“
Callan sucked in a breath. As a sniper, he’d been trained by the Marines to know and recognize moments.
Moments when all the training—his focused mind, muscle memory, weapon knowledge . . .
When all the preparation—target reconnaissance, angle of attack, position scouting . . .
When all the setup—hidden amid the terrain, barrel aimed, trajectory known . . .
When everything came together in one crucial moment—when the sniper squeezed the trigger and took his shot.
”
”
J. Rose Black (Losing My Breath)
“
Memory is a part of the present. It builds us up inside; it knits our bones to our muscles and keeps our hearts pumping. It is memory that reminds our bodies to work, and memory that reminds our spirits to work to: it keeps us who we are.~Candle
”
”
Gregory Maguire (Son of a Witch (The Wicked Years, #2))
“
Hope, like every virtue, is a choice that becomes a habit that becomes spiritual muscle memory.
”
”
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and the Art of Living)
“
You’ll be here but not here,
a muscle memory, like hanging a hat
on a hook that’s not there any longer.
”
”
Margaret Atwood (Dearly)
“
It’s strange to grieve for your former self, and still I think it’s something that any girl understands. I’ve shed so many skins, I hardly know what I am now—muscle, maybe, or just memory. Perhaps just the will to keep going.
”
”
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
“
... What do you want, Ash?"
"Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her."
I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium.
"Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin.
"This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself."
"Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough."
"Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die."
"Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face.
"I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone.
"So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?"
I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
The colors of living things begin to fade with the last breath, and the soft, springy skin and supple muscle rot within weeks. But the bones sometimes remain, faithful echoes of the shape, to bear some last faint witness to the glory of what was.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
In response to threat and injury, animals, including humans, execute biologically based, non-conscious action patterns that prepare them to meet the threat and defend themselves. The very structure of trauma, including activation, dissociation and freezing are based on the evolution of survival behaviors. When threatened or injured, all animals draw from a "library" of possible responses. We orient, dodge, duck, stiffen, brace, retract, fight, flee, freeze, collapse, etc. All of these coordinated responses are somatically based- they are things that the body does to protect and defend itself. It is when these orienting and defending responses are overwhelmed that we see trauma.
The bodies of traumatized people portray "snapshots" of their unsuccessful attempts to defend themselves in the face of threat and injury. Trauma is a highly activated incomplete biological response to threat, frozen in time. For example, when we prepare to fight or to flee, muscles throughout our entire body are tensed in specific patterns of high energy readiness. When we are unable to complete the appropriate actions, we fail to discharge the tremendous energy generated by our survival preparations. This energy becomes fixed in specific patterns of neuromuscular readiness. The person then stays in a state of acute and then chronic arousal and dysfunction in the central nervous system. Traumatized people are not suffering from a disease in the normal sense of the word- they have become stuck in an aroused state. It is difficult if not impossible to function normally under these circumstances.
”
”
Peter A. Levine
“
When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
”
”
David Wojnarowicz
“
Remembering tires a person out. this is something they don't teach us. Exercising one's memory is an exhausting activity. It draws our energy and wears down our muscles.
”
”
Juan Gabriel Vásquez (The Sound of Things Falling)
“
That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less; and its resultant sum is usually incorrect and false and worthy only of the name of dream.
”
”
William Faulkner (ABSALOM, ABSALOM!)
“
loving you is easy.
loving you is muscle memory.
”
”
Della Hicks-Wilson
“
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer."
I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back.
"What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?"
"Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?"
"Because," I said as I felt the familiar twisting in my stomach.
"You saw me lose it. You saw me almost go insane."
The muscles in his shoulders visibly tensed.
"I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us."
Noah inhaled and slowly let the air out. His stance softened and so did his voice.
"If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I used to know a sculptor... He always said that if you looked hard enough, you could see where each person carried his soul in his body. It sounds crazy, but when you saw his sculptures, it made sense. I think the same is true with those we love... Our bodies carry our memories of them, in our muscles, in our skin, in our bones. My children are right here." She pointed to the inside curve of her elbow. "Where I held them when they were babies. Even if there comes a time when I don't know who they are anymore. I believe I will feel them here.
”
”
Erica Bauermeister (The School of Essential Ingredients)
“
She kissed his scars, first the one cutting through his eyebrow, then the one cutting into his cheek, and finally the one cutting across his temple. With each contact, Thorn's eyes widened. His muscles, conversely, tightened.
"Fifty-six." He cleared his throat to make his voice less hoarse. Ophelia had never seen him so intimidated, despite his efforts not to show it.
"Thats the number of my scars."
She closed and then reopened her eyes. She felt it again, even more violently, this urgent call from inside her. "Show them to me.
”
”
Christelle Dabos (La Mémoire de Babel (La Passe-Miroir, #3))
“
Emotions are like muscles. Most of them go highly unattended, it's usually the weaker, undefined ones that cause injury to the rest, and there is most certainly memory response in play.
”
”
Erica M. Goros
“
How do you prepare your men for the shock of battle? For one thing, you need to make sure that your training is so hard and varied that it removes complacency and creates muscle memory—instinctive reflexes—within a mind disciplined to identify and react to the unexpected.
”
”
Jim Mattis (Call Sign Chaos)
“
Magnesium deficiency can produce symptoms of anxiety or depression, including muscle weakness, fatigue, eye twitches, insomnia, anorexia, apathy, apprehension, poor memory, confusion, anger, nervousness, and rapid pulse.
”
”
Carolyn Dean (The Magnesium Miracle (Revised and Updated Edition))
“
There is no better feeling to me than to wake up in the middle of the night and thrust my hand out and say, half in a dream still, ‘I love you so much,’ and for a person to turn towards me from muscle memory and say through their own sleep, ‘I love you too.’ There’s never been a drug or a friend or a food that’s even come close.
”
”
Megan Nolan (Acts of Desperation)
“
That's who is waiting for me:
an invisible man
defined by a dotted line:
the shape of an absence
in your place at the table,
sitting across from me,
eating toast and eggs as usual
or walking ahead up the drive,
a rustling of the fallen leaves,
a slight thickening of the air.
It's you in the future,
we both know that.
You'll be here but not here,
a muscle memory, like hanging a hat
on a hook that's not there any longer.
”
”
Margaret Atwood (Dearly)
“
what is forged into memory tucks itself into bone and muscle. It will always be there and it will follow us to the grave.
”
”
Maaza Mengiste (The Shadow King)
“
Courage is a muscle memory. The tallest oak in the forest was once just a little nut that held its ground.
”
”
Michael Lewis (The Premonition: A Pandemic Story)
“
They say your muscles have memory. Once you've trained your arms to swing a tennis racket or your legs to ride a bike, you can quit for a while - years even - and all it takes is picking up a racket or jumping on a bike again and your muscles remember what to do. They snap right back to performing the way you taught them.
The heart is a muscle, too. And I've been training mine since I was a kid to fall in love with one particular person.
”
”
Robin Brande (Fat Cat)
“
The other way to train medics is to have them practice a skill so many times that it becomes automatic. So when the prefrontal cortex goes AWOL, when reasoning drops away, muscle memory, one hopes, will persist.
”
”
Mary Roach (Grunt: The Curious Science of Humans at War)
“
I've missed you so much it's felt like missing you is all I am.
Like if someone looked inside me, there wouldn't be a skeleton and muscles and blood and nerves. There'd just be memories of you and all the things I've tried to say and ripped out of this notebook, all the things I want to say but can't because I don't have the words.
”
”
Elizabeth Scott (Love You Hate You Miss You)
“
What had survived - maybe all that had survived of Trism - was Liir's sense of him. A catalog of impressions that arose from time to time, unbidden and often upsetting. From the sandy smell of his sandy hair to the locked grip of his muscles as they had wrestled in sensuous aggression - unwelcome nostalgia. Trism lived in Liir's heart like a full suit of clothes in a wardrobe, dress habillards maybe, hollow and real at once. The involuntary memory of the best of Trism's glinting virtues sometimes kicked up unquietable spasms of longing.
”
”
Gregory Maguire (Out of Oz (The Wicked Years, #4))
“
Memory’s the muscle sting of now.
”
”
David Chariandy (Brother)
“
Chopping up your first body is disgusting. Your second is tiresome. When you're doing your fifteenth, it's all muscle memory.
”
”
S.A. Cosby (Razorblade Tears)
“
The combination of mental and physical practice leads to greater performance improvement than does physical practice alone, a phenomenon for which our findings provide a physiological explanation. - Alvaro Pascual-Leone
”
”
Oliver Sacks (Musicophilia: Tales of Music and the Brain)
“
There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her.
"The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt.
"But I can't do none of that stuff. That wouldn't be Right."
She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.
”
”
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
“
The body is a fantastic machine,’ Hughes told Mackers in one of his Boston College interviews, recounting the grueling sequence of a hunger strike. ‘It’ll eat off all the fat tissue first, then it starts eating away at the muscle, to keep your brain alive.’ Long after Hughes and Price called an end to their strikes and attempted to reintegrate into society, the nursed old grudges and endlessly replayed their worst wartime abominations. In a sense, they never stopped devouring themselves.
”
”
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
“
at
this point,
staying
with you
is nothing
more
than
muscle
memory.
”
”
Amanda Lovelace (The Mermaid's Voice Returns in This One (Women Are Some Kind of Magic, #3))
“
Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways.
From the time she was in her teens, Sera has been fascinated by this paradox - how a body that we occupy, that we have worn like a coat from the moment of our birth - from before birth, even - is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn't recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties.
But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope - that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell?
”
”
Thrity Umrigar (The Space Between Us)
“
I usually tug my helmet's brim once, then push it back up into position, but I'm not wearing a helmet. I'm embarrassed to find myself miming the action through sheer muscle memory.
”
”
Barry Lyga (Boy Toy)
“
She strides toward me, the sight so familiar that I find myself fighting a habitual smile, the muscle memory yet another moment of her.
”
”
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
“
Simplicity matters. Especially when it comes to the muscle memory of boxing. That is perhaps rule number one. Simplicity works. Simplicity is repetition. Repetition is function. Boil function down to one action, maybe two. Left or right. Simplicity. Simplicity is really the hardest thing.
”
”
Brian D'Ambrosio (Rasta in the Ring: The Life of Rastafarian Boxer Livingstone Bramble)
“
Xaden's head snaps in my direction. 'Violence?'
I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross.
Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts.
'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking.
He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet.
'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better.
What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet.
'I could ask you the same thing.'
His eyes widen. 'You could have fallen and died!'
'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public.
It doesn't scare me. I like him better when he's real with me, anyway.
'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps.
'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.'
Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?'
Fine. That's a good point.
'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.'
'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.'
It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill.
'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Some habits of friendship were like muscle memory, rising up even when everything else had changed. I know our jokes, our rhythms, the choreography of our friendship. But that didn’t take away what we were now.
”
”
Stephanie Perkins (Summer Days and Summer Nights: Twelve Love Stories)
“
Amazing how, even though sometimes I thought I hated my parents, their commandments still wormed their way so deep into my subconscious that obeying them was more muscle memory than choice. That had to be the worst kind of prison—the one whose bars were buried under your skin, invisible cages around your heart and mind.
”
”
Ashley Winstead (Midnight is the Darkest Hour)
“
When the phonograms and rules of English are taught in a systematic manner through solid, multimodality teaching methods which develop visual muscle memory, prevent reversals, and address the needs of all types of learners, we will be on our way to solving the literacy crisis for all its current victims and preventing it in future generations.
”
”
Denise Eide (Uncovering The Logic of English: A Common-Sense Approach to Reading, Spelling, and Literacy)
“
An old girlfriend is a gun in your belly. It's no longer loaded, so when you see her, all you feel is the hollow mechanical click in your gut, and possibly the ghost of an echo, sense memory from when it used to carry live rounds. Occasionally, though, there's a bullet you missed, lying dormant in its overlooked chamber, and when that trigger gets pulled, the unexpected gunshot is deafening even as the forgotten bullet rips its way through the tissue and muscle of your midsection and out into the light of day. Seeing Carly is like that. Even though we haven't spoken in almost ten years, it's an explosion, and in that one instant every memory, every feeling, comes flooding back as fresh as if it were yesterday.
”
”
Jonathan Tropper (The Book of Joe)
“
Here is the truth he wants to ignore: that what is forged into memory tucks itself into bone and muscle. It will always be there and it will follow us to the grave.
”
”
Maaza Mengiste (The Shadow King)
“
Dev?" This time, she got a grunt. Smiling, she pressed her lips to his jaw, loving the roughness under her lips. "I like sex."
She saw the edge of a smile, and it made her own lips curve. "I really like it." Rubbing her heel over the back of his leg, she ran her hand down his muscled arm, wanting only to touch him. "When can we do it again?"
He sounded like he was chocking as he said, "You're not acting like a Psy."
"Maybe if they tried sex with you, the others would change their minds, too.
”
”
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
I just couldn’t understand how you could go from being alive, from having molecules and blood cells constantly shifting around inside you, and thought processes and a mind full of memories and dreams and love and hate, and in just one tiny second these miraculous things stop and you’re dead. How could all that disappear? What happened to your soul, your essence, your wonder? Just because a muscle stops beating? It made absolutely no sense.
”
”
Sarra Manning (Let's Get Lost)
“
What Michelle didn’t yet know was that there is a vast difference between playing and leading. The point guard position in basketball is one of the great tutorials on leadership, and it ought to be taught in classrooms. Anyone can perfect a dribble with muscle memory;
”
”
Pat Summitt (Sum It Up: A Thousand and Ninety-Eight Victories, a Couple of Irrelevant Losses, and a Life in Perspective)
“
My life of conversation leads me to reimagine the very meaning of hope. I define hope as distinct from optimism or idealism. It has nothing to do with wishing. It references reality at every turn and reveres truth. It lives open eyed and wholeheartedly with the darkness that is woven ineluctably into the light of life and sometimes seems to overcome it. Hope, like every virtue, is a choice that becomes a habit that becomes spiritual muscle memory.
”
”
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and Art of Living)
“
Silence is the creation of space, a space that memory needs to use . . . an incubator. We're dealing here with dimensions, stretching our inner muscles, pushing aside any interference. We're dealing with numbers, but not counting. Silence demands the nature of night, even in full day, it demands shadows.
”
”
Etel Adnan (Shifting the Silence)
“
Still writing?" I usually nod and smile, then quickly change the subject. But here is what I would like to put down my fork and say: Yes, yes, I am. I will write until the day I die, or until I am robbed of my capacity to reason. Even if my fingers were to clench and wither, even if I were to grow deaf or blind, even if I were unable to move a muscle in my body save for the blink of one eye, I would still write. Writing saved my life. Writing has been my window -- flung wide open to this magnificent, chaotic existence -- my way of interpreting everything within my grasp. Writing has extended that grasp by pushing me beyond comfort, beyond safety, past my self-perceived limits. It has softened my heart and hardened my intellect. It has been a privilege. It has whipped my ass. It has burned into me a valuable clarity. It has made me think about suffering, randomness, good will, luck, memory responsibility, and kindness, on a daily basis -- whether I feel like it or not. It has insisted that I grow up. That I evolve. It has pushed me to get better, to be better. It is my disease and my cure. It has allowed me not only to withstand the losses in my life but to alter those losses -- to chip away at my own bewilderment until I find the pattern in it. Once in a great while, I look up at the sky and think that, if my father were alive, maybe he would be proud of me. That if my mother were alive, I might have come up with the words to make her understand. That I am changing what I can. I am reaching a hand out to the dead and to the living and the not yet born. So yes. Yes. Still writing.
”
”
Dani Shapiro (Still Writing: The Perils and Pleasures of a Creative Life)
“
You hold the collective story of all women in your body. The muscle memory of generations past. This is your legacy, but it is not a prediction of your reality or your future. The difference is both delicate and profound and worth exploring. Pull in the wisdom of generations upon generations of witches and wild women and pioneers and mothers and lovers and midwives and subversives. And then forge your own path. The way only you can. You were born for this.
”
”
Jeanette LeBlanc
“
seven.
seven was when ethan had learned to ride a bicycle.
macon was visited by one of those memories that dent the skin, that strain the muscles. he felt the seat of ethan's bike pressing into his hand--the curled-under edge at the rear that you hold onto when you're trying to keep a bicycle upright. he felt the sidewalk slapping against his soles as he ran. he felt himself let go, slow to a walk, stop with his hands on his hips to call out, "you've got her now! you've got her!" and ethan rode away from him, strong and proud and straight-backed, his hair picking up the light till he passed beneath and oak tree.
”
”
Anne Tyler (The Accidental Tourist)
“
Does it matter that people and things
Have words,
Have names?
If not,
Why read any book?
A litany of useless letters
Detached from bone, muscle.
Or are words the only things that make the muscle, bone, memory, movement,
Person
Real?
”
”
Stasia Ward Kehoe (Audition)
“
Dazed, he went through his ablutions. Then Ali stepped back, letting the crowd sweep him away as he surrendered to the familiar rhythm and movement of prayer.
It was like slipping into oblivion, into bliss, muscle memory and the murmured song of sacred revelation relaxing his tightly wound emotions and offering a brief escape.
”
”
S.A. Chakraborty (The Empire of Gold (The Daevabad Trilogy, #3))
“
These people, bound by nothing but toil in a tiny kitchen that was never truly a kitchen, paid just above minimum wage, their presence known to each other mostly through muscle memory, the shape of their bodies ingrained in the psyche from hours of periphery maneuvering through the narrow counters and back rooms of a fast-food joint designed by a corporate architect, so that they would come to know the sound of each other’s coughs and exhales better than those of their kin and loved ones. They, who owe each other nothing but time, the hours collectively shouldered into a shift so that they might finish on time, now brought to their knees in a forest to gather around a half-burnt headrest of a Nissan Maxima on a Tuesday in mid-April, their bodies finally touching, a mass of labor cobbled together by a boy’s hallowed loss—on the clock.
”
”
Ocean Vuong (The Emperor of Gladness)
“
Her dizziness has faded, but the rocking sensation continues. She feels as if her footing has been swept out from under her. Her body's interior has lost all necessary weight and is becoming a cavern. Some kind of hand is deftly stripping away everything that has constituted her as Eri until now: the organs, the senses, the muscles, the memories. She knows she will end up as a mere convenient conduit used for the passage of external things. Her flesh creeps with the overwhelming sense of isolation this gives her. I hate this! she screams. I don't want to he changed this way! But her intended scream never emerges. All that leaves her throat in reality is a fading whimper.
”
”
Haruki Murakami (After Dark)
“
The goal is to build the muscle memory for your child to instinctively ask themselves key questions before making a purchase.
”
”
Holly D. Reid (Teach Your Child to Fish: Five Money Habits Every Child Should Master)
“
It's you in the future, we both know that. You'll be here but not here, a muscle memory, like hanging a hat on a hook that's not there any longer.
”
”
Margaret Atwood (Dearly: Poems)
“
It’s five-sixths muscle memory, as you know. When muscle memory takes over, the heart can start to sing its song. Until then, you’re stymied. You’re just going through the motions.
”
”
John Updike
“
Death is a muscle memory that one never forgets.
”
”
Greg O'Brien
“
Once all the little questions have been answered, those answers must be practiced again and again until they become muscle memory.
”
”
Donovan Campbell (Joker One: A Marine Platoon's Story of Courage, Leadership, and Brotherhood)
“
Asking where memory is "located" in the brain is like asking where running is located in the body. There are certainly parts of the body that are more important (the legs) or less important (the little fingers) in performing the task of running but, in the end, it is an activity that requires complex coordination among a great many body parts and muscle groups. To extend the analogy, looking for differences between memory systems is like looking for differences between running and walking. There certainly are many differences, but the main difference is that running requires more coordination among the different body parts and can be disrupted by small things (such as a corn on the toe) that may not interfere with walking at all. Are we to conclude, then, that running is located in the corn on your toe?
”
”
Ian Neath
“
Society never advances. It recedes as fast on one side as it gains on the other. It undergoes continual changes; it is barbarous, it is civilized, it is christianized, it is rich, it is scientific; but this change is not amelioration. For every thing that is given, something is taken. Society acquires new arts, and loses old instincts. What a contrast between the well-clad, reading, writing, thinking American, with a watch, a pencil, and a bill of exchange in his pocket, and the naked New Zealander, whose property is a club, a spear, a mat, and an undivided twentieth of a shed to sleep under! But compare the health of the two men, and you shall see that the white man has lost his aboriginal strength. If the traveller tell us truly, strike the savage with a broad axe, and in a day or two the flesh shall unite and heal as if you struck the blow into soft pitch, and the same blow shall send the white to his grave.
The civilized man has built a coach, but has lost the use of his feet. He is supported on crutches, but lacks so much support of muscle. He has a fine Geneva watch, but he fails of the skill to tell the hour by the sun. A Greenwich nautical almanac he has, and so being sure of the information when he wants it, the man in the street does not know a star in the sky. The solstice he does not observe; the equinox he knows as little; and the whole bright calendar of the year is without a dial in his mind. His note-books impair his memory; his libraries overload his wit; the insurance-office increases the number of accidents; and it may be a question whether machinery does not encumber; whether we have not lost by refinement some energy, by a Christianity entrenched in establishments and forms, some vigor of wild virtue. For every Stoic was a Stoic; but in Christendom where is the Christian?
”
”
Ralph Waldo Emerson
“
We fall into that hyper-comfortable kind of silence, the quiet of two people who lived together for the better part of five years and still, after all this time, have a muscle memory for how to share space.
”
”
Emily Henry (Happy Place)
“
your heart is nothing but a muscle. It contracts and expands, working just as hard as any other muscle. The difference is, the blood pumping through it pumps through your entire body. That blood holds memories. Things you try to forget but it won’t let you. You have to use those memories, use that blood to fuel you.
”
”
Tiffany D. Jackson (Grown)
“
She felt that her memories had turned to muscle and been stretched over her bones so that she couldn’t move without them. It had gotten so there was nothing in her future. Only a series of reactions born from her past.
”
”
Ian Pisarcik (Before Familiar Woods)
“
It’s not accurate that your memory works like a container, cup, or hard drive in that once it’s full of data no more can fit. It’s more like a muscle in that the more you train it, the stronger it gets and the more you can store.
”
”
Jim Kwik (Limitless: Upgrade Your Brain, Learn Anything Faster, and Unlock Your Exceptional Life)
“
We pretend to be in love, and we do the things we like to do when we're in love, and it feels almost like love sometimes, because we are so perfectly putting ourselves through the paces. Reviving the muscle memory of early romance.
”
”
Gillian Flynn (Gone Girl)
“
The last glow of sundown dims away. Stars appear in the east. Night encloses us. The ocean seems to enlarge. When you’re adrift at night, imagination and perception merge. They have to. You can’t see as well, as far, as deep. You tie knots by muscle memory, and you operate your reel mostly by feel. Your boat drifts, your thoughts drift. You sense the sweep of tide and water, and the boat gets rocked in turbulence just past each undersea ridgeline and boulder field. You, too, are looking up, searching constellations, dreaming. You fell again how flexible and expansive your mind can be when it’s working right. And you slip your leash to explore the vast vault of sky and great interior spaces.
”
”
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
“
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood.
I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
I know you are afraid, mon amour," he whispered softly, his hands sliding up her rib cage to her breasts. "But I am no longer a beast. You leashed the demon. There is only me, a man who very much wants to make love to his lifemate." She felt his breath against her nipple. "Let me show you how it is supposed to be. Beautiful. Such pleasure.I can bring you so much pleasure,ma petite." His mouth closed over her breast, hot and moist. The sound of his voice was memerizing, enticing. She could get caught up forever in the mere sound of it. There was no thought in his mind for his own burning body, his own urgent demands; he wanted to show her the beauty and pleasure of true mating.
Flames raced through her blood and licked down her skin at the intensity of the eroticism, the craving his mouth at her breast created. She moaned, low and soft, the note brushing at his soul like the flutter of butterfly wings. Her hands slid over his back, tracing each defined muscle with her fingertips, commiting him to memory. Tears filled her eyes. How could a man be so sensual, so perfect? He was stealing her will as easily as he was stealing her body.
"Want me, Savannah," he whispered softly. "Want me the way I want you.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unerring ease. It begins in your mind, always. One moment you are feeling calm, self-possessed, happy. Then fear, disguised in the garb of mild-mannered doubt, slips into your mind like a spy. Doubt meets disbelief and disbelief tries to push it out. But disbelief is a poorly armed foot soldier. Doubt does away with it with little trouble. You become anxious. Reason comes to do battle for you. You are reassured. Reason is fully equipped with the latest weapons technology. But, to your amazement, despite superior tactics and a number of undeniable victories, reason is laid low. You feel yourself weakening, wavering. Your anxiety becomes dread.
Fear next turns fully to your body, which is already aware that something terribly wrong is going on. Already your lungs have flown away like a bird and your guts have slithered away like a snake. Now your tongue drops dead like an opossum, while your jaw begins to gallop on the spot. Your ears go deaf. Your muscles begin to shiver as if they had malaria and your knees to shake as though they were dancing. Your heart strains too hard, while your sphincter relaxes too much. And so with the rest of your body. Every part of you, in the manner most suited to it, falls apart. Only your eyes work well. They always pay proper attention to fear.
Quickly you make rash decisions. You dismiss your last allies: hope and trust. There, you've defeated yourself. Fear, which is but an impression, has triumphed over you.
The matter is difficult to put into words. For fear, real fear, such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.
”
”
Yann Martel (Life of Pi)
“
He wouldn’t have stood a chance had he not been able to handle a .50-cal, a 240 machine gun, a grenade launcher, and an M4 rifle without ever thinking. He had the muscle memory of a professional athlete, an instinct acquired by thousands of hours of practice.
”
”
Dakota Meyer (Into the Fire: A Firsthand Account of the Most Extraordinary Battle in the Afghan War)
“
Saul had gained his six-foot frame at sixteen, but his muscles didn’t arrive until his early twenties. Between those lost years, he was a gangly, uncoordinated klutz. He was told that he could improve his dancing by watching himself in the mirror. He tried. What he saw was so repulsive that he resolved never to inflict himself on a dance partner.
These days, Saul hid those memories behind weight lifting and jogging. His new athletic physique hid his aimless decade as an outsider, an odd and lonely kid--as he remembered it.
”
”
Michael Ben Zehabe
“
...Another part of the ritual was to ascend with closed eyes. 'Step, step, step,' came my mother's voice as she led me up - and sure enough, the surface of the next tread would receive the blind child's confident foot; all one had to do was lift it a little higher than usual, so as to avoid stubbing one's toe against the riser. This slow, somewhat somnambulistic ascension in self-engendered darkness held obvious delights. The keenest of them was not knowing when the last step would come. At the top of the stairs, one's foot would be automatically lifted to the deceptive call of 'Step,' and then, with a momentary sense of exquisite panic, with a wild contraction of muscles, would sink into the phantasm of a step, padded, as it were, with the infinitely elastic stuff of its own nonexistence.
”
”
Vladimir Nabokov (Speak, Memory)
“
My heart was beating so hard that for a second I thought I might pass out. It was like revisiting the hole where you'd once been held in solitary confinement: a force field of muscle-memory-stored pain and toxic energy so palpable I was afraid that if I stayed any longer it might suck me back in.
”
”
Heather King
“
There was no doubt that he was, now and always, and maybe the scathing cosmic joke of it all was that instinctively, like muscle memory, she'd known it all along. Maybe the hilarity had always been in ever thinking she could have him, and now it curdled in her throat, the acidity of a mirthless laugh
”
”
Olivie Blake (One for My Enemy)
“
Vision is a difficult, precarious, and fugitive extrapolation from a very few and ambiguous moments in our earthly experience, while our idea of the negated natural goods is vivid and persistent, loaded with the memories of a lifetime, built into our nerves and muscles and therefore into our imaginations.
”
”
C.S. Lewis (The Weight of Glory)
“
Perfect.” He grins, completely removing my shorts and sending them to collect on the floor with the rest of my clothes.
“What?” I ask as he rakes his gaze over my body without moving another muscle.
“You’re beautiful, Dorothy. And I just want to look at you. Just for a few seconds, I want to commit this to memory.
”
”
Jewel E. Ann (Perfectly Adequate)
“
We can forgive but we can’t forget. Whoever says otherwise hasn’t known true pain. Hear me out. Hearts are muscles, and muscles have memory. So, of course our hearts can’t forget. They remember what hurts them. They remember so they can grow stronger. I think that’s why we must remember. If we forgot the moment we forgave, we wouldn’t receive the strength that comes from hurting. And something good must come from all the bad. Something. Anything. Even the faintest good.
”
”
Caroline George (Dearest Josephine)
“
She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.
”
”
Delia Owens (Where the Crawdads Sing)
“
depression lowers attention span, tolerance for frustration, and memory. Behavior is affected by lowered motivation, loss of ability to experience pleasure, and fatigue. The body is affected by headaches, stomachaches, and muscle tension. Relationships are affected by a tendency to withdraw and become isolated with loneliness.
”
”
Archibald D. Hart (A Woman's Guide to Overcoming Depression)
“
If she’d had any doubts he was a real deal country boy, they disappeared when he unabashedly stripped down to nothing—the sun had kissed his arms to mid-bicep, although his torso wasn’t without a faint tan. She’d thought lazily that maybe he had a pond. She’d like to go skinny dipping with him. Leap onto his back and wrap her legs around his lean hips. Hold on to his broad shoulders and press her naked breasts into his back and drift into the cool water together.
As he opened his button-fly jeans, revealing snug briefs underneath, she’d whispered for him to stop. He was hard and sinewy in all the right places, with shadows and valleys she wanted to explore with her mouth and hands and eyes, but her touch first went to the line where dark faded to light on his arm, neatly following the curve of his muscles. “Nice farmer’s tan.
”
”
Zoe York (Between Then and Now (Wardham, #0.5))
“
Villanelle
It is the pain, it is the pain endures.
Your chemic beauty burned my muscles through.
Poise of my hands reminded me of yours.
What later purge from this deep toxin cures?
What kindness now could the old salve renew?
It is the pain, it is the pain endures.
The infection slept (custom or changes inures)
And when pain's secondary phase was due
Poise of my hands reminded me of yours.
How safe I felt, whom memory assures,
Rich that your grace safely by heart I knew.
It is the pain, it is the pain endures.
My stare drank deep beauty that still allures.
My heart pumps yet the poison draught of you.
Poise of my hands reminded me of yours.
You are still kind whom the same shape immures.
Kind and beyond adieu. We miss our cue.
It is the pain, it is the pain endures.
Poise of my hands reminded me of yours.
”
”
William Empson (The Complete Poems)
“
I’d spent months carefully winding my gift into a tight spool, only letting it out by inches, and only when I needed it. The strain of keeping it bound up had been a steady, constant reminder that I had to work to keep the life I’d built for myself out here. It was a muscle I’d carefully toned to withstand nearly any pressure.
Letting it all go felt like shaking a bottle of soda and ripping off the cap. It fizzed and flooded and swept out of me, searching for the connections waiting to be made. I didn’t guide it, and I didn’t stop it—I don’t know if I could have if I tried. I was the burning center of a galaxy of faces, memories, loves, heartbreaks, disappointments, and dreams. It was like living dozens of different lives. I was lifted and shattered by it, how strangely beautiful it was to feel their minds linked with my own.
The spinning inside my head slowed with the movement around me. I felt time hovering nearby, waiting to resume its usual tempo. The darkness slid into the edges of my vision, seeping through my mind like a drop of ink in water. But I was in control of the moment, and there was one last thing that I needed to say to them, one last idea to imprint in their minds.
“I’m Green.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Your relationship having turned into a pantomime, a series of gestures in a well-worn scene, played out again and again, any underlying feeling having long since been obviated by emotional muscle memory, learning how to make the right faces, strike the right poses, not out of apathy or lack of sincerity, rather a need to preserve what was left of his pride.
”
”
Charles Yu (Interior Chinatown)
“
They learned about each other in the dark, bodies like braille to their souls.
”
”
Stylo Fantome (Muscle Memory)
“
The memory is a muscle, the more you use it, the stronger it gets.
”
”
Taylor Mali
“
The heart is a muscle, it would seem, both literally and figuratively. It does some things like beating and loving from memory, completely on its own.
”
”
Aaron Hartzler (What We Saw)
“
I had told myself I’d forgotten what it was like to kiss Raihn. That was a lie. A body doesn’t forget a thing like this—it was carved into my muscle memory, a piece of myself that had awakened from some dormant state. He kissed me with not just his mouth, but his whole body—just like he fought, with every muscle rearranged to the task, centered around me alone.
”
”
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
“
This was Dr. Ham’s whole theory: that because of its repetitive nature, complex trauma is fundamentally relationship trauma. In other words, this is trauma caused by bad relationships with other people—people who were supposed to be caring and trustworthy and instead were hurtful. That meant future relationships with anybody would be harder for people with complex trauma because they were wired to believe that other people could not be trusted. The only way you could heal from relational trauma, he figured, was through practicing that relational dance with other people. Not just reading self-help books or meditating alone. We had to go out and practice maintaining relationships in order to reinforce our shattered belief that the world could be a safe place.
“Relationships are like sports. It’s muscle memory, it’s all the action of doing. You can’t just read about tennis and know how to play tennis. There’s a lot of duelling involved. Interpersonal duelling!” As he saw it, his office was a safe place to practice duelling. Learning how to listen, how to talk, how to ask for what I needed.
”
”
Stephanie Foo (What My Bones Know)
“
These boys bent over their food,
intense as harmless cubs feeding,
rapt with every morsel melting
in their mouths—feral rhythm
moves their very breath,
their strong young teeth chomping,
grinding the gristle of meat.
So little it takes to pleasure them—
they eat what they can get,
savoring a fine fillet
with equal fervor as the bits
stuck to a bone or clinging to a plate.
Watching them feed, I seem to see them
under my very eyes growing, bones
lengthening, muscle stretching,
their very skulls
thickening around each one’s own
danger zones of memory.
”
”
Merlie M. Alunan (Hearthstone, Sacred Tree)
“
I suspect if we were as familiar with our bones as with our skin, we'd never bury dead but shrine them in their rooms, arranged as we might like to find them on a visit; and our enemies, if we could steal their bodies from the battle sites, would be museumed as they died, the steel still eloquent in their sides, their metal hats askew, the protective toes of their shoes unworn, and friend and enemy would be so wondrously historical that in a hundred years we'd find the jaws still hung for the same speech and all the parts we spent our life with titled as they always were - rib cage, collar, skull - still repetitious, still defiant, angel light, still worthy of memorial and affection. After all, what does it mean to say that when our cat has bitten through the shell and put confusion in the pulp, the life goes out of them? Alas for us, I want to cry, our bones are secret, showing last, so we must love what perishes: the muscles and the waters and the fats.
”
”
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
“
I used to know a sculptor," Isabella said, nodding. "He always said that if you looked hard enough, you could see where each person carried his soul in his body. It sounds crazy, but when you saw his sculptures, it made sense. I think the same is true with those we love," she explained. "Our bodies carry our memories of them, in our muscles, in our skin, in our bones. My children are right here." She pointed to the inside curve of her elbow. "Where I held them when they were babies. Even if there comes a time when I don't know who they are anymore, I believe I will feel them here.
”
”
Erica Bauermeister (The School of Essential Ingredients)
“
It is worth while to point out the differing characters of a system and a method, because parents let themselves be run away with often enough by some plausible ‘system,’ the object of which is to produce development in one direction—of the muscles, of the memory, of the reasoning faculty—were a complete all-round education. This easy satisfaction arises from the sluggishness of human nature, to which any definite scheme is more agreeable than the constant watchfulness, the unforeseen action, called for when the whole of a child’s existence is to be used as the means of his education.
”
”
Charlotte M. Mason (The Original Home School Series)
“
The brain is like a muscle,” he said, and memory training is a form of mental workout. Over time, like any form of exercise, it’ll make the brain fitter, quicker, and more nimble. It’s an idea that dates back to the very origins of memory training. Roman orators argued that the art of memory—the proper retention and ordering of knowledge—was a vital instrument for the invention of new ideas.
”
”
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
“
Loss, when it occurs, has memory stronger than the mind, stronger than visual recollection patterned in the brain. It’s something the flesh knows, the muscles know, like a dancer reciting a step done hundreds of times, like a musician playing a song or a scale after decades without practice. It’s something the body knows, something the body is aware of while the mind adapts, responds, reacts.
”
”
Kalani Pickhart (I Will Die in a Foreign Land)
“
O God, you are my God; earnestly I seek you; my soul thirsts for you; my flesh faints for you, as in a dry and weary land where there is no water. So I have looked upon you in the sanctuary, beholding your power and glory. Because your steadfast love is better than life, my lips will praise you. (Psalm 63:1–3) These words might not speak on your behalf, but they can—they must. If you think they can’t, that is not shame talking. It is hopelessness, indifference, and a heart that is getting hard. These are completely understandable, but they are also a whopper of a lie. A warning about “a heart that is getting hard” is not the nicest comment to slip into a book’s final chapter. But please understand why I give it. There is a paralytic quality to shame that leaves you powerless, unable to put up the least resistance. It leads you to believe the lie that Christ’s words to you are mere words, which they are not. They are words of power that heal the sick and raise the dead. When people encounter the gospel, limbs suddenly begin to move and death gives way to life. So, when you hear these deep truths and still think you are paralyzed, understand why. You have been motionless for a while and your muscle memory says you can’t move. But your memory is lying. You can move; you can hear, believe, and declare. If you are passive and hopeless, take a more radical approach. Adopt the topsy-turvy, surprising culture of the kingdom of God. In that kingdom we aren’t shy about looking at our hearts and identifying resistance where we once found only powerlessness. The warning about being hard-hearted can be a reason to hope.
”
”
Edward T. Welch (Shame Interrupted: How God Lifts the Pain of Worthlessness and Rejection)
“
Letting her feet touch the ground, she bore down on him. “You insane motherfucker! I could have died on impact!” Before she could smack the bastard, flames roared around him, pyroporting him away.
“But you didn’t,” he said from behind her, a smile in his voice.
She whirled on him. “Sheer luck saved me!”
“Technique and muscle memory saved you,” Knox corrected. “You came to a perfect stop. Well done, baby.” She’d done better than he’d expected.
”
”
Suzanne Wright (Blaze (Dark in You, #2))
“
Here, here is my skin that feels like your skin, my muscles and frailties that feel like yours, the lift of your flesh something I intuitively know from my own body, inner maps that, for most of my life, I thought were purely shameful and mine alone. And here, with you, with me, for minutes, for hours, if nothing else—a line from a book Wendy couldn’t remember appeared to her in a slippery ripple of memory—If I loved you, this is how I would love you.
”
”
Casey Plett (Little Fish)
“
The swallow's wings popped open, but they flapped awkwardly at the sides of its body like wild oars. And then, as the bird fell with skittering wings, it gave one solid thrum. This slowed its descent, momentarily. It gave another thrum, and another, and then, as if its body remembered what it was supposed to do, the bird began to beat its wings rhythmically. The muscle memory was still within it. It was still losing ground, but it was flapping at least.
”
”
Bridget Asher (The Provence Cure for the Brokenhearted)
“
I began to explore more body-centered approaches to emotional healing in the hopes of excavating deeper layers of unresolved material. The exploration began with a massage therapist who adeptly worked through layers of holding in my musculature for two hours per week. Although I was by no means muscle-bound, I was heavily armored, like an impenetrable fortress. As she peeled the armor, older and older memories emerged, muscles with a story that needed to be told.
”
”
Jeff Brown (An Uncommon Bond)
“
Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years. And great fatigue followed by a good night's rest can to a certain extent help us to do so. For in order to make us descend into the most subterranean galleries of sleep, where no reflexion from overnight, no gleam of memory comes to light up the interior monologue—if the latter does not itself cease—fatigue followed by rest will so thoroughly turn over the soil and penetrate the bedrock of our bodies that we discover down there, where our muscles plunge and twist in their ramifications and breathe in new life, the garden where we played in our childhood. There is no need to travel in order to see it again; we must dig down inwardly to discover it. What once covered the earth is no longer above but beneath it; a mere excursion does not suffice for a visit to the dead city: excavation is necessary also. But we shall see how certain fugitive and fortuitous impressions carry us back even more effectively to the past, with a more delicate precision, with a more light-winged, more immaterial, more headlong, more unerring, more immortal flight, than these organic dislocations.
”
”
Marcel Proust (The Guermantes Way)
“
Do you mark how the wisteria, sun-impacted on this wall here, distills and penetrates this room as though (light-unimpeded) by secret and attritive progress from mote to mote of obscurity's myriad components? That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel—not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less: and its resultant sum is usually incorrect and false and worthy only of the name of dream.—See how the sleeping outflung hand, touching the bedside candle, remembers pain, springs back and free while mind and brain sleep on and only make of this adjacent heat some trashy myth or reality's escape: or that same sleeping hand, in sensuous marriage with some dulcet surface, is transformed by that same sleeping brain and mind into that same figment-stuff warped out of all experience. Ay, grief goes, fades; we know that—but ask the tear ducts if they have forgotten how to weep
”
”
William Faulkner (Absalom, Absalom!)
“
I’ve been moving a little to the music while I worked …and then I realize I am actually dancing. It feels wonderful, though I can feel how stiff my muscles are, how rigidly I’ve been holding myself…Mostly I’ve been moving cautiously, numbly, steeled because I know, at any moment, I may be ambushed by overwhelming grief. You never know when it’s coming, the word or gesture or bit of memory that dissolved you entirely…It happens every day at first, then not for a day or two, then there’s a week when grief washes in every morning, every afternoon.
”
”
Mark Doty (Heaven's Coast: A Memoir)
“
Fat cells have memories. They want to go back to their old size. But new muscles have memories too and, once you have created muscles, they work hard to hold your new shape.
You are always on a diet. The only question is, a diet for what? Health or obesity? Longevity or illness?
”
”
Celso Cukierkorn (The Miracle Diet: Lose Weight, Gain Health... 10 Diet Skills)
“
No one wants to learn an instrument, Rachel. It's grueling repetition. And besides, you're too old to start. Concert violinists who learn the traditional way begin when they're six or seven."
Risa can't help but listen to the irritating conversation taking place between the well-dressed woman and her fashionably disheveled teenage daughter.
"It's bad enough they'd be messing in my brain and giving me a NeuroWeave," the girl whines. "But why do I have to have the hands, too? I like my hands!"
The mother laughs. "Honey, you've got your father's stubby, chubby little fingers. Trading up will only do you good in life, and it's common knowledge that a musical NeuroWeave requires muscle memory to complete the brain-body connection."
"There are no muscles in the fingers!" the girl announces triumphantly. "I learned that in school."
The mother gives her a long-suffering sigh.
"Think of them like a pair of gloves, Rachel. Fancy silk gloves, like a princess wears."
Risa can't stand it anymore. Making sure she's low enough so that her face can't be seen, she gets up, and as she walks past them, she says, "You'll have someone else's fingerprints.
”
”
Neal Shusterman (UnSouled (Unwind, #3))
“
Anxiety doesn’t have a memory, remember? So believing she was going to learn from that mistake was just me falling into the trap of avoidance as well. She regretfully stayed home, and the safety she felt was stronger than her regret. The Worry Monster just flexed his muscle that much more.
”
”
Sissy Goff (Raising Worry-Free Girls: Helping Your Daughter Feel Braver, Stronger, and Smarter in an Anxious World)
“
Moments We have an infinite amount of moments. Some that we count as our best memories, and others we suppress. Moments we wish we could live again and others we want to detach from the hinges of a door so tightly closed. We are made up of moments. The pictures hidden between pages of books. The concert tickets piling up in a bin, crinkled from the multiple folds as we shoved it in our pockets and washed the jeans it was in. Life is beautiful for giving us an infinite amount of moments. We may be made of cells, bones, and muscle, but moments are what make up our soul. Embrace
”
”
Jennae Cecelia (Uncaged Wallflower)
“
beyond the farm, a thick belt of trees obscured the Anora River. Roran clenched a fist, jaw muscles knotting painfully as he fought back a combination of rage and grief. He stayed rooted to the spot for many long minutes, trembling whenever a pleasant memory rushed through him. This place had
”
”
Christopher Paolini (Eldest (Inheritance, #2))
“
We must walk without rhythm," Paul said and he called up memory of men
walking the sand . . . both prescient memory and real memory.
"Watch how I do it," he said. "This is how Fremen walk the sand."
He stepped out onto the windward face of the dune, following the curve of
it, moved with a dragging pace.
Jessica studied his progress for ten steps, followed, imitating him. She saw
the sense of it: they must sound like the natural shifting of sand . . . like
the wind. But muscles protested this unnatural, broken pattern: Step . . . drag
. . . drag . . . step . . . step . . . wait . . . drag . . . step . . .
”
”
Frank Herbert (Dune I (Dune, #1))
“
good news is that we’re all doomed, and you can give up any sense of control. Resistance is futile. Many things are going to get worse and weaker, especially democracy and the muscles in your upper arms. Most deteriorating conditions, though, will have to do with your family, the family in which you were raised and your current one. A number of the best people will have died, badly, while the worst thrive. The younger middle-aged people struggle with the same financial, substance, and marital crises that their parents did, and the older middle-aged people are, like me, no longer even late-middle-aged. We’re early old age, with failing memories, hearing loss, and gum disease. And also, while I hate to sound pessimistic, there are also new, tiny, defenseless people who are probably doomed, too, to the mental ruin of ceaseless striving. What most of us live by and for is the love of family—blood family, where the damage occurred, and chosen, where a bunch of really nutty people fight back together. But both kinds of families can be as hard and hollow as bone, as mystical and common, as dead and alive, as promising and depleted. And by the same token, only redeeming familial love can save you from this crucible, along with nature and clean sheets. A
”
”
Anne Lamott (Small Victories: Spotting Improbable Moments of Grace)
“
On the switchboard of my memory two pair of gloves have crossed wires - those leather gloves of Omi's and a pair of white ceremonial gloves. I never seem to be able to decide which memory might be real, which false. Perhaps the leather gloves were more in harmony with his coarse features. And yet again, precisely because of his coarse features, perhaps it was the white pair which became him more.
Coarse features - even though I use the words, actually such a description is nothing more than that of the impression created by the ordinary face of one lone young man mixed in among boys. Unrivaled though his build was, in height he was by no means the tallest among us. The pretentious uniform our school required, resembling a naval officer's, could scarely hang well on our still-immature bodies, and Omi alone filled his with a sensation of solid weight and a sort of sexuality. Surely I was not the only one who looked with envious and loving eyes at the muscles of his shoulder and chest, that sort of muscle which can be spied out even beneath a blue-serge uniform.
Something like a secret feeling of superiority was always hovering about his face. Perhaps it was that sort of feeling which blazes higher and higher the more one's pride is hurt. It seemed that, for Omi, such misfortunes as failures in examinations and expulsions were the symbols of a frustrated will. The will to what? I imagined vaguely that it must be some purpose toward which his 'evil genius' was driving him. And i was certain that even he did not yet know the full purport of this vast conspiracy against him.
”
”
Yukio Mishima (Confessions of a Mask)
“
If you try to live this without me, without the ongoing dialogue of us sharing this journey together, it will be like trying to walk on the water by yourself. You can’t! And when you try, however well intentioned, you’re going to sink.” Knowing full well the answer, Jesus asked, “Have you ever tried to save someone who was drowning?” Mack’s chest and muscles instinctively tightened. He didn’t like remembering Josh and the canoe, and the sense of panic that suddenly rushed back from the memory. “It’s extremely hard to rescue someone unless he is willing to trust you.” “Yes, it sure is.” “That’s all I ask of you. When you start to sink, let me rescue you.
”
”
William Paul Young (The Shack)
“
Almost everything I know in the world, I learned from novels and memoirs and stories. I could practically draw you a city map of Milan, Rome, or Venice, even though I’ve never been to any of them. I’ve read about how to make the perfect Old Fashioned, how to tend a rose garden, how to butterfly a pork loin. But then you find yourself standing at a bar or kneeling in the dirt or holding a very sharp chef’s knife and you realize all at once that it doesn’t matter what you’ve read or seen or think you know. You learn it, really learn it, with your hands. With your fingers and your knife, your nose and your ears, your tongue and your muscle memory, learning as you go.
”
”
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
“
In the beginning was the Word'. I have taken as my text this evening the almighty Word itself. Now get this: 'There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe.' Amen, brothers and sisters, Amen. And the riddle of the Word, 'In the beginning was the Word....' Now what do you suppose old John meant by that? That cat was a preacher, and, well, you know how it is with preachers; he had something big on his mind. Oh my, it was big; it was the Truth, and it was heavy, and old John hurried to set it down. And in his hurry he said too much. 'In the beginning was the Word, and the Word was with God, and the Word was God.' It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John's God, and God stood between John and the Truth. Old John, see, he got up one morning and caught sight of the Truth. It must have been like a bolt of lightning, and the sight of it made him blind. And for a moment the vision burned on the back of his eyes, and he knew what it was. In that instant he saw something he had never seen before and would never see again. That was the instant of revelation, inspiration, Truth. And old John, he must have fallen down on his knees. Man, he must have been shaking and laughing and crying and yelling and praying - all at the same time - and he must have been drunk and delirious with the Truth. You see, he had lived all his life waiting for that one moment, and it came, and it took him by surprise, and it was gone. And he said, 'In the beginning was the Word....' And man, right then and there he should have stopped. There was nothing more to say, but he went on. He had said all there was to say, everything, but he went on. 'In the beginning was the Word....' Brothers and sisters, that was the Truth, the whole of it, the essential and eternal Truth, the bone and blood and muscle of the Truth. But he went on, old John, because he was a preacher. The perfect vision faded from his mind, and he went on. The instant passed, and then he had nothing but a memory. He was desperate and confused, and in his confusion he stumbled and went on. 'In the beginning was the Word, and the Word was with God, and the Word was God.' He went on to talk about Jews and Jerusalem, Levites and Pharisees, Moses and Philip and Andrew and Peter. Don't you see? Old John had to go on. That cat had a whole lot at stake. He couldn't let the Truth alone. He couldn't see that he had come to the end of the Truth, and he went on. He tried to make it bigger and better than it was, but instead he only demeaned and encumbered it. He made it soft and big with fat. He was a preacher, and he made a complex sentence of the Truth, two sentences, three, a paragraph. He made a sermon and theology of the Truth. He imposed his idea of God upon the everlasting Truth. 'In the beginning was the Word....' And that is all there was, and it was enough.
”
”
N. Scott Momaday (House Made of Dawn)
“
What you've got to understand is that you didn't lose your life. You lost the life you thought you were living. And those are two different things. You are alive. It may not feel like it, but you are. And part of being alive means experiencing loss. We lose things every day - I'm not talking about eyeglasses - yes, we lose those, too - I mean things like eyesight. Our eyesight diminishes over time, our hair falls out. That's natural. It's so natural that we chalk it up to inevitability. But that's loss. Loss is inevitable. It comes in many sizes. Yours is huge - don't think I'm discounting it. But the small, everyday losses help us deal with the big ones. It's muscle memory.
”
”
Sue Halpern (Summer Hours at the Robbers Library)
“
His fingers went to the buttons of his jacket, and her mouth dried. His buttons were simple cloth and metal affairs, scarcely worth a second thought. And yet as he undid them, she had second thoughts and third thoughts, none of them proper. His gloved fingers were long and graceful, and every button he undid revealed another inch of creamy linen, one that hinted at broad shoulders and strong muscles.
He’d not shown her the slightest bit of skin, but the act of unbuttoning his coat sparked indecent thoughts—memories of his arm coming around her, his mouth on hers…
He stopped undoing buttons, and she realized he’d only wanted to reach the inside pocket. She sat back in disappointment.
”
”
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
“
EKGs frequently have normal or inconclusive findings in heart attack patients, particularly in women, so you should insist on having your levels of cardiac enzymes measured, using a blood test called high-sensitivity troponin, which checks for elevated levels of proteins that are released when muscle cells in the heart are damaged, as occurs during a heart attack.22
”
”
Bradley Bale (Healthy Heart, Healthy Brain: The Personalized Path to Protect Your Memory, Prevent Heart Attacks and Strokes, and Avoid Chronic Illness)
“
In any attachment encounter, there is both what we perceive being offered and our embodied response to it.
If we call to mind, heart and body three or four people with whom we've had particularly close relationships, how do our bodies respond to their offers of connection?
We can begin by being with muscles, belly, heart and breath. How does our body want to move?
”
”
Bonnie Badenoch (The Heart of Trauma: Healing the Embodied Brain in the Context of Relationships (Norton Series on Interpersonal Neurobiology))
“
at the table in the lounge, straining every muscle in my face to keep my eyes open. I was so alone. My work was all I had and look what that work had done to the world. I was the one who dreamt up the system that broke down all to hell and back and put the world in a state of disaster. The whole world. Despite the fatigue—my eyelids felt like lead weights—a crystal memory
”
”
Jerry Hatchett (Seven Unholy Days)
“
Time does not heal all wounds. Never does and never will...it only strengthens the muscles of our heart to make us stronger but in truth the memories of those who passed through our lives shall always be with us until we meet again...giving us both joy and pain. It up to each individual to use it to better ourselves or destroys us...for it is a two edge sword. May we all use it to better our lives. :)
”
”
Timothy Pina (Hearts for Haiti: Book of Poetry & Inspiration)
“
He slowly took an errant pink strand of hair between his fingers and tucked it behind her ear. He was so careful, his fingers didn’t even brush her skin, but he looked as if he wanted to.
There was a different kind of pain tightening his jaw and making the muscles in his neck pulse as he stood there, holding her gaze as if he wished he could be holding her instead, crushing her to him like he had in her memory.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Muscles really are like animals, and they want to take it easy as possible; if pressure isn't applied to them, they relax and cancel out the memory of all that work. Input this canceled memory once again, and you have to repeat the whole journey from the beginning. Naturally it's impossible to take a break sometimes, but in a critical time like this, when I'm training for a race, I have to show my muscles who's boss.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
Instinct, memory, something, had her taking a step toward him. She slipped on a mossy rock and floundered. He clasped his hands around her upper arms but instead of helping her gain her feet, he drew her closer so she braced her hands against his chest. Her fingers flexed briefly in the hard muscle beneath the crisp chest hair and every womanly sense in her came alive, everything she’d forgotten, everything she’d pushed aside.
”
”
M.J. Fredrick (Three Days, Two Nights)
“
Lately, my mental incapacitation has forced me into an overwhelmingly state of idlement. Internally, I exist in a condensed space of nothingness. The core of my belief system has been gutted and is being destroyed at an immensely slow pace. Flashes of erred calculations flicker in the matrix of my mind. My being has been compromised, causing me to malfunction as an effective entity. My avatar reacts and responds from muscle memory. I am absent from the simple tenses with a portion of curiosity taking shelter in a small pocket of my subconscious.
The brand assigned to my identity at birth interrupts any chance of a breakthrough with it’s demanding and commanding duties.
What is Truth? Knowledge? or Belief?
Truth is a strategic manipulation coded in to my design causing me to believe in a man made system known as knowledge, overiding my original format.
”
”
Scarlet Jei Saoirse
“
With that Nox turned a knob. There was a delay, but that was how the machine worked. First it gathered information about the subject, feeling, sensing—like a fighter in a ring, circling his opponent.
Kaleb sensed it, too. It was as if a doctor palpated his flesh, pushing his skin. It tingled gently. The tingling surged through his whole body. Was this it? Kaleb thought. Visions from his past shot through his brain. His mother. Father. Zenobia. Joan and Reck. The Three Musketeers. Pleasant memories.
Then the machine found what it searched for, and it acted. Waves of pain shot through his entire body, causing him to arch his back. He screamed in agony, his screams reverberating across the canyon. Then all of his muscles constricted. He couldn’t breathe, couldn’t even scream. It seemed to last forever. It stopped, and his muscles relaxed, allowing him to breath.
”
”
Cate Campbell Beatty (Donor 23)
“
...body and mind are mutually dependent and responsive to such an amazing extent that not an eyelid flickers nor does a muscle move nor an artery throb without the knowledge of the mind, and similarly not a memory stirs, nor does a thought strike, nor an idea occur without causing a reaction in the body. The effect of disease, of organic changes in the tissues, of exhaustion, of diet, of medicine, of intoxicants and narcotics on the mind, and of pleasure and pain, sorrow and suffering, emotion and passion, fear and anxiety on the body is too well known to need mention. The close connection between the two may with justice be likened to that existing between a mirror and the object reflected in it. The least change in the object is instantaneously reflected by the mirror and conversely any change in the reflection denotes a corresponding change in the object also.
”
”
Gopinath Krishna
“
But then a university friend got diagnosed with depression and described it to Brooke as a kind of half paralysis, as if all her muscles had atrophied, and Brooke had a sudden memory of Amy eating cereal in slow motion, swaying like seaweed under water, and she realized she was offering this friend more sympathy and understanding than she’d ever given her own sister. These days she tried hard to see Amy with objective, compassionate eyes,
”
”
Liane Moriarty (Apples Never Fall)
“
If you are one of those people who can’t hold a lot in mind at once—you lose focus and start daydreaming in lectures, and have to get to someplace quiet to focus so you can use your working memory to its maximum—well, welcome to the clan of the creative. Having a somewhat smaller working memory means you can more easily generalize your learning into new, more creative combinations. Because you’re learning new, more creative combinations. Having a somewhat smaller working memory, which grows from the focusing abilities of the prefrontal cortex, doesn’t lock everything up so tightly, you can more easily get input from other parts of your brain. These other areas, which include the sensory cortex, not only are more in tune with what’s going on in the environment, but also are the source of dreams, not to mention creative ideas. You may have to work harder sometimes (or even much of the time) to understand what’s going on, but once you’ve got something chunked, you can take that chunk and turn it outside in and inside round—putting it through creative paces even you didn’t think you were capable of!
Here’s another point to put into your mental chunker: Chess, that bastion of intellectuals, has some elite players with roughly average IQs. These seemingly middling intellects are able to do better than some more intelligent players because they practice more. That’s the key idea. Every chess player, whether average or elite, grows talent by practicing. It is the practice—particularly deliberate practice on the toughest aspects of the material—that can help lift average brains into the realm of those with more “natural” gifts. Just as you can practice lifting weights and get bigger muscles over time, you can also practice certain mental patterns that deepen and enlarge in your mind.
”
”
Barbara Oakley
“
Neely McIntire," I said, clamping a sweaty hand behind her neck. "Friendship be damned!"
Hayden yanked me forward. I had time to make a very girly sound before his lips began to move furiously over mine. His touch left behind the tingle of cinnamon gum. One of his hands slowly slid down and pressed into the small of my back. For a second, I thought the sun had washed over me. But this heat cuddled around me, pushing its way through my clothes.
"Stmmmmp," I tried to say around his lips.
My knees wobbled as he wound his fingers into the curls at my neck, holding my face firmly against his.
"No." The hot pressure of his hand increased. A rumbling protest came from his throat when I dug my nails into his collarbones.
"Lemme go," I managed to gasp when he kissed the corner of my mouth.
"No," he whispered. His voice became a yielding puff of smoke. It slipped into my ears and coaxed something familiar from the broken depths.
The urge to fight drained away. This wisp of memory warmed me, relaxed tensed muscles, but tightened other places.
My fists uncurled and gripped his shoulders. "Why are you doing this?"
"I want you to come back to me, Neely," he said, wrapping his arms around my waist to press our hips together. Fiery lips caressed my face and neck. "I know you're in there somewhere. Come back, come back, come back," he whispered between kisses.
”
”
K.D. Wood (Unwilling (Unwilling #1))
“
The simplest, easiest, most beautiful way of cleaning the parasites from your muscle memory is taking haritaki powder. Don't underestimate the power of haritaki, triphala or ashwagandha. These are all not just stomach cleansing items, they cleanse the parasites sitting inside your muscle memory triggering you to get addicted to certain food or behavior or certain habits.
Almost all physical disorders and diseases are due to parasites sitting inside your muscle memory. Detoxing your muscle memory literally transforms your life to royal life. If you want to become a king, all you need is take haritaki and triphala churna everyday
In mahabharata, bhishma’s enemy drishtadyumna’s sister - shikandi (she is actually napumsaka), takes birth again just to kill bhishma.It means even after death she is not ready to give up her anger.When the parasites sit in your biomemory level, they become part of your very cognition about you. That is the most dangerous.
”
”
Paramahamsa Nithyananda
“
So basically Mia got caught during the op. Dumbass here ran in and got himself shot by memory deprived but ridiculously hot boy. My man still has enough Theo in him that he wouldn’t kill Mia, but he very likely threatened Dumbass. Mia loves Dumbass and didn’t want Dumbass to die, so she protected him. When Dumbass found out, he screwed everything up with her.”
Ian shook his head, obviously impressed. “She really is the smartest operative I have. And to think I hired her as muscle.
”
”
Lexi Blake (Dominance Never Dies (Masters and Mercenaries, #11))
“
Don’t you see, Mhairie, if we don’t keep telling the stories, we shall forget them. And if we forget them, our marrow will leak away, our clan marrow will vanish. Now was not the time to forget. Now was the time to remember. Memory, Dearlea thought, is the life-pumping artery, the blood in that artery. Memory is the sinew, the muscle that stretches back to the Beyond and before the Beyond. Have we not come full circle? she wondered. Now is not the time to forget. She felt a quiet despair, for there was song deep within her desperate to get out. Lupus, she would not die with the song inside her! Her mother, who rode next to her on another narwhale’s back with Abban, turned toward her and howled, “Sing, Dearlea! Sing! You are a skreeleen. The first in this new world.” So Dearlea threw back her head and sang. And out of that dark place we fled That broken land so scarred and dead Our hopes our dreams forever gone. Then did we follow this wolf so bold To this place that did unfold As if lost in mists of time It was the Distant Blue A new world sublime. On a bridge of ice we walked and walked We now give thanks to Lupus, to Glaux, To Ursus and gods not known, And to whales who carried us The last way To here in our new home. The other creatures began to join in. The wolves howled, and from Toby’s and Burney’s deep chests came sonorous roars that stirred Faolan’s heart. Dearlea was so right to sing, to remind them of what they had left behind.
”
”
Kathryn Lasky (Star Wolf (Wolves of the Beyond, #6))
“
Early stages now, though, and he had an idea for a new recipe that just might give his line of barbecue sauces an edge over other brands. He chopped the tops off a handful of garlic bulbs, then fired up a burner on the gas stove and glugged vegetable oil into his stockpot. Cranked on the oven—hot—and set the garlic in the cast-iron skillet and drizzled on olive oil.
To the pan on the stovetop, he added brown sugar and tomato sauce. Balsamic vinegar and molasses. Soon the scent of roasted garlic filled the kitchen, accompanied by the homey hiss and pop of bubbling sauce.
In the zone, he envisioned the components for his new blend as clearly as if they were scribbled on the subway-tile backsplash behind the cooktop like ingredients on a handwritten recipe card. Mustard, cayenne, salt, pepper. His hands moved with muscle memory—slicing, stirring, seasoning, blending the sauce to a fine puree. The earlier sense of intrusion was evaporating along with the extra liquid in the pot.
”
”
Chandra Blumberg (Stirring Up Love (Taste of Love, #2))
“
Why didn't you come to me last night?” she whispered.
The question took him by surprise and he wasn't prepared to provide her with an answer while he was caught by the sapphire of her eyes.
She lifted a finger to his face, and every muscle in him relaxed as she traced it over his cheek. It was as though his body was reminded of when she had healed him—that perfect moment when her eyes came back to him and after he had shared the memory of his weakest moment.
“It's not enough,” she mumbled. “The time that you spend with me isn't enough, Malloron. I feel…” Her palm pressed against his cheek and Malloron didn't need to wait for her to continue, he could feel it in the bond. He simply drew her into his arms.
The moment their bodies touched, the bond trembled inside his chest, stirring deep within him, a strange hope blooming. He pulled her against him and began to purr for her, his deep satisfaction of touching and holding her saturating every single vibration that rocked through his chest.
”
”
Zoey Ellis (Reign to Rule (Myth of Omega, #6))
“
I’m feeling reasonably confident thanks to my social preparation routine—a large notecard of potential discussion topics, interesting facts, and small-talk questions. This card is folded and tucked away in my pocket for quick reference, though I don’t think that’ll be necessary. I spent enough time on this one to recite it from memory. The word “muscle” is derived from a Latin term, meaning “little mouse.” The shortest sentence in the Bible is two words. Do you know what they are? What are your biggest fears?
”
”
Chuck Tingle (Camp Damascus)
“
Our muscles are very conscientious. As long as we observe the correct procedure, they won’t complain. If, however, the load halts for a few days, the muscles automatically assume they don’t have to work that hard anymore, and they lower their limits. Muscles really are like animals, and they want to take it as easy as possible; if pressure isn’t applied to them, they relax and cancel out the memory of all that work. Input this canceled memory once again, and you have to repeat the whole journey from the very beginning.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
Octopuses and their relatives have what Woods Hole researcher Roger Hanlon calls electric skin. For its color palette, the octopus uses three layers of three different types of cells near the skin’s surface—all controlled in different ways. The deepest layer, containing the white leucophores, passively reflects background light. This process appears to involve no muscles or nerves. The middle layer contains the tiny iridophores, each 100 microns across. These also reflect light, including polarized light (which humans can’t see, but a number of octopuses’ predators, including birds, do). The iridophores create an array of glittering greens, blues, golds, and pinks. Some of these little organs seem to be passive, but other iridophores appear to be controlled by the nervous system. They are associated with the neurotransmitter acetylcholine, the first neurotransmitter to be identified in any animal. Acetylcholine helps with contraction of muscles; in humans, it is also important in memory, learning, and REM sleep. In octopuses, more of it “turns on” the greens and blues; less creates pinks and golds. The topmost layer of the octopus’s skin contains chromatophores, tiny sacks of yellow, red, brown, and black pigment, each in an elastic container that can be opened or closed to reveal more or less color. Camouflaging the eye alone—with a variety of patterns including a bar, a bandit’s mask, and a starburst pattern—can involve as many as 5 million chromatophores. Each chromatophore is regulated via an array of nerves and muscles, all under the octopus’s voluntary control.
”
”
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
“
Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground."
"Okay," Luce said.
"Race you to the other side?"
Her breath frosted the air. "You know I'd beat you."
"True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride."
She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him.
"We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water.
Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry.
Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu."
They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
The idea behind both concepts is that there must be an accounting, a ledger in the hearts and histories of a family. As if accepting a sum or taking a life will fill the void of the loss of a loved one."
"It can't fill the void, but it can make things even," Adam said.
"No. It does not. What you get is a deficit of two."
"Then both are at an equal loss." Adam took a deep drag on his beer.
"And how does this loss serve the memory of the loved one?"
"It doesn't ... [v]engeance is selfish," Adam continued. "I've never tried to hide that."
"Ah," Philip said. "Now we get to the heart of it. Adam, here is my question for you. Would you trade your claim to vengeance to set your brother free?"
Talia watched the muscle twitch in Adam's jaw. It was a hard question, an impossible, painful question, especially after learning that Jacob had chosen his current state. Jacob had chosen to take the lives of his parents. He had reduced Adam's world to a haunted hotel with a group of mad scientists. Maybe she should say something. Change the subject.
Seen any naked pictures of me today?
”
”
Erin Kellison (Shadow Bound (Shadow, #1))
“
Time seemed to stop, and the Lakota phrase mitakuye oyasin—we are all related—came to me, and in that moment I understood what those words meant. I inhabited them, as images, thoughts, and memories arose amidst the old vehicles. I saw my mother, gone but still with me, my father, who’d died too soon, and my sister, who I’d loved like my own life. Grandparents, aunts, uncles, friends. They appeared before me, all of my relations, my ancestors, Native and white, who’d loved and struggled, hunted and gathered, worked and played; they’d stood on this continent, looking up at these stars and these planets. It was daylight, but I could see the stars now, all of them, surrounding me, lighting the air, their brilliance shining and radiating off the monoliths. And then it was dark, a black-hole sky. But I looked down and saw that the stars—every one of them—were now in my hands, lighting up my veins, my muscles, my bones. I stood there, alone with my ancestors, and listened to them. Finally I turned away. As I walked back to my life, the words my mother used to say finally came to me. Wakan Tanka nici un. May the Creator guide you.
”
”
David Heska Wanbli Weiden (Winter Counts)
“
With our increased sensitivity and awareness, we might notice small shifts in breathing or coloring, a little greater tension around the eyes. We might feel our muscles tense a bit or our stomach tighten, perhaps in tandem with theirs, perhaps not. As best we can, we just receive and hold without too much speculation about what it means, and also with awareness of our own human limitations as our perceptions are colored by our own implicit memory. Our availability to deeply listen, even when we get it wrong, is also like the beginning of a ... reparative experience.
”
”
Bonnie Badenoch (The Heart of Trauma: Healing the Embodied Brain in the Context of Relationships (Norton Series on Interpersonal Neurobiology))
“
The acquired knowledge, which includes acquired thinking or, in Freudian terms, the "ego", opposes the more animal energy-impulses when they try to take control of the skeletal muscles and thus of action. That these libidinal impulses also flow through the chambers of memory in their effort to control human action, kindling the fire of dream fantasies in them — that in the work of the artist they are purified by a stream of knowledge until they finally merge with it — therefore represents a reconciliation between originally antagonistic tendencies of the personality.
”
”
Norbert Elias (Mozart: Portrait of a Genius)
“
Do you know how the brain works? Do you have any idea of what we know about how the brain and consciousness work? Us humans, I mean. And I'm not talking about some new-age hocus-pocus, I'm talking about the sum of the knowledge compiled by disciplined scientists over three hundred years through arduous experiments and skeptic vetting of theories. I'm talking about the insights you gain by actually poking around inside people's heads, studying human behavior, and conducting experiments to figure out the truth, and separating that from all the bullshit about the brain and consciousness that has no basis in reality whatsoever. I'm talking about the understanding of the brain that has resulted in things like neuronic warfare, the neurographic network, and Sentre Stimulus TLEs. How much do you really know about that?
I suppose you still have the typical twentieth-century view of the whole thing. The self is situated in the brain somehow, like a small pilot in a cockpit behind your eyes. You believe that it is a mix of memories and emotions and things that make you cry, and all that is probably also inside your brain, because it would be strange if that were inside your heart, which you've been taught is a muscle. But at the same time you're having trouble reconciling with the fact that all that is you, all your thoughts and experiences and knowledge and taste and opinions, should exist inside your cranium. So you tend not to dwell on such questions, thinking “There's probably more to it” and being satisfied with a fuzzy image of a gaseous, transparent Something floating around in an undefined void.
Maybe you don't even put it into words, but we both know that you're thinking about an archetypical soul. You believe in an invisible ghost.
”
”
Simon Stålenhag (The Electric State)
“
She thought about his naked chest again. Her memory of it both fascinated and repelled her. Hair. It had been there again as they had argued in the bathroom. She shuddered. Who would have thought? Yet she had studied it with surreptitious care: a pattern of dark hair, two perfect swirls that converged to become a dense pattern in the crevice between chest muscles, then (when he pulled hi arms away to push back his hair) ran in a dark, ever-narrowing line, like an arrow pointing downward. Mick Tremore in the rude, as it were. This way to the widge. (hardcover, large print, page 78)
”
”
Judith Ivory (The Proposition)
“
Cypress laid waste to the tunnels, caverns, and shadows of the other world. She drew upon memories of her own blood: her presence would be a mortal threat to those who wounded, maimed, her ancestors, her lovers, Leroy. Like those women before her, who loaded bundles on their heads and marched off to fields that were not their own, like the "bearers" of her dreams swamped with births of infants they would never rear, Cypress clung to her body, the body of a dancer; the chart of her recklessness, her last weapon, her perimeters: blood, muscle, and the will to simply change the world.
”
”
Ntozake Shange (Sassafrass, Cypress & Indigo)
“
In the long term, if you have a habit of working through lunch, then science shows us you’re more likely to be emotionally exhausted, suffer sleep problems, and you’ll take more time off due to illness. Leave your work behind at lunchtime to release the brain into its most relaxed firing patterns: memories form, emotions settle, thoughts consolidate, tense muscles relax, and stress responses calm. Wherever possible, taking a lunch break outdoors and around green spaces enhances its restorative effects. Bosses take note: a team lunch results in improved teamwork, morale, and productivity.
”
”
Stuart Farrimond (The Science of Living: 219 reasons to rethink your daily routine)
“
In the scrubbed and gleaming kitchen, here mother's rolled-out pasta dough used to cover the entire top of the chrome and Formica table. Rosa could still picture the long sleek muscles in her mother's arms as she wielded the red-handled rolling pin, drawing it in smooth, rhythmic strokes over the butter-yellow dough.
The reek of the burnt-out motor was a corruption here, in Mamma's world. The smell of her baking ciambellone used to be so powerful it drew the neighbors in, and Rosa could remember the women in their aprons and scuffs, sitting on the back stoop, sharing coffee and Mamma's citrusy ciambellone, fresh from the oven.
”
”
Susan Wiggs (Summer by the Sea)
“
Muscles contract somewhere above the roof of my mouth, pumping venom into her bloodstream. Kelly cries out, a gasp of pain that turns suddenly to moans of euphoria as the carotids rush the narcotic serum directly to her brain. Her knees buckle, and I reach down to steady her — one arm over her breasts, the other around her waist as I hold her tightly to myself. Then the blood begins to flow, seeping out of the wounds I have made, and I put my lips to her skin and drink.
There are no words adequate to describe it. My mind explodes with a wash of light and color, swirling and dancing before my eyes. Then the Sharing truly begins, and I can see inside her: images of her memories, her thoughts, her hopes and dreams, the way she remembers her past and how she imagines her future. Her joys; her grief; that which she loves and that she despises, what stirs her fire and chills her bones. And through it all, I feel the touch of her presence, and I know that she sees the same things inside of me.
Blood is more than matter, more than plasma and hemoglobin. Blood is life, the river on which the spirit flows. And as Kelly's blood flows into me, it carries her life with it, until my soul entwines with hers. She has given a part of herself to me, and from this day forth we are bound to each other.
”
”
Chris Lester (Huntress (Metamor City, #2))
“
The truth is, you can do all of the right things and still not feel whole. For the most part, I knew "how to do grief" after my pregnancy loss, but when I'd check in with myself, I didn't feel like it was helping. I felt like a big fucking mess. I was still challenged to live my daily life, my grief blanketed everything, and I didn't know what to do. My new loss challenged my assumptions of what I knew about loss. I thought that I could rely on the muscle memory of grief to get me through this loss. Many people will say, "I've already been through the worst," or "I've been here before," but that's not how grief or healing works. You can't create a program around your pain or healing. Each new loss has a rhythym of its own. There are different waves and challenges for every occurrence in your life where you experience grief - whether it's through death or some other kind of loss, a breakup or friendship ending, losing a job. Any kind of loss introduces a new set of feelings and new requirements for your healing. Every new loss also has something to teach us, whether we like it or not. My pregnancy loss taught me that effort does not always align with outcome. I poured everything I had into getting pregnant - I literally let someone electrocute my fucking uterus - and it just didn't work.
”
”
Marisa Renee Lee (Grief Is Love: Living with Loss)
“
How is it that a mountain goat can find such steady footing on these vertiginous slopes? What map does it read that shows it the way home? Maybe the wilderness seems as forbidding as it does just because we don't have the muscle memory to navigate or the skills to climb and sense.
What does a western hemlock, the grand conifer that can live more than half a millennium, think when a youngster like me comes along? Chanterelle mushrooms got to know this tree, finding ample places to grow at its feet. Native Americans got to know this tree too. They understood that its bark was edible and a good base for cakes, and that its young needles could be brewed into a tea rich in vitamin C. The Coastal Salish peoples of what is now Canada built shelters for menstruating women using western hemlock branches, and this species was said to have particularly feminine energy.
What if the "problem" with the wilderness isn't a problem with the wilderness at all but rather with us, with our lack of knowledge, and with our truncated imagination? The wilderness reminds us that things aren't usually as simple or one-dimensional as they seem. Our stereotypes of such spaces imagine them as places of exile, spaces of lifelessness. That would be a surprise to the creatures that call it home.
Perhaps the real struggle is ours. We don't like knowing. Indeed, we fear it.
”
”
Rachel Held Evans (Wholehearted Faith)
“
Have you lost or gained more than 10 percent of your body weight over the past five years—even though you weren’t intentionally dieting? 3. Do you have trouble going to sleep or staying asleep? 4. Does pain in your joints or muscles limit your physical activity or mobility? 5. Do you commonly feel fatigued for no apparent reason? 6. Are you frequently depressed or anxious? 7. Do you have problems with memory? 8. Is there a consistent ringing in your ears? 9. Do you feel that you are losing your strength? 10. Do you take any prescription medications? Do you take more than two? 11. How about over-the-counter medications? Do you commonly take any of these? a Anti-inflammatories
”
”
Jeffrey S. Bland (The Disease Delusion: Conquering the Causes of Chronic Illness for a Healthier, Longer, and Happier Life)
“
Maybe the affecting aspect was that Madame Ko's tanukis sparked in an onlooker's muscles a kinetic memory of the innocent freedom of early childhood, when one could let one's body go all akimbo on the slightest whim, could bounce, flop, and skip about in pure corporeal joy without embarrassment, judgement, or restraint.
Or maybe there was a more "mature" associations, memories, say, of being falling-down drunk at the company picnic-but now crazy little animals were serving as surrogates, allowing one to vicariously relive those deliciously liberating and rebellious moment while maintaining one's veneer of civilized respectability, protecting in the process, one's marriage, one's standing in the community, one's job.
Or maybe, on a strictly subconscious level, circusgoers recognized in the antics of the tanukis-antics that appeared goofy and bumbling yet, at the same time, brave and successful-an analogy to their own blindly hopeful gyrations in a complex, impermanent universe where every happy dance was danced in the lengthening shadow of death. And maybe they were inspired, if only for a night, to emulate the tanuki capacity for self-enjoyment, a gift that ought to be the birthright of every Homo sapiens.
or maybe not. Maybe all those interpretations are just so much god-fodder (The God-Fodder, The God-Fodder II), the very sort of bullshit responsible, some say, for keeping alive a modicum of divine interest in our discredited race.
”
”
Tom Robbins (Villa Incognito)
“
Who’s the guy?”
“What guy?”
“The guy you’re dating.”
That’s when I see him. Peter Kavinsky, walking down the hallway. Like magic. Beautiful, dark-haired Peter. He deserves background music, he looks so good. “Peter. Kavinsky. Peter Kavinsky!” The bell rings, and I sail past Josh. “I’ve gotta go! Talk later, Josh!”
“Wait!” he calls out.
I run up to Peter and launch myself into his arms like a shot out of a cannon. I’ve got my arms around his neck and my legs hooked around his waist, and I don’t even know how my body knows how, because I’ve for sure never touched a boy like this in my life. It’s like we’re in a movie and the music is swelling and waves are crashing around us. Except for the fact that Peter’s expression is registering pure shock and disbelief and maybe a drop of amusement, because Peter likes to be amused. Raising his eyebrows, he says, “Lara Jean? What the--?”
I don’t answer. I just kiss him.
My first thought is: I have muscle memory of his lips.
My second thought is: I hope Josh is watching. He has to be watching or it’s all for nothing.
My heart is beating so fast I forget to be afraid of doing it wrong. Because for about three seconds, he’s kissing me back. Peter Kavinsky, the boy of every girl’s dreams, is kissing me back.
I haven’t kissed that many boys before. Peter Kavinsky, John Ambrose McClaren, Allie Feldman’s cousin with the weird eye, and now Peter again.
I open my eyes and Peter’s staring at me with that same expression on his face. Very sincerely I say, “Thank you.” He replies, “You’re welcome,” and I hop out of his arms and sprint off in the opposite direction.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
The Hatter
To understand what they did to the Hatter, I must first tell you about people who know how to play with your brokenness like it is a fidget spinner without so much as touching your skin—a form of abuse known as gaslighting.
You say it happened, they say it did not.
You say it had to, they say it cannot.
They pull at a thread of pain left by someone in your mind, and sew an entire ghost out of you.
Build you a dark wonderland and ask you to call it home.
Tell you, ‘Why can’t you just be happy?’ And you cannot because happiness in this story is a queen you do not trust being built from your own delusions.
When this happens, you are like the Hatter. Trapped here in this fairytale world, half mad because someone you love keeps lying to you.
Is this rain, dear? No it isn’t, it’s a raven.
Is this a door? No, it is a writing desk.
Is this my mind? No, it is now my rabbit hole, and I’m going to make you fall so far down there is no way out.
This is why the raven becomes like a writing desk, nonsensical riddles and memories become valid, nothing makes sense anymore anyway.
You start wondering if anything you ever thought happened to you actually happened to you and this is their violence. This is their abuse. It has left bruises and gashes along your brain that no one else knows are there.
Doubting yourself is now a reflex. Trusting yourself is no longer muscle memory but a long, strenuous process.
They called the Hatter
completely mad.
Because he is cursed
to both remember
and to forget.
They call me mad too
because my curse is to heal
through remembering
everything you tried
to make me forget.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
The first surviving manuals of European swordsmanship date from the early fourteenth century, so it is impossible to know precisely how William trained and fought with this weapon, but it is clear that he honed his ability to wield his sword both while mounted and on foot. This must have required the daily repetition of practice sword strokes through his teenage years and beyond – so as to develop strength and acquire muscle memory – and regular sparring to refine coordination and agility. By the time he became a knight, Marshal was an effective swordsman, but so far as the History was concerned, his primary gift was not flashy technique, but the brutish physicality that enabled him to deliver crushing blows. With sword in hand, William was, in the words of his biographer, a man who ‘hammered like a blacksmith on iron’. Marshal probably also trained with a number of other mêlée weapons popular with twelfth-century knights, including the dagger, axe, mace and war-hammer, but much of his time would have been devoted to mastering the lance. By construction this was a fairly rudimentary weapon – often simply a ten- to twelve-foot-long straight spar of hewn wood, usually of ash – but it was fiendishly difficult to use from horseback. The lance would be held under the arm (or couched) during a charge, and directing its point towards a target with any accuracy required immense skill. Lances often broke after one or two uses, but a successful strike could cause devastating damage to an opponent. In the course of his career, William would witness the lethal potential of this weapon with his own eyes and he would also be called upon to charge down one of the greatest warriors of the age, Richard the Lionheart, with lance in hand.
”
”
Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, The Power Behind Five English Thrones)
“
Slow me down, Lord. Ease the pounding of my heart by the quieting of my mind. Steady my hurried pace with a vision of the eternal reach of time. Give me, amid the confusion of the day, the calmness of the everlasting hills. Break the tensions of my nerves and muscles with the soothing music of the singing streams that live in my memory. Teach me the art of taking minute vacations—of slowing down to look at a flower, to chat with a friend, to pat a dog, to smile at a child, to read a few lines from a good book. Slow me down, Lord, and inspire me to send my roots deep into the soil of life’s enduring values, that I may grow toward my greater destiny. Remind me each day that the race is not always to the swift; that there is more to life than increasing its speed. Let me look upward to the towering oak and know that it grew great and strong because it grew slowly and well.
”
”
Chip Ingram (Overcoming Emotions that Destroy: Practical Help for Those Angry Feelings That Ruin Relationships)
“
He reached out and gently wiped away a spot of dried mud on her cheek that she hadn't known was there. "If I were as bad as you were led to believe, would I have left my bed last night so you could sleep in peace?"
The light touch of his fingertips on her face now, and the memory of how she had writhed beneath his skillful caresses last night brought a scarlet blush to her cheeks.
She looked away; he lowered his hand to his side.
He was silent for a moment. "You are in no danger, Kate. I am not going to hurt you. I know you are afraid, but look at my actions if you doubt my words. I saved your life, didn't I? That must count for something."
She looked up slowly, her gaze skimming the chiseled symmetry of his muscled abdomen and the powerful swells of his chest until she met his steady gaze.
The look in his gray-blue eyes seemed sincere, and she desperately longed to believe in him. He might be her only hope.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
The scandal of the end of the world will not occur, for the very good reason that existence has already been judged and declared unjustifiable. This world must thus be considered the only one there'll ever be, the verdict immanent, injustice irremediable. This has nothing to do with the natural tendency of things but rather with the bestial ethic smouldering in the labyrinthine entrails of human beings, which requires that the just be separated from the unjust, the good from the bad, so that the truest, stupidest and most sentimental order may triumph. In fact there is no need to wait. Let the stupidest things triumph, that is the Last Judgement.
When you have lumbago, you have to move like a reptile. You have to get through your movement before the muscle has had time to feel pain. It is the same with ideas and language. You have to have got to the end of the sentence, before language has had time to feel pain.
”
”
Jean Baudrillard (Cool Memories)
“
Fear next turns fully to your body, which is already aware that something terribly wrong is going on. Already your lungs have flown away like a bird and your guts have slithered away like a snake. Now your tongue drops dead like an opossum, while your jaw begins to gallop on the spot. Your ears go deaf. Your muscles begin to shiver as if they had malaria and your knees to shake as though they were dancing. Your heart strains too hard, while your sphincter relaxes too much. And so with the rest of your body. Every part of you, in the manner most suited to it, falls apart. Only your eyes work well. They always pray proper attention to fear...
For fear, real fear, such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it.
”
”
Yann Martel (Life of Pi)
“
Aerobic activity is beneficial in several ways. Exercise strengthens your cardiovascular system and improves your circulation, which means your body can deliver more blood to your brain when it’s working. Because the brain’s demand for oxygen and sugar rises when you’re concentrating hard, this can make the difference between grasping that insight or feeling like it’s just out of reach. A firing neuron uses as much energy as a leg muscle cell during a marathon. Further, sustained aerobic exercise stimulates the body to generate more small blood vessels in the brain, and a better-developed cerebral vasculature can deliver blood to the brain faster and more effectively. A 2012 study found that episodic memory improves as maximal oxygen capacity increases. (Conversely, comparative studies of adults who do and don’t exercise find that couch potatoes have lower scores on tests of executive function and processing speed and in middle age have faster rates of brain
”
”
Alex Soojung-Kim Pang (Rest: Why You Get More Done When You Work Less)
“
Sleepwalking is a parasomnia, a strange behavior that occurs during sleep. Over the years, sleep experts have identified two main stages of sleep by recording brain waves—rapid eye movement (REM) and non–rapid eye movement (non-REM) sleep. Sleepwalking usually occurs after an abrupt and incomplete spontaneous arousal from the non-REM sleep that occurs in the first couple of hours of the night, turning one into a mobile sleeper. Trying to waken sleepwalkers is fruitless and can be dangerous, since the sleepwalker may feel threatened by physical contact and respond violently. Normally, non-REM sleep shifts into REM sleep, during which there is a loss of muscle tone, preventing motor behavior during REM sleep. The majority of sleepwalking episodes tend to be relatively harmless and usually make for a good story as told by the witness, often beginning with “You won’t believe what you did last night!” And if you are the sleepwalker you don’t believe it, because you will have no memory of your midnight shenanigans. Most parasomniac behaviors appear
”
”
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
“
Flow is an extremely potent response to external events and requires an extraordinary set of signals. The process includes dopamine, which does more than tune signal-to-noise ratios. Emotionally, we feel dopamine as engagement, excitement, creativity, and a desire to investigate and make meaning out of the world. Evolutionarily, it serves a similar function. Human beings are hardwired for exploration, hardwired to push the envelope: dopamine is largely responsible for that wiring. This neurochemical is released whenever we take a risk or encounter something novel. It rewards exploratory behavior. It also helps us survive that behavior. By increasing attention, information flow, and pattern recognition in the brain, and heart rate, blood pressure, and muscle firing timing in the body, dopamine serves as a formidable skill-booster as well. Norepinephrine provides another boost. In the body, it speeds up heart rate, muscle tension, and respiration, and triggers glucose release so we have more energy. In the brain, norepinephrine increases arousal, attention, neural efficiency, and emotional control. In flow, it keeps us locked on target, holding distractions at bay. And as a pleasure-inducer, if dopamine’s drug analog is cocaine, norepinephrine’s is speed, which means this enhancement comes with a hell of a high. Endorphins, our third flow conspirator, also come with a hell of a high. These natural “endogenous” (meaning naturally internal to the body) opiates relieve pain and produce pleasure much like “exogenous” (externally added to the body) opiates like heroin. Potent too. The most commonly produced endorphin is 100 times more powerful than medical morphine. The next neurotransmitter is anandamide, which takes its name from the Sanskrit word for “bliss”—and for good reason. Anandamide is an endogenous cannabinoid, and similarly feels like the psychoactive effect found in marijuana. Known to show up in exercise-induced flow states (and suspected in other kinds), this chemical elevates mood, relieves pain, dilates blood vessels and bronchial tubes (aiding respiration), and amplifies lateral thinking (our ability to link disparate ideas together). More critically, anandamide also inhibits our ability to feel fear, even, possibly, according to research done at Duke, facilitates the extinction of long-term fear memories. Lastly, at the tail end of a flow state, it also appears (more research needs to be done) that the brain releases serotonin, the neurochemical now associated with SSRIs like Prozac. “It’s a molecule involved in helping people cope with adversity,” Oxford University’s Philip Cowen told the New York Times, “to not lose it, to keep going and try to sort everything out.” In flow, serotonin is partly responsible for the afterglow effect, and thus the cause of some confusion. “A lot of people associate serotonin directly with flow,” says high performance psychologist Michael Gervais, “but that’s backward. By the time the serotonin has arrived the state has already happened. It’s a signal things are coming to an end, not just beginning.” These five chemicals are flow’s mighty cocktail. Alone, each packs a punch, together a wallop.
”
”
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
“
Lillian felt her pulse begin to thunder, her breath mingling in rapid puffs with his. She remembered the hard planes of his body brushing lightly over hers as they had made love, the consummate fit between them, the sliding flex of muscle and sinew beneath her hands. Her skin tingled with the memory of his touch, and the clever explorations of his mouth and fingers that had reduced her to shivering need. No wonder he was so cool and cerebral during the day— he saved all his sensuality for bedtime.
Stirred by his closeness, she caught at his wrists. There was still much they had to discuss… issues too important for either of them to ignore. “Marcus,” she said breathlessly, “don’t. Not just now. It only muddles things further, and—”
“For me it makes everything clear.”
His hands slid to either side of her face, cradling her cheeks with yearning gentleness. His eyes were so much darker than her own, with only the faintest glimmer of deepest amber to betray that they were not black but brown. “Kiss me,” he whispered, and his mouth found hers, catching at her top lip and then the lower, in nuzzling half-open caresses that sent rich quivers of response all the way down to her toes.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.”
Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast.
“You confess,” Glorian said, “that you slew the blood of the Saint.”
Her voice kept breaking. “Do you then declare war on Inys?”
Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face.
“When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.”
On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end.
What she did next could define how they saw the House of Berethnet for centuries to come.
Start forging your armour, Glorian. You will need it.
She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams.
And where there had been fear, there was anger.
“If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.”
Sweat was running down her back. She had never been so afraid in her life.
“I am not afraid,” she said.
At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow.
“So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.
”
”
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0.1))
“
I raise my grease gun and I aim it at Cowboy's face. Cowboy looks pitiful and he's terrified. Cowboy is paralyzed by the shock that is setting in and by the helplessness. I hardly know him. I remember the first time I saw Cowboy, on Parris Island, laughing, beating his Stetson on his thigh.
I look at him. He looks at the grease gun. He calls out: "I NEVER LIKED YOU, JOKER. I NEVER THOUGHT YOU WERE FUNNY--"
Bang. I sight down the short metal tube and I watch my bullet enter Cowboy's left eye. My bullet passes through his eye socket, punches through fluid-filled sinus cavities, through membranes, nerves, arteries, muscle tissue, through the tiny blood vessels that feed three pounds of gray butter-soft high protein meat where brain cells arranged like jewels in a clock hold every thought and memory and dream of one adult maleHomo sapiens.
My bullet exits through the occipital bone, knocks out hairy, brain-wet clods of jagged meat, then buries itself in the roots of a tree.
Silence. Animal Mother lowers his M-60.
Animal Mother, Donlon, Lance Corporal Stutten, Harris, and the other guys in the squad do not speak. Everyone relaxes, glad to be alive. Everyone hates my guts, but they know I'm right. I am their sergeant; they are my men. Cowboy was killed by sniper fire, they'll say, but they'll never see me again; I'll be invisible.
”
”
Gustav Hasford (The Short-Timers)
“
Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her.
Waiting for her.
Perfection.
He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings.
Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation.
She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently.
She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much."
He did not look away. "How do I look at you?"
"I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me."
"It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went.
When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you."
The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach.
He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists.
His gaze narrowed on her. "I am happy you approve, my lady."
She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..."
She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs.
He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
By the time Jessica Buchanan was kidnapped in Somalia on October 25, 2011, the twenty-four boys back in America who had been so young during the 1993 attack on the downed American aid support choppers in Mogadishu had since grown to manhood. Now they were between the ages of twenty-three and thirty-five, and each one had become determined to qualify for the elite U.S. Navy unit called DEVGRU. After enlisting in the U.S. Navy and undergoing their essential basic training, every one of them endured the challenges of BUDS (Basic Underwater Demolition/SEAL) training, where the happy goal is to become “drownproofed” via what amounts to repeated semidrowning, while also learning dozens of ways to deliver explosive death and demolition. This was only the starting point.
Once qualification was over and the candidates were sworn in, three-fourths of the qualified Navy SEALS who tried to also qualify for DEVGRU dropped out. Those super-warriors were overcome by the challenges, regardless of their peak physical condition and being in the prime of their lives. This happened because of the intensity of the training. Long study and practice went into developing a program specifically designed to seek out and expose any individual’s weakest points.
If the same ordeals were imposed on captured terrorists who were known to be guilty of killing innocent civilians, the officers in charge would get thrown in the brig. Still, no matter how many Herculean physical challenges are presented to a DEVGRU candidate, the brutal training is primarily mental. It reveals each soldier’s principal foe to be himself. His mortal fears and deepest survival instinct emerge time after time as the essential demons he must overcome.
Each DEVGRU member must reach beyond mere proficiency at dealing death. He must become two fighters combined: one who is trained to a state of robotic muscle memory in specific dark skills, and a second who is fluidly adaptive, using an array of standard SEAL tactics. Only when he can live and work from within this state of mind will he be trusted to pursue black operations in every form of hostile environment.
Therefore the minority candidate who passes into DEVGRU becomes a member of the “Tier One” Special Mission Unit. He will be assigned to reconnaissance or assault, but his greatest specialty will always be to remain lethal in spite of rapidly changing conditions. From the day he is accepted into that elite tribe, he embodies what is delicately called “preemptive and proactive counterterrorist operations.” Or as it might be more bluntly described: Hunt them down and kill them wherever they are - and is possible, blow up something.
Each one of that small percentage who makes it through six months of well-intended but malicious torture emerges as a true human predator. If removing you from this world becomes his mission, your only hope of escaping a DEVGRU SEAL is to find a hiding place that isn’t on land, on the sea, or in the air.
”
”
Anthony Flacco (Impossible Odds: The Kidnapping of Jessica Buchanan and Her Dramatic Rescue by SEAL Team Six)
“
Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette!
But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
The motor activities we take for granted—getting out of a chair and walking across a room, picking up a cup and drinking coffee,and so on—require integration of all the muscles and sensory organs working smoothly together to produce coordinated movements that we don't even have to think about. No one has ever explained how the simple code of impulses can do all that. Even more troublesome are the higher processes, such as sight—in which somehow we interpret a constantly changing scene made of innumerable bits of visual data—or the speech patterns, symbol recognition, and grammar of our languages.Heading the list of riddles is the "mind-brain problem" of consciousness, with its recognition, "I am real; I think; I am something special." Then there are abstract thought, memory, personality,creativity, and dreams. The story goes that Otto Loewi had wrestled with the problem of the synapse for a long time without result, when one night he had a dream in which the entire frog-heart experiment was revealed to him. When he awoke, he knew he'd had the dream, but he'd forgotten the details. The next night he had the same dream. This time he remembered the procedure, went to his lab in the morning, did the experiment, and solved the problem. The inspiration that seemed to banish neural electricity forever can't be explained by the theory it supported! How do you convert simple digital messages into these complex
phenomena? Latter-day mechanists have simply postulated brain circuitry so intricate that we will probably never figure it out, but some scientists have said there must be other factors.
”
”
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
“
Every place held every memory of what it had once been. A plain that had been the bottom of a lake, the floor of a shallow sea, the lightless depths of a vast ocean. A hill that had been the peak of a young mountain, one of a chain of islands, the jagged fang of the earth buried in glacial ice. Dust that had been plants, sand that had been stone, stains that had been bone and flesh. Most memories, Kalyth understood, remain hidden, unseen and beneath the regard of flickering life. Yet, once the eyes were awakened, every memory was then unveiled, a fragment here, a hint there, a host of truths whispering of eternity.
Such knowledge could crush a soul with its immensity, or drown it beneath a deluge of unbearable futility. As soon as the distinction was made, that separation of self from all the rest, from the entire world beyond-its ceaseless measure of time, its whimsical game with change played out in slow siege and in sudden catastrophe-then the self became an orphan, bereft all security, and face to face with a world now become at best a stranger, at worst an implacable, heartless foe.
In arrogance we orphan ourselves, and then rail at the awful solitude we find on the road to death But how could one step back into the world? How could one learn to swim such currents? In self-proclamation, the soul decided what it was that lay within in opposition to all that lay beyond. Inside, outside, familiar, strange, that which is possessed, that which is coveted, all that is within grasp and all that is forever beyond reach. The distinction was a deep, vicious cut of a knife, severing tendons and muscles, arteries and nerves.
”
”
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
“
No half measures,” he interrupted her. “I am not, and do not wish to be, your friend.”
(…)
“I refuse to live forever feeling that I make you uncomfortable,” Thorn continued, brusquely.
“If it’s my claws that put you off – I am aware that I am hardly attractive. This leg won’t stop me from - ”
Exasperated he swept his brow with his hand as if enduring a severe verbal challenge.
All Ophelia’s nervousness instantly disappeared.
She removed her gloves as though shedding an old skin. Hard knocks had damaged Thorn, and the harm was greater within than without. She promised herself to protect him from all those who could further flay him, starting with herself.
She approached, ensuring that she was well within his field of vision. It was good that he was sitted, it put them on the same level.
He shuddered when she placed her bare hands on either side of his face. He was an angular being, both in body and character, with never a friendly phrase, or gallant gesture, or humourous quip, preferring the company of numbers to that of people. One had to have a good reason for looking Thorn straight in the face. Ophelia had one. She kissed his scars. First the one cutting through his eyebrow, then the one cutting into his cheek, and finally the one cutting across his temple.
With each contact, Thorn’s eyes widened. His muscles, conversely, tightened.
“56,” he cleared his throat to make his voice less hoarse.
Ophelia had never seen him so intimidated, despite his efforts not to show it.
“That’s the number of my scars.”
She closed and then reopened her eyes. She felt it again even more violently, this urgent call from deep inside her. “Show them to me.”
The world instantly ceased to be a word and became skin.
The gentle shadows of the mosquito net, the lapping of the rain, the distant sounds of the garden and the city, none of all that existed anymore for Ophelia. All that she was acutely aware of was Thorn and herself. Their hands unfastening, one by one, every restraint, every apprehension, every fear. (shyness)
Ophelia had spent these last three years feeling empty. She was, at last, replete.
”
”
Christelle Dabos (A Winter's Promise / The Missing of Clairdelune / The Memory of Babel (Mirror Visitor, #1-3))
“
The thought is immediately accompanied by a dull ache below her shoulder. It is a phantom pain, she knows, a psychosomatic ache, but still she feels the hurt. After all, it has been many years since the blow that made her arm swell and ache for days. On the other hand, who knows? Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways. From the time she was in her teens, Sera has been fascinated by this paradox—how a body that we occupy, that we have worn like a coat from the moment of our birth—from before birth, even—is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn’t recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long-ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties. But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope—that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell?
”
”
Thrity Umrigar (The Space Between Us)
“
Ronan hadn't thought much about the future.
This was a way he and Adam had always been opposites. Adam seemed to only think about the future. He thought about what he wanted to happen days or weeks or years down the road, and then he backfilled actions to make it happen. He was good at depriving himself in the now in order to have something better in the later.
Ronan, on the other hand, couldn't seem to get out of the now. He always remembered consequences too late. After a bloody nose. A broken friendship. A huge tattoo. A cat with human hands. But his head didn't seem built to hold the future. He could imagine it for just a few seconds until, like a weak muscle, his thoughts collapsed back into the present.
But there was one future he could imagine. It was a little bit of a cheat, because it was buried in a memory, and Ronan was better at thinking of the past than the future. It was an indulgent memory, too, one he'd never have copped to out loud. There wasn't much to it. It was from the summer after Adam had graduated, the summer he'd spent with Ronan at the Barns. Ronan had come in from working on the fences outdoors and tossed his work gloves onto the grass-cluttered rug by the mudroom door. As he did, he'd seen that Adam's mechanic gloves were lined up neatly on top of his shoes. Ronan had already known Adam was inside the house, but nonetheless, the image made him pause. They were just gloves, grease-stained and very old. Thrifty Adam always tried to get as much wear out of things as possible. They were long and narrow like Adam himself, and despite their age and stains, they were otherwise impeccably clean. Ronan's work gloves, in comparison, were cruddy and creased and coarse-looking, tossed with carefree abandon, the fingers lassoed over Adam's.
Seeing the two pairs tumbled together, a nameless feeling had suddenly overwhelmed Ronan. It was about Adam's gloves here, but it was also Adam's jacket tossed on the dining room chair, his soda can forgotten on the foyer table, him somewhere tossed with equal comfort in the Barns, his presence commonplace enough that he was not having to perform or engage with Ronan at all times. He was not dating Ronan; he was living in Ronan's life with him.
Shoes kicked off by the door, gloves off.
”
”
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
“
Yatima found verself gazing at a red-tinged cluster of pulsing organic parts, a translucent confusion of fluids and tissue. Sections divided, dissolved, reorganised. It looked like a flesher embryo – though not quite a realist portrait. The imaging technique kept changing, revealing different structures: Yatima saw hints of delicate limbs and organs caught in slices of transmitted dark; a stark silhouette of bones in an X-ray flash; the finely branched network of the nervous system bursting into view as a filigreed shadow, shrinking from myelin to lipids to a scatter of vesicled neurotransmitters against a radio-frequency MRI chirp.
There were two bodies now. Twins? One was larger, though – sometimes much larger. The two kept changing places, twisting around each other, shrinking or growing in stroboscopic leaps while the wavelengths of the image stuttered across the spectrum.
One flesher child was turning into a creature of glass, nerves and blood vessels vitrifying into optical fibres. A sudden, startling white-light image showed living, breathing Siamese twins, impossibly transected to expose raw pink and grey muscles working side by side with shape-memory alloys and piezoelectric actuators, flesher and gleisner anatomies interpenetrating. The scene spun and morphed into a lone robot child in a flesher's womb; spun again to show a luminous map of a citizen's mind embedded in the same woman's brain; zoomed out to place her, curled, in a cocoon of optical and electronic cables. Then a swarm of nanomachines burst through her skin, and everything scattered into a cloud of grey dust.
Two flesher children walked side by side, hand in hand. Or father and son, gleisner and flesher, citizen and gleisner... Yatima gave up trying to pin them down, and let the impressions flow through ver. The figures strode calmly along a city's main street, while towers rose and crumbled around them, jungle and desert advanced and retreated.
The artwork, unbidden, sent Yatima's viewpoint wheeling around the figures. Ve saw them exchanging glances, touches, kisses – and blows, awkwardly, their right arms fused at the wrists. Making peace and melting together. The smaller lifting the larger on to vis shoulders – then the passenger's height flowing down to the bearer like an hourglass's sand.
”
”
Greg Egan (Diaspora)
“
I must say a word about fear. It is life’s only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, show no mercy. It goes for your weakest spot, which it finds with unerring ease. It begins in your mind, always. One moment you are feeling calm, self-possessed, happy. Then fear, disguised in the garb of mild-mannered doubt, slips into your mind like a spy. Doubt meets disbelief and disbelief tries to push it out. But disbelief is a poorly armed foot soldier. Doubt does away with it with little trouble. You become anxious. Reason comes to do battle for you. You are reassured. Reason is fully equipped with the latest weapons technology. But, to your amazement, despite superior tactics and a number of undeniable victories, reason is laid low. You feel yourself weakening, wavering. Your anxiety becomes dread.
Fear next turns fully to your body, which is already aware that something terribly wrong is going on. Already your lungs have flown away like a bird and your guts have slithered away like a snake. Now your tongue drops dear like an opossum, while your jaw begins to gallop on the spot. Your ears go deaf. Your muscles begin to shiver as if they had malaria and your knees to shake as though they were dancing. Your heart strains too hard, while your sphincter relaxes too much. And so with the rest of your body. Every part of you, in the manner most suited to it, falls apart. Only your eyes work well. They always pay proper attention to fear.
Quickly you make rash decisions. You dismiss your allies: hope and trust. There, you’ve defeated yourself. Fear, which is but an impression, has triumphed over you.
The matter is difficult to put into words. For fear, real fear, such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don’t, if fear becomes a wordless darkness that you avoid, perhaps even manage to forget, your open yourself to further attacks of fear because you never truly fought the opponent who defeated you.
”
”
Yann Martel (Life of Pi)
“
I must say a word about fear. It is life’s only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unerring ease. It begins in your mind, always. One moment you are feeling calm, self-possessed, happy. Then fear, disguised in the garb of mild-mannered doubt, slips into your mind like a spy. Doubt meets disbelief and disbelief tries to push it out. But disbelief is a poorly armed foot soldier. Doubt does away with it with little trouble. You become anxious. Reason comes to do battle for you. You are reassured. Reason is fully equipped with the latest weapons technology. But, to your amazement, despite superior tactics and a number of undeniable victories, reason is laid low. You feel yourself weakening, wavering. Your anxiety becomes dread. Fear next turns fully to your body, which is already aware that something terribly wrong is going on. Already your lungs have flown away like a bird and your guts have slithered away like a snake. Now your tongue drops dead like an opossum, while your jaw begins to gallop on the spot. Your ears go deaf. Your muscles begin to shiver as if they had malaria and your knees to shake as though they were dancing. Your heart strains too hard, while your sphincter relaxes too much. And so with the rest of your body. Every part of you, in the manner most suited to it, falls apart. Only your eyes work well. They always pay proper attention to fear. Quickly you make rash decisions. You dismiss your last allies: hope and trust. There, you’ve defeated yourself. Fear, which is but an impression, has triumphed over you. The matter is difficult to put into words. For fear, real fear, such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don’t, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.
”
”
Yann Martel (Life of Pi)
“
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this.
She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air.
Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too.
Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned.
As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud.
She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway.
She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up.
Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur.
She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain.
When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
”
”
Debra Holland (Healing Montana Sky (Montana Sky, #5))
“
She wanted all of Thorn's attention as she finally released the words so long trapped inside her.
"I-I love you too."
She jumped. Thorn had spun around fast as lightning to block her wrist. His reaction was so abrupt, the glint in his eyes so hard, Ophelia thought he was going to push her away once again.
With a totally unpredictable opposite movement, he pulled her toward him. The stool tipped over. Ophelia felt as if she were landing with all her weight between Thorn's ribs. As they fell together, to a clattering of steel and an avalanche of boxes, the viewer exploded into fragments of glass on the floor beside them. It was the most spectacular and baffling fall Ophelia had ever experienced. her ears were humming like hives. The frame of her glasses were digging into her skin. She could no longer see a thing, could barely breathe. When she realised that she was crushing Thorn, she wanted to extricate herself, but couldn't. He was imprisoning her in his arms so tightly that she could no longer distinguish between the beatings in their chests. Thorn's bushy beard became buried in her hair as he said, "above all, no sudden gestures."
After the way he had just flung them both to the ground, this warning was somewhat incongruous. The arm vice relaxed, muscle by muscle, around Ophelia. She had to lean on Thorn's stomach to back up. Half slumped on the floor, his back against a bookcase, he was watching her with extreme tension, as if expecting her to trigger a catastrophe.
"Never - do - that - again," he said, stressing each syllable, "take me by surprise. Never. Have you got that?"
Ophelia had too much of a lump in her throat to reply to him. No, she hadn't got it. She was starting to wonder whether had even listened to her declaration. She was dismayed at the sight of bits of metal scattered on the carpet. There wasn't much left of Thorn's leg brace.
"Nothing that can't be repaired," he commented. "I have some tools in my bedroom. This, on the other hand, is more problematic," he added, glancing at the shattered pieces of the microfilm viewer. "I'll have to get myself another one.
"I don't think that is a priority," Ophelia snapped. She bit her tongue when Thorn pressed his mouth against hers.
At that moment, she no longer understood a thing. She felt his beard pricking her chin, his disinfectant smell going to her head, but the only thought that crossed her mind, a stupid obvious one, was that she had her boot stuck in his shin. She wanted to pull away.
Thorn stopped her. He cradled her face with his hands, his fingers in her hair, pressing against the nape of her neck, with urgency that knocked them both off balance. The bookcase showered them with papers.
When Thorn finally pulled away, short of breath, it was to stare sternly straight through her glasses.
"I warn you, the words you said to me, I won't let you go back on them." His voice was harsh, but underlining the authority of his words, there was some sort of crack.
Ophelia could see the quickened pulse in the hands he was awkwardly pressing to her cheeks. She had to admit her own heart was swinging to and fro. Thorn was, without doubt, the most disconcerting man she'd ever met. But he did make her feel wonderfully alive.
"I love you," she repeated firmly.
”
”
Christelle Dabos (A Winter's Promise / The Missing of Clairdelune / The Memory of Babel (Mirror Visitor, #1-3))
“
She needed to get out of this bed and put some distance between herself and Leo. But he pulled her onto his chest again, and she instinctively relaxed against him. They’d been champion cuddlers back in the day. And—as with all sports—muscle memory wasn’t so quickly lost. Their bodies still knew exactly how they were supposed to fit together, with her head tucked under his chin, and their legs intertwined.
”
”
Sarina Bowen (Rookie Move (Brooklyn Bruisers, #1))
“
These three words first:
1) muscle memory 2) bio memory 3) bio energy all your day-to-day habits like morning you wake up and do yoga or sip a cup of coffee and the kind of food you eat - all your behaviours, habits and actions form your muscle memory. your muscles keep the memory of all your actions - good or bad, right or wrong. if you create the right muscle memory, it helps you to manifest a beautiful right life.
If you build wrong muscle memory, it makes you manifest bad life.end of the day, your life you are living is just the expressions of muscle memories you built. second is, bio memory. It is all the opinions, ideas, cognitions, powerful conclusions about yourself and your life, god, people, about everything. the conclusions you carry, powerful cognitions you carry is called bio memory.
Bio memory is about how you believe yourself, what kind of idea you carry about yourself and how it is impacted by others’ belief about you, how others treat you and how that impacts you.
All your opinions, ideas, cognitions, powerful conclusions about you, about others, about guru, about god, about the world, about the universe - all these put together is bio memory.
”
”
Paramahamsa Nithyananda
“
The consciousness which is manifesting in your body, its experience about itself is called bio energy. How due to the continuous impact of your bio memory and muscle memory your experience about you, how your consciousness experiences itself, how you feel about you, your core, due to the total impact of your muscle memory and bio memory, that is called bio energy.
Actually, the bioenergy only takes multiple births. from this body, when you move to the next body, your bioenergy only is carried. It is the core software coding of your existence.
Muscle memory is the memory of all your day-to-day habits, lifestyle - the food you like or everything based on your actions.Every belief you carry, powerful cognitions, powerful conclusions you carry - that is bio memory. The core of you - the “you”, the “I” in you, how it experiences itself due to the continuous impact of muscle memory and bio memory on you, that is called bio energy.
”
”
Paramahamsa Nithyananda
“
Parasites means that which does not have its own independent life, but gets empowered, comes alive by the nearness or the existence sitting on you willingly or unwillingly. Whether you like it or not, it catches, it sits in you and gets empowered.
Your muscle memories have parasites. The parasites sitting in your muscle memory is responsible for all your addictions and tiredness.These parasite can just trigger you, it can trigger the muscle memory of certain food or certain drug, alcohol, smoking, marijuana; it can trigger any of these memories and force you to consume them again.
Addictions related to eating, drugs, sex, pornography or any type of addictions, is because of the parasites sitting in your muscle memory.
”
”
Paramahamsa Nithyananda
“
The parasite sitting inside your bio energy. This parasite can destroy you lifes after lifes after lifes and make you go round in the same rut. Same kind of father-mother attachment problem lands in the same kinds of mess and you die and pick up the same things and the same rut will go on and on and on. You are stuck but not breaking out.
Only one thing can detox you from all the parasites sitting in your bio energy: ‘living around the master’. You need to see him constantly: how his muscle memory is working, how his bio memory is working, how his bio energy is working. Guru seva is the only way the parasites in the bio energy will be detoxed. Guru seva is the most direct method of melting down all the parasites sitting inside your bio energy.
Nothing else can do it because bio energy level means constantly your bio energy needs to be cleansed, detoxed, opened, and the guru’s initiation, shaktipada, needs to be poured inside you, and you need to go on experiencing detox. You need to be detoxed continuously. Because the parasites are sitting inside your bio energy which you collected for many janmas, multiple births, you won’t get rid of it just like that in one or two days.
”
”
Paramahamsa Nithyananda
“
I am telling you, all tiredness, all boredom, is nothing but frozen pains in your muscle memory. The only way to break the ice, the frozen pains, is re-strategizing yourself. Seeking should be the frying pan for the enlightenment dosa.
”
”
Paramahamsa Nithyananda
“
I used to ask her: ‘you are saying I am an incarnation. Why do I have parasites?’ she will say, ‘you are eating normal food even though it is organic. The purity needed for power manifesting is very high standard purity. For that purity you need to be detoxed.’ she will make different aushadhas to detox / cleanse my body - the muscle memory and biomemory.
”
”
Paramahamsa Nithyananda
“
When you decide to become sanyasi, everyday drinking neem juice is compulsory because it removes all parasites from your bio memory and muscle memory which triggers lusty, fantasy visualization.
”
”
Paramahamsa Nithyananda
“
If you drink neem juice everyday, all the parasites in your muscle memory and bio memory will be cleansed. Even when the sex hormones are pumped into your body, it just manifests an intense devotion, sweetest secret sacred sentiment. It does not trigger violent, lusty, uncontrollable, agitating, life-negative, suicidal, wild, self-destructive visualization or patterns.
”
”
Paramahamsa Nithyananda
“
If you decide you should be working and alive whole day without tiredness or boredom, always take handful of yellu and vellam (sesame and jaggery balls) every morning.It will remove all the parasites / microbes that triggers tiredness / boredom / irritation in you. Your muscle memory and bio memory will be so pure / clean. You will not fall for your tiredness / boredom / irritating parasites that trigger you.
”
”
Paramahamsa Nithyananda
“
Humans have what is called a triune brain, or a three-part brain. The midbrain or reptilian brain is the oldest part of our brain, where our survival instinct lives; the limbic or mammalian brain is where our emotions live; and finally the neocortex is our thinking brain. Adult humans with a fully developed neocortex are typically operating from the top down, from the neocortex down to the midbrain. This basically means we (normally) don’t bang each other on the sidewalk or resort to fistfights to settle disagreements at work because our moral, rational, thinking brain—the neocortex—asserts control over our base survival instincts. The neocortex, and specifically the prefrontal cortex, is where our judgment, personality, willpower, inhibition, social skills, morality, decision making, planning, and loads of other functions live. If the brain is a car, the survival response (midbrain) is the gas, and the prefrontal cortex is the brake. In alcohol addiction, the top-down control gets flipped, and the survival, animal instinct overrides the rational, thinking brain. This is due to two different causes. First, the prefrontal cortex loses its strength and volume; it’s like a muscle, and the chemical component of alcohol (it’s a neurotoxin, as in it attacks gray matter or the regions of the brain involved in sensory perception, memory, emotions, speech, decision making, and self-control), along with the consistent deferral to the survival instincts, weakens its function. So the part of our brain that is responsible for inhibiting actions (willpower), making decisions, moderating social behavior, constructing our personality, upholding our ethics, and planning our future goes offline. At the same time, the midbrain—which thinks only about the next fifteen seconds, not tomorrow or next year—
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
So this dream seemed oddly familiar and yet completely alien to me at the same time. Once again I was tucked in a bed, being held and protected against anything and everything the world might have to throw at me.
But instead of the soft embrace of parents I’d never known, my head lay on the chest of a man whose strong arms were wrapped around me like he never wanted to let me go.
His heartbeat thumped beneath my ear. My arm and leg were coiled over him while he held me against him, his hand resting on the curve of my thigh. He was warm unlike anyone I’d ever known, his skin almost seeming to hold a fire within it which filled my soul with strength and peace.
My eyes were closed so I couldn’t see him but I just felt oddly at home. Like this was where I was meant to be.
My hand lay on the hard muscles of his abs and I slowly started tracing the lines the muscles created with my fingertips, not wanting to shatter the peace of the dream by opening my eyes.
He inhaled deeply, his chest rising beneath me while the arm holding me pulled me a little closer still.
I continued my sleepy exploration of his stomach, my fingers tracing the lines lower and lower until they suddenly skimmed against the edge of a rough waistband. I frowned to myself at the sensation of denim against my fingertips. Who would sleep in a pair of jeans? What kind of weird dream man had I conjured up?
I ran my fingers along the top of the jeans, the rough material tickling at the edges of my memory but my head was too foggy to place it.
“If you keep doing that I’m going to stop being a gentleman about this situation.”
My hand fell still and I froze at the sound of that voice. There was no way even dream Tory would be deluded enough to feel safe in his arms.
My heart pounded a panicked rhythm against my ribcage and I peeled my eyes open, blinking a few times against the darkness I found waiting for me. Pain thundered through my skull and my tongue was thick in my mouth. I cringed against the headache, trying to focus on something around me as I slowly realised that this wasn’t a dream at all.
I spotted the fire burning low in the grate across the room first. There was a black fire guard standing before it and a plush cream chair beside it. I knew this room. I’d burned it down once. And somehow I’d ended up right in the centre of Darius Acrux’s goddamn golden bed.
I was too horrified at myself to move, my brain hunting for answers in a foggy sea of alcohol infused memories. I’d been drinking in The Orb with Sofia and Diego while she shielded our presence with a spell to deflect attention so that no one would spot us and play any Hell Week pranks on us. Or notice the fact that we’d stayed out after curfew. I remembered playing a strange Fae version of truth or dare with them while we worked our way through too many shots and Diego came up with ideas to retrieve his hat from Orion. Then...nothing. Certainly nothing that could explain to me how I’d ended up in Darius Acrux’s arms.
My gaze slid across the wide armchair where I spotted my academy skirt hanging over one arm. I swallowed a thick lump in my throat, turning my attention to what I was wearing...or wasn’t wearing. I plucked at the huge t-shirt which clearly wasn’t mine, pulling the neck wide so that I could look down inside it. A moment of relief found me as I spotted my bra still in place but he hadn’t released his hold on me so I couldn’t be sure my panties were still there too.
(Darius POV)
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
Darius slid his hand from my thigh, running it up my side over the fabric of the t-shirt until he found my hair where he began twisting it through his fingers. This was too damn weird. Why was he touching me like that? What the hell had we done last night to make him think he could? And why the hell was I letting him?
I still hadn’t moved, my head still lay over his pounding heart, my fingers still rested on the edge of his waistband.
“Please tell me we didn’t...” I couldn’t actually bear to say it but I had to know because my memory was turning up blanks.
“I prefer my girls a little less blind drunk and a little more eagerly responsive,” he replied. “Besides, you wouldn’t forget it if I’d fucked you.”
Heat rose along my spine at that insinuation but I ignored it in favour of focusing on the relief his words provided.
“Thank heaven for small miracles,” I sighed but for some reason I still hadn’t moved.
“No need to sound so pleased about it,” Darius muttered but he sounded kind of amused at the same time.
“So why am I here?” I asked because this still made no damn sense to me and for some unknown reason I seemed to be frozen in place.
“You got yourself so wasted that you passed out and started using magic in your sleep.”
I frowned at that. I’d been drunk, yeah, but I could handle my alcohol. Passing out in a public place was pretty full on even for me and I was fairly sure I wouldn’t have drunk that much… would I?
Darius kept explaining when I didn’t respond. “I had to use my power to bring yours back under control and then I brought you back here so that I could make sure you didn’t set your bedroom alight in the night or anything.”
At his words, I noticed the feeling of his magic coiling around mine where it had obviously been all night. He hadn’t actually pushed it to merge with mine but it was dancing along the edges of my power as if it was asking to join it. On instinct I let the barrier around my power drop, welcoming his in.
Darius sucked in a sharp breath as his magic tumbled into mine and a breathy moan escaped my lips before I could stop it as the thrill of his magic caused every muscle in my body to tighten for a moment. The ecstasy of our magic combining was kind of addictive, like I could feel the heat of his power filling every dark space in my body and I had to fight to make sure it didn’t burn me.
I pushed his magic back out before I could get lost in the feeling of it and we lay in silence for a few long seconds, neither of us commenting on what I’d just done. I was glad he didn’t ask me about it because I really didn’t know why I’d done it. But now every inch of my skin was alive with the memory of his magic filling me.
His fingers kept moving in my hair and I frowned, wondering why he was doing that. And why the hell I still hadn’t moved. It was like we were under some spell where peace existed between us and we both knew it would be broken if either of us made any sudden movements.
“Did you undress me?” I asked slowly, heat clawing along my spine at the idea of that.
Darius released a breath of laughter and I inched back a little, moving so that my head was on the pillow beside his instead of resting on his chest. He rolled towards me, moving onto his side and shifting so that his hand rested on my bare thigh. He didn’t move his hand once it landed there but the heat of his touch was burning through me like magma.
(Darius POV)
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
Why’re you still here?” She yawned. “Go away. Jared will be here any moment, and I’ll be nothing but an unfortunate memory.”
I should go.
Pivot and leave.
To my relief, I started doing just that.
The echo of my footsteps bounced on the bare walls. I did not look back. Knew that if I caught a glimpse of her again, I’d make a mistake.
This was for the best.
It was time to cut my losses, admit my one mistake in my thirty-one years of life, and move on. My life would return to normal.
Peaceful. Tidy. Noiseless.
Unexpensive.
My hand curled around the doorknob, about to push it open.
“Hey, asshole.”
I stopped but didn’t turn around.
I refused to answer to the word.
“What do you say—one last time for the road?”
I glanced behind my shoulder, knowing I shouldn’t, and found my soon-to-be ex-wife propped on the hood of my Maybach, her dress hiked up her waist, revealing she’d worn no panties.
Her bare pussy glistened, ready for me.
A dare.
I never shied away from those.
Throwing caution to the wind (and the remaining few brain cells she hadn’t fried with her mindless conversation), I marched to her.
When I reached the car, she lifted her hand to stop me, slapping her palm against my chest. “Not so fast.”
It is going to be fast and a half, seeing as I’m about to come just from watching you like this.
I arched an eyebrow. “Cold feet?”
“Nah, low temperature is your thing. Don’t wanna steal your thunder. Either we go all the way, or we go nowhere at all. It’s all or nothing.”
It infuriated me that each time I gave her a choice, she fabricated another.
If I gave her an option, she swapped it with one of her creation. And now, on the heels of my ultimatum, she’d dished out her own.
And like a doomed fool, I chose everything.
I chose my downfall.
We exploded together in a filthy, frustrated kiss full of tongue and teeth. She latched on to my neck, half-choking me, half-hugging me.
I fumbled with the zipper of my suit pants, freeing my cock, which by this point gleamed with precum, so heavy and so hard it was uncomfortable to stand.
My teeth grazed down her chin, trailing her throat before I did what I hadn’t done in five fucking years and pushed into her, all at once.
Bare.
My cock disappeared inside her, hitting a hot spot, squeezed to death by her muscles.
Oh, fuck.
My forehead fell against hers. A thin coat of sweat glued us together. Never in my life had anything felt quite so good.
I wanted to evaporate into mist, seep into her, and never come back.
I wanted to live, breathe, and exist inside my beautiful, maddening, conniving, infuriating curse of a wife.
She was the one thing I never wanted and the only thing I craved. Worst, still, was the fact that I knew I couldn’t deny her a single thing she desired, be it a frock or piece of jewelry.
Or, unfortunately, my heart on a platter, speared straight through with a skewer for her to devour. Still beating and as vibrant red as candied apples.
I retreated, then slammed into her harder. Pulled and rushed back in.
My fingers gripped her by the waist, pinning her down, wild with lust and desire. I drove into her in jerky, frenzied movements of a man starved for sex, fucking the ever-living shit out of her.
Now that I’d officially filed a restraining order against my logic, I grabbed the front of her throat, sinking my teeth onto her lower lip. My spearmint breath skated over her face.
The hood of the car warmed her thighs, still hot from the engine, jacking up the temperature between us even further.
Small, desperate yelps fled her mouth.
The only sounds in the cavernous space came from my grunts, our skin slapping together, and her tiny gasps of pleasure. The car rocked back and forth to the rhythm of my thrusts...
(chapter 44)
”
”
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
“
Emotions: collections of co-occurring and involuntary internal actions (for example, smooth muscle contractions, changes in heart rate, breathing, hormonal secretions, facial expressions, posture) triggered by perceptual events. The emotive actions are usually aimed at supporting homeostasis, for instance, countering threats (with fear or anger) or signaling successful states (with joy). When we recall events from memory, we also produce emotions.
Feelings: the mental experiences that follow and accompany varied states of organism homeostasis, whether primary (homeostatic feelings such as hunger and thirst, pain or pleasure) or provoked by emotions (emotional feelings such as fear, anger, and joy).
”
”
António Damásio (Feeling & Knowing: Making Minds Conscious)
“
I made it! I paddled 1,250 miles down the bloody Amazon, got muscles where I never knew any existed and a really hard arse!
”
”
Gordon Roddick
“
As Greg Amundson observed in the early days, it’s not so easy to distinguish between physical capacity and mental toughness. The ritual of movement executed at high intensity, the development of muscle memory, is a process of binding muscle fibers to neural circuitry. And differences in neural circuitry are reflected in, and caused by, cognitive changes—this is the basis of cognitive behavioral therapy for anxiety, depression, and addiction. In a physically intense, ritualized effort, it’s impossible to tell what is mind versus body versus spirit. When a gymnast vaults, or a sprinter rockets to the 100-meter mark, or a CrossFitter tackles “Fran” to the ground (or vice versa), these distinctions are not relevant, and perhaps they are not even real. They are real only for spectators.
”
”
J.C. Herz (Learning to Breathe Fire: The Rise of CrossFit and the Primal Future of Fitness)
“
In alcohol addiction, the top down control gets flipped and the survival animal instinct overrides the rational thinking brain. It does this due to two different causes. First the prefrontal cortex loses its strength and volume. It's like a muscle and the chemical component of alcohol is a neurotoxin, as in it attacks gray matter, or the regions of the brain involved in sensory perception, memory, emotions, speech, decision making, and self-control. Along with the consistent deferral to the survival instincts, it weakens its function so the part of our brain that is responsible for inhibiting actions or willpower, making decisions, moderating social behavior, constructing our personality, upholding our ethics, and planning our future, goes offline. At the same time, the midbrain, which thinks only about the next 15 seconds, not tomorrow, or next year, becomes more powerful. It believes alcohol is necessary for survival, again more than food, more than sex, and it's on a mission to get it.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
Collective memory requires that we piece together the fragments of individual memory and behold something not necessarily larger but with greater depth and colour. I think the whole Bible is predicated on collective remembrance. You have feast and fast days, storytelling, and most conspicuously, the Eucharist. A shared table and a shared loaf. Take, eat, drink. The Christian story hinges on a ceremony of communal remembrance. This should train us toward an embodied memory. My hand on a ballet barre, and every muscle knows how to come awake again. My father takes up my detangled hair in his hands, and his fingers dip and twist so fast they blur and become one. Do this in remembrance of me.
”
”
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
“
There are two types of brain modes: low and high consumption. Low consumption modes are easy to remember and use less brain resources. Examples are muscle memory and conditioned reflexes. High consumption modes are hard to remember and use more brain resources. Examples are information processing, analysis, and judgment. These are two concepts that are clear in theory but vague in practice. The basic and underlying logic operations should follow the low consumption mode principle. That is why we should avoid double-side-interaction (in a normal mobile phone size).
”
”
Shakenal Dimension (The Art of iPhone Review: A Step-by-Step Buyer's Guide for Apple Lovers)
“
Mostly on a whim, I tapped into Urano’s muscle memory and used my fingers to “select” the crest. My mana ended up thinly spread over the area I wanted to duplicate. “Whoa! It worked?!” A yellow film of mana now sat atop the paper. Somehow, I was on track to actually duplicate my crest! Trembling with emotion, I stared at the section I’d marked. “Am I actually going to do this? Is it going to work? Okay. Here we go. (COPY AND PLACE)!
”
”
Miya Kazuki (Ascendance of a Bookworm: Part 5 Volume 6)