Turquoise Waters Quotes

We've searched our database for all the quotes and captions related to Turquoise Waters. Here they are! All 75 of them:

He slid the photo out and raised it. The sun washed out any distinguishable characteristics. All except her eyes. He didn’t need a picture to remember those. As turquoise as the waters near Cozumel, and just as warm.
Kelly Moran (Return to Me (Covington Cove, #1))
I open my eyes to see Ry staring at me, and my desert soul erupts with turquoise water, floods and cascades and waterfalls rushing in around my rocky parts, pushing and reshaping and filling every hidden dark spot.
Kiersten White (The Chaos of Stars)
I will fill myself with the desert and the sky. I will be stone and stars, unchanging and strong and safe. The desert is complete; it is spare and alone, but perfect in its solitude. I will be the desert. I open my eyes to see Ry staring at me, and my desert soul erupts with turquoise water, floods and cascades and waterfalls rushing in around my stone, swirling and eddying around my rocky parts, pushing and reshaping and filling every hidden dark spot.
Kiersten White (The Chaos of Stars)
The vestibule door opens onto a June morning so fine and scrubbed Classira pauses at the threshold as she would at the edge of a pool, watching the turquoise water lapping at the tiles, the liquid nets of sun wavering in the blue depths. As if standing at the edge of a pool she delays for a moment the plunge, the quick membrane of chill, the plain shock of immersion.
Michael Cunningham (The Hours)
The beauty of the island [Bora Bora} wasn't limited to its turquoise waters or green hills. That was mere surface beauty. The real awe of the place was evident in its stories. There was one waiting beyond every curve of the shore.
Sarah Jio (The Bungalow)
I put a gentle hand to my chest as I surveyed the situation. The turquoise blue swimming pool some distance behind the lawn was no longer behind that lawn, but within my thorax, and my organs swam in it like excrements in the blue sea water in Nice.
Vladimir Nabokov (Lolita)
The night stayed outside. She was surprised. She opened her mouth but no sound came out. Instead, blue things flew in, pieces of glass or tin, or necklaces of blue diamond, perhaps. The air was the blue of a pool when there are shadows, when clouds cross the turquoise surface, when you suspect something contagious is leaking, something camouflaged and disrupted. There is only this infected blue enormity, elongating defiantly. The blue that knows you and where you live and it's never going to forget.
Kate Braverman
Finally we came over a rise and I saw the Caribbean...My first feeling was a wild desire to drive a stake in the sand and claim the place for myself. The beach was white as salt, and cut off from the world by a ring of steep hills that faced the sea. We were on the edge of a large bay and the water was that clear, turquoise color that you get with a white sand bottom. I had never seen such a place. I wanted to take off all my clothes and never wear them again.
Hunter S. Thompson (The Rum Diary)
It was the Indian manner to vanish into the landscape, not to stand out against it. The Hopi villages that were set upon rock mesas were made to look like the rock on which they sat, were imperceptible at a distance. ... In the working of silver or drilling of turquoise the Indians had exhaustless patience; upon their blankets and belts and ceremonial robes they lavished their skill and pains. But their conception of decoration did not extend to the landscape. They seemed to have none of the European's desire to "master" nature, to arrange and re-create. They spent their ingenuity in the other direction; in accommodating themselves to the scene in which they found themselves. This was not so much from indolence, the Bishop thought, as from an inherited caution and respect. It was as if the great country were asleep, and they wished to carry on their lives without awakening it; or as if the spirits of earth and air and water were things not to antagonize and arouse. When they hunted, it was with the same discretion; an Indian hunt was never a slaughter. They ravaged neither the rivers nor the forest, and if they irrigated, they took as little water as would serve their needs. The land and all that it bore they treated with consideration; not attempting to improve it, they never desecrated it.
Willa Cather (Death Comes for the Archbishop)
Beyond the slumpstone wall lay a backyard, a swimming pool. Dappled with morning light and tree shadows, the water glimmered in shades of blue from sapphire to turquoise, as might a trove of jewels left by long-dead pirates who had sailed a sea since vanished.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
I believe in magic. Writing is my magic wand, and through my magic I create my own secret world, away from all these worries and responsibilities. Love, honesty and humanity is essential to enter this beautiful world of magic. I dwell among White magical peacocks, glowing unicorns, fire breathing turquoise dragons, talking trees, flying horses, talking wise jackals and wolves, crystal water falls, secret pathways hidden in urban gardens and books with doorways to secret worlds. You need to believe in magic to experience it.
Ama H. Vanniarachchy
On our way to the hotel, the pleasure of looking at boundless turquoise water surfaces was diluted by seeing a scary and very large military boat, floating by with marine solders on board and carrying real arms and guns! Our jaws fell; we watched them as if we were hypnotized, while the marines watched us too, with serious expressions on their sunburned faces.
Sahara Sanders (MALDIVES... THE PARADISE (ALL AROUND THE WORLD: A Series of Travel Guides))
And you can still see the sea!" She wanted to swim there, immediately- she had a childlike urge of excitement at the sight of water so clear the rocks at the foot of the cliffs looked like clumps of turquoise flowers growing on the seabed.
Deborah Lawrenson (The Sea Garden)
Depending on whether you were a glass-half-full or glass-half-empty sort it was either very late at night or the wee hours of morning as I cast my line into the aquamarine waters of Cozumel and saw her head sticking up out of the low tide about twenty yards to my left.
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
It was a color I didn't realize the earth could make without the help of human beings. I knew the water would be blue, but I had in mind a tamer, more pastel blue: a light color through which all the sand and fish underneath would be clearly visible. This water was like super-wavy, lit up turquoise, and so beautiful I could hardly take my eyes off it. The moment I was spellbound by the color of the water was the moment I knew I had been in New York for to long and my decision to leave was a good one.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
There, below the cliffs, is a bay of sand where the rocks stand up like the fangs of wolves, and no boat or swimmer can live when the tide is breaking round them. To right and left of the bay the sea has driven arches through the cliff. The rocks are purple and rose-coloured and pale as turquoise in the sun, and on a summer’s evening when the tide is low and the sun is sinking, men see on the horizon land that comes and goes with the light. It is the Summer Isle, which (they say) floats and sinks at the will of heaven, the Island of Glass through which the clouds and stars can be seen, but which for those who dwell there is full of trees and grass and springs of sweet water . . .’ The
Mary Stewart (The Hollow Hills (Arthurian Saga, #2))
Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened. Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah.
Christine Feehan (Dark Magic (Dark, #4))
there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs — we must keep dancing.
Rupi Kaur (The sun and her flowers)
As I write these lines I lift my eyes and look seaward.  I am on the beach of Waikiki on the island of Oahu.  Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea.  Nearer, the sea is emerald and light olive-green.  Then comes the reef, where the water is all slaty purple flecked with red.  Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks.  Through and over and out of these wonderful colours tumbles and thunders a magnificent surf.
Jack London (The Cruise of the Snark (Illustrated) (Annotated))
These rocky, verdant, and volcanic landscapes of the Greek Isles exert their own charm, but it is the sea that dominates every aspect of life. Winding paths hug the shoreline, revealing hidden coves and inlets of turquoise water sparkling in the sun. So many constructions--whether house, church, shop, or restaurant--offer a vista of the blue sea. Terraces spilling over with bougainvillea, and balconies bearing hand-hewn wooden chairs take advantage of the views afforded by crescent-shaped harbors and quiet bays. Each island takes pride in its own picturesque fishing harbors. Off the ports of Kalymnos, fishermen and skin divers gather sponges, octopi, grouper, and shellfish.
Laura Brooks (Greek Isles (Timeless Places))
They were in the middle of a garden with trees shaped as animals. There were gorillas and camels and lions. Rosie felt like she was in some strange storybook circus. Any minute the gorillas would start talking and the lions would charge towards her. "What are we doing here?" Rosie's eyes went wide. "Just follow me." Josh grinned. Rosie followed him through a maze of gardens, each more elaborate than the last. There was a Japanese garden bursting with pink and white blossoms. They passed a water garden with floating lilies, and a tropical garden with birds of paradise and purple irises. Finally they entered a small garden with low-lying plants. A butterfly rested on almost every leaf. Rosie had never seen so many butterflies. She stood still as a statue, afraid if she moved they'd fly away. "This is my favorite," Josh said as if he created the garden. "It's called the butterfly garden. All the flowers contain food attractive to butterflies. The butterflies lay their eggs and feast for days before they fly away." "They're like kaleidoscopes." Rosie peered at a butterfly with gold-and-turquoise wings.
Anita Hughes (California Summer)
and then there are days when the simple act of breathing leaves you exhausted. it seems easier to give up on this life. the thought of disappearing brings you peace. for so long i was lost in a place where there was no sun. where there grew no flowers. but every once in a while out of the darkness something i loved would emerge and bring me to life again. witnessing a starry sky. the lightness of laughing with old friends. a reader who told me the poems had saved their life. yet there i was struggling to save my own. my darlings. living is difficult. it is difficult for everybody. and it is at that moment when living feels like crawling through a pin-sized hole. that we must resist the urge of succumbing to bad memories. refuse to bow before bad months or bad years. cause our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs—we must keep dancing.
Rupi Kaur (The sun and her flowers)
Blue water extends in rows of gentle ripples to a thin line of barely visible cottonwoods on the far side. The wind dies to a whisper and it's quiet, almost perfectly still except for the snap of grasshoppers leaping from the weeds. To the west the mountains rise suddenly, almost violently from the sandy brown of the plains, layered silhouettes of blue and green and gray rising to a turquoise sky. My heart is filled with the beauty of it all.
Kristen Iversen (Full Body Burden: Growing Up in the Nuclear Shadow of Rocky Flats)
She stepped onto the Devil’s Bridge arching over the deadly crater lake—a round pool of water beaming with bioluminescent light; the light of the dead. Like many other namesakes, the semi-circular metal structure connected the diameter of the small lake, reflecting in the water beneath it. Together, the bridge and its mirror became an immense sphere of sky and water. Blue and green combining into turquoise—always turquoise, the bane of her life.
Alexandra Almeida (Unanimity (Spiral Worlds, #1))
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
Bird was watering the pots. She stood still for a moment and watched him. The spray of the water made rainbows in the low, afternoon light, and the leaves of the chard glowed emerald and ruby. And how could she distinguish him from her, or her from the garden, when it was all light, colors playing against one another, wrapped in scent, rich earth and citrus? Bird himself was merely a sphere of turquoise and gold, laced with darker streaks. Musk and sweat and sun-warmed skin. She inhaled, wondering what elixir she could brew from this moment of perfect beauty.
Starhawk (City of Refuge (Maya Greenwood, #3))
THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.  
Sarah Owen (Paganism: A Beginners Guide to Paganism)
Tub full, she stood back to regard the mound of ice. Already the heat of her home fought to melt it. A rap came again at the entrance, more like an impatient pounding, and she cursed. The clock showed her only a few minutes away from her torture. I need whoever it is to go away. She ran to the door and slid open the peek-a-boo slot. Familiar turquoise eyes peered back. “Little witch, little witch, let me come in,” he chanted in a gruff voice. A smile curled her lips. “Not by the wart on my chinny chin chin,” she replied. “And before you try huffing and puffing, Nefertiti herself spelled this door. So forget blowing it down.” “So open it then. I’ve got a lead I think on escapee number three.” A glance at the clock showed one minute left. “Um, I’m kind of in the middle of something. Can you come back in like half an hour?” “Why not just let me in and I’ll wait while you do your thing? I promise not to watch, unless you like an audience.” “I can’t. Please. Just go away. I promise I’ll let you in when you come back.” His eyes narrowed. “Open this door, Ysabel.” “No. Now go away. I’ll talk to you in half an hour.” She slammed the slot shut and only allowed herself a moment to lean against the door which shuddered as he hit it with a fist. She didn’t have time to deal with his frustration. The tickle in her toes started and she ran to the bathroom, dropping her robe as she moved. The fire erupted, and standing on the lava tile in her bathroom, she concentrated on breathing against the spiraling pain and flames. I mustn’t scream. Remy might still be there, listening. Why that mattered, she couldn’t have said, but it did help her focus for a short moment. But the punishment would not allow her respite. Flames licked up her frame, demolishing her thin underpants and she couldn’t help but scream as the agony tore through her body. Make it stop. Make it stop. Wishing, praying, pleading didn’t stop the torture. As the inferno consumed her, her ears roared with the snap of the fire and a glance in her mirror horrified her, for there she stood – a living pyre of fire. She closed her eyes against the brilliant heat, but that just seemed to amplify the pain. Her knees buckled, but she didn’t fall. Something clasped her and she moaned as she sensed more than saw Remy’s arms wrap around her waist. It had to be him. Who else was crazy enough to break down her door and interrupt? Forcing open her eyes, eyes that wanted to water but couldn’t as the heat dried up all moisture, she saw the flames, not picky about their choice her own nightmare, she knew enough to try and push him away with hands that glowed inferno bright. He wouldn’t budge, and he didn’t scream – just held her as the curse ran its course. Without being told, once the flames disappeared, he placed her in the ice bath, the shocking cold a welcome relief. Gasping from the pain, she couldn’t speak but remained aware of how he stroked her hair back from her face and how his arm rested around her shoulders, cradling her. “Oh, my poor little witch,” he murmured. “No wonder you’ve been hiding.” Teeth chattering as the cold penetrated her feverish limbs, she tried to reply. “Wh-what c-c-can I say? I’m h-h-hot.” -Remy & Ysabel
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Now Montezuma [a Tohono O’odham culture hero] called all the tribes together and said, ‘I am greater than anything that has ever been, greater than anything which exists now, and greater than anything that will ever be. Now, you people shall build me a tall house, floor upon floor upon floor, a house rising into the sky, rising far above this earth into the heavens, where I shall rule as Chief of all the Universe.’ The Great Mystery Power descended from the sky to reason with Montezuma, telling him to stop challenging that which cannot be challenged, but Montezuma would not listen. He said: ‘I am almighty. Let no power stand in my way. I am the Great Rebel. I shall turn this world upside down to my own liking.’ Then good changed to evil. Men began to hunt and kill animals. Disregarding the eternal laws by which humans had lived, they began to fight among themselves. The Great Mystery Power tried to warn Montezuma and the people by pushing the sun farther away from the earth and placing it where it is now. Winter, snow, ice, and hail appeared, but no one heeded this warning. In the meantime Montezuma made the people labour to put up his many-storied house, whose rooms were of coral and jet, turquoise and mother-of-pearl. It rose higher and higher, but just as it began to soar above the clouds far into the sky, the Great Mystery Power made the earth tremble. Montezuma’s many-storied house of precious stones collapsed into a heap of rubble. When that happened, the people discovered that they could no longer understand the language of the animals, and the different tribes, even though they were all human beings, could no longer understand each other. Then Montezuma shook his fists toward the sky and called: ‘Great Mystery Power, I defy you. I shall fight you. I shall tell the people not to pray or make sacrifices of corn and fruit to the Creator. I, Montezuma, am taking your place!’ The Great Mystery Power sighed, and even wept, because the one he had chosen to lead mankind had rebelled against him. Then the Great Mystery resolved to vanquish those who rose against him. He sent the locust flying far across the eastern waters, to summon a people in an unknown land, people whose faces and bodies were full of hair, who rode astride strange beasts, who were encased in iron, wielding iron weapons, who had magic hollow sticks spitting fire, thunder, and destruction. The Great Mystery Power allowed these bearded, pitiless people to come in ships across the great waters out of the east - permitted them to come to Montezuma’s country, taking away Montezuma’s power and destroying him utterly. From Montezuma and the Great Flood
James Wilson (The Earth Shall Weep: A History of Native America)
Next to him stands a Water Human wearing one of the elaborate canvas suits held up with a clockwork frame that allows him, or her, to survive in the open air. The machine is like a tank with legs. Plates of glass affixed in the sides allow glimpses of the Human inside, colored blue and scarlet like a singing bird, with stripes of turquoise, black, and mottled gold, a profusion of fins and frills like drowned fans. Not for the first time, I wonder how one water-based race has managed to define itself as Human while all the rest are considered Beasts. That must have taken some fine-grained negotiation.
Cat Rambo (Beasts of Tabat (Tabat Quartet, #1))
My name is Matt Royal. I’m a lawyer who retired early, fed up with the rat race that the once honorable profession of law had become. I moved to Longboat Key, a small island about ten miles long and perhaps a half-mile wide at its broadest point. It lies off the southwest coast of Florida, south of Tampa, about halfway down the peninsula. Sarasota Bay separates the key from the mainland. Anna Maria Island is to the north, the islands connected by the two-lane Longboat Pass Bridge. The southern end of the key is attached by a bridge to Lido and St. Armands Keys, which in turn are connected to the city of Sarasota by the soaring John Ringling Bridge. The Gulf of Mexico’s turquoise waters lap gently on our beaches and the sun almost always shines. A cold day is a rarity, even in February. I live in paradise.
H. Terrell Griffin (Found (Matt Royal Mystery #8))
The Future Glory of Zion 1“Sing, O barren woman, you who never bore a child; burst into song, shout for joy, you who were never in labor; because more are the children of the desolate woman than of her who has a husband,” says the LORD. 2“Enlarge the place of your tent, stretch your tent curtains wide, do not hold back; lengthen your cords, strengthen your stakes. 3For you will spread out to the right and to the left; your descendants will dispossess nations and settle in their desolate cities. 4“Do not be afraid; you will not suffer shame. Do not fear disgrace; you will not be humiliated. You will forget the shame of your youth and remember no more the reproach of your widowhood. 5For your Maker is your husband— the LORD Almighty is his name— the Holy One of Israel is your Redeemer; he is called the God of all the earth. 6The LORD will call you back as if you were a wife deserted and distressed in spirit— a wife who married young, only to be rejected,” says your God. 7“For a brief moment I abandoned you, but with deep compassion I will bring you back. 8In a surge of anger I hid my face from you for a moment, but with everlasting kindness I will have compassion on you,” says the LORD your Redeemer. 9“To me this is like the days of Noah, when I swore that the waters of Noah would never again cover the earth. So now I have sworn not to be angry with you, never to rebuke you again. 10Though the mountains be shaken and the hills be removed, yet my unfailing love for you will not be shaken nor my covenant of peace be removed,” says the LORD, who has compassion on you. 11“O afflicted city, lashed by storms and not comforted, I will build you with stones of turquoise,† your foundations with sapphires.† 12I will make your battlements of rubies, your gates of sparkling jewels, and all your walls of precious stones. 13All your sons will be taught by the LORD, and great will be your children’s peace. 14In righteousness you will be established: Tyranny will be far from you; you will have nothing to fear. Terror will be far removed; it will not come near you. 15If anyone does attack you, it will not be my doing; whoever attacks you will surrender to you. 16“See, it is I who created the blacksmith who fans the coals into flame and forges a weapon fit for its work. And it is I who have created the destroyer to work havoc; 17no weapon forged against you will prevail, and you will refute every tongue that accuses you. This is the heritage of the servants of the LORD, and this is their vindication from me,” declares the LORD.
Anonymous (New Women's Devotional Bible)
He placed the long, gold chain over her head. Then he held the turquoise between his fingers. "This is where it belongs. With you, Always." With tears in her eyes, she wrapped her arms around his neck and kissed him. It wasn't just a thank-you for finding her treasured memento, but something deeper, more heartfelt, and he realized this wasn't a thank-you at all. He felt the same wolfish need, the same lustful attraction and, he was fairly certain, the same desire to take this further. He was torn between ending the kiss and wanting to prolong it, while she wrapped one leg around his, anchoring herself to him, her body moving against his in the gently ripples of the lake, up and down. Despite the wet suit and her bathing suit between them, he felt his erection rising to the occasion again. Of course, all he really needed was to see her in that bathing suit, her nipples standing out against the stretchy suite, to make his cock stir. With her body moving against his in such an erotic way, he was suffering. Their tongues were doing a slow slide together, back and around, as he kept one hand against her naked back and the other cupping her head for maximum kissing pleasure. The sun shone off the water, the heat of their bodies keeping them warm. He sure loved kissing her like this and felt like one hot SEAL wolf wrapped around a wolfish mermaid.
Terry Spear (SEAL Wolf Hunting (Heart of the Wolf, #16))
The greenery is lush, and the scenery is dotted by open-air villas surrounded by tall, thin trees. Turquoise water suddenly appears to the right, and I look over to the left to see a series of white-washed cottages rising out of the cliff that overlooks the sparkling water.
C.W. Farnsworth (Two Decisions, One Duty (Months, Words, Decisions, Duty, #2))
Anger, he smiles, towering in shiny metallic purple armor. Queen Jealousy Envy waits behind him—her fire green gown sneers at the grassy ground. Blue are the life-giving waters taken for granted, they quietly understand. Once-happy turquoise armies lay opposite ready, But wondering why the fight is on. But they're all bold as love...just ask the Axis. Red, so confident, he flashes trophies of war and ribbons of euphoria. Orange is young, full of daring, But very unsteady for the first go-round. Yellow in this case is not so mellow, In fact, I'm trying to say, it's frightened like me. And all these emotions of mine keeps holding me back from giving my life to rainbow you.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
Prayer to the Pacific I traveled to the ocean distant from my southwest land of sandrock to the moving blue water Big as the myth of origin. Pale pale water in the yellow-white light of sun floating west to China where ocean herself was born. Clouds that blow across the sand are wet. Squat in the wet sand and speak to the Ocean: I return to you turquoise the red coral you sent us, sister spirit of Earth. Four round stones in my pocket I carry back the ocean to suck and to taste. Thirty thousand years ago Indians came riding across the ocean carried by giant sea turtles. Waves were high that day great sea turtles waded slowly out from the gray sundown sea. Grandfather Turtle rolled in the sand four times and disappeared swimming into the sun. And so from that time immemorial, as the old people say, rain clouds drift from the west gift from the ocean. Green leaves in the wind Wet earth on my feet swallowing raindrops clear from China.
Leslie Marmon Silko (Storyteller)
​‘Why is the sea sometimes green and sometimes turquoise, sometimes white and sometimes as black as lava? Why is it never just the colour of water?’ Alessi asked. ​‘It’s God’s will,’ his grandfather said. ‘That way the sailor knows when he can go out to sea and when it’s best to stay on shore.
Giovanni Verga (I Malavoglia: The House by the Medlar Tree)
our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places.
Rupi Kaur (The Sun and Her Flowers)
By the time he was by her shores, it was the twilight hour And he stood witness to their blending in celestial communion His tired eyes beheld the amber of her blushes drip into her tresses And ripple in a gentle zephyr of his caresses In her ankles he saw the white frills of a long turquoise robe, Replete with the tinkling of her anklets Like the many dead whose ashes are dissolved in her waters, He emptied in her the remnants of his memories, so there remained no trace of his old self, Like a monk who does self-oblation, shunning all bondages of an insignificant past He wished to be reborn in the same life, a different man with a different name – A man with no yesterdays and no tomorrows
Rasal (I Killed the Golden Goose : A COLLECTION OF THOUGHTS, THOUGHTLESSNESS, SILENCES, POEMS & SOME ‘SHOT’ STORIES)
assured me. Still, I saw nothing. “Ambassador! Ambassador Delgaroth!” she called. The water parted with barely a ripple as he rose to the surface. Delgaroth was the deep blue of the sky just before night, with dazzling green markings on his flanks and face. His eyes were large for a natite, with dark blue irises surrounded by soft turquoise. When he blinked, it was with one or both of his two sets of eyelids. The first set was opaque, the second translucent. I’d been told that the clear eyelids allowed natites to see beneath the water. “Good morning to you, Ambassador,” said Khara with a nod. “And to you, Lady Kharassande of the Donatis,” Delgaroth said.
Katherine Applegate (The Only (Endling, #3))
Zahara de la Sierra is a picturesque village of whitewashed houses famously known as pueblos blancos. Tourists flock to the town for breathtaking views of the surrounding mountains and the clear, turquoise waters of the Zahara-El Gastor reservoir—not to mention the scintillating
David Jeremiah (Shelter in God: Your Refuge in Times of Trouble)
Whenever Daddy would take me to the ocean, I'd see it in its beauty--the blues and turquoises of the water, the ripples and movements that drenched my ears in soothing sounds. But Daddy never took me there during the storms. We didn't go to shore when a hurricane came or the waves crashed high and hard onto the sand. What Daddy had come to know was the dichotomy, the mixing of the beauty and destruction, the awe and devastation that the force of nature could unleash.
Meagan Church (The Last Carolina Girl)
I’ve never performed at an opera house before,” said Miley. “It’s quite an honor.” And she really meant it. The opera house was a modern white building that appeared to be rising from the glimmering turquoise water of Sydney Harbor. Wow, thought Miley, actually gulping for breath. The building was exquisite. And to think she’d be performing there! Sometimes Miley
M.C. King (G'day, Sydney! (Hannah Montana On Tour, #2))
across water so electric-blue it looked as if someone had dumped a vat of Ty-D-Bol into it. It was a color I didn't realize the earth could make without the help of human beings. I knew the water would be blue, but I had in my mind a tamer, more pastel blue: a light color, through which all the sand and fish underneath would be clearly visible. This water was like super-wavy, lit-up turquoise, and so beautiful I could hardly take my eyes off it. The moment I was spellbound by the color of the water was the moment I knew I had been in New York for too long and my decision to leave was a good one.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
Samantha strolled into the garden and followed the little winding pathway that led through a small orchid garden to a beach shaded by tall palms. Delighted to find the beach relatively empty, Samantha carefully chose a lounge chair with a bright turquoise cushion under a palm tree whose leaves fluttered softly in the breeze. Settling in, she pulled her books and notepad from her bag and set them with her water bottle on the table next to the chair.
Tricia O'Malley (Good Girl (Siren Island #1))
And the water—it was otherworldly. A hue of teal so postcard perfect, I was disbelieving. But it was not the only shade of blue. When the sky was overcast or the sun had not yet punctured the surface of the morning, we saw lavender gray and cornflower ripple across the ocean’s calm surface. Under the high sun, we boarded fishing boats and walked beaches, witnessing coastal cerulean, jungle azure, deep pools of peacock and sapphire. We swam in turquoise, indigo, aquamarine.
Jennifer Gold (Halfway to You)
and a swimming pool whose turquoise waters sparkled in mockery of the drought that was driving farmers to suicide across the northern states.
Oindrila Mukherjee (The Dream Builders)
A patchwork of blue, emerald and turquoise, with white horses dancing like diamonds on the surface. The water stretched out forever until it melted into the sky.
Hannah Gold (The Lost Whale)
Taking art classes on repeat, you learn a alot about color, but I can't explain that blue. You see it in photos of icy lands. Peacock blue in the deep center, shading out to clear on the pebbly edges....My eye kept going back to the turquoise middle. You so rarely see that, but children will color water taht way every time, given the right choice of crayons. Like they were born knowing there's better out there than what we're getting. -p. 531
Barbara Kingsolver (Demon Copperhead)
Where the white sea dragon moved, black blood sprayed. And just when the soldiers mastered their terror enough to launch arrows and spears at the opalescent scales enforced with Spidersilk, she twisted and flipped back into the deep river, vanishing beneath the ice. Spears plunged into the turquoise waters, missing their mark, but Lysandra was already racing past.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
then through the Indian Ocean, down around the Cape of Good Hope, and up to the Atlantic. The entirety of the world via water. So many of the places I went exist in my mind like a brochure when I try to recall them. Elephants in Tsavo East National Park, an elevator packed with people riding from Salvador’s upper to lower city. The rippling heat of Delhi and the bright turquoises, saffrons, and fuchsias of women’s saris. I learned about silk and sashimi, about wild animals and barren deserts. I also learned about intractable poverty, caste systems, indigenous tribes—things I might have learned about America if I’d been paying closer attention. But this is perhaps the most profound lesson of travel, that you don’t really know the place and culture you’ve come from until you’ve left it. Today, I think that even if I had someday left the States, without that voyage, I’d have trod the familiar: London, Paris, Amsterdam, Montreal. Instead, Semester at Sea gave me the courage to imagine a different kind of travel, and a blueprint for how to do it. To see the sights, certainly, but to understand that it was meeting people that really mattered. In this, I also count a legacy from my father, the salesman who could talk to anyone about anything.
Rachel Louise Snyder (Women We Buried, Women We Burned: A Memoir)
As they banked left, Frankie saw Vietnam through the open doorway: The flat green swath of jungle, a brown ribbon of water, dotted with boats. White sand beaches bordered the turquoise waters of the South China Sea. Verdant mountains in the distance reached up into the blue cloud-strewn sky.
Kristin Hannah (The Women)
We pulled into the so-called safe zone, next to a pair of tow teams that had sidelined themselves, and as King reached past me to untether his camera case and assemble his housing, I started at Jaws. At about 40 feet, this wasn't the biggest day on record, but somehow that diminished nothing. The wave was breathtaking. As it rose, its face opened up to the cliffs and its lip curled over a full-bellied barrel. Except for the luminous glints of turquoise at its peak, the wave was sapphire blue, gin clear, and flecked with white. If heaven were a color it would be tinted like this. You could fall into this water and happily never come out and you could see it forever and never get tired of looking. Jaws did not permit its spectators to daydream about being someplace else, to feel bored or irritated or jaded. Watching it was an instant antidote to petty problems. There could be no confusion about who called the shots out here, at this gorgeous, haunted, heavy, lush, primordial place, with all its unnameable blues and its ability to nourish you and kill you at the same time. There was unspeakable power at Jaws, but it was the beauty that got me.
Susan Casey (The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean)
Through the open doors, she saw the world flash by: white beaches, turquoise water, red dirt roads that cut like veins through it all as they sped south, toward Saigon.
Kristin Hannah (The Women)
you walked for weeks as I slept scrawlings on water beating wings After all it was years of our lives That road seems landless red-turquoise collapsed roof of a barn in the garden soft nets to hold them back whole cartographies where the deer have stepped seeds of rain Didn't you want it more
Joanna Klink (Raptus (Penguin Poets))
Thomas wiggled his toes in the sand and watched a sea bird glide across the calm, clear, turquoise water. There was a gentle breeze and the sun on his skin felt glorious.
The Starset Society (A BRIEF HISTORY OF THE FUTURE)
She would. Even if Danika had to snarl in Micah Domitus’s face, she’d get her point across. There weren’t many who’d dare piss off the Archangel of Crescent City, but Danika wouldn’t hesitate. And given that all seven Heads of the City would be at this meeting, the odds of that happening were high. Things tended to escalate swiftly when they were in one room. There was little love lost between the six lower Heads in Crescent City, the metropolis formally known as Lunathion. Each Head controlled a specific part of the city: the Prime of the wolves in Moonwood, the Fae Autumn King in Five Roses, the Under-King in the Bone Quarter, the Viper Queen in the Meat Market, the Oracle in the Old Square, and the River Queen—who very rarely made an appearance—representing the House of Many Waters and her Blue Court far beneath the Istros River’s turquoise surface. She seldom deigned to leave it.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Tilly found a bucket of white paint and began mixing it with indigo sediment and lime. She vowed her growing son would not grow up with evil spirits floating around him. So she mixed an indigo dye and stained the ceiling where William slept in haint blue, using another indigo-sodden rag to leave behind the tinge of turquoise on the rafters. Dragged upon foreign shores, early enslaved Africans believed the hue would trap the evil spirits that tried to do harm, tricking them to believe that the vibrant pigment was the sky or water, ensuring they remained at bay.
Shaunna J. Edwards (The Thread Collectors)
The Monastery of Saint Naum is an ancient foundation, begun in 905 by the saint himself on the shores of Lake Ohrid. Naum chose an enchanting place for his monastery. Lake Ohrid, a pane of still turquoise water shimmering in the mountain air, looks like a droplet of the Aegean plopper in the middle of the Jablanica Mountains. The monastery stands at a point on the shore -- now the boundary between North Macedonia and Albania -- where a series of springs emerge from the base of Mount Galičica. They are ice cold and immensely clear. The point where they emerge from the ground is surrounded by a grove of tall, ivy-covered oaks, in the midst of which stands a single spreading fig tree.
Jacob Mikanowski (Goodbye, Eastern Europe: An Intimate History of a Divided Land)
Geographically the island had dramatic coastline of secret coves and forests. It was surrounded by water of turquoise color and reef. It had rich, fertile lands and a very hot temperature all year round. All year the temperature averaged 105 degrees. It got a bit cooler at night but people could still sleep under the stars and sky. It had very little rainfall and no snow or frost. Temperatures dropped a little in the winter”.
Annette J. Dunlea
A buzzing comes across the sky. The red biplane rolls inward across the turquoise water, over a wispy pine isle with a scattering of sailboats close by. Fishing boats make froth lines as they enter the channel below. A windjammer heads out for a sunset cruise promising a marmalade sky. The buzz hardens and bursts into an immense whirling sound above the yachts and sport fishers at the marina docks—the plane now racing its elongated shadow over the waterfront restaurants and bars. A man on bicycle coming round by the schooner wharf looks up with the whoosh of the plane already over the tall palms and roof tin, disappearing now in a muted drone down toward the Southernmost.” From Chapter 1: An Unfinished Sunset
Will Irby (An Unfinished Sunset: The Return of Irish Bly)
After the initial shock subsides, the Aegean Sea, turquoise and limpid, enveloping my limbs feels like a gigantic womb. I think, as we swim side by side moving our legs and arms in unison like synchronized frogs, of the sea as the mother of the first creatures who crawled out of it and somehow, eventually became me and Patron’s operatic wife. She is still wearing her glasses and is careful to keep her teased puffy hair out of the water.
Loren Edizel (Days of Moonlight)
The night of 'the look' on the avenue de New York. People drift along not seeing each other. It is like a vernissage without paintings. It could be the Exterminating Angel or 'Pure Festival' - pure in the sense of Virilio's 'pure war' - on screen. The only hot spot is the trap-door through which the champagne arrives. Peculiar feverish, power-mad tribe, dissolute yet oversensitive, metaphysics with infrared lighting. Nothing in their gaze, everything in the way they look, nothing in their eyes, everything in the decibel level. The gentle air of the Piazza Navona in December, with the acetylene lamps and the reflections of the turquoise water on the Bernini horses. A beauty that is purely Roman. In the Campo dei Fiori someone has laid fresh flowers at the foot of the statue of Giordano Bruno, burned for heresy on this very spot four centuries ago. The touching loyalty of the Roman people; where else would you see such a thing? The hot December multitudes spill out into the street: Christmas is almost as mild here as in Brazil. The city is only beautiful when the crowd invades it. So many people on the streets always gives the impression of a silent uprising. Everyone walks along in the luminous muted buzz of voices and the narrow streets. Everything is transformed into a silent opera, a theatrical geometry. Everything sings in this part of the city.
Jean Baudrillard (Cool Memories)
Farther out, the water sheds its sandy complexion and turns a turquoise of such clarity that the tourists’ sailboats seem to float atop their own shadows.
Omar El Akkad (What Strange Paradise)
All thought flew from my mind when he pulled the shirt from over his head, revealing the elegant sweep of his back, the hard-packed muscles rippling under smooth skin. Arms, chiseled like a god's, reached down and... "Oh, sweet baby Jesus," I murmured fervently. He pushed his jeans off and bared an ass that was, frankly, spectacular. Those tight globes flexed as he kicked the jeans away with one long leg. Turn away. Get out of here. I shouldn't look. I coveted my privacy, and I was blatantly watching Lucian strip naked. He deserved his privacy too. But I couldn't blink. I couldn't move. He was...glorious. My fingers gripped the railing, holding on tight. The light of the pool gave his skin an unworldly greenish cast. He rolled his shoulders...unf...and then dove in. The water rippled outward in his wake. I actually shivered with lust as I tracked him along the bottom of the pool, a pale arrow of flesh darting through the turquoise glow. Silently, he surfaced on the far side of the pool, then neatly turned to do laps. Perfect form. Long strong arms. Clean, steady strokes. Édith Piaf kept singing as Lucian set a steady but brutal pace. He went at it lap after lap. I grew fairly dizzy with rude thoughts about his stamina. The night was cool, but my flesh was hot. God, that water looked so good. I could practically feel it running over my fevered skin.
Kristen Callihan (Make It Sweet)
Finally, there was nothing to fear. The wedding was over, he was hers, and their honeymoon so far was all she’d ever dreamt of. Lying beside him on a blanket on the white Caribbean sands, surrounded by the beauty of the turquoise waters, she exhaled.
Jaden Skye (Death By Honeymoon (Caribbean Murder, #1))
She had blue eyes, but his were BLUE. Not just one shade of blue, either, but a swirl of shades that reminded her of the stretch of ocean between Bella Vita Isle and Nassau where the turquoise waters fell into a deep, fathomless blue.
Emily March (Dreamweaver Trail (Eternity Springs, #8))
The Bay of Calvi twinkled under a cloudless sky. It was mid-summer on the Mediterranean island of Corsica, and the weather couldn’t have been more perfect. A collection of multi-million dollar pleasure yachts — all polished and smoothed until they gleamed — rested in a spacious marina built into one side of the bay. The turquoise water had a clarity that seemed to be the trademark for these kind of exotic locations. It lapped gently at the sandy shore, adding soft background noise to the serene ambience of the bay.  The
Matt Rogers (Reloaded (Jason King, #3))
Alex was like the inviting turquoise water near the shore on a tropical beach. Naturally beautiful with a hypnotically joyful presence.
Lane Hayes (The Right Time (Right and Wrong, #3))
It felt fantastic to be back filming again, and it made me realize how much I missed it. The crew represented our extended family. I never once caught a feeling of annoyance or impatience at the prospect of having a six-day-old baby on set. To the contrary, the atmosphere was one of joy. I can mark precisely Bindi Irwin’s introduction to the wonderful world of wildlife documentary filming: Thursday, July 30, 1998, in the spectacular subtropics of the Queensland coast, where the brilliant white sand meets the turquoise water. This is where the sea turtles navigate the rolling surf each year to come ashore and lay their eggs. Next stop: America, baby on board. Bindi was so tiny she fit on an airplane pillow. Steve watched over her almost obsessively, fussing with her and guarding to see if anything would fall out of the overhead bins whenever they were opened. Such a protective daddy. Our first shoot in California focused on rattlesnakes and spiders. We got a cute photo of baby Bindi with a little hat on and a brown tarantula on her head. In Texas she got to meet toads and Trans-Pecos rat snakes. Steve found two stunning specimens of the nonvenomous snakes in an abandoned house. I watched as two-week-old Bindi reacted to their presence. She gazed up at the snakes and her small, shaky arms reached out toward them. I laughed with delight at her eagerness. Steve looked over at me, as if to say, See? Our own little wildlife warrior!
Terri Irwin (Steve & Me)
We began with two buttery sweet edamame and one sugar syrup-soaked shrimp in a crunchy soft shell. A lightly simmered baby octopus practically melted in our mouths, while a tiny cup of clear, lemony soup provided cooling refreshment. The soup held three slices of okra and several slippery cool strands of junsai (water shield), a luxury food that grows in ponds and marshes throughout Asia, Australia, West Africa, and North America. In the late spring the tiny plant develops leafy shoots surrounded by a gelatinous sheath that floats on the water's surface, enabling the Japanese to scoop it up by hand from small boats. The edamame, okra, and water shield represented items from the mountains, while the shrimp and octopus exemplified the ocean. I could tell John was intrigued and amused by this artistic (perhaps puny?) array of exotica. Two pearly pieces of sea bream, several fat triangles of tuna, and sweet shelled raw baby shrimp composed the sashimi course, which arrived on a pale turquoise dish about the size of a bread plate. It was the raw fish portion of the meal, similar to the mukozuke in a tea kaiseki. To counter the beefy richness of the tuna, we wrapped the triangles in pungent shiso leaves , then dunked them in soy. After the sashimi, the waitress brought out the mushimono (steamed dish). In a coal-black ceramic bowl sat an ivory potato dumpling suspended in a clear wiggly broth of dashi thickened with kudzu starch, freckled with glistening orange salmon roe. The steamed dumplings, reminiscent of a white peach, was all at once velvety, sweet, starchy, and feathery and had a center "pit" of ground chicken. The whole dish, served warm and with a little wooden spoon, embodied the young, tender softness of spring.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
Thunder explodes over their heads and Sarah sees the silver sheet of water pouring down outside the broken barn door, Cowboy slumped against the wall with a rueful smile, the buttons in his head reflecting the lightning in blue-white pattern, silver and turquoise, like eyes gazing inward, into his head. Sarah feels a sweep of sadness for Cowboy, the dispossessed panzerboy, his boots leaving tracks in the dust above which he once flew with his mind flicking at the speed of light.
Walter Jon Williams (Hardwired (Hardwired, #1))
The gyre that pulls this sunrise ocean moves west from Africa across the equator then caresses this thumb of land on Mexico’s flank. The Gulf Stream carries the warm waters farther north. Like the ocean currents, airflow also moves in a circular pattern, captive to the earth’s rotation, pulled one way or the other on either side of the equator: the Coriolis effect. This force can act upon the spiraling of water down drains, counterclockwise if you are in the Northern Hemisphere, clockwise if you are south of the equator. We are still in the Northern Hemisphere but just barely. My quest for drain behavior reassures me that we will not be flung off the spinning globe—you can never be too sure. On a flight to Australia once, when the airplane was precisely over the equator, I rushed to the airplane’s lavatory and filled the sink with water. Then I pulled the plug to see which way the water would circle the drain, hoping for some sort of momentous turmoil in the physics of deflection. When you venture well beyond home, it is important to assess the territory.
Ellen Meloy (The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky (Pulitzer Prize Finalist))
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