they can blind the pilot. Use instead a low-intensity light to mark the perimeter of the landing area, such as chemical light sticks, or at least turn the light away from the helicopter’s direction. Indicate the wind’s direction by building a very small smoky fire, hanging brightly colored streamers, throwing up handfuls of light debris, or signaling with your arms pointed in the direction of the wind. The greatest danger to you occurs while you’re moving toward or away from the helicopter on the ground. Never approach the rear and never walk around the rear of a helicopter. The pilot can’t see you, and the rapidly spinning tail rotor is virtually invisible and soundless. In a sudden shift of the aircraft, you can be sliced to death. Don’t approach by walking downhill toward the helicopter, where the large overhead blade is closest to the ground. It is safest to come toward the helicopter from directly in front, where the pilot has a clear field of view, and only after the pilot or another of the aircraft’s personnel has signaled you to approach. Remove your hat or anything that can be sucked up into the rotors. Stay low because blades can sink closer to the ground as their speed diminishes. Make sure nothing is sticking up above your pack, such as an ice ax or ski pole. In most cases someone from the helicopter will come out to remind you of the important safety measures. One-skid landings or hovering while a rescue is attempted are solely at the discretion of the pilot. They are a high risk at best, and finding a landing zone and preparing it should always be given priority.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
He sat down beside the boy, saying nothing for a moment, but then he saw Briarley's lip quiver and lifted his arm, resting it gently on the boy's shoulder. He said, at length, 'Was he a professional, Briarley?' and when Briarley nodded, 'We couldn't have held out this long without them, lad. They taught us everything we knew in the early days,' and then, when the boy made no reply, 'Do you care to tell me about him? I've served in the Lys sector twice. Maybe we met, spoke to one another.' He could not be sure whether his presence brought any real comfort but it must have eased Briarley's inner tensions to some extent for presently he said, 'I didn't see a great deal of him, sir. When I was a kid he was mostly in India or Ireland. He came here once, on leave. Last autumn, it was. We… we sat here for a bit, waiting for the school boneshaker to take him to the station.' 'Did he talk about the war, Briarley?' 'No, sir, not really. He only…' 'Well?' 'He said if anything did happen, and he was crocked and laid up for a time, I was to be sure and do all I could to look after the mater while he was away.' 'Are you an only child, Briarley?' 'No, sir. I'm the only boy. I've got three sisters, one older, the others just kids.' 'Well, then, you've got a job ahead of you. Your mother is going to need you badly. That's something to keep in mind, isn't it?' 'Yes, sir. I suppose so, but…' He began to cry silently and with a curious dignity, so that David automatically tightened his grip on the slight shoulders. There was no point in saying anything more. They sat there for what seemed to David a long time and then, with a gulp or two, Briarley got up. 'I'd better start packing, sir. Algy… I mean the headmaster said I was to go home today, ahead of the others. Matron's getting my trunk down from the covered playground…' And then, in what David thought of as an oddly impersonal tone, 'The telegram said “Killed in action", sir. What exactly – well, does that always mean what it says?' 'If it hadn't been that way it would have said “Died of wounds", and there's a difference.' 'Thank you, sir.' He was a plucky kid and had himself in hand again. He nodded briefly and walked back towards the head's house. David would have liked to have followed him, letting himself be caught up in the swirl of end-of-term junketings, but he could not trust himself to move. His hands were shaking again and his head was tormented by the persistent buzzing that always seemed to assail him these days in moments of stress. He said, explosively, 'God damn everybody! Where's the sense in it…? Where's the bloody sense, for Christ's sake?' And then, like Briarley, he was granted the relief of tears.
R.F. Delderfield
Sanna measured the apple juice into a large glass beaker and added it to the carboy, swirling a cheery red- like Santa's suit. She wrote down the amount in her notebook and did the same with the next juice, this one a bold sapphire blue, which mixed with the red into a vivid purple. When it came to cider, colors and flavors blended together for her. She knew she had the right blend when it matched the color she had envisioned. It wasn't scientific- and it didn't happen with anything else Sanna tasted- but here, with her beloved trees, it worked. She carefully tracked the blends in her journal. The sun streamed through the window, lighting up the colors in the carboy like Christmas lights. She was close- one more juice should do it. She closed her eyes, calling to mind all the juices in the barn's cooler and their corresponding colors. Every juice she tasted from their apples had a slightly different hue, differing among individual varieties, but even varying slightly from tree to tree. When she was twenty-four, she had stood at the tall kitchen counter tasting freshly pressed juices she had made for the first time with the press she had unearthed from the old barn. Her plan had originally been to sell them in the farm stand, but she wanted to pick the best. As she sipped each one, an unmistakable color came to mind- different for each juice- and she finally understood the watercolor apple portraits above the fireplace. They were proof she wasn't the only family member who could see the colors. After she explained it to her dad, he smiled. "I thought you might have the gift." "You knew about this?" "It's family legend. My dad said Grandpa could taste colors in the apples, but no one in my lifetime has been able to, so I thought it might be myth. When you returned home after college- the way you were drawn to Idun's- I thought you might have it." He had put his hands on the side of her face. "This means something good, Sanna." "Why didn't you say anything? Why didn't I know before?" "Would you have believed me?" "I've had apple juice from the Rundstroms a thousand times. Why can't I see that with theirs?" "I think it has something to do with apples from our land. We're connected to it, and it to us." Sanna had always appreciated the sanctuary of the orchard, and this revelation bonded Sanna like another root digging into the soil, finding nourishment. She'd never leave. After a few years of making and selling apple juice, Sanna strolled through the Looms wondering how these older trees still produced apples, even though they couldn't sell them. They didn't make for good eating or baking- Einars called them spitters. Over the years, the family had stopped paying attention to the sprawling trees since no one would buy their fruit- customers only wanted attractive, sweet produce. Other than the art above the mantel, they had lost track of what varieties they had, but with a bit of research and a lot of comparing and contrasting to the watercolors and online photos, Sanna discovered they had a treasure trove of cider-making apples- Kingston Black, Ashton Bitter, Medaille d'Or, Foxwhelp, her favorite Rambo tree, and so many more. The first Lunds had brought these trees to make cider, but had to stop during Prohibition, packing away the equipment in the back of their barn for Sanna to find so many years later. She spent years experimenting with small batches, understanding the colors, using their existing press and carboys to ferment. Then, last year, Einars surprised her with plans to rebuild the barn, complete with huge fermentation tanks and modern mills and presses. Sanna could use her talent and passion to help move their orchard into a new phase... or so they had hoped.
Amy E. Reichert (The Simplicity of Cider)
Chapter FEEDING YOUR ATTENTION HOG I was once at a New Age party and wanted to get the attention of some particularly lovely sari-wearing, belly-dancing women who were floating in and out of the various rooms. I had discovered that I could move past some of my fear and make a connection with people through singing. So I pulled out my guitar and started playing a song I had worked particularly hard to polish, Fleetwood Mac’s “A Crystalline Knowledge of You.” I was able to make it through without too many mistakes and was starting to feel the relief that comes from surviving traumatic experiences. Then one of the belly-dancing goddesses called to me from across the room, “You are some kind of attention hog, aren’t you!” As soon as she said it, my life passed before me. The room started to swirl, as a typhoon of shame began to suck me down the toilet of my soul. “Embarrassment” is an inadequate word, when someone pins the tail on the jackass of what seems to be your most central core defect. I am usually scrupulous about checking with people when I make requests for attention. But this time I was caught with my hand in the cookie jar up to the elbow. I remember slinking away in silent humiliation, putting my guitar back in its case and making a beeline for my car. I just wanted to get back to my lair to lick my wounds, and try to hold my self-hate demons at bay with a little help from my friend Jack Daniels. After that incident I quit playing music in public at all. Several years later I was attending a very intense, emotional workshop with Dr. Marshall Rosenberg. Our group of about twenty people had been baring and healing our souls for several days. The atmosphere of trust, safety and connectedness had dissolved my defenses and left me with a innocent, childlike need to contribute. And then the words popped out of my mouth, “I’d like to share a song with you all.” These words were followed by the thought: “Now I’ve gone and done it. When everyone turns on me and confirms that I have an incurable narcissistic personality disorder, it will be fifty years before I sing in public again.” Dr. Rosenberg responded in a cheerful, inviting voice. “Sure, go get your guitar!” he said, as though he were unaware that I was about to commit hara-kiri. The others in the group nodded agreement. I ran to my car to get my guitar, which I kept well hidden in the trunk. I was also hoping that I would not just jump in my car and leave. I brought the guitar in, sat down, and played my song. Sweating and relieved that I made it through the song, my first public performance in years, I felt relief as I packed my guitar in its case. Then Dr. Rosenberg said, “And now I would like to hear from each group member how they felt about Kelly playing his song.” “Oh my God!” my inner jackals began to howl, “It was a setup! They made me expose my most vulnerable part and now they are going to crucify me, or maybe just take me out to the rock quarry for a well-deserved stoning!
Kelly Bryson (Don't Be Nice, Be Real)